Nature Speaks Softly Quotes

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A choir is made up of many voices, including yours and mine. If one by one all go silent then all that will be left are the soloists. Don’t let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.
Vera Nazarian (The Perpetual Calendar of Inspiration)
The nature of immortality is a mystery,' he says, speaking so softly that we have to lean closer to hear.' But everything I know of writing and reading tells me that this is true. I have felt it in these shelves and in others.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
(Speaking of the Cistercian monks) A grim fraternity, passing grim lives in that sweet spot, that God had made so bright! Strange that Nature's voices all around them--the soft singing of the waters, the wisperings of the river grass, the music of the rushing wind--should not have taught them a truer meaning of life than this. They listened there, through the long days, in silence, waiting for a voice from heaven; and all day long and through the solemn night it spoke to them in myriad tones, and they heard it not.
Jerome K. Jerome
One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that 'an ugly man.
Charlotte Brontë (Jane Eyre)
I imagine my love breathing with the lungs of all things and it reaches me as poetry of roses or dust speaks softly to everything and whispers its news to the universe the way the wind and sun do when they split nature’s breast or pour the ink of day on the earth’s book from “Beginnings of the Body, Ends of the Sea
Adonis (Adonis: Selected Poems (The Margellos World Republic of Letters))
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
Charlotte Brontë (Shirley)
hated him so much I could not speak. He leaned forward in his chair. “May I give you some advice? If you are truly his friend, you will help him leave this soft heart behind. He’s going to Troy to kill men, not rescue them.” His dark eyes held me like swift-running current. “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.
Madeline Miller (The Song of Achilles)
Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.
Kahlil Gibran (The Prophet)
It is foolish to wish for beauty.  Sensible people never either desire it for themselves or care about it in others.  If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.  So said the teachers of our childhood; and so say we to the children of the present day.  All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face—when we know no harm of the possessor at least?  A little girl loves her bird—Why?  Because it lives and feels; because it is helpless and harmless?  A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.  If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections.  Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versâ with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. 
Anne Brontë (Agnes Grey)
When, therefore, a man is told, “You (your inner being) are so and so, because your skull-bone is so constituted,” this means nothing else than that we regard a bone as the man's reality. To retort upon such a statement with a box on the ear — in the way mentioned above when dealing with psysiognomy — removes primarily the “soft” parts of his head from their apparent dignity and position, and proves merely that these are no true inherent nature, are not the reality of mind; the retort here would, properly speaking, have to go the length of breaking the skull of the person who makes a statement like that, in order to demonstrate to him in a manner as palpable as his own wisdom that a bone is nothing of an inherent nature at all for a man, still less his true reality.
Georg Wilhelm Friedrich Hegel (The Phenomenology of Mind, Vol 1 (Muirhead Library of Philosophy))
Have you ever been in a large forest and seen a strange black tarn hidden deep among the leaves? It looks bewitched and a little frightening. All is still — fir trees and pines huddle close and silent on all sides. Sometimes the trees bend cautiously and shyly over the water as if they are wondering what may be hidden in the dark depths. There is another forest growing in the water, and it, too, is full of wonder and stillness. Strangest of all, never have the two forests been able to speak to each other. By the edge of the pool and out in the water are soft tussocks covered with brown bear moss and wooly white cottongrass. All is so quiet — not a sound, not a flutter of life, not a trembling breath — all of nature seems to be holding its breath listening, listening with beating heart: soon, soon.
Helge Kjellin (Great Swedish Fairy Tales)
Arren was silent, pondering this. Presently the mage said, speaking softly, “Do you see, Arren, how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that’s the end of it. When that rock is lifted, the earth is lighter; the hand that bears it heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls the universe is changed. On every act the Balance of the Whole depends. The winds and seas, the powers of water and earth and light, all that these do, and all that the beasts and green things do, is well done, and rightly done. All these act within the Equilibrium. From the hurricane and the great whale’s sounding to the fall of a dry leaf and the gnat’s flight, all they do is done within the Balance of the Whole. But we, insofar as we have power over the world and over one another, we must learn to do what the leaf and the whale and the wind do of their own nature. We must learn to keep the Balance. Having intelligence, we must not act in ignorance. Having choice, we must not act without responsibility. Who am I—though I have the power to do it—to punish and reward, playing with men’s destinies?” “But then,” the boy said, frowning at the stars, “is the Balance to be kept by doing nothing? Surely a man must act, even not knowing all the consequences of his act, if anything is to be done at all?” “Never fear. It is much easier for men to act than to refrain from acting. We will continue to do good and to do evil. . . . But if there were a king over us all again and he sought counsel of a mage, as in the days of old, and I were that mage, I would say to him: My lord, do nothing because it is righteous or praiseworthy or noble to do so; do nothing because it seems good to do so; do only that which you must do and which you cannot do in any other way.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
Do not, cherie, ever think you cannot measure up to my expectations." "You might get tired teaching me things." His hand spanned the slim column of her throat so that her pulse was beating into the center of his palm. "Never. It will never happen. And I have much to learn from you.There has been no laughter in my life.You have brought that to me.There are many things you have brought to my life-feelings and emotions I could never experience without you." He bent to brush her mouth with his. "Can you not feel that I speak the truth?" Savannah closed her eyes as his mouth took possession of hers, as his mind merged firmly with hers. There was such an intimacy in sharing his thoughts and feelings. Gregori was intense in his hunger and need. There were no doubts in him, no hesitation. He knew they would always be together; he would accept nothing else.If something ever changed that,he would choose to follow her into the dawn. Gregori released her slowly, almost reluctantly. She stood very still, looking up at him, her blue eyes studying his face. "We can do this Savannah," he encouraged her softly. "Do not get frightened and try to run from your fate. Stay with me and fight." A small smile touched her mouth. "Fate. Interesting word to use. You make it sound like I've been sentenced to prison." She took a deep breath and made herself relax. "You're bad, but not quite that bad," she teased him. His white teeth gleamed, his predator's smile. "I am very bad, ma petite. Do not forget that if you wish to be safe." She shrugged casually, but her heart leapt in response. "Safety is not a concept I strictly adhere to," she ansered, her chin up. "That is a double-edged sword for me." Savannah burst out laughing, her natural sense of humor bubbling up. "You bet it is. I don't intend to make things easy for you. You've had your way for far too long.
Christine Feehan (Dark Magic (Dark, #4))
Can—” She caught her lip in her teeth. “Can you tell me . . . ? How does one breathe?” Very unsteadily while those eyes gazed up at him. “Breathe?” “While kissing.” Not easy. He tried to moderate his voice. “In the usual manner, I imagine.” Her slender brows dipped. “At opportune moments,” he suggested. Her lips twisted up in that manner he both dreaded and longed for. “Through one’s nose, perhaps,” he said, because his only refuge was to continue speaking or to walk away. “Really?” She appeared unconvinced. And so, because her skepticism suited his need to have her lips beneath his again, he showed her how one breathed while kissing. To her soft gasp of surprise, he took her waist in his hands, bent to her mouth, and kissed her in truth this time. Her lips were warm and still, and then not still as he felt her eager beauty, tasted her, and made her respond. She held back at first, and then she gave herself up to it. Her mouth opened to him as though by nature, offering him a sweet breath of the temptation within. If he’d gone seeking an innocent with more ready hunger he could not have found her. But he had not wanted an innocent. He’d wanted no one, yet here he was with his hands on a girl he could not release, his tongue tracing the seam of sweet, full lips that she parted for him willingly. “Now, breathe,” he whispered against those lips, then he sought her deeper. She made sounds of surrender in the back of her throat. He wanted to run his hands over her body, to pull her to him and make her know what a real kiss could be. “Breathe.” God, she smelled so good. He could press his face against her neck and remain there simply breathing her. But he feared that if he enjoyed much more of Diantha Lucas he would be in a very bad way when it came to giving her over to her stepfather and subsequently her intended. A very bad way indeed. And she didn’t deserve it. Rule #9: A gentleman must always place a lady’s welfare before his own. She slipped her tongue alongside his, gasped a little whimper of pleasure, and he coaxed her lips open and showed her more than how to breathe. He showed her how he wanted her. It was a pity for Miss Lucas’s welfare that no gentleman could be found here, after all.
Katharine Ashe (How a Lady Weds a Rogue (Falcon Club, #3))
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
To find the verses in the bark of a tree...to seek the music in raindrops drumming upon the thirsty earth....to be sheltered in the silence lingering between the words...to search for a song of the fallen leaves....to revel in the gold of the olden times....to lend the ears as the earthen spirit softly speaks....to let the tales whisper from the wispy winds....of how the tree stood the test of time...this is the timeless truth of which the poet often writes.....for in the heart of the ancient woods....where the river freely runs so wild....there upon the riverbed sits the truth of all truths.....how poetry holds them all.....
Jayita Bhattacharjee
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face--when we know no harm of the possessor at least? A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versa with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised.
Anne Brontë
Lena's talk always amused me. Antonia had never talked like the people about her. Even after she learned to speak English readily, there was always something impulsive and foreign in her speech. But Lena had picked up all the conventional expressions she heard at Mrs. Thomas's dressmaking shop. Those formal phrases, the very flower of small-town proprieties, and the flat commonplaces, nearly all hypocritical in their origin, became very funny, very engaging, when they were uttered in Lena's soft voice, with her caressing intonation and arch naivete. Nothing could be more diverting than to hear Lena, who was almost as candid as Nature, call a leg a 'limb' or a house a 'home.
Willa Cather (My Antonia)
Did you bring money with you, or shall we play for markers?" She flipped the stack of cards to the table with a professional twist of her wrist. "I don't play for less than a guinea a hand." His lips twitched. "The question is not if I have money. The question is, do you?" "I don't need funds, as I don't plan on losing," she said, her gaze mocking. For a moment, he thought he'd heard her incorrectly. Slowly, he said, "I beg your pardon, but are you saying you could beat me at a game of chance?" A dismissive smile rested on her lips. "Please, Dougal, let's speak frankly," she drawled softly. "Naturally, I expect to win; I was taught by a master." Dougal was entranced. He'd been challenged to many things before, but no one had so blatantly dismissed his chances of winning. "A giunea a hand?" "At least." "I didn't realize I'd need a note from my banker, or I'd have brought one with me." Her eyes sparkled with pure mischief, which inflamed him more. "If you've no money with you, then perhaps there are other things we can play for." The words hung in the room, as thick as the smoke that seeped from the fireplace. Like a blinding bolt of light from a storm-black sky, everything fell into place. This was why she and her minions had worked so hard to convince him that the house was worthless. If he thought it of low value, he'd be eager to wager the deed. Of all the devious plots! Yet Dougal found himself fighting a grin. He'd been feted and petted, fawned upon and sought out, but until now, no one had gone to such lengths to fleece him. Dugal couldn't look away from Sophia. He knew his own worth; women had paid attention to him for so long that he took it for granted. He'd dallied and toyed, taken and enjoyed. But never, in all of his years, had he so desired any woman as he did this one. The irony of it was that she desired him,too-but only for the contents of his pocket. Dougal didn't know whether to laugh or fume. He should be insulted, but instead he found himself watching her with new appreciation.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
In answer thereto, the rascals reply that, accustomed in the pleasure-taking act to thinking exclusively of themselves and accounting others as nothing, they are persuaded that it is entirely reasonable, in accordance with natural impulsions, to prefer what they feel to what they do not feel. What, they dare ask, what do these pains occasioned in others do to us? Hurt us? No; on the contrary, we have just demonstrated that from their production there results a sensation delightful to us. For what reason then ought we to go softly with an individual who feels one thing while we feel another? Why should we spare him a torment that will cost us never a tear, when it is certain that from this suffering a very great pleasure for us will be born? Have we ever felt a single natural impulse advising us to prefer others to ourselves, and is each of us not alone, and for himself in this world? 'Tis a very false tone you use when you speak to us of this Nature which you interpret as telling us not to do to others what we would not have done to us; such stuff never came but from the lips of men, and weak men. Never does a strong man take it into his head to speak that language
Marquis de Sade (Philosophy in the Boudoir)
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
Music by and for itself is not so portentous for our inward nature, so deeply moving, that it ought to be looked upon as the direct language of the feelings; but its ancient union with poetry has infused so much symbolism into rhythmical movement, into loudness and softness of tone, that we now imagine it speaks directly to and comes from the inward nature. Dramatic music is only possible when the art of harmony has acquired an immense range of symbolical means, through song, opera, and a hundred attempts at description by sound. "Absolute music" is either form per se, in the rude condition of music, when playing in time and with various degrees of strength gives pleasure, or the symbolism of form which speaks to the understanding even without poetry, after the two arts were joined finally together after long development and the musical form had been woven about with threads of meaning and feeling. People who are backward in musical development can appreciate a piece of harmony merely as execution, whilst those who are advanced will comprehend it symbolically. No music is deep and full of meaning in itself, it does not speak of "will," of the "thing-in-itself"; that could be imagined by the intellect only in an age which had conquered for musical symbolism the entire range of inner life. It was the intellect itself that first gave this meaning to sound, just as it also gave meaning to the relation between lines and masses in architecture, but which in itself is quite foreign to mechanical laws.
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
When the dress for Irex’s dinner party arrived wrapped in muslin and tied with twine, it was Arin who brought the package to Kestrel. She hadn’t seen him since the first green storm. She didn’t like to think about that day. It was her grief, she decided, that she didn’t want to remember. She was learning to live around it. She had returned to her music, and let that outings and lessons flow around the fact of Enai’s death, smoothing its jagged edges. She spent little time at the villa. She sent no invitations to Arin for Bite and Sting. If she went into society, she chose other escorts. When Arin stepped into her sitting room that was really a writing room, Kestrel set her book next to her on the divan and turned its spine so that he wouldn’t see the title. “Hmm,” Arin said, turning the packaged dress over in his hands. “What could this be?” “I am sure you know.” He pressed it between his fingers. “A very soft kind of weapon, I think.” “Why are you delivering my dress?” “I saw Lirah with it. I asked if I could bring it to you.” “And she let you, of course.” He lifted his brows at her tone. “She was busy. I thought she would be glad for one less thing to do.” “That was kind of you then,” Kestrel said, though she heard her voice indicate otherwise and was annoyed with herself. Slowly, he said, “What do you mean?” “I mean nothing.” “You asked me to be honest with you. Do you think I have been?” She remembered his harsh words during the storm. “Yes.” “Can I not ask the same thing of you?” The answer was no, no slave could ask anything of her. The answer was no, if he wanted her secret thoughts he could try to win them at Bite and Sting. But Kestrel swallowed a sudden flare of nervousness and admitted to herself that she valued his honesty--and her own, when she was around him. There was nothing wrong with speaking the truth. “I think that you are not fair to Lirah.” His brows drew together. “I don’t understand.” “It’s not fair for you to encourage Lirah when your heart is elsewhere.” He inhaled sharply. Kestrel thought that he might tell her it was no business of hers, for it was not, but then she saw that he wasn’t offended, only taken aback. He pulled up a chair in that possessive, natural way of his and sank into it, dropping the dress onto his knees. He studied her. She willed herself not to look away. “I hadn’t thought of Lirah like that.” Arin shook his head. “I’m not thinking clearly at all. I need to be more careful.” Kestrel supposed that she should feel reassured. Arin set the package on the divan where she sat. “A new dress means an event on the horizon.” “Yes, a dinner party. Lord Irex is hosting.” He frowned. “And you’re going?” She shrugged. “Do you need an escort?” Kestrel intended to say no, but became distracted by the determined set to Arin’s mouth. He looked almost…protective. She was surprised that he should look that way. She was confused, and perhaps this made her say, “To be honest, I would be glad for your company.” His eyes held hers. Then his gaze fell to the book by Kestrel’s side. Before she could stop him, he took it with a nimble hand and read the title. It was a Valorian history of its empire and wars. Arin’s face changed. He returned the book and left.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He had tenderness in his heart—“a soft place,” as Nicholas Higgins called it; but he had some pride in concealing it; he kept it very sacred and safe, and was jealous of every circumstance that tried to gain admission. But if he dreaded exposure of his tenderness, he was equally desirous that all men should recognise his justice; and he felt that he had been unjust in giving so scornful a hearing to any one who had waited, with humble patience, for five hours, to speak to him. That the man had spoken saucily to him when he had the opportunity, was nothing to Mr. Thornton. He rather liked him for it; and he was conscious of his own irritability of temper at the time, which probably made them both quits. It was the five hours of waiting that struck Mr. Thornton. He had not five hours to spare, himself; but one hour—two hours, of his hard penetrating intellectual, as well as bodily labour, did he give up to going about collecting evidence as to the truth of Higgins’s story, the nature of his character, the tenor of his life. He tried not to be, but was convinced that all that Higgins had said was true. And then the conviction went in, as if by some spell, and touched the latent tenderness of his heart; the patience of the man, the simple generosity of the motive (for he had learnt about the quarrel between Boucher and Higgins), made him forget entirely the mere reasonings of justice, and overleap them by a diviner instinct. He came to tell Higgins he would give him work; and he was more annoyed to find Margaret there than by hearing her last words; for then he understood that she was the woman who had urged Higgins to come to him; and he dreaded the admission of any thought of her, as a motive to what he was doing solely because it was right.
Elizabeth Gaskell (North and South)
JANUARY 26 Being Kind-I You often say, “I would give, but only to the deserving.” The trees in your orchard say not so, nor the flocks in your pastures. They give that they may live, for to withhold is to perish. —KAHLIL GIBRAN The great and fierce mystic William Blake said, There is no greater act than putting another before you. This speaks to a selfless giving that seems to be at the base of meaningful love. Yet having struggled for a lifetime with letting the needs of others define me, I've come to understand that without the healthiest form of self-love—without honoring the essence of life that this thing called “self” carries, the way a pod carries a seed—putting another before you can result in damaging self-sacrifice and endless codependence. I have in many ways over many years suppressed my own needs and insights in an effort not to disappoint others, even when no one asked me to. This is not unique to me. Somehow, in the course of learning to be good, we have all been asked to wrestle with a false dilemma: being kind to ourselves or being kind to others. In truth, though, being kind to ourselves is a prerequisite to being kind to others. Honoring ourselves is, in fact, the only lasting way to release a truly selfless kindness to others. It is, I believe, as Mencius, the grandson of Confucius, says, that just as water unobstructed will flow downhill, we, given the chance to be what we are, will extend ourselves in kindness. So, the real and lasting practice for each of us is to remove what obstructs us so that we can be who we are, holding nothing back. If we can work toward this kind of authenticity, then the living kindness—the water of compassion—will naturally flow. We do not need discipline to be kind, just an open heart. Center yourself and meditate on the water of compassion that pools in your heart. As you breathe, simply let it flow, without intent, into the air about you. JANUARY 27 Being Kind-II We love what we attend. —MWALIMU IMARA There were two brothers who never got along. One was forever ambushing everything in his path, looking for the next treasure while the first was still in his hand. He swaggered his shield and cursed everything he held. The other brother wandered in the open with very little protection, attending whatever he came upon. He would linger with every leaf and twig and broken stone. He blessed everything he held. This little story suggests that when we dare to move past hiding, a deeper law arises. When we bare our inwardness fully, exposing our strengths and frailties alike, we discover a kinship in all living things, and from this kinship a kindness moves through us and between us. The mystery is that being authentic is the only thing that reveals to us our kinship with life. In this way, we can unfold the opposite of Blake's truth and say, there is no greater act than putting yourself before another. Not before another as in coming first, but rather as in opening yourself before another, exposing your essence before another. Only in being this authentic can real kinship be known and real kindness released. It is why we are moved, even if we won't admit it, when strangers let down and show themselves. It is why we stop to help the wounded and the real. When we put ourselves fully before another, it makes love possible, the way the stubborn land goes soft before the sea. Place a favorite object in front of you, and as you breathe, put yourself fully before it and feel what makes it special to you. As you breathe, meditate on the place in you where that specialness comes from. Keep breathing evenly, and know this specialness as a kinship between you and your favorite object. During your day, take the time to put yourself fully before something that is new to you, and as you breathe, try to feel your kinship to it.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
If you’re still not sure where you fall on the introvert-extrovert spectrum, you can assess yourself here. Answer each question “true” or “false,” choosing the answer that applies to you more often than not.* ______ I prefer one-on-one conversations to group activities. ______ I often prefer to express myself in writing. ______ I enjoy solitude. ______ I seem to care less than my peers about wealth, fame, and status. ______ I dislike small talk, but I enjoy talking in depth about topics that matter to me. ______ People tell me that I’m a good listener. ______ I’m not a big risk-taker. ______ I enjoy work that allows me to “dive in” with few interruptions. ______ I like to celebrate birthdays on a small scale, with only one or two close friends or family members. ______ People describe me as “soft-spoken” or “mellow.” ______ I prefer not to show or discuss my work with others until it’s finished. ______ I dislike conflict. ______ I do my best work on my own. ______ I tend to think before I speak. ______ I feel drained after being out and about, even if I’ve enjoyed myself. ______ I often let calls go through to voice mail. ______ If I had to choose, I’d prefer a weekend with absolutely nothing to do to one with too many things scheduled. ______ I don’t enjoy multitasking. ______ I can concentrate easily. ______ In classroom situations, I prefer lectures to seminars. The more often you answered “true,” the more introverted you probably are. If you found yourself with a roughly equal number of “true” and “false” answers, then you may be an ambivert—yes, there really is such a word. But even if you answered every single question as an introvert or extrovert, that doesn’t mean that your behavior is predictable across all circumstances. We can’t say that every introvert is a bookworm or every extrovert wears lampshades at parties any more than we can say that every woman is a natural consensus-builder and every man loves contact sports. As Jung felicitously put it, “There is no such thing as a pure extrovert or a pure introvert. Such a man would be in the lunatic asylum.” This is partly because we are all gloriously complex individuals, but also because there are so many different kinds of introverts and extroverts. Introversion and extroversion interact with our other personality traits and personal histories, producing wildly different kinds of people. So
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
[Scarlett] knew how to smile so that her dimples leaped, how to walk pigeon-toed so that her wide hoop skirts swayed entrancingly, how to look up into a man's face and then drop her eyes and bat the lids rapidly so that she seemed a-tremble with gentle emotion. Most of all she learned how to conceal from men a sharp intelligence beneath a face as sweet and bland as a baby's. Ellen, by soft admonition, . . . labored to inculcate in her the qualities that would make her truly desirable as a wife. "You must be more gentle, dear, more sedate," Ellen told her daughter. "You must not interrupt gentlemen when they are speaking, even if you do think you know more about matters than they do. Gentlemen do not like forward girls." [Ellen] taught her all that a gentlewoman should know, but she learned only the outward signs of gentility. The inner grace from which these signs should spring, she never learned nor did she see any reason for learning it. Appearances were enough, for the appearances of ladyhood won her popularity and that was all she wanted. . . . At sixteen, thanks to Mammy and Ellen, she looked sweet, charming and giddy, but she was, in reality, self-silled, vain and obstinate. She had the easily stirred passions of her Irish father and nothing except the thinnest veneer of her mother's unselfish and forbearing nature. . . It was not that these two loving mentors deplored Scarlett's high spirits, vivacity and charm. These were traits of which Southern women were proud. It was Gerald's headstrong and impetuous nature in her that gave them concern, and they sometimes feared they would not be able to conceal her damaging qualities until she had made a good match. But Scarlett intended to marry-and marry Ashley-and she was willing to appear demure, pliable and scatterbrained, if those were the qualities that attracted men. Just why men should be this way, she did not know. She only knew that such methods worked. It never interested her enough to try to think out the reason for it, for she knew nothing of the inner workings of any human being's mind, not even her own. She knew only that if she did or said thus-and-so, men would unerringly respond with the complementary thus-and-so. It was like a mathematical formula and no more difficult . . . If she knew little about men's minds, she knew even less about the minds of women, for they interested her less. She had never had a girl friend, and she never felt any lack on that account. To her, all women, including her two sisters, were natural enemies in pursuit of the same prey-man.
Margaret Mitchell (Gone with the Wind)
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.” Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.” “Why?” “Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.” “First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.” “I just don’t want people to think less of me.” “By people, do you mean Aaron?” “We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.” “Oh, Lark, you’re so fucking stupid sometimes.” “Yeah, I know,” she said, grinning. “We have that in common.” “So true.” “Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?” “Any man who would want Mom must be shit. Aaron isn’t shit.” “I know, but I get scared of messing up everything I have.” Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.” Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname. “Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.” My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling. “My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?” Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.” As he kissed all over her, Lark stopped giggling and began moaning affirmations. “Good thing you obeyed because I think Jake might be gay.” After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
6. In the first place, because the light and wisdom of contemplation is most pure and bright, and because the soul, on which it beats, is in darkness and impure, that soul which is the recipient must greatly suffer. As eyes weakened and clouded by humors suffer pain when the clear light beats upon them, so the soul, by reason of its impurity, suffers exceedingly when the divine light really shines upon it. And when the rays of this pure light strike upon the soul, in order to expel its impurities, the soul perceives itself to be so unclean and miserable that it seems as if God had set Himself against it, and itself were set against God. So grievous and painful is this feeling—for it thinks now that God has abandoned it—that it was one of the heaviest afflictions of Job during his trial. “Why hast Thou set me contrary to Thee, and I become burdensome to myself?”8 The soul seeing distinctly in this bright and pure light, though dimly, its own impurity, acknowledges its own unworthiness before God and all creatures. 7. That which pains it still more is the fear it has that it never will be worthy, and that all its goodness is gone. This is the fruit of that deep impression, made on the mind, in the knowledge and sense of its own wickedness and misery. For now the divine and dim light reveals to it all its wretchedness, and it sees clearly that of itself it can never be other than it is. In this sense we can understand the words of the Psalmist: “For iniquities Thou hast chastised man, and Thou hast made his soul pine away and wither9 as a spider.”10 8. In the second place, the pain of the soul comes from its natural,11 moral, and spiritual weakness; for when this divine contemplation strikes it with a certain vehemence, in order to strengthen it and subdue it, it is then so pained in its weakness as almost to faint away, particularly at times when the divine contemplation strikes it with greater vehemence; for sense and spirit, as if under a heavy and gloomy burden, suffer and groan in agony so great that death itself would be a desired relief. 9. This was the experience of Job, and he says, “I will not that He contend with me with much strength, nor that He oppress me with the weight of His greatness.”12 The soul under the burden of this oppression feels itself so removed out of God’s favor that it thinks—and so it is—that all things which consoled it formerly have utterly failed it, and that no one is left to pity it. Job also speaks to the same purport, “Have mercy upon me, have mercy upon me, at the least you my friends, because the hand of our Lord hath touched me.”13 Wonderful and piteous sight! So great are the weakness and impurity of the soul that the hand of God, so soft and so gentle, is felt to be so heavy and oppressive,14 though neither pressing nor resting on it, but merely touching it, and that, too, most mercifully; for He touches the soul not to chastise it, but to load it with His graces.
Juan de la Cruz (Dark Night of the Soul)
When I Know I Must Speak Pleasant Words Pleasant words are like a honeycomb, sweetness to the soul and health to the bones. PROVERBS 16:24 WHAT ARE THE FIRST WORDS you speak to your spouse when you both get up in the morning? Are they pleasant and positive? Are they covered with the love and joy of the Lord? Or are they powered by yesterday’s resentments, disappointments, and unfulfilled expectations? It is of utmost importance that a wife sets the tone of the day for the entire family, but especially for her husband. It is easy for you as a wife to not be ahead of your emotions and thoughts before you talk to your husband in the morning, especially when you have a lot on your plate, too much to do, you don’t feel well, you’re upset at your husband, or you haven’t had enough time with the Lord to get your heart right. And if you have been up in the night, for whatever reason, and haven’t had enough sleep, your mind can be set on a negative track long before your husband wakes up. You may have already thought up many things you want to communicate to him that do not include pleasant words. If you dive in with these issues before he is ready to talk, it can set the day on the wrong course. The thing to do, right when you wake up in the morning, is ask God to give you pleasant words that bring “sweetness to the soul” of your husband when you first see him—even if you don’t think he deserves it at that moment. When God gives you the right attitude first thing in the morning, you’ll see what a difference it makes in your day and night. Your husband will respond differently than he would if your words were harsh. A soft word can turn away much suffering and bring great healing. It’s not worth it to start your day any other way. My Prayer to God LORD, I pray You would help me to pause every morning when I wake up to thank You for the day and ask You to fill me afresh with Your love and joy, so that the first words that come out of my mouth to my husband are pleasant. Help me to hesitate before I speak to him for the first time in order to plan how I can set a positive tone for the day. Make me to be a woman with a gentle and loving spirit so that uplifting words flow naturally from me. I pray that the next time I see or talk to my husband, my words will bring sweetness to his soul and health to his body. May they also bring sweetness and health to the very soul of our marriage. I know there are times when pleasant and sweet is not my first reaction. I realize I can sometimes worry and allow thoughts and words that are not glorifying to You. At those times I depend on You to transform me so that I can be a strong conduit for Your love to my husband and family. Help me to be a person he wants to be around. Break in me any bad habits of negative, faithless, or critical thinking. Help me to forgive anything he has done or said that is still in my mind. I release the past to You so I can do what is right today. Help me to always consider the state of my heart before I speak. In Jesus’ name I pray.
Stormie Omartian (The Power of a Praying Wife Devotional)
We finished two dances, and I would have taken a break had the musicians not begun to play a lament. Grayden drew me close, swaying side to side, but even with the slower pace, I couldn’t seem to catch my breath. “Would you like to know something, Shaselle?” “Just don’t tell me I have food in my teeth.” “No, silly,” he said with a grin. “It’s just that I’ve never been happier than I am now. And I was wondering…that is, I was thinking…” He took a deep breath and blurted, “I’d like to ask your uncle for permission to court you.” “I thought we were courting. Or is that a secret?” I felt euphoric from his closeness, my head swimming, my heart light. So naturally, I had to tease him. “I just want to do things the right way.” He hesitated, gazing into my eyes, before softly adding, “But if we are courting, then I believe certain liberties may be taken.” He touched his lips to mine in a kiss so sweet that it threatened to halt my breath altogether. “What do you say, Shaselle?” he murmured, raising his hands to my face, his touch tender. “May I speak with your uncle?” I scanned his dark hair, sparkling green eyes and upturned nose, thoughts of other suitors I had met, of Saadi, of my mother’s and Cannan’s plans for my future tumbling over each other. In the fallout from everything that had happened, I had never expected to feel truly happy, wasn’t certain I deserved it. But this was the course my life was supposed to take, and if the fates were willing to include happiness along with it, I wasn’t going to pass it by. “Yes,” I said with a wistful smile. “I think courting is an intriguing possibility.” He threaded his fingers through mine and led me aside, an exuberant grin affixed in place.
Cayla Kluver (Sacrifice (Legacy, #3))
Over the last few years the counselling, the friendships and the holistic therapies she has embraced have enabled her to win back her personality, a character which has been smothered by her husband, the royal system, and the public’s expectations towards their fairy-tale princess. The woman behind the mask is not a flighty, skittish young thing nor a vision of saintly perfection. She is, however, a much quieter, introverted and private person than many would like to believe. As Carolyn Bartholomew says: “She has never liked the media although they’ve been friends to her. Actually she has always been shy of them.” As she has matured over the last three years the physical changes in her have been noticeable. When she asked Sam McKnight to cut her hair in a shorter sportier style it was a public statement of the way she felt she had altered. Her voice, too, is a barometer of the way she has matured. When she speaks of the “dark ages”, her tone is flat and soft, almost fading to nothing, as though dredging thoughts from a dim recess of her heart which she only visits with trepidation. When she is feeling “centered”. And in charge of herself her voice is lively, colourful and brimming with wry amusement. When Oonagh Toffolo first visited Diana at Kensington Palace in September 1989 she observed that the Princess was timid and would never look her straight in the eye. She says: “Over the last two years she has got in touch with her own nature and has found a new confidence and sense of liberation which she had never known before.” Her observation is borne out by others. As one friend who first met Diana in 1989 recalls: “My initial impression was of a very shy and retiring person. She bowed her head low and hardly looked at me when she spoke. Diana emanated such sadness and vulnerability that I just wanted to give her a hug. She has matured enormously since that time. She now has a purpose in life and is no longer the lost soul of that first meeting.
Andrew Morton (Diana: Her True Story in Her Own Words)
He takes his time, and the movement of his hips and shoulders, along with the way he holds his head slightly upturned, are all evidence of his colossal self-confidence. It oozes out of him and he radiates success, power, and determination. His slender body is shaped perfectly for my modest taste: wide shoulders, narrow hips, strong arms and muscles, his summer clothes doing nothing to hide their soft outline. I am not really an admirer of male bodies, but I am definitely having trouble resisting the urge to undress this one and see the whole picture, so to speak. He is manly, but it is not a manliness that comes from time spent at the gym, but rather from nature – organically. Nobility, gentility, and elegant manners all make up Alex’s very being. You can find them in his every movement, gesture, phrase, word, and look.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
June 20 June 20, Morning I SPEAK TO YOU CONTINUALLY. My nature is to communicate, though not always in words. I fling glorious sunsets across the sky, day after day after day. I speak in the faces and voices of loved ones. I caress you with a gentle breeze that refreshes and delights you. I speak softly in the depths of your spirit, where I have taken up residence. You can find Me in each moment, when you have eyes that see and ears that hear. Ask My Spirit to sharpen your spiritual eyesight and hearing. I rejoice each time you discover My Presence. Practice looking and listening for Me during quiet intervals. Gradually you will find Me in more and more of your moments. You will seek Me and find Me, when you seek Me above all else.
Sarah Young (Jesus Calling Morning and Evening, with Scripture References (Jesus Calling®))
Nature Thou Art Beautiful Tiny waterfalls tumbling down elegant slopes of smoothly eroded treacherous rocks..... Trees magnificently and beautifully displayed. Their branches sheltering little springs that sprout from beneath. Soft clouds beckon from above. Like wool blankets, hovering over trees, mountains, hills, cliffs, caves and plains. Moistening hilltops, freshly fallen leaves, trees, grass, valleys and meadows with their heavenly dew. Wind hearkens it's ears, to the voice of the One who speaks the language of the winds. The winds obey and swaying breeze gently rock nature sweetly, to slumber..... The stars shine, the moon is bright and it's a starry night. O slumber thou art indeed sweet. O nature's lullabies have rocked me to sleep... Zzzz... and the night is spent.... "Hello!" greets the Sun. "I'm here to start all over again!
Maisie Aletha Smikle
Beloved' His eyes contain the history of the world Of all its inhabitants who come and go He yields his wisdom freely for all So human hearts may follow his well-worn tracks Peace and grace surround him As Nature shields him in her protective embrace She moves through him speaking softly Enchanting tales of her wilderness Quietly as a leaf finds the forest floor She brushes his cheek with faintest touch Reminding him she is his true home Guarding his footsteps over all terrain She brings him comfort when darkness falls Through flickering flames and dancing moonlight And when he closes his eyes to sleep She guides his dreams to his soul’s remembrance Of life as one with the Nature he loves
Collette O'Mahony (The Soul in Words: A collection of Poetry & Verse)
Ah, so ye will escort me to my cousin’s then, will ye?” she said in a voice so sweet she was surprised it did not make her teeth ache. “Nay, they willnae,” drawled an all too familiar voice from behind her. Inwardly cursing, Bridget turned to face Cathal. “I have decided ’tis time for me to continue on my journey.” “And ye decided ye had to do it now? Right now? Without most of your belongings?” “Aye. I got to thinking—” “A dangerous thing for a lass to do. Ow!” Jankyn rubbed his stomach where Bridget had just hit him with her sack of belongings, and grinned at her. “Why are ye nay out with the others, howling at the moon?” “At least I am nay dancing beneath it.” He laughed when she blushed. “Ye were watching me?” “I heard ye singing.” “That was so rude.” If he had been drawn by her singing then he could not have seen her naked, Bridget mused, and relaxed. “I had left the camp to seek a few moments of privacy.” Cathal grasped Bridget by the arm, turning her attention back to him. “Why were ye leaving?” Bridget could feel the blunt truth on the tip of her tongue, but could not bring herself to speak it. It was as if she feared that, in speaking the words, the truth could no longer be ignored. That was absurd. She knew the truth. By the way the three men looked at her, they knew she had guessed all their secrets. It made no difference. She simply could not utter the dark, terrifying name aloud. In some odd, twisted way, she was actually concerned about offending them. “I decided I wasnae going to play your game any longer,” she replied. “I was going to my cousin’s.” “Alone? At night?” “Tis the best time for an escape.” But not here, she realized, and inwardly cursed her own stupidity. At Cambrun high noon on a sunny day would have been a better choice. “I have prepared for a visit with Barbara for months. I want to go to court, to see all the fine clothes, and to watch all the courtiers and their ladies. I want to sit down to a feast and listen to all the whispers about who is sinning with whom. I want to hear the minstrels sing and I want to dance with some fine, courtly gentlemon who will tell me all manner of sweet lies about how bonnie I am. I want—” A squeak of surpise and outrage escaped her when Cathal suddenly picked her up and slung her over his shoulder. The soft laughter of Jankyn and Raibeart only added to her anger over being so roughly handled. Bridget dropped her belongings and proceeded to pound her fists against his broad back. Cathal did not even flinch as he continued to take her back to her bedchamber and that, too, increased her fury. Under her breath she cursed him and his stubborness. “Tis nay just me who is blindly stubborn,” muttered Cathal as he entered the bedchamber and kicked the door shut behind him. “Tis ye who refuses to give up this plan to go to court. And for what? To hear empty flatteries and malicious tales?” He paused by the bed. “Undo your cloak.” Even as she blindly obeyed that terse command, Bridget wondered why she did so. Such quick obedience was not in her nature. She growled softly when her cloak was pulled from her and tossed to the floor. Before she could say anything, she was tossed down onto the bed. Her body was still bouncing slightly when Cathal sprawled on top of her, gently but firmly pinning her down. Bridget scowled at him, more angry than afraid, and tried not to let the beauty of his face distract her. She had a right to be angry and she would hold fast to that feeling no matter how warm and itchy he made her feel. “Ye are staying here,” Cathal said. “I am going to woo ye and then we will be married.” “Oh! What arrogance! Ye may woo me, but that doesnae necessarily mean ye will win me.” Bridget
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
Sweetly the summer air came up to the tumulus, the grass sighed softly, the butterflies went by, sometimes alighting on the green dome. Two thousand years! Summer after summer the blue butterflies had visited the mound, the thyme had flowered, the wind sighed in the grass. The azure morning had spread its arms over the low tomb; and full glowing noon burned on it; the purple of sunset rosied the sward. Stars, ruddy in the vapour of the southern horizon, beamed at midnight through the mystic summer night, which is dusky and yet full of light. White mists swept up and hid it; dews rested on the turf; tender harebells drooped; the wings of the finches fanned the air—finches whose colours faded from the wings how many centuries ago! Brown autumn dwelt in the woods beneath; the rime of winter whitened the beech clump on the ridge; again the buds came on the wind-blown hawthorn bushes, and in the evening the broad constellation of Orion covered the east. Two thousand times! Two thousand times the woods grew green, and ring-doves built their nests. Day and night for two thousand years—light and shadow sweeping over the mound—two thousand years of labour by day and slumber by night. Mystery gleaming in the stars, pouring down in the sunshine, speaking in the night, the wonder of the sun and of far space, for twenty centuries round about this low and green-grown dome. Yet all that mystery and wonder is as nothing to the Thought that lies therein, to the spirit that I feel so close.
Richard Jefferies (The Story of My Heart: As Rediscovered by Brooke Williams and Terry Tempest Williams)
A soft answer turns away wrath, but a harsh word stirs up anger. ~Proverbs 15:1 I have a confession to make—I’m not always very good at giving soft answers. In fact sometimes I really stink at it. When I’m tire, feeling pulled in too many directions at once, or when I’m not getting things done that I need or want to get done, I get snarky. It’s not usually what I say, but how I say it…and then sometimes it’s both. I know—not cool, right? My snappy, snarky remarks have caused arguments between me and my husband and me and my kids. They have also caused me to hurt their feelings as well as the feelings of my grandkids and my friends. Again, not cool! So why do I do it? Why do I say things I shouldn’t say or say things the wrong way? Because I don’t think before I speak and because I choose to let my frustration and fatigue take over. I choose to be harsh and hurtful instead of taking the initiative to make the situation helpful and happy. Shame on me, and LORD, please help me do better. Help my words to the people I love reflect the true nature of that love. ~Momma D (used with permission) What about you? Do you need to sand the rough edges off of your replies and responses?
Brian Gugas (365 Days of Daily Devotional Bible Prayers: Understanding God's Word (The Bible Study Book))
Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.” “How often?” the chief asked in a dry tone. Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.” “Once only? And has he, your great god, ever returned to earth?” “No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .” “. . . and to condemn poor mankind,” the chief finished the sentence. “Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.” Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking. The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe. “He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians. “And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")
B. Traven (The Night Visitor and Other Stories)
I was really okay,” I said, giving in. “I just needed to think and… I was scared.” I sucked in as much air as I could to hide the alarm that blared within. When had admitting fear become so hard? Once upon a time, I lived in fear until it was as natural as breathing. “I’m scaring myself.” He hesitated and then sat down next to me. “You’re scaring me, too.” I couldn’t recall a time when I’d heard him speak so softly. It turns out Mitch’s death and my lies were leading to a lot of firsts for us. Keiran had admitted he was afraid and it was because of me. “So what do we do about it?” He shook his head and stared deep into my eyes. “Just answer one question first. Did I do this?” “I don’t understand.” “Did loving me do this to you?” “I don’t know,” I answered reluctantly. “I only know I wanted to do anything I could to keep you around even it if meant corrupting myself along the way.” He blew out a harsh breath. “I don’t know if I can accept that. I don’t want you corrupted. I never wanted that for you.” My heart rate accelerated and my chest grew too tight. I couldn’t breathe. I couldn’t— “Ar—are you breaking up with me?” He looked as surprised by his words as I was.
B.B. Reid (Fearless (Broken Love, #5))
With metta meditation over time you become less affected by previous conditions that would create negative thoughts of ill will. When your mind is at peace in this way, then you speak in a straight forward and gentle manner, as the sutta points out. You begin to related to the world differently - with patience, consideration and understanding. People - and even animals! naturally gravitate to you. They feel comfortable with you, and their minds are gentle and soft toward you.
Bhante Henepola Gunaratana (Loving-Kindness in Plain English: The Practice of Metta)
A pompous, arrogant, narcissistic intellectual came up to me at a conference and said rather boastfully. "You must feel really good about yourself to be the nice guy all the time! But let me tell you something - it takes balls to say what's really on your mind. You might have heard, the best defense is a good offense..." He went on and on for a while, and the more he spoke the more his intolerant nature became evident. I listened to everything he had to say, then heaved a soft sight, and replied with a smile. "You are absolutely right! Ama senin gibi şerefsiz olmak insanın lazım yok - porque, no soy un hijo de puta como tú - nu okka chetta na kodakkala behave cheskovachhu, kaani naaku anthaa scene ledu." He looked rather annoyed, because all my words went over his head, so he flared out, "don't beat around the bush, man - say, what you want to say!" I spoke calmly. "I'd love to speak my mind, but I wouldn't want to give anyone an inferiority complex. Bad behavior don't make us cool, it only exposes the fool we are. If bad behavior made the world better, we'd already be living in utopia, instead of still struggling for basic human rights." I didn't want the argument to linger any longer, so I asked him to join me for lunch. You see, self-regulation is not a sign of weakness, it's a sign of strength. It doesn't take any character for the animal to be animal, but the true test of character is to behave human, upon conquering our inner animal.
Abhijit Naskar (Mucize Misafir Merhaba: The Peace Testament)
To be completely honest with you, God is the only one who has the power to be your everything. His compassion has the capability to fill your heart with warmth more calming than sun rays falling upon your cheek. His peace transcends every layer of your being and eclipse the most anxious of thoughts. His grace is extended freely, covering your sin nature with a robe woven for royalty. His resources are unlimited. His strength is beyond comprehension. His economy is stable. His provision is perfect. He pursues you with creativity. He speaks softly to you...so softly that only your heart would know it was Him. He comforts you with light touches the way the wind drifts across your skin. He leads you to green pastures and quiet waters where you can have a moment to be still and to rest in Him. He initiates intimacy with you, drawing you to converse with Him, to ask of Him and to make yourself known to Him. God is the only one who can meet your every desire, exceed your every expectation, and fulfill your life completely...because you are worth it.
Jennifer Smith (Wives After God: Encouraging Each Other In Faith & Marriage)
To lose my thoughts and beliefs, and to find my soul, I go to both friend and enemy, my teacher, my guide, my home, my escape, my questions and answers, my thirst and my eagerness, my passion, my hunger and craving, my sorrow and happiness, my source and inspiration. I'm speaking of Nature, that gives us literally everything we know. From our knowledge, medicine, food, water, air, clothing and shelter, to its creative and medicinal/restorative ways of making us feel deeply and spiritually connected to life when spending time in nature, and its mezmerizing confrontation with the profound mysteries in life. Bringing us, no matter who we are and where we are from, in contact with the past and future, with the cycles of life, with the tasty and the toxic, the good and the bad, the micro and the macro, the soft and the hard, the ugly and the beautiful, the death and re-birth, the ebbs & the flows, the wholeness and relationship & inter-relatedness of nature and life itself. Its incredible diversity in all her glory that teaches us that we absolutely without a doubt must avoid the forcing/pressure of standardization of protocols/constucts/models in which just one way of living or model of development predominates. I believe our purpose is quiet simple. It is to love. To love oneself and each other, to love all life and to love our Mother Earth for She teaches us, nurtures us, feeds us and shelter us, and for eventually we will turn into Earth. Life is beautiful because it does not last forever.
Nadja Sam
She jumped when he captured one of her long tresses again and ran the length of it slowly between his fingers like a satin ribbon. Resenting the galling forwardness of his touch, she glanced up at him angrily only to be captivated by his smoldering, hypnotic stare. When he spoke, his voice was an intimate murmur that could have coaxed the deepest secrets of her heart. "Virginal Alice Montague. Tell me, what do you think of what you've seen here tonight?" She shook her head and looked away, blushing. "I do not know." He lifted her chin, forcing her to meet his gaze, diamond-sharp, crystal-clear. "Does it arouse you?" His eyes flared with shock. She could not find her voice even to tell him that she had no intention of answering such a question, but he cut her off before she could speak. "Don't lie," he chided in a velvet whisper, holding her chin between his fingertips so she could not look away. He gazed at her as though his keen, crystalline eyes could see into the depths of her heart, things she had never revealed to anyone- the unruliness of her passions, the hunger in the core of her. His gaze seemed to accept it all with dark, satin gentleness. "Tell me," he breathed. "Let me remember how it felt to be as innocent as you." He paused, though she did not reply. "Have you never seen people making love before?" Wide-eyed, her heart in her throat, she gathered her courage and shook her head after a long moment. His expression softened. He gazed down almost tenderly at her. She had never seen such hunger in a man's eyes before, such stark, hurting loneliness. She quivered in response to it, flooded with the strangest, tingling feelings as he picked up her hand and lifted it to his lips. He placed a gentle kiss in her palm, then pressed her hand to his chiseled midriff. A soft gasp escaped her lips, not merely that he should do such a thing, but at the feel of his bare skin beneath her palm. It electrified her. She looked up at him, helpless, trembling. Her voice was a strangled whisper, the weakest of protests. "My lord-" "Shh, Alice, I can see it in your eyes. Go on. I won't bite. All is allowed in this place. Your curiosity is... quite natural," he finished hoarsely.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))