β
Love is the extremely difficult realization that something other than oneself is real.
β
β
Iris Murdoch (Existentialists and Mystics: Writings on Philosophy and Literature)
β
If your feet are firmly planted on the ground you'll never be able to dance.
β
β
Iris Johansen (Countdown (Eve Duncan, #6))
β
I think being a woman is like being Irish... Everyone says you're important and nice, but you take second place all the time.
β
β
Iris Murdoch
β
Praying
It doesnβt have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and donβt try
to make them elaborate, this isnβt
a contest but the doorway
into thanks, and a silence in which
another voice may speak.
β
β
Mary Oliver (Thirst)
β
How about ten words then?β I laugh. βIβd like to see you try.β βI am falling in love with you, Iris Elizabeth Kane.
β
β
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
β
Itβs not a crime to feel joy, even when things seem hopeless. Iris, look at me. You deserve all the happiness in the world. And I intend to see that you have it.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.
β
β
Iris Murdoch
β
Writing is like getting married. One should never commit oneself until one is amazed at one's luck.
β
β
Iris Murdoch
β
Iris,β said Roman, βyou are worthy of love. You are worthy to feel joy right now, even in the darkness. And just in case youβre wonderingΒ β¦ Iβm not going anywhere, unless you tell me to leave, and even then, we might need to negotiate.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Ana Iris once asked me if I loved him and I told her about the lights in my old home in the capital, how they flickered and you never knew if they would go out or not. You put down your things and you waited and couldn't do anything really until the lights decided. This, I told her, is how I feel.
β
β
Junot DΓaz (This Is How You Lose Her)
β
If you were mine, Iris there would be no doubt what position youβd hold in my life. Youβd be center. Iβd play you at the five.
β
β
Kennedy Ryan (Long Shot (Hoops, #1))
β
Frank stared at her. "But you throw Ding Dongs at monsters."
Iris looked horrified. "Oh, they're not Ding Dongs."
She rummaged under the counter and brought out a package of chocolate covered cakes that looked exactly like Ding Dongs.
"These are gluten-free, no-sugar-added, vitamin-enriched, soy-free, goat-milk-and-seaweed-based cupcake simulations."
"All natural!" Fleecy chimed in.
"I stand corrected." Frank suddenly felt as queasy as Percy.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
We live in a fantasy world, a world of illusion. The great task in life is to find reality" says Iris Murdoch.
But given the state of the world, is it wise?
β
β
Iris Murdoch
β
Girls love each other like animals. There is something ferocious and unself-conscious about it. We don't guard ourselves like we do with boys. No one trains us to shield our hearts from each other. With girls, it's total vulnerability from the beginning. Our skin is bare and soft. We love with claws and teeth and the blood is just proof of how much. It's feral.
And it's relentless.
β
β
Leah Raeder (Black Iris)
β
Donde termina el arco iris,
en tu alma o en el horizonte?
Where does the rainbow end,
in your soul or on the horizon?
β
β
Pablo Neruda (The Book of Questions)
β
Breasts are a scandal because they shatter the border between motherhood and sexuality.
β
β
Iris Marion Young
β
I hate solitude, but I'm afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It's already hard enough to tell the truth to oneself.
β
β
Iris Murdoch (Under the Net)
β
I will continue my path, but I will keep a memory always.
β
β
Rosie Thomas (Iris & Ruby)
β
Dead my old fine hopes
And dry my dreaming but still...
Iris, blue each spring
β
β
Matsuo BashΕ (Japanese Haiku (Japanese Haiku Series I))
β
As the Nobel laureate Elie Wiesel warned years ago, to forget a holocaust is to kill twice.
β
β
Iris Chang (The Rape of Nanking: The Forgotten Holocaust of World War II)
β
One of the secrets of a happy life is continous small treats.
β
β
Iris Murdoch
β
[Iris] squeezed his hand. "Don't lose hope, Frank. Rainbows always stand for hope.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Every book is the wreck of a perfect idea.
β
β
Iris Murdoch
β
And to tell the truth I don't want to let go of the wrists of idleness, I don't want to sell my life for money, I don't even want to come in out of the rain.
β
β
Mary Oliver (Blue Iris: Poems and Essays)
β
Sometimes,β Iris began, βI donβt think we know what weβre made of until the worst moment possible happens. Then we must decide who we truly are and what is most important to us. I think weβre often surprised by what we become.
β
β
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
β
Your mom is a rainbow goddess?"
"You got a problem with that?"
"No, no. Rainbows. Very macho.
β
β
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
β
I never wanted to be saved. I wanted someone to follow me down into the darkness.
β
β
Leah Raeder (Black Iris)
β
Red rarely sleeps, but when she does, she lies still, eyes closed in the dark, and lets herself see lapis, taste iris petals and ice, hear a blue jay's shriek. She collects blues and keeps them.
β
β
Amal El-Mohtar (This Is How You Lose the Time War)
β
[08:31] JPL: Good, keep us posted on any mechanical or electronic problems. By the way, the name of the probe weβre sending is Iris. Named after the Greek goddess who traveled the heavens with the speed of wind. Sheβs also the goddess of rainbows. [08:47] WATNEY: Gay probe coming to save me. Got it.
β
β
Andy Weir (The Martian)
β
After iris-scanning was legally accepted as identity verification for drivers licenses, passports and so much more, anyone could securely log onto the Internet from any computer anywhere via such a scan.
Elections (much less air travel) have never been the same
β
β
Nancy Omeara (The Most Popular President Who Ever Lived [So Far])
β
We can only learn to love by loving.
β
β
Iris Murdoch
β
Of course reading and thinking are important but, my God, food is important too.
β
β
Iris Murdoch (The Sea, the Sea)
β
Falling out of love is chiefly a matter of forgetting how charming someone is.
β
β
Iris Murdoch
β
You mentioned the other day that you think Iβm only here to βoutshineβ you. But thatβs the furthest thing from the truth. I broke my engagement, quit my job, and traveled six hundred kilometers into war-torn land to be with you, Iris.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
One should go easy on smashing other people's lies. Better to concentrate on one's own.
β
β
Iris Murdoch (Henry and Cato)
β
Who would deduce the dragonfly from the larva, the iris from the bud, the lawyer from the infant? ...We are all shape-shifters and magical reinventors. Life is really a plural noun, a caravan of selves.
β
β
Diane Ackerman
β
my karma was to be born in America where nobody has any fun or believes in anything, especially freedom.
β
β
Jack Kerouac (The Dharma Bums)
β
Jealousy is the most dreadfully involuntary of all sins.
β
β
Iris Murdoch
β
The absolute yearning of one human body for another particular body and its indifference to substitutes is one of life's major mysteries.
β
β
Iris Murdoch
β
Almost all people have this potential for evil, which would be unleashed only under certain dangerous social circumstances.
β
β
Iris Chang (The Rape of Nanking: The Forgotten Holocaust of World War II)
β
I donβt need your praise
to survive. I was here first,
before you were here, before
you ever planted a garden.
And Iβll be here when only the sun and moon
are left, and the sea, and the wide field.
I will constitute the field.
β
β
Louise GlΓΌck (The Wild Iris)
β
For most of us, for almost all of us, truth can be attained, if at all, only in silence. It is in silence that the human spirit touches the divine.
β
β
Iris Murdoch (Under the Net)
β
Only the very greatest art invigorates without consoling.
β
β
Iris Murdoch
β
Who can leap the world's ties and sit with me among white clouds?
β
β
Jack Kerouac (The Dharma Bums)
β
The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations.
β
β
Iris Murdoch
β
Maybe all you need to pull you back form the ledge is to know someone would miss you if you fell.
β
β
Leah Raeder (Black Iris)
β
...whatever/ returns from oblivion/ returns to find a voice.
β
β
Louise GlΓΌck (The Wild Iris)
β
Perhaps when distant people on other planets pick up some wavelength of ours all they hear is a continuous scream.
β
β
Iris Murdoch
β
Our actions are like ships which we may watch set out to sea, and not know when or with what cargo they will return to port.
β
β
Iris Murdoch (The Bell)
β
It was all completely serious, all completely hallucinated, all completely happy.
β
β
Jack Kerouac (The Dharma Bums)
β
emotions really exist at the bottom of the personality or at the top. in the middle they are acted. this is why all the world is a stage.
β
β
Iris Murdoch (The Sea, the Sea)
β
Starting a novel is opening a door on a misty landscape; you can still see very little but you can smell the earth and feel the wind blowing.
β
β
Iris Murdoch
β
Education doesnβt make you happy. Nor does freedom. We donβt become happy just because weβre free β if we are. Or because weβve been educated β if we have. But because education may be the means by which we realize we are happy. It opens our eyes, our ears, tells us where delights are lurking, convinces us that there is only one freedom of any importance whatsoever, that of the mind, and gives us the assurance β the confidence β to walk the path our mind, our educated mind, offers.
β
β
Iris Murdoch
β
Pushing magic toward the candle, I willed it to light. Nothing happened.
Irys made a strangled sound and the candle burned. βAre you directing your magic to the candle?β
βYes. Why?β
βYou just ordered me to light the candle for you,β Irys said in exasperation. βAnd I did it.
β
β
Maria V. Snyder (Magic Study (Study, #2))
β
When you believe you have a future, you think in terms of generations and years. When you do not, you live not just by the day β but by the minute.
β
β
Iris Chang
β
Those who hope, by retiring from the world, to earn a holiday from human frailty, in themselves and others, are usually disappointed.
β
β
Iris Murdoch (The Bell)
β
The bicycle is the most civilized conveyance known to man. Other forms of transport grow daily more nightmarish. Only the bicycle remains pure in heart.
β
β
Iris Murdoch (The Red and the Green)
β
Anything that consoles is fake.
β
β
Iris Murdoch
β
Every artist is an unhappy lover. And unhappy lovers want to tell their story.
β
β
Iris Murdoch (The Black Prince)
β
What a test that is: more than devotion, admiration, passion. If you long and long for someoneβs company you love them.
β
β
Iris Murdoch (The Sea, the Sea)
β
Hope," Frank grumbled. "I'd rather have a few good weasels.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
No fiction, no myths, no lies, no tangled webs - this is how Irie imagined her homeland. Because homeland is one of the magical fantasy words like unicorn and soul and infinity that have now passed into language.
β
β
Zadie Smith (White Teeth)
β
We are such inward secret creatures, that inwardness the most amazing thing about us, even more amazing than our reason. But we cannot just walk into the cavern and look around. Most of what we think we know about our minds is pseudo-knowledge. We are all such shocking poseurs, so good at inflating the importance of what we think we value.
β
β
Iris Murdoch (The Sea, the Sea)
β
One of the secrets of a happy life is continuous small treats, and if some of these can be inexpensive and quickly procured so much the better.
β
β
Iris Murdoch (The Sea, the Sea)
β
Sometimes all you know about where you're going is that it's away from where you are.
β
β
Leah Raeder (Black Iris)
β
She gave him a cool glance over her shoulder. "May your balls wither away and you develope an allergy to Viagra and all its counterparts."
He looked at her, stunned. And then he suddenly exploded into laughter.
"God, you're a formidable woman"
"No, I'm not. I'm soft, remember?"
She slammed the door behind her.
β
β
Iris Johansen (Killer Dreams)
β
And I don't want the world to see me,
Cause I don't think that they'd understand.
When everything's made to be broken,
I just want you to know who I am.
β
β
Goo Goo Dolls
β
We defend ourselves with descriptions and tame the world by generalizing.
β
β
Iris Murdoch (The Black Prince)
β
Youβre not doing well and finally I donβt have to
pretend to be so interested in your on going tragedy,
but
Iβll rob the bank that gave you the impression that
money is more fruitful than words, and
Iβll cut holes in the ozone if it means you have one less day of rain.
Iβll walk you to the hospital,
Iβll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to
locate the malady that keeps your mind guessing, and
I want to write you a poem every day until my hand breaks
and assure you that youβll find your place,
itβs just
the world has a funny way of
hiding spots fertile enough for
bodies like yours to grow roots.
and
I miss you like a dart hits the iris of a bullseye,
or a train ticket screams 4:30 at 4:47, I
wanted to tell you that itβs my birthday on Thursday
and I would have wanted you to
give me the gift of your guts on the floor, one last time,
to see if you still had it in you.
I hope our ghosts arenβt eating you alive.
If Iβm to speak for myself, Iβll tell you that
the universe is twice as big as we think it is
and youβre the only one that made that idea
less devastating.
β
β
Lucas Regazzi
β
Falling for someone is like pulling a loose thread. It happens stitch by stitch. You feel whole most of the time even while the seams pop, the knots loosen, everything that holds you together coming undone. It feels incredible, this opening of yourself to the world. Not like the unraveling it is. Only afterward do you glance down at the tangle of string around your feet that used to be a person who was whole and self-contained and realize that love is not a thing that we create. It's an undoing.
β
β
Leah Raeder (Black Iris)
β
Strength is not in the body, itβs in the mind. It doesnβt lie in flexing your muscles and crushing those who oppose you. It lies in being the last one standing. By any means. At any cost.
β
β
Leah Raeder (Black Iris)
β
I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen Lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures ...
β
β
Jack Kerouac (The Dharma Bums)
β
They say anticipation makes pleasure more intense.
β
β
Iris Johansen (Quicksand (Eve Duncan, #8))
β
Girls get under each other's skin. We get too close, too attached, too crazy, and then we can't let go. Our claws sink too deep. When we separate, we tear each other apart.
β
β
Leah Raeder (Black Iris)
β
If I was gay, I wouldn't need an asterisk beside my name. I could stop worrying if the girl I like will bounce when she finds out I also like dick. I could have a coming-out party without people thinking I just want attention. I wouldn't have to explain that I fall in love with minds, not genders or body parts. People wouldn't say I'm 'just a slut' or 'faking it' or 'undecided' or 'confused.' I'm not confused. I don't categorize people by who I'm allowed to like and who I'm allowed to love. Love doesn't fit into boxes like that. It's blurry, slippery, quantum. It's only limited by our perceptions and before we slap a label on it and cram it into some category, everything is possible.
β
β
Leah Raeder (Black Iris)
β
As we live our precarious lives on the brink of the void, constantly coming closer to a state of nonbeing, we are all too often aware of our fragitlity.
β
β
Iris Murdoch (Nuns and Soldiers (Penguin Twentieth-Century Classics))
β
What I needed with all my starved and silent soul was just that particular way of shouting back at the world.
β
β
Iris Murdoch (The Sea, the Sea)
β
I'd rather hop freights around the country and cook my food out of tin cans over wood fires, than be rich and have a home or work.
β
β
Jack Kerouac (The Dharma Bums)
β
People have obsessions and fears and passions which they don't admit to. I think every character is interesting and has extremes. It's the novelist privilege to see how odd everyone is.
β
β
Iris Murdoch
β
Fuck forgiveness.
Thatβs what they want me to do. Make it easy for them. Clear their consciences. Let them get away with what theyβve done.
The powerful. The strong. The privileged.
Not a fucking chance.
β
β
Leah Raeder (Black Iris)
β
In a typical college romance novel, he'd be a gorgeous but troubled sex god who'd cure all my deep-seated psych issues with a good hard fuck. I'd smell his misogyny and abusive tendencies from miles off but my brain would turn to hormone soup because abs. That's the formula. Broken girl + bad boy = sexual healing. All you need to fix that tragic past is a six-pack. More problems? Add abs.
It's Magic Dick Lit.
β
β
Leah Raeder (Black Iris)
β
Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, running -- that's the way to live. All alone and free in the soft sands of the beach....
β
β
Jack Kerouac (The Dharma Bums)
β
Yes, of course, there's something fishy about describing people's feelings. You try hard to be accurate, but as soon as you start to define such and such a feeling, language lets you down. It's really a machine for making falsehoods. When we really speak the truth, words are insufficient. Almost everything except things like "pass the gravy" is a lie of a sort. And that being the case, I shall shut up. Oh, and... pass the gravy.
β
β
Iris Murdoch
β
How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.
β
β
Iris Murdoch (The Sea, the Sea)
β
Then I felt too that I might take this opportunity to tie up a few loose ends, only of course loose ends can never be properly tied, one is always producing new ones. Time, like the sea, unties all knots. Judgements on people are never final, they emerge from summings up which at once suggest the need of a reconsideration. Human arrangements are nothing but loose ends and hazy reckoning, whatever art may otherwise pretend in order to console us.
β
β
Iris Murdoch (The Sea, the Sea)
β
If you do not apologize to Lady Honoria,β Marcus said, his voice so mild as to be terrifying, βI will kill you.β
There was a collective gasp, and Daisy faked a swoon, sliding elegantly into Iris, who promptly stepped aside and let her hit the floor.
βOh, come now,β Mr. Grimston said. βSurely it wonβt come to pistols at dawn.β
βIβm not talking about a duel,β Marcus said. βI mean I will kill you right here.
β
β
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
β
Art and morality are, with certain provisosβ¦one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. Love is the extremely difficult realization that something other than oneself is real. Love, and so art and morals, is the discovery of reality.
β
β
Iris Murdoch
β
This is what helps me sleep at night. Knowing that one of us stood up and refused to take it. One of us said, Fuck you, and struck back.
One of us became the wolf and bloodied her jaws so that others can live without fear.
β
β
Leah Raeder (Black Iris)
β
I keep my kindness in my eyes
Gently folded around my iris
Like a velvety, brown blanket
That warms my vision
I keep my shyness in my hair
Tucked away into a ponytail
Looking for a chance to escape
On a few loose strands in the air
I keep my anger on my lips
Just waiting to unleash into the world
But trust me; itβs never in my heart
It evaporates into words
I keep my dignity upon my chin
Like a torch held up high
For those who have betrayed me
Radiating a silent, strong message
I keep my gratitude in my smile
A glistening waterfall in the sun
Gently splashing at that person
Who made me happy for some reason
I keep my sensitivity in my hands
Reaching out for your wet cheek
Holding you, with all the love
The love I want to share, and feel
I keep my passion in my writing
My words breathing like fire
Screeching against an endless road
As I continue to be inspired
I keep my simplicity in my soul
Spread over me like a clear sky
Reflecting all that I am
And all thatβs ever passed me by
And I hope you will look
Beyond my ordinary face
My simple, tied hair
My ordinary tastes
And I hope you will see me
From everyone...apart
As I keep my beauty
in my heart.
β
β
Sanober Khan
β
Time can divorce us from the reality of people, it can separate us from people and turn them into ghosts. Or rather it is we who turn them into ghosts or demons. Some kinds of fruitless preoccupations with the past can create such simulacra, and they can exercise power, like those heroes at Troy fighting for a phantom Helen.
β
β
Iris Murdoch
β
I am not the heroine of this story.
And I'm not trying to be cute. It's the truth. I'm diagnosed borderline and seriously fucked-up. I hold grudges. I bottle my hate until it ferments into poison, and then I get high off the fumes. I'm completely dysfunctional and that's the way I like it, so don't expect a character arc where I finally find Redemption, Growth, and Change, or learn How to Forgive Myself and Others.
β
β
Leah Raeder (Black Iris)
β
I know how much you grieve over those who are under your care: those you try to help and fail, those you cannot help. Have faith in God and remember that He will is His own way and in His own time complete what we so poorly attempt. Often we do not achieve for others the good that we intend but achieve something, something that goes on from our effort. Good is an overflow. Where we generously and sincerely intend it, we are engaged in a work of creation which may be mysterious even to ourselves - and because it is mysterious we may be afraid of it. But this should not make us draw back. God can always show us, if we will, a higher and a better way; and we can only learn to love by loving. Remember that all our failures are ultimately failures in love. Imperfect love must not be condemned and rejected but made perfect. The way is always forward, never back.
β
β
Iris Murdoch (The Bell)
β
This scent had a freshness, but not the freshness of limes or pomegranates, not the freshness of myrrh or cinnamon bark or curly mint or birch or camphor or pine needles, not that of a May rain or a frosty wind or of well water... and at the same time it had warmth, but not as bergamot, cypress, or musk has, or jasmine or daffodils, not as rosewood has or iris... This scent was a blend of both, of evanescence and substance, not a blend, but a unity, although slight and frail as well, and yet solid and sustaining, like a piece of thin, shimmering silk... and yet again not like silk, but like pastry soaked in honey-sweet milk - and try as he would he couldn't fit those two together: milk and silk! This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.
β
β
Patrick SΓΌskind (Perfume The Story of a Murderer)
β
She and Roman would survive this war. They would have the chance to grow old together, year by year. They would be friends until they both finally acknowledged the truth. And they would have everything that other couples hadβthe arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwinedβRoman and Iris or Winnow and Kitt because could you truly have one without the other?βand they would write on their typewriters and ruthlessly edit each otherβs pieces and read books by candlelight at night.
β
β
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
β
Neither agreeable nor disagreeable," I answered. "It just is."
Istigkeit β wasn't that the word Meister Eckhart liked to use? "Is-ness." The Being of Platonic philosophy β except that Plato seems to have made the enormous, the grotesque mistake of separating Being from becoming and identifying it with the mathematical abstraction of the Idea. He could never, poor fellow, have seen a bunch of flowers shining with their own inner light and all but quivering under the pressure of the significance with which they were charged; could never have perceived that what rose and iris and carnation so intensely signified was nothing more, and nothing less, than what they were β a transience that was yet eternal life, a perpetual perishing that was at the same time pure Being, a bundle of minute, unique particulars in which, by some unspeakable and yet self-evident paradox, was to be seen the divine source of all existence.
β
β
Aldous Huxley (The Doors of Perception)
β
Like so many plain cups on the shelves. You can reach for them, use them without thinking. Most of them don't matter. Sometimes you lose your grip on one of them and it falls and smashes to piece, and you shrug and say to yourself, what a pity. Then you reach for the cup that you use every day, one that you love and use so often that as you stretch out your hand it is already making the shape that fits its curve. You are certain that yesterday it was in its proper place, but now there is nothing. Just air. You have lost something that was so familiar, so much a part of your life that you were not even looking for it. Just expecting it to be there, as always.
β
β
Rosie Thomas (Iris & Ruby)
β
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
β
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AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
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Then I suddenly had the most tremendous feeling of the pitifulness of human beings, whatever they were, their faces, pained mouths, personalities, attempts to be gay, little petulances, feelings of loss, their dull and empty witticisms so soon forgotten: Ah, for what? I knew that the sound of silence was everywhere and therefore everything everywhere was silence. Suppose we suddenly wake up and see that what we thought to be this and that, ain't this and that at all? I staggered up the hill, greeted by birds, and looked at all the huddled sleeping figures on the floor. Who were all these strange ghosts rooted to the silly little adventure of earth with me? And who was I?
β
β
Jack Kerouac (The Dharma Bums)
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Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot.
Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm....
The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)
β
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Patti Smith
β
The Knowing
Afterwards, when we have slept, paradise-
comaed and woken, we lie a long time
looking at each other.
I do not know what he sees, but I see
eyes of surpassing tenderness
and calm, a calm like the dignity
of matter. I love the open ocean
blue-grey-green of his iris, I love
the curve of it against the white,
that curve the sight of what has caused me
to come, when heβs quite still, deep
inside me. I have never seen a curve
like that, except the earth from outer
space. I donβt know where he got
his kindness without self-regard,
almost without self, and yet
he chose one woman, instead of the others.
By knowing him, I get to know
the purity of the animal
which mates for life. Sometimes he is slightly
smiling, but mostly he just gazes at me gazing,
his entire face lit. I love
to see it change if I cryβthere is no worry,
no pity, no graver radiance. If we
are on our backs, side by side,
with our faces turned fully to face each other,
I can hear a tear from my lower eye
hit the sheet, as if it is an early day on earth,
and then the upper eyeβs tears
braid and sluice down through the lower eyebrow
like the invention of farmimg, irrigation, a non-nomadic people.
I am so lucky that I can know him.
This is the only way to know him.
I am the only one who knows him.
When I wake again, he is still looking at me,
as if he is eternal. For an hour
we wake and doze, and slowly I know
that though we are sated, though we are hardly
touching, this is the coming the other
coming brought us to the edge ofβwe are entering,
deeper and deeper, gaze by gaze,
this place beyond the other places,
beyond the body itself, we are making
love.
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β
Sharon Olds