“
You didn’t hear the story I told,” he goes on. “A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
To be a well-favoured man is the gift of fortune; but to write and read comes by nature.
”
”
William Shakespeare (Much Ado About Nothing)
“
We were talking about the prince,' Sansa said, her voice soft as a kiss.
Arya knew which prince she meant: Joffrey, of course. The tall, handsome one. Sansa got to sit with him at the feast. Arya had to sit with the little fat one. Naturally.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I believe in the baby Jesus, and I believe he is handsome and lives in the sky with his pet cow. I believe that it is essential the cow like you, and if you pet the cow with your mind, it will lick your hand and give you cash. But if you make the cow angry, it will turn away from you, forget you exist, and your life will fall into shambles. I believe that as long as the cow likes you, you can get what you want. In order to keep the cow’s favor, you need to ‘let go and let God,’ meaning you can’t obsess about controlling every little thing. You have to let things unfold naturally, and not try to change things you cannot change. On the other hand, I believe that if you’ve made the cow happy by living this way, you’re allowed to ask for favors...
”
”
Augusten Burroughs (Magical Thinking)
“
I acquired expensive habits and affected manners. I got a third-class degree and a first-class illusion: that I was a poet. But nothing could have been less poetic that my seeing-through-all boredom with life in general and with making a living in particular. I was too green to know that all cynicism masks a failure to cope-- an impotence, in short; and that to despise all effort is the greatest effort of all. But I did absorb a small dose of one permanently useful thing, Oxford's greatest gift to civilized life: Socratic honesty. It showed me, very intermittently, that it is not enough to revolt against one's past. One day I was outrageously bitter among some friends about the Army; back in my own rooms later it suddenly struck me that just because I said with impunity things that would have apoplexed my dead father, I was still no less under his influence. The truth was I was not a cynic by nature, only by revolt. I had got away from what I hated, but I hadn't found where I loved, and so I pretended that there was nowhere to love. Handsomely equipped to fail, I went out into the world.
”
”
John Fowles (The Magus)
“
If a young women once thinks herself handsome, she never doubts the truth of any man that tells her he is in love with her; for if she believes herself charming charming enough to captive him, 'tis natural to expect the effects of it.
”
”
Daniel Defoe (Moll Flanders)
“
At sixteen, he was cursed with all the certainty of youth, unleavened by any trace of humor or self-doubt, and wed to the arrogance that came so naturally to those born blond and strong and handsome.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
A lot has happened. You have a lot to figure out. I can be a patient man, Colorado. A devastatingly handsome, roguishly scarred, heartbreakingly courageous, patient man.
”
”
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
“
But what we have here is not a nice girl, as generally understood. For one thing, she’s not beautiful. There’s a certain set to the jaw and arch to the nose that might, with a following wind and in the right light, be called handsome by a good-natured liar. Also, there’s a certain glint in her eye generally possessed by those people who have found that they are more intelligent than most people around them but who haven’t yet learned that one of the most intelligent things they can do is prevent said people ever finding this out.
”
”
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
“
Sometimes when I am dusting the mirror with the grapes I look at myself in it, although I know it is vanity. In the afternoon light of the parlour my skin is a pale mauve, like a faded bruise, and my teeth are greenish. I think of all the things that have been written about me - that I am inhuman female demon, that I am an innocent victim of a blackguard forced against my will and in danger of my own life, that I was too ignorant to know how to act and that to hang me would be judicial murder, that I am fond of animals, that I am very handsome with a brilliant complexion, that I have blue eyes, that I have green eyes, that I have auburn and also have brown hair, that I am tall and also not above the average height, that I am well and decently dressed, that I robbed a dead woman to appear so, that I am brisk and smart about my work, that I am of a sullen disposition with a quarrelsome temper, that I have the appearance of a person rather above my humble station, that I am a good girl with a pliable nature and no harm is told of me, that I am cunning and devious, that I am soft in the head and little better than an idiot. And I wonder, how can I be all of these different things at once?
”
”
Margaret Atwood (Alias Grace)
“
You didn't hear the story I told," he goes on. "A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like."
She laughs. "You really are terrible, you know that? I don't even understand why the things you say make me smile."
He lets himself lean against her, lets himself hear the warmth in her voice. "There is one thing I did like about playing the hero. The only good bit. And that was not having to be terrified for you."
"The next time you want to make a point," Jude says, "I beg you not to make it so dramatically."
His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds.
"So long as you're begging," he says.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
Edward Ferrars was not recommended to their good opinion by any peculiar graces of person or address. He was not handsome, and his manners required intimacy to make them pleasing. He was too diffident to do justice to himself; but when his natural shyness was overcome, his behaviour gave every indication of an open, affectionate heart.
”
”
Jane Austen (Sense and Sensibility)
“
And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself—unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways."
"I shall be most happy to make her better acquainted with them."
"No doubt; but that is no explanation of the present."
"What am I to do?"
"You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women."
"Miss Morland, I think very highly of the understanding of all the women in the world—especially of those—whoever they may be—with whom I happen to be in company."
"That is not enough. Be more serious."
"Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half.
”
”
Jane Austen (Northanger Abbey)
“
Guess what? The Nazis didn't lose the war after all. They won it and flourished. They took over the world and wiped out every last Jew, every last Gypsy, black, East Indian, and American Indian. Then, when they were finished with that, they wiped out the Russians and the Poles and the Bohemians and the Moravians and the Bulgarians and the Serbians and the Croatians--all the Slavs. Then they started in on the Polynesians and the Koreans and the Chinese and the Japanese--all the peoples of Asia. This took a long, long time, but when it was all over, everyone in the world was one hundred percent Aryan, and they were all very, very happy. Naturally the textbooks used in the schools no longer mentioned any race but the Aryan or any language but German or any religion but Hitlerism or any political system but National Socialism. There would have been no point. After a few generations of that, no one could have put anything different into the textbooks even if they'd wanted to, because they didn't know anything different. But one day, two young students were conversing at the University of New Heidelberg in Tokyo. Both were handsome in the usual Aryan way, but one of them looked vaguely worried and unhappy. That was Kurt. His friend said, "What's wrong, Kurt? Why are you always moping around like this?" Kurt said, "I'll tell you, Hans. There is something that's troubling me--and troubling me deeply." His friend asked what it was. "It's this," Kurt said. "I cannot shake the crazy feeling that there is some small thing that we're being lied to about." And that's how the paper ended.'
Ishmael nodded thoughtfully. 'And what did your teacher think of that?'
'He wanted to know if I had the same crazy feeling as Kurt. When I said I did, he wanted to know what I thought we were being lied to about. I said, 'How could I know? I'm no better off than Kurt.
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
He was young, and his face, if not exactly handsome, approached so near to handsome that nobody would have contradicted an assertion that it really was so in its natural colour.
”
”
Thomas Hardy (The Return of the Native)
“
There are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them slowly and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe—that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
”
”
Mary Oliver (Upstream: Selected Essays)
“
I hope you mean to contribute a handsome wreath to my obsequies?’ ‘Certainly! In the nature of things, it is likely that you will predecease me.’ ‘If I survive this adventure there can be no question of that. Your fate is writ clear: you will be murdered. I cannot conceive how it comes about that you were not murdered long since!’ ‘How odd! Charles himself once said that to me, or something like it!’ ‘There is nothing odd in it: any sensible man must say it!
”
”
Georgette Heyer (The Grand Sophy)
“
Best part of my week.” I focused on the task at hand. Phone calls didn’t last long these days, and I needed this as much or more than Dean did. “I found a pair of brothers in Texas.”
“Cover your ears, Redding,” Michael quipped. “Cassie is going to tell us more about these brothers.” I could practically hear him winking on the other end of the line. “Are they more handsome than Dean? Less broody? More favorable to incorporating colors into their wardrobe?”
I rolled my eyes. Dean and I had been together since we were teenagers, and Michael had taken great joy in singing the same song nearly the whole time.
”
”
Jennifer Lynn Barnes (Twelve (The Naturals, #4.5))
“
But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them slowly and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe - that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
”
”
Mary Oliver (Upstream: Selected Essays)
“
I
On the calm black water where the stars are sleeping
White Ophelia floats like a great lily;
Floats very slowly, lying in her long veils...
- In the far-off woods you can hear them sound the mort.
For more than a thousand years sad Ophelia
Has passed, a white phantom, down the long black river.
For more than a thousand years her sweet madness
Has murmured its ballad to the evening breeze.
The wind kisses her breasts and unfolds in a wreath
Her great veils rising and falling with the waters;
The shivering willows weep on her shoulder,
The rushes lean over her wide, dreaming brow.
The ruffled water-lilies are sighing around her;
At times she rouses, in a slumbering alder,
Some nest from which escapes a small rustle of wings;
- A mysterious anthem falls from the golden stars.
II
O pale Ophelia! beautiful as snow!
Yes child, you died, carried off by a river!
- It was the winds descending from the great mountains of Norway
That spoke to you in low voices of better freedom.
It was a breath of wind, that, twisting your great hair,
Brought strange rumors to your dreaming mind;
It was your heart listening to the song of Nature
In the groans of the tree and the sighs of the nights;
It was the voice of mad seas, the great roar,
That shattered your child's heart, too human and too soft;
It was a handsome pale knight, a poor madman
Who one April morning sate mute at your knees!
Heaven! Love! Freedom! What a dream, oh poor crazed Girl!
You melted to him as snow does to a fire;
Your great visions strangled your words
- And fearful Infinity terrified your blue eye!
III
- And the poet says that by starlight
You come seeking, in the night, the flowers that you picked
And that he has seen on the water, lying in her long veils
White Ophelia floating, like a great lily.
”
”
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
“
No boy can resist being fed well by a good-natured and still handsome woman. Boys are very like nice dogs in this respect — give them a bone and they will like you at once.
”
”
Samuel Butler (The Way of All Flesh (Centaur Classics) [The 100 greatest novels of all time - #74])
“
She chose the adjective deliberately. Handsome or sexy conveyed surface appeal. Beautiful addressed the whole package, inside and out.
”
”
Joey W. Hill (Natural Law (Nature of Desire, #2))
“
I can be a patient man, Colorado. A devastatingly handsome, roguishly scarred, heartbreakingly courageous, patient man.
”
”
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
“
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?”
“Oh,” Annabelle said with irreverent lightness, “any peer will do.”
“Any peer?” Lillian asked skeptically. “What about good looks?”
Annabelle shrugged. “Welcome, but not necessary.”
“What about passion?” Daisy inquired.
“Decidedly unwelcome.”
“Intelligence?” Evangeline suggested.
Annabelle shrugged. “Negotiable.”
“Charm?” Lillian asked.
“Also negotiable.”
“You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.”
“I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.”
Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.”
Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?”
“Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.”
The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
You must never stop being whimsical.
And you must not, ever, give anyone else the responsibility for your life.
I don’t mean it’s easy or assured; there are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them solely and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe – that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
”
”
Mary Oliver (Upstream: Selected Essays)
“
My mind wandered to all those years of school portraits: the licked palms wrestling cowlicks under the pretense of a loving stroke; letting the boys watch a cartoon while sliding them into handsome, uncomfortable clothes; clumsy efforts to subliminally communicate the value of a “natural” smile. The pictures always came out the same: a forced grin with unparted lips, eyes vacantly gazing into the haze—something from the Diane Arbus scrap pile. But I loved them. I loved the truth they conveyed: that kids aren’t yet able to fake it. Or they aren’t yet able to conceal their disingenuousness. They’re wonderful smilers, the best; but they’re the very worst fake smilers. The inability to fake a smile defines childhood. When Sam thanked me for his room in my new house, he became a man.
”
”
Jonathan Safran Foer (Here I Am)
“
Fairy tales are rife with transformation — from beast to handsome prince, from dirty scullery maid to well-dressed princess. It is perhaps no coincidence that nature in the Cinderella stories facilitates transformation, for nature itself is a changeable thing, from season to season, from a sunny day to rain, from an egg to a flying bird in a matter of weeks.
(Source: "The Nature of Cinderella".)
”
”
Marie Rutkoski
“
Here ease and comfort are the legacy, The round and glowing cheek, the red, ripe mouth, Here each possesses immortality In his descendants’ happiness and health. And thus in pure contentment, cloudless days, The child grows up and fathers in his turn. Amazed, we never cease to ask: Are these High gods descended here or are they men? Apollo, when he kept sheep, looked completely The handsome shepherd in both form and face: 9900 Where Nature uninsulted rules serenely, All worlds commingle, gods and men change place.
”
”
Johann Wolfgang von Goethe (Faust: A Tragedy, Parts One and Two)
“
Most girls take one look at you and swoon. You've never had to really work for someone's affection or put effort into maintaining it. In many ways, your natural gifts have done you a disservice-- they've stunted your sensitivity and charm! You've never had to develop insight into what will make a girl laugh and come to love you for reasons that aren't handsome or heroic. That's why smees are experts on the subtle arts of courtship and seduction; nothing comes easy to us, but we do understand and live by the Lover's Maxim."
"And what on earth is the Lover's Maxim?" asked Maz, feeling very uninformed.
The smee cleared his throat. "If you can't be handsome, be rich. If you can't be rich, be strong. If you cant be strong, be witty."
"But what if you can't be witty?" Max wondered.
"Learn the guitar.
”
”
Henry H. Neff (The Maelstrom (The Tapestry, #4))
“
You know,” Wayne said, “I’m an Allomancer too.”
The man said nothing.
“I figured you’d want to know,” Wayne said, “since it seems like this is your religion and all. In case you wanted someone else to worship.”
Again no reply.
“I’m a Slider,” Wayne said. “Speed bubbles, you know? Those fancy titles would work for me just fine, I think. Handsome One. Smart One. Um … Guy wif the Great Hat.”
The only sound was that of their footfalls and the gusting wind.
“Now, see,” Wayne said, “this is unfair. Wax doesn’t want you to worship him, right? But you gotta have someone to worship. It’s human nature. It’s ingratiated in us. So, I’m willin’ to be accommodatin’ and let you—”
“He can’t understand you, Wayne,” Marasi said, marching past. “He’s swapped metalminds to keep himself warm.”
Wayne stopped in place as they all hiked onward. “Well, when he gets his brain back, someone tell him I’m a god, all right?”
“Will do,” Wax called from up ahead.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
Like Trush, Sheriff Gorunov is a born Alpha, a handsome, fire-breathing dragon of a man who smokes with an alarming vigor: cigarette clamped between his canines at the point where filter and tobacco meet, the act of inhaling fully integrated into breath and speech such that there is no discernible pause, only billowing smoke that seems to be a natural by-product of a voice that booms even in the confines of his quiet kitchen.
”
”
John Vaillant (The Tiger: A True Story of Vengeance and Survival)
“
We spend our incomes for paint and paper, for a hundred trifles, I know not what, and not for the things of a man. Our expense is almost all for conformity. It is for cake that we run in debt; 't is not the intellect, not the heart, not beauty, not worship, that costs so much. Why needs any man be rich? Why must he have horses, fine garments, handsome apartments, access to public houses, and places of amusement? Only for want of thought.
”
”
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
“
How do tyrants hold on to power for so long? For that matter, why is the tenure of successful democratic leaders so brief? How can countries with such misguided and corrupt economic policies survive for so long? Why are countries that are prone to natural disasters so often unprepared when they happen? And how can lands rich with natural resources at the same time support populations stricken with poverty? Equally, we may well wonder: Why are Wall Street executives so politically tone-deaf that they dole out billions in bonuses while plunging the global economy into recession? Why is the leadership of a corporation, on whose shoulders so much responsibility rests, decided by so few people? Why are failed CEOs retained and paid handsomely even as their company’s shareholders lose their shirts? In
”
”
Bruce Bueno de Mesquita (The Dictator's Handbook: Why Bad Behavior is Almost Always Good Politics)
“
Not all men are handsome and strong. There are some who are cowards from birth. There are some who are weak by nature. There are even some who cry easily. But for such a man, a man both weak and cowardly, to bear the burden of his weakness and struggle valiantly to live a beautiful life-- that's what I call great. The reason I'm so fond of Gaston is not because he has a strong will or a good head. Rather it's because, weakling and coward that he is, he keeps on fighting in his own way.
”
”
Shūsaku Endō (Wonderful Fool)
“
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.”
They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie
waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles.
“Choosing the soap water means she will marry a poor man,” Daisy explained.
Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.”
The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!”
Lillian gaveher a speaking glance. “You don’t really believe in this, do you?”
“Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head.
Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked.
Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed.
“No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!”
“At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool
liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?”
“No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!”
“Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn
now?”
Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.”
“What does that mean? That you won’t marry at all?”
“It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has
yet to be decided. The good news is that your husband seems to be on the way.”
“If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
forests are the ornaments of the earth, that they teach mankind to understand beauty and attune his mind to lofty sentiments. Forests temper a stern climate, and in countries where the climate is milder, less strength is wasted in the battle with nature, and the people are kind and gentle. The inhabitants of such countries are handsome, tractable, sensitive, graceful in speech and gesture. Their philosophy is joyous, art and science blossom among them, their treatment of women is full of exquisite nobility——
”
”
Anton Chekhov (Uncle Vanya)
“
It wasn't just the way he always looked at her- with a mix of genuine joy and longing rolled into one- or his appearance, although he wasn't hard on the eyes with those rippling pectorals. She found herself drawn to those kind blue eyes and the hard line of his jaw, which moved when he was thinking. It was the dimples in his cheeks when he flashed her that magnetic smile, and the way his reddish blond hair had a single curl that was always falling in front of his eyes. But mostly it was that earnest nature of his, and his need to find the good in every situation, which was so different from how she viewed life, and gave her hope that the world could be more than she imagined it to be.
”
”
Jen Calonita (Go the Distance)
“
boy can resist being fed well by a good-natured and still handsome woman. Boys are very like nice dogs in this respect — give them a bone and they will like you at once.
”
”
Samuel Butler (The Way of All Flesh (Centaur Classics) [The 100 greatest novels of all time - #74])
“
a handsome Frenchwoman abounding in commercial good nature.
”
”
Evelyn Waugh (Remote People)
“
wed to the arrogance that came so naturally to those born blond and strong and handsome.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Tallis is a beautiful and terrible thing. Fearsome and alluring. Just like the forest in many ways... but it's written all over that handsome, pale face of yours; you like her.
”
”
C.E. Clayton (The Duality of Nature (The Monster of Selkirk, #1))
“
But around Rhy Maresh, there were none. No natural magic, no threads of power. Nothing, and yet he was powerfully handsome, powerfully charming, powerfully witty, powerfully sharp, powerfully kind. He was—
”
”
Victoria E. Schwab (A Royal Affair (Shades of Magic #0.5))
“
Grass on domestic lawns wants to do what wild grasses do in nature—namely, grow to a height of about two feet, flower, turn brown, and die. To keep it short and green and continuously growing means manipulating it fairly brutally and pouring a lot of stuff onto it. In the western United States about 60 percent of all the water that comes out of taps for all purposes is sprinkled on lawns. Worse still are the amounts of herbicides and pesticides—seventy million pounds of them a year—that are soaked into lawns. It is a deeply ironic fact that for most of us keeping a handsome lawn is about the least green thing we do.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
shy but handsome fellow is sitting at a club, sipping a cocktail, and sees a beautiful woman seated alone at the bar. After an hour of screwing up his courage he finally heads over to her and asks tentatively, "Um, hi. Would you mind if I chatted with you for a while?" She responds by yelling, at the top of her lungs, "No, I won't sleep with you tonight!" Everyone in the bar turns in unison and stares at them. Naturally, the poor guy is hopelessly
”
”
Various (101 Dirty Jokes - sexual and adult's jokes)
“
There is no living in the world without a complaisant indulgence for people's weaknesses, and innocent, though ridiculous vanities. If a man has a mind to be thought wiser, and a woman handsomer, than they really are, their error is a comfortable one to themselves, and an innocent one with regard to other people; and I would rather make them my friends by indulging them in it it, than my enemies, by endeavouring, and that to no purpose, to undeceive them.
”
”
Philip Dormer Stanhope (Lord Chesterfield, Letters Written To His Natural Son On Manners And Morals)
“
till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
”
”
Jane Austen (Emma)
“
He was neither rich nor great, young nor handsome, - in no respect what is called fascinating, imposing or brilliant; and yet he was as attractive as a genial fire, and people seemed to gather about him as naturally as about a warm hearth.
”
”
Louisa May Alcott
“
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace."
The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time."
"Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women."
"That's not true," the duke said, "The non-gullible ones follow me as well."
Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women.
When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined.
She moved forward and took his arm.
"How was your journey, my dear?" the duke asked as he escorted her into the house.
Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage."
"Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on."
"No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks."
"Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather."
"I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously.
The duke laughed gently. "What a delightful girl.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Ruefully, nobody perceives me as exceptionally gifted, intelligent, handsome, or physically strong. My sense of alienation stems from an inferiority complex, depressive nature, and manic tendencies that repulse other people. For many years, I passively accepted my clumsiness, uselessness, and lack of capacity for learning by avoiding serious literature and other opportunities for personal growth. I embraced personal ignorance by favoring tactile sensations and gross pleasure afforded in a materialistic culture that revels in a hedonistic lifestyle.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Hollingford speculated much on which young lady would become Mrs Gibson, and was rather sorry when the talk about possibilities, and the gossip about probabilities with regard to the handsome young surgeon's marriage, ended in the most natural manner in the world, by his marrying his predecessor's niece.
”
”
Elizabeth Gaskell (Wives and Daughters)
“
The chief - almost only - attraction pf the young woman's face was its mobility. When she looked down sideways to the girl she became pretty, and even handsome, particularly that in the action her features caught slantwise the rays of the strongly coloured sun, which made transparencies of her eyelids and nostrils and set fire on her lips. When she plodded on in the shade of the hedge, silently thinking, she had the hard, half-apathetic expression of one who deems anything possible at the hands of Time and Chance except, perhaps, fair play. The first phase was the work of Nature, the second probably of civilization.
”
”
Thomas Hardy (The Mayor of Casterbridge)
“
Profane oaths, cursings and execrations (forbidden in any event by the second Article of War) were laid aside or modified, and it was pleasant to hear the bosun cry 'Oh you . . . unskilful fellow' when a hand called Faster Doudle, staring aft at Mrs Fielding, dropped a marline-spike from the maintop, very nearly transfixing Mr Hollar's foot. Punishment, in the sense of flogging at the gangway, was also laid aside; and though this was of no great consequence in a ship that so very rarely saw the cat, the general sense of relaxation and indulgence might have done great harm to discipline to the Surprise had she not had an exceptional ship's company. She always had been a happy ship; now she was happier still; and it occurred to Stephen that a really handsome, thoroughly good-natured but totally inaccessible young woman, changed at stated intervals, before familiarity could set in, would be a very valuable addition to any man-of-war's establishment.
”
”
Patrick O'Brian (Treason's Harbour (Aubrey & Maturin, #9))
“
A strikingly handsome man with blond hair, blue eyes, and the sculpted physique of someone who worked out religiously, Patrick was taken with Elizabeth from the moment he met her. His attraction wasn’t of a romantic nature; he was gay. Rather, he was drawn in by her charisma and her singular drive to put a dent in the universe.
”
”
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
“
You are a very warm friend to Mr. Martin; but, as I said before, are unjust to Harriet. ... Waiving that point, however, and supposing her to be, as you describe her, only pretty and good-natured, let me tell you, that in the degree she possesses them, they are not trivial recommendations to the world in general, ... and till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of chusing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
”
”
Jane Austen (Emma)
“
I also think of those daily slaughters along the highways, of that death that is as horrible as it is banal and that bears no resemblance to cancer or AIDS because, as the work not of nature but of man, it is an almost voluntary death. How can it be that such a death fails to dumbfound us, to turn our lives upside down, to incite us to vast reforms? No, it does not dumbfound us, because like Pasenow, we have a poor sense of the real, and in the sur-real sphere of symbols, this death in the guise of a handsome car actually represents life; this smiling death is con-fused with modernity, freedom, adventure, just as Elisabeth was con-fused with the Virgin. This death of a man condemned to capital punishment, though infinitely rarer, much more readily draws our attention, rouses passions: confounded with the image of the executioner, it has a symbolic voltage that is far stronger, far darker and more repellent. Et cetera.
Man is a child wandering lost—to cite Baudelaire`s poem again—in the "forests of symbols."
(The criterion of maturity: the ability to resist symbols. But mankind grows younger all the time.)
”
”
Milan Kundera (The Art of the Novel)
“
Graye was handsome, frank, and gentle. He had a quality of thought which, exercised on homeliness, was humour; on nature, picturesqueness; on abstractions, poetry. Being, as a rule, broadcast, it was all three. Of the wickedness of the world he was too forgetful. To discover evil in a new friend is to most people only an additional experience: to him it was ever a surprise.
”
”
Thomas Hardy (Complete Works of Thomas Hardy)
“
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous.
Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his.
Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it."
"You're making me into something I'm not," she whispered.
"You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her.
The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper."
She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs.
Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close.
Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Then Toraf opens the passenger side door…Wait. That’s not Toraf.
I’ve never seen this man before, yet he’s eerily familiar. His silhouette sitting next to Galen was definitely classic Syrena male, but the glare from the sun had hidden his face. I’d naturally just assumed that where there’s a Galen, there’s a Toraf. Now that his face is in full view though, I see that this man looks like a slightly older version of Galen. Slightly older as in slightly more jaded. Other than that, he could be his twin brother. It may be because he’s wearing some of Galen’s clothes, a wrinkled brown polo shirt and plaid shorts. But he shares other things, too, besides clothes.
He’s handsome like Galen, with the same strong jaw and the same eyebrow shape and the way he’s wearing the same expression on his face that Galen is-that he’s found what he’s been looking for. Only, the stranger’s expression clearly divulges that he’s been looking for a lot longer than Galen has-and this man is not looking at me.
And that’s when I know just exactly who he is. That’s when I believe the look in Galen’s eyes. That he didn’t lie to me, that he loves me. Because this man has to be Grom.
Mom confirms it with a half cry, half growl. “No. No. It can’t be.” Even if she weren’t handcuffed to Rachel right now, I’m not sure she’d actually be able to move. Disbelief has a special way of paralyzing you.
With every step the man takes toward Rachel’s car, he shakes his head more vigorously. It’s like he’s deliberately taking his time, drinking in the moment, or maybe he just can’t believe this moment is actually happening. Yep, disbelief is a cruel hag.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
It must be recorded of Amy that she deliberately prinked that night. Time and absence had done its work on both the young people. She had seen her old friend in a new light, not as 'our boy', but as a handsome and agreeable man, and she was conscious of a very natural desire to find favor in his sight. Amy knew her good points, and made the most of them with the taste and skill which is a fortune to a poor and pretty woman.
”
”
Louisa May Alcott (Little Women / Stage 3)
“
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
”
”
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
“
Where's Pip? I want to see Pip. Produce Pip!"—"What's the row, my lord?"—"Shakspeare's an infernal humbug, Pip! What's the good of Shakspeare, Pip? I never read him. What the devil is it all about, Pip? There's a lot of feet in Shakspeare's verse, but there an't any legs worth mentioning in Shakspeare's plays, are there, Pip? Juliet, Desdemona, Lady Macbeth, and all the rest of 'em, whatever their names are, might as well have no legs at all, for anything the audience know about it, Pip. Why, in that respect they're all Miss Biffins to the audience, Pip. I'll tell you what it is. What the people call dramatic poetry is a collection of sermons. Do I go to the theatre to be lectured? No, Pip. If I wanted that, I'd go to church. What's the legitimate object of the drama, Pip? Human nature. What are legs? Human nature. Then let us have plenty of leg pieces, Pip, and I'll stand by you, my buck!" and I am proud to say,' added Pip, 'that he did stand by me, handsomely.
”
”
Charles Dickens (Martin Chuzzlewit)
“
In the theatre that I was used to in school and colleges and in amateur circles, the actors rehearsed more or less in secrecy and then sprung their finished perfection. on an unsuspecting audience who were of course surprised into envious admiration: oh, what perfection, what talent, what inspired gifts - I certainly could never do such a thing! Such a theatre is part of the general bourgeois education system which practices education as a process of weakening people, of making them feel they cannot do this or that - oh, it must take such brains! - In other words education as a means of mystifying knowledge and hence reality. Education, far from giving people -the confidence in their ability and capacities to overcome obstacles or to become masters of the laws governing external nature as human beings, tends to make them feel their inadequacies, their weaknesses and their incapacities in the face of reality; and their inability to do anything about the conditions governing their lives. They become more and more alienated from themselves and from their natural and social environment. Education as a process of alienation produces a gallery of active stars and an undifferentiated mass of grateful admirers. The Olympian gods of the Greek mythology or the dashing knights of the middle ages are reborn in the -twentieth century as superstar politicians, scientists, sportsmen, actors, the handsome doers or heroes, with the ordinary people watching passively, gratefully, admiringly.
”
”
Ngũgĩ wa Thiong'o
“
There are two forms of mourning for mothers. Often the world can enter fully into the nature of their loss: their son, admired, appreciated, young, perhaps handsome, with a noble path before him, leading to fortune, possibly to fame, excites universal regret; society joins in the grief, and alleviates while it magnifies it. But there is another sorrow of mothers who alone know what their child was really; who alone have received his smiles and observed the treasures of a life too soon cut short.
”
”
Honoré de Balzac (Works of Honore de Balzac)
“
He was a handsome, lusty, good-natured soul, who seemed to have blundered into this enclosed life by some incomprehensible error, and not yet to have realised that he had come to the wrong place. Brother Cadfael detected a lively sense of mischief the fellow to his own, but never yet given its head in a wider world, and confidently expected that some day this particular red-crested bird would certainly fly. Meantime, he got his entertainment wherever it offered, and found it sometimes in unexpected places.
”
”
Ellis Peters (A Morbid Taste for Bones (Chronicles of Brother Cadfael #1))
“
Seen Tate lately?” Colby asked carelessly.
She stiffened. “No.”
He looked down at her with a wry grin. “It was a boring banquet, anyway. You made all the news shows that night, and I hear one of the bigger late-night television hosts did a monologue about it!”
“Go ahead,” she invited with a gesture. “Rub it in.”
“I can’t help myself,” he said with an involuntary chuckle. “I believe it’s the first time in American political history that an ex-CIA agent was baptized with a tureen of crab bisque right in the middle of a televised political affair.” Colby had to work hard not to crack a smile. He sipped his coffee instead. Before he met Cecily, he couldn’t have imagined any woman doing that to tall, handsome, elegant Tate Winthrop. “Matt Holden seems to have forgiven you,” he added.
She smiled wickedly. “He loved it,” she said. “Just between you and me, he thrives on publicity.”
Colby’s dark eyes went to Holden. “You might also have been invited because he likes embarrassing Tate,” he mused. “Talk about natural enemies!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
For a moment Lottie couldn't speak as she stared up into his handsome face. Nature had been spendthrift with this man, bestowing him with bold, princely features and eyes as blue and intense as the heart of midnight. The cynicism in those eyes was a fascinating contrast to the touch of humor that lurked at the corners of his wide mouth. He looked to be about thirty- the time in a man's life when he surrendered the last vestiges of callowness and came fully to his maturity. No doubt women of all ages were instantly enthralled by him.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
CRICKET A poor little cricket Hidden in the flowery grass, Observes a butterfly Fluttering in the meadow. The winged insect shines with the liveliest colors: Azure, purple, and gold glitter on his wings; Young, handsome, foppish, he hastens from flower to flower, Taking from the best ones. Ah! says the cricket, how his lot and mine Are dissimilar! Lady Nature For him did everything, and for me nothing. I have no talent, even less beauty; No one takes notice of me, they know me not here below; Might as well not exist. As he was speaking, in the meadow Arrives a troop of children. Immediately they are running After this butterfly, for which they all have a longing. Hats, handkerchiefs, caps serve to catch him. The insect in vain tries to escape. He becomes soon their conquest. One seizes him by the wing, another by the body; A third arrives, and takes him by the head. It should not be so much effort To tear to pieces the poor creature. Oh! Oh! says the cricket, I am no more sorry; It costs too dear to shine in this world. How much I am going to love my deep retreat! To live happily, live hidden.
”
”
Bill Dedman (Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune)
“
Why everybody liked him was what puzzled Jo, at first. He was neither rich nor great, young nor handsome, in no respect what is called fascinating, imposing, or brilliant, and yet he was as attractive as a genial fire, and people seemed to gather about him as naturally as about a warm hearth. He was poor, yet always appeared to be giving something away; a stranger, yet everyone was his friend; no longer young, but as happy-hearted as a boy; plain and peculiar, yet his face looked beautiful to many, and his oddities were freely forgiven for his sake.
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
Rather than defeat the reader with a family tree which would look like an illustration of the veins and arteries of the human body drawn by a poorly informed maniac, I thought it better to start with this summary of just the heads of the family, so the sequence is clear. I give the year each ruler became Emperor and the year the ruler died. It all looks very straightforward and natural, but of course the list hides away all kinds of back-stabbing, reckless subdivision, hatred, fake piety and general failure, which can readily be relegated to the main text. To save everyone’s brains I have simplified all titles. Some fuss in this area is inevitable but I will cling under almost all circumstances to a single title for each character. To give you a little glimpse of the chaos, the unattractive Philip ‘the Handsome’ was Philip I of Castile, Philip II of Luxemburg, Philip III of Brabant, Philip IV of Burgundy, Philip V of Namur, Philip VI of Artois as well as assorted Is, IIs, IIIs and so on for other places. So when I just refer to Philip ‘the Handsome’ you should feel grateful and briefly ponder the pedantic horror-show you are spared.
”
”
Simon Winder (Danubia: A Personal History of Habsburg Europe)
“
Listen, Google,’ I will say, ‘both John and Paul are courting me. I like both of them, but in a different way, and it’s so hard to make up my mind. Given everything you know, what do you advise me to do?’
And Google will answer: ‘Well, I know you from the day you were born. I have read all your emails, recorded all your phone calls, and know your favourite films, your DNA and the entire history of your heart. I have exact data about each date you went on, and if you want, I can show you second-by-second graphs of your heart rate, blood pressure and sugar levels whenever you went on a date with John or Paul. If necessary, I can even provide you with accurate mathematical ranking of every sexual encounter you had with either of them. And naturally enough, I know them as well as I know you. Based on all this information, on my superb algorithms, and on decades’ worth of statistics about millions of relationships – I advise you to go with John, with an 87 per cent probability of being more satisfied with him in the long run.
Indeed, I know you so well that I also know you don’t like this answer. Paul is much more handsome than John, and because you give external appearances too much weight, you secretly wanted me to say “Paul”. Looks matter, of course; but not as much as you think. Your biochemical algorithms – which evolved tens of thousands of years ago in the African savannah – give looks a weight of 35 per cent in their overall rating of potential mates. My algorithms – which are based on the most up-to-date studies and statistics – say that looks have only a 14 per cent impact on the long-term success of romantic relationships. So, even though I took Paul’s looks into account, I still tell you that you would be better off with John.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Grass on domestic lawns wants to do what wild grasses do in nature–namely, grow to a height of about two feet, flower, turn brown and die. To keep it short and green and continuously growing means manipulating it fairly brutally and pouring a lot of stuff on to it. In the western United States about 60 per cent of all the water that comes out of taps for all purposes is sprinkled on lawns. Worse still are the amounts of herbicides and pesticides–70 million pounds of it a year–that are soaked into lawns. It is a deeply ironic fact that for most of us keeping a handsome lawn is about the least green thing we do.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
And her looks? Is she pretty?” asked Strange. The question seemed to embarrass Henry. “Miss Watkins is not generally considered one of the first in beauty, no. But then upon further acquaintance, you know – that is worth a great deal. People of both sexes, whose looks are very indifferent at the beginning, may appear almost handsome on further acquaintance. A well-informed mind, nice manners and a gentle nature – all of these are much more likely to contribute to a husband’s happiness than mere transient beauty.” Strange and Arabella were a little surprized at this speech. There was a pause and then Strange asked, “Money?
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
1. Do not be proud of any excellence that is not your own. If a horse should be proud and say, ‘I am handsome’, it would be supportable. 2. But when you are proud and say, ‘I have a handsome horse’, know that you are proud of something that belongs not to you but to the horse. 3. What, then, is your own? Only your reaction to the appearances of things. 4. Thus, when you react to how things appear in true accordance with their nature, you will be proud with reason; for you will take pride in some good of your own. 5. Consider when, on a voyage, your ship is anchored; if you go on shore to get water you may amuse yourself along the way with picking up a shellfish. 6. However, your attention must also be towards the ship, waiting for the captain to call you on board; 7. For when he does so, you must immediately leave all these things, otherwise you will miss the ship as it sails. 8. So it is with life. Whatever you find while, so to say, wandering on the beach, is fine. 9. But if necessity calls, you must run to the ship, leaving these things, and regarding none of them. 10. For there is a proper time for all things, including a proper time to grieve, and to prepare to die. 11. The question to be asked at the end of each day is, ‘How long will you delay to be wise?
”
”
A.C. Grayling (The Good Book: A Secular Bible)
“
For many people today, gardening is about lawns and almost nothing else. In the United States lawns cover more surface area—fifty thousand square miles—than any single farm crop. Grass on domestic lawns wants to do what wild grasses do in nature—namely, grow to a height of about two feet, flower, turn brown, and die. To keep it short and green and continuously growing means manipulating it fairly brutally and pouring a lot of stuff onto it. In the western United States about 60 percent of all the water that comes out of taps for all purposes is sprinkled on lawns. Worse still are the amounts of herbicides and pesticides—seventy million pounds of them a year—that are soaked into lawns. It is a deeply ironic fact that for most of us keeping a handsome lawn is about the least green thing we do.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
I don’t mean it’s easy or assured; there are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them slowly and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe—that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
”
”
Mary Oliver (Upstream: Selected Essays)
“
Nay, Sir Walter,” cried Mrs Clay, “this is being severe indeed. Have a little mercy on the poor men. We are not all born to be handsome. The sea is no beautifier, certainly; sailors do grow old betimes; I have observed it; they soon lose the look of youth. But then, is not it the same with many other professions, perhaps most other? Soldiers, in active service, are not at all better off: and even in the quieter professions, there is a toil and a labour of the mind, if not of the body, which seldom leaves a man’s looks to the natural effect of time. The lawyer plods, quite care-worn; the physician is up at all hours, and travelling in all weather; and even the clergyman—” she stopt a moment to consider what might do for the clergyman;—“and even the clergyman, you know is obliged to go into infected rooms, and expose his health and looks to all the injury of a poisonous atmosphere.
”
”
Jane Austen (Persuasion)
“
I will not swear, reader, that there was not something of repressed sarcasm both in the tone in which I uttered this sentence, and in the feeling that accompanied it. I had silently feared St. John till now, because I had not understood him. He had held me in awe, because he had held me in doubt. How much of him was saint, how much mortal, I cold not heretofore tell: but revelations were being made in this conference: analysis of his nature was proceeding before my eyes. I saw his fallibilities: I.comprehnded them. I understood that, sitting there where I did, on the bank of heath, and with that handsome form before me, I sat at the feet of a man, erring as I. The veil fell from his hardness and despotism. Having felt in him the presence of these qualities, I felt his imperfection, and took courage. I was with an equal-one with whom I might argue-one whom, if I saw good, I might resist.
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Charlotte Brontë (Jane Eyre)
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During some years, I hoped that she did live; and I suppose that, in the literal and unrhetorical use of the word, myriad, I may say that on my different visits to London, I have looked into many, many myriads of female faces, in the hope of meeting her. I should know her again amongst a thousand, if I saw her for a moment; for, though not handsome, she had a sweet expression of countenance, and a peculiar and graceful carriage of the head. - I sought her, I have said, in hope. So it was for years; but now I should fear to see her; and her cough, which grieved me when I parted with her, is now my consolation. I now wish to see her no longer; but think of her, more gladly, as one long since laid in the grave; in the grave, I would hope, of a Magdalen; taken away, before injuries and cruelty had blotted out and transfigured her ingenuous nature, or the brutalities of ruffians had completed the ruin they had begun.
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Thomas de Quincey
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It is certainly our duty to avoid all appearance of evil, and to be ashamed to give occasion even to be reputed vicious; yet evil reports are so inconsiderable to a wise man, that, if he have a greater aversion to the nature of evil than to the infamy that attends it, he will not fear what is said of him abroad, nor what calumnies are raised, if so be he be made the better by them. It was handsomely said of Diogenes, when he saw a young spark coming out of a tavern, who at the sight of him drew back: Do not retire, says he, for the more you go backward, the more you will be in the tavern. Even so every vicious person, the more he denies and palliates vice, the more aggravates and confirms it, and with surer footing goes farther into wickedness; like some persons of ordinary rank and quality, who, while they assume above themselves, and out of arrogance would be thought rich, are made really poor and necessitous, by pretending to be otherwise.
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Plutarch (The Complete Works of Plutarch. Illustrated: Parallel Lives. Moralia)
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You must not ever stop being whimsical. _______ And you must not, ever, give anyone else the responsibility for your life. _______ I don’t mean it’s easy or assured; there are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them slowly and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe—that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
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Mary Oliver (Upstream: Selected Essays)
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Waiving that point, however, and supposing her to be, as you describe her, only pretty and good-natured, let me tell you, that in the degree she possesses them, they are not trivial recommendations to the world in general, for she is, in fact, a beautiful girl, and must be thought so by ninety-nine people out of an hundred; and till it appears that men are much more philosophic on the subject of beauty than they are generally supposed; till they do fall in love with well-informed minds instead of handsome faces, a girl, with such loveliness as Harriet, has a certainty of being admired and sought after, of having the power of choosing from among many, consequently a claim to be nice. Her good-nature, too, is not so very slight a claim, comprehending, as it does, real, thorough sweetness of temper and manner, a very humble opinion of herself, and a great readiness to be pleased with other people. I am very much mistaken if your sex in general would not think such beauty, and such temper, the highest claims a woman could possess.
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Jane Austen (Емма)
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As for denying the existence of fairies, good and bad, you have to be blind not to see them. They are everywhere, and naturally I have links of affection or dislike with all of them. The wealthy, spendthrift ones squander fortunes in Venice or Monte Carlo: fabulous, ageless women whose birthdays and incomes and origins nobody knows, putting charms on roulette wheels for the dubious pleasure of seeing the same number come up more often than it ought. There they sit, puffing smoke from long cigarette-holders, raking in the chips, and looking bored. Others spend the hours of darkness hanging their apartments in Paris or New York with Gothic tapestries, hitherto unrecorded, that drive the art-dealers demented-gorgeous tapestries kept hidden away in massive chests beneath deserted abbeys and castles since their own belle epoque in the Middle Ages. Some stick to their original line of country, agitating tables at seances or organizing the excitement in haunted houses; some perform kind deeds, but in a capricious and uncertain manner that frequently goes wrong, And then there are the amorous fairies, who never give up. They were to be seen fluttering through the Val Sans Retour in the forest of Broceliande, where Morgan la Fee concealed the handsome knight Guyomar and many lost lovers besides, or over the Isle of Avallon where the young knight Lanval lived happily with a fairy who had stolen him away. Now wrinkled with age, the amorous ones contrive to lure young men on the make who, immaculately tailored and bedecked with baubles from Cartier, escort them through the vestibules of international hotels. Yet other fairies, more studious and respectable, devote themselves to science, whirring and breathing above tired inventors and inspiring original ideas-though lately the unimaginable numbers,the formulae and the electronics, tend to overwhelm them. The scarcely comprehensible discoveries multiply around them and shake a world that is not theirs any more, that slips through their immaterial fingers. And so it goes on-all sorts and conditions of fairies, whispering together, purring to themselves, unnoticed on the impercipient earth. And I am one of them.
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Manuel Mujica Lainez (The Wandering Unicorn)
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In the car ahead, Jane was thinking fast and furiously. She had felt the purpose for which Tarzan had asked a few words with her, and she knew that she must be prepared to give him an answer in the very near future.
He was not the sort of person one could put off, and somehow that very thought made her wonder if she did not really fear him.
And could she love where she feared?
She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin.
Nor did the immaculate young Frenchman appeal to the primal woman in her, as had the stalwart forest god.
Did she love him? She did not know—now.
She glanced at Clayton out of the corner of her eye. Was not here a man trained in the same school of environment in which she had been trained—a man with social position and culture such as she had been taught to consider as the prime essentials to congenial association?
Did not her best judgment point to this young English nobleman, whose love she knew to be of the sort a civilized woman should crave, as the logical mate for such as herself?
Could she love Clayton? She could see no reason why she could not. Jane was not coldly calculating by nature, but training, environment and heredity had all combined to teach her to reason even in matters of the heart.
That she had been carried off her feet by the strength of the young giant when his great arms were about her in the distant African forest, and again today, in the Wisconsin woods, seemed to her only attributable to a temporary mental reversion to type on her part—to the psychological appeal of the primeval man to the primeval woman in her nature.
If he should never touch her again, she reasoned, she would never feel attracted toward him. She had not loved him, then. It had been nothing more than a passing hallucination, super-induced by excitement and by personal contact.
Excitement would not always mark their future relations, should she marry him, and the power of personal contact eventually would be dulled by familiarity.
Again she glanced at Clayton. He was very handsome and every inch a gentleman. She should be very proud of such a husband.
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Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
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I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
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Robert K. Massie (Catherine the Great: Portrait of a Woman)
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Eleanor is one of the most unusual protagonists in recent fiction, and some of her opinions and actions are very funny. What were your favorite moments in the novel? “Did men ever look in the mirror, I wondered, and find themselves wanting in deeply fundamental ways? When they opened a newspaper or watched a film, were they presented with nothing but exceptionally handsome young men, and did this make them feel intimidated, inferior, because they were not as young, not as handsome?” (p. 74). Eleanor’s question is rhetorical and slightly tongue-in-cheek, but worth answering. What are your thoughts? If men don’t have this experience, why not? If they do, why is it not more openly discussed? Eleanor is frightened that she may become like her mother. Is this a reasonable fear? What is the balance of nature and nurture? Is it possible to emerge from a traumatic childhood unscathed? Eleanor says, “If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn’t spoken to another person for two consecutive days. FINE is what you say” (p. 226–227). Why is this the case?
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Gail Honeyman (Eleanor Oliphant Is Completely Fine)
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Once a renowned skirt-chaser, now an exceptionally devoted husband, St. Vincent knew as much about these matters as any man alive. When Cam had asked glumly if a decrease in physical urges was something that naturally occurred as a man approached his thirties, St. Vincent had choked on his drink.
“Good God, no,” the viscount had said, coughing slightly as a swallow of brandy seared his throat. They had been in the manager’s office of the club, going over account books in the early hours of the morning.
St. Vincent was a handsome man with wheat-colored hair and pale blue eyes. Some claimed he had the most perfect form and features of any man alive. The looks of a saint, the soul of a scoundrel. “If I may ask, what kind of women have you been taking to bed?”
“What do you mean, what kind?” Cam had asked warily.
“Beautiful or plain?”
“Beautiful, I suppose.”
“Well, there’s your problem,” St. Vincent said in a matter-of-fact tone. “Plain women are far more enjoyable. There’s no better aphrodisiac than gratitude.”
“Yet you married a beautiful woman.”
A slow smile had curved St. Vincent’s lips. “Wives are a different case altogether. They require a great deal of effort, but the rewards are substantial. I highly recommend wives. Especially one’s own.”
Cam had stared at his employer with annoyance, reflecting that serious conversation with St. Vincent was often hampered by the viscount’s fondness for turning it into an exercise of wit. “If I understand you, my lord,” he said curtly, “your recommendation for a lack of desire is to start seducing unattractive women?”
Picking up a silver pen holder, St. Vincent deftly fitted a nib into the end and made a project of dipping it precisely into an ink bottle. “Rohan, I’m doing my best to understand your problem. However, a lack of desire is something I’ve never experienced. I’d have to be on my deathbed before I stopped wanting—no, never mind, I was on my deathbed in the not-too-distant past, and even then I had the devil’s own itch for my wife.”
“Congratulations,” Cam muttered, abandoning any hope of prying an earnest answer out of the man. “Let’s attend to the account books. There are more important matters to discuss than sexual habits.”
St. Vincent scratched out a figure and set the pen back on its stand. “No, I insist on discussing sexual habits. It’s so much more entertaining than work.
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Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
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What did Kiyoaki mean by his question? If one were forced to hazard a guess, it would be that he was trying to say that he had no interest in anything at all. He thought of himself as a thorn, a small, poisonous thorn jabbed into the workmanlike hand of his family. And this was his fate simply because he had acquired little elegance. A mere fifty years before, the Matsugaes had been a sturdy, upright samurai family, no more, eking out a frugal existence in the provinces. But in a brief span of time, their fortunes had soared. By Kiyoake’s time, the first traces of refinement were threatening to take hold on a family that, unlike the court of nobility, had enjoyed centuries of immunity to the virus of elegance. And Kiyoake, like an ant that senses the approaching flood, was experiencing the first intimations of his family’s rapid collapse.
His elegance was the thorn. And he was well aware that his aversion to coarseness, his delight in refinement, were futile; he was a plant without roots. Without meaning to undermine his family, without wanting to violate its traditions, he was condemned to do so by his very nature. And this poison would stunt his own life as it destroyed his family. The handsome young man felt that this futility typified his existence.
(p13.)
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Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
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Almost unconsciously, his gaze shifted across the immense ballroom to fasten on the girl, inexorably pulled to her like metal filings to a magnet. He could barely make her out since she was surrounded by her usual jostling court of ardent admirers, most of them titled, wealthy, and considerably handsomer than Nigel. If he was honest with himself, he’d have to admit that obsession would be the most accurate description of his feelings, and he hadn’t the slightest notion as to when or how that obsession had developed. However it had happened, over the last several months a ridiculous amount of space in his skull had been taken up by thoughts of lovely Amelia Easton. Fortunately, until now, none of his acquaintances had suspected that he—the most sensible man in the ton—had succumbed to such a maudlin, hopeless passion. A hopeless passion, since Amelia Easton would no sooner marry a man like Nigel than she would a butcher from Smithfield. After all, she was widely acknowledged as one of the great prizes on the matrimonial mart—beautiful, kind, good-natured, and disgustingly rich, or at least her father was. It was a most potent combination, and meant that the girl couldn’t step foot outside her family’s Mayfair townhouse without a pack of slavering bachelors in pursuit. “How
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Anna Campbell (A Grosvenor Square Christmas)
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Spies come in many shapes. Some are motivated by ideology, politics or patriotism. A surprising number act out of avarice, for the financial rewards, can be alluring. Others find themselves drawn into espionage by sex, blackmail, arrogance, revenge, disappointment, or the peculiar oneupmanship and comradeship that secrecy confers.
Some are principled and brave. Some are grasping and cowardly. Pavel Sudoplatov, one of Stalin's spymasters, had this advice for his officers seeking to recruit spies in western countries: 'search for people who are hurt by fate or nature - the ugly, those suffering from an inferiority complex, craving power and influence but defeated by unfavourable circumstances... in cooperation with us, all these find a particular compensation. The sense of belonging to an influential and powerful origination will give them a feeling of superiority over the handsome and prosperous people around them.'... Espionage attracts more than its share of the damaged, the lonely and the plain weird. But all spies crave undetected influence, that secret compensation: the ruthless exercise of private power. A degree of intellectual snobbery is common to most, the secret sense of knowing important things unknown to the person standing next to you at the bus stop. In part, spying is an act of the imagination.
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Ben Macintyre (The Spy and the Traitor: The Greatest Espionage Story of the Cold War)
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From Nowhere On The Map, Lana's plaything.
Maggie chuckled, it had not occurred to her before now. True, she had drawn an assumption about Lana when the woman initially never called or visited. This impression certainly did not improved when she finally met her. Then there was the girl’s pole dancing moves last night that did nothing to endear her. However, Jon brought the picture into focus for her. She could not believe he had not guessed at the woman’s motives before now.
“Jon, really you have no idea why?” Maggie decided to clue him in; “Jon, she keeps coming back because you're her sure thing.”
She allowed the words to sink in. She heard Jon repeat 'sure thing' as he wrangled with this and it’s association with him. Like a bell, she could almost hear the thought hit his brainpan.
“Oh hell, you really think so?”
Maggie laughed, poor City Cat, he was nothing but a big handsome sex toy to Lana. Maggie wanted to feel empathy for him but really, guys do this to girls all the time. She was impressed with Lana for having turned the tables on the boys.
“Well now that we have this settled, drink plenty of water and again don't toss your cookies on my stuff. I hope you feel better…about everything.”
Maggie had to add the last barb, she could not resist it was in her nature. Jon chuckled she was unsure but she swore he muttered something like ‘gee thanks’ adding he would talk to her later.
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Caroline Walken
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This Dr. Wilburforce was wonderful! He sounded as if he had had adolescent children. He said that adolescence was a difficult period but entirely normal and his sympathies were with the parents, not the adolescents. He said that there was entirely too much “understanding,” actually excusing of the adolescent, his lack of manners, selfishness, tantrums, and so on. He thought that the most intelligent approach to the problem was to understand that the adolescent, just by the nature of the beast, is going to chafe and rebel and he needs something specific to chafe and rebel against. Lay down strict rules of behavior and enforce them. Rebelling against nothing is very frustrating. Demand that the adolescent go along with the family routine. Do not allow him to keep the household in a continual uproar. …Instead of giving your child too much freedom, too much money, and all the responsibility for his actions, try giving him limited freedom and money, a strict code of behavior, and oceans and gallons and mountains of love. Not the deep-hidden-river I-bore-you-so-I-will-have-to-like-you type of love, but the visible, hug-and-kiss, lavish-compliment, interested-audience kind. Tell your adolescent he is brilliant, handsome, charming, witty, and lovable. Tell him every day. Tell him even when you are taking away the keys of the car and would like to kick him. Assure him and reassure him and re-reassure him. Love is the most important element in human relationships. You can never give a child too much love.
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Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
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The reflections of Sir Mulberry Hawk—if such a term can be applied to the thoughts of the systematic and calculating man of dissipation, whose joys, regrets, pains, and pleasures, are all of self, and who would seem to retain nothing of the intellectual faculty but the power to debase himself, and to degrade the very nature whose outward semblance he wears—the reflections of Sir Mulberry Hawk turned upon Kate Nickleby, and were, in brief, that she was undoubtedly handsome; that her coyness must be easily conquerable by a man of his address and experience, and that the pursuit was one which could not fail to redound to his credit, and greatly to enhance his reputation with the world. And lest this last consideration—no mean or secondary one with Sir Mulberry—should sound strangely in the ears of some, let it be remembered that most men live in a world of their own, and that in that limited circle alone are they ambitious for distinction and applause. Sir Mulberry’s world was peopled with profligates, and he acted accordingly. Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world; but there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.
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Charles Dickens (Nicholas Nickleby)
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I met [Martin] Amis once, after arriving too early for a party at a bar in Manhattan. He was smaller than I expected, with a tall, handsome head... He glanced at the Roth novel I had on me, When She Was Good. ‘He stumbled there’, he said. And then he proceeded to do what’s not really done anymore at literary parties, if it ever was, and intoned verbatim:
She was so deeply imbedded in my consciousness that for the first year of school I seem to have believed that each of my teachers was my mother in disguise. As soon as the last bell had sounded, I would rush off for home, wondering as I ran if I could possibly make it to our apartment before she had succeeded in transforming herself. Invariably she was already in the kitchen by the time I arrived, and setting out my milk and cookies. Instead of causing me to give up my delusions, however, the feat merely intensified my respect for her powers. And then it was always a relief not to have caught her between incarnations anyway – even if I never stopped trying; I knew that my father and sister were innocent of my mother’s real nature, and the burden of betrayal that I imagined would fall to me if I ever came upon her unawares was more than I wanted to bear at the age of five. I think I even feared that I might have to be done away with were I to catch sight of her flying in from school through the bedroom window, or making herself emerge, limb by limb, out of an invisible state and into her apron.
And it went on. He had the first few pages of Portnoy’s Complaint to hand like a hip flask.
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Thomas Meaney
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Hero might have enjoyed the evening spent at Almack's Assembly Rooms, but it had not been one of unmixed pleasure for her escort, while for one other person it had been an evening of almost unleavened annoyance. Miss Milborne, seeing the most ardent of her admirers enter the rooms with Hero on his arm, had suffered something in the nature of a shock. Never before had she seen George in attendance on any other lady than herself! When he came to Almack's it was to form one of her court; and when she did not dance with him he had a gratifying habit of leaning against the wall and watching her, instead of soliciting some other damsel to dance with him. Now, on the heels of the most obdurate quarrel they had had, here he was, looking perfectly cheerful, actually laughing at something Hero had said to him, his handsome head bent a little to catch her words. Hero, too, was in very good looks: in fact, Miss Milborne had not known that her little friend could appear to such advantage. She could never, of course, aspire to such beauty as belonged to the Incomparable, but Miss Milborne was no fool, and she was obliged to own that there was something particularly taking in the bride's smile and mischievous twinkle. Watching George, she came to the reluctant conclusion that he was fully sensible of his partner's charm. He had given his adored Isabella nothing more than a common bow upon catching sight of her, and it was plain that he meant to devote his evening to Hero. Miss Milborne could think of a dozen reasons to account for his gallanting Hero to the ball, but none of them satisfied her; nor could the distinguishing attention paid to her by her ducal admirer quite restore her spirits.
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Georgette Heyer (Friday's Child)
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Listen, Google,’ I will say, ‘both John and Paul are courting me. I like both of them, but in different ways, and it’s so hard to make up my mind. Given everything you know, what do you advise me to do?’ And Google will answer: ‘Well, I’ve known you from the day you were born. I have read all your emails, recorded all your phone calls, and know your favourite films, your DNA and the entire biometric history of your heart. I have exact data about each date you went on and, if you want, I can show you second-by-second graphs of your heart rate, blood pressure and sugar levels whenever you went on a date with John or Paul. If necessary, I can even provide you with an accurate mathematical ranking of every sexual encounter you had with either of them. And naturally, I know them as well as I know you. Based on all this information, on my superb algorithms, and on decades’ worth of statistics about millions of relationships –I advise you to go with John, with an 87 per cent probability that you will be more satisfied with him in the long run. ‘Indeed, I know you so well that I also know you don’t like this answer. Paul is much more handsome than John, and because you give external appearances too much weight, you secretly wanted me to say “Paul”. Looks matter, of course; but not as much as you think. Your biochemical algorithms –which evolved tens of thousands of years ago on the African savannah –give looks a weight of 35 per cent in their overall rating of potential mates. My algorithms –which are based on the most up-to-date studies and statistics –say that looks have only a 14 per cent impact on the long-term success of romantic relationships. So, even though I took Paul’s looks into account, I still tell you that you would be better off with John.
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Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
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The President is the King's father. He is an erect, strongly built, massive featured, white-haired, tawny old gentleman of eighty years of age or thereabouts. He was simply but well dressed, in a blue cloth coat and white vest, and white pantaloons, without spot, dust or blemish upon them. He bears himself with a calm, stately dignity, and is a man of noble presence. He was a young man and a distinguished warrior under that terrific fighter, Kamehameha I., more than half a century ago. A knowledge of his career suggested some such thought as this: "This man, naked as the day he was born, and war-club and spear in hand, has charged at the head of a horde of savages against other hordes of savages more than a generation and a half ago, and reveled in slaughter and carnage; has worshipped wooden images on his devout knees; has seen hundreds of his race offered up in heathen temples as sacrifices to wooden idols, at a time when no missionary's foot had ever pressed this soil, and he had never heard of the white man's God; has believed his enemy could secretly pray him to death; has seen the day, in his childhood, when it was a crime punishable by death for a man to eat with his wife, or for a plebeian to let his shadow fall upon the King—and now look at him; an educated Christian; neatly and handsomely dressed; a high-minded, elegant gentleman; a traveler, in some degree, and one who has been the honored guest of royalty in Europe; a man practiced in holding the reins of an enlightened government, and well versed in the politics of his country and in general, practical information. Look at him, sitting there presiding over the deliberations of a legislative body, among whom are white men—a grave, dignified, statesmanlike personage, and as seemingly natural and fitted to the place as if he had been born in it and had never been out of it in his life time. How the experiences of this old man's eventful life shame the cheap inventions of romance!
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Mark Twain (Roughing It)
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It is strange how this fails to annoy me, although as a rule I am sensitive to bad manners. It is just that occasionally, very occasionally, one meets someone who is so markedly a contrast with the general run of people that one’s instinctive reaction is one of admiration, indulgence, and, no doubt, if one is not very careful indeed, of supplication. I am not arguing the rights and wrongs of this: I am simply stating the facts as they appear to me. And not only to me, for I have noticed that extremely handsome men and extremely beautiful women exercise a power over others which they themselves have no need, or indeed no time, to analyse. People like Nick attract admirers, adherents, followers. They also attract people like me: observers. One is never totally at ease with such people, for they are like sovereigns and one’s duty is to divert them. Matters like worth or merit rarely receive much of their attention, for, with the power of choice which their looks bestow on them, they can change their minds when they care to do so. Because of their great range of possibilities, their attention span is very limited. And their beauty has accustomed them to continuous gratification.
I find such people – and I have met one or two – quite fascinating. I find myself respecting them, as I would respect some natural phenomenon: a rainbow, a mountain, a sunset. I recognize that they might have no intrinsic merit, and yet I will find myself trying to please them, to attract their attention. ‘Look at me,’ I want to say. ‘Look at me.’ And I am also intrigued by their destinies, which could, or should, be marvelous. I will exert myself for such people, and I will miss them when they leave. I will always want to know about them, for I tend to be in love with their entire lives. That is a measure of the power they exert. That is why I join Nick in a smile of complicity when he spares himself the boredom of a conversation with Dr. Simek. It is a kind of law, I suppose.
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Anita Brookner (Look at Me)
“
...and the handsome jester, Devil’s Gold, is shaking his bead-covered rattle, making medicine and calling us by name. We are so tired from our long walk that we cannot but admire his gilded face and his yellow magic blanket. And, holding each other’s hands like lovers, we stoop and admire ourselves in the golden pool that flickers in the great campfire he has impudently built at the crossing of two streets in Heaven.
But we do not step into the pool as beforetime. Our boat is beside us, it has overtaken us like some faithful tame giant swan, and Avanel whispers: “Take us where The Golden Book was written.” And thus we are up and away. The boat carries us deeper, down the valley. We find the cell of Hunter Kelly,— . St. Scribe of the Shrines. Only his handiwork remains to testify of him. Upon the walls of his cell he has painted many an illumination he afterward painted on The Golden Book margins and, in a loose pile of old torn and unbound pages, the first draft of many a familiar text is to be found. His dried paint jars are there and his ink and on the wall hangs the empty leather sack of Johnny Appleseed, from which came the first sowing of all the Amaranths of our little city, and the Amaranth that led us here.
And Avanel whispers:—“I ask my heart: —Where is Hunter Kelly, and my heart speaks to me as though commanded: ‘The Hunter is again pioneering for our little city in the little earth. He is reborn as the humblest acolyte of the Cathedral, a child that sings tonight with the star chimes, a red-cheeked boy, who shoes horses at the old forge of the Iron Gentleman. Let us also return’.”
It is eight o’clock in the evening, at Fifth and Monroe. It is Saturday night, and the crowd is pouring toward The Majestic, and Chatterton’s, and The Vaudette, and The Princess and The Gaiety.
It is a lovely, starry evening, in the spring. The newsboys are bawling away, and I buy an Illinois State Register. It is dated March 1, 1920.
Avanel of Springfield is one hundred years away.
The Register has much news of a passing nature. I am the most interested in the weather report, that tomorrow will be fair.
THE END - Written in Washington Park Pavilion, Springfield, Illinois.
”
”
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
“
Raven paced restlessly across the floor of the cabin, sending Jacques a little self-mocking smile. “I’m very good at waiting.”
“I can see that,” Jacques agreed dryly.
“Come on, Jacques”— Raven made the length of the room again, turned to face him—“ don’t you find this even a little bit nerve-racking?” He leaned lazily back in his chair, flashing a cocky grin.
“Being caged up with a beautiful lunatic, you mean?”
“Ha, ha, ha. Do all Carpathian males think they’re stand-up comedians?”
“Just those of us with sisters-in-law who bounce off walls. I feel like I am watching a Ping-Pong ball. Settle down.”
“Well, how long does something like this take? I thought he implied he’d be in and out of the hospital in two minutes, Jacques. What could have gone wrong? Mikhail was very upset.”
“Mikhail did not actually say anything went wrong, did he?” Jacques asked, blankly innocent.
Raven’s large blue-violet eyes settled on Jacques’s face thoughtfully. Jacques squirmed under her suspicious, steady gaze. There was far too much intelligence in her enormous eyes to suit him. He held up a placating hand. “Now, Raven.”
“Don’t you now-Raven me. That brother of yours, worm that he is, male chauvinist unequaled in modern times, told you something he didn’t tell me, didn’t he?”
Leaning back with studied casualness, Jacques tipped his chair to a precarious angle and raised an eyebrow. “Women have vivid imaginations. I think you have a suspicious nature due to your American upbringing.”
“Intellect, Jacques, not imagination,” she corrected sweetly. “My American upbringing made me incredibly intelligent, and believe me, I can spot one of your pathetic Carpathian plots to protect the helpless woman from information you consider would make her fragile little delicate self unnecessarily fearful.”
He grinned at her. “Carpathian males understand the fragile nature of women’s nerves. Women— especially American women— just cannot take the adversity that we men can.”
“I think I should have enjoyed meeting your mother. How a woman could manage to raise two domineering tyrants like you and Mikhail is beyond me.”
His dark eyes laughed at her. “But we are charismatic, sexy, handsome, and always right.”
Raven hooked her foot around his chair and sent him crashing to the floor. Hands on hips, she regarded him with a superior glint. “Carpathian men are vain, dear brother-in-law,” she proclaimed, “but not too bright.”
Jacques glared up at her with mock ferocity. “You have a mean streak in you, woman. Whatever happened to a soft, sweet, Yes, my lord, you’re always right?”
“Try the Dark Ages.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
”
”
Charlotte Brontë (Villette)