Nero Wolfe Quotes

We've searched our database for all the quotes and captions related to Nero Wolfe. Here they are! All 100 of them:

β€œ
We are all vainer of our luck than of our merits.
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Rex Stout (The Rubber Band (Nero Wolfe, #3))
β€œ
[A] pessimist gets nothing but pleasant surprises, an optimist nothing but unpleasant.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
Nothing is more admirable than the fortitude with which millionaires tolerate the disadvantages of their wealth.
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Rex Stout (The Red Box (Nero Wolfe, #4))
β€œ
I try to know what I need to know. I make sure to know what I want to know. (Nero Wolfe)
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Rex Stout (Please Pass the Guilt (Nero Wolfe, #45))
β€œ
I will ride my luck on occasion, but I like to pick the occasion.
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Rex Stout (Might as Well Be Dead (Nero Wolfe, #27))
β€œ
Genius is fine for the ignition spark, but to get there someone has to see that the radiator doesn't leak and no tire is flat.
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Rex Stout (The Doorbell Rang (Nero Wolfe, #41))
β€œ
Afraid? I can dodge folly without backing into fear.
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Rex Stout (The Doorbell Rang (Nero Wolfe, #41))
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A man may debar nonsense from his library of reason, but not from the arena of his impulses.
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Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
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Women don't require motives that are comprehensible to my intellectual processes. (Nero Wolfe)
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Rex Stout (Three Doors to Death (Nero Wolfe, #16))
β€œ
No man was ever taken to hell by a woman unless he already had a ticket in his pocket or at least had been fooling around with timetables.
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Rex Stout (Some Buried Caesar (Nero Wolfe, #6))
β€œ
In a world that operates largely at random, coincidences are to be expected, but any one of them must always be mistrusted.
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Rex Stout (Champagne for One (Nero Wolfe, #31))
β€œ
There are two kinds of statistics, the kind you look up and the kind you make up.
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Rex Stout (Death of a Doxy (Nero Wolfe, #42))
β€œ
As I understand it, a born executive is a guy who, when anything difficult or unexpected happens, yells for somebody to come and help him.
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Rex Stout (The Red Box (Nero Wolfe, #4))
β€œ
Being broke is not a disgrace, it is only a catastrophe.
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Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
β€œ
What the tongue has promised, the body must submit to.
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
β€œ
If one kiss screwed up our friendship,” he whispered, β€œwhat the hell did we just do?
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Lisa Kessler (Sedona Seduction (Sedona Pack #2))
β€œ
If getting on the ground is what keeps those good things in my life, then fine. But I will not crawl, I absolutely will not beg. γ€€γ€€Stupid wolf!
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Sarah Brianne (Nero (Made Men, #1))
β€œ
Frankly, I wish I could make my heart quit doing an extra thump when Wolfe says satisfactory, Archie. It's childish.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
β€œ
To assert dignity is to lose it.
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Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
β€œ
Only the man that knows to little, knows too much." Nero Wolfe
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Rex Stout
β€œ
You’re still the best kisser.” β€œYou make me want to be.
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Lisa Kessler (The Lone Wolf's Wish (Sedona Pack #0.5))
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I stole a kiss and whispered, β€œI’ve never had anyone in my corner before. I like it.” β€œMe too.” A spark of mischief flashed in her dark eyes. β€œYou know what else I like?” β€œWhat’s that?” Her hand slid down to grab my ass. β€œBeing naked with you.
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Lisa Kessler (Sedona Seduction (Sedona Pack #2))
β€œ
Wolfe was drinking beer and looking at pictures of snowflakes in a book someone had sent him from Czechoslovakia... ...Wolfe seemed absorbed in the pictures. Looking at him, I said to myself, "He's in a battle with the elements. He's fighting his way through a raging blizzard, just sitting there comfortably looking at pictures of snowflakes. That's the advantage of being an artist, of having imagination." I said aloud, "You mustn't go to sleep, sir, it's fatal. You freeze to death.
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Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
β€œ
You can't dance cheerfully. Dancing is too important. It can be wild or solemn or gay or lewd or art for art's sake, but it can't be cheerful.
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Rex Stout (Champagne for One (Nero Wolfe, #31))
β€œ
More people saying what they believe would be a great improvement. Because I often do I am unfit for common intercourse.-Nero Wolfe in "Blood Will Tell
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Rex Stout (Trio for Blunt Instruments (Nero Wolfe, #39))
β€œ
Chili is one of the great peasant foods. It is one of the few contributions America has made to world cuisine. Eaten with corn bread, sweet onion, sour cream, it contains all five of the elements deemed essential by the sages of the Orient: sweet, sour, salty, pungent, and bitter.
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Rex Stout
β€œ
Enforced courtesy is worse than none.
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
β€œ
Of course, a hole in the ice offers peril only to those who go skating.
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
β€œ
I knew how to use a dictionary, and if I was going to be spending time around Nero Wolfe, I would have to buy one."-Archie Goodwin in Archie Meets Nero Wolfe
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Robert Goldsborough (Archie Meets Nero Wolfe: A Prequel to Rex Stout's Nero Wolfe Mysteries)
β€œ
It strikes me, sir, that you are nearing the point where even a grateful American might tell you to go to the devil.-Nero Wolfe to an FBI Agent
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Rex Stout (Over My Dead Body (Nero Wolfe, #7))
β€œ
The avoidance of idiocy should be the primary and constant concern of every intelligent person," - Nero Wolfe
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Rex Stout
β€œ
Mrs. Rachel Bruner: [trying to goad Wolfe] I thought you were afraid of nobody and nothing. Nero Wolfe: [unruffled] I can dodge folly without backing into fear.
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Rex Stout
β€œ
Holmes is depressed. Poirot is vain. Miss Marple is brusque and eccentric. They don’t have to be attractive. Look at Nero Wolfe who was so fat that he couldn’t even leave his New York home and had to have a custom-made chair to support his weight!
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Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
β€œ
She turned back to me, graceful as a big cat, straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was β€œWill you marry me?” but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.
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Rex Stout (Too Many Clients (Nero Wolfe, #34))
β€œ
No man should tell a lie unless he is shrewd enough to recognize the time for renouncing it, if and when it comes, and knows how to renounce it gracefully.
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Rex Stout (Before Midnight (Nero Wolfe #25))
β€œ
Yeah. I'm the fly in the soup. I don't like it any better than you do. Flies don't like being swamped in soup, especially when it's hot.
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Rex Stout (Champagne for One (Nero Wolfe, #31))
β€œ
When I consider myself superior to anyone, as I frequently do, I need a better reason than his skin.
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Rex Stout (A Right to Die (Nero Wolfe, #40))
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Wolfe could get sentimental about it if he wanted to, but I don't like any stranger nosing around my private affairs, let alone a nation of 130 million people.-Archie Goodwin
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Rex Stout (Over My Dead Body (Nero Wolfe, #7))
β€œ
I have undertaken to to find an explanation for something that can't possibly be explained-Nero Wolfe
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Rex Stout (Champagne for One (Nero Wolfe, #31))
β€œ
Nothing is simpler than to kill a man; the difficulties arise in attempting to avoid the consequences.
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
β€œ
I understand the technique of eccentricity; it would be futile for a man to labor at establishing a reputation for oddity if he were ready at the slightest provocation to revert to normal action.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
Nothing is obvious in itself. Obviousness is subjective.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
β€œ
To pronounce French properly you must have within you a deep antipathy, not to say scorn, for some of the most sacred of the Anglo-Saxon prejudices.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
Dignities are like faces; no two are the same.
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Rex Stout (Before Midnight (Nero Wolfe #25))
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Courtesy is one's own affair, but decency is a debt to life
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
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If you collected all the good faith in this room right now you might fill a teaspoon.
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Rex Stout (The Rubber Band (Nero Wolfe, #3))
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Is this Nero Wolfe’s house?” The voice got me one-half awake. β€œYes. Archie Goodwin.” β€œThis is Sarah Jaffee. I’m awfully sorry, Mr. Goodwin, did I wake you up?” β€œNot quite. Go ahead and finish it.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
He looked in her eyes, and she wondered if she made a good decision starting something like that with a guy like Nero. She knew he was like a wolf. The man was definitely an animal, and he looked at her only as food. Yet that excited a small part of Elle, and that was what scared her the most
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Sarah Brianne
β€œ
And what thoughts or memories, would you guess, were passing through my mind on this extraordinary occasion? Was I thinking of the Sibyl's prophecy, of the omen of the wolf-cub, of Pollio's advice, or of Briseis's dream? Of my grandfather and liberty? Of my grandfather and liberty? Of my three Imperial predecessors, Augustus, Tiberius, Caligula, their lives and deaths? Of the great danger I was still in from the conspirators, and from the Senate, and from the Gaurds battalions at the Camp? Of Messalina and our unborn child? Of my grandmother Livia and my promise to deify her if I ever became Emperor? Of Postumus and Germanicus? Of Agrippina and Nero? Of Camilla? No, you would never guess what was passing through my mind. But I shall be frank and tell you what it was, though the confession is a shameful one. I was thinking, 'So, I'm Emperor, am I? What nonsense! But at least I'll be able to make people read my books now. Public recitals to large audiences. And good books too, thirty-five years' hard work in them. It wont be unfair. Pollio used to get attentive audiences by giving expensive dinners. He was a very sound historian, and the last of the Romans. My history of Carthage is full of amusing anecdotes. I'm sure that they'll enjoy it.
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Robert Graves (I, Claudius (Claudius, #1))
β€œ
All there was to it, he was in a panic. He was scared stiff that any minute a fact might come bouncing in that would force him to send me down to Cramer bearing gifts, and there was practically nothing on earth he wouldn't rather do, even eating ice cream with cantaloupe or horseradish on oysters.
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Rex Stout (If Death Ever Slept (Nero Wolfe, #29))
β€œ
Wolfe: 'Our next step is obvious, but it must wait...' Archie: It was nice to know the next step was obvious, but it would have been even nicer to know what it was.
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Rex Stout (The Father Hunt (Nero Wolfe, #43))
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When we turned right on Thirty-fifth Street our suffix came along. By the time we rolled to the curb in front of Wolfe's house there wasn't even hyphen between us.
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Rex Stout (Too Many Women (Nero Wolfe, #12))
β€œ
This is the unluckiest day I've had since my rich uncle changed doctors.
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Rex Stout (Too Many Women (Nero Wolfe, #12))
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As long as I live I'll never forget the time he had a bank president pinched, or rather I did, on no evidence whatever except that the fountain pen on his desk was dry. I was never so relieved in my life as when the guy shot himself an hour later.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
If your ego is in good shape you will pretend you're surprised if a National Chairman calls you to tell you his party wants to nominate you for President of the United States, but you're not really surprised.
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Rex Stout (Champagne for One (Nero Wolfe, #31))
β€œ
Everything about her, the way she walked, the way she stood, her eyes and mouth and whole face, seemed to be saying, without trying or intending to, that if you happened to be hers, and she yours, life would be full of pleasant and interesting surprises.
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Rex Stout (Three Doors to Death (Nero Wolfe, #16))
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I suspected the movies, considering her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.
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Rex Stout (Black Orchids (Nero Wolfe, #9))
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He was as indignant and irritated as if he had been served a veal cutlet with an egg perched on it.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
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If you want to be contentious wait until you learn what you have to contend with. It works better that way.
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Rex Stout (And Be a Villain (Nero Wolfe, #13))
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Invade a man’s privacy and then put the burden on him.
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Rex Stout (Death Times Three (Nero Wolfe, #47))
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War doesn’t mature men; it merely pickles them in the brine of disgust and dread. Pfui!
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Rex Stout (Over My Dead Body (Nero Wolfe, #7))
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The trouble with an alarm clock is that what seems sensible when you set it seems absurd when it goes off.
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Rex Stout (Three at Wolfe's Door (Nero Wolfe, #33))
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No man was ever taken to hell by a woman unless he already had a ticket in his pocket, or at least had been fooling around with timetables.
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Rex Stout (Some Buried Caesar (Nero Wolfe, #6))
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It would take an extremely unattractive person to think of that." --Nero Wolfe, on the plot of "Cordially Invited to Meet Death" by Rex Stout, p. 159 of 192
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Rex Stout (Black Orchids - A Nero Wolfe Novella (Nero Wolfe, #9))
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...if he had married Mrs. Albert Grantham for her money I freely admit that no man marries without a reason and with her it would have been next to impossible to think up another one....
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Rex Stout (Champagne for One (Nero Wolfe, #31))
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The adventures of Don Quixote and Sancho Panza, a team generally regarded as seeking justice, can be compared to the adventures of Rex Stout's two most famous characters, Nero Wolf and Archie Goodwin.
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James Grady (Six Days of the Condor)
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I wouldn’t use physical violence even if I could, because one of my romantic ideas is that physical violence is beneath the dignity of a man, and that whatever you get by physical aggression costs more than it is worth.
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Rex Stout (Too Many Cooks (Nero Wolfe, #5))
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Yes, I said something to him, and then I cooled him off.” β€œCooled? By what process?” β€œI knocked him halfway across Broadway and took my wife.” β€œYou did?” Wolfe scowled at him. β€œWhat’s the matter with your brain? Does it leak?
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Rex Stout (Too Many Women (Nero Wolfe, #12))
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She had been a pleasant surprise. From what her father had said I had expected an intellectual treat in a plain wrapper, but the package was attractive enough to take your attention off of the contents....she was not in any way hard to look at, and those details which had been first disclosed when she appeared in her swimming rig were completely satisfactory.
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Rex Stout (The Second Confession (Nero Wolfe, #15))
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Wolfe scowled at her. I could see he was torn with conflicting emotions. A female in his kitchen was an outrage. A woman criticizing his or Fritz’s cooking was an insult. But corned beef hash was one of life’s toughest problems, never yet solved by anyone.
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Rex Stout (Black Orchids (Nero Wolfe, #9))
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He wrote short and he wrote often, which tended to obscure the fact that he wrote well. Unless it leads to obscurity, brevity is rarely praised (or employed) in the journals of, ah, serious literary criticism, and frequency is often equated with frivolity.
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Rex Stout (If Death Ever Slept (Nero Wolfe, #29))
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I had been wrong about him Tuesday when I figured that he had always been fifty years old and always would be. He had already put on at least five years, and he had shrunk. Instead of tagging him a neat little squirt I would now call him a magnified beetle.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
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Probably my conception of a widow was formed in my early boyhood in Ohio, from a character called Widow Rowley, who lived across the street. I have known others since, but the conception has not been entirely obliterated, so there is always an element of shock when I meet a female who has been labeled widow and I find that she has some teeth, does not constantly mutter to herself, and can walk without a cane.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
Shucked and boiled in water, sweet corn is edible and nutritious; roasted in the husk in the hottest possible oven for forty minutes, shucked at the table, and buttered and salted, nothing else, it is ambrosia. No chef's ingenuity and imagination have ever created a finer dish.
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Rex Stout
β€œ
Fritz was standing there, four feet back from the door to the office, which was standing open, staring wide-eyed at me. When he saw I was looking at him he beckoned me to come, and the thought popped into my mind that, with guests present and Wolfe making an oration, that was precisely how Fritz would act if the house was on fire.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
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His reaction was humane, romantic, and thoroughly admirable. As if we had rehearsed it a dozen times, he arose without a word, got his hat and stick from a nearby table, came and gave me a pat on the shoulder, growled at the audience, β€œA paradise for puerility,” and turned and headed for the door. I followed. No one moved to intercept us.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
Wolfe regarded him. β€œEither, sir, you’re an ass or you’re masquerading as one. When there is evidence that you have murdered, there will be not a suspicion but a conviction. If I had evidence that one or more of you is guilty I wouldn’t sit here half the night, inviting you to jabber; I would phone the police to come and get you. Have you anything to say?
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
Subtlety chases the obvious up a never-ending spiral and never quite catches it.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
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He’s sick.” β€œWhat with?” β€œSitzenlust. Chronic. The opposite of wanderlust.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
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everything from war to picnics depends on the weather, as Wolfe remarked
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Rex Stout (Black Orchids (Nero Wolfe, #9))
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...it is our good fortune that the exigencies of birth and training furnish all of us with the opportunities for snobbery.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
cream is put in a cardboard container, and the container is put in a carton on a bed of dry ice, and chunks of dry ice are packed on both sides of it and on top.
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Rex Stout (Three for the Chair (Nero Wolfe, #28))
β€œ
Opinions, from experts, cost money.
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Rex Stout (The Silent Speaker (Nero Wolfe, #11))
β€œ
Pessimists have only pleasant surprises.
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Nero Wolfe
β€œ
As I trotted down the hall, Fritz was holding the street door open and three people were entering in the shape of a sandwich – a dick, Zorka, and another dick.
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Rex Stout (Over My Dead Body (Nero Wolfe, #7))
β€œ
When, sometime around my fortieth birthday, I was struck by the urge to try to write a novel, I was vastly comforted to learn that Rex Stout didn’t write his first Nero Wolfe tale until he was forty-seven, and that he proceeded to write them right up to his death at the age of eighty-eight. It was considerably less comforting to learn that he typically completed a novel in thirty-eight days, and that he always got it right on the first try. P. G. Wodehouse once said, β€œStout’s supreme triumph was the creation of Archie Goodwin.” That’s how I’ve always felt about it, too. When I returned those first Rex Stout books to my librarian, I said to her, β€œDo you have any more of these Archie Goodwin stories?” She smiled, I recall, and said, β€œWhy, yes. Dozens.
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Rex Stout (The Second Confession (Nero Wolfe, #15))
β€œ
I got the address from her, and by good luck it wasn't Bucyrus, Ohio, but merely Brooklyn. Whatever else you want to say about Brooklyn, and so do I, it does have one big advantage, it's close.
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Rex Stout (Black Orchids - A Nero Wolfe Novella (Nero Wolfe, #9))
β€œ
Third, I understand the technique of eccentricity; it would be futile for a man to labor at establishing a reputation for oddity if he were ready at the slightest provocation to revert to normal action.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
When I told [Lily Rowan] I wouldn't be able to make it to the Polo Grounds tomorrow, she began to call Wolfe names, and thought of several new ones that showed her wide experience and fine feeling for words.
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Rex Stout (Before Midnight (Nero Wolfe #25))
β€œ
I saw them. It was impossible to snitch a sample." He grunted, lowering himself into his chair. "I didn't ask you to." "Who said you did, but you expected me to. There are three of them in a glass case and the guard has his feet glued." "What color are they?" "They're not black." "Black flowers are never black. What color are they?" "Well." I considered. "Say you take a piece of coal. Not anthracite. Cannel coal." "That's black." "Wait a minute. Spread on it a thin coating of open kettle molasses. That's it." "Pfui. You haven't the faintest notion what it would look like. Neither have I." "I'll go buy a piece of coal and we'll try it.
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Rex Stout (Black Orchids - A Nero Wolfe Novella (Nero Wolfe, #9))
β€œ
They say it works sometimes, but even if it does, how could you depend on anything you got that way? Not to mention that after you did it a few times any decent garbage can would be ashamed to have you found in it.
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Rex Stout (The Red Box (Nero Wolfe, #4))
β€œ
Of course the Times tried to insist on speaking with Wolfe. When the last trumpet sounds the Times will want to check with Gabriel himself, and for the next edition will try to get it confirmed by even Higher Authority.
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Rex Stout (Gambit (Nero Wolfe, #37))
β€œ
Well." Wolfe was judicious. "You were not under oath. The police have been lied to informally many times by many people, including me. The right to lie in the service of your own interests is highly valued and frequently exercised.
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Rex Stout (Before Midnight (Nero Wolfe #25))
β€œ
... nature has arranged that when you overcome a given inertia the resulting momentum is proportionate. If I were to begin borrowing money I would end by devising means of persuading the Secretary of the Treasury to lend me the gold reserve.
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Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
β€œ
Okay, Dolly Brooke killed her because she was going to marry a quote nigger unquote, and how do we prove it?' He frowned. 'I have told you not to use that word in my hearing.' 'I was merely quoting. It isn't - ' 'Shut up. I mean the word 'unquote' and you know it.
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Rex Stout (A Right to Die (Nero Wolfe, #40))
β€œ
Likewise, the division between popular and serious work was a scheme perpetrated by academics in need of creating a false pantheon of living writers when it became impossible to come up with fresh dissertation topics (to earn degrees and prestige) concerning the writers in the true pantheon, who had been analyzed to exhaustion.
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Rex Stout (Where There's a Will (Nero Wolfe, #8))
β€œ
Wolfe was going on. β€œI didn’t have a client this morning, or even an hour ago, but now I have. Mr. Rowcliff’s ferocious spasms, countenanced by you gentlemen, have made the challenge ineluctable. When Mr. Goodwin said that I was not concerned in this matter and that he was acting solely in his own personal interest, he was telling the truth. As you may know, he is not indifferent to those attributes of young women that constitute the chief reliance of our race in our gallant struggle against the menace of the insects. He is especially vulnerable to young women who possess not only those more obvious charms but also have a knack of stimulating his love of chivalry and adventure and his preoccupation with the picturesque and the passionate.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
As requested by quite a mixtureβ€”the Police Commissioner and two of his deputies, the District Attorney, a bunch of inspectors and deputy inspectors, not to mention Sergeant Purley Stebbins. I’m talking from the private office of the Commissionerβ€”you know it; you’ve been here. After these days and nights of camaraderie with themβ€”is that the way to pronounce it?” β€œAlmost.” β€œGood. I am held in high esteem by the whole shebang, from Commissioner all the way down to Lieutenant Rowcliff, which is quite a distance. Wanting to show me what they think of me, they are bestowing a great honor on me. Having a request to make of you, they are letting me make it. They’re all sitting here gazing at me so tenderly I’ve got a lump in my throat. You ought to see them.
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Rex Stout (Prisoner's Base (Nero Wolfe, #21))
β€œ
Wolfe scowled at her. I could see he was torn with conflicting emotions. A female in his kitchen was an outrage. A woman criticizing his or Fritz’s cooking was an insult. But corned beef hash was one of life’s toughest problems, never yet solved by anyone. To tone down the corned flavor and yet preserve its unique quality, to remove the curse of its dryness without making it greasyβ€”the theories and experiments had gone on for years.
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Rex Stout (Black Orchids (Nero Wolfe, #9))
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Tutt’a un tratto mi accorsi che il cuore mi faceva molto male. Sarei tornata ad alzarmi giΓ  domani, con un cuore rianimato, che il dolore riusciva a raggiungere. Tu pensi, Arisbe, che l’essere umano non possa vedere se stesso. – È cosΓ¬. Non lo sopporta. Ha bisogno di una raffigurazione che gli sia estranea. – E in questo non cambierΓ  mai niente? Sempre e solo il ripetersi della stessa cosa? Autoestraneazione, idoli, odio? – Non lo so. Ecco quello che so: ci sono buchi nel tempo. Questo ne Γ¨ uno, qui e ora. Noi non possiamo lasciare che passi inutilizzato. E qui, finalmente, ebbi il mio Β«NoiΒ». Quella notte sognai, dopo tante notti desolate e senza sogni. Vidi colori, rosso e nero, vita e morte. Trapassavano l’uno nell’altro, non lottavano tra loro come perfino in sogno mi sarei aspettata. Mutando di continuo la loro forma, di continuo producevano nuovi motivi, che riuscivano incredibilmente belli. Erano come acqua, come un mare. Nel cui centro vidi un’isola luminosa, alla quale, nel sogno – volavo, sΓ¬; sΓ¬, volavo! – mi avvicinai rapidamente. Che c’era in quel luogo. Quale essere. Un uomo? Un animale? Riluceva come di notte riluce solo Enea. Che gioia.
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Christa Wolf