Nathanael West Quotes

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Numbers constitute the only universal language.
Nathanael West
Only those who still have hope can benefit from tears.
Nathanael West (The Day of the Locust)
He read it for the same reason an animal tears at a wounded foot: to hurt the pain.
Nathanael West (Miss Lonelyhearts)
He's an escapist. He wants to cultivate his interior garden.
Nathanael West (Miss Lonelyhearts)
Art Is a Way Out. Do not let life overwhelm you. When the old paths are choked with the débris of failure, look for newer and fresher paths. Art is just such a path. Art is distilled from suffering.
Nathanael West (Miss Lonelyhearts)
Only those who still have hope can benefit from tears. When they finish, they feel better. But to those without hope, whose anguish is basic and permanent, no good comes from crying. Nothing changes for them. They usually know this, but still can’t help crying.
Nathanael West (The Day of the Locust)
Her sureness was based on the power to limit experience arbitrarily. Moreover, his confusion was significant, whereas her order was not.
Nathanael West (Miss Lonelyhearts)
It is hard to laugh at the need for beauty and romance, no matter how tasteless, even horrible, the results of that need are. But it is easy to sigh. Few things are sadder than the truly monstrous.
Nathanael West
At college, and perhaps for a year afterwards, they had believed in literature, had believed in Beauty and in personal expression as an absolute end. When they lost this belief, they lost everything.
Nathanael West (Miss Lonelyhearts / A Cool Million)
Let him ride a horse. He's a cowboy ain't he?
Nathanael West (The Day of the Locust)
The sun is a joke.
Nathanael West (The Day of the Locust)
Feeling is of the heart and nerves and the crudeness of its expression has nothing to do with its intensity.
Nathanael West
He felt as though his heart were a bomb, a complicated bomb that would result in a simple explosion, wrecking the world without rocking it.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
He smoked a cigarette, standing in the dark and listening to her undress. She made sea sounds; something flapped like a sail; there was the creak of ropes; then he heard the wave-against-a-wharf smack of rubber on flesh. Her call for him to hurry was a sea-moan, and when he lay beside her, she heaved, tidal, moon-driven.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies.
Nathanael West (The Day of the Locust)
Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West (The Day of the Locust)
Being with her was like being backstage during an amateurish, ridiculous play.
Nathanael West (The Day of the Locust)
No dream ever entirely disappears. Somewhere it troubles some unfortunate person and some day, when that person has been sufficiently troubled, it will be reproduced on the lot.
Nathanael West (Miss Lonelyhearts)
It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination. The city burning is Los Angeles's deepest image of itself; Nathanael West perceived that, in The Day of the Locust; and at the time of the 1965 Watts riots what struck the imagination most indelibly were the fires. For days one could drive the Harbor Freeway and see the city on fire, just as we had always known it would be in the end. Los Angeles weather is the weather of catastrophe, of apocalypse, and, just as the reliably long and bitter winters of New England determine the way life is lived there, so the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.
Joan Didion (Slouching Towards Bethlehem)
She wasn’t hard-boiled. It was just that she put love on a special plane, where a man without money or looks couldn’t move.
Nathanael West (The Day of the Locust)
...all these things were part of the business of dreams. He had learned not to laugh at the advertisements offering to teach writing, cartooning, engineering, to add inches to the biceps and to develop the bust
Nathanael West (Miss Lonelyhearts / A Cool Million)
Like a dead man, only friction could make him warm or violence make him mobile.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
He thought of how calm he was. His calm was so perfect that he could not destroy it even by being conscious of it.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
Humanity...I'm a humanity lover. All the broken bastards...
Nathanael West (Miss Lonelyhearts)
what goes on in the sea is of no interest to the rock
Nathanael West (Miss Lonelyhearts)
They haven’t the mental equipment for leisure.
Nathanael West
Crowds of people moved through the streets with a dream-like violence.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
Betty took him for a walk in the zoo and he was amused by her evident belief in the curative power of animals. She seemed to think that it must steady him to look at a buffalo.
Nathanael West (Miss Lonelyhearts / A Cool Million)
You once said to me that I talk like a man in a book. I not only talk, but think and feel like one. I have spent my life in books; literature has deeply dyed my brain its own colour. This literary colouring is a protective one--like the brown of the rabbit or the checks of the quail--making it impossible for me to tell where literature ends and I begin.
Nathanael West (The Dream Life of Balso Snell)
He was giving birth to groups of words.
Nathanael West (Miss Lonelyhearts)
I'm going to be a star some day," she announced as though daring him to contradict her. "I'm sure you..." "It's my life. It's the only thing in the whole world that I want." "It's good to know what you want. I used to be a bookkeeper in a hotel, but..." "If I'm not, I'll commit suicide.
Nathanael West (The Day of the Locust)
It is hard to laugh at the need for beauty and romance, no matter how tasteless, even horrible, the results of that are. But it is easy to sigh. Few things are sadder than the truly monstrous.
Nathanael West (The Day of the Locust)
Every child, everywhere; in the whole world there was not one child who was not gravely, sweetly dancing.
Nathanael West (Miss Lonelyhearts)
It's solitary drinking that makes drunkards.
Nathanael West (Miss Lonelyhearts)
He Sat in the window thinking. Man has a tropism for order. Keys in one pocket, change in the other. Mandolins are tuned G D A E. The physical world has a tropism for disorder, entropy. Man against Nature...the battle of the centuries. Keys yearn to mix with change. Mandolins strive to get out of tune. Every order has within it the germ of destruction. All order is doomed, yet the battle is worth wile.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
The way to be gay is to make other people gay," Miss Lonelyhearts said. "Sleep with me and I'll be one gay dog.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
He did not feel guilty. He did not feel. The rock was a solidification of his feeling, his conscience, his sense of reality, his self-knowledge.
Nathanael West (Miss Lonelyhearts)
Art Is One if Life's Richest Offerings. For those who have not the talent to create, there is appreciation.
Nathanael West (Miss Lonelyhearts)
Love a man even in his sin, for that is the semblance of Divine Love and is the highest love on eath. Love all God's creation, the whole and every grain of sand in it. Love the animals, love the plants, love everything. If you love everything, you will percieve the divine mystery in things. Once you percieve it, you will begin to comprehend it better every day. And you will come at last to love the whole world with an all-embracing love.
Nathanael West (Miss Lonelyhearts)
But the romantic atmosphere only heightened his feeling of icy fatness.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
We must take the long view—every defeat is a victory in a war of attrition.
Nathanael West
A button machine makes buttons, no matter what the power used, foot, steam or electricity. They, no matter what the motivating force, death, love or God, made jokes.
Nathanael West (Miss Lonelyhearts: Or the Dismantling of Lemuel Pitkin)
His mouth formed an O with lips torn angry in laying duck's eggs from a chicken's rectum.
Nathanael West (The Dream Life of Balso Snell)
He knew now what this thing was — hysteria, a snake whose scales are tiny mirrors in which the dead world takes on a semblance of life. And how dead the world is . . . a world of doorknobs. He wondered if hysteria were really too steep a price to pay for bringing it to life.
Nathanael West (Miss Lonelyhearts)
You dedicate your life to the pursuit of pleasure. No over-indulgence, mind you, but knowing that your body is apleasure machine, you treat it carefully in order to get the most out of it.
Nathanael West (Miss Lonelyhearts)
Once he had tried to get fired by recommending suicide in his column. All that Shrike had said was : "Remember, please, that you job is to increase the circulation of our paper. Suicide, it is only reasonable to think, must defeat this purpose".
Nathanael West (Miss Lonelyhearts)
His heart was a rose and in his skull another rose bloomed. The room was full of grace. A sweet, clean grace, not washed clean, but clean as the innersides of the inner petals of a newly forced rosebud.
Nathanael West (Miss Lonelyhearts)
Few things are sadder than the truly monstrous.
Nathanael West (The Day of the Locust)
As he stood smiling, a little wave crept up out of the general welter and splashed at his feet for attention. It was Betty.
Nathanael West (Miss Lonelyhearts)
If you're not very busy, a grown man in the uniform of a Western Union boy should make you feel a little sick.
Nathanael West
He felt like a bottle that is being slowly filled with warm, dirty warter.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
In the king’s bed is always found, just before it becomes a museum piece, the droppings of the black sheep.
Nathanael West
It seems to me that someone must surely take the hint and write the life of Miss McGeeney, the woman who wrote the biography of the man who wrote the biography of the man who wrote the biography of the man who wrote the biography of Boswell.
Nathanael West (The Dream Life of Balso Snell)
But whether he was happy or not it is hard to say. Probably he was neither, just as a plant is neither. He had memories to disturb him and a plant hasn't, but after the first bad night his memories were quiet.
Nathanael West (The Day of the Locust)
Americans have dissipated their racial energy in an orgy of stone-breaking. In their few years they have broken more stones than did centuries of Egyptians, and they have done their work hysterically, desperately, almost as if they knew that the stones would some day break them.
Nathanael West (Miss Lonelyhearts / A Cool Million)
But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul.
Nathanael West (Miss Lonelyhearts)
What a perfect escape the return to the womb was. Better by far than Religion or Art or the South Sea Islands. It was so snug and warm there, and the feeding was automatic.
Nathanael West (The Day of the Locust)
...better a live bird in the jungle of the body than two stuffed birds on the library table.
Nathanael West
Love is but a flitting shadow, a lure, a gimcrack, a kickshaw.
Nathanael West
All order is doomed, yet the battle is worth while.
Nathanael West (Miss Lonelyhearts / The Day of the Locust)
Every order has within it the germ of destruction. All order is doomed, yet the battle is worth while.
Nathanael West (Miss Lonelyhearts: Or the Dismantling of Lemuel Pitkin)
It was on this trip that Faye acquired a new suitor by the name of Homer Simpson.
Nathanael West (Miss. Lonelyhearts And The Day Of The Locust)
It was very sad under the trees. Although spring was well advanced, in the deep shade there was nothing but death-rotten leaves, gray and white fungi, and over everything a funeral hush.
Nathanael West
Instead of being distressed by the huge moral discrepancy between the myth of Hollywood and its current reality, most of them only saw what already had been fixed in their minds. It was absolutely eerie and sent me right back to The Day of the Locust. The point that Nathanael West made, of course, is that the masses ultimately want to kill and devour, to cannibalize their celebrity gods.
Jean Stein (West of Eden: An American Place)
Tod didn't laugh at the man's rhetoric. He knew it was unimportant. What mattered were his messianic rage and the emotional response of his hearers. They sprang to their feet, shaking their fists and shouting.
Nathanael West (The Day of the Locust)
These days every morning begins like a joke you think you have heard before, but there is no one telling it whom you can stop. One day it's about a cow who walks into a bar, then about a man with a big nose on his honeymoon, then about a kangaroo who walks into a bar. Each one takes up an entire day. The sun looks like a prank Nathanael West is pulling on the world; on the drive to work cars are swinging comically from lane to lane. The houses and lawns belong in cartoons. The hours collapse into one another's arms. The stories arc over noon and descend like slow ferris wheels into the haze of evening. You wish you could stop listening and get serious. Trouble is you cannot remember the punch line which never arrives till very late at night, just as you are reaching for the bedside lamp, just before you begin laughing in the dark.
Billy Collins (The Apple that Astonished Paris)
Being with her was like being backstage during an amateurish, ridiculous play. From in front, the stupid lines and grotesque situations would have made him squirm with annoyance, but because he saw the perspiring stagehands and the wires that held up the tawdry summerhouse with its tangle of paper flowers, he accepted everything and was anxious for it to succeed.
Nathanael West (The Day of the Locust)
Perhaps I can make you understand. Let’s start from the beginning. A man is hired to give advice to the readers of a newspaper. The job is a circulation stunt and the whole staff considers it a joke. He welcomes the job, for it might lead to a gossip column, and anyway he’s tired of being a leg man. He too considers the job a joke, but after several months at it, the joke begins to escape him. He sees that the majority of the letters are profoundly humble pleas for moral and spiritual advice, and they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examination shows him that he is the victim of the joke and not its perpetrator.
Nathanael West (Miss Lonelyhearts / A Cool Million)
As far as he could discover, there were no signs of spring. The decay that covered the surface of the mottled ground was not the kind in which life generates. Last year, he remembered, May had failed to quicken these soiled fields. It had taken all the brutality of July to torture a few green spikes through the exhausted dirt. What the little park needed, even more than he did, was a drink. Neither alcohol nor rain would do. Tomorrow, in his column, he would ask Broken-hearted, Sick-of-it-all, Desperate, Disillusioned-with-tubercular-husband and the rest of his correspondents to come here and water the soil with their tears. Flowers would then spring up, flowers that smelled of feet. "Ah, humanity..." But he was heavy with shadow and the joke went into a dying fall. He trist to break its fall by laughing at himself.
Nathanael West (Miss Lonelyhearts)
At the sight of their heroes and heroines, the crowd would turn demoniac. Some little gesture, either too pleasing or too offensive, would start it moving and then nothing but machine guns would stop it. Individually the purpose of its members might simply to be to get a souvenir, but collectively it would grab and rend.
Nathanael West (The Day of the Locust)
Furthermore, having lost faith in himself, he thought it his duty to undermine the nation's faith in itself.
Nathanael West (A Cool Million)
Along with “mon hysterie” I cultivated a “rotten, ripe maturity.” You understand what I mean: like Rimbaud, I practiced having hallucinations.
Nathanael West
It was a trapped bird, but the sound it made had no anxiety in it, only sadness, impersonal and without hope.
Nathanael West (The Day of the Locust)
He felt like an empty bottle that is being slowly filled with warm, dirty water.
Nathanael West (Miss Lonelyhearts)
Man has a tropism for order. Keys in one pocket, change in another.
Nathanael West (MISS LONELYHEARTS)
Americans have dissipated their radical energy in an orgy of stone breaking.
Nathanael West (MISS LONELYHEARTS)
Το πρόβλημα μ'αυτόν όπως και με όλους μας είναι πως απομακρυνθήκαμε από την πραγματικότητα και ζούμε κλεισμένοι, ο καθένας στο δικό του κόσμο, από ανάγκη.
Nathanael West (Miss Lonelyhearts)
He crossed the bridge and followed a little path that ended at a Greek temple dedicated to Eros. The god himself lay face downward in a pile of old newspapers and bottles. From
Nathanael West (The Day of the Locust)
Oh, Lord, we are not of those who wash in wine, water, urine, vinegar, fire, oil, bay rum, milk, brandy, or boric acid. Oh, Lord, we are of those who wash solely in the Blood of the Lamb.
Nathanael West (Miss Lonelyhearts)
Men have always fought their misery with dreams. Although dreams were once powerful, they have been made puerile by the movies, radio and newspapers. Among many betrayals, this is the worst.
Nathanael West (Miss Lonelyhearts)
He didn’t mean to be rude but at first glance this man seemed an exact model for the kind of person who comes to California to die, perfect in every detail down to fever eyes and unruly hands.
Nathanael West (The Day of the Locust)
He got out of bed in sections, like a poorly made automaton, and carried his hands into the bathroom. He turned on the cold water. When the basin was full, he plunged his hands in up to the wrists. They lay quietly on the bottom like a pair of strange aquatic animals. When they were thoroughly chilled and began to crawl about, he lifted them out and hid them in a towel. He was cold. He ran hot water into the tub and began to undress, fumbling with the buttons of his clothing as though he were undressing a stranger. He was naked before the tub was full enough to get in and he sat down on a stool to wait. He kept his enormous hands folded quietly on his belly. Although absolutely still, they seemed curbed rather than resting.
Nathanael West (The Day Of The Locust)
„Biću zvezda jednog dana,” izjavila je kao da ga izaziva da joj protivreči. „Siguran sam...” „To je moj život. To je jedina stvar na svetu koju želim.” „Dobro je znati šta želiš. Ja sam bio knjigovođa u hotelu, ali...” „Ako ne bude tako, izvršiću samoubistvo.
Nathanael West (The Day of the Locust)
He sees that the majority of letters are profoundly humble pleas fpr moral and spiritual advixe, that they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examinatin shows him that he is the victim of the joke and not the perpetator.
Nathanael West (Miss Lonelyhearts)
Perhaps I can make you understand. Let’s start from the beginning. A man is hired to give advice to the readers of a newspaper. The job is a circulation stunt and the whole staff considers it a joke. He welcomes the job, for it might lead to a gossip column, and anyway he’s tired of being a leg man. He too considers the job a joke, but after several months at it, the joke begins to escape him. He sees that the majority of the letters are profoundly humble pleas for moral and spiritual advice, that they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examination shows him that he is the victim of the joke and not its perpetrator.
Nathanael West (Miss Lonelyhearts & The Day of the Locust)
Except for his hands, which belonged on a piece of monumental sculpture, and his small head, he was well proportioned. His muscles were large and round and he had a full, heavy chest. Yet there was something wrong. For all his size and shape, he looked neither strong nor fertile. He was like one of Picasso’s great sterile athletes, who brood hopelessly on pink sand, staring at veined marble waves.
Nathanael West (The Day of the Locust)
Her invitation wasn’t to pleasure, but to struggle, hard and sharp, closer to murder than love. If you threw yourself on her, it would be like throwing yourself from the parapet of a skyscraper. You would do it with a scream. You couldn’t expect to rise again. Your teeth would be driven into your skull like nails into a pine board and your back would be broken. You wouldn’t even have time to sweat or close your eyes.
Nathanael West (The Day of the Locust)
Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can't titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing. Tod
Nathanael West (The Day of the Locust)
What a perfect escape the return to the womb was. Better by far than Religion or Art or the South Sea Islands. It was so snug and warm there, and the feeding was automatic. Everything perfect in that hotel. No wonder the memory of those accommodations lingered in the blood and nerves of everyone. It was dark, yes, but what a warm, rich darkness. The grave wasn’t in it. No wonder one fought so desperately against being evicted when the nine months’ lease was up.
Nathanael West (The Day of the Locust)
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges? Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash. Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
Nathanael West
Njihova dosada postaje užasavajuća. Shvataju da su prevareni i gore od prezira. Svakodnevno tokom svog života čitali su novine i gledali filmove. I jedno i drugo su ih hranili linčovanjima, ubistvima, seksualnim zločinima, eksplozijama, saobraćajnim nesrećama, ljubavnim gnezdima, požarima, čudima, revolucijama, ratovima. Zbog ovakvog režima ishrane postali su prefinjeni. Sunce je bilo loš vic. Pomorandže nisu mogle da uzbude njihova oguglala nepca. Nije bilo ničeg dovoljno nasilnog da ponovo zategne njihova oklembešena tela i umove. Bili su prevareni i izdani. Robovali su i štedeli ni za šta.
Nathanael West
Then I compared the wounds in Christ's body to the mouths of a miraculous purse in which we deposit the small change of our sins. It is indeed an excellent conceit. But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul. The Catholic hunts this bird with bread and wine, the Hebrew with a golden ruler, the Protestant on leaden feetwith leaden words, the Buddhist with gestures, the Negro with blood. I spit on them all. Phooh!And I call upon you to spit. Phooh! Do you stuff birds? No, my dears, taxidermy is not a religion. No! A thousand times no. Better, I say unto you, better a live bird in the jungle of the body than two stuffed birds on the library table.
Nathanael West (Miss Lonelyhearts)
Other wartime activities included designing a radio-controlled torpedo with actress Hedy Lamarr, with whom he shared the patent. He also syndicated a column of advice to the lovelorn, “Boy Advises Girl”. Some claim Antheil inspired Nathanael West’s novel Miss Lonely Hearts.
Robert R. Reilly (Surprised by Beauty: A Listener's Guide to the Recovery of Modern Music)
Nathanael West’s Day of the Locust.
Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
But Roosevelt was just as much a faker. He constructed his macho persona from the ground up. When he first entered public life at the age of twenty-three as a New York state assemblyman, he was a rich kid with soft hands, a squeaky voice, and clothes that were a little too fashionable for his own good. The newspapers gave him nicknames: “Jane-Dandy,” “our own Oscar Wilde,” and “Punkin-Lily.” He went west to shake this reputation. Viewed from this angle, Roosevelt’s entire life looks like one gigantic exercise in overcompensation.
Nathanael Johnson (Unseen City: The Majesty of Pigeons, the Discreet Charm of Snails & Other Wonders of the Urban Wilderness)
Then he had remembered Betty. She had often made him feel that when she straightened his tie, she straightened much more. And he had often thought that if he world were larger, were the world, she might order it as finely as the objects on her dressing table.
Nathanael West