Bomb Shelter Quotes

We've searched our database for all the quotes and captions related to Bomb Shelter. Here they are! All 100 of them:

I act like someone in a bomb shelter trying to raise everyone’s spirits.
Carrie Fisher (The Princess Diarist)
He rakes his fingers through his hair, looking agitated. “Look, I’m sure I could find you a nice little bomb shelter somewhere with two years worth of supplies.” “I’m guessing those are all taken.” “And I’m guessing someone would happily give one up for you, especially if I asked nicely.” He gives me a dry smile. “You could take a little vacation from all this and come out after things settle down. Hole up, wait it out, be safe.” “You’d better be careful. You might be mistaken for someone who’s worried about me.” He shakes his head. “I’m just worried someone might recognize my sword in your hands. If I squirrel you away for a couple of years, then maybe I can save myself the embarrassment
Susan Ee (World After (Penryn & the End of Days, #2))
Did you see the frightened ones, Did you hear the falling bombs, Did you ever wonder why we had to run for shelter in the promise of a brave new world unfurlled beaneath the clear blue skies. Good bye blue skies.
Roger Waters
It seemed sensible to crave safety, to crave shelter from the bombs and the Birds and the daily depravity of war. But somewhere deep in her mind an idea had begun to fester-perhaps the longing for safety was itself just another kind of violence-a violence of cowardice, silence, submission. What was safety, anyway, but the sound of a bomb falling on someone else's home?
Omar El Akkad (American War)
We make a stage set out of my past and stuff painted puppets into it. We make a bridge toward my future and I cry to you: I will be steel! I will build a steel bridge over my need! I will build a bomb shelter over my heart! But my future is a secret. It is as shy as a mole.
Anne Sexton (Selected Poems)
The lamplight was eerie, and, standing there motionless in our bathrobes, sleepy, with shadows flickering all around, I felt as though I had woken from one dream into an even more remote one, some bizarre wartime bomb shelter of the unconscious.
Donna Tartt (The Secret History)
Look at us. We build giant highways and murderously fast cars for killing each other and committing suicide. Instead of bomb shelters we construct gigantic frail glass buildings all over Manhattan at Ground Zero, a thousand feet high, open to the sky, life a woman undressing before an intruder and provoking him to rape her. We ring Russia's borders with missile-launching pads, and then scream that she's threatening us. In all history there's never been a more lurid mass example of the sadist-masochist expression of the thanatos instinct than the present conduct of the United States. The Nazis by comparison were Eagle Scouts.
Herman Wouk (Don't Stop the Carnival)
Cigarettes spark in the dark: fireflies in a bomb shelter.
Ocean Vuong (Time Is a Mother)
The problem is not that religious people are stupid. It's not that religious fundamentalists are stupid. I happen to think that you can be so well educated that you can build a nuclear bomb, and still get--and still believe that you will get the 72 virgins in paradise--that is the problem. The problem is that--religion--because it has been sheltered from criticism as it has been--allows people--perfectly sane, perfectly intelligent people--to believe en masse, what only idiots or lunatics could believe in isolation.
Sam Harris
As far as I can tell, the uncertain part is every second we’re alive, until the last.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
At this point, I couldn't help it. I walked around to see her better, and from the moment I witnessed her face again, I could tell that this was who she loved the most. Her expression stroked the man on his face. It followed one of the lines down his cheek. He had sat in the washroom with her and taught her how to roll a cigarette. He gave bread to a dead man on Munich Street and told the girl to keep reading in the bomb shelter. Perhaps if he didn't, she might not have ended up writing in the basement. Papa - the accordionist - and Himmel Street. One could not exist without the other, because for Liesel, both were home. Yes, that's what Hans Hubermann was for Liesel Meminger.
Markus Zusak (The Book Thief)
Racism is both overt and covert. It takes two, closely related forms: individual whites acting against individual blacks, and acts by the total white community against the black community. We call these individual racism and institutional racism. The first consists of overt acts by individuals, which cause death, injury or the violent destruction of property. This type can be recorded by television cameras; it can frequently be observed in the process of commission. The second type is less overt, far more subtle, less identifiable in terms of specific individuals committing the acts. But it is no less destructive of human life. The second type originates in the operation of established and respected forces in the society, and thus receives far less public condemnation than the first type. When white terrorists bomb a black church and kill five black children, that is an act of individual racism, widely deplored by most segments of the society. But when in that same city - Birmingham, Alabama - five hundred black babies die each year because of the lack of proper food, shelter and medical facilities, and thousands more are destroyed and maimed physically, emotionally and intellectually because of conditions of poverty and discrimination in the black community, that is a function of institutional racism. When a black family moves into a home in a white neighborhood and is stoned, burned or routed out, they are victims of an overt act of individual racism which many people will condemn - at least in words. But it is institutional racism that keeps black people locked in dilapidated slum tenements, subject to the daily prey of exploitative slumlords, merchants, loan sharks and discriminatory real estate agents. The society either pretends it does not know of this latter situation, or is in fact incapable of doing anything meaningful about it.
Stokely Carmichael (Black Power: The Politics of Liberation)
Be courageous, not brave. Bravery was to dash out of the bomb shelter and grab the child left crying on the veranda. Courage was to go to the stream the day after a bomb had scattered your friend on that path because water must be fetched to sustain the life that was left.
Chibundu Onuzo (Welcome to Lagos)
As a younger man, Trout would have sneered at the sign about brotherhood—posted on the rim of a bomb crater, as anyone could see. But his head no longer sheltered ideas of how things could be and should be on the planet, as opposed to how they really were. There was only one way for the Earth to be, he thought: the way it was.
Kurt Vonnegut Jr. (Breakfast of Champions)
Oh, and a huge Federal Building that looked like it was being molested by a giant steel pterodactyl, but evidently that was just the government trying to get away from their standard bomb shelter architecture to something more aesthetically appealing, especially if you liked Godzilla porn.
Christopher Moore (Bite Me (A Love Story, #3))
Dante…” I swallowed back the fear in my throat. “What’s going on?” “War,” he whispered. “America’s at war!” I screamed. “Oh my gosh, do we even have a bomb shelter?” I started running around in circles, I needed to grab a book or something, or my notes. Crap! I needed my letters! “Val!” Dante yelled. “I
Rachel Van Dyken (Empire (Eagle Elite, #8))
Singin' In the Rain might get you through an anxious week or two, but it won't get you through an anxious life. For that you need either a brain transplant (the only procedure of its kind, it has been said, in which it is better to be a donor than a recipient), a fully stocked bomb shelter, or a thorough adjustment of your perspective on existential risk and reward.
Daniel B. Smith (Monkey Mind: A Memoir of Anxiety)
They came here on Sunday, 30th June, 1940, after bombing us two days before. They said they hadn't meant to bomb us; they mistook our tomato lorries on the pier for army trucks. How they came to think that strains the mind. They bombed us, killing some thirty men, women, and children - one among them was my cousin's boy. He had sheltered underneath his lorry when he first saw the planes dropping bombs, and it exploded and caught fire. They killed men in their lifeboats at sea. They strafed the Red Cross ambulances carrying our wounded. When no one shot back at them, they saw the British had left us undefended. They just flew in peaceably two days later and occupied us for five years.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
The weathermen warn us for days of the impending snowstorm that's to arrive Thursday night. The grocery stores have run out of bottle water as people prepare to take shelter in their homes; my God, I think, it's winter, an annual certainty, not the atomic bomb.
Mary Kubica (The Good Girl (English Edition))
Better to believe the world is at least half-full of decent intentions than to focus on how it’s also half-full of assholes.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
the metro was not merely a transportation facility, built at a certain point in time, that it was not merely an atomic bomb shelter, or home to some tens of thousands of people . . . Rather, somebody had breathed into it their own, mysterious, incomparable life, and it possessed a certain extraordinary kind of reason, which a human being could not fathom, and a consciousness that was alien to him.
Dmitry Glukhovsky (Metro 2033)
Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally believed to be, and this hermetic, overheated atmosphere made it a thriving black petrie dish of melodrama and distortion. I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke. Someone said it was a nuclear attack; TV and radio reception, never good there in the mountains, happened to be particularly bad that night, and in the ensuing stampede for the telephones the switchboard shorted out, plunging the school into a violent and almost unimaginable panic. Cars collided in the parking lot. People sceamed, wept, gave away t heir possessions, huddled in small groups for comfort and warmth. Some hippies barricaded themselves in the Science Building, in the lone bomb shelter, and refused to let anyone in who didn't know the world to "Sugar Magnolia." Factions formed, leaders rose from the chaos. Though the world, in fact, was not destroyed, everyone had a marvelous time and people spoke fondly of the event for years afterward.
Donna Tartt (The Secret History)
Locker rooms, in Schwartz's experience, were always underground, like bunkers and bomb shelters. This was less a structural necessity than a symbolic one. The locker room protected you when you were most vulnerable: just before a game, and just after (And halfway through, if the game was football) Before the game, you took off the uniform you wore to face the world and you put on the one you wore to face your opponent. In between you were naked in every way. After the game ended, you couldn't carry your game-time emotions out into the world - you'd be put in an asylum if you did - so you went underground and purged them. You yelled and threw things and pounded on your locker, in anguish or joy. You hugged your teammate, or bitched him out, or punched him in the face. Whatever happened, the locker room remained a haven.
Chad Harbach (The Art of Fielding)
It is enough, the now, and though it comes without anything, it gives me everything. With it I can repopulate the world. I can bring forth new worlds in underground shelters while the bombs are dropping above; I can do it in lifeboats as the ship goes down; I can do it in prisons without the guard's permission; and O, when I do it quietly in the lobby while the conference is going on, a lot of states-men will emerge twirling their moustaches, and see the birth blood, and know they have been foiled. Love is strong as death.
Elizabeth Smart
THE BEGIN YEARS HAD not been easy ones for Israel, but they had been important. Israel had made peace with its once most potent enemy, Egypt. It had made clear that it would not tolerate weapons of mass destruction in the hands of its sworn enemies. It had shown that it would go to war—even a war that many Israelis eventually opposed—to protect the rights of its citizens and children to live normal lives and not to sleep in bomb shelters.
Daniel Gordis (Israel: A Concise History of a Nation Reborn)
Of course, the way they put it, the idea was if we had to buy our gas masks and bomb shelters we’d take better care of them. As if we ever damaged telephones and sidewalks. Or highways, because the whole state provided them. Or armies.
Philip K. Dick (Selected Stories Of Philip K. Dick)
The second tunnel’s a Ministry of Defence tunnel...dug for a nuclear bomb shelter. The entrance is in the garden center at Woolworth’s in Great Malvern...When the four-minute warning goes off, the Ministry of Defence lot at the RSRE’ll be ferried up to Woolies by the military police. Councillors from Malvern Council’ll be allowed in, so will Woolworth’s manager and assistant manager. Then the military police...They’ll grab one or two of the prettier shop assistants for breeding...Then that door’ll close and all of us’ll get blown to kingdom come.
David Mitchell (Black Swan Green)
She thought of the Allied airmen dropping the bombs, wondered if they knew what they were doing, who their bombs were killing. Were they war criminals, as most of the people in the air-raid shelter would testify? Or were things like accountability for war crimes decided by the victors?
Eoin Dempsey (White Rose, Black Forest)
They did not overthrow the elected government of Mossadegh in Iran; support the genocide of eight hundred thousand leftists in Indonesia; intervene on behalf of the fascist Phalange against the Palestinians in Lebanon; fight a dirty war against Dhofarian insurgents; underwrite absolute monarchies like Saudi Arabia, the shah of Iran, Morocco, and the Gulf Emirates; build with billions of U.S. tax dollars the golden throne upon which Mubarak sits like a modern-day pharaoh; arm Saddam Hussein in the 1980s and turn a blind eye to his genocide against the communists and Kurds; then kill seventeen thousand Iraqi civilians in bombing raids during the Gulf War, including more than four hundred women and children incinerated in the Amariyah bomb shelter. Nor did they stir the Shias of southern Iraq into revolt, then abandon them to Saddam Hussein’s executioners because George Bush senior calculated that the total destruction of the regime would create an impermissible power vacuum that Iran might rush to fill.
Mike Davis (In Praise of Barbarians: Essays Against Empire)
Sometimes time moves quickly and sometimes it moves slowly, but it always moves forward. This is not your life forever.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
When you’re an adult who thinks your own churning mind is what keeps everything safe, it’s called anxious.)
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Loving a teenager is just as emotionally intoxicating as loving a baby. Maybe even more.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
When we begin things, we can’t possibly know how they will end. Everything we plan is built on guesses and hopes, never on certainty. It’s a wonder anybody ever starts anything.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I don’t think, This is my life right now. I think, This is my life forever. I panic. I forget, although I’ve learned it countless times, that every stage of life changes, then ends.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Life can’t be all beginnings, but I am still a little stuck on the fact that I don’t want my people to go. I’m a little stuck on the idea that what I want has anything to do with anything.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
She thought of the Allied airmen dropping the bombs, wondered if they knew what they were doing, who their bombs were killing. Were they war criminals, as most of the people in the air-raid shelter would testify? Or were things like accountability for war crimes decided by the victors? ...Those on the side that emerged victorious would likely be lauded as heroes, their crimes remembered as exemplary actions.
Eoin Dempsey (White Rose, Black Forest)
During World War II, a few years after Norma Jeane’s time in an orphanage, thousands of children were evacuated from the air raids and poor rations of London during the Blitz, and placed with volunteer families or group homes in the English countryside or even in other countries. It was only postwar studies comparing these children to others left behind that opened the eyes of many experts to the damage caused by emotional neglect. In spite of living in bombed-out ruins and constant fear of attack, the children who had been left with their mothers and families tended to fare better than those who had been evacuated to physical safety. Emotional security, continuity, a sense of being loved unconditionally for oneself—all those turn out to be as important to a child’s development as all but the most basic food and shelter.
Gloria Steinem (Marilyn: Norma Jeane)
In the poorer neighbourhoods there was always a crowd in the Métro, or the foul-smelling shelters. The wealthy simply went to sit with the concierge, straining to hear the shells bursting and the explosions that meant bombs were falling, their bodies as tense as frightened animals in dark woods as the hunter gets closer. Though the poor were just as afraid as the rich, and valued their lives just as much, they were more sheeplike: they needed one another, needed to link arms, to groan or laugh together.
Irène Némirovsky (Suite Française)
I used to think babyhood was the neediest stage of life, but teenagers need their parents just as much—maybe even more. A baby needs a snuggle, some eye contact, a song. A teenager needs a trusted adult to talk things out with when they or a friend gets into a scary situation.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
We take care of who we can and what we can, near and far, because that’s the job. That is life. It’s true: There will always be threats lurking under the water where we play, danger hiding in the attic and rolling down the street on heavy wheels, unexpected explosions in our brains and our hearts and the sky. There will always be bombs, and we will never be able to save everyone we care about. To know that and to try anyway is to be fully alive. The closest thing to shelter we can offer one another is love, as deep and wide and in as many forms as we can give it.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Richard Nixon was elected president mendaciously promising not victory, but a “secret plan” to bring the war to an “honorable end.” The secret plan prolonged the conflict seven more years, spreading misery and death throughout Indochina. Nixon began gradually drawing down the number of Americans fighting there in 1969, and— catastrophically, as it turned out— began shifting the military burden to Saigon. General Abrams threw greater and greater responsibility for prosecuting the war to the ARVN [South Vietnamese military], shifting his efforts to disrupting and destroying Hanoi’s delivery of troops and matériel. This is what prompted the raids into the neighboring countries of Laos and Cambodia, where North Vietnam had long sheltered troops and supply routes. The bombing of Communist sanctuaries in Cambodia destabilized that neutral country, leading to the overthrow of Prince Norodom Sihanouk in 1970 and the rise of the murderous Khmer Rouge, which would be responsible for the deaths of millions of Cambodians in ensuing years.
Mark Bowden (Huế 1968: A Turning Point of the American War in Vietnam)
am a person who trusts data and loves information and feels soothed by sorting things. I’m a person who sees cause for delight everywhere but can’t stop noticing danger everywhere, too, and who often struggles to reconcile the two. I’m a person who takes every personality test despite knowing her own personality very well, and then retakes them until she gets the label she wants.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Girls don’t learn the difference between personal victory and team victory or personal loss and team loss. Girls learned that if you don’t do it yourself, it doesn’t get done. Girls were never asked to fight the war in Vietnam or any other war. But if they had been, girls would have won. Girls would have felt guilty for not winning it sooner, and girls would have restored all of the roads, rebuilt all of the bombed homes, adopted all of the orphans, established daycare centers, domestic violence shelters and homeless shelters, and girls would have processed endlessly about what we could have done to have prevented the war and what we still can do to prevent it from ever happening again. Because girls believe, in the end, everything that happens is our own personal fault.
Cheryl Peck (Fat Girls and Lawn Chairs)
I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke. Someone said it was a nuclear attack; TV and radio reception, never good there in the mountains, happened to be particularly bad that night, and in the ensuing stampede for the telephones the switchboard shorted out, plunging the school into a violent and almost unimaginable panic. Cars collided in the parking lot. People screamed, wept, gave away their possessions, huddled in small groups for comfort and warmth. Some hippies barricaded themselves in the Science Building, in the lone bomb shelter, and refused to let anyone in who didn’t know the words to “Sugar Magnolia.” Factions formed, leaders rose from the chaos. Though the world, in fact, was not destroyed, everyone had a marvelous time and people spoke fondly of the event for years afterward.
Donna Tartt (The Secret History)
In the space of a single year, a crumbling rural village had sprouted an army town, like a great parasitical growth. The former peacetime aspect of the place was barely discernible. The village pond was where the dragoons watered their horses, infantry exercised in the orchards, soldiers lay in the meadows sunning themselves. All the peacetime institutions collapsed, only what was needed for war remained. Hedges and fences were broken or simply torn down for easier access, and everywhere there were large signs giving directions to military traffic. While roofs caved in, and furniture was gradually used up as firewood, telephone lines and electricity cables were installed. Cellars were extended outwards and downwards to make bomb shelters for the residents; the removed earth was dumped in the gardens. The village no longer knew any demarcations or distinctions between thine and mine.
Ernst Jünger (Storm of Steel)
Self-destruction meant nothing to those madmen, in their bomb-shelters, who were preparing for their own death and apotheosis. All that mattered was not to destroy oneself alone and to drag a whole world with one. In a way, the man who kills himself in solitude still preserves certain values since he, apparently, claims no rights over the lives of others. The proof of this is that he never makes use, in order to dominate others, of the enormous power and freedom of action which his decision to die gives him.
Albert Camus (The Rebel)
He was down in the meat locker on the night that Dresden was destroyed. There were sounds like giant footsteps above. Those were sticks of high-explosive bombs. The giants walked and walked. The meat locker was a very safe shelter. All that happened down there was an occasional shower of calcimine. The Americans and four of their guards and a few dressed carcasses were down there, and nobody else. The rest of the guards had, before the raid began, gone to the comforts of their own homes in Dresden. They were all being killed with their families.
Kurt Vonnegut Jr. (Slaughterhouse Five)
Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally believed to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion. I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke. Someone said it was a nuclear attack; TV and radio reception, never good there in the mountains, happened to be particularly bad that night, and in the ensuing stampede for the telephones the switchboard shorted out, plunging the school into a violent and almost unimaginable panic. Cars collided in the parking lot. People screamed, wept, gave away their possessions, huddled in small groups for comfort and warmth. Some hippies barricaded themselves in the Science Building, in the lone bomb shelter, and refused to let anyone in who didn't know the words to 'Sugar Magnolia'. Factions formed, leaders rose from the chaos. Though the world, in fact, was not destroyed, everyone had a marvelous time and people spoke fondly of the event for years afterward.
Donna Tartt (The Secret History)
Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally believed to be, and this hermetic, overheated atmosphere made it a thriving black petrie dish of melodrama and distortion. I remember well, for instance, the blind animal terror which ensued when some townie set off the civil defense sirens as a joke. Someone said it was a nuclear attack; TV and radio reception, never good there in the mountains, happened to be particularly bad that night, and in the ensuing stampede for the telephones the switchboard shorted out, plunging the school into a violent and almost unimaginable panic. Cars collided in the parking lot. People screamed, wept, gave away their possessions, huddled in small groups for comfort and warmth. Some hippies barricaded themselves in the Science Building, in the lone bomb shelter, and refused to let anyone in who didn’t know the words to “Sugar Magnolia.” Factions formed, leaders rose from the chaos. Though the world, in fact, was not destroyed, everyone had a marvelous time and people spoke fondly of the event for years afterward.
Donna Tartt (The Secret History)
How hard would it be to repurpose the old smoking lounges and designate a space where people can go to break down for whatever reason? A crying lounge could be stocked with cold beverages, soft chairs, windows to stare out of, large sunglasses in a range of sizes, fresh waterproof mascara, and friendly, quiet dogs of varying fluffiness. It could be centrally located but closed off, separate from the rest of the airport, just like time and space in the air are separate from time and space on the ground. Wouldn’t it be lovely to have a place where we could privately fall to pieces and then get ourselves together? Instead, we have to do it out in the open.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Sometimes I don’t know how any of us go on. Sometimes I fear there’s no way our species will survive our own self-destructive choices. Sometimes I feel so gut punched by the backward deal of the universe—that if you’re really lucky, you get people in your life to love, and then, over time, they will all either leave you or die—that I am angry at life. Actually, not sometimes. Always. I always feel that way. I don’t always actively think about it, but it’s in there. At the same time, I am always looking for some gratitude, warmth, or hope. I often have to really search for it, but when I see something that makes me feel joy—even just a tiny odd hardly anything—you’re damn right I applaud it. Way to go, adorable cat on a leash! Thank you, server who brought my hot pizza! Kudos, writers of a TV show that made me laugh! Hallelujah, sunshine after a week of storms! Yay for a good hair day, yippee for hot coffee, huzzah for an outfit that puts bounce in my step. If I can scrape up some evidence of a thing made beautifully or a gesture made kindly, then I can believe, for a few seconds, that this world is careful and kind. And if I can believe that, I can believe it is safe to let the people I love walk around out there. It’s my own attempt at foresparkling, seeking out hints of good, even planting them myself, so I can believe there’s more good to come. It might all be superstition, just mental magic, but why not try?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
The civil machinery which ensured the carrying out of this law, and the military organization which turned numbers of men into battalions and divisions, were each founded on a bureaucracy. The production of resources, in particular guns and ammunition, was a matter for civil organization. The movement of men and resources to the front, and the trench system of defence, were military concerns.” Each interlocking system was logical in itself and each system could be rationalized by those who worked it and moved through it. Thus, Elliot demonstrates, “It is reasonable to obey the law, it is good to organize well, it is ingenious to devise guns of high technical capacity, it is sensible to shelter human beings against massive firepower by putting them in protective trenches.” What was the purpose of this complex organization? Officially it was supposed to save civilization, protect the rights of small democracies, demonstrate the superiority of Teutonic culture, beat the dirty Hun, beat the arrogant British, what have you. But the men caught in the middle came to glimpse a darker truth. “The War had become undisguisedly mechanical and inhuman,” Siegfried Sassoon allows a fictional infantry officer to see. “What in earlier days had been drafts of volunteers were now droves of victims.”378 Men on every front independently discovered their victimization. Awareness intensified as the war dragged on. In Russia it exploded in revolution. In Germany it motivated desertions and surrenders. Among the French it led to mutinies in the front lines. Among the British it fostered malingering.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
The worst bosses condemn their people to live in constant fear as they wait for the next wave of bad news, which always seems to hit without warning and at random intervals. The best bosses do everything possible to communicate when and how distressing events will unfold. When the timing of a stressful event can be predicted, so can its absence: Psychologist Martin Seligman called this the safety signal hypothesis. Predictability helps people know when to relax versus when dread and vigilance are warranted – which protects them from the emotional and physical exhaustion that results when people never feel safe from harm for even a moment. Seligman illustrated his hypothesis with air-raid sirens used during the German bombing of London during World War II. The sirens were so reliable that people went about their lives most of the time without fear; they didn’t need to worry about dashing to the shelters unless the sirens sounded.
Robert I. Sutton (Good Boss, Bad Boss: How to Be the Best... and Learn from the Worst)
He looked up at her and saw that she wore the face of Everyone. It was the face of the two women who talked in the seat behind him on the bus; it was the face of Mrs. Leslie, saying to him, "Some of us are going to organize a Pretentionist Club ..." It was the face of those who did not dare sit down and talk with themselves, the people who could not be alone a minute, the people who were tired without knowing they were tired and afraid without knowing that they were afraid. And, yes, it was the face of Mrs. Leslie's husband, crowding drink and women into a barren life. It was the grinding anxiety that had become commonplace, that sent people fleeing for psychological shelters against the bombs of uncertainty. Gaiety no longer was sufficient, cynicism had run out, and flippancy had never been more than a temporary shield. So now the people fled to the drug of pretense, identifying themselves with another life and another time and place--at the movie theater or on the television screen or in the Pretentionist movement. For so long as you were someone else you need not be yourself. Clifford D. Simak. Ring Around the Sun (Kindle Locations 1207-1215). Avon. Kindle Edition.
Clifford D. Simak (Ring Around the Sun (Masters of Science Fiction))
I thought I'd never find you," Luce heard her past self say. "We will always find each other," Daniel answered, lifting her off the ground and squeezing her closer. "Always." "Hey,you two!" A voice shouted from a doorway in a neighboring building. "Are you coming?" Across the square from the empty lot, a small group of people were being herded into a solid stone building by a guy whose face Luce couldn't make out. That was where Luschka and Daniel were headed. It must have been their plan all along, to take shelter from the bombs together. "Yes," Luschka called to the others. She looked at Daniel. "Let's go with them." "No." His voice was curt. Nervous. Luce knew that tone all too well. "We'll be safer off the street. Isn't this why we agreed to meet here?" Daniel turned to look back behind them, his eyes sweeping right past the place where Luce was hiding. When the sky lit up with another round of golden-red explosions, Luschka screamed and buried her face in Daniel's chest. So Luce was the only one who saw his expression. Something was weighing on him. Something greater than fear of the bombs. Oh no. "Daniil!" A boy near the building was still holding open the door to the shelter. "Luschka! Daniil!" Everyone else was already inside. That was when Daniil spun Luschka around, pulled her ear close to his lips. In her shadowy hiding place, Luce ached to know what he was whispering. If he was saying any of the things Daniel ever told her when she was upset or overwhelmed. She wanted to run to them, to pull Luschka away-but she couldn't. Something deep inside her would not budge. She fixed on Luschka's expression as if her whole life depended on it. Maybe it did. Lsuchka nodded as Daniil spoke, and her face changed from terrified to calm, alost peaceful. She closed her eyes. She nodded one more time. Then she tipped back her head, and a smile spread slowly across her lips. A smile? But why? How? It was almost like she knew what was about to happen? Daniil held her in his arms and dipped her low. He leaned in for another kiss, pressing his lips firmly against hers, running his hands through her hair, then down her sides, across every inch of her. It was so passionate that Luce blushed, so intimate she couldn't breathe, so gorgeous that she couldn't tear her eyes away.Not for a second. Not even when Luschka screamed. And burst into a column of searing white flame.
Lauren Kate (Passion (Fallen, #3))
Because of the many casualties that had happened in homemade bunkers, we were warned to no longer use them. We were told that the homemade shelter we had laboriously constructed in the basement of our building was useless and now could not even give us the illusion of being a safe haven. Instead a massive new suburban air raid shelter had been built of reinforced concrete, which was eleven feet thick in places. The structure was near the tram stop where the Feudenheimer Strasse became the Haupt Strasse or Main Street. Even with a war going on with lives at stake, Nazi style commercialism was alive and well, as we rented a room in this nearby bunker for six Reichmarks a night. At the time $1 = RM 2.50. The small room had four beds and we were told to be there prior to 18:00 hours or six o’clock in the evening. Concussions from the bombs were of primary concern and everything was designed to minimize their effect. The pathway to the entrance of this bunker was a zigzagged concrete walk protected by sandbags, as this helped to reduce the concussion from an air blast. Tall bushes and grass as well as riverweed, were planted strategically to absorb the bomb bursts from across the river.
Hank Bracker
As spaces of promiscuous proximity, often lit poorly if at all, where existential fear suddenly was converted to the euphoria of being still alive and no longer having anything to lose, bunkers were also places of uncontrolled sexual encounters. The concern to discipline sexual conduct seems to have played a greater role in Great Britain than in Nazi Germany. Contrary to an idea born in the 1950s, according to which Nazism was marked by sexual repression, the anti-bourgeois dimension of the Volksgemeinschaft implied certain possibilities of sexual liberation.37 The British ‘people’s war’, on the other hand, was based far more strongly on a community founded on the bourgeois family and the need to repress sexual deviance, imputable both to women and the lower orders. As a clear sign of the particular role played by the family, the British authorities were initially against the idea of collective shelters, fearing that, in this mixing of classes, bourgeois virtue might be contaminated by the bad habits of the ‘lower orders’, leading to moral dissolution followed by a challenge to the social order. The middle classes were thus encouraged to build shelters in their gardens, which had the additional advantage of privatizing part of the costs bound up with air-raid precautions – something unthinkable in Germany, where the collective ideology of the Volksgemeinschaft was paramount.
Thomas Hippler (Governing from the Skies: A Global History of Aerial Bombing)
Maybe they had bomb shelter protocols, tornado basement procedures, places they went when a force of great destruction arrived. He imagined all those women and children tucked into some dark, airless bunker and wondered at the idea that they’d fled because of him. This didn’t make him feel powerful. Instead it gave him a different perspective on what had just happened. A strange man showed up in the middle of the night screaming that he was a god, demanding vengeance on his wife. Why wouldn’t these women and children be terrified?
Victor LaValle (The Changeling)
No amount of money could tempt them. Dad explained that they were taking the bulk of their profits and reconsecrating them to God in the form of supplies—food, fuel, maybe even a real bomb shelter. I suppressed a grin. From what I could tell, Dad was on track to become the best-funded lunatic in the Mountain West.
Tara Westover (Educated)
Originally there had been just two projects, which he had codenamed Bluebird and Artichoke; the bird and vegetable were among his favorites. Later had come Naomi, the name of a distant cousin. But soon there were so many projects that he had resorted to simply numbering them. By now the total number of projects stood at over 100 (they would eventually reach 149). MK-Project 94 was to investigate “remote directional control of activities in specific brain centers.” MK-Project 142 was to “study electrical brain stimulation.” In his never-ending search for information that could prove useful for the biological warfare program, Dr. Gottlieb had enlisted the support of the CIA archivists. They had turned up a box of documents which U.S. Army intelligence officers had recovered in Munich in 1945. The box was labeled: “German War Office Experiments 1934-39.” The documents still bore the German classification “Secret.” Among the experiments were those which had tracked air currents through the subway systems of Paris and London. “The tunnels would be prime targets in a future war when Londoners and Parisians sheltered in the tunnels during air raids. Using bacteria which were excellent biological tracers, the tunnels would be transformed into places for mass epidemics.” The memo had been written in July 1934, after the Nazis had come to power. Two months later on a hot summer’s day, according to another document, German agents had sprayed “billions of microbes into the Paris Metro system from cars they had driven past the subway entrances. Exhaust gasses provided a satisfactory disguise for the release of the microbes from tanks linked to the car exhausts.” A third document claimed that “six hours later, at the Place de la République Metro station, a mile and a half from the dispersal point, our agents discovered thousands of colonies of the germs.” In Berlin the findings had been eagerly studied. A memo sent to Herman Goering, the head of the Luftwaffe, from the German War Office read: “It was possible to drop a suitable biological bomb and be highly certain that the bacteria would enter the subway system.” Similar tests in London had been carried out by the Germans with “the same satisfying results.
Gordon Thomas (Secrets & Lies: A History of CIA Mind Control & germ Warfare)
The Greenbrier Bunker was one of America’s best-kept secrets for decades. Beneath the Greenbrier Resort in West Virginia, a bomb shelter was hidden from the general public. It was created for members of Congress in the event of an emergency, stocked with months’ worth of food and supplies. The bunker was kept a secret for over thirty years, and it was built alongside the Greenbrier Resort, in the town of White Sulphur Springs. Even the official historian of Greenbrier, Bob Conte, knew nothing about the bunker. Conte had all sorts of records and photos from the property, but nothing that revealed information about the bunker. It turns out that the bunker was built in case of an emergency during the Cold War. The space of the bunker has been compared to that of a Walmart store, with thick, concrete walls and an extensive air filtration system. Rows of metal bunkbeds line the walls, with enough beds for 1,100 people. The building of the bunker was called “Project Greek Island,” and hotel workers and locals were told the construction was for a new conference and exhibition center. It was even used for conferences by thousands of people who had no idea that it was actually designed to be a secret bunker. Down the hall from the sleeping quarters, there was a room designed to be the floor for the House of Representatives. A group of secret government employees disguised themselves as technicians, but they were really some of the only people in the world who knew about the bunker. It was their job to make sure there was a constant six-month supply of food, the most up-to-date pharmaceuticals, and everything that the members of Congress would need in the event of an emergency. The bunker was exposed to the public in 1992. Today, the Greenbrier property is home to not only the Greenbrier Resort, but also the Presidents’ Cottage Museum. As over twenty-five presidents have stayed there, the museum shows their experiences, the property’s history, and, now, part of the bunker. There is a new emergency shelter in place, but only a handful of people know its whereabouts.
Bill O'Neill (The Fun Knowledge Encyclopedia: The Crazy Stories Behind the World's Most Interesting Facts (Trivia Bill's General Knowledge Book 1))
both father and daughter, to have time together with no other distractions. Neil’s ship had docked on the Wednesday and he had come round to Crocus Street to pick up the presents he had been unable to give Libby the previous Christmas. It was only then that Marianne had realised how their daughter had matured since Neil had last seen her. Libby never played with dolls now, only skipped with a rope in the schoolyard since there was nowhere suitable at Tregarth, and had long outgrown the angora cardigan. But she knew her daughter well enough to be sure that Libby would not dream of upsetting her father by letting him see her disappointment, and had looked forward to Neil’s return, when he could tell her how Libby went on. But within a very short space of time, Marianne was far too occupied to wonder what Libby and her father were doing, for on the night of 1 May, while Neil was safely ensconced at Tregarth, Liverpool suffered its worst raid of the war so far. The planes started coming over just before eleven o’clock, and bombs simply rained down on the city. Fires started almost immediately. The docks were hit and the constant whistle and crash as the heavy explosives descended meant that no one slept. Mr Parsons had been fire watching, though the other lodgers had been in bed when the raid started and had taken to the shelters along with Gammy and Marianne. Mr Parsons told them, when he came wearily home at breakfast time next day, that he had never seen such destruction. By the end of the week, Marianne, making her way towards Pansy Street to make sure that Bill’s lodgings were still standing and that Bill himself was all right, could scarcely recognise the streets along which she passed. However, Pansy Street seemed relatively undamaged and when she knocked at Bill’s lodgings his landlady, Mrs Cleverley, assured her visitor that Mr Brett, though extremely tired – and who was not? – was fine. ‘He’s just changed his job, though,’ she told Marianne. ‘He’s drivin’ buses now, instead of trams, because there’s so many tramlines out of commission that he felt he’d be more use on the buses. And of course he’s fire watchin’ whenever he’s norrat work. Want to come in for a drink o’ tea, ducks? It’s about all that’s on offer, but I’ve just made a brew so you’re welcome to a cup.’ Marianne declined, having a good deal to do herself before she could get a rest, but she felt much happier knowing that Bill was safe. Their friendship had matured into something precious to her, and she realised she could scarcely imagine
Katie Flynn (Such Sweet Sorrow)
Picking locks? My old man taught me when I was a kid. Thought it might come in handy someday.” “Really? What kind of dad teaches their kid how to pick locks?” Rude, I knew, especially when my own father taught me to shoot guns and build a bomb shelter. Who was I to judge? He
Angela Scott (Anyone?)
Living through the Blitz, edited by MO’s Tom Harrisson, makes clear just how much the ‘1945’ we now consume is a construct, a convenient fairy tale built up piece by piece several generations later. Most interesting for our purposes is its plentiful evidence that the imperative (in rhetoric, if not in the specific form of the unprinted poster) to ‘Keep Calm and Carry On’ actually had much the opposite effect. The patronising message infuriated most of the scores of mostly working-class diarists and interviewees whose materials make up the book. And rather than an alliance between the ‘decent’ people and their ‘decent’, benevolent public servants, Living through the Blitz finds a total divorce between the interests of each, with the civil service and local government desperately scared of the workers they were supposed to be sheltering from bombs. For example, while the Labour left and radical architects were advocating communal shelters, central government had a firm preference for the privatisation of bomb protection. ‘Whitehall’, Harrisson writes, ‘had long declared that there must be no “shelter mentality”. If big, safe, deep shelters were established, people would simply lie in them and do no work. Worse, such concentrations of proletarians could be breeding grounds for mass hysteria, even subversion. The answer was the Anderson shelter.’2 That is, private shelters in back gardens, not necessarily safer, but less likely to encourage sedition.
Owen Hatherley (The Ministry of Nostalgia)
My siblings and I played in front of the bomb shelter entrance, waiting to be picked up by our grandfather,’ she recalls.38 Then, at 11:02am, the sky turned bright white. My siblings and I were knocked off our feet and violently slammed back into the bomb shelter. We had no idea what had happened. As we sat there shell-shocked and confused, heavily injured burn victims came stumbling into the bomb shelter en masse. Their skin had peeled off their bodies and faces and hung limply down on the ground, in ribbons. Their hair was burnt down to a few measly centimeters from the scalp. Many of the victims collapsed as soon as they reached the bomb shelter entrance, forming a massive pile of contorted bodies. The stench and heat were unbearable. My siblings and I were trapped in there for three days. Finally, my grandfather found us and we made our way back to our home. I will never forget the hellscape that awaited us. Half burnt bodies lay stiff on the ground, eye balls gleaming from their sockets. Cattle lay dead along the side of the road, their abdomens grotesquely large and swollen. Thousands of bodies bobbed up and down the river, bloated and purplish from soaking up the water. ‘Wait! Wait!’ I pleaded, as my grandfather treaded a couple paces ahead of me. I was terrified of being left behind.
Ananyo Bhattacharya (The Man from the Future: The Visionary Ideas of John von Neumann)
(When you are a child who believes your brain can keep planes from crashing, it’s imaginative and precocious. When you’re an adult who thinks your own churning mind is what keeps everything safe, it’s called anxious.)
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Reading became a scavenger hunt. Of course, sad books had the most foreshadowing; that’s why it was called foreshadowing and not foresparkling
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
All I had to do was be still and let the music play.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I had no experience with the panic that rises in a human heart when it's your job to take care of someone, but despite your efforts, they can't or won't respond to your care.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Having a body means taking care of yourself in all the usual ways, plus whatever extra way might be required by your particular thing [...] Everybody has something, and most things araen't so bad. All that's true, but there's more to it. You don't get to choose what your thing is, whether you get just one thing or more, or how your thing will respond to your efforts to manage it. And no matter how willingly you accept that about yourself, your compliance with fate doesn't earn you any say in anyone else's thing, either. Not even your own child's.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
The nursery song I sang to my baby--"never let you go"--had been a lie. But it wasn't a cruel lie. It was a hopeful one. It was a lie to me as much as to him. It was a loving work of fiction to let myself enjoy those warm, snuggly evenings without thinking about the fact that one of those times would be the last time.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
What is a bomb shelter but either practice for something that will never happen or a postponement of the inevitable?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
It would only be a problem if we told you it was a problem, baby.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
There’s an almost inevitable failure built into caring for two people during a moment when one is in crisis and one is not.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
A hardening happens to human souls as we come to accept terrible things as normal
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I keep mentioning television. Remember: There was no internet in the 1980s. What a child knew of the world was what immediately surrounded her in real life—her own family, friends, school, and home—and what glimpses she could get of the larger world through available windows. Television filled in the blanks, I thought, in my understanding of life. I had no way of knowing how many blanks remained unfilled or how correct or incorrect was the mental map I drew of the world based on that understanding. The major TV networks at the time all aired some version of melodramatic afternoon programming for teens. ABC called its afternoon movie series After
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
You can see how a kid might wonder, How will I ever be ready for all this?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
John does a funny thing in traffic. If someone cuts him off or veers in and out of his lane and he ends up next to them at a stoplight, he cranes his neck sideways and glares at them. It’s as if he’s scolding them with his facial expression, like they’ll sense his eyes on them and think, Why is that man looking at me? Oh, it must have been the way I was tailing his car back there. What a mistake I’ve made! The regrets! How will I live with myself? In reality, the other driver never notices. John is wasting his energy, wanting some kind of revenge he’s not going to get. It’s one
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
For example, children who are separated from their parents after a traumatic event are likely to suffer serious negative long-term effects. Studies conducted during World War II in England showed that children who lived in London during the Blitz and were sent away to the countryside for protection against German bombing raids fared much worse than children who remained with their parents and endured nights in bomb shelters and frightening images of destroyed buildings and dead people.21
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
obviously you want your birds to learn to fly? What if you want them to go, because you want them to have full lives, but you also, simultaneously and secretly and impossibly, want them to stay by your side forever?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
We all exist to one another as snippets of witnessed behavior. Everything we’ve ever done, no matter how true or false to our nature, makes us the kind of person who does that thing—at least to anyone who was there for it.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
The phrase “turtles all the way down” refers to the “world turtle theory”—derived from various Hindu, Chinese, and Native American myths—that the earth is actually flat and sits balanced on a turtle, who is balanced on another turtle, who is balanced on another, et cetera. It’s a way of saying there ultimately isn’t any real truth, because everything we take as fact is explained by another fact, which is validated by another fact, all the way down to some kind of fact we had to have made up in the first place. Our whole lives, by that logic, rest upon explanations we’ve rigged up to justify explanations for whatever we were looking to understand. Turtles upon turtles upon turtles.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Sometimes what the universe is telling me is not, You can’t have what you want, but, What you want does not exist for you.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I don’t have to find a way to live with something I’m not required to live with.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
The only way to get through this life without losing your mind is to make peace with the fact that you’ll lose everything else at some point—maybe your mind, too—and there’s nothing you can do about it.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
When I looked at my face up close, I was neither admiring nor judging myself. I was observing myself, in a sort of quiet, visual conversation. It was strangely intimate
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Half of me wants to figure out how to tighten up the crumbly edges and get my jawline back, and half of me wants to give up the burden of giving a damn what anyone thinks of my face.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Sometimes I felt like everyone else was a real-live, walking and talking human and I was just part of the background, an omniscient narrator of the illusion I saw as the world. Everyone else was an active object, but I was the wall. I was the atmosphere. I forgot that I had this face—these eyes, this nose, this mouth. I was no more and no less a body than everyone else.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Ocean Vuong wrote in On Earth We’re Briefly Gorgeous, that the human eye is “god’s loneliest creation.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I do occasionally look at my kitchen table and imagine what the surface of it looks like,
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
had other purposes before they were born, and I have other purposes still. But that one purpose rose out of the water like a volcanic mountain and eclipsed the rest. It is hard for a human being not to have a purpose or, at least, not to have the one that for so long dominated all the others.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I grieve in advance of loss—losses that will definitely happen, along with some that may not—because I recognize that what I have is so good. I don’t mean to muck up the beauty of now with my tears about later, but I can’t help it. I’m sad because I’m so happy. See?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
It is never pointless to love someone.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I knew I had the perspective right as long as I could define what I was writing by saying, “This is a story about a woman who…” and not “This is a story about a boy who…(or a girl who…or a man who…or a family who…)” If I kept that perspective right, then the boundaries would be obvious.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I know this happens with memoir: People think they know the whole person behind the book just because they know the parts of the person that are in the book.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
There’s so much of my life that isn’t in my books—even within a particular story, so many parts that don’t make it onto the page. I might write about something I did and give two reasons I did it, but leave out the third reason because it would distract from the point I’m making and/or it overlaps with someone else’s life and I’m respecting their privacy. So a reader might evaluate that scene and decide, “That was the right thing to do” or “Oh, I hate that she did that.” It’s a fair judgment of the me-character in the story as written, but it is not—it can’t be—an informed judgment of me, the actual person.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
I don’t write books to make strangers understand me. When I write a book, I’m taking a small group of scenes from my whole life, assembling them in a certain order to create a particular emotional arc or “plot,” all for the purpose of telling a story about what it means to be human.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
Nora Ephron and Laurie Colwin. Choose one of their essay collections, like Ephron’s I Feel Bad About My Neck or Colwin’s Home Cooking,
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
But lately what I’ve been thinking, deep in the part of my brain with the other thoughts I don’t want to put words to, is: Someone needs to hurry up and learn how to do the things my mom has been doing all my life.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
How do we appropriately mourn the passage of time when it’s passing beautifully, safely, but not for everyone?
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)