Nature Is My Sanctuary Quotes

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And while there's so much wisdom that I don't know, I know that evil doesn't happen for a cosmic reason, a 'balance of good' bullshit. Evil happens because it can, because circumstances allow it to take place. And you build your own sanctuary against it to keep yourself sane, to keep yourself fighting it.
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
Living without personal boundaries is like trying to hold my breath and gasp for air, at the same time, it doesn't work. My introverted nature requires solitary sanctuary, to breathe. My internal batteries need time to recharge if i am to give from a place of abundance.
Jaeda DeWalt
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home.
Jaeda DeWalt
Piece by Piece Piece by piece They tear at you: Peeling away layers of being, Lying about who you are, Speaking for your dreams. In the squalor of their eyes You are an outlaw. Dressing you in a jacket of lies —tailor-made in steel— You fit their perfect picture. Take it off! Make your own mantle. Question the interrogators. Eyeball the death in their gaze. Say you won’t succumb. Say you won’t believe them When they rename you. Say you won’t accept their codes, Their colors, their putrid morals. Here you have a way. Here you can sing victory. Here you are not a conquered race Perpetual victim —the sullen face in a thunderstorm. Hands/minds, they are carving out A sanctuary. Use these weapons Against them. Use your given gifts —they are not stone.
Luis J. Rodríguez (My Nature Is Hunger: New and Selected Poems: 1989-2004)
I took another road, past the old sugar works and the water wheel that had not turned for years. I went to parts of Coulibri that I had not seen, where there was no road, no path, no track. And if the razor grass cut my legs and arms I would think 'It's better than people.' Black ants or red ones, tall nests swarming with white ants, rain that soaked me to the skin - once I saw a snake. All better than people. Better, better, better than people.
Jean Rhys (Wide Sargasso Sea)
In this moment, however you are searching, stop. Whether you are searching for peace and happiness in a relationship, in a better job, or even in world peace, just for one moment stop absolutely. There is nothing wrong with these pursuits, but if you are engaging in them to get peace or to get happiness, you are overlooking the ground of peace that is already here. Once you discover this ground of peace, then whatever pursuits you engage in will be informed by your discovery. Then you will naturally bring what you have discovered to the world, to politics, to all your relationships. This discovery has infinite, complex ramifications, but the essence of it is very simple. If you will stop all activity, just for one instant, even for one-tenth of a second, and simply be utterly still, you will recognize the inherent spaciousness of your being that is already happy and at peace with itself. Because of our conditioning, we normally dismiss this ground of peace with an immediate, “Yes, but what about my life? I have responsibilities. I need to keep busy. The absolute doesn’t relate to my world, my existence.” These conditioned thoughts just reinforce further conditioning. But if you will take a moment to recognize the peace that is already alive within you, you then actually have the choice to trust it in all your endeavors, in all your relationships, in every circumstance of your life. It doesn’t mean that your life will be swept clean of conflicts, challenges, pain, or suffering. It means that you will have recognized a sanctuary where the truth of yourself is present, where the truth of God is present, regardless of the physical, mental, or emotional circumstances of your life.
Gangaji (The Diamond in Your Pocket: Discovering Your True Radiance)
Finding home, feeling home, and being at home are complex, multilayered, spiritual and cultural experiences independent of the place we live. Where is home? What is my true nature, and what does it mean to be at home with it? When I don’t feel at home, where can I find sanctuary? These questions become critical when our lives are under threat.
Zenju Earthlyn Manuel (Sanctuary: A Meditation on Home, Homelessness, and Belonging)
I've been saved again and again by angels all around me. Not just from the insane stupidity of banging blow, but from becoming an aimless flounderer. A person who maybe talked a good line about doing shit but never ever put in the word to see things through. I could've easily dug myself into a hole, become someone who never got a clear picture off cause and effect, holistic health, or emotional well-being. I bow before the guardian angels that always showed me a light and a way up. My sanctuaries of friendship, books, basketball, music, and nature kept me sane.
Flea (Acid for the Children)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
One afternoon in the fall of 2015, while I was writing this book, I was driving in my car and listening to SiriusXM Radio. On the folk music station the Coffee House, a song came on with a verse that directly spoke to me—so much so that I pulled off the road as soon as I could and wrote down the lyrics and the singer’s name. The song was called “The Eye,” and it’s written by the country-folk singer Brandi Carlile and her bandmate Tim Hanseroth and sung by Carlile. I wish it could play every time you open these pages, like a Hallmark birthday card, because it’s become the theme song of this book. The main refrain is: I wrapped your love around me like a chain But I never was afraid that it would die You can dance in a hurricane But only if you’re standing in the eye. I hope that it is clear by now that every day going forward we’re going to be asked to dance in a hurricane, set off by the accelerations in the Market, Mother Nature, and Moore’s law. Some politicians propose to build a wall against this hurricane. That is a fool’s errand. There is only one way to thrive now, and it’s by finding and creating your own eye. The eye of a hurricane moves, along with the storm. It draws energy from it, while creating a sanctuary of stability inside it. It is both dynamic and stable—and so must we be. We can’t escape these accelerations. We have to dive into them, take advantage of their energy and flows where possible, move with them, use them to learn faster, design smarter, and collaborate deeper—all so we can build our own eyes to anchor and propel ourselves and our families confidently forward.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
You're my strength baby when I am weak, The sanctuary that I'll always seek My natural light when the sun begins to fade You give me feelings that no one else can replicate I need your touch like I need air to breathe, I need your softness And I do believe - I am all that I am because you love me.
K.L. Shandwick (Ready For Flynn: Part 3 (Ready For Flynn, #3))
When we lose a righteous person who is dear to us, we have the wonderful opportunity to honor that person by incorporating the best principles from his or her life into ours. What were his gifts? What were her talents? A desire to serve, a happy outlook on life, generosity with material possessions, an even greater generosity in having a heart that included everyone? Following the example of a loved one, we can love the Lord, make covenants with the Lord, and keep them faithfully. We too can seek to understand the Savior's great mission of atonement, redemption, and salvation. We too can seek to become worthy followers of the Son of God. And we too can anticipate that when the time comes for us to step through the veil of mortality, leaving our failing and pain-filled bodies behind, we will see the loving smile and feel the welcoming embrace, not only of our Heavenly Parents and of the Savior, but also of our loved ones who will greet us in full vigor, full remembrance, and full love. When we are in the valley of the shadow, it is a time of questions without answers. We ask, "How can I bear this? Why did such a good woman have to die? Why aren't my prayers being answered?" In this life, we will not receive answers to many questions of "why"—partly because the limitations of mortality prevent us from understanding the full plan. But I testify to you that the answer of faith is a powerful one, even in the most difficult of circumstances, because it does not depend on us—on our strength to endure, on our willpower, on the depth of our intellectual understanding, or on the resources we can accumulate. No, it depends on God, whose strength is omnipotence, whose understanding is that of eternity, and who has the will to walk beside us in love, sharing our burden. He could part the Red Sea before us or calm the angry storm that besets us, but these would be small miracles for the God of nature. Instead, he chooses to do something harder: He wants to transform human nature into divine nature. And thus, when our Red Sea blocks our way and when the storm threatens to overwhelm us, he enters the water with us, holding us in the hands of love, supporting us with the arms of mercy. When we emerge from the valley of the shadow, we will see that he was there with us all the time.
Chieko N. Okazaki (Sanctuary)
I find sanctuaries when looking up and when looking down. A humble ochre leaf swimming in a puddle elicits as much awe from me as a soaring cathedral. One was built to evoke reverence; the other is quiet and humble, yet to me, both are achingly beautiful. In them, I see the divine light of warmth and love. I feel lifted, comforted. I appreciate their presence in my life, reminders that I am home everywhere I go.
Amy Masterman (Sacred Sensual Living: 40 Words for Praying with All Your Senses)
Is it possible to be attached to, or to love a place more than one does a human being? Places are a large part of our psyche. We need these sanctuaries, those sacred places; they are medicine for whatever ails us. I must concede when a place has altered my life, has sent me in a direction other than the one I was striving for, and shows me possibilities that I was unaware of about myself, that place…deserves my attention, my curiosity…my devotion. Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
Katie Lee
From thee, even from thy virtue! What's this, what's this? Is this her fault or mine? The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season. Can it be That modesty may more betray our sense Than woman's lightness? Having waste ground enough, Shall we desire to raze the sanctuary And pitch our evils there? O, fie, fie, fie! What dost thou, or what art thou, Angelo? Dost thou desire her foully for those things That make her good? O, let her brother live! Thieves for their robbery have authority When judges steal themselves. What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook! Most dangerous Is that temptation that doth goad us on To sin in loving virtue: never could the strumpet, With all her double vigour, art and nature, Once stir my temper; but this virtuous maid Subdues me quite. Even till now, When men were fond, I smiled and wonder'd how.
William Shakespeare (Measure for Measure)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
Charles Dickens (A Tale of Two Cities)
My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out “I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. “I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day’s disfigurement—and I hear him tell the child my story, with a tender and a faltering voice
Charles Dickens (A Tale of Two Cities)
sparrows" (Luke 12:7). When we lose a righteous person who is dear to us, we have the wonderful opportunity to honor that person by incorporating the best principles from his or her life into ours. What were his gifts? What were her talents? A desire to serve, a happy outlook on life, generosity with material possessions, an even greater generosity in having a heart that included everyone? Following the example of a loved one, we can love the Lord, make covenants with the Lord, and keep them faithfully. We too can seek to understand the Savior's great mission of atonement, redemption, and salvation. We too can seek to become worthy followers of the Son of God. And we too can anticipate that when the time comes for us to step through the veil of mortality, leaving our failing and pain-filled bodies behind, we will see the loving smile and feel the welcoming embrace, not only of our Heavenly Parents and of the Savior, but also of our loved ones who will greet us in full vigor, full remembrance, and full love. When we are in the valley of the shadow, it is a time of questions without answers. We ask, "How can I bear this? Why did such a good woman have to die? Why aren't my prayers being answered?" In this life, we will not receive answers to many questions of "why"—partly because the limitations of mortality prevent us from understanding the full plan. But I testify to you that the answer of faith is a powerful one, even in the most difficult of circumstances, because it does not depend on us—on our strength to endure, on our willpower, on the depth of our intellectual understanding, or on the resources we can accumulate. No, it depends on God, whose strength is omnipotence, whose understanding is that of eternity, and who has the will to walk beside us in love, sharing our burden. He could part the Red Sea before us or calm the angry storm that besets us, but these would be small miracles for the God of nature. Instead, he chooses to do something harder: He wants to transform human nature into divine nature. And thus, when our Red Sea blocks our way and when the storm threatens to overwhelm us, he enters the water with us, holding us in the hands of love, supporting us with the arms of mercy. When we emerge from the valley of the shadow, we will see that he was there with us all the time.
Chieko N. Okazaki (Sanctuary)
At the age of twenty, I obtained my first copy of The Eye in the Triangle at an Occult Bookstore in Los Angeles called The Psychic Eye and, naturally, I read it with the greatest enthusiasm and interest, and I excitedly extracted the essentials from its pages. It subsequently left a deep impression upon my mind, and it has continued to influence my life in ways invaluable to my growth as both a man and a magician. Since that first reading, I have read the book a few more times, including recently, and every time it has illumined my understanding of Crowley, his magick and his mysticism in some manner or another useful to my life and magical progress. I have read most published and unpublished works by Israel Regardie, but this book is the one he wrote that moved me the most, finding the greatest meaning and place in the sanctuary of my soul. I feel that The Eye in the Triangle is essential reading material for anyone who is seriously interested in learning about the life, magick and mysticism of Aleister Crowley.
David Cherubim (The Eye in the Triangle: An Interpretation of Aleister Crowley)
A PROCESSION OF ANGELS Then I saw a powerful angel walk up to Jesus. The Lord spoke to this angel, although I did not understand the words that passed back and forth between them. However, I did understand that this angel had been working in Tanzania and had been on an important assignment. I really do not understand how I knew what was transpiring. I just had a supernatural revelation of what was taking place as the Lord stood over me and gave instruction to the angel. Perhaps just being so close to the Lord allowed me to have some understanding of the things that were unfolding before me in the spirit. Shortly, I saw this angel “ascend” upon Jesus. I knew that this angel was returning into the realms of Heaven, and that the assignment that it had been on had now been completed. I was astonished to see the angel ascend into the heavens “on” Jesus. It was very similar to the night in Springdale when I saw Jesus ascend back through the open heaven spinning in the sanctuary in Living Waters Church. (See John 1:51.) The Lord looked at me and gave me a big smile. He began to speak to me again, just as a loving friend would to a small child. In just a moment or two, He was again interrupted by a second strong angel. This time the angel descended from the realms of Heaven upon Jesus and stepped onto the beach. Once again the Lord and the angel began to speak, though again I was unable to understand the language that they spoke. I could see this second angel was powerful and very strong. He carried himself in the manner of a warrior, and there was a large sword in his right hand. He also had a large, polished, shiny golden shield in his left hand. Upon his belt were other weapons, including an ornate buckler and a smaller type of sword. As I was looking, I suddenly saw Jesus pat the angel upon his powerful shoulder and point with His right hand. Immediately, the angel turned in military fashion and ran off in the direction that the Lord had indicated. I was astonished, but I was also absolutely certain that Jesus had just commissioned the strong second angel to an important mission in the nation of Tanzania. Then Jesus turned His loving gaze back upon me as I lay on the beach. The waters were still billowing around me. The Lord again began to speak to me and told me that it was important that I began to study and learn to understand about the “seer anointing.” At that moment, I did not have any knowledge of the seer anointing, so I was a little concerned about my ignorance. As if sensing I was uncomfortable, the Lord smiled and gently began to speak with me about the seer prophets of old. This encounter with the Lord continued from about 4:15 A.M. until about 6:30 A.M. in the natural. However, in the realm of the spirit, it seemed to last for many more hours. The Lord continued to speak to me in great detail about the seer gift or anointing. I could determine the passage of time because the sun shifted its position over the sea of glass-like crystal as He continued to speak. The other reason I was aware of time passing was that there began to be a steady stream of angels ascending and descending upon the Lord Jesus Christ. ANGELS ON MISSIONS This procession of angels was quite impressive. After the first few, I began to relax. I had been
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
OH, THAT YOU WOULD REND THE HEAVENS! THAT YOU WOULD COME DOWN! THE HEAVENS OPEN! The momentum of these meetings continued to build. In desperation, I positioned my heart to encounter God. I continued to see the open heaven swirling in the sanctuary of Living Waters Ministries. I was still seeing feathers and bolts of lightning, and hearing dozens of angels singing along with the worship team. On Saturday evening, the open heaven had grown to about a 25-foot circumference. I was well able to see it with my natural eyes and continued to watch it spin over the church. I was praying and observing everything. I was lying prostrate on the floor unable to move my body. I could see, and I could hear, but was totally unable to move. It was as if I was glued to the floor. However, I kept my eyes focused on the open heaven that was swirling in the church. I found myself in the same position on Sunday morning when a young man named Dean stood up to give his testimony about seeing Jesus in the Saturday evening service. When he began to share, I noticed that there was a flurry of activity around the edge of the open heaven that I was monitoring from my horizontal position on the floor. Dean became totally undone and was unable to speak about his experience. Several angels scurried to the edge and began to excitedly talk among themselves and point down at Dean. At first there were about six angels, and they were very keen to hear and see what was transpiring in the sanctuary. Soon a plethora of angels began to fill the circumference of the portal. There appeared to be angels of all ages, shapes, and sizes. I saw several small angels that appeared to be young children. (Jesus Himself referred to these; see Matthew 18:10.) I also witnessed angels
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Even before I could speak, I remember crawling through blueberry patches in the wild meadows on our hillsides. I quickly discovered Nature was filled with Spirit; I never saw any separation between Spirit and Nature. Much later I discovered our culture taught there was supposed to be some kind of separation - that God, Spirit and Nature were supposed to be divided and different. However, at my early age it seemed absolutely obvious that the church of the Earth was the greatest church of all; that the temple of the forest was the supreme temple. When I went to the sanctuary of the mountain, I found Earth's natural altar - Great Spirit's real shrine. Years later I discovered that this path of going into Nature, bonding deeply with it, and seeing Spirit within Nature - God, Goddess, and Great Spirit - was humanity's most ancient, most primordial path of spiritual cultivation and realization.
John P. Milton (Sky Above, Earth Below: Spiritual Practice in Nature)
Over my many years with animals I have been part of a lot of death and each time I feel honored to be able to be allowed to participate in such a momentous event as the departure of a soul from his earthly lifetime. The books I have read on human death and dying celebrate the approach and moment of death as one of the most sacred moments we experience. What a privilege to share such a time with someone you care about. Animals show us their wisdom in this way. As their bodies become weaker the creatures seem more and more peaceful; I have always felt the spirit was more present though the body was used up.
Kathleen Knight (Sanctuary - Exploring the Magical World of Birds)
On this height I often stand, my Bellarmin! But a moment of reflection casts me down. I begin to think, and find myself as I was before, alone, with all the pains of mortality, and my heart’s sanctuary, the world's eternal oneness, is no more; nature’s arms are closed, and I stand before her like a stranger and cannot comprehend her. Oh! had I never gone into your schools. It’s learning that lured me down into the pit, in my youthful folly I thought to find in it the proof of my pure joy, and it has ruined everything for me. Amongst you I became so very rational, learnt to distinguish myself perfectly from what is around me, and now I’m set apart in the beautiful world, expelled from the garden of nature in which I grew and bloomed, and shrivel under the noonday sun.
Friedrich Hölderlin (Hyperion 1)
Routine was death of the worst kind, a slow, insidious stripping of soul. Rarely could I even bring myself to run the same route on subsequent days; more rarely did I run at the same time every day. Sometimes I'd venture out first thing in the morning, other times during midday, still others in the evening or at night. I wasn't made to fit the modern industrialized world; my natural rhythms ran contrary to the nine-to-five business cycle. And I didn't always find people the preferred company. Not that I was antisocial, but being by myself wasn't unpleasant. Running alone was something I relished most of my life, even more so as I'd become older. Most runners prefer to run alone, so these habits are not entirely aberrant. The world and its institutions engulf and suffocate us. We runners find our sanctuary in retreating to the roadways and trails, our sacred reprieve. The wonder isn't that we go; it's that we come back. Our daily outings become purgings and resurrections. We move through this world as spirits, the air and the ground and the sky above absorbing us into something grander, and we disappear from the unbearable heaviness of being. These moments of transcendence cleanse our soul and liberate us from the manufactured and superficial. For a brief, beautiful instant we are as a human is meant to be, free and unencumbered, and this restores us and makes us fresh once more. And then it's on to the follies of being a citizen, of being a useful and contributing member of society. Back to the fickleness and irrationality of human nature and the roller coaster of modern living, with its spirals and twists, letdowns and disappointments. As soon as there are people involved, things get complicated, and rarely do they go the way you want them to. Over a lifetime, nos greatly outnumber the yeses. But the strong endure. The lessons you learn from running translate to life. The runner has a strong body and a strong heart. You get knocked down, you pick yourself back up, dust off, and keep going, only to get knocked down again, only to pick yourself back up once more and continue on, arising one time greater than toppling. And in this persistent enduring you acquire endurance. Your permanence is established in this way because you do not unseat easily, you have what it takes to withstand setbacks. You may waver and misstep, but you never give up. No matter how daunting the obstacle, you forge onward and keep chipping away until that barrier is eventually obliterated and overcome. p97
Dean Karnazes (A Runner’s High: My Life in Motion)
We were now actually in the inner sanctuary of the Nanda Devi Basin, and at each step I experienced that subtle thrill which anyone of imagination must feel when treading hitherto unexplored country. Each corner held some thrilling secret to be revealed for the trouble of looking. My most blissful dream as a child was to be in some such valley, free to wander where I liked, and discover for myself some hitherto unrevealed glory of Nature. Now the reality was no less wonderful than that half-forgotten dream; and of how many childish fancies can that be said, in this age of disillusionment?
Eric Shipton (Nanda Devi)
way of a nasty joke. She did not take it very well.” “Indeed.” The inspector echoed Evelyn. “I should hate to think you have been attempting to question your guests, Lady Northmoor.” “I assure you, that is most definitely not the case.” Evelyn shook her head in what she hoped looked like genuine dismay. “I would never attempt to do such a thing against your strict orders.” “Lady Northmoor!” Doris exclaimed in a loud voice. “There you are! My goodness, I have been searching everywhere for you. Do excuse us, Detective Inspector, but I must get Lady Northmoor dressed for dinner otherwise she will be embarrassingly late.” He nodded and Evelyn following Doris to the stairs. As soon as they reached the sanctuary of her room, she held her head in her hands. “I have told so many half truths and complete stretches of the truth in the last few days, Doris, I don’t know whether I am coming or going.” “Oh Lady Northmoor!” Doris laughed. “You’ve been spending too much time with young Nora coming out with such things.” “I suppose I should say I’m quite befuddled or such like?” Evelyn shook her head. “I didn’t realise remembering to talk like a countess would be such hard work.” “Well, My Lady,” Doris said. “I think you’re doing a grand job. Now let us get you ready for dinner so you can carry that on.” After dinner, Tommy excused himself and met Evelyn and Aunt Em in the small room at the front of the house that he had appropriated for his own use earlier that summer. It had been the former smoking room of the grand old house and suited Tommy’s purposes perfectly. “Why must we hide in this poky old room?” Aunt Em asked as Tommy ushered them inside. Tommy waited until his aunt had a chance to look around her. “You were saying, Aunt Em?” “My apologies.” She inclined her head. “You have performed quite the transformation.” The heavy velvet curtains that had kept out the natural light, but kept in the stale smell of years of tobacco were gone. Tommy had kept the large desk in the corner and hadn’t taken down the dark panelling on the lower half of the walls. However, a fresh coat of white paint on the upper portion of the walls, proper light fittings, and a colourful rug in the middle of the room made it look entirely different. “Evelyn and I wanted to talk to you, Aunt Em,” Tommy said. “We must be quick as our guests will think we are exceedingly rude.” “I presume you have both been busy sleuthing your way around our guests?” “Of course,” Tommy said. “We couldn’t just leave things as they are.” “Absolutely not,” his aunt agreed. “As I said before that detective arrived, you are far more capable than he in apprehending the killer.
Catherine Coles (Murder at the Village Fete (Tommy & Evelyn Christie, #2))
Human consciousness is just about the last surviving mystery. A mystery is a phenomenon that people don't know how to think about - yet. There have been other great mysteries: the mystery of the origin of the universe, the mystery of life and reproduction, the mystery of the design to be found in nature, the mysteries of time, space and gravity. These were not just areas of scientific ignorance, but of utter bafflement and wonder. We do not yet have the final answers to any of the questions of cosmology and particle physics, molecular genetics and evolutionary theory, but we do know how to think about them. The mysteries haven't vanished, but they have been tamed. They no longer overwhelm our efforts to think about the phenomena, because now we know how to tell the misbegotten questions from the right questions, and even if we turn out to be dead wrong about some of the currently accepted answers, we know how to go about looking for better answers. With consciousness, however, we are still in a terrible muddle. Consciousness stands alone today as a topic that often leaves even the most sophisticated thinkers tongue-tied and confused. And, as with all the earlier mysteries, there are many who insist - and hope - that there will never be a demystification of consciousness. Mysteries are exciting, after all, part of what makes life fun. No one appreciates the spoilsport who reveals whodunit to the moviegoers waiting in line. Once the cat is out of the bag, you can never regain the state of delicious mystification that once enthralled you. So let the reader beware. If I succeed in my attempt to explain consciousness, those who read on will trade mystery for the rudiments of scientific knowledge of consciousness, not a fair trade for some tastes. Since some people view demystification as a desecration, I expect them to view this book at the outset as an act of intellectual vandalism, an assault on the last sanctuary of humankind. I would like to change their minds.
Daniel Dennett
Tm merely trying to do my job. God, Scholscher, how can we talk of progress when we’re still destroying, all around us, life’s most beautiful and noble manifestations? Our artists, our architects, our scientists, our poets, sweat blood to make life more beautiful, and at the same time we force our way into the last forests left to us, with our finger on the trigger of an automatic weapon, and we poison the oceans and the very air we breathe with our atomic devices. Perhaps this madman Morel will succeed in rousing public opinion. By God, I feel I could join him in his maquis. We’ve got to resist this degradation. Are we no longer capable of respecting nature, or defending a living beauty that has no earning power, no utility, no object except to let itself be seen from time to time? Liberty, too, is a natural splendor on its way to becoming extinct. I’m speaking for myself to get it off my chest, because I haven't the courage to act like Morel. It’s absolutely essential that man should manage to preserve something other than what helps to make soles for shoes or sewing machines, that he should leave a margin, a sanctuary, where some of life’s beauty can take refuge and where he himself can feel safe from his own cleverness and folly. Only then will it be possible to begin talking of a civilization. A utilitarian civilization will always go on to its logical conclusion-forced labor camps. We must leave a margin. And besides, let me tell you . . . There's nothing to be so proud of, is there?
Romain Gary (The Roots of Heaven)
Right here is my favorite sanctuary in Tokyo," said Ryuu. "It's called Momijidani. It means 'autumn leaf valley.'" We'd reached an artificial ravine with a waterfall tumbling down from a high rock formation about three stories tall, surrounded by a variety of rocks, and maple trees with red autumn leaves. A stream ran below the waterfall, with a picturesque bridge path over it. The effect was spectacular, like being deep in a valley surrounded by mountains- serene, private, magical- but with Tokyo Tower looming over it, a reminder of the bustling city just beyond.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)