Neil Young Quotes

It's better to burn out than to fade away.

I am the most miserable person who ever lived," he said... "You are young, and in love," said Primus. "Every young man in your position is the most miserable young man who ever lived.

There was once a young man who wished to gain his Heart’s Desire.

In his suicide note, Kurt Cobain wrote, "It's better to burn out than to fade away." He was quoting a Neil Young song about Johnny Rotten of the Sex Pistols. When I was twenty-four, I interviewed John Lennon. I asked him about this sentiment, one that pervades rock and roll. He took strong, outraged exception to it. "It's better to fade away like an old soldier than to burn out, " he said. "I worship people who survive. I'll take the living and the healthy.

What a refreshing mind you have, young man. There really is nothing quite like total ignorance, is there?

I fell for her like a suicide from a bridge.

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

That's the trouble with you young people. You think because you ain't been here long, you know everything. In my life I already forgot more than you ever know.

I'm not blessed, or merciful. I'm just me. I've got a job to do, and I do it. Listen: even as we're talking, I'm there for old and young, innocent and guilty, those who die together and those who die alone. I'm in cars and boats and planes; in hospitals and forests and abbatoirs. For some folks death is a release, and for others death is an abomination, a terrible thing. But in the end, I'm there for all of them.

Maybe that’s the definition of nostalgia: getting sappy about things that are supposed to be insignificant.

So what I want to know is why it is that I can no longer find you, in my mind. You are still there, just, but you are there like a ghost, a will o' the wisp. Not long ago you burned--your heart burned--in my mind like silver fire. But after that night in the inn it became patchy and dim, and now it is not there at all." "Could it be that the heart that you seek is no longer my own? I have given my heart to another." "The boy? The one in the inn? With the unicorn?" "Yes." "You should have let me take it back then, for my sisters and me. We could have been young again, well into the next age of the world. Your boy will break it, or waste it, or lose it. They all do." "Nonetheless, he has my heart. I hope your sisters will not be too hard on you, when you return to them without it.

If you follow every dream, you might get lost.

There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.

Life is so great that we only get a tiny moment to enjoy everything we see. And that moment is right now. And that moment is counting down. And that moment is always, always fleeting. You will never be as young as you are right now.

Keep on rockin' in the free world.

Young man," he said, "understand this: there are two Londons. There's London Above―that's where you lived―and then there's London Below―the Underside―inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night.

It doesn't mean that much to me to mean that much to you.

The young woman was crying, in the way that grownups cry, keeping it inside as much as they can, and hating it when it still pushes out at the edges, making them ugly and funny-looking on the way.

It is not that I was credulous, simply that I belived in all things dark and dangerous. It was part of my young creed that the night was full of ghosts and witches, hungry and flapping and dressed completely in black.

And, too ignorant to be scared, too young to be awed, Tristan Thorn traveled beyond the fields we know...

And as an afterthought, this too must be told: Some people have taken pure bullshit and turned it into gold.

When I was young I was a fool. So wrap me up in dreams and death.

You are young, and in love," said Primus. "Every young man in your position is the most miserable young man who ever lived.

Don't let it bring you down. It's only castles burning, find someone who's turning, and you will come around.

It is possibly worth mentioning at this point that Mr. Young thought that paparazzi was a kind of Italian linoleum.

I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing; just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.

Give a hippie too much money and anything can happen.

Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him. “Hello, Bod,” she said. “Hello,” he said, as he danced with her. “I don’t know your name.” “Names aren’t really important,” she said. “I love your horse. He’s so big! I never knew horses could be that big.” “He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well.” “Can I ride him?” asked Bod. “One day,” she told him, and her cobweb skirts shimmered. “One day. Everybody does.” “Promise?” I promise.

when we were strangers, I liked you from afar when we were lovers, I loved you with all my heart

This old world keeps spinnin’ round; It’s a wonder tall trees ain’t layin’ down.

You like it,” he says. There’s a glint in his eyes, like he understands something I don’t. “You like that nickname." And . . . I kind of do. It hasn’t felt irritating in a while. It’s only his, a language only we have, even if it’s a reference I don’t understand.

I love it when people yell at me about the environment and then I tell 'em I'm burning 90% cleaner than them.

There was a band playing in my head, And I felt like getting high

Through the computer, the heralds say, we will make education better, religion better, politics better, our minds better — best of all, ourselves better. This is, of course, nonsense, and only the young or the ignorant or the foolish could believe it.

A job is never truly finished. It just reaches a stage where it can be left on its own for a while.

As soon as you start talking about mystique, you have none.

...there must be a sequence to learning, that perseverance and a certain measure of perspiration are indispensable, that individual pleasures must frequently be submerged in the interests of group cohesion, and that learning to be critical and to think conceptually and rigorously do not come easily to the young but are hard-fought victories.

The marquis stared at Richard, openly amused. "What a refreshing mind you have, young man," he said. "There really is nothing quite like total ignorance, is there?

I am just a dreamer, but you are just a dream

Tin soldiers and Nixon coming We're finally on our own This summer I hear the drumming Four dead in Ohio.

Writing imaginative tales for the young is like sending coals to Newcastle. For coals.

Now Coraline," said Miss Spink, "what's your name?" "Coraline," said Coraline. "And we don't know each other, do we?" Coraline looked at the thin young woman with black button eyes and shook her head slowly.

The gods we prayed to when we were young used up their time so long ago. They cannot answer anymore. They never liked us, did they? Gods don't "like". They love, they hate, they ignore...

Mr. Young hadn't had to quiet a screaming baby for years. H'ed never been much good at it to start with. He'd always respected Sir Winston Churchill, and patting small versions of him on the bottom had always seemed ungracious.

But you like it. It’s possibly the boldest thing he’s said all day, and when he takes a step forward, I can feel the heat radiating off him. No wonder he was fine parting with his hoodie—the boy is a human sauna. You like being infuriated. By me.

Excuse me. Nine hours ago, I broke off the single most pointlessly agonizing one-way relationship of my young life. It was a thin slice of hell, and now it is over.. He's not mine. He never will be mine, and I've thrown away three years of my life pining and hoping. Well, not anymore, and I need to get him out of my system. I've given the matter serious thought, and all I want right now is for some total stranger to nail me to a mattress for the next fourteen hours. I will almost certainly cry all over you and call you by his name, but I assure you that my sexual frustration has built to such a fever peak that I will fuck you dry. What do you say?" "whine

The cafe door opened. A young man in dusty white leathers entered, and the wind blew in empty crisp packets and newspapers and ice cream wrappers in with him. They danced around his feet like excited children, then fell exhausted to the floor.

Let me tell you something. It can be a long time between meals. Someone offers you food, you say yes. I'm no longer young as I was, but I can tell you this, you never say no to the opportunity to piss, to eat, or to get an half-hour's shut eye...

It's better to burn out than it is to rust.

You know, the future's a huge, gigantic place. I have no idea what's going on out there, I'm just going to walk into it and see what happens.

Be great or be gone.

As soon as Neil is out of the shower, he texts Peter. You up? he asks. And the reply comes instantly: For anything.

I used to walk like a giant on the land. Now I feel like a leaf floating in a stream

Neil" might be an easily-spooked runaway, and "Nathaniel" was a hunted young man, but "Abram" was the one shielded from and untouched by his father's bloody business. Neil would pull on every murder he'd seen and every endless, desperate night, and he'd face Riko unflinching. It was the least he could do. It was all he could do.

[Y]ou're young. Young takes care of everything.

Being a musician enables a person to bend the notes and express things that are inside you, no matter what.

And there ain't nothin' like a friend who can tell you you're just pissin' in the wind. -- Neil Young, "Ambulance Blues" from "On the Beach" (1974)

I have given my heart. Her face is—” “Usual complement of bits?” asked the little creature. “Eyes? Nose? Teeth? All the usual?” “Of course.” “Well then, you can skip that stuff,” said the little hairy man. “We’ll take it all as said. So what damn-fool silly thing has this young lady got you a-doin’ of?

Once I thought I saw you in a crowded hazy bar, Dancing on the light from star to star. Far across the moonbeam I know that's who you are, I saw your brown eyes turning once to fire. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. I am just a dreamer, but you are just a dream, You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. You are just a dreamer, and I am just a dream. You could have been anyone to me. Before that moment you touched my lips That perfect feeling when time just slips Away between us on our foggy trip. You are like a hurricane There's calm in your eye. And I'm gettin' blown away To somewhere safer where the feeling stays. I want to love you but I'm getting blown away. The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it. I wrote a lot of songs when I couldn't talk.

There were ten tongues within one head, and one went out to fetch some bread, to feed the living and the dead." "What does it mean?" "A wren made a nest inside the skull of a gibbeted corpse, flying in and out of the jaw to feed its young. In the midst of death, as it were, life just keeps on happening.

The young woman was crying, in the way that grownups cry, keeping it inside as much as they can, and hating it when it still pushes out at the edges,...

I have so many opinions about everything it just comes out during my music. It's a battle for me. I try not to be preachy. That's a real danger.

There's a lot of people saying we'd be better off dead. I don't feel like a satan but I guess I am...keep on rockin' the free world.

And, too ignorant to be scared, too young to be awed, Tristran Thorn passed beyond the fields we know . . .      . . . and into Faerie.

The young man shivered. He rolled the stock themes of fantasy over in his mind: cars and stockbrokers and commuters, housewives and police, agony columns and commercials for soap, income tax and cheap restaurants, magazines and credit cards and streetlights and computers... 'It is escapism, true,' he said, aloud. 'But is not the highest impulse in mankind the urge toward freedom, the drive to escape?

NOTE FOR YOUNG PEOPLE AND AMERICANS: One shilling = Five Pee. It helps to understand the antique finances of the Witchfinder Army if you know the original British monetary system: Two farthings = One Ha'penny. Two ha'pennies = One Penny. Three pennies = A Thrupenny Bit. Two Thrupences = A Sixpence. Two Sixpences = One Shilling, or Bob. Two Bob = A Florin. One Florin and One Sixpence = Half a Crown. Four Half Crowns = Ten Bob Note. Two Ten Bob Notes = One Pound (or 240 pennies). Once Pound and One Shilling = One Guinea. The British resisted decimalized currency for a long time because they thought it was too complicated.

Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.

Life is a shit sandwich. Eat it or starve.

It's hard enough losing with out the confusion of knowing I tried.

There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.

I looked around out the driver's window of the hearse. It was Stills! We got out and hugged right there on Sunset Boulevard in the middle of traffic. Horns were honking! To us it seemed like everybody was celebrating! Something was happening, but we didn't know what it was. It was fucking Buffalo Springfield, that's what it was.

You’re as plain as the nose on your face,” said Mr. Pennyworth. “And your nose is remarkably obvious. As is the rest of your face, young man. As are you. For the sake of all that is holy, empty your mind. Now. You are an empty alleyway. You are a vacant doorway. You are nothing. Eyes will not see you. Minds will not hold you. Where you are is nothing and nobody.

In my life I have had various health threats: polio, seizures, a brain aneurysm. None of these things has really changed me much, although it is hard to say for sure. These are events that are part of my life. They make me who I am. I am thankful for them. They are scary.

Hate was just a legend And war was never known The people worked together And they lifted many stones. They carried them to the flatlands And they died along the way But they built up with their bare hands What we still can't do today.

No matter how many books I write, I will eventually get to fiction. That is where I'm going.

I have to tell you what's at stake here: when we were young, we were both in relationships that we thought would never end, not like I will love you even when it goes dark, more like It's so dark out there. How could you survive without me? People have taken so much from me that I don't know how I'm not gone.

I still remember "the mighty Cros" visiting the ranch in his van. That van was a rolling laboratory that made Jack Casady's briefcase look like chicken feed. Forget I said that! Was my mic on?

He looked up at the stars as the storm closed in and saw them extinguished, one-by-one, until just two remained. They glimmered and shone through gaps in the clouds like two great eyes in the darkness, burning on a demon’s face that chased him across the sea.

It's easy to be cynical about death when you're young. When you are young, death is an anomaly. It's not real. It only affects other people. It's a bullet you'll dodge easily. It's why young people can go into battle: they really will live forever. They know. As you stick around, as you go around the Earth, you realize that life is an ever-narrowing conveyor belt. Slowly, inexorably, it takes us all along with it, and one by one we tumble off the side of the conveyor belt into darkness. . . They fall off the conveyor belt into the darkness, our friends, and we cannot talk to them anymore.

Richard put away the Narnia books, convinced, sadly, that they were an allegory; that an author (whom he had trusted) had been attempting to slip something past him. He had had the same disgust with the Professor Challenger stories, when the bull-necked old professor became a convert to Spiritualistm; it was not that Richard had any problems believing in ghosts - Richard believed, with no problems or contradictions, in everything - but Conan Doyle was preaching, and it showed through the words. Richard was young, and innoncent in his fashion, and believed that authors should be trusted, and that there should be nothing hidden beneath the surface of a story.

We need individual stories. Without individuals we see only numbers: a thousand dead, a hundred thousand dead, ‘casualties may rise to a million’. With individual stories, the statistics become people – but even then that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child’s swollen, swollen belly, and the flies that crawl at the corners of his eyes, his skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted, distended caricature of a human child. And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies’ own myriad of squirming children?

So I spoke to my old friend Bruce and told him I was feeling it, his loss of Clarence. We talked for quite a while, and there is no need to go into what two old friends had to say to each other at this point, except to say that two old friends spoke to each other about their music, their muses, their partners in crime, their proof, their friendship, their souls and their lives. Ben Keith was my Clarence Clemons. Clarence Clemons was Bruce's Ben Keith. When he died last year it touched me to the core. I don't want to ever think of any one else playing his parts or occupying his space. No one could. I can't do those songs again unless it's solo. So I told Bruce, "Waylon once looked at me and said, 'There's very few of us left.'" He liked that. I told him when he looked to his right I would be there. That's enough. I'm not talking about that anymore.

Some years ago a writer not much older than I am now told me (not bitterly, but matter-of-factly) that it was a good thing that I, as a young writer, did not have to face the darkness that he faced every day, the knowledge that his best work was behind him. And another, in his eighties, told me that what kept him going every day was the knowledge that his best work was still out there, the great work that he would one day do. I aspire to the condition of the second of my friends, I like the idea that one day I'll do something that really works, even if I fear that I've been saying the same things for over thirty years. As we get older, each thing we do, each thing we write reminds us of something else we've done. Events rhyme. Nothing quite happens for the first time anymore.

We shared a piece of Poncho's apple pie, and I told Poncho about PureTone. Like all serious musicians, he is depressed by the quality of sound the people's music id delivered in today. That is the impression I have gotten from every Musician I have met. Everyone. After he heard PureTone, Ben Bourdon, one of Ben Young's caregivers asked me if I was making war on Apple. I said, "No. I'm waging heavy peace.

I have a brother. They say, you put us together, we are like one person, you know? When we are young, his hair, it is very blond, very light, and people say, he is the good one. And my hair it is very dark, darker than yours even, and people say I am the rogue, you know? I am the bad one. And now time passes, and my hair is gray. His hair too, I think, is gray. And you look at us, you would not know who was light, who was dark.

I lit a fire and sat there in my rocking chair. We lit a candle for him. It was as simple as that. I knew that what I had done may have been a catalyst in Danny's death, but I also knew that there was really nothing else I could have done. I can never really lose that feeling. I wasn't guilty, but I felt responsible in a way. It's part of what I do. Managing the band and taking care of the music is very painful at times. It's a sad story. A moment I will never forget, years I can never replace, music the world will never hear, all gone in the turning of a second.

-You don't like confrontation? Sometimes I'm really down for confrontation. It's kind of like a changing thing. I don't know why. Must be something that makes me differentiate between things I want to be straight-ahead about, and things that I DON'T want to be straight-ahead about. I think that most people have that mechanism. But some people handle it differently- they just go, "Well, this is something I don't wanna do that I gotta do." Some people think, "This is something I don't wanna do that I'm gonna do- but kinda half-assed." I think I fall into THAT category, heh heh heh.

Some of my favorite songs: 'Only Love Can Break Your Heart' by Neil Young; 'Last Night I Dreamed That Somebody Loved Me' by the Smiths; 'Call Me' by Aretha Franklin; 'I Don't Want to Talk About It' by anybody. And then there's 'Love Hurts' and 'When Love Breaks Down' and 'How Can You Mend a Broken Heart' and 'The Speed of the Sound of Loneliness' and 'She's Gone' and 'I Just Don't Know What to Do with Myself 'and . . . some of these songs I have listened to around once a week, on average (three hundred times in the first month, every now and again thereafter), since I was sixteen or nineteen or twenty-one. How can that not leave you bruised somewhere? How can that not turn you into the sort of person liable to break into little bits when your first love goes all wrong? What came first, the music or the misery? Did I listen to music because I was miserable? Or was I miserable because I listened to music? Do all those records turn you into a melancholy person? People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands, of songs about broken hearts and rejection and pain and misery and loss. The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.

Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.

The voice came from the night all around him, in his head and out of it. "What do you want?' it repeated. He wondered if he dared to turn and look, realised he did not. 'Well? You come here every night, in a place where the living are not welcome. I have seen you. Why?' 'I wanted to meet you,' he said, without looking around. 'I want to live for ever.' His voice cracked as he said it. He had stepped over the precipice. There was no going back. In his imagination, he could already feel the prick of needle-sharp fangs in his neck, a sharp prelude to eternal life. The sound began. It was low and sad, like the rushing of an underground river. It took him several long seconds to recognise it as laughter. 'This is not life,' said the voice. It said nothing more, and after a while the young man knew he was alone in the graveyard.

Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

The interstate seems to stretch for miles in a straight line as the fields and farms give way to a more barren landscape. "Loneliness has been good to me' is playing on my personal radio where I hear songs before I write them, and I wonder if this is just another mirage I will forget or if this will become a real song. It has been a long time since I've written a song, and the visits from the muse seem to be lessened by something. I still keep my faith that the muse knows best and whn I am ready the inspiration will be there. I am trying not to look too ready. I know that just invites false promise.

So now here we were with David's second big bout against whatever it was, and it had pretty well gotten him. He was taking a lot of morphine for the paid and looked terrible, although the spirit was still in his eyes, weak as it was. "Do you have any advice for me on my music going forward?" I asked David. "Just make sure to have as much of you in the recording as you can," he said. "Stay simple. No one gives a shit about anything else." He tole me to keep it simple and focused, have as much of my playing and singing as possible, and not to hide it with other things. Don't embellish it with other people I don't need or hide it in any way. Simple and focused. That is what I took away. He didn't exactly say that, but I got the message. I have failed to do that in some instances. "Be great or be gon," his famous phrase, choes in my head. I have to remember that for sure. Damn. So I left the apartment after a hug. It was devastating. He died a week later. He wanted to go. His body was all fucked up and it was not easy. His tenacious spirit would not let him go.

In the end, the record companies have the power to control the quality that is served online. Online service has been problematic in that it actively or discreetly promotes trading and duplication of music. It is not offensive to me that the MP3-quaility sound is traded around. It is, in my opinion, the new radio and serves a great purpose: making music lovers away of the content tat is out there to buy. If the consumers want it, let tham take it, whatever quality they prefer. Ultimately, nothing can stop absolute quality from making a big comeback. The stage is well set. I believe in what I am trying to do and that good Karma will come from it. It is just a matter of time.

Our family was starting. We kept on moving with our young lives, shortly afterward and took Ben Young with us everywhere. But pretty soon Pegi started noticing that Ben was not doing the things some other babies were doing. Pegi was wondering if something was wrong. She was young, and nothing had ever gone wrong in her life. People told us kids grow at different rates and do things at different times. But as Ben reached six months old, we found ourselves sitting in a doctor's office. He glanced at us and offhandedly said, "Of course. Ben has cerebral palsy." I was in shock. I walked around in a for for weeks. I couldn't fathom how I had fathered two children with a rare condition that was not supposed to be hereditary, with tow different mothers. I was so angry and confused inside, projecting scenarios in my mind where people said something bad about Ben or Zeke and I would just attack them, going wild. Luckily that never did happen, but there was a root of instability inside me for a while. Although it mellowed with time, I carried that feeling around for years. Eventually Pegi and I, wanting to have another child after Ben, went to se an expert of the subject. That was Pegi's idea. Always organized and methodical in her approach to problems, Pegi planned an approach to our dilemma with her very high intelligence. We both loved children but were a little gun-shy about having another, to say the least. After evaluating our situation and our children, the doctor told us that probably Zeke dis not actually have CP-he likely had suffered a stroke in utero. The symptoms are very similar. Pegi and I weighed this information. To know someone like her and to make a decision about a subject as important as this with her was a gift beyond anything I have ever experienced. It was her idea, and she had guided us to this point. We made a decision together to go forward and have another child.

Sometimes huge truths are uttered in unusual contexts. I fly too much, a concept and a sentence that would have been impossible for me to understand as a young man, when every plane journey was exciting and miraculous, when I would stare out of the window at the clouds below and imagine that they were a city, or a world, somewhere I could walk safely. Still, I find myself, at the start of each flight, meditating and pondering the wisdom offered by the flight attendants as if it were a koan or a tiny parable, or the high point of all wisdom. This is what they say: Secure your own mask before helping others. And I think of us, all the people, and the masks we wear, the masks we hide behind and the masks that reveal. I imagine people pretending to be what they truly are, and discovering that other people are so much more and so much less than they imagine themselves to be or present themselves as. And then, I think about the need to help others, and how we mask ourselves to do it, and how unmasking makes us vulnerable… We are all wearing masks That is what makes us interesting.

Ben Young is out on the deck with his team, having breakfast through his tube. I wonder how that feels. He seems to be content with it, although I am having some trouble reconciling the fact that Ben does not get all the big tastes anymore. He used to love Milanos and milk after every evening dinner. It was a tradition. Sometimes we still give him a tiny taste just for old times' sake. He is so accepting. It's a marvel. He is the most accepting human being I have ever met, and he is very happy. Not all the time, mind you; he has a flair for impatience if he is going somewhere and there is a delay. He just yells! You know he is pissed. There is no stopping him. More power to you, Ben Young! We had to stop feeding Ben Young by mouth because his lungs have become compromised by all the aspirating he does. It's a complex thing, eating. The body does a lot of work to protect itself and keep food out of the lungs. Ben's body is not working like a normal body does. Ben and Dustin and Uncle Tony are out on the deck listening to tunes on the computer and grooving. Ben's next support team is incoming for a shift. Uncle Marian and Ben Bourdon arrive in Hawaii today from the mainland, and the switch takes place around twelve-thirty. Time marches on. Because of the support, Ben has a very full life and keeps moving around, doing things, seeing people and going to events. I reflect on this. Life is good.

Bruce is still my friend. We don't talk much. We don't have to. He is great and in his own league. I'm not him and he is not me. But we are on similar paths, writing and singing out own kind of songs around the world, along with Bob and a few other singer/songwriters. It is a a silent fraternity of sorts, occupying this space in people's souls with our music. Last year, I lost my right-hand man, the pedal steel guitarist Ben Keith. This year Bruce lost his right-hand man, the saxophonist Clarence Clemons. It's time for another talk; friends can help each other just by being there. Now both of us will look to our right and see a giant hole, a memory, the past and the future. I won't play with another steel player trying to recreate Ben's parts, and I know Bruce won't play with another sax man trying to play Clarence's. Those parts are not going to happen again. They already did. That takes a lot out of our repertoires.

Days after the elections of 2016, asha sent me a link to a talk by astrophysicist Neil deGrasse Tyson. We have to have hope, she says to me across 3,000 miles, she in Brooklyn, me in Los Angeles. We listen together as Dr. deGrasse Tyson explains that the very atoms and molecules in our bodies are traceable to the crucibles in the centers of stars that once upon a time exploded into gas clouds. And those gas clouds formed other stars and those stars possessed the divine-right mix of properties needed to create not only planets, including our own, but also people, including us, me and her. He is saying that not only are we in the universe, but that the universe is in us. He is saying that we, human beings, are literally made out of stardust. And I know when I hear Dr. deGrasse Tyson say this that he is telling the truth because I have seen it since I was a child, the magic, the stardust we are, in the lives of the people I come from. I watched it in the labor of my mother, a Jehovah's Witness and a woman who worked two and sometimes three jobs at a time, keeping other people's children, working the reception desks at gyms, telemarketing, doing anything and everything for 16 hours a day the whole of my childhood in the Van Nuys barrio where we lived. My mother, cocoa brown and smooth, disowned by her family for the children she had as a very young and unmarried woman. My mother, never giving up despite never making a living wage. I saw it in the thin, brown face of my father, a boy out of Cajun country, a wounded healer, whose addictions were borne of a world that did not love him and told him so not once but constantly. My father, who always came back, who never stopped trying to be a version of himself there were no mirrors for. And I knew it because I am the thirteenth-generation progeny of a people who survived the hulls of slave ships, survived the chains, the whips, the months laying in their own shit and piss. The human beings legislated as not human beings who watched their names, their languages, their Goddesses and Gods, the arc of their dances and beats of their songs, the majesty of their dreams, their very families snatched up and stolen, disassembled and discarded, and despite this built language and honored God and created movement and upheld love. What could they be but stardust, these people who refused to die, who refused to accept the idea that their lives did not matter, that their children's lives did not matter?