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The business of the novelist is not to relate great events, but to make small ones interesting.
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Arthur Schopenhauer (The Works of Schopenhauer: The Wisdom of Life and Other Essays)
“
But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else.
Wash the car, maybe.
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Stephen King (On Writing: A Memoir of the Craft)
“
At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was.
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Stephen King (On Writing: A Memoir of the Craft)
“
Their progeny has blossomed into adulthood
they’ve left the haven of the nest
bound to their mates
busy crafting a new abode afar.
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Sanu Sharma
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
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Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
The board, in collaboration with management, crafts a strategic roadmap that defines the specific steps required to achieve the vision. This roadmap translates the company's "why" and "when" into a practical "how," outlining key milestones, resource allocation, and performance metrics.
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Hendrith Vanlon Smith Jr. (Board Room Blitz: Mastering the Art of Corporate Governance)
“
...in the business of writing what one accumulates is not expertise but uncertainties. Which is but another name for craft.
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Joseph Brodsky (Less Than One: Selected Essays (FSG Classics))
“
The world is a busy place filled with many busy businesses, both the Godly and the ungodly. It means before you go on to accept any activity or event that comes into the world, you must weigh its Values, examine the Virtues, listen to Views and then you give your Verdict. Satan is not wise; he is just crafty!
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Israelmore Ayivor
“
I am forever an advocate of books, both the reading of them and the writing. There is something sacred to me in that community. Because writing--and reading--is a solitary business. And it’s good to know I’m not alone.
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Shannon Celebi
“
Coffee, my delight of the morning; yoga, my delight of the noon. Then before nightfall, I run along the pleasant paths of the Jardin du Luxembourg. For when air cycles through the lungs, and the body is busy at noble tasks, creativity flows like water in a stream: the artist creates, the writer writes.
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”
Roman Payne
“
The word pneuma (breath) shares its origins with the word psyche; they are both considered words for soul. So when there is song in a tale or mythos, we know that the gods are being called upon to breathe their wisdom and power into the matter at hand. We know then that the forces are at work in the spirit world, busy crafting soul.
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”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Champions realise that defeat - and learning from it even more than from winning - is part of the path to mastery.
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Rasheed Ogunlaru
“
Crafting a brain requires reflection strategic thinking and self-awareness.
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”
Areva Martin (Make It Rain!: How to Use the Media to Revolutionize Your Business & Brand)
“
I think business networking is a complete waste of time. And I know there are people and companies popularizing this concept because it serves them and their business model well, but the reality is if you’re building something interesting, you will always have more people who will want to know you. Trying to build business relationships well in advance of doing business is a complete waste of time. I have a much more comfortable philosophy: “Be a maker who makes something interesting people want. Show your craft, practice your craft, and the right people will eventually find you.
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Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
“
Dreaming isn't bad for you but not doing anything to craft your dream is.
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”
Mohith Agadi
“
Any divinity that can't see me as a good witch in street clothes has no business hanging up a shingle as a god.
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”
Thomm Quackenbush (Pagan Standard Times: Essays on the Craft)
“
It was bad, but what in high school is not? At the time we're stuck in it, like hostages locked in a Turkish bath, high school seems like the most serious business in the world to just about all of us. It's not until the second or third class reunion that we start realizing how absurd the whole thing was.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Some moms are equipped by the hand of God to be “that mom.” They have been formed with the three-C gene — Cooking, Crafting, and Cleaning come easily and naturally to them. Others of us have been delightfully chosen to provide the comic relief necessary to keep this world entertained. And to keep future therapists in business.
”
”
Lysa TerKeurst (Unglued: Making Wise Choices in the Midst of Raw Emotions)
“
When you are calculating an hourly labor rate, add in an additional thirty percent to that rate cover employment taxes.
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”
James Dillehay (How to Price Crafts and Things You Make to Sell -- Formulas and Strategies for Arriving at Profitable Craft Prices for Selling Online or Off, Wholesale or Retail)
“
The greater the meaning behind your business, the harder it becomes to communicate it to the world.
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Gregory V. Diehl (Brand Identity Breakthrough: How to Craft Your Company's Unique Story to Make Your Products Irresistible)
“
Mastering the art of selling involves mastering the craft of providing your clients the education, products, services, and personal contact before, during and after the sale that they want, need and, more important, deserve. That’s how you succeed. That’s how you’ll not only survive and grow in this business, but will thrive, prosper, and achieve greatness through it.
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Tom Hopkins (How to Master the Art of Selling Financial Services)
“
Then said the giant, "Thou practices the craft of a kidnapper. Thou gatherest up woman and children and carriest them into a strange country, to the weakening of my master's kingdom." But now Great-Heart replied, "I am a servant of the God of Heaven; my business is to persuade sinners of repentance. I am commanded to do my endeavor to turn men, women and children, fro darkness to light, and from the power of Satan to God.
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John Bunyan (The Pilgrim's Progress)
“
Crafting a business model is no different. Ideas placed in the Canvas trigger new ones. The Canvas becomes a tool for facilitating the idea dialogue—for individuals sketching out their ideas and for groups developing ideas together.
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Alexander Osterwalder (Business Model Generation: A Handbook for Visionaries, Game Changers, and Challengers (The Strategyzer Series 1))
“
How many times have such meetings been held throughout American history? How many times have men. be they private prison executives or convict lessees, gotten together to perform this ritual? They sit in company headquarters or legislative offices, far from their prisons or labor camps, and craft stories that soothe their consciences. They convince themselves, with remarkable ease, that they are in the business of punishment because it makes the world better, not because it makes them rich.
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Shane Bauer (American Prison: A Reporter's Undercover Journey into the Business of Punishment)
“
At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was. A
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Two pages of the passive voice—just about any business document ever written, in other words, not to mention reams of bad fiction—make me want to scream. It’s weak, it’s circuitous, and it’s frequently tortuous, as well. How about this: My first kiss will always be recalled by me as how my romance with Shayna was begun. Oh, man—who farted, right? A simpler way to express this idea—sweeter and more forceful, as well—might be this: My romance with Shayna began with our first kiss. I’ll never forget it. I’m not in love with this because it uses with twice in four words, but at least we’re out of that awful passive voice.
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”
Stephen King (On Writing: A Memoir of the Craft)
“
We cannot save our clients from themselves. Someday in your career, Elayne, you will represent a man—almost certainly a man—who wants you to help him barter his soul to a demon for three wishes. When that day comes you may refuse his business, you may try to change his mind, but in the end if hell he wants, hell he will achieve.
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Max Gladstone (Last First Snow (Craft Sequence, #4))
“
The field has never been highly regarded; for a long time the only friends that Poe and Lovecraft had were the French, who have somehow come to an arrangement with both sex and death, an arrangement that Poe and Love-craft's fellow Americans certainly had no patience with. The Americans were busy building railroads, and Poe and Lovecraft died broke.
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”
Stephen King (Night Shift)
“
While CEO of P&G, John Pepper was once asked in an interview which skill or characteristic was most important to look for when hiring new employees. Was it leadership? Analytical ability? Problem solving? Collaboration? Strategic thinking? Or something else? His answer was integrity. He explained, “All the rest, we can teach them after they get here.
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”
Paul Smith (Lead with a Story: A Guide to Crafting Business Narratives That Captivate, Convince, and Inspire)
“
When adding descriptions to your online listings or printed materials, lead with benefits and follow with features.
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”
James Dillehay (How to Price Crafts and Things You Make to Sell -- Formulas and Strategies for Arriving at Profitable Craft Prices for Selling Online or Off, Wholesale or Retail)
“
But no matter how good the beer, how many honors or awards, how innovative Goose Island would ever be again, someone deep in the crowd would always boo.
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Josh Noel (Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business)
“
But business in a crony-capitalist society is the craft of sharks.
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”
Pierce Brown (Morning Star (Red Rising, #3))
“
If customers don't find enjoyment and satisfaction by coming into your store, it won't matter if you have the greatest, fanciest, most sophisticated business model in the world.
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David Green (More Than a Hobby: How a $600 Startup Became America's Home and Craft Superstore)
“
Run your business in harmony with God's laws. This will keep you on an ethical footing. Seek to please God in everything you do.
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David Green (More Than a Hobby: How a $600 Startup Became America's Home and Craft Superstore)
“
We're still family-owned, which keeps life a whole lot simpler. When my wife and kids and I decide to make a business move, we don't have to ask Wall Street about it.
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David Green (More Than a Hobby: How a $600 Startup Became America's Home and Craft Superstore)
“
We generally don’t tell our personal stories at work because we work with strangers. They remain strangers because we don’t tell our personal stories. You have to break the cycle.
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”
Paul Smith (Lead with a Story: A Guide to Crafting Business Narratives That Captivate, Convince, and Inspire)
“
There is no faster way to garner the lasting respect of employees, partners, and consumers than to become the embodiment of an ideal.
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”
Gregory V. Diehl (Brand Identity Breakthrough: How to Craft Your Company's Unique Story to Make Your Products Irresistible)
“
This business of meaning is a very big deal
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”
Stephen King (On Writing: A Memoir of the Craft)
“
A well-crafted story is fact wrapped in emotion.
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”
Romi Neustadt (Get Over Your Damn Self: The No-BS Blueprint to Building A Life-Changing Business)
“
We work in a first-draft culture. Type an e-mail. Send. Write a blog entry. Post. Whip up some slides. Speak. But it’s in crafting and recrafting—in iteration and rehearsal—that excellence emerges.
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”
Harvard Business Review (HBR Guide to Persuasive Presentations (HBR Guide Series))
“
They have taken advantage of our trust, using sophisticated techniques to prey on the weakest aspects of human psychology, to gather and exploit private data, and to craft business models that do not protect users from harm.
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”
Roger McNamee (Zucked: Waking Up to the Facebook Catastrophe)
“
Naming your packaged products helps call attention to how the deal is special. Call the product bundle a collector’s set, a gift basket, or holiday set, and give each one a name; something like The Artisan’s Selection or Your Name’s Gift Set.
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James Dillehay (How to Price Crafts and Things You Make to Sell -- Formulas and Strategies for Arriving at Profitable Craft Prices for Selling Online or Off, Wholesale or Retail)
“
When I was born,” Niall Lynch told his middle son, “God broke the mold so hard the ground shook.” This was already a lie, because if God truly had broken the mold for Niall, He’d made Himself a knockoff twenty years later to craft Ronan and his two brothers, Declan and Matthew. The three brothers were nothing if not handsome copies of their father, although each flattered a different side of Niall. Declan had the same way of taking a room and shaking its hand. Matthew’s curls were netted with Niall’s charm and humor. And Ronan was everything that was left: molten eyes and a smile made for war. There was little to nothing of their mother in any of them. “It was a proper earthquake,” Niall clarified, as if anyone had asked him — and knowing Niall, they probably had. “Four point one on the Richter scale. Anything under four would’ve just cracked the mold, not broken it.” Back then, Ronan was not in the business of believing, but that was all right, because his father wanted adoration, not trust. “And you, Ronan,” Niall said. He always said Ronan differently from other words. As if he had meant to say another word entirely — something like knife or poison or revenge — and then swapped it out for Ronan’s name at the last moment. “When you were born, the rivers dried up and the cattle in Rockingham County wept blood.
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Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
The adverb is not your friend. Adverbs, you will remember from your own version of Business English, are words that modify verbs, adjectives, or other adverbs. They’re the ones that usually end in -ly. Adverbs, like the passive voice, seem to have been created with the timid writer in mind.
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Stephen King (On Writing: A Memoir of the Craft)
“
I remembered you, when I kissed your man face, slowly, slowly kissed it, and when the time came to kiss your eyes—I remembered that then I had tasted the salt in my mouth, and that the salt of tears in your eyes was my love for you. But, what bound me most of all in a fright of love, had been, in the depth of the depths of the salt, your saltless and innocent and childish substance: with my kiss your deepest insipid life was given to me, and kissing your face was the saltless and busy patient work of love, it was woman weaving a man, just as you had woven me, neutral crafting of life.
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Clarice Lispector (The Passion According to G.H.)
“
My business is not a stepping stone to ‘better’ things, but a lifestyle choice and a way of work uniquely crafted to fit and finance the way I live. As a result, work is not a Monday to Friday, 9 to 5 endeavour. Instead, my weekdays are a joyous mix of family, friends and office time. Ditto my weekends, actually.
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Robert Gerrish (Flying Solo: How To Go It Alone in Business Revisited)
“
Contrary to popular belief, people always say "It was a pleasure doing business with you". It is the only thing that has stayed with me after an assignment. Always mix business with pleasure. That is a secret they don't want you to know. BUT never mix pleasure with business. Then you might just end up in a divorce.
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Nikhil Sharda
“
The entrepreneur is comfortable raising money, hiring and firing, renting more office space than she needs right now. The entrepreneur must dream big and persuade others to share her dream. The freelancer, on the other hand, can focus on craft. She can most easily build her business by doing great work, consistently.
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Seth Godin (The Bootstrapper's Bible: How to Start and Build a Business With a Great Idea and (Almost) No Money)
“
A truly humble man has no concept of his humility, for he cannot fathom that he would be so special to have the need to be humble. He is too busy getting lost in appreciation of a craft or his fellow man to think of himself. “True humility is not thinking less of yourself; it is thinking of yourself less.” -C.S. Lewis
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Chris Matakas (On Jiu Jitsu (The "Jiu Jitsu Essentials” Series Book 2))
“
One business practice I want to eliminate is the use of microtargeting in political advertising. Facebook, in particular, enables advertisers to identify an emotional hot button for individual voters that can be pressed for electoral advantage, irrespective of its relevance to the election. Candidates no longer have to search for voters who share their values. Instead they can invert the model, using microtargeting to identify whatever issue motivates each voter and play to that. If a campaign knows a voter believes strongly in protecting the environment, it can craft a personalized message blaming the other candidate for not doing enough, even if that is not true. In theory, each voter could be attracted to a candidate for a different reason. In combination with the platforms’ persuasive technologies, microtargeting becomes another tool for dividing us. Microtargeting transforms the public square of politics into the psychological mugging of every voter.
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Roger McNamee (Zucked: Waking Up to the Facebook Catastrophe)
“
And as always when you’re presenting numbers, it becomes much more important to craft a narrative. You have to tell a story. [See also: Chapter 3.2: Why Storytelling.] Your board isn’t in the business every day like you are—they can’t immediately understand the nuances or what the numbers actually mean unless you give them context.
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Tony Fadell (Build: An Unorthodox Guide to Making Things Worth Making)
“
As most young candidates for the pains and penalties of whaling stop at this same New Bedford, thence to embark on their voyage, it may as well be related that I, for one, had no idea of so doing. For my mind was made up to sail in no other than a Nantucket craft, because there was a fine, boisterous something about everything connected with that famous old island, which amazingly pleased me. Besides though New Bedford has of late been gradually monopolizing the business of whaling, and though in this matter poor old Nantucket is now much behind her, yet Nantucket was her great original— the Tyre of this Carthage;—the place where the first dead American whale was stranded. Where else but from Nantucket did those aboriginal whalemen, the Red-Men, first sally out in canoes to give chase to the Leviathan? And where but from Nantucket, too, did that first adventurous little sloop put forth, partly laden with imported cobblestones—so goes the story— to throw at the whales, in order to discover when they were nigh enough to risk a harpoon from the bowsprit?
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Herman Melville (Moby-Dick)
“
All communities require sustainable ways to make a living. Economic sustainability involves: Small-scale business, crafts, and services that create maximum diversity of economic base and a rich ecology of financial, income and job opportunities. Possibilities include cottage industries, local services, education, printing and publishing, trading, small-scale manufacturing, consulting, shops and cooperatives.
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Christine Connelly (Sustainable Communities: Lessons from Aspiring Eco-Villages)
“
Direct marketers, of course, realize that measurement is the key to success. Figure out what works, and do it more! Mass marketers have always resisted this temptation. When my old company approached the head of one of the largest magazine publishers in the world and pitched a technology that would allow advertisers to track who saw their ads and responded to them, he was aghast. He realized that this sort of data could kill his business. He knew that his clients didn’t want the data because then their jobs would get a lot more complex. Measurement means admitting what’s broken so you can fix it. Mass-media advertising, whether it’s on TV or in print, is all about emotion and craft, not about fixing mistakes. One reason the Internet ad boomlet faded so fast is that it forced advertisers to measure – and to admit what was going wrong.
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Seth Godin (Purple Cow: Transform Your Business by Being Remarkable)
“
We have no school for the turning-out of stanch men in this nineteenth century. In the old, earnest times, war made men stanch and true to each other. We have learned up a good many glib phrases about the wickedness of war, and we thank God that we live in these peaceful, trading times, wherein we can — and do — devote the whole of our thoughts and energies to robbing and cheating and swindling one another — to “doing” our friends, and overcoming our enemies by trickery and lies — wherein, undisturbed by the wicked ways of fighting-men, we can cultivate to better perfection the “smartness,” the craft, and the cunning, and all the other “business-like” virtues on which we so pride ourselves, and which were so neglected and treated with so little respect in the bad old age of violence, when men chose lions and eagles for their symbols rather than foxes.
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Jerome K. Jerome (Complete Works of Jerome K. Jerome)
“
In the end, Miss Margitan settled for a formal apology and two weeks of detention for the bad boy who had dared call her Maggot in print. It was bad, but what in high school is not? At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was.
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Stephen King (On Writing: A Memoir of the Craft)
“
Why do we all say we prefer honesty but rarely give that courtesy to others? Maybe in our hearts we all want to give others honesty, but in practice it’s just too damn hard. Honesty is confrontational. Crafting the ‘honest’ message takes a lot of time and thought. And no matter how delicately you do it, it feels cold and mean to reject someone. It’s just easier on many levels to say nothing or pretend to be busy until people get the picture.
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Aziz Ansari
“
Alongside the development of theatres came the growth of an acting culture; in essence it was the birth of the acting profession. Plays had generally been performed by amateurs - often men from craft guilds. Towards the end of the sixteenth century there developed companies of actors usually under the patronage of a powerful or wealthy individual. These companies offered some protection against the threat of Puritan intervention, censorship, or closure on account of the plague. They encouraged playwrights to write drama which relied on ensemble playing rather than the more static set pieces associated with the classical tradition. They employed boys to play the parts of women and contributed to the development of individual performers. Audiences began to attend the theatre to see favourite actors, such as Richard Burbage or Will Kempe, as much as to see a particular play.
Although the companies brought some stability and professionalism to the business of acting - for instance, Shakespeare's company, the Lord Chamberlain's, subsequently the King's, Men, continued until the theatres closed (1642) - they offered little security for the playwright. Shakespeare was in this respect, as in others, the exception to the rule that even the best-known and most successful dramatists of the period often remained financially insecure.
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Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
“
Paul was an attorney. And this was what his as yet brief career in the law had done to his brain. He was comforted by minutiae. His mortal fears could be assuaged only by an encyclopedic command of detail. Paul was a professional builder of narratives. He was a teller of concise tales. His work was to take a series of isolated events and, shearing from them their dross, craft from them a progression. The morning’s discrete images—a routine labor, a clumsy error, a grasping arm, a crowded street, a spark of fire, a blood-speckled child, a dripping corpse—could be assembled into a story. There would be a beginning, a middle, and an end. Stories reach conclusions, and then they go away. Such is their desperately needed magic. That day’s story, once told in his mind, could be wrapped up, put aside, and recalled only when necessary. The properly assembled narrative would guard his mind from the terror of raw memory. Even a true story is a fiction, Paul knew. It is the comforting tool we use to organize the chaotic world around us into something comprehensible. It is the cognitive machine that separates the wheat of emotion from the chaff of sensation. The real world is overfull with incidents, brimming over with occurrences. In our stories, we disregard most of them until clear reason and motivation emerge. Every story is an invention, a technological device not unlike the very one that on that morning had seared a man’s skin from his bones. A good story could be put to no less dangerous a purpose. As an attorney, the tales that Paul told were moral ones. There existed, in his narratives, only the injured and their abusers. The slandered and the liars. The swindled and the thieves. Paul constructed these characters painstakingly until the righteousness of his plaintiff—or his defendant—became overwhelming. It was not the job of a litigator to determine facts; it was his job to construct a story from those facts by which a clear moral conclusion would be unavoidable. That was the business of Paul’s stories: to present an undeniable view of the world. And then to vanish, once the world had been so organized and a profit fairly earned.
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Graham Moore (The Last Days of Night)
“
You are the steward of your people, of resources and time, and of the business. The subtle shift is in the focus. It isn’t about the control you flex, the dominance you project, or the power you wield. It’s about purposefully crafting a work environment that allows the human side of business to flourish. The shift is in caring for people in a way that improves their lives and positively influences the value they create for your organization. In a way, this book is about our human nature and the rich insights it holds to positively influence people and business.
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”
Shawn Murphy (The Optimistic Workplace: Creating an Environment That Energizes Everyone)
“
In St. Patrick Town, we find the stubborn, sprightly residents all awake--the leprechaun I spoke to days before still in search of his lost pot of gold in the glen, rain clouds heavy in the distance, and rainbows gleaming above the treetops.
In Valentine's Town, Queen Ruby is bustling through the streets, making sure the chocolatiers are busy crafting their confections of black velvet truffles and cherry macaroons, trying to make up for lost time, while her cupids still flock through town, wild and restless.
The rabbits have resumed painting their pastel eggs in Easter Town. The townsfolk in Fourth of July Town are testing new rainbow sparklers and fireworks that explode in the formation of a queen's crown, in honor of the Pumpkin Queen who saved them all from a life of dreamless sleep. In Thanksgiving Town, everyone is preparing for the feast in the coming season, and the elves in Christmas Town have resumed assembling presents and baking powdered-sugar gingerbread cookies.
And in Halloween Town, we have just enough time to finish preparations for the holiday: cobwebs woven together, pumpkins carved, and black tar-wax candles lit.
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Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
“
I’ve found that the most badass people I know, the ones who are the best in the world at their craft, are rarely busy in the way we’ve been taught to think of it. Being busy is a disease, a terminal one. It destroys your precious time. Being effective is about using every minute thoughtfully and mindfully as you make steady progress toward your dream. The biggest surprise to me has been that those people, those creators who are so deliberate and planned in the way they work, are also incredibly joyful and playful while they work. Planning and play aren’t opposites; they complement each other beautifully.
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Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
“
There are excellent reasons for that,’ he said; ‘the noble Count is at death’s door. He is one of the soft stamp that cannot learn how to put an end to chagrin, and allow it to wear them out instead. Life is a craft, a profession; every man must take the trouble to learn that business. When he has learned what life is by dint of painful experiences, the fibre of him is toughened, and acquires a certain elasticity, so that he has his sensibilities under his own control; he disciplines himself till his nerves are like steel springs, which always bend, but never break; given a sound digestion, and a man in such training ought to live as long as the cedars of Lebanon, and famous trees they are.
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Honoré de Balzac (Works of Honore de Balzac)
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We have learned up a good many glib phrases about the wickedness of war, and we thank God that we live in these peaceful, trading times, wherein we can — and do — devote the whole of our thoughts and energies to robbing and cheating and swindling one another — to “doing” our friends, and overcoming our enemies by trickery and lies — wherein, undisturbed by the wicked ways of fighting-men, we can cultivate to better perfection the “smartness,” the craft, and the cunning, and all the other “business-like” virtues on which we so pride ourselves, and which were so neglected and treated with so little respect in the bad old age of violence, when men chose lions and eagles for their symbols rather than foxes.
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Jerome K. Jerome (Complete Works of Jerome K. Jerome)
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The busy 20th and 21st centuries have made Garfield's era seem remote and irrelevant, its leaders ridiculed for their very obscurity... to the generation of Americans then alive, though, their dramas, humanities, and dignity were a compelling part of daily life. For twenty years after the Civil War, America was led by a group of larger-than-life figures with clay feet who fought and raged and plied their craft with nerve and ambition while following a code of honor riddled with blind spots and inconsistencies; during that time, public involvement in politics reached levels far higher than today. Garfield held a special place: one of the most promising of his generation, shot down in his prime, martyred for taking a principled stand.
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Kenneth D. Ackerman (Dark Horse: The Surprise Election and Political Murder of President James A. Garfield)
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The representative system diffuses such a body of knowledge throughout a nation, on the subject of government, as to explode ignorance and preclude imposition. The craft of courts cannot be acted on that ground. There is no place for mystery; nowhere for it to begin. Those who are not in the representation, know as much of the nature of business as those who are. An affectation of mysterious importance would there be scouted. nations can have no secrets; and the secrets of courts, like those of individuals, are always their defects.
In the representative system, the reason for everything must publicly appear. Every man is a proprietor in government, and considers it a necessary part of his business to understand. It concerns his interest, because it affects his property. He examines the cost, and compares it with the advantages; and above all, he does not adopt the slavish custom of following what in other governments are called Leaders.
It can only be by blinding the understanding of man, and making him believe that government is some wonderful mysterious thing, that excessive revenues are obtained. Monarchy is well calculated to ensure this end. It is the popery of government; a thing kept up to amuse the ignorant, and quiet them into taxes.
The government of a free country, properly speaking, is not in the persons, but in the laws. The enacting of those requires no great expense; and when they are administered, the whole of civil government is performed - the rest is all court contrivance.
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Thomas Paine (Rights of Man)
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I know you are in a mess and you can't see a way out of it. Your eyes only see to the horizon though. You can't see what is around the bend. I'll be waiting there for you. In this uncertain world you will always face uncertainties, but I am going to walk the journey with you. It may not be clear to you right now, but I will cause all things to work together for your good. I am in the business of making beauty from ashes, of redeeming what seems hopeless and crafting you into a work of art that shows the world My mercy and goodness. I know you are hurt and angry, but don't lose hope. I am with you every step of your journey, even through the darkest valleys and in the middle of the scariest storms.
'I love you more than you can even possibly begin to understand,' the voice reminded me.
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Ryan Stevenson (Eye of the Storm: Experiencing God When You Can't See Him)
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On the Craft of Writing: The Story Grid: What Good Editors Know by Shawn Coyne The Elements of Style by William Strunk Jr. and E. B. White 2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love by Rachel Aaron On Writing: A Memoir of the Craft by Stephen King Take Off Your Pants! Outline Your Books for Faster, Better Writing by Libbie Hawker You Are a Writer (So Start Acting Like One) by Jeff Goins Prosperity for Writers: A Writer's Guide to Creating Abundance by Honorée Corder The Artist's Way by Julia Cameron The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield Business for Authors: How To Be An Author Entrepreneur by Joanna Penn On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser Writing Tools: 50 Essential Strategies for Every Writer by Roy Peter Clark On Mindset: The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results by Gary Keller and Jay Papasan The Art of Exceptional Living by Jim Rohn Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results by Honorée Corder The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change by Stephen R. Covey Essentialism: The Disciplined Pursuit of Less by Greg Mckeown Mastery by Robert Greene The Success Principles: How to Get from Where You Are to Where You Want to Be by Jack Canfield and Janet Switzer The Game of Life and How to Play It by Florence Scovel Shinn The Compound Effect by Darren Hardy Taking Life Head On: How to Love the Life You Have While You Create the Life of Your Dreams by Hal Elrod Think and Grow Rich by Napoleon Hill In
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Hal Elrod (The Miracle Morning for Writers: How to Build a Writing Ritual That Increases Your Impact and Your Income, Before 8AM)
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Twenty minutes later the three girls rented a small motorboat at Campbell’s Landing. The craft was old and the engine clattered and threw oil, but it was the only boat available. “Lucky we all know how to swim,” Bess said with some misgiving as they pulled away from the dock. “I have a feeling this old tub leaks and may sink before we go very far.” “We’ll be all right if George keeps busy with the bailer!” Nancy laughed, heading the craft upstream. The river was wide near town, but the upper reaches were narrow and twisted and turned at such sharp angles that fast travel was out of the question. At the wheel, Nancy kept an alert watch for shoals. Water was slowly seeping in at the bow. “It’s really pretty out here, but so wild,” Bess commented, her gaze wandering along the solid line of trees fringing the shores. “Better forget the scenery for a while,” Nancy advised, “and give George a hand with the bailing. If you don’t, our shoes will be soaked.
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Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
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When, one day, Kamaswami held against him that he had learned everything he knew from him, he replied: “Would you please not kid me with such jokes! What I’ve learned from you is how much a basket of fish costs and how much interests may be charged on loaned money. These are your areas of expertise. I haven’t learned to think from you, my dear Kamaswami, you ought to be the one seeking to learn from me.” Indeed his soul was not with the trade. The business was good enough to provide him with the money for Kamala, and it earned him much more than he needed. Besides this, Siddhartha’s interest and curiosity was only concerned with the people, whose businesses, crafts, worries, pleasures, and acts of foolishness used to be as alien and distant to him as the moon. However easily he succeeded in talking to all of them, in living with all of them, in learning from all of them, he was still aware that there was something which separated him from them and this separating factor was him being a Samana. He saw mankind going through life
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Hermann Hesse (Siddhartha)
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Shortly after he had dispatched his “letter of tears,” Paul’s fortunes plummeted to a new low. Claudius’s last years had been clouded by court intrigues, and in October 54, he was poisoned by his wife and succeeded by Nero, his adopted seventeen-year-old son. The accession of the new emperor was hailed with relief and joy and an empire-wide resurgence of the imperial cult. But Rome was in trouble: The Parthians threatened the eastern frontier and there were uprisings in Judea. Scapegoats were needed, and Marcus Junius Silanus, governor of Asia, was murdered by Nero’s agents on suspicion of treason and, in a roundup of local malcontents, Paul was imprisoned in Ephesus. Luke, always the champion of Rome and reluctant to admit that Paul was ever regarded as an enemy of the empire, tells us nothing of this. Instead, he claims that Paul’s mission in Ephesus came to an end after a riot in the Temple of Artemis, when the silversmiths who crafted figurines of the goddess accused him of putting them out of business by undermining the cult.24
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Karen Armstrong (St. Paul: The Apostle We Love to Hate (Icons))
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I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
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Robert K. Massie (Catherine the Great: Portrait of a Woman)
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Streamline Your Focus Instead of Jumping From Unfinished Project to Unfinished Project
Although it seems contradictory, anxiety-related perfectionism can cause people to persist too long on some tasks and leave other projects unfinished. Perfectionists who are intolerant of uncertainty often jump from project to project. They might start multiple business plans, grant proposals, job applications, movie scripts, stand-up routines, craft projects, or novels, and not finish any of them. They may sour quickly on an idea when their self-doubt starts to creep in rather than stay with the idea long enough to realistically judge it’s potential.
If you bounce from idea to idea, it could very well be because it’s hard for you to tolerate your uncertainty about whether the idea you’re working on is going to pan out. If you have a habit of not finishing things, you’re likely to be better off sticking with a project and finishing it, instead of jumping to another project when you start to feel unsure.
To help you be less tempted to jump around, reduce your exposure to excessive information and alternatives.
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Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
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The second arena is vocation, that powerful, often ignored intersection of faith and calling. Millions of Christ-following teens and young adults are interested in serving in mainstream professions, such as science, law, media, technology, education, law enforcement, military, the arts, business, marketing and advertising, health care, accounting, psychology, and dozens of others. Yet most receive little guidance from their church communities for how to connect these vocational dreams deeply with their faith in Christ. This is especially true for the majority of students who are drawn to careers in the fields of science, including health care, engineering, education, research, computer programming, and so on. These young Christians learn very little in their faith communities about how to live honestly and faithfully in a world dominated by science—much less how to excel in their chosen scientific vocation. Can the Christian community summon the courage to prepare a new generation of professionals to be excellent in their calling and craft, yet humble and faithful where God has asked them to serve?
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David Kinnaman (You Lost Me)
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The craftsperson develops a knowingness about the work she does that bears its own fruit, the fruit of being present, or attentive. The craftsperson learns that within the work she does there is a jewel hiding below the surface. That the thrill of the craft is to discover the jewel. And that there is only one way to discover it: to practice the craft mindlessly. To become one with the work. To polish and polish, as though with one’s heart. That there is no way to know when the jewel will show itself, but to trust with all one’s heart that one day, when it is least expected, the jewel will be there! It will appear. “And so the craftsperson is one who has reached that stage of her development where she is content with the work, and only the work, knowing that it is only through being there with one’s work that the jewel will reveal itself, and that it is the work, and only the work, raised to the level of near perfection that connects the craftsperson with herself, with her own heart. And so she practices, day in and day out, content to do so, without the thrill of the apprentice to keep her going, but knowing deep inside that there is no place to go but here.
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Michael E. Gerber (The E-Myth Revisited: Why Most Small Businesses Don't Work and What to Do About It)
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This means, a woman might think, that the law will treat her fairly in employment disputes if only she does her part, looks pretty, and dresses femininely. She would be dangerously wrong, though. Let’s look at an American working woman standing in front of her wardrobe, and imagine the disembodied voice of legal counsel advising her on each choice as she takes it out on its hanger. “Feminine, then,” she asks, “in reaction to the Craft decision?” “You’d be asking for it. In 1986, Mechelle Vinson filed a sex discrimination case in the District of Columbia against her employer, the Meritor Savings Bank, on the grounds that her boss had sexually harassed her, subjecting her to fondling, exposure, and rape. Vinson was young and ‘beautiful’ and carefully dressed. The district court ruled that her appearance counted against her: Testimony about her ‘provocative’ dress could be heard to decide whether her harassment was ‘welcome.’” “Did she dress provocatively?” “As her counsel put it in exasperation, ‘Mechelle Vinson wore clothes.’ Her beauty in her clothes was admitted as evidence to prove that she welcomed rape from her employer.” “Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.
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Naomi Wolf (The Beauty Myth)
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The Sandwich Maker would pass what he had made to his assistant who would then add a few slices of newcumber and fladish and a touch of splagberry sauce, and then apply the topmost layer of bread and cut the sandwich with a fourth and altogether plainer knife. It was not that these were not also skilful operations, but they were lesser skills to be performed by a dedicated apprentice who would one day, when the Sandwich Maker finally laid down his tools, take over from him. It was an exalted position and that apprentice, Drimple, was the envy of his fellows. There were those in the village who were happy chopping wood, those who were content carrying water, but to be the Sandwich Maker was very heaven.
And so the Sandwich Maker sang as he worked.
He was using the last of the year’s salted meat. It was a little past its best now, but still the rich savour of Perfectly Normal Beast meat was something unsurpassed in any of the Sandwich Maker’s previous experience. Next week it was anticipated that the Perfectly Normal Beasts would appear again for their regular migration, whereupon the whole village would once again be plunged into frenetic action: hunting the Beasts, killing perhaps six, maybe even seven dozen of the thousands that thundered past. Then the Beasts must be rapidly butchered and cleaned, with most of the meat salted to keep it through the winter months until the return migration in the spring, which would replenish their supplies.
The very best of the meat would be roasted straight away for the feast that marked the Autumn Passage. The celebrations would last for three days of sheer exuberance, dancing and stories that Old Thrashbarg would tell of how the hunt had gone, stories that he would have been busy sitting making up in his hut while the rest of the village was out doing the actual hunting.
And then the very, very best of the meat would be saved from the feast and delivered cold to the Sandwich Maker. And the Sandwich Maker would exercise on it the skills that he had brought to them from the gods, and make the exquisite Sandwiches of the Third Season, of which the whole village would partake before beginning, the next day, to prepare themselves for the rigours of the coming winter.
Today he was just making ordinary sandwiches, if such delicacies, so lovingly crafted, could ever be called ordinary. Today his assistant was away so the Sandwich Maker was applying his own garnish, which he was happy to do. He was happy with just about everything in fact.
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Douglas Adams (Mostly Harmless (Hitchhiker's Guide to the Galaxy, #5))
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While the picture houses were struggling to maintain their audiences, things were not going terribly well on the production side of the business either. The previous November unions representing the craft trades—painters, carpenters, electricians, and the like—had secured something called the Studio Basic Agreement, which granted them important and costly concessions. The studios were now terrified of being squeezed similarly by actors and writers. With this in mind, thirty-six people from the creative side of the industry met for dinner at the Ambassador Hotel in Los Angeles in January 1927 and formed a kind of executive club to promote—but even more to protect—the studios. It was a reflection of their own sense of self-importance that they called it the International Academy of Motion Picture Arts and Sciences, elevating the movies from popular entertainment to something more grandly artistic, scientific, and literally academic. In the second week of May, while the world fretted over the missing airmen Nungesser and Coli, the academy was formally inaugurated at a banquet at the Biltmore Hotel in Los Angeles. (The idea of having an awards ceremony was something of an afterthought, and wasn’t introduced until the academy’s second anniversary dinner in 1929.)
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Bill Bryson (One Summer: America, 1927)
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The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire.
If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens.
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Vanessa Diffenbaugh (The Language of Flowers)
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With or without the Chinese, Calcutta was dead. Partition had deprived it of half its hinterland and burdened it with a vast dispirited refugee population. Even Nature had turned: the Hooghly was silting up. But Calcutta’s death was also of the heart. With its thin glitter, its filth and overpopulation, its tainted money, its exhaustion, it held the total Indian tragedy and the terrible British failure. Here the Indo-British encounter had at one time promised to be fruitful. Here the Indian renaissance had begun: so many of the great names of Indian reform are Bengali. But it was here, too, that the encounter had ended in mutual recoil. The cross-fertilization had not occurred, and Indian energy had turned sour. Once Bengal led India, in ideas and idealism; now, just forty years later, Calcutta, even to Indians, was a word of terror, conveying crowds, cholera and corruption. Its aesthetic impulses had not faded – there was an appealing sensibility in every Bengali souvenir, every over-exploited refugee ‘craft’ – but they, pathetically, threw into relief the greater decay. Calcutta had no leaders now, and apart from Ray, the film director, and Janah, the photographer, had no great names. It had withdrawn from the Indian experiment, as area after area of India was withdrawing, individual after individual. The British, who had built Calcutta, had ever been withdrawn from their creation; and they survived. Their business houses still flourished in Chownringhee; and to the Indians, products of the dead Indian renaissance, who now sat in some of the air-conditioned offices, Independence had meant no more than this: the opportunity to withdraw, British-like, from India. What then was the India that was left, for which one felt such concern? Was it no more than a word, an idea?
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V.S. Naipaul (The Indian Trilogy)
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Managerial abilities, bureaucratic skills, technical expertise, and political talent are all necessary, but they can be applied only to goals that have already been defined by military policies, broad and narrow. And those policies can be only as good as strategy, operational art of war, tactical thought, and plain military craft that have gone into their making.
At present, the defects of structure submerge or distort strategy and operational art, they out rightly suppress tactical ingenuity, and they displace the traditional insights and rules of military craft in favor of bureaucratic preferences, administrative convenience, and abstract notions of efficiency derived from the world of business management. First there is the defective structure for making of military decisions under the futile supervision of the civilian Defense Department; then come the deeply flawed defense policies and military choices, replete with unnecessary costs and hidden risks; finally there come the undoubted managerial abilities, bureaucratic skills, technical expertise, and political talents, all applied to achieve those flawed policies and to implement those flawed choices. By this same sequence was the fatally incomplete Maginot Line built, as were all the Maginot Lines of history, each made no better by good government, technical talent, careful accounting, or sheer hard work.
Hence the futility of all the managerial innovations tried in the Pentagon over the years. In the purchasing of weapons, for example, “total package” procurement, cost plus incentive contracting, “firm fixed price” purchasing have all been introduced with much fanfare, only to be abandoned, retried, and repudiated once again. And each time a new Secretary of Defense arrives, with him come the latest batch of managerial innovations, many of them aimed at reducing fraud, waste, and mismanagement-the classic trio endlessly denounced in Congress, even though they account for mere percentage points in the total budget, and have no relevance at all to the failures of combat. The persistence of the Administrator’s Delusion has long kept the Pentagon on a treadmill of futile procedural “reforms” that have no impact at all on the military substance of our defense.
It is through strategy, operational art, tactical ingenuity, and military craft that the large savings can be made, and the nation’s military strength greatly increased, but achieving long-overdue structural innovations, from the central headquarters to the combat forces, from the overhead of bases and installations to the current purchase of new weapons. Then, and only then, will it be useful to pursue fraud, waste, and mismanagement, if only to save a few dollars more after the billions have already been saved. At present, by contrast, the Defense Department administers ineffectively, while the public, Congress, and the media apply their energies to such petty matters as overpriced spare parts for a given device in a given weapon of a given ship, overlooking at the same time the multibillion dollar question of money spent for the Navy as a whole instead of the Army – whose weakness diminishes our diplomatic weight in peacetime, and which could one day cause us to resort to nuclear weapons in the face of imminent debacle. If we had a central military authority and a Defense Department capable of strategy, we should cheerfully tolerate much fraud, waste, and mismanagement; but so long as there are competing military bureaucracies organically incapable of strategic combat, neither safety nor economy will be ensured, even if we could totally eliminate every last cent of fraud, waste, and mismanagement.
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Edward N. Luttwak
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Individually, the changes were small; together they became something significant.
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Josh Noel (Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business)
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American beer drinkers had been conditioned to believe they were choosing Anheuser-Busch's beer, but that was only half true; Anheuser-Busch had left them few other options.
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Josh Noel (Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business)
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Times were good at Goose Island. They couldn't make enough beer! But they were also dire. They couldn't make enough beer.
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Josh Noel (Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business)
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Across the cabin sat the North Korean leader. The conversation was interrupted every few seconds with rapid translations. “So you’ve done it, Mr. Jinshan. Or shall I say President Jinshan. I congratulate you.” “Yes, I have. And thank you.” “And now you are here to make sure that I stick to our agreement?” Throughout his career, Jinshan had conducted many a business meeting with high-level foreign executives, often using translators. It had always amused him when he watched the other executives carefully crafting their questions and answers in their native tongue, only to have those carefully chosen words butchered in the translation. Better to keep it simple. “Yes. I have come to make sure that you are
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Andrew Watts (The Elephant Game (The War Planners #4))
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Crafting an IT change agenda is important to ensure that IT is strategically positioned to be ahead of where the business is moving next.
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Pearl Zhu (The Change Agent CIO)
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An all in one advanced digital marketing courses in Surat City for working professionals, business owners and job-seekers, crafted meticulously, covering 16 modules of digital marketing, wherein you learn from industry leaders how to do marketing online, bring targeted traffic to website, generate potential business leads and increase brand awareness by using various online platforms like Search Engine Optimization (SEO), social media, email marketing, online display advertising, mobile marketing, content marketing and much more.
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Rajeev Wadhwa
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I didn’t know it yet, but this new priority would mean enormous changes in the way I saw the world and environmentalism. Previously environmentalists worked to stop bad things—pollution, clear-cutting, overfishing—but we more or less accepted the big-picture American economy, with the established industries that made it up. Not anymore. Now we were about to find ourselves in a different business: helping to foster a different kind of economic development, one based on knowledge and technology rather than fossil fuels. After thirty-five years of working to clean up after twentieth-century industrialism, environmentalists were about to plunge into creating its twenty-first-century replacement. But before we could go full tilt toward the new, we had to stop the last spasms of the old—an energy future crafted during George W. Bush’s first term by Vice President Cheney.
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Michael R. Bloomberg (Climate of Hope: How Cities, Businesses, and Citizens Can Save the Planet)
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Berkshire’s operating CEOs are masters of their crafts and run their businesses as if they were their own. My job is to stay out of their way and allocate whatever excess capital their businesses generate. It’s easy work.
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Mark Gavagan (Gems from Warren Buffett: Wit and Wisdom from 34 Years of Letters to Shareholders)
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A gathering of booksellers is a pleasant sanhedrim to attend. The members of this ancient craft bear mannerisms and earmarks just as definitely recognizable as those of the cloak and suit business or any other trade. They are likely to be a little—shall we say—worn at the bindings, as becomes men who have forsaken worldly profit to pursue a noble calling ill rewarded in cash. They are possibly a trifle embittered, which is an excellent demeanour for mankind in the face of inscrutable heaven. Long experience with publishers' salesmen makes them suspicious of books praised between the courses of a heavy meal.
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Christopher Morley
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It’s also best (although not required) to have a project in mind as you go through the system. For instance, maybe you want to write (or rewrite) your website, or maybe you want to craft a sales letter.
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Michele Pariza Wacek (Love-Based Copywriting System: A Step-by-Step Process to Master Writing Copy That Attracts, Inspires and Invites (Love-Based Business Book 2))
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Tripp somehow manipulated Monica into giving her the infamous blue dress. Nel and I hadn’t cleaned up everything. The president had “deposited” somewhere besides White House towels. The biggest security leak in history was the one that Monica wore into the White House and then strutted out with—right past us. There was no way to spin it. Either the president had mysteriously gone around the White House ejaculating on people’s clothing, or he and Monica had a taxpayer-funded affair for which he committed perjury. It also proved what I damn well knew, that Monica was easily manipulated, either by the likes of a higher-up like President Clinton or a lower-down like Linda Tripp. She had no business playing in a high-stakes environment within arm’s reach of intelligence of the CIA, the FBI, the State Department, and the Department of Defense. I mean, the spook shit that moved and was approved through the White House was the most sensitive intel in existence. Actionable intel is power. How could anyone in the Secret Service be expected to do his or her job if the Americans allowed people like the Clintons to assume national leadership? People still think the Lewinsky affair was one political party making a big deal over a little extra pie on the side; it wasn’t. What Starr proved was that the president had engaged in inappropriate sexually related workplace conduct with an intern/employee, as he had with other women. Some women, such as Juanita Broaddrick, even alleged he had assaulted them. He had zero integrity in this area, and that made everything he did suspect and untrustworthy. It revealed his real character. The president of the United States believed that he was above the law. He perjured himself and convinced others to perjure themselves to try to save his carefully crafted image. He created a spirit of corruption that infected the White House, the Secret Service, the whole government. Bill Clinton endangered us all by serving himself.
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Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
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We’re all “storytellers.” We don’t call ourselves storytellers, but it’s what we do every day. Although we’ve been sharing stories for thousands of years, the skills we needed to succeed in the industrial age were very different from those required today. The ability to sell our ideas in the form of story is more important than ever. Ideas are the currency of the twenty-first century. In the information age, the knowledge economy, you are only as valuable as your ideas. Story is the means by which we transfer those ideas to one another. Your ability to package your ideas with emotion, context, and relevancy is the one skill that will make you more valuable in the next decade. Storytelling is the act of framing an idea as a narrative to inform, illuminate, and inspire. The Storyteller’s Secret is about the stories you tell to advance your career, build a company, pitch an idea, and to take your dreams from imagination to reality. When you pitch your product or service to a new customer, you’re telling a story. When you deliver instructions to a team or educate a class, you’re telling a story. When you build a PowerPoint presentation for your next sales meeting, you’re telling a story. When you sit down for a job interview and the recruiter asks about your previous experience, you’re telling a story. When you craft an e-mail, write a blog or Facebook post, or record a video for your company’s YouTube channel, you’re telling a story. But there’s a difference between a story, a good story, and a transformative story that builds trust, boosts sales, and inspires people to dream bigger.
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Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
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Gaining an in-depth understanding of business capabilities helps today’s business leaders craft good strategy and implement it effectively.
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Pearl Zhu (Digital Capability: Building Lego Like Capability Into Business Competency)
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When a person is engaged, dedication to their craft, desire to achieve, and relentless commitment to make a difference is palpable. You can see it, hear it, and feel it…and it is contagious!
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Kevin E. Phillips (Employee LEAPS: Leveraging Engagement by Applying Positive Strategies)
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Whether you’ve lived in your community for decades or just moved there last week, interactive skills are an essential part of developing your own social system. Let’s suppose you did just move to an area. How would you begin to look for friends and business contacts? One way would be to define your own interests, and find people who do what you like to do—sports, continuing education, crafts, or other activities, for example.
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Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
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Sell your business products, used Products online here, Art Baby Kids, Books, Clothing accessories, Electronics products, Jewelry, Watchesgift cards, Sports equipment, Crafts, Musical instrument, Real estate.
Visit us - inkeex.com
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inkeex
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Part of their approach involved making structure change to group competitive work more tightly together and separate it from noncompetitive work. The mind-set required by the two workforces is different—one to strive toward differentiation and excellence, one to aim for extraordinary efficiency. Non-competitive work is not necessarily less important—many non-strategic tasks, such as payroll, sales administration, and network operations, are absolutely crucial for running the business. But non-competitive work tends to be more transactional in nature. It often feels more urgent as well. And herein lies the problem. If the same product expert who answers demanding administrative questions and labors to fill out complicated compliance paperwork is also responsible for helping to craft unique, integrated solutions for clients, the whole client experience—the competitive work—could easily fall apart. Prying apart these two different types of activities so different teams can perform them ensures that vital competitive work is not engulfed by less competitive tasks.
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Reed Deshler (Mastering the Cube: Overcoming Stumbling Blocks and Building an Organization that Works)
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craft your landing page effortlessly and not have to stare at a blank template for long, you need the following elements: • The title of your lead magnet • The main benefit or main promise of your lead magnet • What your lead magnet teaches or what your subscribers will learn from it? o What will they achieve or overcome by consuming your lead magnet? o What pain points or problems does your lead magnet solve? o What desires or motivations does your lead magnet fulfill? o What mini transformation does it give? • Testimonials for social proof • A screenshot, mock-up, or visual of your lead magnet Note: You want to convert these benefits into 3–7 bullet points. These bullet points should begin with an action verb, with “how to” or “why,” or with a number. They should also include specific details such as page numbers or time stamps in videos where key information is found. For example, • How a 20-minute video recording turned into my first digital product that brought in $36,429.56 in the first month • 13 limiting beliefs that keep 99% of people from ever launching their ecommerce store—and how to beat them (Hint: You’re probably suffering from at least 5 of these) – pg. 3 • The ONLY two blogging rules ever (seriously, if you ignore these it will take you YEARS to launch your blog and business!) – 1min 37sec Your landing page should be a reflection of the words and sentences your target audience uses to describe their pain points. When it does, your target audience recognizes and identifies with the problem. Your lead magnet also becomes immediately more attractive.
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Meera Kothand (300 Email Marketing Tips: Critical Advice And Strategy
To Turn Subscribers Into Buyers & Grow
A Six-Figure Business With Email)
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It was well past noon when the boys sighted Northport on their left. Passing between a pair of entrance buoys, the Sleuth came off the swelling ocean onto the calm surface of a small, well-protected harbor. On one side a forest of thick masts rose from a fleet of sturdy fishing boats. At the far end of the bay, bright-colored pleasure craft rode at anchor. Slender, pencillike masts marked the sailboats. On the shore nearby were the yellow wooden skeletons of boats under construction. Joe guided the Sleuth toward a large dock with gasoline pumps, which extended into the water from the boatyard. “This must be the yard that sponsored the regatta,” Frank commented. “Bring her in, Joe.” Within minutes the young detectives had made their craft secure and scrambled onto the dock. They hurried down the wooden planking and turned onto Waterfront Street. There were restaurants, souvenir shops, and boat-supply stores. All of them were well kept and busy. The boys stopped in a luncheonette for a snack, then hurried on. They
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Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))