My Stereo Quotes

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You really saw some?" Liz said an hour later. Sure, we had the stereo blaring and the shower running, but Liz still whispered, "They really...exist?" "Liz," I whispered back, "they're not unicorns." "No," Bex said flatly, "they're boys. And they're...good.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.
Haruki Murakami (South of the Border, West of the Sun)
Q: What’s hard for you? A: Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics. Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a safety pin. Patience with others. Ordering in Chinese. Stereo instructions in German.
Tom Waits
Oh, I should probably set a few ground rules before we do this.” “Oh?” I turn at the waist and look at him curiously. “What kind of ground rules?” He smiles. “Well, number one: my car, my stereo; I’m sure I don’t need to elaborate on that.
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
Hello, boys and girls. Hannah Baker here. Live and in stereo. No return engagements. No encore. And this time, absolutely no requests. I hope you’re ready, because i’m about to tell you the story of my life. More specifically, why my life ended. And if you’re listening to theses tapes, you’re one of the reasons why. Now, why would a dead girl lie?
Jay Asher (Thirteen Reasons Why)
It was one of those moments that would have had dramatic music if my life were a movie, but instead I got a radio jingle for some kind of submarine sandwich place blaring over the store's ambient stereo. The movie ofmy life must be really low-budget.
Jim Butcher (Dead Beat (The Dresden Files, #7))
Whatever life throws at me, I'll take with a smile upon my face and Nirvana's 'Bleach' on the stereo.
Mark R. Faulkner
As we walked along the flatblock marina, I was calm on the outside, but thinking all the time - Now it was to be Georgie the general, saying what we should do and what not to do, and Dim as his mindless greeding bulldog. But suddenly, I viddied that thinking was for the gloopy ones, and that the oomny ones use like, inspiration and what Bog sends. Now it was lovely music that came into my aid. There was a window open with the stereo on, and I viddied right at once what to do.
Anthony Burgess (A Clockwork Orange)
Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.
Louise Erdrich
The Vine had no jukebox, but a real stereo continually playing tunes of alcoholic self-pity and sentimental divorce "Nurse," I sobbed. She poured doubles like an angel, right up to the lip of a cocktail glass, no measuring. " You have a lovely pitching arm." You had to go down on them like a hummingbird over a blossom. I saw her much later, not too many years ago, and when I smiled she seemed to believe I was making advances. But it was only that I remembered. I'll never forgot you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
Denis Johnson (Jesus’ Son)
I wired my gas pedal to my stereo, so now when I crank up the volume the car accelerates.
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
Or try this: Place yourself in the middle of the room. Turn on the stereo, the television, and a beeping video game, and then invite into the room several small children with ice cream cones. Crank up the volume on each piece of electrical equipment, then take away the children’s ice cream. Imagine these circumstances existing every day and night of your life. What would you do?
Elyn R. Saks (The Center Cannot Hold: My Journey Through Madness)
Breakfast! My favorite meal- and you can be so creative. I think of bowls of sparkling berries and fresh cream, baskets of Popovers and freshly squeezed orange juice, thick country bacon, hot maple syrup, panckes and French toast - even the nutty flavor of Irish oatmeal with brown sugar and cream. Breaksfast is the place I splurge with calories, then I spend the rest of the day getting them off! I love to use my prettiest table settings - crocheted placemats with lace-edged napkins and old hammered silver. And whether you are inside in front of a fire, candles burning brightly on a wintery day - or outside on a patio enjoying the morning sun - whether you are having a group of friends and family, a quiet little brunch for two, or an even quieter little brunch just for yourself, breakfast can set the mood and pace of the whole day. And Sunday is my day. Sometimes I think we get caught up in the hectic happenings of the weeks and months and we forget to take time out to relax. So one Sunday morning I decided to do things differently - now it's gotten to be a sort of ritual! This is what I do: at around 8:30 am I pull myself from my warm cocoon, fluff up the pillows and blankets and put some classical music on the stereo. Then I'm off to the kitchen, where I very calmly (so as not to wake myself up too much!) prepare my breakfast, seomthing extra nice - last week I had fresh pineapple slices wrapped in bacon and broiled, a warm croissant, hot chocolate with marshmallows and orange juice. I put it all on a tray with a cloth napkin, my book-of-the-moment and the "Travel" section of the Boston Globe and take it back to bed with me. There I spend the next two hours reading, eating and dreaming while the snowflakes swirl through the treetops outside my bedroom window. The inspiring music of Back or Vivaldi adds an exquisite elegance to the otherwise unruly scene, and I am in heaven. I found time to get in touch with myself and my life and i think this just might be a necessity! Please try it for yourself, and someone you love.
Susan Branch (Days from the Heart of the Home)
A terrible, painful sadness clutched at Ellen. More than ever before, she felt that her life—the best part of it, at least, the part that was fresh and fun—was behind her. Recognizing the sensation made her feel guilty, for she read it as proof that she was an unsatisfactory mother, an unsatisfied wife. She hated her life, and hated herself for hating it. She thought of a line from a song Billy played on the stereo: “I’d trade all my tomorrows for a single yesterday.
Peter Benchley (Jaws)
As I lie on my couch by the fireplace, looking out from my hillside home at the snow leading down to the ocean, with the right woman in my arms, a glass of Bordeaux beside me and a Puccini opera on the stereo system, knowing that I’ve earned the pleasure I feel, I’m so glad I didn’t let someone else decide what’s best for me.
Harry Browne (How I Found Freedom in an Unfree World: A Handbook for Personal Liberty)
It was almost noon when the plane touched down at the Triad airport on the outskirts of Greensboro. There was a hire car waiting for me; I waved my notepad at the dashboard to transmit my profile, then waited as the seating and controls rearranged themselves slightly, piezoelectric actuators humming. As I started to reverse out of the parking bay, the stereo began a soothing improvisation, flashing up a deadpan title: Music for Leaving Airports 11 June 2008.
Greg Egan
Go to any police-and-community meeting in Brooklyn, the Bronx, or Harlem, and you will hear pleas such as the following: Teens are congregating on my stoop; can you please arrest them? SUVs are driving down the street at night with their stereos blaring; can’t you do something? People have been barbecuing on the pedestrian islands of Broadway; that’s illegal! The targets of these complaints may be black and Hispanic, but the people making the complaints, themselves black and Hispanic, don’t care. They just want orderly streets.
Heather Mac Donald (The War on Cops: How the New Attack on Law and Order Makes Everyone Less Safe)
Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.
Vladimir Nabokov (Strong Opinions)
and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....
Bret Easton Ellis (Less Than Zero)
There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
We have all lived through that shriveling moment when a parent walks into a room and repeats, with sardonic disbelief, a couplet picked up from the stereo or the TV. 'What does that mean, then?' my mother asked me during Top of the Pops. "Get it on / Bang a gong"? How long did it take him to think of that, do you reckon?' And the correct answer - 'Two seconds, and it doesn't matter' - is always beyond you, so you just tell her to shut up, while inside you're hating Marc Bolan for making you like him even though he sings about getting it on and banging gongs.
Nick Hornby (Songbook)
Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, "What's the matter? You haven't been yourself lately.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Ah, 6655321, think on the divine suffering. Meditate on that, my boy.' And all the time he had this rich manny von of Scotch on him, and then he went off to his little cantora to peet some more. So I read all about the scourging and the crowning with thorns and then the cross veshch and all that cal, and I viddied better that there was something in it. While the stereo played bits of lovely Bach I closed my glazzies and viddied myself helping in and even taking charge of the tolchocking and the nailing in, being dressed in a like toga that was the heighth of Roman fashion. So being in Staja 84F was not all that wasted, and the Governor himself was very pleased to hear that I had taken to like Religion, and that was where I had my hopes.
Anthony Burgess (A Clockwork Orange)
What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways. I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever. And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says. I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first--paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes...Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music.
Shauna Cross (Derby Girl)
It was a hot summer night, and I had the soundtrack to Disney’s The Lion King blasting on my stereo. Tears actually began streaming down my face as I drove past the building. Here I was, the grown-up version of that wide-eyed eight-year-old at Disneyland. I had finally arrived. I was an Imagineer.
Randy Pausch (The Last Lecture)
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
SITTING WITH MY UNNEUTERED BULL MASTIFF RUFUS WATCHING 2 FAST 2 FURIOUS WITH STEREO ERECTIONS.
Vince McMahon (The Stone Cold Truth (WWE))
These people who need their television or stereo or radio playing all the time. These people so scared of silence. These are my neighbors. These sound-oholics. These quiet-ophobics.
Chuck Palahniuk (Lullaby)
I cranked the volume on the stereo and sang at the top of my lungs to an old Britney Spears song, my possession and enjoyment of which, I hoped, would remain a secret between me and my car.
Heather Hildenbrand (Dirty Blood (Dirty Blood, #1))
I stepped into the building. I paused in the front lobby. It was completely empty. No meatheads or groupies like there usually was when I visited Jack. The only sound of life came from above on the second floor. Horrible music. I listened for a few seconds before my ears started to bleed. That poor stereo! But a brilliant move on Gray’s part. He knew it would call to me like a wounded animal, begging to be put out of its misery.
K.F. Germaine (Devious Minds (Devious Minds, #1))
It's strange how money seems to silence a neighborhood," I say quietly. "On my street, where no one has money, it's so loud. Sirens blaring, people shouting, car doors slamming, stereos thumping. There's always someone, somewhere, making noise.
Colleen Hoover (Never Never (Never Never, #1))
Before long I bought a small stereo and spent my time holed up in my room, listening to jazz records. But I had almost no desire to talk with anyone about the experience I gained through books and music. I felt happy just being me and no one else.
Haruki Murakami (South of the Border, West of the Sun)
ONE All the best things in my life have started with a Dolly Parton song. Including my friendship with Ellen Dryver. The song that sealed the deal was “Dumb Blonde” from her 1967 debut album, Hello, I’m Dolly. During the summer before first grade, my aunt Lucy bonded with Mrs. Dryver over their mutual devotion to Dolly. While they sipped sweet tea in the dining room, Ellen and I would sit on the couch watching cartoons, unsure of what to make of each other. But then one afternoon that song came on over Mrs. Dryver’s stereo. Ellen tapped her foot as I hummed along, and before Dolly had even hit the chorus, we were spinning in circles and singing at the top of our lungs. Thankfully, our love for each other and Dolly ended up running deeper than one song. I
Julie Murphy (Dumplin' (Dumplin', #1))
Dad had built a huge stereo cabinet that housed a turntable. I told the neighborhood kids that it was my grandfather’s coffin. They would creep up to it until I would threaten to raise the lid, and they would run screaming. No wonder those kids thought we were crazy. My
Jackey Neyman Jones (Growing Up with Manos: The Hands of Fate)
Jeff Ament: The minute we started rehearsing and Ed started singing -- which was within an hour of him landing in Seattle -- was the first time I was like, "Wow, this is a band that I'd play at home on my stereo." What he was writing about was the space Stone and I were in. We'd just lost one of our friends to a dark and evil addiction, and he was putting that feeling to words. I saw him as a brother. That's what pulled me back in [to making music]. It's like when you read a book and there's something describing something you've felt all your life.
Mark Yarm (Everybody Loves Our Town: An Oral History of Grunge)
I ended up being allowed to take that sabbatical, and it was a fantasy come true. In fact, I have a confession. This is exactly how geeky I am: Soon after I arrived in California, I hopped into my convertible and drove over to Imagineering headquarters. It was a hot summer night, and I had the soundtrack to Disney’s The Lion King blasting on my stereo. Tears actually began streaming down my face as I drove past the building. Here I was, the grown-up version of that wide-eyed eight-year-old at Disneyland. I had finally arrived. I was an Imagineer. III
Randy Pausch (The Last Lecture)
How to choose an orchard plant from the nursery: Bring a stereo, play some Mozart, and whichever one dances the liveliest, that's the one you take back home to meet your ducks. You could play Beethoven, but he was deaf, so his music is a little too Helen Kelleresque for my taste.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
The West is courting its own destruction, but this is in line with Barack Obama’s consistent position. He has said repeatedly that “as Americans, we are not and never will be at war with Islam” – even though a large part of Islam has declared war on us. He has cultivated ties with Muslim individuals and groups deemed “moderate,” including the Brotherhood itself.75 In his Cairo speech in 2009, Obama echoed the Brotherhood’s anti-free-speech agenda: “I consider it part of my responsibility as President of the United States to fight against negative stereo-types of Islam wherever they appear.”76
Robert Spencer (Muslim Brotherhood in America)
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society’s stifling constraints. We weren’t indifferent or careless or insecure. We were alienated. But
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
Hello, boys and girls. Hannah Baker here. Live and in stereo. No return engagements. No encore. And this time, absolutely no requests. I hope you're ready, because I'm about to tell you about the story of my life. More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why. -pg 7
Jay Asher (Thirteen Reasons Why)
I had a dream about you last night. We were in your old Civic. Nine Inch Nails was turned up on the stereo and I was taking pictures of you behind the wheel with my disposable camera. We went through the drive through at El Pollo Loco, placed an order for a hundred bucks worth of food, and then just drove off at the window. I miss being stupid with you.
Crystal Woods (Dreaming is for lovers)
Carly and I lost our virginity there in the backseat of my dad's Pontiac on a cold January night, with the snow falling like a curtain over the fogged-up car windows and George Michael singing “Careless Whisper” on the car stereo. To this day, the opening bars of the sax solo instantly take me back to that night. Say what you will about car sex, but thirty million horny teenagers can't be wrong.
Jonathan Tropper (The Book of Joe)
It was this kind of knowledge that led my father to trust what Uncle Pete said when it came to the reproductive timetable. His head on a throw pillow, his shoes off, Madama Butterfly softly playing on my parents’ stereo, Uncle Pete explained that, under the microscope, sperm carrying male chromosomes had been observed to swim faster than those carrying female chromosomes. This assertion generated immediate merriment among the restaurant owners and fur finishers assembled in our living room.
Jeffrey Eugenides (Middlesex)
I have always been a loner. Even as a child, when my family and friends were off attending parties I would be sequestered in my room, sketchpad in hand, stereo by my side, listening to seductive R&B. Solitude was something I took for granted. Coming from a large family I needed solitude in order to think straight and paint my way out of confusion. My parents were accepting of the fact that I kept to myself and they respected my decision even though it went against my Somali upbringing, a culture rooted in boisterousness and joie de vivre.
Diriye Osman
We drove through a few more neighborhoods after that, searching for the lost truck, listening to a CD of old Khmer songs, the same CD that had been stuck in the stereo since the Honda had belonged to mom. I barely understood the lyrics, aside from a few phrases in the choruses, but I knew the melodies, the voices, the weird mix of mournful, psychedelic tones. When I tried articulating my feelings about home, my mind inevitably returned to these songs, the way the incomprehensible intertwined with what made me feel so comfortable. I’d lived with misunderstanding for so long, I’d stopped even viewing it as bad. It was just there, embedded in everything I loved.
Anthony Veasna So (Afterparties)
Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
You can buy some more clothes, by and by, and another stereo and alll that. That’s all right, That’s not the worst. The worst thing is that you slowly begin to hate, to despise this person, this person that you loved. You hate him because he hates himself. And that’s horrible, I swear to feel your love drip out of you, drop by drop, until you empty of it and there’s just a big, hurting hole. It’s terrible, but you wish your friend had died. That way, you could have wept for him and out him away and by and by it would be all right, everything would be clean. You wouldn’t have that filthy taste of contempt and hatred on your tongue, and you wouldn’t have that hurting, empty hole. That hole I got in me right now, that hole which sends burning water and ice-cold water all up and down my spine, every time I think of Red.” He stubbed out his cigarette. “My heart”.
James Baldwin (Just Above My Head)
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets. We smoked cigarettes and wore leather jackets. At night, in the dorms, we discussed neocolonialism, Franz Fanon, Eurocentrism, and patriarchy. When we ground out our cigarettes in the hallway carpet or set our stereos so loud that the walls began to shake, we were resisting bourgeois society’s stifling conventions. We weren’t indifferent or careless or insecure. We were alienated. But this strategy alone couldn't provide the distance I wanted, from Joyce or my past. After all, there were thousands of so-called campus radicals, most of them white and tenured and happily tolerant. No, it remained necessary to prove which side you were on, to show your loyalty to the black masses, to strike out and name names.
Barack Obama
He’d mentioned it a month before. A month. Not a good month, admittedly, but still—a month. That was enough time for him to have written something, at least. There was still something of him, or by him at least, floating around out there. I needed it. “I’m gonna go to his house,” I told Isaac. I hurried out to the minivan and hauled the oxygen cart up and into the passenger seat. I started the car. A hip-hop beat blared from the stereo, and as I reached to change the radio station, someone started rapping. In Swedish. I swiveled around and screamed when I saw Peter Van Houten sitting in the backseat. “I apologize for alarming you,” Peter Van Houten said over the rapping. He was still wearing the funeral suit, almost a week later. He smelled like he was sweating alcohol. “You’re welcome to keep the CD,” he said. “It’s Snook, one of the major Swedish—” “Ah ah ah ah GET OUT OF MY CAR.” I turned off the stereo. “It’s your mother’s car, as I understand it,” he said. “Also, it wasn’t locked.” “Oh, my God! Get out of the car or I’ll call nine-one-one. Dude, what is your problem?” “If only there were just one,” he mused. “I am here simply to apologize. You were correct in noting earlier that I am a pathetic little man, dependent upon alcohol. I had one acquaintance who only spent time with me because I paid her to do so—worse, still, she has since quit, leaving me the rare soul who cannot acquire companionship even through bribery. It is all true, Hazel. All that and more.” “Okay,” I said. It would have been a more moving speech had he not slurred his words. “You remind me of Anna.” “I remind a lot of people of a lot of people,” I answered. “I really have to go.” “So drive,” he said. “Get out.” “No. You remind me of Anna,” he said again. After a second, I put the car in reverse and backed out. I couldn’t make him leave, and I didn’t have to. I’d drive to Gus’s house, and Gus’s parents would make him leave. “You are, of course, familiar,” Van Houten said, “with Antonietta Meo.” “Yeah, no,” I said. I turned on the stereo, and the Swedish hip-hop blared, but Van Houten yelled over it. “She may soon be the youngest nonmartyr saint ever beatified by the Catholic Church. She had the same cancer that Mr. Waters had, osteosarcoma. They removed her right leg. The pain was excruciating. As Antonietta Meo lay dying at the ripened age of six from this agonizing cancer, she told her father, ‘Pain is like fabric: The stronger it is, the more it’s worth.’ Is that true, Hazel?” I wasn’t looking at him directly but at his reflection in the mirror. “No,” I shouted over the music. “That’s bullshit.” “But don’t you wish it were true!” he cried back. I cut the music. “I’m sorry I ruined your trip. You were too young. You were—” He broke down. As if he had a right to cry over Gus. Van Houten was just another of the endless mourners who did not know him, another too-late lamentation on his wall. “You didn’t ruin our trip, you self-important bastard. We had an awesome trip.” “I am trying,” he said. “I am trying, I swear.” It was around then that I realized Peter Van Houten had a dead person in his family. I considered the honesty with which he had written about cancer kids; the fact that he couldn’t speak to me in Amsterdam except to ask if I’d dressed like her on purpose; his shittiness around me and Augustus; his aching question about the relationship between pain’s extremity and its value. He sat back there drinking, an old man who’d been drunk for years.
John Green (The Fault in Our Stars)
I don't mean to smear our people, but honestly, sometimes I thought the Jews were the worst. Not all, but you know the ones I'm talking about - they weren't like the kids in Oxford Circle, that’s for sure. You sent me off totally fucking unprepared, brother. Not a word of warning. Their doctor and dentist parents worked their way through school, but now they want their babies to go in style. They send them stereos and cars and blank checks. And those were the hippies! Running around in their flowing clothes, their noses surgically tilted in the air! Talking about oppression and the common man, and running off to volunteer at some job, calling it righteous because they don’t have to earn money. Or my favorite, going to summer camp until they’re like forty-five. You’re not a socialist because you sleep in a log cabin and dance in a circle! And who are they angry at, really angry at? Not the Man – they wouldn’t know the Man if he froze their Bloomingdale’s charge cards. No, they’re angry at their parents! The people who fund all this in the first place. If they don’t want their parents, send them my way. I’ve been looking all my life for someone to wipe my ass and pay my bills.
Sharon Pomerantz (Rich Boy)
Nestor said to me. "A row of Hussars on horseback will come to take me. What will it be for you?" I remembered don Juan telling me once that death might be behind anything imaginable, even behind a dot on my writing pad. He gave me then the definitive metaphor of my death. I had told him that once while walking on Hollywood Boulevard in Los Angeles I had heard the sound of a trumpet playing an old, idiotic popular tune. The music was coming from a record shop across the street. Never had I heard a more beautiful sound. I became enraptured by it. I had to sit down on the curb. The limpid brass sound of that trumpet was going directly to my brain. I felt it just above my right temple. It soothed me until I was drunk with it. When it concluded, I knew that there would be no way of ever repeating that experience, and I had enough detachment not to rush into the store and buy the record and a stereo set to play it on. Don Juan said that it had been a sign given to me by the powers that rule the destiny of men. When the time comes for me to leave the world, in whatever form, I will hear the same sound of that trumpet, the same idiotic tune, the same peerless trumpeter.
Carlos Castaneda
Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.” From his seat on the couch, John wipes his eyes with his sleeve. I give Janette a nod, and she gets up and presses play on the stereo, and “Stormy Weather” fills the room. “Don’t know why there’s no sun up in the sky…” After, John shoulders his way over to me, holding two plastic cups of fruit punch. Ruefully he says, “I’m sure she’d tell us to spike it, but…” He hands me a cup, and we clink. “To Edith Sinclair McClaren Sheehan, better known as Stormy.” “Stormy’s real name was Edith? It’s so serious. It sounds like someone who wears wool skirts and heavy stockings, and drinks chamomile tea at night. Stormy drank cocktails!” John laughs. “I know, right?” “So then where did the name Stormy come from? Why not Edie?” “Who knows?” John says, a wry smile on his lips. “She’d have loved your speech.” He gives me a warm, appreciative sort of look. “You’re such a nice girl, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Subject of Thought Number of Times Thought Occurred per Year (in descending order) L. 580.0 Family 400.0 Brushing tongue 150.0 Earplugs 100.0 Bill-paying 52.0 Panasonic three-wheeled vacuum cleaner, greatness of 45.0 Sunlight makes you cheerful 40.0 Traffic frustration 38.0 Penguin books, all 35.0 Job, should I quit? 34.0 Friends, don't have any 33.0 Marriage, a possibility? 32.0 Vending machines 31.0 Straws don't unsheath well 28.0 Shine on moving objects 25.0 McCartney more talented than Lennon? 23.0 Friends smarter, more capable than I am 19.0 Paper-towel dispensers 19.0 "What oft was thought, but ne'er" etc. 18.0 People are very dissimilar 16.0 Trees, beauty of 15.0 Sidewalks 15.0 Friends are unworthy of me 15.0 Indentical twins separated at birth, studies of traits 14.0 Intelligence, going fast 14.0 Wheelchair ramps, their insane danger 14.0 Urge to kill 13.0 Escalator invention 12.0 People are very similar 12.0 "Not in my backyard" 11.0 Straws float now 10.0 DJ, would I be happy as one? 9.0 "If you can't get out of it, get into it" 9.0 Pen, felt-tip 9.0 Gasoline, nice smell of 8.0 Pen, ballpoint 8.0 Stereo systems 8.0 Fear of getting mugged again 7.0 Staplers 7.0 "Roaches check in, but they don't check out" 6.0 Dinner roll, image of 6.0 Shoes 6.0 Bags 5.0 Butz, Earl 4.0 Sweeping, brooms 4.0 Whistling, yodel trick 4.0 "You can taste it with your eyes" 4.0 Dry-cleaning fluid, smell of 3.0 Zip-lock tops 2.0 Popcorn 1.0 Birds regurgitate food and feed young with it 0.5 Kant, Immanuel 0.5
Nicholson Baker (The Mezzanine)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
Pat Conroy (Beach Music)
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!” As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better. I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break. John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing. Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps. I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks. “Please!” John practically pushes Stormy into Mr. Morales’s arms. “Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her. John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name. “Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?” I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance. “I want to see the young people dance!” Normal yells. John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.” I feign hesitation and then nod. My pulse is racing. Target acquired.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Blaine: ONE MOMENT. I MUST ADJUST THE VOLUME FOR YOU TO ENJOY THE FULL EFFECT. There was a brief, whispery hooting sound (a kind of mechanical throat-clearing) and then they were assaulted by a vast roar. It was water (a billion gallons a minute, for all Jake knew) pouring over the lip of the chasm and falling perhaps two thousand feet into the deep stone basin at the base of the falls. Streamers of mist floated past the blunt almost-faces of the jutting dogs like steam from the vents of hell. The level of sound kept climbing. Now Jake's whole head vibrated with it, and as he clapped his hands over his ears, he saw Roland, Eddie, and Susannah doing the same. Oy was barking, but Jake couldn't hear him. Susannah's lips were moving again, and again he could read the words (STOP IT, BLAINE, STOP IT!) but he couldn't hear them any more than he could hear Oy's barks, although he was sure Susannah was screaming at the top of her lungs. And still Blaine increased the sound of the waterfall, until Jake could feel his eyes shaking in their sockets and he was sure his ears were going to short out like overstressed stereo speakers. Then it was over. They still hung above the moon-misty drop, the moonbows still made their slow and dreamlike revolutions before the curtain of endlessly falling water, the wet and brutal stone faces of the dog-guardians continued to jut out of the torrent, but that world-ending thunder was gone. For a moment Jake thought what he'd feared had happened, that he had gone deaf. Then he realized that he could hear Oy, still barking, and Susannah crying. At first these sounds seemed distant and flat, as if his ears had been packed with cracker-crumbs, but then they began to clarify. Eddie put his arm around Susannah's shoulders and looked toward the route map. Eddie: Nice guy, Blaine. Blaine: (his booming voice sounds laughing and injured simultaneously) I MERELY THOUGHT YOU WOULD ENJOY HEARING THE SOUND OF THE FALLS AT FULL VOLUME. I THOUGHT IT MIGHT HELP YOU TO FORGET MY REGRETTABLE MISTAKE IN THE MATTER OF EDITH BUNKER. My fault, Jake thought. Blaine may just be a machine, and a suicidal one at that, but he still doesn't like to be laughed at. He sat beside Susannah and put his own arm around her. He could still hear the Falls of the Hounds, but the sound was now distant.
Stephen King (Wizard and Glass (The Dark Tower, #4))
the magazine’s reporter encountered Steve manning the Apple Computer booth at a computer fair. “I wish we’d had these personal machines when I was growing up,” Jobs tells him, before continuing on for a total of 224 words: “People have been hearing all sorts of things about computers during the past ten years through the media. Supposedly computers have been controlling various aspects of their lives. Yet, in spite of that, most adults have no idea what a computer really is, or what it can or can’t do. Now, for the first time, people can actually buy a computer for the price of a good stereo, interact with it, and find out all about it. It’s analogous to taking apart 1955 Chevys. Or consider the camera. There are thousands of people across the country taking photography courses. They’ll never be professional photographers. They just want to understand what the photographic process is all about. Same with computers. We started a little personal-computer manufacturing company in a garage in Los Altos in 1976. Now we’re the largest personal-computer company in the world. We make what we think of as the Rolls-Royce of personal computers. It’s a domesticated computer. People expect blinking lights, but what they find is that it looks like a portable typewriter, which, connected to a suitable readout screen, is able to display in color. There’s a feedback it gives to people who use it, and the enthusiasm of the users is tremendous. We’re always asked what it can do, and it can do a lot of things, but in my opinion the real thing it is doing right now is to teach people how to program the computer.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
the magazine’s reporter encountered Steve manning the Apple Computer booth at a computer fair. “I wish we’d had these personal machines when I was growing up,” Jobs tells him, before continuing on for a total of 224 words: “People have been hearing all sorts of things about computers during the past ten years through the media. Supposedly computers have been controlling various aspects of their lives. Yet, in spite of that, most adults have no idea what a computer really is, or what it can or can’t do. Now, for the first time, people can actually buy a computer for the price of a good stereo, interact with it, and find out all about it. It’s analogous to taking apart 1955 Chevys. Or consider the camera. There are thousands of people across the country taking photography courses. They’ll never be professional photographers. They just want to understand what the photographic process is all about. Same with computers. We started a little personal-computer manufacturing company in a garage in Los Altos in 1976. Now we’re the largest personal-computer company in the world. We make what we think of as the Rolls-Royce of personal computers. It’s a domesticated computer. People expect blinking lights, but what they find is that it looks like a portable typewriter, which, connected to a suitable readout screen, is able to display in color. There’s a feedback it gives to people who use it, and the enthusiasm of the users is tremendous. We’re always asked what it can do, and it can do a lot of things, but in my opinion the real thing it is doing right now is to teach people how to program the computer.” Before moving on to a booth where a bunch of kids were playing a computer game called Space Voyager, the reporter asks if Steve “would mind telling us his age. ‘Twenty-two,’ Mr. Jobs said.” Speaking off-the-cuff to a passing journalist from a decidedly nontechie publication, Steve finds so many ways to demystify for the average person the insanely geeky device that he and Woz had created.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
Mum had other ideas though. How could she be aspirational middle class with our own car, hi-fi stereo with graphic equaliser and still have an outside toilet? The toilet door was soon locked, never to be opened again. My mum was a gigantic pile of confusing contradictions. She was desperate to join the middle classes but would also stand in our kitchen screeching along to Billy Bragg’s left wing political anthems with her distinctively awful singing voice.
Jamie Jones (I Blame Morrissey: My Adventures with Indie-Pop and Emotional Disaster)
My Car Was Broken Into An elderly woman calls 911 to report that her car had been broken into.  She was crying and didn’t know what to do. She explained to the 911 dispatcher, “Someone broke into my car and stole everything.  The stereo is gone, the steering wheel, the gear shift, even the floor pedals are missing!  What will I do?” “Stay calm, we will have an officer over there soon,” the dispatcher assured.  He reported the incident and sent an officer to the elderly woman’s location. A few minutes later, the dispatcher radioed the officer again and said, “Disregard that, she was sitting in the back seat by mistake!
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
I used to be a romantic guy. I did the grand gestures. I was the secret admirer and the kid under a girl’s window with a stereo over my head. I once brought a girl flowers in front of the whole cafeteria to cheer her up. I want to be in love. I want to grow with my partner, not against her.” I shift in my seat at the intense longing in his eyes. “I’ve never said that out loud,” he admits.
Jessica Hawkins (Slip of the Tongue)
After some pondering, I made a decision that would affect all of my future work and writing in more ways than I could ever have anticipated. It was a decision between seminary and college teaching. More so it was a decision between two very different cultures of New England and the Southwest. I chose seminary teaching in Texas, which was a decision some of my colleague on the East Coast thought was foolish. From then on, as long as I was in the Southwest, I would feel the sting of the silent condescension and stereo typing by Eastern elites who disdained southwestern American culture. Many viewed as inconsequential everything that happened west of the Hudson River. What they disparaged was exactly what I loved, the easy going, unpretentious, common culture of my native landscape in Oklahoma and Texas.
Thomas C. Oden (A Change of Heart: A Personal and Theological Memoir)
Stereo Love" When you gonna stop breaking my heart? I don't wanna be another one, Paying for the things I never done. Don't let go, don't let go to my love. Can I get to your soul? Can you get to my thoughts? Can you promise we won't let go? All the things that I need. All the things that you need. You can make it feel so real. 'Cause you can't deny, You've blown my mind. When I touch your body, I feel I'm losing control. 'Cause you can't deny, You've blown my mind. When I see you baby, I just don't wanna let go. When you gonna stop breaking my heart? I don't wanna be another one, Paying for the things I never done. Don't let go, don't let go to my love. I hate to see you cry, Your smile is a beautiful lie. I hate to see you cry, My love is dying inside. I hate to see you cry, Your smile is a beautiful lie. I hate to see you cry, My love is dying inside. I can fix all those lies. Oh, babe, oh babe, I run, but I'm running to you. You won't see me cry, I'm hiding inside. My heart is in pain but I'm smiling for you. Oh baby, I'll try to make things right. I need you more than air when I'm not with you. Please don't ask me why, just kiss me this time. My only dream, is about you and I. Can I get to your soul? Can you get to my thoughts? Can you promise we won't let go? All the things that I need. All the things that you need. You can make it feel so real. 'Cause you can't deny, You've blown my mind. When I touch your body, I feel I'm losing control. 'Cause you can't deny, You've blown my mind. When I see you baby, I just don't wanna let go. When you gonna stop breaking my heart? I don't wanna be another one, Paying for the things I never done. Don't let go, don't let go to my love. I hate to see you cry, Your smile is a beautiful lie. I hate to see you cry, My love is dying inside. I can fix all those lies Oh babe, oh babe, I run, but I'm running to you You won't see me cry, I'm hiding inside My heart is in pain, but I'm smiling for you. Oh, baby, I'll try to make things right I need you more than air, when I'm not with you Please, don't ask me why, just kiss me this time My only dream is about you and I.
Edward Maya
First, the ongoing chaos, the lifelong preference for busyness and ear-splitting volume: who wouldn’t rather drown out that inner vein of self-hatred? Who wouldn’t rather try to outrun it? Who wouldn’t simply turn the knob on the stereo and let the music drown it out? Well, maybe some people wouldn’t. Maybe some people would stoop down to pet it like a stray cat, pick it up, learn about it. Those people are psychological miracles. I, however, chose to outrun and overstuff my life to avoid the darkness. No wonder silence terrified me. No wonder I ran from activity to activity. That day at the Tunnels I was essentially unarmed: no noise, no activity, no ear-splitting volume. Just the water, the coral, my son’s small sweet hand. And so I began to peer into the darkness, that plunging sense of deep inadequacy. It’s always been there. Frankly, I didn’t know other people didn’t have it. I thought that at the center of all of us was black liquid self-loathing, and that’s why we did everything we did—that’s why some people become workaholics and some people eat and some people drink and some people have sex with strangers. To avoid that dark sludge of self-loathing at the center of all of us. As I started to talk about this, though, gingerly at first, and then with increasing vulnerability, I realized that not everyone feels this thing I feel. Some people, apparently, feel solid and loved and secure, in their most inside, secret parts. WHAT?
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
For entertainment there was a stereo. Each morning after the Sherpas had burned juniper and chanted their Buddhist prayers, Robin Williams roared “Good Morning, Vietnam!” across the camp, blasting us from our sleeping bags. The rest of the day was rock and roll, plus Indian music from the cooking tent. We had a couple of parties, for which we broke out the beer. Some people ended up dancing on our dining tent’s stone table. It wasn’t a mosh pit, exactly, but not unlike one. There were also theme-night dinners, when the food and its preparation and everyone’s dress were supposed to complement one team member’s salient characteristic.
Beck Weathers (Left for Dead: My Journey Home from Everest)
We spent afternoons together speeding across the Swiss mountains, blaring Schubert on the car stereo.
Carmen Bin Ladin (Inside the Kingdom: My Life in Saudi Arabia)
He thought about it for a moment and laughed. Laughed this vibrant, spirited laugh that I wanted to hear on a loop for the rest of my days. It was the kind of laugh that you wanted playing from a stereo and having it on full blast while you drove in the car. The kind of laugh you wanted to be reminded of whenever you forgot it, which would be hard to forget, but in the case that you did, an instant reminder was in store. The kind that would never get old, no matter how many times you heard it. The kind of laugh that made your heart want to dance. That was his laugh. What his laugh was to me.
Braelyn Wilson (Counting Stars)
In my little house I have my worktable, I have my Smith-Corona, my mattress, my box springs, my bed frame. I have a couch I found on the street in Pacific Grove. I have kitchen utensils—a pot, a teakettle, a frying pan. I have one spoon and one fork. I have a knife. I have no TV, no radio, no stereo. This is before computers, so no email, no Instagram, no social media. I have no correspondents. I write to nobody—not friends, not family. Nobody. And nobody writes to me. My day goes like this. I wake before dawn, eat a breakfast for a lumberjack. Four eggs, raw milk, potatoes, tomatoes. Bacon or sausage are too weak for me. Liver. A big slab for power. I walk for an hour. The sun is coming up now.
Steven Pressfield (Govt Cheese: A Memoir)
We got your name from a pawnbroker. Mitch Clinton. You know him?” “Unfortunately. And before you go any further, I’m retired.” He looks at the old man. “Why didn’t you tell ‘em that, Zack?” The other man shrugs and lowers himself onto a scuffed wooden stool. He pulls out a tobacco tin and shoves a wad in his mouth before answering. “I’m not your secretary.” Kellen rolls his eyes. “You haven’t heard our offer yet,” Darrius adds. “Don’t need to. People don’t go see Mitch to pawn their old stereos. You’re looking for a hunter.” Darrius shrugs. “Yes and no. We’re not looking to hunt someone so much as retrieve them.” Kellen drains the Nehi and tucks the empty bottle into the wooden crate next to the machine. “Either way, I don’t do it anymore. But just out of curiosity, since you came all this way…” this last he adds with a smirk, “who is it you’re looking to retrieve?” I grin to myself, vowing to keep my mouth shut. Let’s see if Darrius can reel this one in alone. “My brother. He was…abducted.” “Abducted, huh? Not really my thing, even if I was interested, which I’m not.” “Because you’re retired.” Kellen nods approvingly. “You catch on quick.
Aesyn Cravery (Reveal (The Sacrifice, #2))
a sun umbrella over him, playing soft rock from a stereo and staring at the headstone of who I assume to be his former wife.
Jennette McCurdy (I'm Glad My Mom Died)
Marcel and Olivia didn't find this minor elimination fragmentary or dangerous the way I would hold. They scarcely noticed this at all. Characters always felt remarkably hostile at leisure with the Barn’s, around anxious for some purpose they couldn't justify to themselves. I implied a unique exemption to that precept. Seldom confused Marcel whence very satisfied I was withstanding adjacent to him. He deemed he was dangerous to my health-a feeling I rejected vehemently whenever he uttered that. The midday moved briskly. School completed, and Marcel walked me to my truck as he customarily prepared. Disregarding this time, he held the pilgrim entrance open for me. Olivia must have obtained it using his automobile home so that he could restrain me from making a charge for this. I wrapped my arms and performed no move to get out of the downpour. ‘It's my birthday, don't I get to drive?’ ‘I'm faking it's not your birthday, just as you yearned.’ ‘If it's not my birthday, then I don't have to proceed to your home later…’ ‘All right,’ He closed the passenger door and shuffled past me to open the driver's side. ‘Happy birthday.’ ‘Sh-h,’ I shushed him halfheartedly. I climbed through the opened door, begging he'd exercised the other suggestion. Marcel played with the radio while I drove, shaking his head in dissatisfaction. ‘Your radio has awful treatments.’ I scowled; I didn't like it when he picked on my truck. The truck was transcendent and it had nature. ‘You want a pleasant stereo? Drive your vehicle.’ I was so annoyed about Olivia's plans, on top of my already discouraged feeling, that the words came out sharper than I'd anticipated them. I was barely ever bad-tempered with Marcel, and my tone made him press his lips together to keep from smiling. When I parked in front of Mr. Anderson’s house, he stretched over to take my face in his hands. He handled me very thoroughly, touching just the tips of his fingers softly against my temples, my cheekbones, my jawline. Like I was exceptionally breakable.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Lately, I've used this technique with the hate that comes at me online. Most people in my position don't read negative comments or emails. The have someone else screen and then erase them. I see hate as just another fuel source. I see the beauty and power in it, and I never let it go to waste. When the negative comments come it, and they always do, I capture them in a screenshot and speak them into my microphone. In 2021, I posted an image of my swollen left knee, which inspired a flood of negative comments... They were trying to salt my wounds. They wanted me to feel the sting, which I did, and hoped it would bring me down even further. It didn't. I loved those comments. I loved them so much I made a mixtape. I printed them all out, recorded myself saying each one, and then I looped that bitch. Whenever I have a bad day, I listen to it. Sometimes I walk around the house savoring it in full stereo. p63
David Goggins (Never Finished)
Lately, I've used this technique with the hate that comes at me online. Most people in my position don't read negative comments or emails. The have someone else screen and then erase them. I see hate as just another fuel source. I see the beauty and power in it, and I never let it go to waste. When the negative comments come in, and they always do, I capture them in a screenshot and speak them into my microphone. In 2021, I posted an image of my swollen left knee, which inspired a flood of negative comments... They were trying to salt my wounds. They wanted me to feel the sting, which I did, and hoped it would bring me down even further. It didn't. I loved those comments. I loved them so much I made a mixtape. I printed them all out, recorded myself saying each one, and then I looped that bitch. Whenever I have a bad day, I listen to it. Sometimes I walk around the house savoring it in full stereo. p63
David Goggins (Never Finished)
RM: …I think it was hurtful for him that in his own country he was dismissed. But he was also… had this kind of ebullience and belief in himself that just kept bubbling up y’know, that was his essential life force. BM: 8 o’clock he was at his desk and you come down at noon. It was like punching a time clock… he had a working man’s schedule, like a blue collar ethic of his. RM: You know, my father when he wasn’t working on his plays or when he wasn’t writing - in terms of our everyday life it was all oriented around work. His idea was that if you can make it yourself, you should make it yourself. He made the coffee table, he made the dining table, he made the bookshelves himself. I remember when I asked for a stereo when I was something like 14 years old, instead of getting the plastic stereo that I was hoping for - that everyone else had - my father made me a stereo out of wood.
Rebecca Miller
Weights clank in a backdrop beat to the rock music on the stereo. I should be thinking about this weekend’s game, but my thoughts keep straying to my outing last Sunday afternoon with Charlie. To the way her eyes danced when she got determined to skate. To the adorable way she clung to me when she needed help. To her cute little ass in those cutoffs. I close my eyes, hating how conflicted I feel. No one ever believes me when I say that Charlotte and I have always been just friends. Only that somehow feels wrong now. I’m not sure what’s changed on my end. Maybe it’s because we’re living together and I see her every day? Maybe it’s because dragging her out of that fire scared the fuck out of me? Or maybe it’s because she feels like my best friend again, and lately I’ve been wondering what it would be like if we were… more? And when I thought she was going to wipe out? My heart was in my throat as I sprinted to catch her. When I remember how she looked at me in the park, my whole body heats. Fuck. I shouldn’t be thinking about Charlie like this. Because going there with her right now seems like a really bad idea. I promised myself I wouldn’t get involved with anyone this year. There’s too much on the line.
Lex Martin (Second Down Darling (Varsity Dads #4))
Charlotte tugs on my jersey. “Do you mind if I take some pics tonight?” she yells over the stereo system, which is blasting our classic rock warmup playlist. “’Course not. Do your thing.” She gives me one of those lingering smiles that makes me wonder if my mom is right. If Charlotte has had feelings for me since high school. I watch her walk away. She’s wearing some cutoffs that make her ass look amazing and her slender legs long. “Just friends, huh?” Billy elbows me hard. “Best rethink that.” “Why are you always pestering me?” He holds a hand over his heart. “You wound me, bro. I’m trying to be a good person. Which means I’m not making a move on your girl like I want to.” I don’t even bother arguing that she’s not my girl. Because Charlotte feels like she’s mine. Fuck it. I’m done debating this. I’m going after what I really want.
Lex Martin (Second Down Darling (Varsity Dads #4))
The first thing you need to do with a hotel room is to stop it looking like a hotel room. It’s a ministage, right? My big luxury is carrying a big stereo—about three cases full of sound. I couldn’t live without that cushion of sound.
Jessica Pallington West (What Would Keith Richards Do?: Daily Affirmations from a Rock and Roll Survivor)
I burrowed through the small opening that Jack had created for me and emerged before an inlet enclosed by rocky hillside. The water was the color of emeralds, and I wondered how this was possible, given that the sound was so decidedly gray. A small plume of water--- a waterfall, but not a loud, forceful one, just a trickle--- was winding down one side of the cliff, making its descent into the pool below. Birds chirped in stereo. There was a small patch of sand free of barnacle-covered rocks, like the beach in front of Bee's, and that's where Jack spread a blanket out. "What do you think?" he asked proudly. "It's unbelievable," I said, shaking my head. "How in the world does water get that color?" "It's the minerals in the rock," he replied.
Sarah Jio (The Violets of March)
Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!
Lindy Zart (Roomies)
Nwunye m, sometimes life begins when marriage ends.” “You and your university talk. Is this what you tell your students?” Mama was smiling. “Seriously, yes. But they marry earlier and earlier these days. What is the use of a degree, they ask me, when we cannot find a job after graduation?” “At least somebody will take care of them when they marry.” “I don’t know who will take care of whom. Six girls in my first-year seminar class are married, their husbands visit in Mercedes and Lexus cars every weekend, their husbands buy them stereos and textbooks and refrigerators, and when they graduate, the husbands own them and their degrees. Don’t you see?” Mama shook her head. “University talk again. A husband crowns a woman’s life, Ifeoma. It is what they want.” “It is what they think they want. But how can I blame them? Look what this military tyrant is doing to our country.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I find solace in a serenade the words of a stranger bringing comfort through the lines of a song, The pain intertwined in the verses and half notes My heart knows the words and I sing along as my soul finds healing through a ballad swirling through my stereo
Liz Newman (Hope Between Heartbeats)
She showed me the controls for the stereo, the video, and the lights, and added that if I just spoke in a normal tone in any room the house computer would hear me and carry out my instructions. I wasn't at all sure I liked the idea that every word I spoke was being listened to, but it seemed to be the price of perfect service.
Gerard K. O'Neill (2081)
I wasn’t living on the edge, I had gone over it. Insanity was now the norm and I had to keep feeding it in order to maintain the new domain I had created for myself. I had one eye on the road and one on the rear view mirror when I wasn’t pre-occupied with my beer, cigarettes or car stereo.
Steven C. Smith
The jealousy has been gnawing at me for weeks.  We weren’t technically together at the time, so I have no reasonable complaint—still, I need to know so I can let it go.” Unbidden, the Disney song ‘Let It Go’ played in full stereo inside my head.  Dammit, would I ever be able to hear that phrase without being held musical hostage? 
Anonymous
Dead Prez is playing on the car’s stereo, telling me that it’s bigger than Hip-Hop, but I beg to differ.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
There’s always pain behind the fame. Fame which I never asked for. Being in the spotlight has its fair share of disadvantages. I leaned back and fixed my eyes on the stereo and this time his hands were shivering. I wondered what would happen if Tinie Tempah boarded his taxi. He would die!
S.A. David (Wednesday)
The doorbell rang. My long lost cousin Martika came to visit me. “What’ve you been doing?” she asked. I pointed to the stereo and said: “Listening to Bach’s Well-Tempered Clavier and increasing my intelligence. What about you?” “You are so out of it, it’s not even funny.
Hamish De'Lamet (Dial Emma For Murder (The Time Capsule Murders Book 2))
I suppose if one takes into account the lack of an ethics committee to oversee my dad’s childrearing methodologies, the experiments started innocently enough. In the early part of the twentieth century, the behaviorists Watson and Rayner, in an attempt to prove that fear was a learned behavior, exposed nine-month-old “Little Albert” to neutral stimuli like white rats, monkeys, and sheaves of burned newsprint. Initially, the baby test subject was unperturbed by the series of simians, rodents, and flames, but after Watson repeatedly paired the rats with unconscionably loud noises, over time “Little Albert” developed a fear not only of white rats but of all things furry. When I was seven months, Pops placed objects like toy police cars, cold cans of Pabst Blue Ribbon, Richard Nixon campaign buttons, and a copy of The Economist in my bassinet, but instead of conditioning me with a deafening clang, I learned to be afraid of the presented stimuli because they were accompanied by him taking out the family .38 Special and firing several window-rattling rounds into the ceiling, while shouting, “Nigger, go back to Africa!” loud enough to make himself heard over the quadraphonic console stereo blasting “Sweet Home Alabama” in the living room. To this day I’ve never been able to sit through even the most mundane TV crime drama, I have a strange affinity for Neil Young, and whenever I have trouble sleeping, I don’t listen to recorded rainstorms or crashing waves but to the Watergate tapes.
Paul Beatty (The Sellout)
The tires bore down, kicking up dust like an Arabian stampede. Elizabeth flipped off the car stereo. Out of the corner of my eye, I could tell that she was studying my profile. I wondered what she saw, and my heart started fluttering.
Harlan Coben (Tell No One)
I don't look at my dad. I don't let the stupid crying out. I ask my mum if I can sit on the blanket. She says no. I just get in the way. She tells me to go away. I get my book and I have a personal stereo with a tape in it. I sit at the bench. Then I don't get in the way. I read my book. I don't let the crying get out. It makes a big hole inside. I don't say anything to my mum and dad about it.
J.D. Stockholm (Goodbye Teddy)
My kids come through the door at the end of the day, and I ask, How was your day at school? In stereo, I get back, Fine. Instead of considering that a dead end, I follow up with another question. I inquire, What did you like about it today? My teenage son usually says, I don’t know. I look him right in the eye and tell him, Really, tell me about one class you liked today. He thinks about it for a minute. Finally he says, Science. And I inquire, What did you like about science? He launches into a colorful description of an experiment they did, and we’re talking. The bottom line is that you have to open it up, and you have to show you truly care.
Debra Fine (The Fine Art of Small Talk: How to Start a Conversation, Keep It Going, Build Networking Skills and Leave a Positive Impression!)
The casting away of things is symbolic, you know. Talismanic. When you cast away things, you're also casting away the self-related others that are symbolically related to those things. You start a cleaning-out process. You begin to empty the vessel." Larry shook his head slowly. "I don't follow that." "Well, take an intelligent pre-plague man. Break his TV, and what does he do at night?" "Reads a book," Ralph said. "Goes to see his friends," Stu said. "Plays the stereo," Larry said, grinning. "Sure, all those things," Glen said. "But he's also missing that TV. There's a hole in his life where that TV used to be. In the back of his mind he's still thinking, At nine o'clock I'm going to pull a few beers and watch the Sox on the tube. And when he goes in there and sees that empty cabinet, he feels as disappointed as hell. A part of his accustomed life has been poured out, is it not so?" "Yeah," Ralph said. "Our TV went on the fritz once for two weeks and I didn't feel right until it was back." "It makes a bigger hole in his life if he watched a lot of TV, a smaller hole if he only used it a little bit. But something is gone. Now take away all his books, all his friends, and his stereo. Also remove all sustenance except what he can glean along the way. It's an emptying-out process and also a diminishing of the ego. Your selves, gentlemen--they are turning into a window-glass. Or better yet, empty tumblers." "But what's the point?" Ralph asked. "Why go through all the rigmarole?" Glen said, "If you read your Bible, you'll see that it was pretty traditional for these prophets to go out into the wilderness from time to time--Old Testament Magical Mystery Tours. The timespan given for these jaunts was usually forty days and forty nights, a Hebraic idiom that really means 'no one knows exactly how long he was gone, but it was quite a while.' Does that remind you of anyone?" "Sure. Mother," Ralph said. "Now think of yourself as a battery. You really are, you know. Your brain runs on chemically converted electrical current. For that matter, your muscles run on tiny charges, too--a chemical called acetylcholine allows the charge to pass when you need to move, and when you want to stop, another chemical, cholinesterase, is manufactured. Cholinesterase destroys acetylcholine, so your nerves become poor conductors again. Good thing, too. Otherwise, once you started scratching your nose, you'd never be able to stop. Okay, the point is this: Everything you think, everything you do, it all has to run off the battery. Like the accessories in a car." They were all listening closely. "Watching TV, reading books, talking with friends, eating a big dinner ... all of it runs off the battery. A normal life--at least in what used to be Western civilization--was like running a car with power windows, power brakes, power seats, all the goodies. But the more goodies you have, the less the battery can charge. True?" "Yeah," Ralph said. "Even a big Delco won't ever overcharge when it's sitting in a Cadillac." "Well, what we've done is to strip off the accessories. We're on charge." Ralph said uneasily: "If you put a car battery on charge for too long, she'll explode." "Yes," Glen agreed. "Same with people. The Bible tells us about Isaiah and Job and the others, but it doesn't say how many prophets came back from the wilderness with visions that had crisped their brains. I imagine there were some. But I have a healthy respect for human intelligence and the human psyche, in spite of an occasional throwback like East Texas here--" "Off my case, baldy," Stu growled. "Anyhow, the capacity of the human mind is a lot bigger than the biggest Delco battery. I think it can take a charge almost to infinity. In certain cases, perhaps beyond infinity." They walked in silence for a while, thinking this over. "Are we changing?" Stu asked quietly. "Yes," Glen answered. "Yes, I think we are.
Stephen King
Blogging got me out of my rut and made me feel like I had a purpose but was also a great way to put a positive spin on my life. When my car got broken into one morning and my stereo stolen, my first thought wasn’t about how much it would cost to fix it, it was, I can’t wait to blog about this! I joined the first and only dating site I used knowing that even if I didn’t meet the love of my life (spoiler: I didn’t), at least it’d be great blog fodder. And instead of sleeping during my lunch breaks, I’d go outside and take cool pics of my cheap, homemade lunch and the book I was currently reading
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
It was one of those moments that would have had dramatic music if my life were a movie, but instead I got a radio jingle for some kind of submarine sandwich place blaring over the store’s ambient stereo. The movie of my life must be really low-budget.
Jim Butcher (Dead Beat (The Dresden Files, #7))