My Phone Quotes

We've searched our database for all the quotes and captions related to My Phone. Here they are! All 100 of them:

May I see you again?" he asked. There was an endearing nervousness in his voice. I smiled. "Sure." "Tomorrow?" he asked. "Patience, grasshopper," I counseled. "You don't want to seem overeager. "Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said. "You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?" "But you don't even have my phone number," he said. "I strongly suspect you wrote it in this book." He broke out into that goofy smile. "And you say we don't know each other.
John Green (The Fault in Our Stars)
No. That's Clary; shes's my best friend." Simon pocketed his phone. "And she has a boyfriend. Like, really, really, really has a boyfriend. The nuclear bomb of boyfriends. Trust me on this one.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
The day my internet was hooked up was better than having a hot guy check out my butt and ask for my phone number.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Alec looked down at the shattered pieces in disbelief. “You BROKE my PHONE.” Jace shrugged. “Guys don’t let other guys keep calling other guys. Okay, that came out wrong. Friends don’t let friends keep calling their exes and hanging up. Seriously. You have to stop.” Alec looked furious. “So you broke my brand new phone? Thanks a lot.” Jace smiled serenely and lay back on the grass. “You’re welcome.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
There will come a time when it isn't 'They're spying on me through my phone' anymore. Eventually, it will be 'My phone is spying on me'.
Philip K. Dick
You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.
John Green (Paper Towns)
I delete the picture of him from my phone; I delete his number. I think that if I just delete him enough, it will be like none of it ever happened and my heart won't hurt so badly
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I guess you're coming as my date now." Simon shoved the phone into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Are you on your own?" "No. There are six people staring at me right now wondering who the hell i'm talking to." shit..."Really?" I gasp, panicked. "Yes. Really. My girlfriend," he announces away from the phone. holy cow! "They probably all thought you were gay, you know.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
And then the line was quite but not dead. I almost felt like he was there in my room with me, but in a way it was better, like I was not in my room and he was not in his, but instead we were together in some invisible and tenuous third space that could only be visited on the phone.
John Green (The Fault in Our Stars)
He hung up on me. I stared at the phone in disbelief, then ripped a clean sheet of paper from my notebook. I scribbled Jerk on the first line. One the line beneath it, I added, Smokes cigars. Will die of lung cancer. Hopefully soon. Excellent physical shape. I immediately scribbled over the last observation until it was illegible.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
How did you get my number?" I blurted, before I could stop myself. "It's called research." I could hear him smirking over the phone. "Or stalking." Noah chuckled. "You're adorable when you're bitchy." "You're not," I said, but smiled despite myself.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
My heart is broken. It really is. All the signs are there. I can't sleep- not even burgers. Every time the phone rings, my pulse leaps... But it's never for me, it's never him.
Meg Cabot (All-American Girl (All-American Girl, #1))
He grabbed my arm. "Wait. You're mad?" I yanked my coat from his grip. "You know...I don't even know why I'm surprised." His eyebrows pulled in. "I can't win with you. I can't win with you! You say you're done...I'm fucking miserable over here! I had to break my phone into a million pieces to keep from calling you every minute of the damn day-I've had to play it off like everything is just fine at school so you can be happy...and you're fucking mad at me? You broke my fuckin' heart!" His last words echoed into the night.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes. What do you want, Adam? To feel awake when my eyes are open.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The whole prophecy is bollocks," I say. "'And one will come to end us. And one will bring his fall.' Did I also bring my own fall?" "No," Baz says. "That was me. Obviously." "How did you bring my fall? I stopped the Humdrum myself." Baz looks back at his phone, bored. "Fell in love, didn't you?
Rainbow Rowell (Carry On (Simon Snow, #1))
My phone pinged. It was a text from Cookie. I'm not good at cocking guns. Really? Did she not know me at all? I texted her back. You can do this. Learn the cock, Cookie. Know the cock. Be the cock.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
I wasn't planning on dumping Cameron. We were here, and he called, and his face showed up on my phone- well, actually a llama came up on my phone because I don't actually have a picture of him so I just used a llama- and the llama made me so angry I just couldn't help myself." "Bad time to be a llama." "Is there ever a good time, really?
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The phone rang. I picked it up. “Are you sitting down?” Curran's voice asked. “Yes.” “Good.” Click. I listened to the disconnect signal. If he wanted me to sit, then I'd stand. I got up. The chair got up with me and I ended up bent over my desk, with the chair stuck to my butt. I grabbed the edge of the chair and tried to pull it off. It remained stuck. I would murder him. Slowly. And I'd enjoy every second of it.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
The moment we stepped out into the hall, Cam's apartment door flung open. Ollie appeared, a cellphone in one hand and Raphael wiggling in the other. "Smile!" he shouted as he snapped a picture on his phone. "It's like my two kids are going to prom.
J. Lynn (Wait for You (Wait for You, #1))
I picked up the phone and dialed Andrea's extension. “Yes?” “He glued the chair to my ass.” Silence.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
So what I'm trying to say is you should text me back. Because there's a precedent. Because there's an urgency. Because there's a bedtime. Because when the world ends I might not have my phone charged and If you don't respond soon, I won't know if you'd wanna leave your shadow next to mine.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
But you still haven't said you love me." "That's not true." "You haven't." "I say it all the time, I just say it very, very quietly. I tell you when you're in another room, or right after we hang up the phone. I tell you when you've got headphones on. I say it after you shut the door behind you. I say it in my head every time you look at me.
Sarah Hogle (You Deserve Each Other)
I texted back: Did you make it home? A few minutes passed while I stared at my phone. Yeah. Fam showering me with affection. U cld learn frm them. I think you get enough attention. I'm needy. Boy, don't I know that.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
You’re sorry? I damn near drank myself to death, I could barely get out of bed, I shattered my phone into a million pieces on New Year’s Eve to keep from calling you … and you’re sorry?” I bit my lip and nodded, ashamed. I had no idea what he’d been through, and hearing his say the words made sharp pain twist inside my chest. “I’m so … so sorry.” “You’re forgiven,” he said with a grin. “Don’t ever do it again.” “I won’t. I promise.” He flashed his dimple and shook his head. “I fucking love you.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The phone at my ass started ringing, I leaned forward and pulled it out. “Don’t answer that,” Noah ordered. “Fuck you,” I shot back, saw the display said “Luke calling” and flipped it open. “Yo.” “Babe,” Luke replied. “I’ve been kidnapped again,” I informed him. “I know. I’m following.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
And when demigods use cell phones, the signals agitate every monster within a hundred miles. It's like sending up a flare: Here I am! Please rearrange my face!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
You definitely have the voice for phone sex, but I've got to go. I have a date with my vibrator." "Oh, Eva." Cross spoke my name in a decadent purr. "You're determined to drive me to my knees, aren't you? What will it take to talk you into a threesome with B.O.B.
Sylvia Day (Bared to You (Crossfire, #1))
all those nights with the phone warming the side of my face like the sun.
Warsan Shire
my friends don't seem to be friends at all but people whose phone numbers I haven't lost.
Nick Hornby (High Fidelity)
There is no such thing as a good call at 7 AM. It's been my experience that all calls between the hours of 11 PM and 9 AM are disaster calls.
Janet Evanovich
How?" I demanded. "How could you have screwed this one up?" "When I got in, they said the manager was on the phone and would be a few minutes. So, I sat down and ordered a drink." This time, I did lean my forehead against the steering wheel. "What did you order?" "A martini." "A martini." I lifted my head. "You ordered a martini before a job interview." "It's a bar, Sage. I figured they'd be cool with it.
Richelle Mead (Bloodlines (Bloodlines, #1))
I'll call you," he repeated. "If you call me, I won't pick up the phone." "You will wait by the phone for my call, and when it rings, you will pick it up and you will speak to me in a civil manner. If you don't know how, ask someone.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
I'm tired of waiting by the phone, and second-guessing what a guy says and trusting someone not to hurt me. Again. I've been storming the relationship castle for fifteen years, and I still don't have my prince. I've got a bunch of battle scars from the field and I want to go home and nurse my wounds. I don't want to fight anymore.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
I stared at the phone in disbelief, then ripped a clean sheet of paper from my notebook. I scribbled ' Jerk ' on the first line. On the line beneath it I added, ' Smokes cigars. Will die of lung cancer. Hopefully soon.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
I've never felt so bereft and panicky. What do I do without my phone? How do I function? My hand keeps automatically reaching for my phone in its usual place in my pocket. Every instinct in me wants to text someone, 'OMG, I've lost my phone!' but how can do that without a bloody phone?
Sophie Kinsella (I've Got Your Number)
I don’t get a taste of you soon, I’m givin’ up the search and takin’ you to my cabin in Grand Lake. No phones, no cell coverage, no buzzer. Anyone knocks on the door and I’m shooting them.
Kristen Ashley (Rock Chick (Rock Chick, #1))
He pulls up outside my duplex. I belatedly realize he’s not asked me where I live - yet he knows. But then he sent the books, of course he knows where I live. What able, cell-phone-tracking, helicopter owning, stalker wouldn’t.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
He stopped what he was doing and pulled out his magic phone. Okay, the phone wasn't magic, but it does things my computer struggles with.
Patricia Briggs (River Marked (Mercy Thompson, #6))
There’s nothing like that feeling of waiting for a guy. It’s the loneliest feeling in the world. Holding that cell phone in your hand as you take out the trash, use the bathroom, change the litter box. Fearful that the one second you aren’t looking will be when they call. Pathetic. And something I have done as recently as last week.
Hilary Winston (My Boyfriend Wrote a Book About Me)
Did you know we were leaving for Idris?" "Catarina told me she'd been summoned to make a portal. I guessed," Magnus said wryly. "I was a little surprised you hadn't called or texted to tell me you were going away." "You never answer my calls or texts," said Alec. "That hasn't stopped you before." "Everyone gives up eventually," Alec said. "Besides, Jace broke my phone." Magnus huffed a laughter. "Oh, Alexander." "What?" alec asked, honestly puzzled. "you're just--You're so--I really want to kiss you," Magnus said abruptly, and then shook his head. "See this is why I haven't been willing to see you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
How strange, that when you are away, I reach for my cell phone's buzz as if it were your hand. Each shiver in my pocket, a way to find you.
Sarah Kay (No Matter the Wreckage: Poems)
I wake up and tear drops, they fall down like rain. I put on that old song we danced to and then, I head off to my job cause not much has changed. Punch the clock, head for home, check the phone. Just in case. Go to bed, dream of you. That's what I am doing these days.
Rascal Flatts
Okay,” he said. “I gotta go to sleep. It’s almost one.” 
“Okay,” I said.
 “Okay,” he said. 
I giggled and said, “Okay.” And then the line was quiet but not dead. I almost felt like he was there in my room with me, but in a way it was better, like I was not in my room and he was not in his, but instead we were together in some invisible and tenuous third space that could only be visited on the phone. “Okay,” he said after forever. “Maybe okay will be our always.”
 “Okay,” I said.
 It was Augustus who finally hung up.
John Green (The Fault in Our Stars)
i don't know when love became elusive what i know, is that no one i know has it my fathers arms around my mothers neck fruit too ripe to eat, a door half way open when your name is a just a hand i can never hold everything i have ever believed in, becomes magic. i think of lovers as trees, growing to and from one another searching for the same light, my mothers laughter in a dark room, a photograph greying under my touch, this is all i know how to do, carry loss around until i begin to resemble every bad memory, every terrible fear, every nightmare anyone has ever had. i ask did you ever love me? you say of course, of course so quickly that you sound like someone else i ask are you made of steel? are you made of iron? you cry on the phone, my stomach hurts i let you leave, i need someone who knows how to stay.
Warsan Shire
Our lips met hungrily, and his clever artistic hands wrapped around my hips. A sudden buzz from my regular cell phone startled me from the kissing. "Don't," said Adrian, his eyes ablaze and breathing ragged. "What if there's a crisis at school?" I asked. "What if Angeline 'accidentally' stole one of the campus buses and drove it into the library?" "Why would she do that?" "Are you saying she wouldn't?" He sighed. "Go check it.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Me: Why don't you ever practice on your balcony like you used to? This question gets me immediate eye contact from him, but it doesn't last. His eyes flicker across my face, down my body, and finally back to his phone. Ridge: Why would I? You're not out there anymore.
Colleen Hoover (Maybe Someday (Maybe, #1))
Have you ever met someone and felt . . . I don't know how to describe it, felt a chance at having something that eluded you? I don't know . . . Forget I said anything." I knew what he meant. He was describing that moment when you realize that you are lonely. For a time you can be alone and doing fine and never give a thought to living any other way and then you meet someone and suddenly you become lonely. It stabs at you, almost like a physical pain, and you feel both deprived and angry, deprived because you wish to be with that person and angry, because their absence brings you misery. It's a strange feeling, akin to desperation, a feeling that makes you wait by the phone even though you know that the call is an hour away. I was not going to lose my balance. Not yet.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Tell me something good about your life," I whispered, needing to hear that he wasn't as broken as I thought him to be. Peter breathed into the handset for about two minutes. I began wondering if he was about to hang up, or had fallen asleep, when he answered. "You." It was so quiet I almost didn't hear it. And then he hung up before I could ask him to repeat himself. I fell asleep, grinning, with the phone still clutched in my hand and my milk souring on the coffee table.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
This is sams phone" there was a long,heavy pause, and then: "oh." Another pause. "Youre the girl, arent you? The girl who was in my house?" I tried to think of what i might gain by denying it and drew a blank "yes" do you have a name?" do you?" he gave a short laugh that was completely without humor but not unpleasent. "I think i might like you. Im Beck.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
The Quiet World In an effort to get people to look into each other’s eyes more, and also to appease the mutes, the government has decided to allot each person exactly one hundred and sixty-seven words, per day. When the phone rings, I put it to my ear without saying hello. In the restaurant I point at chicken noodle soup. I am adjusting well to the new way. Late at night, I call my long distance lover, proudly say I only used fifty-nine today. I saved the rest for you. When she doesn’t respond, I know she’s used up all her words, so I slowly whisper I love you thirty-two and a third times. After that, we just sit on the line and listen to each other breathe.
Jeffrey McDaniel (Forgiveness Parade)
Fangtasia, where all your bloody dreams come true,' said a bored female voice. 'Pam. Listen.' 'The phone is pressed to my ear. Speak.' 'Appius Livius Ocella just dropped in.' 'Fuck a zombie!
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
Leave an extrovert alone for two minutes and he will reach for his cell phone. In contrast, after an hour or two of being socially “on,” we introverts need to turn off and recharge. My own formula is roughly two hours alone for every hour of socializing. This isn’t antisocial. It isn’t a sign of depression. It does not call for medication. For introverts, to be alone with our thoughts is as restorative as sleeping, as nourishing as eating. Our motto: “I’m okay, you’re okay—in small doses.
Jonathan Rauch
Oh my gosh, is that an iPhone?!" Laurel asked, her voice unconsciously rising in pitch and volume. Tamani looked up at her, his expression blank."Yeah?" "He has an iPhone," Laurel said to David. "My faerie sentry who generally lives without running water has an iPhone. That's. Just. Great. Everyone in the whole world has a cell phone except me. That's awesome.
Aprilynne Pike (Illusions (Wings, #3))
In a world where happiness has become a social duty and sadness a public offense, life opens unrepentantly into a kaleidoscopic masquerade and a muddling carousel of faking. ("Even if the world goes down, my mobile will save me" )
Erik Pevernagie
But she was the one person I could be myself around and never feel judged. The one person that I knew would always pick up the phone, or call me back. She was the one person who made me feel brave because no matter what happened, no matter how bad or embarrassing or shitty it was, I knew that I had her in my corner. That if it all went to Hel, I could talk to her and it would be fine.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I brought out the most powerful tool I had in my arsenal. "If you resist," I said into Reyes's ear, "I'll be forced to Taser you." He looked at what I had in my hand. "That's a phone." "I have an app. You'll probably experience nerve damage. Slight memory loss.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
Ed, it was everything, those nights on the phone, everything we said until late became later and then later and very late and finally to go to bed with my ear warm and worn and red from holding the phone close close close so as not to miss a word of what it was, because who cared how tired I was in the humdrum slave drive of our days without each other. I’d ruin any day, all my days, for those long nights with you, and I did. But that’s why right there it was doomed. We couldn’t only have the magic nights buzzing through the wires. We had to have the days, too, the bright impatient days spoiling everything with their unavoidable schedules, their mandatory times that don’t overlap, their loyal friends who don’t get along, the unforgiven travesties torn from the wall no matter what promises are uttered past midnight, and that's why we broke up.
Daniel Handler (Why We Broke Up)
Writing is the dragon that lives underneath my floorboards. The one I incessantly feed for fear it may turn and devour my ass. Writing is the friend who doesn't return my phone calls; the itch I'm unable to scratch; a dinner invitation from a cannibal; elevator music for a narcoleptic. Writing is the hope of lifting all boats by pissing in the ocean. Writing isn't something that makes me happy like a good cup of coffee. It's just something I do because not writing, as I've found, is so much worse.
Quentin R. Bufogle
I slide my feet onto the seat next to him, my ankle brushing against his thigh. “No shallowness of breath? No rapidly beating heart?” He rests one hand on my foot as he continues to mess with his phone. His eyes meet mine in amusement. “Are those the indicators? I might have an issue after all.
Kasie West (The Distance Between Us (Old Town Shops, #1))
I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Myron reached for the phone and dialed Win's number. After the eighth ring he began to hang up when a weak, distant voice coughed. "Hello?" Win?" Yeah." You okay?" Hello?" Win?" Yeah." What took you so long to answer the phone?" Hello?" Win?" Who is this?" Myron." Myron Bolitar?" How many other Myrons do you know?" Myron Bolitar?" No, Myron Rockefeller." Something's wrong," Win said. What?" Terribly wrong." What are you talking about?" Some asshole is calling me at seven in the morning pretending to be my best friend." Sorry, I forgot the time.
Harlan Coben (Deal Breaker (Myron Bolitar, #1))
Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No — it wasn't his face. It was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows. "SHE WAS ALL RIGHT," Jesse assured him. "My head knew that," Gansey said. "But the rest of me didn't.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
They'll be days like this" my momma said. When you open your hands to catch, and wind up with only blisters and bruises. When you try to step out of the phone booth and try to fly , and the very people you want to save, are the ones standing on your cape. When your boots will fill with rain, and you'll be up to your knees with disappointment And those are the very days you have all the more reason to say "Thank you".
Sarah Kay
He backed away from me, clutching the phone to his chest. “What?” “Gimme the phone,” I commanded, holding out my hand. His head dropped solemnly. “I am on a very important call.” “Yes, about me,” I said, reaching for it. “Now give it.” He shrank away and eyed the room anxiously. “Damn, I knew I should have kept a spare roll of duct tape somewhere.
Karina Halle (Into the Hollow (Experiment in Terror, #6))
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V. I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy. Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him. I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time? I texted back: How'd you get my number? Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
Amy Plum (Die for Me (Revenants, #1))
What did you tell them?” “I don't recall. I think I mentioned your discipline and ability to follow orders. I may have said something about you being a team player.” Derek emitted a strangled cough. “Why?” I demanded. “It seemed like a good idea at the time.” Curran resumed hammering. “I'm sorry,” I said into the phone, sticking me finger into my other ear so I could hear. “His Majesty tends to exaggerate things. I'm not a team player. I'm undisciplined and I have a problem with authority. Also, the Beast Lord can't hammer for shit.” On the roof Derek was laughing his head off.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I have never met a heavy heart that wasn’t a phone booth with a red cape inside Some people will never understand the kind of superpower it takes for some people to just walk outside Some days I know my smile looks like the gutter of a falling house But my hands are always holding tight to the ripchord of believing
Andrea Gibson
A verbal ménage à trois,” Della said. “Gross,” Miranda said. “You wanna hear gross?” Della asked. “I just peed on my hand trying to piss on this damned drug stick while talking on the phone to you.” Kylie laughed. “I miss you guys.” The sound of a toilet flushing filled the line. “Oh, double gross,” Miranda snapped. “I told you not to flush while I was on the phone.
C.C. Hunter (Awake at Dawn (Shadow Falls, #2))
The phone rang. Joseph darted to pick it up. “Dyer residence,” he answered formally. “Hold please,” he said as he covered the mouthpiece. He really was hilarious. “It’s for you, Mara,” he said. “And it’s a booooy,” he sing-songed. I rolled my eyes but wondered who it could be. “I’m taking it in my room,” I said as Joseph erupted in giggles. Horrible.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Whenever I'd been sad or upset before, the relevant people in my life would simply call my social worker and I'd be moved somewhere else. Raymond hadn't phoned anyone or asked an outside agency to intervene. He'd elected to look after me himself. I'd been pondering this, and concluded that there must be some people for whom difficult behavior wasn't a reason to end their relationship with you. If they liked you -- and, I remembered, Raymond and I had agreed that we were pals now -- then, it seemed, they were prepared to maintain contact, even if you were sad, or upset, or behaving in very challenging ways. This was something of a revelation.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.
Anne Sexton
It's when I'm standing six feet away from you and not being able to find the words to tell you how much I love you and how much I miss you that I want to just scream to the whole room that I'm still in love with you. It's when I'm sitting alone with the phone in my hand dialing your number and hanging up that I would trade a thousand tomorrows for just one yesterday. Then I could just call you to tell you goodnight. It's when I am really sad about something and need someone to talk to that I realize you're the only one who really knew me at all. It's when I cry myself to sleep at night and it hits me how much I would give to hold you at that very moment. It's when I think about you that I realize no one else in the world is meant for me.
James Frey (A Million Little Pieces)
Listen.” The voice is extremely loud, and I am forced to hold the telephone away from my ear. “I don’t know who you are, or why you have Jack’s phone, but he is my boyfriend, and—” Boyfriend? What is a boyfriend? Perhaps it is something like a beau. “Is he engaged to you, then?” I hope not. “What? No. Of course not.” “Oh, what a relief. He is my true love, and you do not sound very nice.” “What? Listen, you . . .” And then, strangely enough, she calls me a female dog.
Alex Flinn (A Kiss in Time)
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father? hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth. that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer. you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about. last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
Warsan Shire
I have no idea who you even are and now you're my damn girlfriend. What the hell have you done to me?" She holds her palms up defensively. "Hey, don't blame me. I've gone eighteen years swearing off boyfriends and then you show up out of the blue with your vulgar mouth and terribly awkward first kisses and now look at me. I'm a hypocrite." "I don't even know your phone number," I say. "I don't even know your birthday," she says. "You're the worst girlfriend I've ever had.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
I'm learning so many different ways to be quiet. There's how I stand in the lawn, that's one way. There's also how I stand in the field across from the street, that's another way because I'm farther from people and therefore more likely to be alone. There's how I don't answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend I'm not home when people knock. There's daytime silent where I stare, and a nighttime silent when I do things. There's shower silent and bath silent and California silent and Kentucky silent and car silent and then there's the silence that comes back, a million times bigger than me, sneaks into my bones and wails and wails and wails until I can't be quiet anymore. That's how this machine works.
Ada Limon (Bright Dead Things)
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.' 'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.' Mom sighed. 'I really don't know why we even bother trying to be subtle around you.' 'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.' Rafe grinned. 'So we are dating.' 'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.' Dad choked on his coffee.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Every time the phone rang, my heart jumped. Was it Alexander? And when it wasn't him my heart would break into a million pieces. It had been two longs days since I had seen my Gothic mate. I was so preoccupied with Alexander, dreaming of the next time we'd be together, nothing else mattered. I didn't wash the spot where his tender love lips had pressed against my flesh. I was acting like I was straight out of a Gidget movie! What had happened to me? I was losing my edge! For the first time in my life I was really afraid. Afraid of never seeing him again and afraid of being rejected.
Ellen Schreiber (Vampire Kisses (Vampire Kisses, #1))
To be honest, it was pretty hard to leave. I desperately wanted to turn around, and tell him everything would be okay. That I adore him and I trust him and that I'll stand by him while he goes through this tough time. But I'm just too tired. I'm thirty years old. I'm tired of relationships that are always painful. I'm tired of hurting. I'm tired of waiting by the phone, and second-guessing what a guy says and trusting someone not to hurt me. Again. I've been storming the relationship castle for fifteen years, and I still don't have my prince. I've got a bunch of battle scars from the field and I want to go home and nurse my wounds. I don't want to fight anymore.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
Can I borrow your phone?" she asked. I frowned, unsure what she would do. "Sure." I pulled my phone from my pocket, handing it to her. She fingered the buttons for a moment, and then dialed, closing her eyes as she waited. "I'm sorry for calling you so early," she stammered, "but this couldn't wait. I . . . can't go to dinner with you on Wednesday." She had called Parker. My hands trembled with apprehension, wondering if she was going to ask him to pick her up - to save her - or something else. She continue, "I can't see you at all, actually. I'm . . . pretty sure I'm in love with Travis." My whole world stopped. I tried to replay her words over. Had I heard them correctly? Did she really just say what I thought she had, or was it just wishful thinking? Abby handed the phone back to me, and then reluctantly peered up into my eyes. "He hung up," she said with a frown. "You love me?" "It's the tattoos," she said, flippant and shrugging, as if she hadn't just said the one thing I'd ever wanted to hear. Pigeon loved me.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Simon turned to Jordan, who was lying down across the futon, his head propped against one of the woven throw pillows. "How much of that did you hear?" "Enough to gather that we're going to a party tonight," said Jordan. "I heard about the Ironworks event. I'm not in the Garroway pack, so I wasn't invited." "I guess you're coming as my date now." Simon shoved the phone back into his pocket. "I'm secure enough in my masculinity to accept that," said Jordan. "We'd better get you something nice to wear, though," he called as Simon headed back into his room. "I want you to look pretty.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I dug the untraceable phone Patch had given me out of my handbag and dialled his number. "I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very dark, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes." I heard the smile in his voice."You want me bad." "I need and an endorphin boost." "And making out in an abandoned barn with me will give you one?" "No, it will probably put me in an endorphin coma, and I'm more than happy to test the theory.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Yes, well”—he pushed his glasses up the bridge of his nose delicately—“the burner phone we had accidentally fell out of the car, and someone accidentally backed over it. Because someone was in a rush after she accidentally alerted some skip tracers we were nearby when she accidentally used her abilities to move a light pole out of the road after she had accidentally backed into it.” “Someone better shut their mouth before I accidentally slam my fist into their teeth.” She punched his shoulder, and it was almost...playful. “Shut his mouth, fist into his teeth.” “Really? A grammar lesson?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
The jogger sighed. He pulled out his phone and my eyes got big, because it glowed with a bluish light. When he extended the antenna, two creatures began writhing around it-green snakes, no bigger than earthworms. The jogger didn't seem to notice. He checked his LCD display and cursed. "I've got to take this. Just a sec ..." Then into the phone: "Hello?" He listened. The mini-snakes writhed up and down the antenna right next to his ear. Yeah," the jogger said. "Listen-I know, but... I don't care if he is chained to a rock with vultures pecking at his liver, if he doesn't have a tracking number, we can't locate his package....A gift to humankind, great... You know how many of those we deliver-Oh, never mind. Listen, just refer him to Eris in customer service. I gotta go.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
I was helpless in trying to return people's kindness, but also helpless to resist it. Kindness is a scarier force than cruelty, that's for sure. Cruelty isn't that hard to understand. I had no trouble comprehending why the phone company wanted to screw me over; they just wanted to steal some money, it was nothing personal. That's the way of the world. It made me mad, but it didn't make me feel stupid. If anything, it flattered my intelligence. Accepting all that kindness, though, made me feel stupid. Human benevolence is totally unfair. We don't live in a kind or generous world, yet we are kind and generous. We know the universe is out to burn us, and it gets us all the way it got Renee, but we don't burn each other, not always. We are kind people in an unkind world, to paraphrase Wallace Stevens. How do you pretend you don't know about it, after you see it? How do you go back to acting like you don't need it? How do you even the score and walk off a free man? You can't. I found myself forced to let go of all sorts of independence I thought I had, independence I had spent years trying to cultivate. That world was all gone, and now I was a supplicant, dependent on the mercy of other people's psychic hearts.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It’s the beating of my heart. The way I lie awake, playing with shadows slowly climbing up my wall. The gentle moonlight slipping through my window and the sound of a lonely car somewhere far away, where I long to be too, I think. It’s the way I thought my restless wandering was over, that I’d found whatever I thought I had found, or wanted, or needed, and I started to collect my belongings. Build a home. Safe behind the comfort of these four walls and a closed door. Because as much as I tried or pretended or imagined myself as a part of all the people out there, I was still the one locking the door every night. Turning off the phone and blowing out the candles so no one knew I was home. ’cause I was never really well around the expectations of my personality and I wanted to keep to myself. and because I haven’t been very impressed lately. By people, or places. Or the way someone said he loved me and then slowly changed his mind.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I started getting Mal's texts just before lunch. Mal: Awake Anne: Morning Mal: Going for a run with Jim Anne: Have fun! Mal: Back from run having lunch ... Mal:Your taste in music sucks Anne: Thanks Mal: Seriously, we need to talk it's that bad. Everything apart from Stage Dive needs to go. Anne: Wait. What are you doing? Mal:Fixing it. Anne: Mal, WTH are you doing? Mal: Making you new playlist wih decent shit. Relay Anne: K Thanks Mal: Bored again Mal: Ben's coming over to play Halo Anne: Great! But you don't have to tell me everything you do, Mal Mal: Davie says communication's important Mal: When are you on the rag? Davie said to find out if you want cupcakes or ice cream Anne: I want to not talk about this ever Mal: Bored. Ben's late Mal: Let's get a dog Anne: Apartment has no pets rule Mal: Nice green lace bra Anne: Get out of my drawers, Mal. Mal: Matching panties? Anne: GET OUT NOW. Mal: :) Mal: sext me Mal: Some on it'll be funny Mal: Plz? Mal: High level of unhealthy codependency traits exhibited by both parties relationship possibly bordeing on toxic Anne: WTF? Mal: Did magazine quiz. We need help- Especially you Anne:... Mal: Booking us couples counseling. Tues 4:15 alright? Anne: We are not going to counseling. Mal: What's wrong? Don't you love me anymore? Anne: Turning phone off now.
Kylie Scott (Play (Stage Dive, #2))
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor