Name Necklace Quotes

We've searched our database for all the quotes and captions related to Name Necklace. Here they are! All 60 of them:

Reluctantly, I pulled out my necklace and showed it to them. Samuel frowned. The little figure was stylized; I suppose he couldn't tell what it was at first. "A dog?" asked Zee, staring at my necklace. "A lamb," I said defensively, tucking it safely back under my shirt. "Because one of Christ's names is 'The Lamb of God.'" Samuel's shoulders shook slightly. "I can see it now, Mercy holding a roomful of vampire at bay with her glowing sheep." I gave his shoulder a hard push, aware of the heat climbing to my cheeks, but it didn't help. He sang in a soft taunting voice, "Mercy had a little lamb...
Patricia Briggs (Moon Called (Mercy Thompson, #1))
There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
Gabrielle Zevin (Elsewhere)
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don't catch anything. Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't. Sometimes they catch you.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth - even if I couldn't speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we've just lost while swimming: I know it's down there somewhere. If he knew, if he only knew that I was giving him every chance to put two and two together and come up with a number bigger than infinity.
André Aciman (Call Me by Your Name)
You cannot take this with you, goodman. The wedding band on your hand is queer enough. The flower is too much." "Give me a petal then," I say. "I thought you would ask for that." He pulls out a necklace. It is the Sigil of Andromedus. My Sigil, I remember. It is golden. He drops it in my hand. "Whisper her name." I do and the Pegasus unfurls like a haemanthus bud. He sets a petal in the center. It closes again. "This is your heart. Then guard it with metal.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Originally, the anchor symbol was not used by those on the water, but by people on land. During the early years of Christianity, Christians were under heavy persecution by the Romans. To show their religion to other practicing Christians under the watchful eye of the ruling people, they would wear anchor jewelry or even tattoo anchors on themselves. The anchor was seen as a symbol of strength as anchors hold down ships even in the stormiest of weather. It was also a popular symbol because of its close resemblance to the cross. Anchors were also used to mark safe houses for those seeking refuge from persecution.   MyNameNecklace.com
L.J. Shen (Defy (Sinners of Saint, #0.5))
I hear her pacing the house, mumbling, words I can barely make out and am frightened to hear. The words 'Carpe Diem' come from her lips like she's a broken, skipping record, and I clutch the pendant of my necklace tightly, fighting back tears. Because I know she's talking to him, appealing to an invisible man named John, the one who walked out on her when I was born. I know it's not my fault. Not my fault she's this way. Not my fault he left her. But fuck if I don't feel guilty anyway.
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth—even if I couldn't speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we've just lost while swimming: I know it’s down there somewhere.
André Aciman (Call Me by Your Name)
The cousin has blond hair with black roots, overly plucked eyebrows, a heart-shaped face, and a high-pitched voice like Michael Jackson. She wears a low-cut top and a push-up bra, which creates a small, sad shelf for her name necklace to rest. Her name is Maria. In the middle of mozzarella sticks, they run out of conversation.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Never was there so much magic over things as when you spoke, and never were words so powerful. You could make speech flare up, become muddled or mighty. You did everything with words and sentences, came to an understanding with them or transmuted them, gave things a new name; and objects which understand neither the straight nor the crooked words, almost took their being from your words. Oh, nobody was ever able to play so well, you monsters! You invented all games, number games and word games, dream games and love games. Never did anyone speak of himself like that. Almost truthfully. Almost murderously truthfully. Bent over the water, almost abandoned. The world is already dark and I cannot put on the necklace of shells. There will be no clearing. You different from all the others. I am under water. Am under water. And now someone is walking up above and hates water and hates green and does not understand, will never understand. As I have never understood. Almost mute, almost still hearing the call. Come. Just once. Come.
Ingeborg Bachmann (The Thirtieth Year: Stories)
The great tragedy of aging is not the loss of the supple body but the illusions we are forced to leave behind, one after the other, like a string of pearls from a necklace.
Barbara O'Neal (Write My Name Across the Sky)
As a warm-up, Lambiase sets up A.J. with his cousin. The cousin has blond hair with black roots, overly plucked eyebrows, a heart-shaped face, and a high-pitched voice like Michael Jackson. She wears a low-cut top and a push-up bra, which creates a small, sad shelf for her name necklace to rest. Her name is Maria. In the middle of mozzarella sticks, they run out of conversation.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Percy gripped his leather necklace. " I started to remember in Portland, after the gorogon's blood. It's been coming back to me slowly since then. There is another camp __ Camp Half-Blood." Just saying the name made Percy feel warm inside. Good memories washed over him: the smell of strawberry fields in the warm summer sun, fireworks lightning up the beach on the Fourth of July, satyrs playing panpipes at the nightly campfire, and a kiss at the bottom of the canoe lake
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
You aime lots of stupid crap." While Hassan worked to make God hates baguettes Colin's mind raced like this: (1) baguettes (2) Katherine XIX (3) the ruby necklace he'd bought her five months and seventeen days before (4) most rubies come from India, which (5) used to be under control of the United Kingdom, of which (6) Winston Churchill was the prime minister, and (7) isn't it interesting how a lot of good politicians, like Churchill and also Gandhi, were bald while (8) a lot of evil dictators, like Hitler and Stalin and Saddam Hussein, were mustachoied? But (9) Mussolini only wore a mustache sometimes, and (10) lost of good scientists had mustaches, like the Italian Ruggero Oddi, who (11) discovered (and named for himself) the intestinal tract's spinchter of Oddi, which is just one of several lesser-known sphicnters like (12) the pupillary spinchter.
John Green (An Abundance of Katherines)
The great tragedy of aging is not the loss of the supple body but the illusions we are forced to leave behind, one after the other, like a string of pearls from a necklace. That all will be well, that dreams can come true, that we can always do what we wish, that sacrifice and sorrow are not inevitable.
Barbara O'Neal (Write My Name Across the Sky)
I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth— even if I couldn't speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we've just lost while swimming: I know it's down there somewhere.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
But it was the gold necklace and the Star of David with a golden mezuzah on his neck that told me here was something more compelling than anything I wanted from him, for it bound us and reminded me that, while everything else conspired to make us the two most dissimilar beings, this at least transcended all differences.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Wait!” I called out. “Did she just say Fook and Yu?” I asked incredulously. Achilles was now sobbing with laughter. I pointed at the blue sapphire dragons. “No, I think this is really important, guys. Their names are Fook and Yu? I really need to know the answer to this. I’m not concerned about the necklace. This is way more important.
Shayne Silvers (Nine Souls (The Nate Temple Series, #9))
In Pagan Rome the same appears to have been the case. The necklaces which the Roman ladies wore were not merely ornamental bands about the neck, but hung down the breasts, just as the modern rosaries do; and the name by which they were called indicates the use to which they were applied. "Monile," the ordinary word for a necklace, can have no other meaning than that of a "Remembrancer.
Alexander Hislop (The Two Babylons)
In a moment a fussy-looking woman came down the stairs. Do you know what I mean by fussy? I mean, everything about her was too much and too cute. She was wearing two necklaces, a pin, bracelets on each wrist, rings, earrings, and even an ankle bracelet. Her stockings were lacey, and she was, well, as Claud might have said, overly accessorized. Practically everything she wore had a bow attached. There were bows on her shoes, a bow on her belt, a bow in her hair, and a bow at the neck of her blouse. Her sweater was beaded, and she hadn’t forgotten to pin a fake rose to it. Whew! As for cute, her earrings were in the shape of ladybugs, one of her necklaces spelled her name — Linda — in gold script, her pin was in the shape of a mouse, and the bow in her hair was a ribbon with a print of tiny ducks all over it.
Ann M. Martin (Mallory and the Trouble With Twins (The Baby-Sitters Club, #21))
Greenlaw has the Imago dressed in their finest, standing in proper formation. I note their matching necklaces. The same Imago artist who created the mural came up with them. It’s a thin plate of nyxia dangling from an even thinner chain. Every few seconds, the emblem etched on the material changes. She explained that they’ll cycle through for months, flashing the name of every Imago left behind on Magnia. It’s an astonishing tribute.
Scott Reintgen (Nyxia Uprising (The Nyxia Triad, #3))
I was treading water, trying neither to drown nor to swim to safety, just staying in place, because here was the truth–even if I couldn't speak the truth, or even hint at it, yet I could swear it lay around us, the way we say of a necklace we've just lost while swimming: I know it's down there somewhere. If he knew, if he only knew that I was giving him every chance to put two and two together and come up with a number bigger than infinity.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
VISIONS OF GRANDEUR I'm walking through a sheet of glass instead of the door, Flying over a giant candlestick lighting up Central Park, Repeating two courses at Hard Knock's College, And swimming through the Red Sea with silky jelly fish. I'm hopping over an empty row house in Philadelphia, Getting a seventy dollar manicure on a gondola in Venice, Wearing a white pearl necklace stolen from Goodwill, And running my first New York City marathon. I'm discussing the meaning of life with my late cat Charlie. Dating John Doe- the thirty-third chef at the White House, Running non-stop on a broken leg through a bomb-blasted city, And keeping a multi-lingual monkey named Alfredo as my pet. I'm spying on two hundred and twenty-two homegrown terrorists from Iowa, Worshiped by a red-headed gorilla named Salamander, Sleeping with a giant teddy bear dressed in black leather, And wearing hot pink lipstick over a shade of midnight blue.
Giorge Leedy (Uninhibited From Lust To Love)
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
Sometimes I feel she hasn't left...especially when I wear the photo charm necklace with her picture in it. I can't tell you how many young men have stared into that picture and the reaction is always the same: a slow beam rises across their faces and they want to know all about her. They become entranced the way Dana Andrews did when he first saw Gene Tierney's portrait in "Laura." I know Maria finds all of this quite amusing; why shouldn't she? 'Laura' is her middle name.
Pamela Palmer Mutino (Swish: Maria in the Mourning)
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets—pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don’t catch anything.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
War and peace. There are blurred lines in the realities of both. A separation anxiety as the paradigm shifts from the air that a sniper wears on his face (real life, entertainment for the masses or the propaganda machine you decide), to the blueprint of an assassination in a driveway (Chris Hani lying in a pool of his own blood). You know that we cannot eat stones but we can burn, butcher, necklace, murder, forcibly remove and displace entire families, races of different faiths in the name of apartheid. Nelson Mandela, Steve Biko and Chris Hani instruments of change, war, tolerance or peace. The Romantics got it right before anyone else did. Truth is beauty. The truth is South Africa is not cool anymore.
Abigail George
Go back. Open the bedroom door and send young Aster down the stairs. Place the groom on his feet and draw him away from the bed. Wipe the sheet clean of the bride’s blood. Shake it straight and flatten its wrinkles. Slide off that necklace and return it to the girl as she races to her mother. Fix what has been broken in her, mend it shut again. Clothe him in his wedding finery. Let there be no light. Allow only shadows into this kingdom of man’s making. See him alone in the room. See him free of a father’s attention. See him step beyond the reach of elders and all who advise growing boys on the perils of weakness. Here is Kidane, shaking loose of unseen bindings. Here he is, gifting himself the freedom to tremble. All advice has been taken back and he is no longer the groom instructed to break flesh and draw blood and bring a girl to earthy cries. See this man in the tender moment before he takes his wife. See him wrestle with the first blooms of untapped emotion. Let the minutes stretch. Remove the expectations of a father. Remove the admonishments to stand tall and stay strong. Eliminate the birthright, the privilege of nobility, the weight of ancestors and blood. Erase his father’s name and that of his grandfather’s father and that of the long line of men before them. Let him stand in the middle of that empty bedroom in his wedding tunic and trousers, in his gilded cape and gold ring, and then disappear his name, too. Make of him nothing and see what emerges willingly, without taint of duty or fear.
Maaza Mengiste (The Shadow King)
I loved you, Atthis, years ago, when my youth was still all flowers and sighs, and you -- you seemed to me such a small ungainly girl. Can you forget what happened before? If so, then I'll remind you how, while lying beside me, you wove a garland of crocuses which I then braided into strands of your hair. And once, when you'd plaited a double necklace from a hundred blooms, I tied it around the swanning, sun-licked ring of your neck. And on more than one occasion (there were two of them, to be exact), while I looked on, too silent with adoration to say your name, you glazed your breasts and arms with oil. No holy place existed without us then, no woodland, no dance, no sound. Beyond all hope, I prayed those timeless days we spent might be made twice as long. I prayed one word: I want. Someone, I tell you, will remember us, even in another time.
Sappho (A Fragment Of An Ode Of Sappho From Longinus: Also, An Ode Of Sappho From Dionysius Halicarn)
Every day the Queen held audience. Seeing the Hall filled with women, I did not understand at first that she was doing all the kingdom’s business without me. But the women were heads of families; they came about land disputes, or taxes, or marriage portions. Fathers were nobody in Eleusis, and could not choose wives for their own sons, or leave them a name, let alone property. The men stood at the back till the women had been heard; and if she wanted a man’s advice, she sent for Xanthos. One night at bedtime, I asked her if there was nothing in Eleusis for the King to do. She smiled and said, “Oh, yes. Undo this necklace; it is caught in my hair.” I did not move at once, but looked at her. She said, “Why should the King sit at clerk’s business with ugly old men?” Then she let fall her belt and petticoat and said, coming nearer, “See, it is pulling here. It hurts me.” And there was no more talk that night.
Mary Renault (The King Must Die (Theseus, #1))
My locker. The card is still there, a white patch of hope with my name on it. I tear it off and open it. Something falls to my feet. The card has a picture of two cutesy teddy bears sharing a pot of honey. I open it. 'Thanks for understanding. You're the sweetest!' It was signed with a purple pen. 'Good Luck!!! Heather.' I bend down to find what dropped from the card. It was the friendship necklace I had given Heather in a fit of insanity around Christmas. Stupid, stupid, stupid. How stupid could I be? I hear a crackling inside me, my ribs are collapsing in on my lungs, which is why I can't breathe. I stumble down the hall, down another hall, down another hall, till I find my very own door and slip inside and throw the lock, not even bothering to turn on the lights, just falling falling a mile downhill to the bottom of my brown chair, where I can ink my teeth into the soft white skin of my wrist and cry like the baby I am. I rock, thumping my head against the cinder-block wall. A half-forgotten holiday has unveiled every knife that sticks inside me, every cut. No Rachel, no Heather, not even a silly, geeky boy who would like the inside girl I think I am.
Laurie Halse Anderson (Speak)
Then Simi had to call in a favor from her police boyfriend to track the vehicle..." Police boyfriend? Your brain sticks on those two words, and you don't hear anything else. "What police boyfriend?" "Shhh." Simi strokes your forehead. "The ambulance is coming." You shake your head, concentrate on not passing out from the pain of the damage to your rapidly thawing body. "How long?" "About twenty-four hours," she says. "That's it?" You try to push yourself up, but your arms still aren't listening to the messages from your brain. "You moved on in less than a day?" "It's not what you think," she says. "Garcia and I..." "Garcia? Not Detective Garcia? You're now on a last-name basis?" You don't care about your broken body or the necklace or the hench people. You don't even care if they've captured Mr. X or killed him. You care about Simi in a way you've never cared about anyone before. You love her. You love her and she dumped you in less than a day for someone far more worthy than you. A good guy. A man in uniform who doesn't live a life of secrets and lies. Pain washes over you. You close your eyes and let the words settle in your throat. Police boyfriend. Death. Come for me now.
Sara Desai (To Have and to Heist)
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.” Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!” “Not quite,” he chuckled. “Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“ She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.” “You don’t mean there’s more!” “I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.” “Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!” Laughing, Ian put his forehead against hers, and he nodded. “It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.” “If you hadn’t,” he laughed, “God knows what I would have bought.” “Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later. “Do what?” he gasped, tears of mirth blurring his vision. “Spend money heedlessly when you’re disturbed about something?” “Yes,” he lied in a suffocated, laughing voice. “You’ll have to stop doing it.” “I’m going to try.” “I could help you.” “Please do.” “You may place yourself entirely in my hands.” “I’m very much looking forward to that.” It was the first time Ian had ever kissed a woman while he was laughing.
Judith McNaught (Almost Heaven (Sequels, #3))
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
Liberty is poorly served by men whose good intent is quelled from one failure or two failures or any number of failures, or from the casual indifference or ingratitude of the people, or from the sharp show of the tushes of power, or the bringing to bear soldiers and cannon or any penal statutes. Liberty relies upon itself, invites no one, promises nothing, sits in calmness and light, is positive and composed, and knows no discouragement. The battle rages with many a loud alarm and frequent advance and retreat…the enemy triumphs…the prison, the handcuffs, the iron necklace and anklet, the scaffold, garrote and leadballs do their work…the cause is asleep…the strong throats are choked with their own blood…the young men drop their eyelashes toward the ground when they pass each other…and is liberty gone out of that place? No never. When liberty goes it is not the first to go nor the second or third to go…it waits for all the rest to go…it is the last…When the memories of the old martyrs are faded utterly away…when the large names of patriots are laughed at in the public halls from the lips of the orators…when the boys are no more christened after the same but christened after tyrants and traitors instead…when the laws of the free are grudgingly permitted and laws for informers and bloodmoney are sweet to the taste of the people…when I and you walk abroad upon the earth stung with compassion at the sight of numberless brothers answering our equal friendship and calling no man master—and when we are elated with noble joy at the sight of slaves…when the soul retires in the cool communion of the night and surveys its experience and has much extasy over the word and deed that put back a helpless innocent person into the gripe of the gripers or into any cruel inferiority…when those in all parts of these states who could easier realize the true American character but do not yet—when the swarms of cringers, suckers, dough-faces, lice of politics, planners of sly involutions for their own preferment to city offices or state legislatures or the judiciary or congress or the presidency, obtain a response of love and natural deference from the people whether they get the offices or no…when it is better to be a bound booby and rogue in office at a high salary than the poorest free mechanic or farmer with his hat unmoved from his head and firm eyes and a candid and generous heart…and when servility by town or state or the federal government or any oppression on a large scale or small scale can be tried on without its own punishment following duly after in exact proportion against the smallest chance of escape…or rather when all life and all the souls of men and women are discharged from any part of the earth—then only shall the instinct of liberty be discharged from that part of the earth.
Walt Whitman (Leaves of Grass: The First (1855) Edition)
In the Libyan desert, fused glass and radioactive tektites were discovered and analyzed by Dr R V Dolphin. His discoveries are discussed by Colin Wilson and Rand Flem-Ath: After studying the Libyan desert glass, Dolphin suggested that for the ancient Phoenicians to have worked with temperatures equivalent to 6,000 degrees Celsius, they may have known the secret of atomic power – (The Atlantis Blueprint) Six thousand degrees Celsius is only two thousand degrees less than the temperature of the sun. At the same location jars and vases were found that fashioned in the same manner as earthenware. However, these artifacts were not made from clay, but the hardest substances known, such as basalt, quartz and diorite. Necks of vases were so narrow no hand could possibly have fashioned their interiors. High temperatures must have been employed, but experts are mystified as to how that was accomplished. Exceptionally high temperatures are required to remove impurities from gold. So scientists found themselves perplexed after necklaces, found in Libya, turned out to be one hundred percent pure gold. Doctor Dolphin accepted the truth and openly admitted what most of his academic colleagues could not, namely, that the secrets of atomic energy were known in prehistoric times. Charles Berlitz collated information on similar cases in Mesopotamia and Scotland. He wrote: After finding layers of Babylonian and Sumerian artifacts, the archaeologists had passed through 14 feet of clay which indicated a prolonged flood. Below this strata was a level of fused glass, the same kind found at Alamogordo in Texas after the A-bomb blasts – (Atlantis: The Eighth Continent) In west Scotland there is a fort that has one of its sides completely fused into glass, in the same manner. It had received some intense heat, but not lightening – ibid
Michael Tsarion (Atlantis, Alien Visitation and Genetic Manipulation)
 He sometimes thought he didn’t live one life but several, all strung together like beads on a necklace, separate but connected if only by his name.
Andrew Van Wey (Forsaken)
She’s also learned my real name. One day she saw the gold necklace that I wear sometimes that has a charm with my name on it. She sounded it out: “A . . . man . . . da,” and asked, “Is that your name?” “Yes, but you can’t say anything to Daddy,” I told her. “That will be our secret, okay?” “Okay, Mommy,” she said, hugging me.
Amanda Berry (Hope: A Memoir of Survival in Cleveland)
In that battle by Sarn Athrad Beren fought his last fight, and himself slew the Lord of Nogrod, and wrested from him the Necklace of the Dwarves; but he dying laid his curse upon all the treasure. Then Beren gazed in wonder on the selfsame jewel of Feanor that he had cut from Morgoth's iron crown, now shining set amid gold and gems by the cunning of the Dwarves; and he washed it clean of blood in the waters of the river. And when all was finished the treasure of Doriath was drowned in the River Ascar, and from that time the river was named anew, Rathloriel, the Goldenbed; but Beren took the Nauglamir and returned to Tol Galen. Little did it ease the grief of Luthien to learn that the Lord of Nogrod was slain and many Dwarves beside; but it is said and sung that Luthien wearing that necklace and that immortal jewel was the vision of greatest beauty and glory has ever been outside the realm of Valinor; and for a little while the Land of the Dead that Live became like a vision of the land of the Valar, and no place has been so fair, so fruitful, or so filled with light.
J.R.R. Tolkien (The Silmarillion)
You can find meaning in the smallest of things. Remember the traditions she used to love and keep them alive. Name family traditions in her honor. You can make a journal of all her happy memories with you or an album of family pictures. You can have a little collection of something that she owned, like a specific pin, which you can keep with you. These things might look small or difficult initially, but eventually, they will bring you a sense of peace. You can use her favorite ring as a necklace, so you never have to feel her absence. She’s always with you.
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
That necklace," he said. Polly looked down to where her silver cat was hanging on the long chain. It needed a polish, she realized. She told him the story about the Victorian rattle, but when she'd finished he said, "I meant the little bird. Where did you find it?" Polly smiled. "Actually," she said, "I really did find it. Today, just before I met Kurt. I spotted it on the ground while I was walking. The sunlight caught on a piece of silver ribbon that must once have been tied to it and drew my eye." He was nodding. "Near the water hole?" She wondered how he knew, and then realized that of course Kurt must have told him where they'd met. "I like to collect things from nature. I'm always on the lookout. It's a hobby; my daughter and I used to beachcomb when she was small... I thought it was a stone at first, or a smooth seedpod. But it wasn't. It was this most perfect little bird. A wren, I think." "A fairy wren. We have a lot of them around here." "A fairy wren," said Polly, liking the name very much. "There was something almost magical about it. It was just lying there, as if it had been waiting for me to find it. I suppose that sounds silly." "Not at all." "I can be a bit of a romantic." "A fine trait. We'd have no books or music or paintings if not for the romantics among us.
Kate Morton (Homecoming)
The following, from Sir John F. Davis, will show how it is employed in China: "From the Tartar religion of the Lamas, the rosary of 108 beads has become a part of the ceremonial dress attached to the nine grades of official rank. It consists of a necklace of stones and coral, nearly as large as a pigeon's egg, descending to the waist, and distinguished by various beads, according to the quality of the wearer. There is a small rosary of eighteen beads, of inferior size, with which the bronze count their prayers and ejaculations exactly as in the Romish ritual. The laity in China sometimes wear this at the wrist, performed with musk, and give it the name of Heang-choo, or fragrant beads.
Alexander Hislop (The Two Babylons)
There was a silence, and then Tuppence burst out: ‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’ ‘Same here,’ agreed Tommy with feeling. ‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’ There was a pause. ‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply. ‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’ ‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’ ‘What about the general?’ inquired Tommy. ‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’ ‘I’m like you. I don’t know any.’ ‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’ ‘Do you suggest that I should do that to a similarly garbed female?’ ‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’ ‘You overrate my manly charms,’ murmured Tommy. ‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’ ‘We’ve tried that, and failed,’ Tommy reminded her. ‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’ ‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’ ‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’ ‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’ ‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’ ‘There wouldn’t be the least difference if you were caught!’ ‘Perhaps not. But I shouldn’t be caught. I’m so clever.’ ‘Modesty always was your besetting sin,’ remarked Tommy. ‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’ ‘Form a company for the stealing of diamond necklaces?’ ‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’ ‘Don’t know. Never did any.’ ‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’ ‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’ ‘It’s all very well to laugh, but I feel there might be something in it.
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
You are so fucking sexy when you're bossing people around," Jack said, nuzzling my neck as he pulled me behind an azalea bush. "Have you ever done it outdoors?" "Didn't last night count?" We'd sneaked up to the roof of Jack's hotel for a little loving beneath the stars. "There were no trees or bushes, no flowers or grass. I want you naked in the hellebore moaning my name." He pulled me into his chest, squeezing me so hard, my breath came out in a huff. "Jack, you know how much I love sexy times with you. But I've got a minister to ordain, a wedding to run, a heist to plan, a necklace to steal, and a bride to kidnap. I can't juggle any more balls.
Sara Desai (To Have and to Heist)
And what do I get?” His eyebrows raise. “Besides an expensive, shiny fucking ring?” “I have plenty of those already. I’ll make you a deal. I’ll wear this fucking ring if you get my name tattooed on your forehead.” He chuckles as he lies back beside me. “That’s a big fucking no.” “Then no can do,” I say but find myself opening the box again and studying the ring because it’s fucking beautiful. “What if you thread it through a necklace and wear it around your neck as a collar until you come around to the idea?” “It better be a really nice necklace.” “Don’t you have a beautiful necklace from the set I’d bought you that you haven’t yet worn?” He challenges. “I want another one.” I say trying to hide my smirk. His lips crush mine as he smiles. “Anything for my queen.
Kia Carrington-Russell (Cunning Vows (Lethal Vows #3))
Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.
Nalini Singh (Cherish Hard (Hard Play, #1))
St. Lawrence River May 1705 Temperature 48 degrees From the river they walked back to the town, and the boy was taken into the fire circle outside the powwow’s longhouse. Here he was placed on the powwow’s sacred albino furs. A dozen men, those who were now his relatives, sat in a circle around him. The powwow lit a sacred pipe and passed it, and for the first time in his life, the boy smoked. Don’t cough, Mercy prayed for him. Don’t choke. Afterward she found out they diluted the tobacco with dried sumac leaves to make sure he wouldn’t cough on his first pull. Although the women had adopted him, it was the men who filed by to bring gifts. The new Indian son received a tomahawk, knives, a fine bow, a pot of vermilion paint, a beautiful black-and-white-striped pouch made from a skunk and several necklaces. “Watch, watch!” whispered Snow Walker, riveted. “This is his father. Look what his father gives him!” The warrior transferred from his own body to his son’s a wampum belt--hundreds of tiny shell circles linked together like white lace. The belt was so large it had to hang from the neck instead of the waist. To give a man a belt was old-fashioned. Wampum had no value to the French and had not been used as money by the Indians for many years. But it still spoke of power and honor and even Mercy caught her breath to see it on a white boy’s body. But of course, he was not white any longer. “My son,” said the powwow, “now you are flesh of our flesh and bone of our bone.” At last his real name was called aloud, and the name was plain: Annisquam, which just meant “Hilltop.” Perhaps they had caught him at the summit of a mountain. Or considering the honor of the wampum belt, perhaps he kept his eyes on the horizon and was a future leader. Or like Ruth, he might have done some great deed that would be told in story that evening. When the gifts and embraces were over, Annisquam was taken into the powwow’s longhouse to sit alone. He would stay there for many hours and would not be brought out until well into the dancing and feasting in the evening. Not one of Mercy’s questions had been answered. Was he, in his heart, adopted? Had he, in his heart, accepted these new parents? Where, in his heart, had he placed his English parents? How did he excuse himself to his English God and his English dead? The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
Caroline B. Cooney (The Ransom of Mercy Carter)
Halfway through the day, Megan started dicking around on the internet. She made her browser window as small as she could, paused for a second, and then looked up “Carrie Wilkins.” She found Carrie’s website, and on it, this bio: Hi, my name’s Carrie. I’m 26. I make things. I paint and I write, but mostly I design. I like to make things beautiful, or creative. I make my own food and I’m trying to grow my own beets. A lot of people around me seem unhappy and I don’t understand why. I freelance because I know I’d go insane if I couldn’t make my own schedule—I believe variety is the zest of life. I know I want a dog someday soon, and sometimes I make lunch at 3 a.m. I believe in the power of collaboration, and I’d love to work with you! What a total asshole. What does she have, some kind of a pact with Satan? The picture next to Carrie’s bio had some kind of heavy filter on it that made it look vintage, and she had a friendly but aloof look on her face. She was flanked on both sides by plants and was wearing an oxford shirt with fancy shorts and had a cool necklace. It was an outfit, for sure, like all of Carrie’s clothes were outfits, which Megan always thought of as outdated or something only children did. The website linked to a blog, which was mostly photos of Carrie doing different things. It didn’t take too long to find the picture of her with the llama with a caption about how she and her boss got it from a homeless guy. And then just products. Pictures and pictures of products, and then little captions about how the products inspired her. Motherfucker, thought Megan. She doesn’t get it at all. It was like looking at an ad for deodorant or laundry soap that made you feel smelly and like you’d been doing something wrong that the person in the ad had already figured out, but since it was an ad, there was no real way to smell the person and judge for yourself whether or not the person stank, and that was what she hated, hated, hated most of all. I make things, gee-wow. You think you’re an artist? Do you really thing this blog is a representation of art, that great universalizer? That great transmigrator? This isolating schlock that makes me feel like I have to buy into you and your formula for happiness? Work as a freelance designer, grow beets, travel, have lots of people who like you, and above all have funsies! “Everything okay?” asked Jillian. “Yeah, what?” “Breathing kind of heavy over there, just making sure you were okay and everything.” “Oh, uh-huh, I’m fine,” said Megan. “It’s not . . . something I’m doing, is it?” “What? No. No, I’m fine,” said Megan. How could someone not understand that other people could be unhappy? What kind of callous, horrible bullshit was that to say to a bunch of twenty-yearolds, particularly, when this was the time in life when things were even more acutely painful than they were in high school, that nightmare fuck, because now there were actual stakes and everyone was coming to grips with the fact that they’re going to die and that life might be empty and unrewarding. Why even bring it up? Why even make it part of your mini-bio?
Halle Butler (Jillian)
So what can we generalize about Victorian vampires? They are already dead, yet not exactly dead, and clammy-handed. They can be magnetically repelled by crucifixes and they don’t show up in mirrors. No one is safe; vampires prey upon strangers, family, and lovers. Unlike zombies, vampires are individualists, seldom traveling in packs and never en masse. Many suffer from mortuary halitosis despite our reasonable expectation that they would no longer breathe. But our vampires herein also differ in interesting ways. Some fear sunlight; others do not. Many are bound by a supernatural edict that forbids them to enter a home without some kind of invitation, no matter how innocently mistaken. Dracula, for example, greets Jonathan Harker with this creepy exclamation that underlines another recurring theme, the betrayal of innocence (and also explains why I chose Stoker’s story “Dracula’s Guest” as the title of this anthology): “Welcome to my house! Enter freely and of your own will.” Yet other vampires seem immune to this hospitality prohibition. One common bit of folklore was that you ought never to refer to a suspected vampire by name, yet in some tales people do so without consequence. Contrary to their later presentation in movies and television, not all Victorian vampires are charming or handsome or beautiful. Some are gruesome. Some are fiends wallowing in satanic bacchanal and others merely contagious victims of fate, à la Typhoid Mary. A few, in fact, are almost sympathetic figures, like the hero of a Greek epic who suffers the anger of the gods. Curious bits of other similar folklore pop up in scattered places. Vampires in many cultures, for example, are said to be allergic to garlic. Over the centuries, this aromatic herb has become associated with sorcerers and even with the devil himself. It protected Odysseus from Circe’s spells. In Islamic folklore, garlic springs up from Satan’s first step outside the Garden of Eden and onion from his second. Garlic has become as important in vampire defense as it is in Italian cooking. If, after refilling your necklace sachet and outlining your window frames, you have some left over, you can even use garlic to guard your pets or livestock—although animals luxuriate in soullessness and thus appeal less to the undead. The vampire story as we know it was born in the early nineteenth century. As
Michael Sims (Dracula's Guest: A Connoisseur's Collection of Victorian Vampire Stories)
If you have a tendency to find yourself in MacGyveresque situations, go ahead and choose a synthetic rope to craft with. I don't want you cursing my name as you hang from a cliff by your swiftly fraying Monkey's Fist necklace.
Maura Madden (Crafternoon: A Guide to Getting Artsy and Crafty with Your Friends All Year Long)
cooking with mud was rolling around in it until only our eyes weren’t caked with brown sludge. I loved him on our hour-long bike rides when we played Would You Rather until we had to pull off to the side of the road because we were laughing so hard. I loved him through high school when he was the obsession of almost every girl at our school, but he always put me first. I loved him when he became my first boyfriend and showed me what it felt like to be cherished. I loved him over our long-distance relationship when receiving his text messages would make my day. And I love him now as he gets ready to commit his life to another woman. I will love him forever, and no amount of time or varying circumstances are going to change that. Jax is my best friend. He will always hold the other half of my heart in the figurative BFF necklace that we share. He will be my friend forever. I hop onto my bed and lie back as I click my phone screen, pulling up my Favorites list. My thumb hovers over his name. I take a deep breath and touch his name. My heart thrums wildly as his phone rings twice on the other end. His voice comes through my earpiece, and I almost cry from happiness. I can move to New York tomorrow with no regrets because the world is right as long as Jax and I are friends again. “Little Love.” His voice sounds anxious, hesitant. “Hey, mister.” Another rogue tear escapes, but this tear is full of happiness.
Ellie Wade (A Beautiful Kind of Love (Choices, #1))
Saying his name out loud is a reminder of everything I've lost. "My boyfriend. I guess he's still my boyfriend." I touch my infinity necklace. "I don't know when I'll see him again. And who's he going to take to prom?" Ayesha's mouth drops open, and she tries to hold in a laugh. "I'm sorry. I'm so sorry. I didn't mean to laugh. I love how prom is on the list right after freedom and breathing." "Oh my God. That's totally ridiculous, right? There are these moments when I still think this place isn't real- like it's a horrible dream. And for that minute, my mind feels free to think about, like, prom." "I get it. We have to have those moments of remembering that we're human and thinking of regular stuff, or else the weight of this place would crush us. Like, have you seen Footloose?
Samira Ahmed (Internment)
To honor Thor, Vikings often wore necklaces with little hammers on them. The word Thursday comes from Thor’s name. And guess what? It means “thunder’s day”!
Mary Pope Osborne (Viking Ships At Sunrise (Magic Tree House #15))
The most popular god was Thor, Odin’s son. Thor had great strength and controlled thunder, lightning, and giant storms. People pictured him as having a flaming red beard and a huge hammer. Thor raced across the heavens in a chariot pulled by two goats. As the chariot barreled along, it made thunder shake the earth. When Thor threw his hammer, dazzling streaks of lightning flashed across the sky. Each time he tossed it, the hammer whizzed right back to him. To honor Thor, Vikings often wore necklaces with little hammers on them. The word Thursday comes from Thor’s name. And guess what? It means “thunder’s day”!
Mary Pope Osborne (Viking Ships At Sunrise (Magic Tree House #15))
She’s wearing tight jeans and a flowy blouse and a bunch of necklaces and rings and open-toed sandals and fuck me her toenails are cherry red like the lipstick she usually wears, and I want to give her a foot massage and make her moan.
Kayley Loring (Charmer (Name in Lights, #2))
Sideways Cross” Celebrities are the first to get a clue!!!! No one in the public, and no one in the physics community knows about this new discovery of the “X” or “Cross” in all Stars and in all “Light” throughout the universe. Celebrities are the first to get a clue!!!! Side Cross Jewelry -is a symbol of Jesus finishing his work. Why Kelly Ripa, Justin Bieber, Kim Kardashian, Selena Gomez, Demi Lovato, Jessica Biel, Jennifer Lopez, Kourtney Kardashian, and so many others have all been witnessed sporting a “Side Cross” or “Horizontal Cross” necklace”. Randy Lee Holmes has discovered that there is an "X" or "Cross” in all Stars, and in all "Light" throughout the universe in 2017. All can be found in the book "Aether-Light" a Amazon. The "X" or "Cross" exist in all Stars, and it is the electromagnetic radiation finger print of all “Light” or "Photons" throughout the universe and beyond. Due to the fact that this electromagnetic radiation consist of “Aether” and “White Light”, and was discovered by Randy Lee Holmes, it has been given the name “Aether-Light "X" or "Cross”. The "X" or "Cross" symbol is not just in Stars, it is in all “Light” or “Photons”. "Photons" of “Light” are held together by “Magnetism”, you call it “Gravity”. The "X" or "Cross" symbol in all “Light” is the Electromagnetic Radiation Blueprint of all "Light Energy". The "X" or "Cross" is found in all Stars, in all "Photons" of "Light", in all Flames, in all "Light" of Flashlights, in all Candles, in the Sun, and in all and every form of "Light"of the Electromagnetic Radiation Spectrum. The "X" or "Cross" is the symbol of the Electromagnetic Radiation Wave of all "Light", in which oscillation is triggered by source, whether it be electrical or magnetic. The right side of the "X" representing the Positive and the left side of the "X" representing the Negative side of the "X" or Electromagnetic Radiation Wave of “Light”. On one side of the "X" has both a Positive and Negative line on each opposite sides of the "X".The center has Neutral or no charge at the point of oscillation where the two lines cross each other and connect. The Electromagnetic Wave does not propagate in an empty vacuum, as a wave needs a medium, so each "Photon" is created with an antenna and all “Light” propagates by way of antenna. “Light” is not a particle and a wave, but “Light” is a wave that can perform or act like a particle. The photoelectric effect is merely an Electromagnetic Wave of “Light” knocking electrons off metal. The "X" or "Cross" is defined as the Electromagnetic Radiation Blueprint of all "Light Energy". Christians know it as the symbol of "The Cross" (Genesis 1:3, And God said, "Let there be Light"). Scientist and physicist know it as "Light" or "Electromagnetic Wave". The visible “Light” colors are the “Aether” or Jesus, and the white “Light” is GOD. All of this information can be found in the book "Aether-Light" "The Fact of Everything". Amazon or Barns & Noble
Randy Lee Holmes
An Italian romance is just the thing to put Jerome in his place. Imagine it, Kate,” she said in a low, thrilling voice. “You’ll come back tanned and glowing and elegant. You’ll absentmindedly begin speaking Italian in the middle of conversations. Sometimes you’ll forget yourself and casually mention Roberto—” “Roberto?” Kate interrupted. “Or Enrico or Raffaele, the name’s not important!” Annie said impatiently. She took a deep, calming breath, then went back to weaving a hypnotic spell. “You will wear a simple gold necklace that he gave you as a symbol of his undying love. You will exude an air of soulful mystery.” She finished with the solemn authority of an oracle. “You will be transformed.” For a few seconds, the air vibrated with the power of this prophecy.
Suzanne Harper (The Juliet Club)
I came to welcome you back and to give you this.” He reached into his suit jacket and withdrew what looked like a black jewelry box—perhaps a necklace or a bracelet—long and narrow with a designer name embossed on the top. “I thought it could be your something blue.” I took the box in my hands, noting it was a tad heavier than I would have expected, but that was because I’d been totally wrong about its contents. Inside lay a fixed tactical knife with a sapphire blue handle, just big enough for a woman’s hand. I scooped up the gleaming blade, allowing the discarded box to drop to the floor. The quality was unsurpassed. Perfectly balanced weight with a carbonite handle and gleaming steel blade. Far more precious to me than any jewelry ever could have been.
Jill Ramsower (Blood Always (The Five Families, #3))