β
I love the solitude of reading. I love the deep dive into someone else's story, the delicious ache of a last page.
β
β
Naomi Shihab Nye
β
I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.
β
β
Naomi Shihab Nye
β
The person you have known a long tme is embedded in you like a jewel. The person you have just met casts out a few glistening beams & you are fascinated to see more of them. How many more are there? With someone you've barely met the curiosity is intoxicating.
β
β
Naomi Shihab Nye
β
Being good felt like a heavy coat, so I took it off.
β
β
Naomi Shihab Nye
β
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
Because sometimes I live in a hurricane of words
and not one of them can save me.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
I Still Have Everything You Gave Me
It is dusty on the edges.
It is slightly rotten.
I guard it without thinking.
I focus on it once a year
when I shake it out in the wind.
I do not ache.
I would not trade.
β
β
Naomi Shihab Nye
β
Getting over what you did to me is not why I get out of bed anymore.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
I am looking for the human who admits his flaws
Who shocks the adversary
By being kinder not stronger
What would that be like?
We don't even know
β
β
Naomi Shihab Nye (Honeybee: Poems and Short Prose)
β
Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
you will never catch up.
Walk around feeling like a leaf
know you could tumble at any second.
Then decide what to do with your time.
--The Art of Disappearing
β
β
Naomi Shihab Nye (Salting the Ocean: 100 Poems by Young Poets)
β
Anyone who says, βHereβs my address,
write me a poem,β deserves something in reply.
So Iβll tell a secret instead:
poems hide. In the bottoms of our shoes,
they are sleeping. They are the shadows
drifting across our ceilings the moment
before we wake up. What we have to do
is live in a way that lets us find them.
β
β
Naomi Shihab Nye (Red Suitcase (American Poets Continuum))
β
Let me peer out at the world
through your lens. (Maybe I'll shudder,
or gasp, or tilt my head in a question.)
Let me see how your blue
is my turquoise and my orange
is your gold. Suddenly binary
stars, we have startling
gravity. Let's compare
scintillation - let's share
starlight.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
The Rider
A boy told me
if he roller-skated fast enough
his loneliness couldn't catch up to him,
the best reason I ever heard
for trying to be a champion.
What I wonder tonight
pedaling hard down King William Street
is if it translates to bicycles.
A victory! To leave your loneliness
panting behind you on some street corner
while you float free into a cloud of sudden azaleas,
pink petals that have never felt loneliness,
no matter how slowly they fell.
β
β
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
β
It was terrible when a single conversation with someone determined your whole future relationship.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Poetry [is] more necessary than ever as a fire to light our tongues.
β
β
Naomi Shihab Nye (Salting the Ocean: 100 Poems by Young Poets)
β
Mystery: Everything felt better before you got there than when you actually got there. When you actually got there, you didn't quite have the energy to be there.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
Before you know what kindness really is you must lose things, feel the future dissolve in a moment like salt in a weakened broth.
β
β
Naomi Shihab Nye
β
Maybe if we re-invent whatever our lives give us we find poems.
β
β
Naomi Shihab Nye (Red Suitcase (American Poets Continuum))
β
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
β
β
Naomi Shihab Nye (I Feel a Little Jumpy Around You : A Book of Her Poems & His Poems Collected in Pairs)
β
We start out as little bits of disconnected dust.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
If someday, in a morning, you see you,
in a mirror or the dent of a spoon, and wonder
Where is my soul and
Where has it gone, remember this:
Catch the gaze of a woman
on the metro, subway, tram.
Look at a man. Seek and
you will find you
in the silvered space,
a flash between souls.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
I'm writing mostly to thank you for living
you eighty years
and to tell you I love you
and think of you often.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
Today you will say things you can predict and other things you could never imagine this minute. Don't reject them, let them come through when they're ready, don't think you can plan it al out. This day will never, no matter how long you live, happen again. It is exquisitely singular. It will never again be exactly repeated.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
I want to be someone making music/with my coming.
β
β
Naomi Shihab Nye (A Maze Me: Poems for Girls)
β
Later our dreams begin catching fire around the edges, they burn like paper, we wake with our hands full of ash.
β
β
Naomi Shihab Nye
β
Maybe when your mother died young, you became instantly old.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
My mother used to tell me when I went somewhere, "Please leave your foolishness at home." But how could I do that? It was stuck on me.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
What would it be like to be a turtle inside a shell hit by hailstones?
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Most days weren't clear when you were in them.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Poetry calls us to pause. There is so much we overlook, while the abundance around us continues to shimmer, on its own.
β
β
Naomi Shihab Nye
β
I'm like the weather, never really can predict when this rain cloud's gonna burst; when it's the high or it's the low, when you might need a light jacket.
Sometimes I'm the slush that sticks to the bottom of your work pants, but I can easily be the melting snowflakes clinging to your long lashes.
I know that some people like:
sunny and seventy-five,
sunny and seventy-five,
sunny and seventy-five,
but you take me as I am and never
forget to pack an umbrella.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
We dropped our troubles into the lap of the storyteller, and they turned into someone else's.
β
β
Naomi Shihab Nye
β
maybe we try too hard to be remembered, waking to the glowing yellow disc in ignorance, swearing that today will be the day, today we will make
something of our lives. what if we are so busy searching for worth that we miss the sapphire sky and cackling blackbird. what else is missing?
maybe our steps are too straight and our paths too narrow and not overlapping. maybe when they overlap someone in another country lights a candle, a couple
resolves their argument, a young man puts down his silver gun and walks away.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
Every day is a poetry day.
β
β
Naomi Shihab Nye
β
Skin had hope, that's what skin does. Heals over the scarred place, makes a road.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
The days are nouns: touch them
The hands are churches that worship the world
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
Making a Fist
For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern
past the glass.
My stomach was a melon split wide inside my skin.
"How do you know if you are going to die?"
I begged my mother.
We had been traveling for days.
With strange confidence she answered,
"When you can no longer make a fist."
Years later I smile to think of that journey,
the borders we must cross separately,
stamped with our unanswerable woes.
I who did not die, who am still living,
still lying in the backseat behind all my questions,
clenching and opening one small hand.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
When they say Don't I know you? say no.
When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.
If they say we should get together.
say why? It's not that you don't love them any more.
You're trying to remember something
too important to forget.
Trees.
The monastery bell at twilight.
Tell them you have a new project.
It will never be finished. When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven't seen in ten years
appears at the door,
don't start singing him all your new songs.
You will never catch up.
Walk around feeling like a leaf. Know you could tumble any second.
Then decide what to do with your time.
β
β
Naomi Shihab Nye
β
I support all people on earth who have bodies like and unlike my body
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
The thousands small birds of January in their smooth soaring cloud finding the trees.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
Apparently people commonly died when their loved ones were out of the room. Bathroom break. Quick trip down to the cafeteria for a grilled cheese. It was easier to die if you didn't have family members to worry about at that exact moment.
Easier for the one who was dying, maybe.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Sometimes a bus ride was all it took to feel better.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
I think of a poem as being deeper than headline news.
β
β
Naomi Shihab Nye
β
I have slept so many times you might think I would really be awake by now
β
β
Naomi Shihab Nye (Honeybee)
β
You're just setting yourself up for pain and anguish if you do something like that."
But pain and anguish were everywhere anyway. Might as well put them to good use.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
from "Famous"
I want to be famous the in the way a pulley is famous,/or a buttonhole,not because it did anything spectacular,/but because it never forgot what it could do.
β
β
Naomi Shihab Nye
β
those whom we did not know think they know us now.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
Answer, if you hear the words under the words- otherwise it is just a world with a lot of rough edges, difficult to get through, and our pockets full of stones.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
I knew what slant of light would make you turn over. It was then I felt the highways slide out of my hands. I remembered the old men in the west side cafe, dealing dominoes like magical charms.
β
β
Naomi Shihab Nye
β
If you could be anyone, would you choose to be yourself?
β
β
Naomi Shihab Nye (Habibi)
β
Amal, you look stunned," said Mrs. Melchor. "Have you been struck by lightning between classes?"
"Yes," she said. "The lightning of ignorance."
Mrs. Melchor raised her eyebrows.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
I wondered stony afternoons owning all their vastness.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
In these evenings he sat by our beds weaving folktales like vivid little scarves.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
When allowed to return to the class, your feelings of humility and lonesomeness will render you a much finer student and person.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Are people the only holy land?
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
I do think that all of us think in poems. I think of a poem as being deeper than headline news. You know how they talk about breaking news all the time, that -- if too much breaking news, trying to absorb all the breaking news, you start feeling really broken. And you need something that takes you to a place that's a little more timeless, that kind of gives you a place to stand to look out at all these things. Otherwise, you just feel assaulted by all of the tragedy in the world.
β
β
Naomi Shihab Nye
β
We walked where the ancient pier juts into the sea.
Stood on the rim of the pool, by the circle
of black boulders. No one saw we were there
and everyone who had ever been there
stood silently in air.
Where else do we ever have to go, and why?
β
β
Naomi Shihab Nye (You & Yours)
β
like our parents always
told us not to like
firefighters warn against
we're playing
games and making
the rules up
as we go we're
matching
warmth to warmth
starting fires burning
wishes into our
skin we're hidden
holding
forbidden lights
we're children
whose fathers have
never taught never
touch
but we're finding
these new flames
we smother
at the sound of footsteps.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
When they invite you to the party
Remember what parties are like
Before answering.
β
β
Naomi Shihab Nye
β
Iβm still the kid dreaming of the lives sheβll never have but guess what? Maybe she doesnβt want them.
β
β
Naomi Shihab Nye (Honeybee)
β
So ask yourself, you swirling tornado of a human being, in a world of disoriented honeybees, do you want to look locked out the minute you sit down?
β
β
Naomi Shihab Nye (Honeybee)
β
For you who came so far; for you who held out, wearing a black scarf to signify grief; for you who believe true love can find you amidst this atlas of tears linking one town to its own memory of mortar, when it was still a dream to be built and people moved there, believing, and someone with sky and birds in his heart said this would be a good place for a park.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
Why should it be any surprise that people find solace in the most intimate literary genre? Poetry slows us down, cherishes small details. A large disaster erases those details. We need poetry for nourishment and for noticing, for the way language and imagery reach comfortably into experience, holding and connecting it more successfully than any news channel we could name.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
the years go by, we find our doors and windows. Some are always open, some never were.
β
β
Naomi Shihab Nye (Transfer (American Poets Continuum Book 128))
β
Maybe we should just wander around other countries carrying books.
β
β
Naomi Shihab Nye (Honeybee)
β
Iβm the sea, Iβm not afraid of the storm. The seaβs dream is always turbulence. If I donβt have waves and storms, I wonβt be the sea anymore. Iβll be the pondβ and stinking.
β
β
Naomi Shihab Nye (The Flag of Childhood: Poems From the Middle East)
β
Only in words on a page can it still be yesterday.
β
β
Naomi Shihab Nye (Honeybee)
β
I was a fool, and I will always be a fool, and there will never, never, be a last day of school.
β
β
Naomi Shihab Nye (Honeybee)
β
our limbs which had already traveled far beyond her world, carrying the click of distances in the smooth, untroubled soles of their shoes.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
why are we so monumentally slow?
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
the long sorrow of the color red.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
You will no longer pick this sage that flavors your whole life.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
what twists or rage greater than we could ever guess had savaged skylines, thousands of lives?
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
Because Ali did not want to see the deep pools of his kind teacher's eyes and fall into them. He didn't know how to swim.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
But I know we need to keep warm here on earth
And when your shawl is as thin as mine is, you tell stories.
β
β
Naomi Shihab Nye (Red Suitcase (American Poets Continuum))
β
You Have to Be Very Carefulβ
You have to be careful telling things.
Some ears are tunnels.
Your words will go in and get lost in the dark.
Some ears are flat pans like the miners used
looking for gold.
What you say will be washed out with the stones.
You look for a long time till you find the right ears.
Till then, there are birds and lamps to be spoken to,
a patient cloth rubbing shine in circles,
and the slow, gradually growing possibility
that when you find such ears
they already know.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
To know the difference,
you must run this mountain without pause. In the evening or the afternoon, you must cross the first fields waking
to your footsteps, stormwashed at the foothills.
In the evening or the afternoon, in the closing of a shadowline, you must read aloud the reddened last words of this canyon's leaves to the trees that clap their hands.
β
β
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
β
A true Arab knows how to catch a fly in his hands,β
my father would say. And heβd prove it,
cupping the buzzer instantly
while the host with the swatter stared.
In the spring our palms peeled like snakes.
True Arabs believed watermelon could heal fifty ways.
I changed these to fit the occasion.
Years before, a girl knocked,
wanted to see the Arab.
I said we didnβt have one.
After that, my father told me who he was,
βShihabβββshooting starββ
a good name, borrowed from the sky.
Once I said, βWhen we die, we give it back?β
He said thatβs what a true Arab would say.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
β
Boy and Egg
Every few minutes, he wants
to march the trail of flattened rye grass
back to the house of muttering
hens. He too could make
a bed in hay. Yesterday the egg so fresh
it felt hot in his hand and he pressed it
to his ear while the other children
laughed and ran with a ball, leaving him,
so little yet, too forgetful in games,
ready to cry if the ball brushed him,
riveted to the secret of birds
caught up inside his fist,
not ready to give it over
to the refrigerator
or the rest of the day.
β
β
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
β
Remembering your mistakes more acutely than any minor success. This was the worst. The things that kept you up at night. Tip a waiter that was too small. The words that didn't fit the moment. Words that didn't come till to late. You could kill yourself in increments, punishing your spirit day after day-regret. Guilt. Not the guilt of the little girl who woke in the night embarrassed God was mad at her because she had ticked balls under her shirt, pretending to have breasts. "I even felt sexy." That was sweet, and pure, no crime at all. But the crime of obsessive replay-get rid of it, get rid of it. Who could ever have known that hardest punishments would be the ones you gave yourself?
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
β
β
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
β
Or maybe his reclusiveness was a decisive marketing strategy-if you disappear, people are more interested in your work. You become a legend while you're still alive. Crouching behind a stonewall, or the post under a house...people are kneeling down to find you.
β
β
Naomi Shihab Nye (There Is No Long Distance Now)
β
Poetry, the most intimate form of expression, gives us a deeper sense of reality than headlines and news stories ever could.
β
β
Naomi Shihab Nye (The Flag of Childhood: Poems From the Middle East)
β
It is difficult to predict what our finest moments will be, but we know when they happen.
β
β
Naomi Shihab Nye (Honeybee)
β
Heβs mourning his son, number 3000 American dead in Iraq, but as far as he can feel, the worst one.
β
β
Naomi Shihab Nye (Honeybee)
β
No one lives in these regions
of rock and sun.
It is a lucky part of the world;
to grow old without buildings
and roadways,
to dissolve quietly
without feeling stunned.
β
β
Naomi Shihab Nye (Red Suitcase (American Poets Continuum))
β
I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.
β
β
Naomi Shihab Nye
β
Fresh as a new notebook β that's how anyone wanted to live.
Hopeful as a pencil sharpened,
clear as one beam of light landing on the table's far side.
β
β
Naomi Shihab Nye (The Tiny Journalist)
β
Maybe itβs our duty to be shaped a hundred times by the same stories. We think weβre telling them but really theyβre keeping us alive,
β
β
Naomi Shihab Nye (Transfer (American Poets Continuum Book 128))
β
But we love you,β my parents said. βWe love you very much.β I know, but they loved me as a girl. The boy within me was stuck with me. Not till much later did I find out that the boy within was really a girl.
β
β
Naomi Shihab Nye (The Flag of Childhood: Poems From the Middle East)
β
To forgive ourselves for what we didn't do
Replay a scene over and over in mind
Change it change
Apologizing to our own story handful of soil
I could have planted something better here
To walk without remembering another walk
To wash off the hoped of a darkened day
Make a new one
β
β
Naomi Shihab Nye (The Tiny Journalist)
β
All our roots go deep down, even if theyβre tangled
β
β
Naomi Shihab Nye (Habibi)
β
Grief is an ambush. Youβre walking along feeling fine, look down, see a leaf, and begin to weep. βJack
β
β
Naomi Shihab Nye (Transfer (American Poets Continuum Book 128))
β
Each morning he begs his parents not to read the newspaper, knowing how their faces go half-blank and mad,
β
β
Naomi Shihab Nye (Travel Alarm)
β
Work on what you love, your needs will be met. Β No
β
β
Naomi Shihab Nye (Transfer (American Poets Continuum Book 128))
β
From "Why I could not accept your invitation"
Forgive me. Culture is everything
right now. But I cannot pretend
a scrap of investment in the language
that allows human beings to kill one another
systematically, abstractly, distantly.
The language wrapped around 37,000,
or whatever the number is today,
dead and beautiful bodies thrown into holes
without any tiny, reasonable goodbye.
β
β
Naomi Shihab Nye (You & Yours)
β
This is one of the many things Americans donβt understand about Iraq. Kill a member of the tribe, the whole tribe now hates you. How could they not? The Americans think they hate you today, thank you tomorrow.
β
β
Naomi Shihab Nye (Transfer (American Poets Continuum Book 128))
β
Red Brocade"
The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where heβs come from,
where heβs headed.
That way, heβll have strength
enough to answer.
Or, by then youβll be
such good friends
you donβt care.
Letβs go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.
No, I was not busy when you came!
I was not preparing to be busy.
Thatβs the armor everyone put on
to pretend they had a purpose
in the world.
I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.
β
β
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)