Neon Clothes Quotes

My old man 16 years old during the depression I’d come home drunk and all my clothing– shorts, shirts, stockings– suitcase, and pages of short stories would be thrown out on the front lawn and about the street. my mother would be waiting behind a tree: “Henry, Henry, don’t go in . . .he’ll kill you, he’s read your stories . . .” “I can whip his ass . . .” “Henry, please take this . . .and find yourself a room.” but it worried him that I might not finish high school so I’d be back again. one evening he walked in with the pages of one of my short stories (which I had never submitted to him) and he said, “this is a great short story.” I said, “o.k.,” and he handed it to me and I read it. it was a story about a rich man who had a fight with his wife and had gone out into the night for a cup of coffee and had observed the waitress and the spoons and forks and the salt and pepper shakers and the neon sign in the window and then had gone back to his stable to see and touch his favorite horse who then kicked him in the head and killed him. somehow the story held meaning for him though when I had written it I had no idea of what I was writing about. so I told him, “o.k., old man, you can have it.” and he took it and walked out and closed the door. I guess that’s as close as we ever got.

It rarely snows because Antarctica is a desert. An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world’s fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman’s shirt, powder like Peter Rabbit’s cloth coat, these icy monsters roaming the forbidding black.

Because Wade had thrown everything away - drawings, clothes, toys - each accidental remnant loomed in Ann's mind with unspeakable importance. Four moldy dolls buried in the sawdust of a rotten stump. A high-heeled Barbie shoe that fell from the drainpipe. A neon toothbrush in a doghouse. Then, finally, the half-finished drawing in a book. Artifacts heavy with importance they didn't deserve, but which they took on because of their frightening scarcity; they built up against her, making stories of themselves, memories inside her head that should have remained in Wade's.

It also must be hard to have a wife like Mrs. Indianapolis. She’s in the fashion industry. She’s not a model or designer, but she is a buyer—not for a retail outlet, but for her four closets, whose combined square footage is probably comparable to Rhode Island. If an article of clothing is leopard print or neon colored, Mrs. Indianapolis either owns it, or soon will.

thirteen full-body statues arranged in a loose circle around the room. One for each member of the Thirteen, the group that rules Olympus. I name them off silently as my gaze skips over each one—Zeus, Poseidon, Hera, Demeter, Athena, Ares, Dionysus, Hermes, Artemis, Apollo, Hephaestus, Aphrodite—before turning back to face the final statue. This one is covered in a black cloth that pours over it, spilling down to pool on the floor at its feet. Even still, it’s impossible to miss the wide-set shoulders, the spiky crown that adorns his head. My fingers itch to grab the fabric and rip it away so I can finally see his features once and for all. Hades.

The New York sidewalk led us along a little corner park rimmed with yellow-orange and violet pansies that seemed to be smiling, their faces upturned, and past a bagel shop that smelled of sesame and salt, delicious warm air. We passed an empty wine bar with a pink chandelier, whimsical and dim inside, and a neighborhood diner with its blue neon sign huge and lit up, little white line-cook hats—the city seemed in my vision like a multifaceted gem, spectacular. I wished I could keep everything I witnessed like a photograph, to forever hold this electric aliveness. The colors of the flowers and the clothing were crisp and rosy, hyper-bright against the subdued sun-drenched pigments of the streets and the brick buildings, all seeming faded, softer than real. Pops of coral and red—a scarf, a lady’s lips—were pops of life.

On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

I recognized myself again. The pale, spiritless ghost had been replaced by a slightly tired and moderately puffy version of my former normal self. I was no beauty queen, not by a long shot…but I was me again. The shower had been, if not an exorcism, a baptism. I’d been reborn. I shuddered, imagining what Marlboro Man had thought every time he’d seen me shuffle around in my dingy white terry cloth slippers, my hair on top of my head in a neon green scrunchie. I brushed my teeth, shook my hair, and walked out of the bathroom…just as Marlboro Man was waking up. “Wow,” he said, pausing midstretch. “You look good, Mama.” I smiled. That night, Tim came over. Betsy made wings and brownies, and the five of us--Marlboro Man, Tim, Betsy, the baby, and I--sat and talked, laughed, and watched a John Wayne movie. I was exhausted and depleted. And it was one of the best nights of my life.

Um," I point at his cape and gadgets. "You know you'll stand out, right?" He frowns at me. "You're none better," he says. I look down at my very medieval looking white gown and the two swords I carry. At least Yami is hidden as a dragon necklace. "You're right. I won't blend in either." He freezes. "Right, well, I'll just say it's Halloween." "But it's not." He raises an eyebrow.  "What do you mean?" "You can't just say it's Halloween. It has to be the actual day." "Really? Your human customs are so strange." He turns to the sink to wash his hands. I sigh. "Okay, we can say we're part of a fantasy game reenactment. Cosplay. That should give us a good cover." "Cosplay?" he says, holding the word in his mouth like a foreign thing he's afraid to taste. "Yeah, it's when humans dress up like characters from their favorite… " Ace's eyes are vacant and he looks bored. I sigh again. "Nevermind. Just let me do the talking if anyone questions our choice of clothing." He washes his hands, then gestures at the door. "After you." I lead, entering a place I once called a second home. Everything is familiar, everything makes me feel welcome. Jesus eyeing the naked sculptures. The Neon signs. The baby bottles filled with milk for customers' coffee. "Oh, Ari, sweetie. I didn't see you come in." Sheri runs up to me, wrapping me in a hug. "It's been so long. How have you been? And who's this dashing young man?" Ace raises his cape in front of his eyes. "It's Halloween." "No… no…" I shake my head and pull his cape down. "He's a friend. I'm just showing him the sights.

My mom wasn’t alone in her transformation – Claire’s neon wardrobe had parlayed perfectly to the speedy news segments summarising the pulp case, she had emerged as the real winged creature, the one who had believed me all along, harnessing her fame into a new law practice. She had even sent me a selfie, taken in front of a pair of glass doors overlooking Ku’damm, cheekily etched with Breitbach and Daughters. She’d left Tobias. He couldn’t handle her success, couldn’t handle the power-suits return to work.

The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good

Hmong women are renowned around the world for their embroidery, but not many people know how many backs have been bent permanently for the beauty and the bounty of a story told in cloth. In the camp, Hmong women sat on low wooden stools close to the ground. The ones with babies held their babies in the spread of their sarong skirts between their widespread knees. The women sat with curved necks and narrowed eyes. They settled in groups of three or four in the early morning, worked through the hot afternoon, until the light dissipated from the sky and the cries of the night crickets sounded. Each woman held a needle between her thumb and her forefinger and she picked at the white fabric strewn across her lap with her needle and her thread, telling the stories of her people, drawing the animals of her past, envisioning the way life could be again—if we could return the bullets to the guns, suck out the craters from the earth, stop the bombs from falling in the sky and the planes from flying overhead, and if we could stop time and tragedy from happening to the Hmong. The long pieces of thread, bright pink, neon green, and deep blue, rested in crumpled plastic bags by their sides. Without looking up, the women swatted at the black flies that came close to their children every few minutes. Occasionally, one stopped to heave a sigh in the midday heat, to stretch the tight muscles of her neck. When mothers got up at the day’s end, we heard the cracking of weary backs. When they reached out to the older children for steadiness, the young boys and girls stood still and grew as solid as they knew how so that their mothers could blink away the blur in their gazes, gain stability with their help.

At the last party, they were sitting in a corner and engaged in a rather loud running commentary critiquing everyone's clothing choices as if they were on a red carpet. Aphrodite, in particular, had not been amused when they called her dress "a puffy vagina".

But when you’re away for too long, you forget things, and they want it that way. They used to steal children: cut their hair, make them speak English and wear European clothes. They want us to assimilate, because that’s how they’ll beat us, by making us forget who we are.

Within half a block the man was sweating. By the intersection, his clothes were sticking to his body. The Glock tucked behind his right hip was slick with perspiration. Guns, money, and a bunch of high-tech gear. Just like something out of a movie. Except it wasn’t. This was real. Turning right, he headed into the large open-air market. It looked as if a car bomb packed with neon paint cans had detonated.

I hate to cut into this beautiful moment, but Sibby is taking her clothes off.” Daya’s voice snaps me out of whatever trance Zade has pulled me into, and almost violently, my head whips towards Sibby. Sure as shit, she’s in the process of slipping off her neon green tights. “Sibby!” I shout exasperatedly. “Stop taking your clothes off, we are not having a fucking orgy!

No, the problem was walking toward us right now, and she looked good enough to make me regret every decision that led me to this point in time. I’d seen Scarlett in workout clothes. I’d seen her in my bathrobe and my shirt (the latter remained one of the hottest sights of my life). I’d even seen her dolled up for a night out at Neon. But I’d never seen her like this.