Myths And Legends Quotes

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again.

And some things that should not have been forgotten were lost. History became legend. Legend became myth. And for two and a half thousand years, the ring passed out of all knowledge.

There's always someone who secretly believes in myths and legends; or at least parts of them. Those are the people who will look beyond the obvious and see things in this world that are truly wonderful... But they won't say anything, even if they do. Because the rest of us who view the world as logical and scientific wouldn't see the truth if it was posted up on a billboard.

Are you a student of Shakespeare?" "He's been dead a long time, so not precisely, but who isn't?" she said.

We hunt as we've always done, part sport, part grocery shopping.

Myths and legends die hard in America. We love them for the extra dimension they provide, the illusion of near-infinite possibility to erase the narrow confines of most men's reality. Weird heroes and mould-breaking champions exist as living proof to those who need it that the tyranny of 'the rat race' is not yet final.

To many, I was myth incarnate, the embodiment of a most superb legend, a fairy tale. Some considered me a monster, a mutation. To my great misfortune, I was once mistaken for an angel. To my mother, I was everything. To my father, nothing at all. To my grandmother, I was a daily reminder of loves long lost. But I knew the truth—deep down, I always did. I was just a girl.

Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again. In one Age, called the Third Age by some, an Age yet to come, an Age long past, a wind rose above the great mountainous island of Tremalking. The wind was not the beginning. There are neither beginnings nor endings to the Wheel of Time. But it was a beginning.

After all, I believe that legends and myths are largely made of 'truth', and indeed present aspects of it that can only be received in this mode; and long ago certain truths and modes of this kind were discovered and must always reappear.

You surround the dead with veneration and memory, you dream of immortality, and in your myths and legends there’s always someone being resurrected, conquering death. But were your esteemed late great-grandfather really to suddenly rise from the grave and order a beer, panic would ensue.

Fools believe silence is a void needing to be filled; the wise understand there's no such thing as silence.

That’s what a good wife does, keeps your dreams alive even when you don’t believe anymore

It’s not always the truth that survives, but the stories we wish to believe. The legends lie. They smooth over imperfections to tell a good tale, or to instruct us how we should behave, or to assign glory to victors and shame those who falter. Perhaps there were some in Sparta who embodied those myths. Perhaps. But how we are remembered is less important than what we do now.

By means of our myths and legends we maintain a sense of what we are worth and who we are. Without them we should undoubtedly go mad.

SAINT, n. A dead sinner revised and edited.

This is the mythosphere. It's made up of all the stories, theories and beliefs, legends, myths and hopes, that are generated here on Earth. As you can see, it's constantly growing and moving as people invent new tales to tell or find new things to believe. The older strands move out to become these spirals, where things tend to become quite crude and dangerous. They've hardened off, you see.

I swear, the reason for full moons is so the gods can more clearly see the mischief they create.

Cass had a few points but, really, a vampire? Who believed in such a myth? What was Cass suggesting anyway? That I grab my rosary and head for the nearest church begging for holy water? Line my door and windows with salt? Sleep with a wooden stake under my pillow? Hang garlic bulbs from my bedroom door? Why was I even considering these options?

Fiction is written with reality and reality is written with fiction. We can write fiction because there is reality and we can write reality because there is fiction; everything we consider today to be myth and legend, our ancestors believed to be history and everything in our history includes myths and legends. Before the splendid modern-day mind was formed our cultures and civilizations were conceived in the wombs of, and born of, what we identify today as "fiction, unreality, myth, legend, fantasy, folklore, imaginations, fabrications and tall tales." And in our suddenly realized glory of all our modern-day "advancements" we somehow fail to ask ourselves the question "Who designated myths and legends as unreality? " But I ask myself this question because who decided that he was spectacular enough to stand up and say to our ancestors "You were all stupid and disillusioned and imagining things" and then why did we all decide to believe this person? There are many realities not just one. There is a truth that goes far beyond what we are told today to believe in. And we find that truth when we are brave enough to break away from what keeps everybody else feeling comfortable. Your reality is what you believe in. And nobody should be able to tell you to believe otherwise.

Here in the trees it was much easier to believe the absurdities that embarrassed me indoors. Nothing had changed in this forest for thousands of years, and all the myths and legends of a hundred different lands seemed much more likely in this green haze than they had in my clear-cut bedroom.

Poetry aside, a religion is really a moral code that is expressed through legends, myths, or any type of literary device in order to establish a system of beliefs, values, and rules with which to regulate a culture or a society.

myths reflect centuries of oral tradition in non-literate as well as literate peoples – when it comes to the supernatural, there's no beating folklore.” - Breena Malloy from Bitter Frost by Kailin Gow

The heart of Christianity is a myth which is also a fact. The old myth of the Dying God, without ceasing to be a myth, comes down from the heaven of legend and imagination to the earth of history.

I think comfort can be a curse, an addiction that without warning or notice erodes hope.

Myth and legend give way to history, which gives way again to myth, like curtains parting and meeting again on either side of a performance. xxx All good stories travel from the outside in.

Does progress mean that we dissolve our ancient myths? If we forget our legends, I fear that we shall close an important door to the imagination

After all, I believe that legends and myths are largely made of 'truth'.

Through action, a Man becomes a Hero Through death, a Hero becomes a Legend Through time, a Legend becomes a Myth and by learning from the myth a man takes action.

And if you can't trust an ancient talking tree, what was the point of having one?

I am weary of your quarrels, Weary of your wars and bloodshed, Weary of your prayers for vengeance, Of your wranglings and dissensions

They are gone now. Fled, banished in death or exile, lost, undone. Over the land sun and wind still move to burn and sway the trees, the grasses. No avatar, no scion, no vestige of that people remains. On the lips of the strange race that now dwells there their names are myth, legend, dust.

Remember, it’s easier to believe an outlandish lie confirming what you suspect than the most obvious truth that denies it,

I made art a philosophy, and philosophy an art: I altered the minds of men, and the colour of things: I awoke the imagination of my century so that it created myth and legend around me: I summed up all things in a phrase, all existence in an epigram: whatever I touched I made beautiful

A great deal has been said about love at first sight; I am perfectly aware of love's retrospective tendency to make a legend of itself, turn its beginnings into myth; so I don't want to assert that it was love; but I have no doubt there was a kind of clairvoyance at work: I immediately felt, sensed, grasped the essence of Lucie's being or, to be more precise, the essence of what she was later to become for me; Lucie had revealed herself to me the way religious truth reveals itself.

Then she saw me watching her. For perhaps two seconds our eyes met and held. I knew then why the ancients armed the cruellest god with arrows; I felt the shock of it right through my body.

Tú, pájaro, vivirás en los árboles y volarás por los aires, alcanzarás la región de las nubes, rozarás la transparencia del cielo y no tendrás miedo de caer.

Don't fret, boy. I'm not so foolish as to ridicule the myths and legends of other people. For countless generations, people, no matter where they're from, have been trying to understand this world of ours.

Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.

As a witch, I really needed to stop thinking some creatures were mere myths and legends.

We mythologists know very well that myths and legends contain borrowings, moral lessons, nature cycles, and a hundred other distorting influences, and we labor to cut them away and get to what might be a kernel of truth. In fact, these same techniques must be applied to the most sober histories, for no one writes the clear and apparent truth—if such a thing can even be said to exist.

WOW DID I JUST SEE LIL B? THE MYTH ?? THE AMERICAN HERO AND LEGEND? WORLD WIDE LEGEND! I MEAN I DIDNT EVEN THINK HE WAS HUMAN

I come from stories, myths, legends and folk tales

Like legend and myth, magic fades when it is unused -- hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition.

The spirituality of the sun was, for thousands of years, the dominant religion of the ancient world. If you trace it far back enough, its origin stretches well beyond recorded history into the most ancient sacred texts, and from there, into the most ancient of myths and legends.

The wheel of time turns and ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the age tha gave it birth returns again. In the third age, an age of prophecy the world and time themselves hang in the balance. What was, what will be, and what is, may yet fall under shadow.

As is so often the case with a legend, every incident has two possible interpretations, the plausible and the one that is molded to suit the making of the myth. Man is a romantic at heart and will always put aside dull, plodding reason for the excitement of an enigma. As Doc had pointed out, mystery, not logic, is what gives us hope and keeps us believing in a force greater than our own insignificance.

All over the ancient world populations were now set against populations, as men were set against women and against other men. Wandering over the width and breadth of this disintegrating world, masses of refugees were everywhere fleeing their homelands, desperately searching for a haven, for a safe place to go. But there was no such place left in their new world. For this was now a world where, having violently deprived the Goddess and the female half of humanity of all power, gods and men of war ruled. It was a world in which the Blade, and not the Chalice, would henceforth be supreme, a world in which peace and harmony would be found only in the myths and legends of a long lost past.

Do you know what religion is, Martin, my friend? -I can barely remember Lord's Prayer. -A beautiful and well-crafted prayer. Poetry aside, a religion is really a moral code that is expressed through legends,myths, or any type of literary device in order to establish a system of beliefs, values , and rules with which to regulate a culture or a society.

Spring had let go of Winter's hand and was reaching out to Summer

Once upon a time . . .” “In the beginning was . . .” That’s the way it always starts off. Every story, gospel, history, chronicle, myth, legend, folktale, or old wives’ tale blues riff begins with “Woke up this mornin’. . . .

Just another game he played in a world where heroes were legends and honor was a myth.

some things that should not have been forgotten were lost. History became legend. Legend became myth.

This creature is the Pooka. Pay no mind to the shape he wears, for he’s none of his own, and no soul either. Ware him ever, trust him never, but when the wind’s right he has his uses. Never forget that you will never know him. The Pooka’s mystery even to the Pooka.

The word God is for me nothing more than the expression and product of human weaknesses, the Bible a collection of honorable, but still primitive legends which are nevertheless pretty childish. No interpretation no matter how subtle can (for me) change this. These subtilised interpretations are highly manifold according to their nature and have almost nothing to do with the original text. For me the Jewish religion like all other religions is an incarnation of the most childish superstitions.

Obviously the raven with the unquenchable itch was at it again, playing tricks on the world and its creatures. Once by air, he thought, and now by water.

How are you speaking?” Gryndal asked. “With my mouth,” she said. “Does everyone play that game?

Stories change us. They change the world. People are stories of themselves.

Power doesn't equal worth. Wisdom is a far greater virtue.

No one knows the origins of the universe. Gone was the knowledge of creation; lost to faded memories and the advance of time. History became legend, legend became myth. It is said the gods, flawless emperors of all, opened their hearts and gave life to hundreds of worlds. That love nurtured and evolved into utopian grandeur. Humanity prospered, every day reaching new heights. But all was not well. The gods were unhappy. War loomed ever on the near horizon. Realizing their plight, the king of the gods gave birth to three sons; would be kings to rule.

Stories come in all different kinds." Hester scooted closer, clearly enjoying the subject at hand. "There's tales, which are light and fluffy. Good for a smile on a sad day. Then you got yarns, which are showy-yarns reveal more about the teller than the story. After that there's myths, which are stories made up by whole groups of people. And last of all, there's legends." She raised a mysterious eyebrow. "Legends are different from the rest on account no one knows where they start. Folks don't tell legends; they repeat them. Over and over again through history.

When faced with certain death, running is sensible, but I think a man can make an unhealthy habit of it. Running can take on an importance of its own and become an excuse to avoid living a normal life.

Aber sie halten es für eine Legende!' 'Weil sie es dafür halten wollen. Vielleicht würden sich manche Märchen und Mythen als wahr herausstellen, wenn nur jemand den Mut aufbrächte, in einem Brunnen nach einer goldenen Kugel zu suchen oder die Dornenhecke vor einem Schloss zu zerschneiden.

Just because something is told as a story and that story is part legend or myth, or feat of imagination, does not mean there is no truth in it.

Fulfillment comes from striving to succeed, to survive by your own wits and strength.

But a woman should not marry where there is no respect. Respect is the most important thing.

...the woods, when they give at all, give unstintedly, and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

I suffered from other kinds of pangs. I was prone to the most excessive dreaming, of such intensity and realism that when I awakened I felt I lost an entire universe of legends, myths, figures and cities of such color that they made our room seem a thousand times more bare, the poverty of the table more acute.

The tough mind is sharp and penetrating, breaking through the crust of legends and myths and sifting the true from the false. The tough-minded individual is astute and discerning. He has a strong austere quality that makes for firmness of purpose and solidness of commitment. Who doubts that this toughness is one of man's greatest needs? Rarely do we find men who willingly engage in hard, solid thinking. There is an almost universal quest for easy answers and half-baked solutions. Nothing pains some people more than having to think.

If we make our own history, if we tell stories that bring us together, we'll be stronger. It'll give us something to believe in. The sickos can't do that – they're no better than animals – but we can. Every battle we win we have to tell the story over and over, so that we can win more battles. People love stories. They've told stories since even before they could write. Myths and legends, stories of heroes and villains, gods and monsters. Real things happened, the story got told and then the stories became legends. That's what we've got to do – tell our own heroic stories.

Every ancient tale has truth at its heart," I said. "That's what I've always believed, anyway. But after years and years of retelling, the shape of those old stories changes. What may once have been simple and easily recognized becomes strange, wondrous and magical. Those are only the trappings of the story. The truth lies beneath those fantastic garments.

Fairy tales are not real. However, myths are the historical notes of those who were much wiser than ourselves. We therefore have no right to judge legends; lest we dare challenge demigods and angels.

The Wheel of Time turns, and ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again. In one Age, called the Third Age by some, an Age yet to come, an Age long past, a wind rose in the Mountains of Mist. The wind was not the beginning. There are neither beginnings nor endings to the turning of the Wheel of time. But it was a beginning.

The world rides through space on the back of a turtle. This is one of the great ancient world myths, found wherever men and turtles were gathered together; the four elephants were an Indo-European sophistication. The idea has been lying in the lumber rooms of legend for centuries. All I had to do was grab it and run away before the alarms went off. There are no maps. You can't map a sense of humour. Anyway, what is a fantasy map but a space beyond which There Be Dragons? On the Discworld we know There Be Dragons Everywhere. They might not all have scales and forked tongues, but they Be Here all right, grinning and jostling and trying to sell you souvenirs.

First, however, I must deal with the matter of Jesus, the so-called savior, who not long ago taught new doctrines and was thought to be a son of God. This savior, I shall attempt to show, deceived many and caused them to accept a form of belief harmful to the well-being of mankind. Taking its root in the lower classes, the religion continues to spread among the vulgar: nay, one can even say it spreads because of its vulgarity and the illiteracy of its adherents. And while there are a few moderate, reasonable, and intelligent people who interpret its beliefs allegorically, yet it thrives in its purer form among the ignorant.

The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang. The three-billion-year history of life’s evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic. There is also the poetic vision of space and time in relativity, the weird subatomic world of quantum mechanics … these wondrous stories of science all possess an irresistible attraction. Through the medium of science fiction, I seek only to create my own worlds using the power of imagination, and to make known the poetry of Nature in those worlds, to tell the romantic legends that have unfolded between Man and Universe.

When is a legend legend? Why is a myth a myth? How old and discussed must a fact be for it to be relegated to the category "Fairy-tale"? And why do certain facts remain incontrovertible while others lose their validity to assume a shabby, unstable character?

Our search for the human takes us too far, too 'deep', we seek it in the clouds or in mysteries, whereas it is waiting for us, besieging us on all sides. We will not find it in myths — although human facts carry with them a long and magnificent procession of legends, tales and songs, poems and dances. All we need do is simply to open our eyes, to leave the dark world of metaphysics and the false depths of the 'inner life' behind, and we will discover the immense human wealth that the humblest facts of everyday life contain.

In a sense, every human construction, whether mental or material, is a component in a landscape of fear because it exists in constant chaos. Thus children's fairy tales as well as adult's legends, cosmological myths, and indeed philosophical systems are shelters built by the mind in which human beings can rest, at least temporarily, from the siege of inchoate experience and of doubt.

Fulfillment comes from striving to succeed, to survive by your own wits and strength. Such things make each of us who we are.” Using the blanket, he rubbed his hair. “You lose that in captivity, lose yourself, and that loss saps your capacity for joy. I think comfort can be a curse, an addiction that without warning or notice erodes hope. You know what I mean?” He looked at each of them, but no one answered. “Live with it long enough and the prison stops being the walls or the guards. Instead, it’s the fear you can’t survive on your own, the belief you aren’t as capable, or as worthy, as others. I think everyone has the capacity to do great things, to rise above their everyday lives; they just need a little push now and then.

How many years had he spent believing that he was meant for more? Sometimes he thought his head was a snarl of myth and folktales, where magic coaxed ignored princes out of the shadows and gave them a crown and a legend to live in. He used to wait for the moment when magic would drape a new world over his eyes. But time turned his hopes dull and lightless.

My life has taught me that true spiritual insight can come about only through direct experience, the way a severe burn can be attained only by putting your hand in the fire. Faith is nothing more than a watered-down attempt to accept someone else's insight as your own. Belief is the psychic equivalent of an article of secondhand clothing, worn-out and passed down. I equate true spiritual insight with wisdom, which is different from knowledge. Knowledge can be obtained through many sources: books, stories, songs, legends, myths, and, in modern times, computers and television programs. On the other hand, there's only one real source of wisdom - pain. Any experience that provides a person with wisdom will also usually provide them with a scar. The greater the pain, the greater the realization. Faith is spiritual rigor mortis.

Are the fae ever sane? We live in a world that isn't there half the time. We claim that windmills are giants, and because we say it, it's true. Our lives become myth and legend, until even we can't tell what we truly are from what we're told we ought to be. How can we live that way and be considered sane? My lord was never sane, but he was my love once. He always will be, somewhere. Wherever it is that the once upon a times go when they die.

most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.

But no one wants to listen to our sad stories unless they are smoothed over with a joke or nice melody. And even then, not always. No one wants to hear a woman talking or writing about pain in a way that suggests that it doesn't end. Without a pat solution, silver lining, or happy ending we're just complainers -- downers who don't realize how good we actually have it. Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything we do, but women's pain is a backdrop- a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or shellfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

God ordered Abraham to make a burnt offering of his longed-for son. Abraham built an altar, put firewood upon it, and trussed Isaac up on top of the wood. His murdering knife was already in his hand when an angel dramatically intervened with the news of a last-minute change of plan: God was only joking after all, 'tempting' Abraham, and testing his faith. A modern moralist cannot help but wonder how a child could ever recover from such a psychological trauma. By the standards of modern morality, this disgraceful story is an example simultaneously of child abuse, bullying in two asymmetrical power relationships, and the first recorded use of the Nuremberg defence: 'I was only obeying orders.' Yet the legend is one of the great foundational myths of all three monotheistic religions.

I believed the universe was completely random, and that's what eluded us. Because we all want to believe we are fundamental in some way. We are our own myths, our own legends. We give things reason. We are reasonable creatures and so everything must have its place, its purpose — but we are also egoistical creatures, and so we give ourselves reasons that don't exist.

When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.

Only after something is done do we truly realise it cannot be undone. Never had a night seemed to me so ill-omened; never had a celebration seemed to me so unjust, so cruel. The music drifting on the breeze sounded like an incantation that conjured me like a demon. I felt excluded from the joy of these people as they laughed and danced. I thought about the terrible waste my life had become … How? How could I have come so close to happiness and not had the courage to seize it with both hands? What terrible sin had I committed that I was forced to watch love seep though my fingers like blood from a wound? What is love when all it can do is survey the damage? What are its myths and legends, its victories and its miracles if a lover is not prepared to rise above, to brave the thunderbolt, to renounce eternal happiness for one kiss, one embrace, one moment with his beloved? Regret coursed through my veins like a poisonous sap, swelled my heart with loathsome fury. I hated myself, this useless burden abandoned by the roadside.

...you and I will be dust and half-remembered tales before they even start to build that city. But it will come, and when it does, this sword will still be there to see it. Kiriath steel — built to harm, built to last. When all the damage it’s done and the grief it’s caused have been forgotten, even by the gods, when the Kiriath themselves have passed into discredited myth, this murderous fucking ... thing ... will hang unused, and harmless, and gaped at by children. That’s how it ends, Gil. With no one to remember, or care, or understand what this thing could do when you set it free.

The ascendancy over men's minds of the ruins of the stupendous past, the past of history, legend and myth, at once factual and fantastic, stretching back and back into ages that can but be surmised, is half-mystical in basis. The intoxication, at once so heady and so devout, is not the romantic melancholy engendered by broken towers and mouldered stones; it is the soaring of the imagination into the high empyrean where huge episodes are tangled with myths and dreams; it is the stunning impact of world history on its amazed heirs.

I’m Tekchin,” he said, exchanging an empty gourd for a full one. “The handsomest and most skilled of the Galantians.” This brought an immediate and loud moan from the other Fhrey. “That scar suggests otherwise,” Moya replied. “On both counts.” More laughter, louder this time. “Pretty and smart,” Tekchin said to the others in Fhrey. Persephone was thankful Moya couldn’t understand their language. A comment like that would have been tantamount to putting torch to tinder. “This?” Tekchin returned to Rhunic and touched his cheek. “Naw, this is a beauty mark given to me by a special friend. He’s dead now, of course, but he was a gifted opponent and aiming for my throat. I can assure you it proves my skill. So what’s your name, or shall I call you Doe-Eyes?” “Doe-Eyes? Seriously?” Moya rolled her same-said eyes in disbelief. “I would have expected something less sappy from a god. My name is Moya. Call me anything else and you’ll receive a second beauty mark.” Tekchin struggled but failed to resist smiling. Behind him, the rest of the Fhrey laughed once more. “God, eh?” Tekchin said. “Don’t get too excited. Apparently it’s only a rumor.” “I like you, Moya.” “Most people do,” she replied.

The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.

Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded.

Fairy tales, fantasy, legend and myth...these stories, and their topics, and the symbolism and interpretation of those topics...these things have always held an inexplicable fascination for me," she writes. "That fascination is at least in part an integral part of my character — I was always the kind of child who was convinced that elves lived in the parks, that trees were animate, and that holes in floorboards housed fairies rather than rodents. You need to know that my parents, unlike those typically found in fairy tales — the wicked stepmothers, the fathers who sold off their own flesh and blood if the need arose — had only the best intentions for their only child. They wanted me to be well educated, well cared for, safe — so rather than entrusting me to the public school system, which has engendered so many ugly urban legends, they sent me to a private school, where, automatically, I was outcast for being a latecomer, for being poor, for being unusual. However, as every cloud does have a silver lining — and every miserable private institution an excellent library — there was some solace to be found, between the carved oak cases, surrounded by the well–lined shelves, among the pages of the heavy antique tomes, within the realms of fantasy. Libraries and bookshops, and indulgent parents, and myriad books housed in a plethora of nooks to hide in when I should have been attending math classes...or cleaning my room...or doing homework...provided me with an alternative to a reality I didn't much like. Ten years ago, you could have seen a number of things in the literary field that just don't seem to exist anymore: valuable antique volumes routinely available on library shelves; privately run bookshops, rather than faceless chains; and one particular little girl who haunted both the latter two institutions. In either, you could have seen some variation upon a scene played out so often that it almost became an archetype: A little girl, contorted, with her legs twisted beneath her, shoulders hunched to bring her long nose closer to the pages that she peruses. Her eyes are glued to the pages, rapt with interest. Within them, she finds the kingdoms of Myth. Their borders stand unguarded, and any who would venture past them are free to stay and occupy themselves as they would.

I compared what was really known about the stars with the account of creation as told in Genesis. I found that the writer of the inspired book had no knowledge of astronomy -- that he was as ignorant as a Choctaw chief -- as an Eskimo driver of dogs. Does any one imagine that the author of Genesis knew anything about the sun -- its size? that he was acquainted with Sirius, the North Star, with Capella, or that he knew anything of the clusters of stars so far away that their light, now visiting our eyes, has been traveling for two million years? If he had known these facts would he have said that Jehovah worked nearly six days to make this world, and only a part of the afternoon of the fourth day to make the sun and moon and all the stars? Yet millions of people insist that the writer of Genesis was inspired by the Creator of all worlds. Now, intelligent men, who are not frightened, whose brains have not been paralyzed by fear, know that the sacred story of creation was written by an ignorant savage. The story is inconsistent with all known facts, and every star shining in the heavens testifies that its author was an uninspired barbarian. I admit that this unknown writer was sincere, that he wrote what he believed to be true -- that he did the best he could. He did not claim to be inspired -- did not pretend that the story had been told to him by Jehovah. He simply stated the "facts" as he understood them. After I had learned a little about the stars I concluded that this writer, this "inspired" scribe, had been misled by myth and legend, and that he knew no more about creation than the average theologian of my day. In other words, that he knew absolutely nothing. And here, allow me to say that the ministers who are answering me are turning their guns in the wrong direction. These reverend gentlemen should attack the astronomers. They should malign and vilify Kepler, Copernicus, Newton, Herschel and Laplace. These men were the real destroyers of the sacred story. Then, after having disposed of them, they can wage a war against the stars, and against Jehovah himself for having furnished evidence against the truthfulness of his book.

Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether. [...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe. [...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.… “Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power— [...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave. [...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?

The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.

According to the gospels, Christ healed diseases, cast out devils, rebuked the sea, cured the blind, fed multitudes with five loaves and two fishes, walked on the sea, cursed a fig tree, turned water into wine and raised the dead. How is it possible to substantiate these miracles? The Jews, among whom they were said to have been performed, did not believe them. The diseased, the palsied, the leprous, the blind who were cured, did not become followers of Christ. Those that were raised from the dead were never heard of again. Can we believe that Christ raised the dead? A widow living in Nain is following the body of her son to the tomb. Christ halts the funeral procession and raises the young man from the dead and gives him back to the arms of his mother. This young man disappears. He is never heard of again. No one takes the slightest interest in the man who returned from the realm of death. Luke is the only one who tells the story. Maybe Matthew, Mark and John never heard of it, or did not believe it and so failed to record it. John says that Lazarus was raised from the dead. It was more wonderful than the raising of the widow’s son. He had not been laid in the tomb for days. He was only on his way to the grave, but Lazarus was actually dead. He had begun to decay. Lazarus did not excite the least interest. No one asked him about the other world. No one inquired of him about their dead friends. When he died the second time no one said: “He is not afraid. He has traveled that road twice and knows just where he is going.” We do not believe in the miracles of Mohammed, and yet they are as well attested as this. We have no confidence in the miracles performed by Joseph Smith, and yet the evidence is far greater, far better. If a man should go about now pretending to raise the dead, pretending to cast out devils, we would regard him as insane. What, then, can we say of Christ? If we wish to save his reputation we are compelled to say that he never pretended to raise the dead; that he never claimed to have cast out devils. We must take the ground that these ignorant and impossible things were invented by zealous disciples, who sought to deify their leader. In those ignorant days these falsehoods added to the fame of Christ. But now they put his character in peril and belittle the authors of the gospels. Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven. Why did he not again enter the temple and end the old dispute with demonstration? Why did he not confront the Roman soldiers who had taken money to falsely swear that his body had been stolen by his friends? Why did he not make another triumphal entry into Jerusalem? Why did he not say to the multitude: “Here are the wounds in my feet, and in my hands, and in my side. I am the one you endeavored to kill, but death is my slave”? Simply because the resurrection is a myth. The miracle of the resurrection I do not and cannot believe. We know nothing certainly of Jesus Christ. We know nothing of his infancy, nothing of his youth, and we are not sure that such a person ever existed. There was in all probability such a man as Jesus Christ. He may have lived in Jerusalem. He may have been crucified; but that he was the Son of God, or that he was raised from the dead, and ascended bodily to heaven, has never been, and, in the nature of things, can never be, substantiated.