Natural Makeup Quotes

Make-up? What happened? You look almost female." "Thanks. You look almost straight.

Some 2,600 years ago the ancient Greek poet Pindar wrote, “Become who you are by learning who you are.” What he meant is the following: You are born with a particular makeup and tendencies that mark you as a piece of fate. It is who you are to the core. Some people never become who they are; they stop trusting in themselves; they conform to the tastes of others, and they end up wearing a mask that hides their true nature. If you allow yourself to learn who you really are by paying attention to that voice and force within you, then you can become what you were fated to become—an individual, a Master.

Nature is a hanging judge," goes an old saying. Many tragedies come from our physical and cognitive makeup. Our bodies are extraordinarily improbable arrangements of matter, with many ways for things to go wrong and only a few ways for things to go right. We are certain to die, and smart enough to know it. Our minds are adapted to a world that no longer exists, prone to misunderstandings correctable only by arduous education, and condemned to perplexity about the deepest questions we can ascertain.

She wore so much thick white makeup in order to conceal her naturally rosy complexion that if she turned around suddenly her face would probably end up on the back of her head.

Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive. Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, the cocaine of good looks. Biologists call this "supernormal stimulus" [...] Our beauty receptors receive more stimulation than they were evolved to handle; we're seeing more beauty in one day than our ancestors did in a lifetime. And the result is that beauty is slowly ruining our lives. How? The way any drug becomes a problem: by interfering with our relationships with other people. We become dissatisfied with the way ordinary people look because they can't compare to supermodels.

Sensitive people who were used to a rich intellectual life may have suffered much pain (they were often of a delicate constitution), but the damage to their inner selves was less. They were able to retreat from their terrible surroundings to a life of inner riches and spiritual freedom. Only in this way can one explain the apparent paradox that some prisoners of a less hardy make-up often seemed to survive camp life better than did those of a robust nature.

Why, then, make a show of the poverty of our life and our sad imperfection, unearthing people from the backwoods, from remote corners of the state? But what if this is in the writer's nature, and his own imperfection grieves him so, and the makeup of his talent is such, that he can only portray the poverty of our life, unearthing people from the backwoods, from the remote corners of the state! So here we are again in the backwoods, again we have come out in some corner!

Smile, it's natural makeup.

You’re implying that I’m not presentable in public unless I have a full face of makeup on.” “No. I absolutely did not imply that.” “I suppose I should take three hours to curl my hair, too, right?” I make my voice tremble. I am the victim of horrendous misdeeds. “Because I’m not pretty enough the way I am? I suppose you’re embarrassed to bring me around your family unless I conform to society’s impossible beauty standards for females?” His eyes narrow. “You’re right. Your hair’s an embarrassment in its natural state and your face is so anti–female beauty that if you go out like that, I’d insist on you walking backward and ten feet away from me. I want you to go upstairs right now and paint yourself unrecognizable.” He arches his eyebrows. “Did I do that right? Are those the words you’d like to put in my mouth?” My chin drops. He lowers his gaze to a newspaper and flicks the page. He did it for dramatic effect. I know he didn’t get a chance to finish reading the article he was on. “Actually, I’d like to put an apple in your mouth and roast you on a spit,” I say. “Go ahead and wear pajamas to dinner, Naomi. You think that would bother me? You can go out dressed as Santa Claus and I wouldn’t care.” Now I genuinely am insulted. “Why wouldn’t you care?” He raises his eyes to mine. “Because I think you’re beautiful no matter what.” Ugh. That’s really low, even for him.

Throughout their lifetime, most women learn to be uncomfortable with their physical appearance. They create a mask of makeup that is intended to “fix” their “imperfections.” They identify so much with this mask they reject their true beauty. Feminine Transitions encourages women to remove their masks and love their true selves, completely.

The regime had understood that one person leaving her house while asking herself: "Are my trousers long enough? Is my veil in place? Can my make-up be seen? Are they going to whip me?" - No longer asks herself: "Where is my freedom of thought? Where is my freedom of speech? My life, is it livable? What's going on in the political prisons?" It's only natural! When we're afraid, we lose all sense of analysis and reflection. Our fear paralyzes us. Besides, fear has always been the driving force behind all dictators' repression. Showing your hair or putting on makeup logically became acts of rebellion.

Leave your hair natural. Let your beard grow out. Leave the makeup in the bag. Wear comfortable clothes. Stop worrying so much about your looks and start looking around you. You have missed so much beauty trying to become beautiful. You have missed your own worth trying to become worthy. Let the mask break open. Let it lie on the floor. Let yourself be seen. Let yourself see.

Plants or animals rarely behave in an unnatural manner that’s contrary to their true makeup. Human beings are also natural beings, but at the same time, we’re conscious entities. We therefore have free will and must make the choice not merely to be part of nature, but also to follow faithfully the “laws of nature.

It is no more natural and no less conventional to shout in anger or to kiss in love than to call a table 'a table'. Feelings and passional conduct are invented like words. Even those which like paternity seem to be part and parcel of the human make-up are in reality institutions. It is impossible to superimpose on man a lower layer of behavior which one chooses to call 'natural' followed by a manufactured cultural or spiritual world. Everything is both manufactured and natural in man as it were in the sense that there is not a word, not a form of behavior which does not owe something to purely biological being and which at the same time does not elude the simplicity of animal life and cause forms of vital behavior to deviate from their pre-ordained direction through a sort of leakage and through a genius for ambiguity which might serve to define man.

Become who you are by learning who you are.” What he meant is the following: You are born with a particular makeup and tendencies that mark you as a piece of fate. It is who you are to the core. Some people never become who they are; they stop trusting in themselves; they conform to the tastes of others, and they end up wearing a mask that hides their true nature. If you allow yourself to learn who you really are by paying attention to that voice and force within you, then you can become what you were fated to become—an individual, a Master.

It started embarrassing me. I began to feel like such a nasty little egomaniac." She reflected. "I don't know. It seemed like such poor taste, sort of, to want to act in the first place. I mean all the ego. And I used to hate myself so, when I was in a play, to be backstage after the play was over. All those egos running around feeling terribly charitable and warm. Kissing everybody and wearing their makeup all over the place, and then trying to be horribly natural and friendly when your friends came backstage to see you. I just hated myself.

...Makeup is for women. It's the law of nature for them to doll themselves up to get a man." "On the contrary. [...] In the natural world, it is the male of the species who is adorned with colors to attract, impress and keep his potential mate.

Hey. What did you do to your - I mean, you look different." My cheeks go immediately hot. Not that your average onlooker can tell, given all the makeup I'm wearing. "Frankie and I were just messing around this morning." "Oh," he says, tying the paper from his straw into little knots. "It looks nice, I mean. I just can't see you, that's all." I make a mental note to ditch the makeup tomorrow. Then I get mad at myself for letting some boy that I just met dictate what I do with my own face. Then I get mad at myself for getting mad at myself and remember that I, too, prefer the natural look.

Grey was an enchantress who looked like sex and smelled like a field of wildflowers, the human embodiment of late-summer evenings in the South of France. She accentuated her natural beauty wherever possible. She wore high heels and delicate lace bras and soft smoky eye makeup. She always knew the right amount of skin to show to achieve that cool-sexy look.

The natural look is a girl’s biggest makeup challenge

Makeup is usually used to fake good or better skin.

The more that consciousness is influenced by prejudices, errors, fantasies, and infantile wishes, the more the already existing gap will widen into a neurotic dissociation and lead to a more or less artificial life far removed from healthy instincts, nature, and truth. The general function of dreams is to try to restore our psychological balance by producing dream material that re-establishes, in a subtle way, the total psychic equilibrium. This is what I call the complementary (or compensatory) role of dreams in our psychic make-up.

Everything seemed to have less to do with power, and more to do with right and wrong. And it was also apparent that laws were being manipulated using the inconsistency of free will and the shitty make-up of human nature. ~RUIN Katara Aggelos

I've nothing against eye make-up and lipstick. But the fact is we're actually living on a planet in space. For me that's an extraordinary thought. It's mind-boggling just to think about the existence of space at all. But there are girls who can't see the universe for eye-liner. And there are probably boys whose eyes are never raised above the horizon because of football. There can be quite a chasm between a small make-up mirror and a proper mirror telescope! I think it's what they call a 'matter of perspective'. Perhaps it could also be called an 'eye-opener' as well. It's never too late to experience an eye-opener. But many people live their entire lives without realizing that they're floating through empty space. There's too much going on down here. It's hard enough thinking about your looks. We belong on this earth. I'm not trying to dispute it. We're part of nature's life on this planet. Monkeys and reptiles have shown us how we breed, and I have no quarrel with that. In different natural surroundings everything might have been very different, but here we are. And I repeat: I'm not denying it. I just don't think that prevent us from trying to see a little beyond the ends of our noses.

How I wish to fly with the geese away from dreary November days, the "freeze-up," and cruel winter. Away from loneliness, isolation, and anxiety bred by blizzards. Most every local person I've talked to grudgingly admits to an autumn apprehension. It is part and parcel of an Adirondacker's psychological makeup. The geese contaminate us with this strange depression on their southbound flight and cure us with their northbound. In between, we try to tolerate winter, each in his or her own way.

Carson leaned back in his chair. “You’re still gorgeous, if you don’t mind me saying. I like this natural look. I didn’t know what to expect when you agreed to meet. I’ve only seen you at the club, so I had no idea what you’d wear outside in the real world, but I like it. I don’t know about the baseball team itself, but the cap is good. And you’re even more stunning without all the makeup.” He gave her a once-over, allowing his eyes to roam before he stopped at her eyes and gave her another wink.

A misbegotten hatchling of consciousness, a birth defect of our species, imagination is often revered as a sign of vigor in our make-up. But it is really just a psychic overcompensation for our impotence as beings. Denied nature’s exemption from creativity, we are indentured servants of the imaginary until the hour of our death, when the final harassments of imagination will beset us.

Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx

Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive. Beauty has undergone a similar process, thanks to advertisers.Evolution gave us a circuit that responds to good looks--call it the pleasure receptor for our visual cortex--and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical grade beauty, the cocaine of good looks.

I settled into a contented routine of working, spending my free time with Veronica and, back in my student room, wanking explosively to fantasies of her splayed beneath me or arched above me. Daily intimacy made me proud of knowing about make-up, clothes policy, the feminine razor, and the mystery and consequences of a woman’s periods. I found myself envying this regular reminder of something so wholly female and defining, so connected to the great cycle of nature.

There are countries in which the communal provision of housing, transport, education and health care is so inferior that inhabitants will naturally seek to escape involvement with the masses by barricading themselves behind solid walls. The desire for high status is never stronger than in situations where 'ordinary' life fails to answer a median need for dignity or comfort. Then there are communities—far fewer in number and typically imbued with a strong (often Protestant) Christian heritage—whose public realms exude respect in their principles and architecture, and whose citizens are therefore under less compulsion to retreat into a private domain. Indeed, we may find that some of our ambitions for personal glory fade when the public spaces and facilities to which we enjoy access are themselves glorious to behold; in such a context, ordinary citizenship may come to seem an adequate goal. In Switzerland's largest city, for instance, the need to own a car in order to avoid sharing a bus or train with strangers loses some of the urgency it has in Los Angeles or London, thanks to Zurich's superlative train network, which is clean, safe, warm and edifying in its punctuality and technical prowess. There is little reason to travel in an automotive cocoon when, for a fare of only a few francs, an efficient, stately tramway will provide transport from point A to point B at a level of comfort an emperor might have envied. One insight to be drawn from Christianity and applied to communal ethics is that, insofar as we can recover a sense of the preciousness of every human being and, even more important, legislate for spaces and manner that embody such a reverence in their makeup, then the notion of the ordinary will shed its darker associations, and, correspondingly, the desires to triumph and to be insulated will weaken, to the psychological benefit of all.

Even nature is concerned, for it leads us to choose the third as the sole consonance which may makeup for the harshness of the dissonance. The third despite its imperfection becomes the sole object of our desire after a dissonance and gives new charm to the perfect chord. It is for this reason that the rule for resolving

The combined effects of mutation, natural selection and the random process of genetic drift cause changes in the composition of a population. Over a sufficiently long period of time, these cumulative effects alter the population’s genetic make-up, and can thus greatly change the species’ characteristics from those of its ancestors.

there are naturally large individual differences in the chemical makeup of people’s saliva.

God always sees me with no make-ups on because He knew how we started.

Beauty is not about make up it’s about what it makes you to be from within.

Every woman with her own makeup!

Makeup often seems to be used to hide a woman’s beauty.

Penny was so beautiful. She didn't need makeup or a fancy hairstyle; she had a natural sort of beauty. But it was her kindness that I remember most.

Some of the most faked things are a signature, love, a smile, happiness, an orgasm, intelligence, and good skin.

Put some make-up on! Blush with shame!

No. You don't need make up to cover your scars up. You're beautiful now, within and without, and never forget: you're doing me proud.

This one broaches the topic in still another way: what we can learn about our makeup from the way people put their thoughts and feelings in words.

It's not about fear. It's about never feeling clean, spending years scrubbing your soul raw so you can eat without feeling nauseous, can look in the mirror and meet your own eyes when you put on makeup, brush your hair. To learn to be strong, to run your life and not be a victim of it, knowing in your heart that everything you've built is sitting on a foundation that can sink at any time. And you build it anyway, on faith alone that it won't be shattered, when everything in your life tells you that faith is a fucking joke, but you do it anyway. You do it anyway.(...)

What I liked most about Miu was that she didn’t try to hide her age. According to Sumire, she must be thirty-eight or thirty-nine. And indeed she looked that age. With her slim, tight figure, a little makeup and she’d easily pass for late twenties. But she didn’t make the effort. Miu let age naturally rise to the surface, accepted it for what it was, and made her peace with it. M

If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.

With her slim, tight figure, a little makeup and she'd easily pass for late twenties. But she didn't make the effort. Miu let age naturally rise to the surface, accepted it for what it was, and made her peace with it.

...you have to acknowledge the possibility that generative metaphors are a major phenomenon in language and an important clue to our cognitive makeup. Abstract ideas are connected in a systematic way to more concrete experiences.

Ancient Egypt is possibly one of the clearest-cut cases of the iron law of nature which says that if a society which has produced a particular civilization stays intact as a racially homogeneous unit, then that civilization remains active. If, however, the society within any particular area changes its racial makeup - through invasion, immigration, or decline in numbers - then the civilization which that society has produced will disappear with them, to be replaced by a new civilization reflecting the new inhabitants of that territory. The lesson of egypt is plain to see, and all white nations of the world do well to learn from this ancient example - otherwise the fate of present-day Egypt awaits them as well.

Each of our bodies is unique. We may share the same basic make-up as men and women, but we certainly don't feel everything the same. What feels good on your body may not always feel good on someone else's body and that is absolutely natural.

I realized, belatedly, that she had likely applied the makeup for Adriaan’s sake; certainly she had not done so for mine. I wondered then what it was like to be a man, so often surrounded by such deliberate features, more vivid than actual nature.

There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))

Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.

How easily we accept the fact that this is a varied world, with many races, cultures, and mores. In America we rejoice in this diversity, this pluralism, which makes up the rich pattern of our national being. We should learn to accept this pluralism in ourselves, to rejoice in the truth that we human being consist of a variety of moods, impulses, traits, and emotions … If we become pluralistic in thinking about ourselves, we shall learn to take the depressed mood or the cruel mood or the uncooperative mood for what is, one of many, fleeting, not permanent. As pluralists we take ourselves for worse as well as for better, cease demanding a brittle perfection which can lead only to inner despair. There are facets of failure in every person’s makeup and there are elements of success. Both must be accepted while we try to emphasize the latter through self-knowledge.

Sympathy among kin emerges from the overlap in genetic makeup that interconnects us in the great web of life. Sympathy among everyone else emerges from the impartiality of nature: each of us may find ourselves in straits where a small mercy from another grants a big boost in our own welfare,

And she wished she was naturally skinny, like Diamanda, but if you can’t be skinny you can at least look unhealthy. So she wore so much thick white makeup in order to conceal her naturally rosy complexion that if she turned around suddenly her face would probably end up on the back of her head.

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

In spite of all the enforced physical and mental primitiveness of the life in a concentration camp, it was possible for spiritual life to deepen. Sensitive people who were used to a rich intellectual life may have suffered much pain (they were often of a delicate constitution), but the damage to their inner selves was less. They were able to retreat from their terrible surroundings to a life of inner riches and spiritual freedom. Only in this way can one explain the apparent paradox that some prisoners of a less hardy makeup often seemed to survive camp life better than did those of a robust nature.

This past soccer season, the league in which my son and daughter were playing had to make up two games due to rain (the price of living in Houston). The consensus in the league was that Sunday was the only available day, so the makeup games were scheduled for Sunday afternoon. My family and I sat down to discuss the matter, but no discussion was really necessary. There was no way we were going to participate. Sunday is the Lord's Day, and playing youth soccer games on Sunday makes a definite statement about the priorities in a community. Interestingly, the most flak from our decision came not from the irreligious people involved but from Christians! “You can go to church, then run home and change for the game,” one man said. One of my children's coaches added, “I'd be glad to pick them up if there is somewhere you have to be.” Nobody seemed to get it. We weren't making a decision based on the hectic nature of our Sunday schedule, nor was it a question of our adhering to a legalistic requirement handed down from our denomination. It was a matter of principle. Sunday is more than just another day. Youth sports leagues are great, but they are not sacred; Sunday is! Again, I do not believe that there is a legalistic requirement not to play games on a Sunday. Nor do I believe that the policeman, fireman, or airline mechanic who goes in to work on Sunday is out of the will of God. I do, however, think that there is a huge difference between someone whose job requires working on Sunday and a soccer league that just doesn't care.

Things I've Learned in 18 Years of Life   1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play.   2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul.   3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way.   4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him.   5) I fail daily, and that is why I succeed.   6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well.   7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human.   8) If someone makes you think, keep them. If someone makes you feel, keep them.   9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game.   10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you.   11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's.   12) There is no wrong way to feel.   13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not.   14) Selfless actions always benefit you more than the recipient.   15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on.   16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being.   17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’   18) Mental health and sanity above all.   19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us.   20) From destruction comes creation. Beauty will rise from the ashes.   21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier.   22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.

The combined effects of mutation, natural selection and the random process of genetic drift cause changes in the composition of a population. Over a sufficiently long period of time, these cumulative effects alter the population’s genetic make-up, and can thus greatly change the species’ characteristics from those of its ancestors. We

From the first time Thomas has seen him, he hadn't known who or what Marcus was, just that he wanted him. Wanted to be his. And the fact Thomas has thought of it that way should have given him a clue to the hidden craving in his own makeup. An unexpected sexual preference. Preference. There was a grimly amusing word. As if any need this elemental was a choice.

Women do not simply have faces, as men do; they are identified with their faces. Men have a naturalistic relation to their faces. Certainly they care whether they are good-looking or not. They suffer over acne, protruding ears, tiny eyes; they hate getting bald. But there is a much wider latitude in what is esthetically acceptable in a man’s face than what is in a woman’s. A man’s face is defined as something he basically doesn’t need to tamper with; all he has to do is keep it clean. He can avail himself of the options for ornament supplied by nature: a beard, a mustache, longer or shorter hair. But he is not supposed to disguise himself. What he is “really” like is supposed to show. A man lives through his face; it records the progressive stages of his life. And since he doesn’t tamper with his face, it is not separate from but is completed by his body – which is judged attractive by the impression it gives of virility and energy. By contrast, a woman’s face is potentially separate from her body. She does not treat it naturalistically. A woman’s face is the canvas upon which she paints a revised, corrected portrait of herself. One of the rules of this creation is that the face not show what she doesn’t want it to show. Her face is an emblem, an icon, a flag. How she arranges her hair, the type of make-up she uses, the quality of her complexion – all these are signs, not of what she is “really” like, but of how she asks to be treated by others, especially men. They establish her status as an “object.

The weeds of a seemingly learned and brilliant but actually trivial and empty philosophy of Nature which, after having been replaced some 50 years ago by the exact sciences, is now once more dug up by pseudo scientists from the lumber room of human fallacies, and like a trollop, newly attired in elegant dress and make-up, is smuggled into respectable company, to which she does not belong.

In a forest that has been left to its own devices, the genetic makeup of each individual tree belonging to the same species is very different. This is in contrast to people, who are genetically very similar. In evolutionary terms, you could say we are all related. In contrast, the individual beeches growing in a stand near where I live are as far apart genetically as different species of animals.

We like or dislike too readily, we are blinded by the race, sex and age of the one studied, and, most fatal of all, we judge by standards of beauty that are totally misleading. The sweetest face may hide the most arrant egoist, for facial beauty has very little to do with the nature behind the face. In fact, facial make-up is more influenced by diet, disease and racial tendency than by character.

Phylogeography began in the 1980s as a way to tell the evolutionary history of natural populations of animals and plants. It usually involves looking at a large number of “markers,” variable bits in the DNA of a species, for a lot of specimens from different parts of a species’ area of distribution. Phylogeographers can then use such rich information on the genetic make-up of a species to trace back its history.

To his mind there were four kinds of beautiful skin. The first he likened to porcelain: finely grained and flawless in sheen, but marked by a hardness and chill. The second he compared to snow: duller and more coarsely grained, with a deep whiteness and an inner warmth and softness that belied its cold surface. Next was what he called the textile look, what others called silken; this was the complexion most prized by Japanese women, yet it had no virtue in Mikamé’s eyes beyond a flat, smooth prettiness. To be supremely beautiful, he thought, a woman’s skin had to glow with the internal life-force of spring’s earliest buds unfolding naturally in the sun. But city women, too clever with makeup, lost that perishable, flowerlike beauty at a surprisingly early age—and rare indeed was the woman past twenty-five whose skin had kept the freshness of youth.

[The individual's] position in society is such that the egotistical drives of his make-up are constantly being accentuated, while his social drives, which are by nature weaker, progressively deteriorate. All human beings, whatever their position in society, are suffering from this process of deterioration. Unknowingly prisoners of their own egotism, they feel insecure, lonely, and deprived of the naïve, simple, and unsophisticated enjoyment of life.

Man therefore occupies a particular position in this world. He is at the axis and centre of the cosmic milieu at once the master and custodian of nature. By being taught the names of all things he gains domination over them, but he is given this power only because he is the vicegerent (khalifah) of God on earth and the instrument of His Will. Man is given the right to dominate over nature only by virtue of his theomorphic make-up, not as a rebel against heaven.

In 1960, in Blackburn v. Alabama, the Court said, “Coercion can be mental as well as physical.” In reviewing whether a confession was psychologically coerced by the police, the following factors are crucial: (1) the length of the interrogation, (2) whether it was prolonged in nature, (3) when it took place, day or night, with a strong suspicion around nighttime confessions, and (4) the psychological makeup—intelligence, sophistication, education, and so on—of the suspect.

Societies sometimes smear Wisdom and her natural, symmetrical beauty. She is at times caked beneath the extreme makeup of dirty politics and yellow journalism. At times she may appear to be the red, far-right extremist to a majority that has drifted too far left - and at other times, the blue, far-left extremist to a majority that has drifted too far right. 'She' is Wisdom, a beacon in the center of hope and a lighthouse to be utilized. She is truth that must be washed by the sea of Love.

Nature is a hanging judge, goes an old saying. Many tragedies come from our physical and cognitive makeup. Our bodies are extraordinarily improbable arrangements of matter, with many ways for things to go wrong and only a few ways for things to go right. We are certain to die, and smart enough to know it. Our minds are adapted to a world that no longer exists, prone to misunderstandings correctable only by arduous education, and condemned to perplexity about the deepest questions we can ascertain.

Living ‘in accordance with nature’ means not only questioning convention and training ourselves to do without all except the necessities (plain food, water, basic clothing and shelter) but developing the inborn gift of reason which marks us off as different from the animal world. We are meant to set free or perfect this rational element, this particle of the universal reason, the ‘divine spark’ in our human make-up, so that it may campaign against and conquer pain, grief, superstition and the fear of death.

Just then, I notice Mrs. Mulgrave giving the younger woman beside her a slight push in my direction. "This is my daughter, Maisie. She will be your maid." "Maisie?" I can't help blurting out in astonishment. I hardly recognize her. The past seven years have transformed Maisie from a plain preteen into a beautiful young adult. I didn't expect her to be so... pretty. She wears a black tee with black pants, but the simple clothing and lack of makeup only enhances her looks. She has heavy-lidded deep brown eyes, clear skin with the hint of a tan, the kind of plush pink lips that housewives in my New York hometown would pay good money for, and long brown hair highlighted with strands of gold. Her only adornments are a thick wristwatch and a rectangular pendant hanging on a chain around her neck. I feel a pang of sympathy as I look from mother to daughter. If Maisie's luck had been different---if she'd been born to parents like the Marinos---she could have had the world at her feet, instead of being shut up in a house working as a maid.

She looks a little naked without makeup. People always talk about how wearing makeup isn’t natural, how “real” women look better, but that’s bullshit. Marcelina is perfectly lovely with or without makeup, but the “real” Marcelina likes wearing a ton of eyeliner and dark lipstick and sometimes does really incredible things with eyeshadow that I don’t fully understand. She and Maryam spend hours experimenting on each other’s faces, turning each other into mermaids and vampires and starlets. She’s good at makeup and she loves it and if that’s not “real,” I don’t want real.

Most people assumed that it would be the opposite—that the victim of such horrific violence would naturally be repulsed by any future bloodshed. But the truth was, the world does not work that way. Violence breeds violence—but not just in the obvious, retaliatory way. The molested child grows up to become the adult molester. The son traumatized by his father abusing his mother is far more likely to one day beat his own wife. Why? Why do we humans never really learn the lessons we are supposed to? What is in our makeup, in fact, that draws us to that which should sicken us?

The idea of mining asteroids is not as preposterous as it might seem. We actually know a considerable amount about their makeup, because some of them hit the Earth. They consist of iron, nickel, carbon, and cobalt, and they also contain significant quantities of rare earths and valuable metals such as platinum, palladium, rhodium, ruthenium, iridium, and osmium. These elements are found naturally on Earth, but they are rare and very expensive. As the supply of these resources on Earth is exhausted in the coming decades, it will become economical to mine them in the asteroid belt.

Distributions can only be based on measurements, but as in the case of measuring intelligence, the nature of measurement is often complicated and troubled by ambiguities. Consider the problem of noise, or what is known as luck in human affairs. Since the rise of the new digital economy, around the turn of the century, there has been a distinct heightening of obsessions with contests like American Idol, or other rituals in which an anointed individual will suddenly become rich and famous. When it comes to winner-take-all contests, onlookers are inevitably fascinated by the role of luck. Yes, the winner of a singing contest is good enough to be the winner, but even the slightest flickering of fate might have changed circumstances to make someone else the winner. Maybe a different shade of makeup would have turned the tables. And yet the rewards of winning and losing are vastly different. While some critics might have aesthetic or ethical objections to winner-take-all outcomes, a mathematical problem with them is that noise is amplified. Therefore, if a societal system depends too much on winner-take-all contests, then the acuity of that system will suffer. It will become less reality-based.

My general feeling is that date make-up should be an honest advertisement for a potential relationship. Frankly, it’s easier for you that way. There’s no point labouring over lots of perfectly applied make-up if you are, in reality, a low-maintenance kind of girl who can’t possibly keep it up beyond the honeymoon period. Equally, it seems unwise to imply you’re someone who rolls out of bed and out to a Sunday farmer’s market all natural skin, flushed cheeks and a smidge of lip balm when your real life is spent in full coverage foundation and smoky eyes. Like any part of dating, it is always safer to be yourself because who can maintain a lie for long?

In spite of all the enforced physical and mental primitiveness of the life in a concentration camp, it was possible for spiritual life to deepen. Sensitive people who were used to a rich intellectual life may have suffered much pain (they were often of a delicate constitution), but the damage to their inner selves was less. They were able to retreat from their terrible surroundings to a life of inner riches and spiritual freedom. Only in this way can one explain the apparent paradox that some prisoners of a less hardy make-up often seemed to survive camp life better than did those of a robust nature. In order to make myself clear, I am forced to fall back on personal experience.

I have now reached the point where I may indicate briefly what to me constitutes the essence of the crisis of our time. It concerns the relationship of the individual to society. The individual has become more conscious than ever of his dependence upon society. But he does not experience this dependence as a positive asset, as an organic tie, as a protective force, but rather as a threat to his natural rights, or even to his economic existence. Moreover, his position in society is such that the egotistical drives of his make-up are constantly being accentuated, while his social drives, which are by nature weaker, progressively deteriorate. All human beings, whatever their position in society, are suffering from this process of deterioration. Unknowingly prisoners of their own egotism, they feel insecure, lonely, and deprived of the naïve, simple, and unsophisticated enjoyment of life. Man can find meaning in life, short and perilous as it is, only through devoting himself to society.

It is sometimes said that, by virtue of his psychological make-up, man cannot live unless he attaches himself to an object that is greater than himself and outlives him, and this necessity has been attributed to a supposedly common need not to perish entirely. Life, they say, is only tolerable if one can see some purpose in it, if it has a goal and one that is worth pursuing. But the individual in himself is not sufficient as an end for himself. He is too small a thing. Not only is he confined in space, he is also narrowly limited in time. So when we have no other objective than ourselves, we cannot escape from the feeling our efforts are finally destined to vanish into nothing, since that is where we must return. But we recoil from the idea of annihilation. In such a state, we should not have the strength to live, that is to say to act and struggle, since nothing is to remain of all the trouble that we take. In a word, the state of egoism is in contradiction with human nature and hence too precarious to endure.11

1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck. 2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure. 3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes. 4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins. 5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher... 5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine... 6. After powdering, take a tissue and BLOT. Then clothes won't get soiled. 7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.

Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.

To start with, at that time I'd gone to bed with probably three dozen boys, all of them either German or English; never with a woman. Nonetheless -- and incredible thought it may seem -- I still assumed that a day would come when I would fall in love with some lovely, intelligent girl, whom I would marry and who would bear me children. And what of my attraction to men? To tell the truth, I didn't worry much about it. I pretended my homosexuality was a function of my youth, that when I "grew up" it would fall away, like baby teeth, to be replaced by something more mature and permanent. I, after all, was no pansy; the boy in Croydon who hanged himself after his father caught him in makeup and garters, he was a pansy, as was Oscar Wilde, my first-form Latin tutor, Channing's friend Peter Lovesey's brother. Pansies farted differently, and went to pubs where the barstools didn't have seats, and had very little in common with my crowd, by which I meant Higel and Horst and our other homosexual friends, all of whom were aggressively, unreservedly masculine, reveled in all things male, and held no truck with sissies and fairies, the overrefined Rupert Halliwells of the world. To the untrained eye nothing distinguished us from "normal" men. Though I must confess that by 1936 the majority of my friends had stopped deluding themselves into believing their homosexuality was merely a phase. They claimed, rather, to have sworn off women, by choice. For them, homosexuality was an act of rebellion, a way of flouting the rigid mores of Edwardian England, but they were also fundamentally misogynists who would have much preferred living in a world devoid of things feminine, where men bred parthenogenically. Women, according to these friends, were the “class enemy” in a sexual revolution. Infuriated by our indifference to them (and to the natural order), they schemed to trap and convert us*, thus foiling the challenge we presented to the invincible heterosexual bond. Such thinking excited me - anything smacking of rebellion did - but it also frightened me. It seemed to me then that my friends’ misogyny blinded them to the fact that heterosexual men, not women, had been up until now, and would probably always be, their most relentless enemies. My friends didn’t like women, however, and therefore couldn’t acknowledge that women might be truer comrades to us than the John Northrops whose approval we so desperately craved. So I refused to make the same choice they did, although, crucially, I still believed it was a choice.

Finally, the dark tension that immersed my soul because of these apparently dichotomous experiences of God was resolved, at least a little, when I turned my focus away from Him directly and onto the world He created. In Romans 1:18–20 Paul explains: “The wrath of God is being revealed from heaven against all the godlessness and wickedness of men who suppress the truth by their wickedness, since what may be known about God is plain to them, because God has made it plain to them. For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made, so that men are without excuse” (NIV). Paul is revealing a reality that my own curiosity and experience undergird: The whole world is a parable (a metaphoric treatise) describing God’s character and personality. His “invisible qualities” and “eternal power” and “divine nature” are clearly seen and understood by “what has been made.” Paul is saying that all created things are inherently a living biography of God—they tell God’s story, the makeup of His character and His kingdom, for those who will pay attention.

Meg was all natural. She didn’t wear a lot of makeup, but her skin was so smooth, dotted with angel kisses, as his mother called freckles. He wanted to trace those freckles with his tongue, kiss each one and see if they covered her whole body or only parts kissed by the sun.

What if many listeners hold a profoundly different understanding of the concepts of God, truth, right and wrong, freedom, virtue, and sin? What if their approaches to reality, human nature and destiny, and human community are wholly different from our own? For decades, this has been the situation facing Christian churches in many areas around the world — places such as India, Iran, and Japan. Evangelism in these environments involves a lengthy process in which nonbelievers have to be invited into a Christian community that bridges the gap between Christian truth and the culture around it. Every part of a church’s life — its worship, community, public discourse, preaching, and education — has to assume the presence of nonbelievers from the surrounding culture. The aesthetics of its worship have to reflect the sensibilities of the culture and yet show how Christian belief shapes and is expressed through them. Its preaching and teaching have to show how the hopes of this culture’s people can find fulfillment only in Christ. Most of all, such a congregation’s believers have to reflect the demographic makeup of the surrounding community, thereby giving non-Christian neighbors attractive and challenging glimpses of what they would look like as Christians.

As it says in 1 Peter 3:1-6: Wives, in the same way submit yourselves to your own husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives, when they see the purity and reverence of your lives. Your beauty should not come from outward adornment, such as elaborate hairstyles and the wearing of gold jewelry or fine clothes. Rather, it should be that of your inner self, the unfading beauty of a gentle and quiet spirit, which is of great worth in God’s sight. For this is the way the holy women of the past who put their hope in God used to adorn themselves. They submitted themselves to their own husbands, like Sarah, who obeyed Abraham and called him her lord. You are her daughters if you do what is right and do not give way to fear. That’s Miss Kay in a nutshell-she’s a kind and gentle woman. In my eyes, she’s the most beautiful woman on Earth, on the inside and the outside. She has a natural beauty about her and doesn’t need a lot of makeup or fancy clothes to show it. The more makeup a woman wears, the more she’s trying to hide; makeup can hide a lot of evil. I think Miss Kay is probably a lot like Sarah was. For some reason, we always talk about Abraham, the father of our faith, but nobody ever mentions Sarah, the mother of our faith. I’m beginning to suspect the reason the mother of our faith is never mentioned is because people don’t appreciate a woman who is beautiful on the inside, who is quiet, gentle, and submissive. But God says that being a woman like that is of great worth in His eyes. I believe that Sarah, the mother of our faith, should be revered as much as Abraham, the father of our faith.

GOD IS SO WONDERFULLY GENEROUS in his self-disclosure. He has not revealed himself to this race of rebels in some stinting way, but in nature, by his Spirit, in his Word, in great events in redemptive history, in institutions that he ordained to unveil his purposes and his nature, even in our very makeup. (We bear the imago Dei.)

I love how she’s naturally beautiful and I like how she doesn’t cake makeup on her face the way other girls do. It’s refreshing, and being with her is too.

You don’t need freaking makeup. I hate that crap anyway. Women should just embrace their natural state. All that gloppy shit is unnecessary. You’re beautiful—you—not some shit that you

Q: What’s a Jewish woman’s idea of natural childbirth? A: No makeup, whatsoever.

You can't stop people from morphing the truth. It's human nature. I blow-dry my hair, put on make-up, wear high-heels. I've laughed at jokes told by men who simply weren't that funny. We create an outer identify to hide our innate vulnerability. But even deeper, it springs from the most primal desire we harbour.

Eugenie looked great, her short spiky auburn hair edged with conservative blond tips and her face wearing a minimum of makeup. Must be Mr. Natural’s influence. I gave her a hug and turned to meet Quince, who was sitting across from her. Okay, I could see the attraction. He had thick, honey-blond hair pulled back in a ponytail not unlike my own, and a green gemstone stud in one ear. He reached out a grasped my hand, shaking it firmly. “It’s great to meet you. Eugenie talks about you all the time.” “She talks a lot about you too, Quince.” The man had no idea. He smiled and his blue-green eyes were almost enthralling. “Most people call me Rand, but Eugenie likes my real name better than my nickname.” After a half hour of small talk, I wasn’t sure I liked Quince Randolph. He was drop-dead gorgeous, no question about that. But there was something off about him I couldn’t quite pinpoint. He stared too hard when he talked to you, made my eye contact than a normal person. I tried to dig into his head a little but came up blank, which was weird, except I’d done a heavy grounding ritual this morning. “You know, I just noticed something.” Eugenie had a funny look on her face. “You guys have the same hair and eye colo. I’d never realized it till I saw you sitting there across from each other.” “Maybe we’re very distantly related.” Rand smiled. “I doubt it,” I said, frowning. “I don’t have much family. And if we were related, I’d be pissed off that you have better cheekbones.

Blain narrowed his eyes. "You don't understand, do you?" He shook his head. "It's you, comfortable–natural–and without any makeup that attracts me. Pair that with my clothes covering your body..." The wicked grin he produced unlocked a side of me I didn't know existed.
I straightened my shoulders, confident. "Hmm... Just think what they'd look like on the floor.

Anandamides are naturally occurring neurotransmitters in the brain whose chemical make-up is very similar to cannabis. The word ‘anandamide’ is derived from the Sanskrit word ananda,

Sociopathy and psychopathy are very different. Sociopathy includes a broad, heterogeneous category of individuals who act antisocially, the causes of which are believed to be social and environmental in nature. Psychopathy is a term grounded in biology and genetics and is truly agnostic to causes or etiology. In other words, genetics and the makeup of the brain, as well as environment, contribute to the construct of psychopathy. Although the term sociopathy is not used in modern academic circles to mean “psychopathy” anymore, some people continue to confuse the terms.

Blackburn v. Alabama, the Court said, ‘Coercion can be mental as well as physical.’ In reviewing whether a confession was psychologically coerced by the police, the following factors are crucial: (1) the length of the interrogation, (2) whether it was prolonged in nature, (3) when it took place, day or night, with a strong suspicion around nighttime confessions, and (4) the psychological makeup—intelligence, sophistication, education, and so on—of the suspect.