Needlework Quotes

We've searched our database for all the quotes and captions related to Needlework. Here they are! All 100 of them:

I stare at him coldly. "I do not care for needlework." I pause. "Unless it involves the base of the skull.
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
By your logic I should also be in charge of Solinade dances, needlework, and horse thieving.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
What do you like to do?” She scuffed a toe amongst the rushes. “Needlework.” “Very restful, isn’t it?” “Well,” said Arya, “not the way I do it.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Tell Robb that I'm going to command the Night's Watch and keep him safe, so he might as well take up needlework with the girls and have Mikken melt down his sword for horseshoes. - Jon Snow
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
But dear, you hate to sew. I will be married soon. Lady Thiel says a woman with needlework in her hands is generally assumed to have no other thoughts in her head and can safely harbor any number of improprieties. That will come in handy, especially when I'm married to a wizard.
Patricia A. McKillip (Od Magic)
Women derive a pleasure, incomprehensible to the other sex, from the delicate toil of the needle.
Nathaniel Hawthorne (The Scarlet Letter)
..all forms of needlework of the fancy order are inventions of the evil one for keeping the foolish from applying their hearts to wisdom.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Me needlework will always be here,” she said. “I see this and I feel…well, I don’t know the word. Like I’ll always be here.” “Permanent,” I said. “And the rest of the time?” “I feel like a dandelion just before the wind blows.
Pip Williams (The Dictionary of Lost Words)
I can smell the smoke now. I can see tendrils of it comin' up between the cracks in the shrikin' floorboards. There she is, calmly taking down the framed examples of fine embroideries, samplers, and needlework from teh hallway wall and tucking them under her arm. "Mistress! Come on! You've got to leave!" She calmly turns and faces me. "Why?" she asks. "The British are coming?" "Only one, Mistress," I say
L.A. Meyer (Curse of the Blue Tattoo: Being an Account of the Misadventures of Jacky Faber, Midshipman and Fine Lady (Bloody Jack, #2))
I’ll kill her, freak. (Pitala) Then I’ll kill you and laugh while I do it. Either way it’s no real sweat off my balls. Release her and you can at least walk away alive. But that’s not a standing offer. Make your mind up quick before I kill you just for getting me out on a night when I’d rather be at home doing needlework. (Nykyrian)
Sherrilyn Kenyon (Born of the Night (The League, #1))
I know I'm supposed to be a good girl. I know I'm supposed to be happy doing needlework samplers and baking potatoes in coal and whatnot. But Lord, I love running from the law.
Saundra Mitchell (A Tyranny of Petticoats (A Tyranny of Petticoats, #1))
My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs. Jones and talk about fishcakes. But most likely, she's do what most people do when confronted with something they don't understand. Panic.
Jeanette Winterson (Oranges Are Not the Only Fruit)
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
since I started the Saint Remi Auxiliary for the orphanage. The other auxiliary ladies babble on about Louis—how steadfast, gentle, and loyal he was, never once mentioning his failing wool and wine business. I’ve given them all Etiquette for Ladies. Their words drift to the ceiling with the candle smoke, as my fingers examine the gift Louis gave me last year for my thirty-ninth birthday. I’d hoped for canvas and paints, but he gave me a chatelaine. “Everything you ever need hanging from your belt.” He’d demonstrated each item with such pride, I hid my disappointment. “Thimble, watch, scissors, and measuring tape for your needlework, a funnel for your oils, a pencil, a pantry key, a wax letter seal, and a vial of smelling salts. Uncorking the
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
Lots of people have hobbies. some people collect old coins or foreign stamps, some do needlework, others spend most of their spare time on a particular sport.
Jostein Gaarder (Sophie’s World)
SCARBOROUGH FAIR, or, THE LOVER'S PROMISE (Lucy:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there Always he'll be a true love of mine Tell him I've made him a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Always he'll be a true love of mine (Zach:) Tell her she's found me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand That makes her a true love of mine Tell her she's plowed it with just a goat's horn Parsley, sage, rosemary, and thyme She's sowed it all over with one grain of corn Yes, she is a true love of mine And her daughter forever a daughter of mine (Together:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember us to all who live there Ours will be true love for all time
Nancy Werlin (Impossible (Impossible, #1))
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie (Peter Pan)
Me needlework will always be here,” she said. “I see this and I feel…well, I don’t know the word. Like I’ll always be here.
Pip Williams (The Dictionary of Lost Words)
Yet surely that story she had imagined was a real thing? If you created a story with your mind surely it was just as much there as a piece of needlework that you created with your fingers? You could not see it with your bodily eyes, that was all....the invisible world must be saturated with the stories that men tell both in their minds and by their lives. They must be everywhere, these stories, twisting together, penetrating existence like air breathed into the lungs, and how terrible, how awful, thought Henrietta, if the air breathed should be foul. How dare men live, how dare they think or imagine, when every action and every thought is a tiny thread to ar or enrich that tremendous tapestried story that man weaves on the loom that God has set up, a loom that stretches from heaven above to hell below, and from side to side of the universe...
Elizabeth Goudge (A City of Bells (Torminster, #1))
If I truly believe in Him, I'll trust Him to desire for me that which is for my highest good, and to have planned for its fulfillment.
Helen Roseveare (Quick-And-Easy Strip Quilting (Dover Needlework Series))
Then took the quilt out of its linen wrapper for the pleasure of the brilliant colors and the feel of the velvet. The needlework was very fine and regular. Adair hated needlework and she could not imagine sitting and stitching the fine crow’s-foot seams. Writing was the same, the pinching of thoughts into marks on paper and trying to keep your cursive legible, trying to think of the next thing to say and then behind you on several sheets of paper you find you have left permanent tracks, a trail, upon which anybody could follow you. Stalking you through your deep woods of private thought.
Paulette Jiles (Enemy Women)
You’ll never get a marriage proposal if you have to rely on your needlework.
Lisa See (The Tea Girl of Hummingbird Lane)
Yeah. Well, I sometime embroider the truth a little.” “Embroider? I’ve seen less needlework on twelfth-century tapestries.
Nathan Lowell (To Fire Called (A Seeker’s Tale, #2))
Do you think this is a game?” the proud girl snaps, aquiline features whipping, hawklike, towards Britta. “Do you think that we’re off to court, to learn how to be proper maidens and do needlework?” The girl leans closer, a sneer on her face. “We’re monsters, and they’re going to treat us like monsters. They’re going to use us, bleed us, and when they’re done, they’re going to find whatever our final deaths are and execute us one by one.
Namina Forna (The Gilded Ones (Deathless, #1))
The verb 'to darn' is explained in my pocket dictionary as follows: 'To mend by imitating the texture of the stuff, with thread and needle.' But this definition does not correspond to the work accomplished by good Chinese housewives. When they mend a sock, they do not try 'to imitate the texture of the stuff'. Their art makes no attempt at concealment: it even takes a certain pride in revealing itself.
Daniele Varè (The Maker of Heavenly Trousers)
You’ll be sewing all through winter. When the spring thaw comes, they will find your body with a needle still locked tight between your frozen fingers.” Arya didn’t think it was funny. “I hate needlework!” she said with passion. “It’s not fair!
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
During the descent, she gave the doily to the man across the aisle, worried about his ailing son, and the needlework was so elegant it made him feel better just to hold it. That’s the thing with handmade items. They still have the person’s mark on them, and when you hold them, you feel less alone. This is why everyone who eats a Whopper leaves a little more depressed than they were when they came in.
Aimee Bender (The Color Master: Stories)
Grace was allowed to return by Silverbridge, and to take what was needed from Miss Prettyman. Who can tell of the mending and patching, of the weary wearing midnight hours of needlework which were accomplished before the poor girl went, so that she might not reach her friend’s house in actual rags?
Anthony Trollope (Complete Works of Anthony Trollope)
Good day to you, Sister," Gannon grunted, gritting his teeth and clenching the reins in a white-knuckled grip. "May you live to see your great-grandchildren, and may your eyes never grow dim!" Rolin stifled a snicker. His spinster aunt was childless, and her eyesight was poor from years of needlework.
William D. Burt (The King of the Trees (The King of the Trees, #1))
Her life was expected to be as anonymous as the era's needlework.
Nancy Rubin Stuart (The Muse of the Revolution: The Secret Pen of Mercy Otis Warren and the Founding of a Nation)
For centuries, this was the fate of women embroiderers. They were robbed of their power. This is the history of needlework.
Clare Hunter (Threads of Life: A History of the World Through the Eye of a Needle)
Back then, needlework had power and its embroiderers had value. Back then, sewing mattered.
Clare Hunter (Threads of Life: A History of the World Through the Eye of a Needle)
She was meant for needlework and gossip, not pistols and blackmail.
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
What do you like to do?” She scuffed a toe amongst the rushes. “Needlework.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it.
Jane Austen (Jane Austen - Complete Works: All novels, short stories, letters and poems (NTMC Classics): Emma, Pride and Prejudice, Sense and Sensibility, Northanger ... and Lady Susan (The Heirloom Collection))
Next came the drawing room and Abigail stared in surprise. It appeared as though the occupants had just been called away. A tea set sat on the round table, cups encrusted with dry tea. A book lay open over the arm of the sofa. A needlework project, nearly finished, lay trapped under an overturned chair. What had happened here? Why had the family left so abruptly, and why had the rooms been entombed for almost two decades?
Julie Klassen (The Secret of Pembrooke Park)
Lady Susan disapproved of racing. She disapproved of many things; some people went as far as to say that she disapproved of most things. Disapproval was to her was neuralgia and fancy needlework are to many other women.
Saki (The Complete Short Stories of Saki)
Why , instead of teaching her poetry and drama and needlework, had her governesses not taught the most important lesson anyone could learn - that life was really not going to be easy after one was free of the schoolroom?
Mary Balogh (The Secret Mistress (Mistress Trilogy, #3))
But Miss Ferguson preferred science over penmanship. Philosophy over etiquette. And, dear heavens preserve them all, mathematics over everything. Not simply numbering that could see a wife through her household accounts. Algebra. Geometry. Indecipherable equations made up of unrecognizable symbols that meant nothing to anyone but the chit herself. It was enough to give Miss Chase hives. The girl wasn’t even saved by having any proper feminine skills. She could not tat or sing or draw. Her needlework was execrable, and her Italian worse. In fact, her only skills were completely unacceptable, as no one wanted a wife who could speak German, discuss physics, or bring down more pheasant than her husband.
Eileen Dreyer (It Begins with a Kiss (Drake's Rakes, #4))
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she’d either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she’d do what most people do when confronted with something they don’t understand: Panic.
Jeanette Winterson (Oranges Are Not the Only Fruit)
Kate Walker´s attitude is characteristic of contemporary feminists' determination not to reject femininity but to empty the term of its negative connotations, to reclaim and refashion the category: "I have never worried that embroidery's association with femininity, sweetness, passivity and obedience may subvert my work's feminist intention. Femininity and sweetness are part of women's strength. Passivity and obedience, moreover, are the very opposites of the qualities necessary to make a sustained effort in needlework. What's required are physical and mental skills, fine aesthetic judgement in colour, texture and composition; patient during long training: and assertive individuality of design (and consequence disobedience of aesthetic convention). Quiet strength need not be mistaken for useless vulnerability".
Rozsika Parker (The Subversive Stitch: Embroidery and the Making of the Feminine)
It’s why I like needlework,” she added. Fenris lifted an eyebrow. “Like splitting wood. Like you said. Embroidery doesn’t do anything. It isn’t anything but what it is, and I don’t have to worry that I’ve done something terribly wrong and my tutors will get sent away or that I slighted someone important and they’ll want to close down trade with my kingdom. I can just make pictures and patterns, and if I make a mistake, I can tear it out again and no one dies.” She took a deep breath. “It doesn’t matter that I’m a princess. The thread doesn’t care.
T. Kingfisher (Nettle & Bone)
Tranquility is the soul of our community.” Not a quarter mile’s distance away, Susanna Finch sat in the lace-curtained parlor of the Queen’s Ruby, a rooming house for gently bred young ladies. With her were the room house’s newest prospective residents, a Mrs. Highwood and her three unmarried daughters. “Here in Spindle Cove, young ladies enjoy a wholesome, improving atmosphere.” Susanna indicated a knot of ladies clustered by the hearth, industriously engaged in needlework. “See? The picture of good health and genteel refinement.” In unison, the young ladies looked up from their work and smiled placid, demure smiles. Excellent. She gave them an approving nod. Ordinarily, the ladies of Spindle Cove would never waste such a beautiful afternoon stitching indoors. They would be rambling the countryside, or sea bathing in the cove, or climbing the bluffs. But on days like these, when new visitors came to the village, everyone understood some pretense at propriety was necessary. Susanna was not above a little harmless deceit when it came to saving a young woman’s life. “Will you take more tea?” she asked, accepting a fresh pot from Mrs. Nichols, the inn’s aging proprietress. If Mrs. Highwood examined the young ladies too closely, she might notice that mild Gaelic obscenities occupied the center of Kate Taylor’s sampler. Or that Violet Winterbottom’s needle didn’t even have thread.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The driver bumped his way through the door and plopped down Caitlyn’s “luggage.” Caitlyn watched Madame Snowe’s eyes go to it, widening as she took it in. Caitlyn’s cheeks heated. Her “luggage” was a Vietnam War-era army green duffel bag, bought for a dollar at a garage sale. Cloud-shaped moisture stains mottled its faded surface, and jagged stitches of black carpet thread sealed a rip on one end, Caitlyn’s clumsy needlework giving the mended hole the look of one of Frankenstein’s scars. “Is that all you brought?” Greta asked. Caitlyn nodded, wishing the floor would swallow her. “Very good. You will have no trouble unpacking, and then you can burn your bag, heh?” “Reduce, reuse, recycle!” Caitlyn said with false cheer. “We’re very big on living green in Oregon. Why buy a new suitcase when someone else’s old duffel bag will do?” “We’ll see that it gets … disposed of properly,
Lisa Cach (Wake Unto Me)
The last caravan they robbed had been filled with fine clothing, pieces of which were strewn about their camp. Trousers hung from trees, shirts danced in the breeze. The bright colors on bare branches gave everything a festival air. Petru wrestled with an intricately brocaded vest, struggling to get it across his shoulders. He spun in one direction and then the other. Nicolae watched, lips a single straight line but eyes dancing with mirth. “That would fit better if it were designed for a man,” Matei said as he walked by. Matei’s purse was full now, but he still looked hungry. Petru stopped spinning and ripped off the vest in horror. Nicolae burst into laughter. “You could have told me!” Petru said. “But it set off the color of your eyes so nicely.” Petru glared murderously. Then he looked over at Lada and held the vest out. She raised a single eyebrow at the delicate colors and needlework. Muttering to himself, Petru threw the vest at Nicolae’s head and walked away
Kiersten White (Now I Rise (And I Darken Series, #2))
The tulip next appeared, all over gay, But wanton, full of pride, and full of play; The world can't show a dye but here has place; Nay, by new mixtures, she can change her face; Purple and gold are both beneath her care- The richest needlework she loves to wear; Her only study is to please the eye, And to outshine the rest in finery
Abraham Cowley
The tulip next appeared, all over gay, But wanton, full of pride, and full of play; The world can't show a dye but here has place; Nay, by new mixtures, she can change her face; Purple and gold are both beneath her care- The richest needlework she loves to wear; Her only study is to please the eye, And to outshine the rest in finery.
Abraham Cowley
Pity moment, blah! Let’s turn it around! We do not even need to go into the story of it. We acknowledge this moment and release it. We love and accept and forgive ourselves. And we acknowledge that this is a tiny stitch, a brief pinprick in the needlepoints we are creating of our lives. And we also acknowledge that this lifetime of ours is but a tiny little stitch in the ever-expanding, infinite needlepoint of the Universe. Self-pity is not a reason good enough for us to be out of alignment with peace.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
Except for my net, everything I have need of in the world is contained in that bag—including a second hat and a rather sizable jar of cold cream of roses. Do not tell me you couldn’t travel with as little. I have faith that men can be as reasonable and logical as women if they but try.” He shook his head. “I cannot seem to formulate a clear thought in the face of such original thinking, Miss Speedwell. You have a high opinion of your sex.” I pursed my lips. “Not all of it. We are, as a gender, undereducated and infantilized to the point of idiocy. But those of us who have been given the benefit of learning and useful occupation, well, we are proof that the traditional notions of feminine delicacy and helplessness are the purest poppycock.” “You have large opinions for so small a person.” “I daresay they would be large opinions even for someone your size,” I countered. “And where did you form these opinions? Either your school was inordinately progressive or your governess was a Radical.” “I never went to school, nor did I have a governess. Books were my tutors, Mr. Stoker. Anything I wished to learn I taught myself.” “There are limits to an autodidactic education,” he pointed out. “Few that I have found. I was spared the prejudices of formal educators." “And neither were you inspired by them. A good teacher can change the course of a life,” he said thoughtfully. “Perhaps. But I had complete intellectual freedom. I studied those subjects which interested me—to the point of obsession at times—and spent precious little time on things which did not.” “Such as?” “Music and needlework. I am astonishingly lacking in traditional feminine accomplishments.” He cocked his head. “I am not entirely astonished.” But his tone was mild, and I accepted the statement as nothing like an insult. In fact, it felt akin to a compliment. “And I must confess that between Jane Austen and Fordyce’s Sermons, I have developed a general antipathy for clergymen. And their wives,” I added, thinking of Mrs. Clutterthorpe. “Well, in that we may be agreed. Tell me, do you find many people to share your views?” “Shockingly few,” I admitted.
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
MOTHER— Mother— You lounge on a cloud Surrounded by God in His absence. Mother— I dream You are always returning. I wake and wait For your steps in the hall. Mother— Mornings, I hear you puttering. At night, you mutter and hum over the laundry. The earth is still warm from you. I see your needlework in the grasses that sway. When you were alive, I worried your hair gray. You cried like a little girl wanting her way. Mother— Losing you, my life has grown brittle. The air has lost all its give. Nothing surrounds me. My hands have never been so greedy For the warmth of your body, Or my eyes more restless, Scouring the crowd for your face in the sea. God is real. The earth perceives us. Ghosts Roam among the living, bargaining for an hour as flesh. Mother— You are a green leaf Swept from the tree by unseasonable winds To wander the heavens like a star. I pray for a day each year when we might collide. In still water I search for your eyes. Mother— How could you have lived once and not forever? How have we not gone everywhere together? Mother— I see you on your cloud, A shadow above this impossible city. I hurl my voice at the sky—Mother! And what answers back is the absence of everything That isn’t you.
Yi Lei (My Name Will Grow Wide Like a Tree: Selected Poems)
My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she’d either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she’d do what most people do when confronted with something they don’t understand: Panic.
Jeanette Winterson (Oranges Are Not the Only Fruit (Winterson, Jeanette))
As winter comes on, Master Kalaphates sees portents in every shadow. A pitcher cracks, a bucket leaks, a flame goes out: the new sultan is to blame. Kalaphates complains that orders have stopped arriving from the provinces; the needleworkers do not work hard enough, or they have used too much gold thread, or they have not used enough, or their faith is impure. Agata is too slow, Thekla is too old, Elyse’s designs are too dull. A single fruit fly in his wine can send a black thread twisting through his mood that lingers for days.
Anthony Doerr (Cloud Cuckoo Land)
Much as Joanne disliked needlework, she was quite good at it, for she had been well taught. But hearing the remark from her governess's lips was almost more than the child could bear. And as for childish games - "Cousin Ambrose has been teaching me to play chess," she said in her curiously deep voice. "And we sometimes play cribbage and ecarte." "Still, at your age, there is so much to learn that I think we must dedicate this hour to sewing each night. And now, tell me, what is your favourite lesson?" Joanne eyed the lady for a moment. Then, "Latin and 'cello," she said sweetly. She was not disappointed. Miss Mercier's face fell. "Latin? Oh my dear, I am very sorry to hear that. Latin is essential for boys, of course; but I cannot think it necessary for a girl in your position. But you cannot have gone very far in it yet?" "We were doing the Aenid at school when I left," said Joanne briskly. "Fourth book. And Caesar, of course. I've learnt Latin for years." "My dear child, you mustn't exaggerate. That is most unladylike. I suppose you began two years ago? You cannot call two years "years" in the sense you did." "I didn't. I began Latin when I was seven. My father taught me." This was worse than Miss Mercier had expected.
Elinor M. Brent-Dyer (The Lost Staircase)
of fascinating books about this country and about faraway places like Albania, and she became well known the world over. But Rose grew up in a time when ladies did not consciously seek fame. She chose to shed light on the lives of others instead of her own, and so this book about her mother, her father, and herself had to wait until after her death to be published. Rose (who became Mrs. Rose Wilder Lane) led a full and busy life. After her mother died, she wrote the setting for On the Way Home. She also wrote a number of magazine articles, some of which were published as the Woman’s Day Book of American Needlework. She worked at length
Laura Ingalls Wilder (The First Four Years (Little House, #9))
Do you want some help?"said Liam, rising. "No, thanks." She smiled at him, the man without a past with whom she was falling in love, and shook her head. He could help her later, she thought, when she brought down the larger boxes, big box with the theater programs and school yearbooks, and the little leather case that held the fans and the sketches and the pieces of needlework. But first, she would go alone to bring down the letters it would be the last time she would have Grandma Jo to herself. "Thanks, but I want to do this on my own." "Independent family, aren't they?" Liam grumbled to Matthew, sitting down again. "You don't know the half," said Matthew.
Gabrielle Donnelly (The Little Women Letters)
It is a great pity," she said, "a girl like you, that instead of teaching or doing needlework, you should not go to Vernon's, as you have a right to do, and work there." "I wish I could," Hester said, with eager eyes. "They tell me you wanted to do something like what I had done. Ah! you did not know it was all to be done over again. This life is full of repetitions. People think the same thing does not happen to you twice over, but it does in my experience, You would soon learn. A few years' work, and you would be an excellent man of business; but it can't be,"' "Why cannot it be? You did it. I should not be afraid——" "I was old. I was past my youth. All that sort of thing was over for me.
Mrs. Oliphant (Hester)
Poppy was busy with needlework, stitching a pair of men’s slippers with bright wool threads, while Beatrix played solitaire on the floor near the hearth. Noticing the way her youngest sister was riffling through the cards, Amelia laughed. “Beatrix,” she said after Win had finished a chapter, “why in heaven’s name would you cheat at solitaire? You’re playing against yourself.” “Then there’s no one to object when I cheat.” “It’s not whether you win but how you win that’s important,” Amelia said. “I’ve heard that before, and I don’t agree at all. It’s much nicer to win.” Poppy shook her head over her embroidery. “Beatrix, you are positively shameless.” “And a winner,” Beatrix said with satisfaction, laying down the exact card she wanted.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she'd do what most people do when confronted with something they don't understand: Panic. What constitutes a problem is not the thing, or the environment where we find the thing, but the conjunction of the two; something unexpected in a usual place (our favourite aunt in our favourite poker parlour) or something usual in an unexpected place (our favourite poker in our favourite aunt).
Jeanette Winterson (Oranges Are Not the Only Fruit)
What could I do? My needlework teacher suffered from a problem of vision. She recognised things according to expectation and environment. If you were in a particular place, you expected to see particular things. Sheep and hills, sea and fish; if there was an elephant in the supermarket, she'd either not see it at all, or call it Mrs Jones and talk about fishcakes. But most likely, she'd do what most people do when confronted with something they don't understand: Panic. What constitutes a problem is not the thing, or the environment where we find the thing, but the conjunction of the two; something unexpected in a usual place (our favourite aunt in our favourite poker parlour) or something usual in an unexpected place (our favourite poker in our favourite aunt).
Jeanette Winterson (Oranges Are Not the Only Fruit)
[About her father's friend Lilian Pirie] She was one of the few people I have met whom I consider had a really interesting mind. . . . Young people always flocked to her house and were happy to talk to her. To spend an afternoon with her, even when she was well over seventy, was a wonderful refreshment. I think she had, more perfectly than anyone I have ever known, the art of leisure. You found her sitting in a high-backed chair in her beautiful room, usually engaged with some needlework of her own design, some interesting book or other by her side. She had the air of having time to talk with you all day, all night, for months on end. Her criticisms were caustic and clear. Although she would talk about any abstract subject under the sun she seldom indulged in personalities.
Agatha Christie (Agatha Christie: An Autobiography)
The several duties of instruction in this establishment were thus discharged. English grammar, composition, geography, and the use of the dumb-bells, by Miss Melissa Wackles; writing, arithmetic, dancing, music, and general fascination, by Miss Sophia Wackles; the art of needle-work, marking, and samplery, by Miss Jane Wackles; corporal punishment, fasting, and other tortures and terrors, by Mrs Wackles.
Charles Dickens (The Old Curiosity Shop)
THE Andersons lived in a lovely clapboard house at the corner of Washington and Main, a few blocks past the hubbub of stores and businesses, where the town settled into private residences for the well-to-do. Beyond the wide front porch, where Mr. and Mrs. Anderson liked to sit in the evenings, the man scooping into his silk tobacco pouch and the woman squinting at her needlework, were the parlor, dining room, and kitchen. Bessie spent most of her time on that first floor, chasing after the children, preparing meals, and tidying up. At the top of the staircase were the bedrooms—Maisie and little Raymond shared theirs—and the second washroom. Raymond took a long nap in the afternoon and Bessie liked to sit in the window seat as he settled into his dreams. She could just make out the top two floors of the Griffin Building, with its white cornices that blazed in the sunlight.
Colson Whitehead (The Underground Railroad)
Your butler informed me you were here. I thought-that is, I wondered how things were going.” “And since my butler didn’t know,” Ian concluded with amused irritation, “you decided to call on Elizabeth and see if you could discover for yourself?” “Something like that,” the vicar said calmly. “Elizabeth regards me as a friend, I think. And so I planned to call on her and, if you weren’t here, to put in a good word for you.” “Only one?” Ian said mildly. The vicar did not back down; he rarely did, particularly in matters of morality or justice. “Given your treatment of her, I was hard pressed to think of one. How did matters turn out with your grandfather?” “Well enough,” Ina said, his mind on meeting with Elizabeth. “He’s here in London.” “And?” “And,” Ian said sardonically, “you may now address me as ‘my lord.’” “I’ve come here,” Duncan persisted implacably, “to address you as ‘the bridegroom.’” A flash of annoyance crossed Ian’s tanned features. “You never stop pressing, do you? I’ve managed my own life for thirty years, Duncan. I think I can do it now.” Duncan had the grace to look slightly abashed. “You’re right, of course. Shall I leave?” Ian considered the benefits of Duncan’s soothing presence and reluctantly shook his head. “No. In fact, since you’re here,” he continued as they neared the top step, “you may as well be the one to announce us to the butler. I can’t get past him.” Duncan lifted the knocker while bestowing a mocking glance on Ian. “You can’t get past the butler, and you think you’re managing very well without me?” Declining to rise to that bait, Ian remained silent. The door opened a moment later, and the butler looked politely from Duncan, who began to give his name, to Ian. To Duncan’s startled disbelief, the door came crashing forward in his face. An instant before it banged into its frame Ian twisted, slamming his shoulder into it and sending the butler flying backward into the hall and ricocheting off the wall. In a low, savage voice he said, “Tell your mistress I’m here, or I’ll find her myself and tell her.” With a glance of furious outrage the older man considered Ian’s superior size and powerful frame, then turned and started reluctantly for a room ahead and to the left, where muted voices could be heard. Duncan eyed Ian with one gray eyebrow lifted and said sardonically, “Very clever of you to ingratiate yourself so well with Elizabeth’s servants.” The group in the drawing room reacted with diverse emotions to Bentner’s announcement that “Thornton is here and forced his way into the house.” The dowager duchess looked fascinated, Julius looked both relived and dismayed, Alexandra looked wary, and Elizabeth, who was still preoccupied with her uncle’s unstated purpose for his visit, looked nonplussed. Only Lucinda showed no expression at all, but she laid her needlework aside and lifted her face attentively toward the doorway.
Judith McNaught (Almost Heaven (Sequels, #3))
Sewing is a visual language. It has a voice. It has been used by people to communicate something of themselves — their history, beliefs, prayers and protests. For some, it is the only means to tell of what matters to them: those who are imprisoned or censored; those who do not know how or are not allowed to write of their lives. For them needlework can carry their autobiographies and testimonies, registering their origin and fate. Using patterns as syntax, symbols and motifs as its vocabulary, the arrangement of both as its grammar, sewing is a graphic way to add information and meaning. But is not a monologue, it is part of a conversation, a dialogue, a correspondence only fully realised once it is seen and its messages are read. It connects the maker to the viewer across time, cultures, generations and geographies. As a shared language, needlework transmits — through techniques, coded symbols, fabrics and colour — the unedited stories, not just of women, but often of those marginalised by oppression and prejudice.
Clare Hunter (Threads of Life: A History of the World Through the Eye of a Needle)
a brief history of art Cave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all.
David Nicholls
with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.
J.M. Barrie (Peter Pan)
I'll kill her, freak," Pitala snarled in warning as he clicked off the blaster's release. Nykyrian appeared unaffected by the insult and threat-and why wouldn't he be? It wasn't like the blaster was pressing against his temple. He released a bored sigh. "Then I'll kill you and laugh while I do it. Either way it's no real sweat off my balls. Release her and you can at least walk away alive. But that's not a standing offer. Make up your mind quick before I kill you just for getting me out on a night when I'd rather be at home doing needlework." -Pitala & Nykyrian (& Kiara)
Sherrilyn Kenyon (Born of Night (The League: Nemesis Rising, #1))
Setting aside her needlework, Miss Peregrine rose and hobbled to the window. Her gait was rigid and awkward, as if one of her legs were shorter than the other.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Septa Mordane will surely be lurking. The longer you hide, the sterner the penance. You’ll be sewing all through winter. When the spring thaw comes, they will find your body with a needle still locked tight between your frozen fingers.” Arya didn’t think it was funny. “I hate needlework!” she said with passion. “It’s not fair!
Anonymous
In pagan times women were buried with accoutrements that reflected the female role in society. Instead of the tools, weapons and hunting dogs that accompanied men, women took household utensils, implements for needlework, spinning and weaving, jewellery and lapdogs with them on their journey to the next life.
Else Roesdahl (The Vikings)
Colonel Andrews popped his head through the doorway. "Did I hear a sigh?" Miss Charming screamed and dropped her needlework, and Charlotte jumped in her chair, knocking her knee against a marble coffee table.
Shannon Hale (Midnight in Austenland (Austenland, #2))
But you can tell he’s a wizard, because he’s got a pointy hat with a floppy brim. It’s got the word “Wizzard” embroidered on it in big silver letters, by someone whose needlework is even worse than their spelling.
Terry Pratchett (Sourcery (Discworld, #5))
Honus took out his healing kit, and set a pot of water to boil. “When the water’s ready,” he said, “I’ll tend your wound.”   Yim touched the cut on her chin. “Is it bad?”   Honus peered at it in the firelight. “No, but you’ll have a scar.”   Yim smiled wryly. “I’m catching up with your collection.”   “I’m keeping apace with you,” replied Honus.   For the first time, Yim noticed that Honus’s shirtsleeve was torn and blood-soaked. She gasped. “Honus! Why didn’t you tell me you were hurt?”   “I didn’t wish to trouble you. Besides, it’s not deep.” He rolled up his right sleeve to reveal a bloody gash on his forearm.   When the water boiled, Honus poured some into a wooden bowl and added powder from a vial in his healing kit. After cleaning the blood from Yim’s face, he wetted a cloth with the solution in the bowl. “This will sting,” he said.   “I remember,” replied Yim. She winced as the solution foamed inside her cut. Glimpsing the concern in Honus’s eyes, she tried to hide her pain. She took a deep breath and said, “I’m glad that’s over.”   Honus cleaned the gash on his arm with the same solution, then asked, “Would you stitch my wound closed? I’d rather not do it left-handed.”   “I’ll try,” said Yim, “but I’ve never done the like before.”   “It’s not hard, and I’m certain your dainty fingers will do finer work than Theodus’s thick ones ever managed.”   “Before you malign his stitching, you should compare it to mine,” said Yim. “As a girl, I was more adept with goats than needlework.”   “Then pretend I’m a goat.”   Honus took out a curved needle and a strand of gut from his kit and dipped them in the cleansin g solution. He declined Yim’s suggestion to prepare a brew for his pain, stating he wanted to stay alert. When Yim nervously sewed his wound, he was absolutely stoic. He guided her stitching calmly, tensing only slightly each time the needle pierced his flesh. The only evidence of his pain was the deep breath he took when Yim was done. Honus gazed at his stitches and smiled. “You underestimate your skill.”   “I’m glad you’re so easily pleased,” Yim replied. “The woman who raised me would’ve made me tear out the seam and restitch it.”   Honus winced. “Let’s talk of food, instead,” he said quickly. “Perhaps this would be a good night to have that cheese we were saving.”   “To celebrate our new scars?’   “To celebrate we’re both alive.
Morgan Howell (Candle in the Storm (Shadowed Path, #2))
Exercise 1: How to Invigorate Your Relationship with Your Romantic Partner STEP 1: Privately, each person should think about time spent with their partner. Without talking about it, each of you should make a list of the shared times together that could best be described as “very pleasant” or “exciting.” Think about things you do at home, for work, in the community, for leisure, on vacation, or anywhere else where you did something with your partner that made you feel excited. For instance, think about when the two of you: Went to a concert or a club Played or watched a sport or games of some kind Shopped Learned a new skill Talked Volunteered Solved a problem Took care of other people, animals, or things Went to a spiritual or religious event/workshop/meeting Played music Had sex (the more details, the better) Worked out Relaxed Spent time in a different environment than you are usually in (beach versus mountains, suburbs versus city, noisy versus quiet, teeming with people versus sparsely populated) Engaged in strenuous physical and/or mental exercise Joined an organization that you both believed in Pursued a hobby Worked on the house, the yard, the car, the boat Cooked new recipes Went to the movies Sat in the same room and did your own thing, like read, did needlework, or worked crossword puzzles Planned the family budget Took a class Something else (the sky is the limit—add any activities that fueled you)
Todd Kashdan (Curious?: Discover the Missing Ingredient to a Fulfilling Life)
The “unskilled” labor of women cooking complex dishes or performing needlework at home required skill, albeit often learned informally, undervalued in the labor market, and compensated with meager wages, if any at all.
Cristina Viviana Groeger (The Education Trap: Schools and the Remaking of Inequality in Boston)
Sister, why do you think the stars in the sky don’t fall down?” Ye examined Feng. The kerosene lamp was a wonderful artist and created a classical painting with dignified colors and bright strokes: Feng had her coat draped over her shoulders, exposing her red belly-band, and a strong, graceful arm. The glow from the kerosene lamp painted her figure with vivid, warm colors, while the rest of the room dissolved into a gentle darkness. Close attention revealed a dim red glow, which didn’t come from the kerosene lamp, but the heating charcoal on the ground. The cold air outside sculpted beautiful ice patterns on the windowpanes with the room’s warm, humid air. “You’re afraid of the stars falling down?” Ye asked softly. Feng laughed and shook her head. “What’s there to be afraid of? They’re so tiny.” Ye did not give her the answer of an astrophysicist. She only said, “They’re very, very far away. They can’t fall.” Feng was satisfied with this answer, and went back to her needlework. But Ye could no longer be at peace. She put down her book and lay down on the warm surface of the kang, closing her eyes. In her imagination, the rest of the universe around their tiny cottage disappeared, just the way the kerosene lamp hid most of the room in darkness. Then she substituted the universe in Feng’s heart for the real one. The night sky was a black dome that was just large enough to cover the entirety of the world. The surface of the dome was inlaid with countless stars shining with a crystalline silver light, none of which was bigger than the mirror on the old wooden table next to the bed. The world was flat and extended very far in each direction, but ultimately there was an edge where it met the sky. The flat surface was covered with mountain ranges like the Greater Khingan Mountains, and with forests dotted with tiny villages, just like Qijiatun.… This toy-box-like universe comforted Ye, and gradually it shifted from her imagination into her dreams. In this tiny mountain hamlet deep in the Greater Khingan Mountains, something finally thawed in Ye Wenjie’s heart. In the frozen tundra of her soul, a tiny, clear lake of meltwater appeared.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
There was a dress we always kept in the family---a little girl's dress that once belonged to my great-grandmother. Ashley." Millie hesitated, as though to emphasize the name. "Ashley was just a child when she was sold, and her mother sewed the dress and embroidered a rose like that one on it." "Kind of reminds me of the color of that huge rosebush at Eliza's old estate in Charleston," Sullivan said, and Peter agreed. "I mean, I know it's comparing a real bush to an embroidered one... but isn't it strange. Eliza would have a bush with that color rose in her yards both here and in Charleston, and a collection of needlework displays with it in her attic?" Alice shrugged. "Maybe, maybe not. Roses are very popular flowers and were especially popular during that time period. It certainly could mean something, but I'm more interested in the sequence of the flowers this person chose to embroider and the connection Millie mentioned to that dress." Alice leaned closer. "Millie, are you sure the stitching is the same?" As a renowned seamstress, Millie's eye could be trusted. Millie nodded emphatically. "I have no doubt about it," she said. "The gentle curve of the petals. Shows remarkable craftsmanship. I remember admiring it when I was a little girl myself. It's one of the first memories I have of falling in love with textiles.
Ashley Clark (Where the Last Rose Blooms (Heirloom Secrets, #3))
That’s a worry, now you mention it. I’m not one for needlework, and you can only read so many books before your eyesight fails. Someone suggested volunteer work, but that’s out of the question. I’m accustomed to being paid, and the idea of giving away my time and my skills is an affront. Braver women than I fought decades for equal compensation in the workplace, so why would I undo their accomplishments?
Sue Grafton (X (Kinsey Millhone, #24))
Locked up eighteen years, without even a television set or a newspaper. Needlework might seem pretty important if it was all you could do.
Lea Wait (Thread and Gone (Mainely Needlepoint, #3))
CHRISTMAS FUSS IN BARBADOS IN THE 70’S 1.BUY A BOTTLE OF FALERNUM 2.PUT DOWN CONGOLEUM IN THE SHEDROOF, AFTER SCRUBBING/VARNISHING THE FLOOR 3.WASH DOWN THE HOUSE AND CLEANED THE WINDOWS 4.BAKE GREAT CAKE AND PUDDING 5.GRATE COCONUTS TO MAKE SWEETBREAD 6.HUNG UP CURTAIN RODS/ NEW CURTAINS ON CHRISTMAS EVE 7.TRUST CREAM SACHETS IN FANCY BOTTLES/BIG WHEEL COLOGNE, SKIN SOFTENERS FROM AVON LADY 8.BUY ENGLISH APPLES AND A SHADDOCK FROM THE MARKET 9.WEED AROUND THE HOUSE 10. A CASE OF SOFT DRINKS-JU-C, FRUTEE, BIM, BBC GINGER, COKES 11.GO TO ELLIS QUARRY AND GET SOME MARL 12.PICK GREEN PEAS 13.STEEP SORREL 14.CHANGE THE CUSHION COVERS 15.SANDPAPER THE MAHOGANY CHAIRS 16.CLEAN THE CABINET AND WASHED ALL THE FINE CHINA 17.BUY HAM IN WHITE BURLAP BAG 18.DECANTER OF PORT WINE 19.PICK UP CLOTHES FROM THE NEEDLE WORKER 20.WASH AND PRESS HAIR 21.BUY PIECE OF FRESH PORK 2016
Charmaine J. Forde
To live is to crochet according to a pattern we were given. But while doing it the mind is at liberty, and all enchanted princes can stroll in their parks between one and another plunge of the hooked ivory needle. Needlework of things … Intervals … Nothing …
Fernando Pessoa (The Book of Disquiet)
Birth coat, it won’t be long Before he re-clothes In the lit needlework of you. Clean him, cover him Toward his way to find The old ones.
Mai Der Vang (Afterland)
Lies and needlework skills have much in common.
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
Needlework is a retreat from the white noise of everyday life. It is also, crucially, a choice rather than the social requirement it was for women in the 18th and 19th centuries...It is not something we do because we don't have better things to do with our time, but because we find it a creative, mindful and stimulating activity that lets our minds wander as our fingers track over what we're working on.
Jennie Batchelor (Jane Austen Embroidery: Regency Patterns Reimagined for Modern Stitchers)
Phoebe’s eyelids drooped. “How Victorian of you. I don’t intend to sit at home doing needlework, darling. It is 1924, after all.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
Sew me a shirt with no seam or needle-work. Plant an acre of land with one ear of corn. Build a house on a sinking cliff and win your freedom.
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
I’m giving you my word that there’s nothing, there’s no frame in my film, not a single one, that doesn’t come from me as a woman. […] Men can make ladies’ sentimental needlework perfectly, too. But a woman, as one half of the source of humankind, a woman can tell the world, reveal to the world some amazing things. No man can so intuitively discern some phenomena in the human psyche, in nature, as a woman can.
Larisa Shepitko
Rebuilding demands needlework patience, even more daunting than fleeing in panic.
Thanhhà Lại (When Clouds Touch Us)
Dear Reader, In Claudia and Crazy Peaches, we get to know Aunt Peaches better, and to see the special relationship Claudia has with her aunt. I have three aunts — Aunt Adele, Aunt Martha, and Aunt Merlena — and I have special memories of all of them. Aunt Martha is my father’s sister-in-law. She and Uncle Lyman used to give my sister and me the best presents. One Christmas, when we were very little, they gave us stockings with garters. They were meant for grown women, and we thought they were hysterical! Another year they gave my sister a red cuckoo clock, and they gave me a music box with two dancing figures under a glass dome. I still have the music box. Aunt Merlena, my mother’s sister-in-law, was my only aunt who lived nearby. And she loved arts and crafts as much as I did. We made puppets together once, she showed me how to make doll clothes, and one summer day she invited me over especially so that we could make my birthday party invitations together. Aunt Adele is my father’s sister, and we are extremely close. We talk on the phone a lot, and we share a love of sewing and needlework. We exchange patterns in the mail, we give each other sewing tips, but mostly we just enjoy talking. I’m very lucky to have three such wonderful aunts — maybe that’s where the idea for Claudia and her wonderful aunt came from. Happy reading,
Ann M. Martin (Claudia and Crazy Peaches (The Baby-Sitters Club, #78))
Fulton laid a heavy hand on Emma’s knee, there in the larger of Chloe’s two parlors, and Emma quickly set it away. “God’s eyeballs, Emma,” Fulton complained in a sort of whiny whisper, “we’re practically engaged!” “It’s not proper to talk about God’s anatomy,” Emma said stiffly, squinting at the needlework in the stand in front of her before plunging the needle in. “And if you don’t keep your hands to yourself, you’ll just have to go home.” Fulton gave an exaggerated sigh. “You’d think a girl would learn something, living in the same house with Chloe Reese.” Emma’s dark blue eyes were wide with annoyance when she turned them on Fulton. “I beg your pardon?” “Well, I only meant—” “I know what you meant, Fulton.” “A man has a right to a kiss now and then, when he’s willing to promise the rest of his life to a woman!” Emma narrowed her eyes, planning to point out that he wasn’t the only one with a lifetime on the line, but before she could speak, Fulton grabbed her and pressed his dry mouth to hers. She squirmed, wondering why on earth those romantic English novels spoke of kissing as though it were something wonderful, and when she couldn’t get free, she poked Fulton in the hand with her embroidery needle. He gave a shout and jerked back, slapping at his hand as though a bug had lighted there. “Damn it all to perdition!” he barked. Emma calmly rethreaded her needle and went back to embroidering her nosegay. It was a lovely thing of pink, lavender, and white flowers, frothed in baby’s breath. It was never good to let a man get too familiar. “Good night, Fulton,” she said. Stiffly, Fulton stood. “Won’t you even do me the courtesy of walking me to the gate?” he grumbled. Thinking of the respectability that would be hers if she were to marry Fulton someday, Emma suppressed a sigh, secured her needle in the tightly drawn cloth, and rose to her feet. Her arm linked with his, she walked him to the gate. The
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
I suggest you stick to your needlework.” “Only if I can stitch your lips shut.
Suzanne Barclay (Lion's Legacy)
Denied outlets for their creative talents in literature and the fine arts, women poured their hidden frustration and suppressed need for expression into the spheres delegated to them by the dominant male society. Needlework has been, in most cultures, a traditional female occupation. Spinning and weaving, sewing and embroidery…” Rachel
Barbara Michaels (Stitches in Time (Georgetown #3))
Dear Prudence, I’m sitting in this dusty tent, trying to think of something eloquent to write. I’m at wit’s end. You deserve beautiful words, but all I have left are these: I think of you constantly. I think of this letter in your hand and the scent of perfume on your wrist. I want silence and clear air, and a bed with a soft white pillow… Beatrix felt her eyebrows lifting, and a quick rise of heat beneath the high collar of her dress. She paused and glanced at Prudence. “You find this boring?” she asked mildly, while her blush spread like spilled wine on linen. “The beginning is the only good part,” Prudence said. “Go on.” …Two days ago in our march down the coast to Sebastopol, we fought the Russians at the Alma River. I’m told it was a victory for our side. It doesn’t feel like one. We’ve lost at least two thirds of our regiment’s officers, and a quarter of the noncommissioned men. Yesterday we dug graves. They call the final tally of dead and wounded the “butcher’s bill.” Three hundred and sixty British dead so far, and more as soldiers succumb to their wounds. One of the fallen, Captain Brighton, brought a rough terrier named Albert, who is undoubtedly the most badly behaved canine in existence. After Brighton was lowered into the ground, the dog sat by his grave and whined for hours, and tried to bite anyone who came near. I made the mistake of offering him a portion of a biscuit, and now the benighted creature follows me everywhere. At this moment he is sitting in my tent, staring at me with half-crazed eyes. The whining rarely stops. Whenever I get near, he tries to sink his teeth into my arm. I want to shoot him, but I’m too tired of killing. Families are grieving for the lives I’ve taken. Sons, brothers, fathers. I’ve earned a place in hell for the things I’ve done, and the war’s barely started. I’m changing, and not for the better. The man you knew is gone for good, and I fear you may not like his replacement nearly so well. The smell of death, Pru…it’s everywhere. The battlefield is strewn with pieces of bodies, clothes, soles of boots. Imagine an explosion that could tear the soles from your shoes. They say that after a battle, wildflowers are more abundant the next season--the ground is so churned and torn, it gives the new seeds room to take root. I want to grieve, but there is no place for it. No time. I have to put the feelings away somewhere. Is there still some peaceful place in the world? Please write to me. Tell me about some bit of needlework you’re working on, or your favorite song. Is it raining in Stony Cross? Have the leaves begun to change color? Yours, Christopher Phelan
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
our, against limitations imposed subtly, in a thousand ways, from birth. To be female, to be working class, to be unexceptional. At my school, the boys took woodwork and metalwork, the girls domestic science and needlework. It never occurred to me to question. I gave it no thought. But now I think of sparks and sawdust and wish it had been different.
Sue McCormick (Small Acts of Courage)
What was Yolande doing with Mayor Horwoode?" he asked, puzzled by the curious chain of informants who had provided Matilde with the piece of gossip in the first place. Edith and her husband exchanged an amused glance. "Well, she is a prostitute, Matt," said Stanmore dryly. "So, I expect they were talking about needlework.
Susanna Gregory (A Masterly Murder (Matthew Bartholomew, #6))
Through the reformatory movement then, the criminal justice system became a mechanism used to punish women who did not perform social reproductive labour according to the white, bourgeois ideal. This ideal was reinforced in the reformatories where women were taught to perform domestic tasks such as laundry and needlework. This training in domestic labour served a dual function. On the one hand, it trained working-class women in the ‘cult of domesticity’. On the other, it served to produce a labour force of domestic servants since women were often released from reformatories into bourgeois homes where they worked for below-average wages. In other words, both reflecting and reproducing the relations of the gendered capitalist labour market more broadly, while imprisoned men were performing industrial labour, women in the reformatories were being trained in domestic labour which they were expected to perform either for no wages in a patriarchal household or for low wages in the labour market.
Adrienne Roberts (Gendered States of Punishment and Welfare: Feminist Political Economy, Primitive Accumulation and the Law (RIPE Series in Global Political Economy))
I should hate to be employed and have no time for my needlework and my painting and playing the piano and seeing people. I find I have little enough spare time as it is." "Rubbish, caro, one can find time for important things if one makes an effort." conversation between Georgie and Lucia
Tom Holt (Lucia Triumphant (Lucia, #8))
She will not bow her head to any woman or man, so why, indeed, should she bow to a needle?
Libbie Hawker (Daughter of Sand and Stone)
But Charles, at that very moment, was roving the house in search of Amy.  He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms.  She was not in the dining room, the library, or wandering the halls.  It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles.  What are you doing out here?  You look most annoyed." "Amy.  I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time.  You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips.  "Actually, I have.  You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth.  "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles.  In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife.  He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? 
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
thin materials, or in conjunction with flat stitch. Twisted knot
Thérèse de Dillmont (Encyclopedia of Needlework)