Hearing Your Voice In The Morning Quotes

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And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.
Anne Lamott (Bird by Bird)
Let Your Word renew my mind and transform the way I live. I do not only hear the Word; I also do what it says. Blessings overtake me because I heed Your voice. Guide me continually in Your truth; teach me, for You are the God of my salvation. In Jesus’s name, amen.
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
He snaps a shot of Cornbread and presses send, flinching when the bird flaps at him threateningly. I think he’s cute, Henry responds. that’s because you can’t hear all the menacing gobbling Yes, famously the most sinister of all animal sounds, the gobble. “You know what, you little shit,” Alex says the second the call connects, “you can hear it for yourself and then tell me how you would handle this—” “Alex?” Henry’s voice sounds scratchy and bewildered across the line. “Have you really rung me at three o’clock in the morning to make me listen to a turkey?” “Yes, obviously,” Alex says. He glances at Cornbread and cringes. “Jesus Christ, it’s like they can see into your soul. Cornbread knows my sins, Henry. Cornbread knows what I have done, and he is here to make me atone.
Casey McQuiston (Red, White & Royal Blue)
To pray you open your whole self To sky, to earth, to sun, to moon To one whole voice that is you And know there is more That you can't see, can't hear Can't know except in moments Steadly growing, and in languages That aren't always sound but other Circles of motion. Like eagle that Sunday morning Over Salt River. Circled in blue sky In wind, swept our hearts clean With sacred wings. We see you, see ourselves and know That we must take the utmost care And kindness in all things. Breathe in, knowing we are made of All this, and breathe, knowing We are truly blessed because we Were born, and die soon within a True circle of motion, Like eagle rounding out the morning Inside us. We pray that it will be done In beauty. In beauty.
Joy Harjo
Read to your children Twenty minutes a day; You have the time, And so do they. Read while the laundry is in the machine; Read while the dinner cooks; Tuck a child in the crook of your arm And reach for the library books. Hide the remote, Let the computer games cool, For one day your children will be off to school; Remedial? Gifted? You have the choice; Let them hear their first tales In the sound of your voice. Read in the morning; Read over noon; Read by the light of Goodnight Moon. Turn the pages together, Sitting close as you'll fit, Till a small voice beside you says, "Hey, don't quit.
Richard Peck
Think about something else," Kaitlyn said. "Did you ever find a cow alarm clock around here?" "No. A what?" "An alarm clock shaped like a cow. It was Lewis's. It used to go off every morning, this sound like a cowbell and then a voice shouting 'Wake up! Don't sleep your life away!' And then it would moo." Lydia giggled faintly. "I wish I'd seen that. It sounds-like Lewis." "Actually, it sounded like a cow." Kaitlyn could hear Lydia snorting softly in the darkness for a while, then silence. She pulled the covers over her head and went to sleep.
L.J. Smith (Dark Visions (Dark Visions, #1-3))
A good man buys you tampons when you run out. He does the dishes. He makes you coffee before you're awake in the morning. He listens to you when you're talking, even if it's about home decor. He goes out of his way to touch you, even if it's just your hand. He doesn't call it 'babysitting' when he looks after his own children. He calls you from work just to hear your voice. And he always thinks you're beautiful, even---no, especially---when you don't.
Katherine Center (The Lost Husband)
It's 5:22pm you're in the grocery checkout line. Your three-year-old is writhing on the floor, screaming, because you have refused to buy her a Teletubby pinwheel. Your six-year-old is whining, repeatedly, in a voice that could saw through cement, "But mommy, puleeze, puleeze" because you have not bought him the latest "Lunchables," which features, as the four food groups, Cheetos, a Snickers, Cheez Whiz, and Twizzlers. Your teenager, who has not spoken a single word in the past foor days, except, "You've ruined my life," followed by "Everyone else has one," is out in the car, sulking, with the new rap-metal band Piss on the Parentals blasting through the headphones of a Discman. To distract yourself, and to avoid the glares of other shoppers who have already deemed you the worst mother in America, you leaf through People magazine. Inside, Uma thurman gushes "Motherhood is Sexy." Moving on to Good Housekeeping, Vanna White says of her child, "When I hear his cry at six-thirty in the morning, I have a smile on my face, and I'm not an early riser." Another unexpected source of earth-mother wisdom, the newly maternal Pamela Lee, also confides to People, "I just love getting up with him in the middle of the night to feed him or soothe him." Brought back to reality by stereophonic whining, you indeed feel as sexy as Rush Limbaugh in a thong.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
I hope you still taste like my name when the next man kisses you that he hears it echo down his throat and crawl across his skin I hope he knows that you were mine that you had forevers on your lips that were only meant for me I hope he feels small, mismatched when he takes hold of your hand that his fingers never fill the void my own have left behind and when he lays by your side and whispers that he loves you I hope my voice echoes back louder through all the canyons I spent nights and mornings carving in your sheets.
Tyler Kent White
Tis a far cry from home for a poor lonely thing, O'er the deeps and wild waters of seas, Where you can't hear your dear mother's voice softly sing Like a breeze gently stirring the trees. Come home, little one, wander back here someday, I'll watch for you, each evening and morn, Through all the long season 'til I'm old and grey As the frost on the hedges at dawn. There's a lantern that shines in my window at night, I have long kept it burning for you, It glows through the dark, like a clear guiding light, And I know someday you'll see it, too. So hasten back, little one, or I will soon be gone, No more to see your dear face, But I know that I'll feel your tears fall one by one, On the flowers o'er my resting place.
Brian Jacques (Triss (Redwall, #15))
I used to think I couldn't go a day without your smile. Without telling you things and hearing your voice back. Then, that day arrived and it was so damn hard but the next was harder. I knew with a sinking feeling it was going to get worse, and I wasn't going to be okay for a very long time. Because losing someone isn't an occasion or an event. It doesn't just happen once. It happens over and over again. I lose you every time I pick up your favorite coffee mug; whenever that one song plays on the radio, or when I discover your old t-shirt at the bottom of my laundry pile. I lose you every time I think of kissing you, holding you, or wanting you. I go to bed at night and lose you, when I wish could tell you about my day. And in the morning, when I wake and reach for the empty space across the sheets, begin to lose you all over again.
Lang Leav (Memories)
Who told you that?" I say. "Davy Prentiss?" He blinks. "What?" "What do you mean what?" My voice is harder now. "Your new best friend. The man who shot me, Todd, and who you ride to work with laughing every morning." He clenches his hands into fists. "You've been spying on me?" he says. "Three months I don't see you, three months I don't hear nothing from you and you been spying? Is that what yer doing in your spare time when yer not blowing people up?" "Yeah," I yell, my voice getting louder to match his. "Three months of defending you to people who'd only be too happy to call you enemy, Todd. Three months of wondering why the hell you're working so hard for the Mayor and how he knew to go right for the ocean the day after we spoke." He winces, but I keep going, thrusting out my arm and pulling up on the sleeve. "Three months wondering why you put these on women!" His face changes in an instant. He actually calls out as if he felt the pain himself. He puts a hand to his mouth to stifle it but his Noise is suddenly washed with blackness. He moves his fingertips of his other hand within reach of the band, hovering over my skin, over the band that'll never be removed unless I lose my arm. The skin is still red, and band 1391 still trobs, despite the healing of three mistresses. "Oh, no," he says. "Oh, no." The side door opens and the man who let me in leans out. "Everything all right out there, Lieutenant?" "Lieutenant?" I say. "We're fine," Todd chokes a little. "We're fine." The man waits for a second, then goes back inside. "Lieutenant?" I say again, lowering my voice. Todd's leant down, his hands on his knees, staring at the floor. "It wasn't me, was it?" he says, his voice quiet, too. "I didn't-" He gestures again at the band without looking up. "I didn't do it without knowing it was you, did I?
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
Something terrible is happening to me, Mom,” he said, his voice cracking. For the first time all morning, he felt close to tears. “Oh, baby,” she said again. “Why couldn’t you have gone somewhere else?” “Excuse me?” “I don’t want to hear about any more of your problems.
Joe Hill (Horns)
Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.
Chaim Potok (The Gift of Asher Lev)
I On the calm black water where the stars are sleeping White Ophelia floats like a great lily; Floats very slowly, lying in her long veils... - In the far-off woods you can hear them sound the mort. For more than a thousand years sad Ophelia Has passed, a white phantom, down the long black river. For more than a thousand years her sweet madness Has murmured its ballad to the evening breeze. The wind kisses her breasts and unfolds in a wreath Her great veils rising and falling with the waters; The shivering willows weep on her shoulder, The rushes lean over her wide, dreaming brow. The ruffled water-lilies are sighing around her; At times she rouses, in a slumbering alder, Some nest from which escapes a small rustle of wings; - A mysterious anthem falls from the golden stars. II O pale Ophelia! beautiful as snow! Yes child, you died, carried off by a river! - It was the winds descending from the great mountains of Norway That spoke to you in low voices of better freedom. It was a breath of wind, that, twisting your great hair, Brought strange rumors to your dreaming mind; It was your heart listening to the song of Nature In the groans of the tree and the sighs of the nights; It was the voice of mad seas, the great roar, That shattered your child's heart, too human and too soft; It was a handsome pale knight, a poor madman Who one April morning sate mute at your knees! Heaven! Love! Freedom! What a dream, oh poor crazed Girl! You melted to him as snow does to a fire; Your great visions strangled your words - And fearful Infinity terrified your blue eye! III - And the poet says that by starlight You come seeking, in the night, the flowers that you picked And that he has seen on the water, lying in her long veils White Ophelia floating, like a great lily.
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
Durga is the strength and protective power in nature, Lakshmi is its beauty. As Kali is the darkness of night and the great dissolve into nirvana, Lakshmi is the brightness of day and the expansiveness of teeming life. She can be found in rich soil and flowing waters, in streams and lakes that teem with fish. She is one of those goddesses whose signature energy is most accessible through the senses. You can detect her in the fragrance of flowers or of healthy soil. You can see her in the leafed-out trees of June and hear her voice in morning birdsong. If Durga is military band music and Kali heavy metal, Lakshmi is Mozart. She’s chocolate mousse, satiny sheets, the soft feeling of water slipping through your fingers. Lakshmi is growth, renewal, sweetness.
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
In every step, in every breath of yours, you’ll feel me… I will always be in every sight you see, in ever voice you hear… Your ears will be always filled with my whispers, my laughter and my cries… My fights and tantrums will never leave your mind… My footsteps, my shadow, will haunt you in every corner you go… I will be your mornings, your days and nights… I am the breeze that wraps your body in the morning… I am the moonlight that bathes your body at night… I am the fire that will burn you. I am the storm that you cannot handle… I am the rain that will wash away the dust from your soul… I am in your reflection. I am your shadow… Your heart whispers my name in every beat… Every word you say, echoes my name… I am the secret you want to hide, but the secret that the world knows… I am your dream… I am your nightmare… I am your darkest sin... I am you…
Ama H. Vanniarachchy
You’re awake.” I hold my breath when I hear Brantley’s scratchy just-waking-up voice. How is it that even that’s sexy? My morning voice sounds like an eighty year old woman who’s smoked a pack a day since she was two.
Ra'chael Ohara (Love Untamed (Discovering Love #1))
But I want it back anyway.” Like an idiot, I asked, “What do you want back?” “I want my goddamn Luna back,” he breathed, stealing the air from my lungs. “I don’t want you to leave me alone. I want you bugging my ass for random shit again. I wanna see your fucking face first thing in the morning, even if you don’t bring me my coffee anymore. I wanna make you something to eat so you don’t end up with Salmonella from that shit you try to cook,” he said in this strangely calm voice that seemed like the opposite of what someone using a jackhammer on my entire existence would have been. And he told me carefully, too carefully, “Two fucking weeks and I want it back. You gave me these pieces of you I know you haven’t given to anybody else, and they’re mine. You can’t take ’em back. I need them more than you do, you hear me?
Mariana Zapata (Luna and the Lie)
When I got to school the next morning I had stepped only one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least bit about the scene he was creating. The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe. “Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.” “I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You had your mother worried sick!” “My mother?” I questioned sarcastically. Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students, where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller! “Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute. “I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more. I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop. Look, I will be your friend. I want to be your friend. But that’s it. We can’t be anything more. It’ll never work.” Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.” It was hopeless. “Fine!” I snapped. “I’ll be your stupid girlfriend!” Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually laughed at my request. “No promises.” Stupid, cocky boyfriend. “You’re crazy. You know that, right?” Ryan got this big cheesy smile on his face and said, “Crazy about you.” “Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?” “Because I like you.” His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that? “I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.” “You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked a smile despite myself. “You really are crazy,” I muttered.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why. I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: "You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten.
Frederick Buechner (Wishful Thinking)
The voice of grief is rather convincing, isn’t it? It tells you you’re “too old,” “not good enough,” or “not worthy enough” for another chance at life, that starting over is impossible. This voice in your head is the first thing you hear in the morning and the last thing you hear at night. It drives with you to work. It stays with you at lunch. Its message is so consistent that because of its repetitive power, you may be inclined to believe it. But, as persuasive as the voice of grief is, everything it says is a lie. It’s all a pack of lies. Do you want the truth? If you do, then start listening to life calling to you inside your grief. How? Every time you are yearning to be held and loved, to laugh again, listen to your yearning. Do not listen to your fear . . . Listen to life calling you, “I am here, come on over. Take a chance on me. I am your life, and you’re all that I’ve got.
Christina Rasmussen (Second Firsts: Live, Laugh, and Love Again)
It will catch you off guard one day. You’ll be so surprised by it you may even lose your concentration. One moment you are living idly by and the next they are on your mind nearly every moment. You’ll lose sleep over the next time you’ll hear their voice. You might even find yourself daydreaming about a future together. One day you are ordering coffee every morning and the next you can’t even order coffee without thinking about ordering theirs too.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
Confession I love you – I love you, e’en as I Rage at myself for this obsession, And as I make my shamed confession, Despairing at your feet I lie. I know, I know – It ill becomes me, I am too old, time to be wise … But how? … This love – it overcomes me, A sickness this in passion’s guise. When you are near I’m filled with sadness, When far, I yawn, for life’s a bore. I must pour out this love, this madness, There’s nothing that I long for more! When your shirts rustle, when, my angel, Your girlish voice I hear, when your Light step sounds in the parlour – strangely, I turn confused, perturbed, unsure. Your frown – and I’m in pain, I languish; You smile – and joy defeats distress; My one reward for a day’s anguish Comes when your, pale hand, love, I kiss. When you sit, bent over your sewing, Your eyes cast down and fine curls blowing. About your face, with tenderness I like childlike watch, my heart o’erflowing With love, in my gaze a caress. Shall I my jealousy and yearning Describe, my bitterness and woe When by yourself on some bleak morning Off on a distant walk you go, Or with another spend the evening And, with him near, the piano play, Or for Opochka leave, or, grieving Weep and in silence, pass the day? Alina! Pray relent have mercy! I dare not ask for love – with all My many sins, both great and small, I am perhaps of love unworthy! But if feigned love, if you would Pretend, you’d easily deceive me, For happily would I, believe me, Deceive myself if but I could!
Alexander Pushkin
each and every sunrise you will hear my voice As I prepare my sacrifice of prayer to you. Every morning I lay out the pieces of my life on the altar And wait for your fire to fall upon my heart.b
Brian Simmons (Psalms: Poetry on Fire (The Passion Translation (TPT)))
3At each and every sunrise you will hear my voice As I prepare my sacrifice of prayer to you. Every morning I lay out the pieces of my life on the altar And wait for your fire to fall upon my heart.
Brian Simmons (Psalms: Poetry on Fire (The Passion Translation (TPT)))
So love me Like a rainbow (It's your rain due to my sun) Love me Between two seasons (It's like two bodies that collide) Love me with your lips and not with your mouth (Your fire is the only one that touches me) Love me With your fingers and not your hand (And open me like the morning Wakes up the flower from its sorrow) Love me When the day is discreet Drink my shyness like dew And devastate my burned earth When the day comes to decline Love me In this ephemeral What is to be, what is not yet All I have of solitary Only speaks about your arms Love me In this hollow Love me In this space Where we can still grow For you are all that I embrace. ( I hear of voice in all the noise of the world.)
Emmanuelle Soni-Dessaigne
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
MOTHER— Mother— You lounge on a cloud Surrounded by God in His absence. Mother— I dream You are always returning. I wake and wait For your steps in the hall. Mother— Mornings, I hear you puttering. At night, you mutter and hum over the laundry. The earth is still warm from you. I see your needlework in the grasses that sway. When you were alive, I worried your hair gray. You cried like a little girl wanting her way. Mother— Losing you, my life has grown brittle. The air has lost all its give. Nothing surrounds me. My hands have never been so greedy For the warmth of your body, Or my eyes more restless, Scouring the crowd for your face in the sea. God is real. The earth perceives us. Ghosts Roam among the living, bargaining for an hour as flesh. Mother— You are a green leaf Swept from the tree by unseasonable winds To wander the heavens like a star. I pray for a day each year when we might collide. In still water I search for your eyes. Mother— How could you have lived once and not forever? How have we not gone everywhere together? Mother— I see you on your cloud, A shadow above this impossible city. I hurl my voice at the sky—Mother! And what answers back is the absence of everything That isn’t you.
Yi Lei (My Name Will Grow Wide Like a Tree: Selected Poems)
AWAKENING To open both your drowsy eyes, To stretch your limbs and realise That day is here. To watch the dancing, shifting beam Of sun, awake yet half in dream, Uncertain if the fitful gleam Be far or near. To turn with soft, contented sigh, And through the window watch the sky, All opal blue. To feel the air steal in the room, Made fragrant by the soft perfume Of lime-trees, when their scented bloom Is damp with dew. To hear the rustling voice of leaves, The chirp of birds beneath the eaves, But now awake. The tiny hum of timid things That fly with gauzy, fragile wings, Where yet the dusk to daylight clings, When mornings break. To feel the soul look forth and smile, Contented with each fruitful mile That it beholds. To hear the heart beat loud and strong, In unison with Nature's song, That echoes tremulous and long While dawn unfolds. To know yourself a thing complete, With strength of mind and limb replete, With vast desire; A creature made to dominate The lesser things of earth, a fate On whom the universe must wait, With force entire. And then to cry in deep delight God made the world and made it right; Dear Heaven above! Was ere completeness so complete, Was ever sweetness half so sweet, Was ever loving half so meet; Thank God for love.
Radclyffe Hall (The Poetry Of Radclyffe Hall - Volume 2 - 'Twixt Earth and Stars: "…we're all part of nature, some day the world will recognise this…")
I hear Keene’s going to be turning up as Santa Claus later, and that’s got to be worth seeing.” Jake parodied the corporal’s voice: “So, little boy, give me your name, rank, number, and what present you want delivered by 0600 Christmas morning. And that’s Santa sir to you.
A.J. Butcher (The Frankenstein Factory (Spy High, #1))
Have you ever experienced spring...from the wrong side?” she slowly asked. “I mean...have you ever felt how malicious spring can be toward someone in pain? In the morning, early, early in the morning, birds start singing. Just a single one at first, while it's still night. You can hear it celebrating out there; the night is mother-of-pearl and blood. And the silence whispers, it whispers and buzzes of love and happiness; only it's not for you. There's sparkle and whistle in a bird's voice, but also crying. It is so beautiful and it feels like a burning scorn to your loneliness. Everything beautiful is sometimes horrible. Spring has almost always been horrible for me. As a rule I can only stand it when it rains. I like fall the best. There's something cool and soothing about it. Fall is the best time for the lonely.
Torborg Nedreaas (Av måneskinn gror det ingenting)
the reactions were generally the same. As a rule, most people seem to appreciate being rescued by dashing strangers. Most people, perhaps, but not Sophie Quire. “Are you insane?” she shouted, her voice hoarse from screaming at him. “You nearly killed those men!” Peter almost fell over as she wrenched a book out from under his boot. He listened as she riffled through the pages, as though inspecting the book for damage. “And what were you doing up on that lamppost, anyway?” she demanded. “Were you following me?” Peter stepped back, caught off guard. “I . . . um . . .” Obviously he had been following her. People didn’t just spend their mornings climbing lampposts for the fun of it. But to hear her describe the activity, you would think it was the worst thing in the world. “In case you forgot,” he said finally, “I just rescued you.” “Rescued me?” The girl got right in his face. She was radiating indignation like a furnace. “I was going to have to pay a fine . . . Now I’m party to attempted murder. Who knows what they will do to me, or my father? One word from the Inquisitor and we’ll be on the street or worse—and it will all be thanks to you!” Peter opened his mouth but closed it again. He could feel his whole face flushing with anger, or perhaps embarrassment—he wasn’t sure which. All he knew was this was not what he had planned. “I . . . I was only trying to help,” he said, inching back. “Next time, resist the urge.” The girl yanked her cloak over her shoulders with a dramatic flap. “And if you’re going to throw something into the river,” she added, “why not start with that ridiculous hat? You look like an ostrich in mourning.” With a dramatic heel, she turned away and ran toward the road.
Jonathan Auxier (Sophie Quire and the Last Storyguard: A Peter Nimble Adventure)
Now his work-mates pitied him, although they tried not to show it, and it was generally arranged that he was given jobs which allowed him to work alone. The smell of ink, and the steady rhythm of the press, then induced in him a kind of peace - it was the peace he felt when he arrived early, at a time when he might be the only one to see the morning light as it filtered through the works or to hear the sound of his footsteps echoing through the old stone building. At such moments he was forgetful of himself and thus of others until he heard their voices, raised in argument or in greeting, and he would shrink into himself again. At other times he would stand slightly to one side and try to laugh at their jokes, but when they talked about sex he became uneasy and fell silent for it seemed to him to be a fearful thing. He still remembered how the girls in the schoolyard used to chant, Kiss me, kiss me if you can I will put you in my pan, Kiss me, kiss me as you said I will fry you till you're dead And when he thought of sex, it was as of a process which could tear him limb from limb. He knew from his childhood reading that, if he ran into the forest, there would be a creature lying in wait for him.
Peter Ackroyd (Hawksmoor)
Two thoughts walked into my place. The first thought said that we hadn’t slept together because sex would have closed an entrance behind us and opened an exit ahead of us. The second thought told me quite clearly what to do. Maybe Takeshi’s wife was right—maybe it is unsafe to base an important decision on your feelings for a person. Takeshi says the same thing often enough. Every bonk, he says, quadruples in price by the morning after. But who are Takeshi or his wife to lecture anybody? If not love, then what? I looked at the time. Three o’clock. She was how many thousand kilometers and one time zone away. I could leave some money to cover the cost of the call. “Good timing,” Tomoyo answered, like I was calling from the cigarette machine around the corner. “I’m unpacking.” “Missing me?” “A tiny little bit, maybe.” “Liar! You don’t sound surprised to hear me.” I could hear the smile in her voice. “I’m not. When are you coming?
David Mitchell (Ghostwritten)
When the prophet Samuel was a young boy, Eli the priest gave him unerring advice on listening for the voice of God. It is a simple but profound prayer: “Speak, LORD, for Your servant hears” (1 Sam. 3:9). When we get up out of bed in the morning, among our first thoughts should be this: Lord, speak to me. I’m listening. I want to hear your voice.
Dallas Willard (Life Without Lack: Living in the Fullness of Psalm 23)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy’s and talk about the day and type your letters and carry your boxes and laugh at your paranoia and give you tapes you don’t listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you’re sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the the programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you’re late and be amazed when you’re early and give you sunflowers and go to your party and dance till I’m black and be sorry when I’m wrong and happy when you forgive me and look at your photos and wish I’d known you forever and hear your voice in my ear and feel your skin on my skin (...) .
Sarah Kane (Crave)
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
Mary Doria Russell (Doc)
ANTHONY: I feel you, Johanna, I feel you Do they think that walls can hide you? Even now I'm at your window I am in the dark beside you, Buried sweetly in your yellow hair, Johanna… SWEENEY TODD: And are you beautiful and pale, With yellow hair, like her I'd want you beautiful and pale, The way I've dreamed you were, Johanna... ANTHONY: Johanna... SWEENEY TODD: And if you're beautiful, what then, With yellow hair, like wheat? I think we shall not meet again — My little dove, my sweet Johanna… ANTHONY: I'll steal you, Johanna… SWEENEY TODD: Goodbye, Johanna. You're gone, and yet you're mine. I'm fine, Johanna, I'm fine! ANTHONY: Johanna… BEGGAR WOMAN: Smoke! Smoke! Sign of the devil! Sign of the devil! City on fire! Witch! Witch! Smell it, sir! An evil smell! Every night at the vespers bell — Smoke that comes from the mouth of hell — City on fire! City on fire! Mischief! Mischief! Mischief... SWEENEY TODD: And if I never hear your voice, My turtledove, my dear, I still have reason to rejoice: The way ahead is clear, Johanna... JOHANNA: I'll marry Anthony Sunday Anthony…Sunday… ANTHONY: I feel you… SWEENEY TODD: And in that darkness when I'm blind With what I can't forget — ANTHONY: Johanna… SWEENEY TODD: It's always morning in my mind, My little lamb, my pet, Johanna… JOHANNA: I knew you'd come for me one day… Come for me…one day… SWEENEY TODD/ANTHONY: You stay, Johanna — Johanna… SWEENEY TODD: The way I've dreamed you are Oh look, Johanna — a star! ANTHONY: Buried sweetly in your yellow hair… SWEENEY TODD: A shooting star! BEGGAR WOMAN: There! There! Somebody, somebody look up there! Didn't I tell you? Smell that air! City on fire! Quick, sir! Run and tell! Warn 'em all of the witch's spell! There it is, there it is, the unholy smell! Tell it to the Beadle and the police as well! Tell 'em! Tell 'em! Help! Fiend! City on fire! City on fire! Mischief! Mischief! Mischief...Fiend . . . Alms…alms...for a miserable woman… SWEENEY TODD: And though I'll think of you, I guess, until the day I die, I think I miss you less and less as every day goes by, Johanna... ANTHONY: Johanna... JOHANNA: With you beside me on Sunday, Married on…Sunday… SWEENEY TODD: And you'd be beautiful and pale, And look too much like her. If only angels could prevail, We'd be the way we were, Johanna... ANTHONY: I feel you...Johanna… JOHANNA'S VOICE: Married on Sunday…married on Sunday ... SWEENEY TODD: Wake up, Johanna! Another bright red day! We learn, Johanna, to say goodbye! ANTHONY: I’ll steal you!
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
In every step, in every breath of yours, you’ll feel me… I am in every sight you see, in every voice you hear… Your ears will be filled with my whispers, my laughter and my cries… My fights and tantrums will never leave you… My footsteps, my shadow, will haunt you in every corner you go… I will be your mornings, your days and nights… I am the breeze that wraps your body in the morning… I am the moonlight that bathes your body at night… I am the fire that will burn you. I am the storm that you cannot handle… I am the rain that will wash away the dust from your soul… I am in your reflection. I am your shadow… Your heart whispers my name in every beat… Every word you say, echoes my name… I am the secret you want to hide, but the secret that the world knows… I am your dream… I am your nightmare… I am your darkest sin... I am you…
Ama H. Vanniarachchy
His hand caressed her back. “You know what saved me through my years in the battalion and in prison?” he said. “You. I thought, if you could get out of Russia, through Finland, through the war, pregnant, with a dying doctor, with nothing but yourself, I could survive this. If you could get through Leningrad, as you every single morning got up and slid down the ice on the stairs to get your family water and their daily bread, I thought, I could get through this. If you survived that I could survive this.” “You don’t even know how badly I did the first years. You wouldn’t believe it if I told you.” “You had my son. I had nothing else but you, and how you walked with me through Leningrad, across the Neva and Lake Ladoga and held my open back together and clotted my wounds, and washed my burns, and healed me, and saved me. I was hungry and you fed me. I had nothing but Lazarevo.” Alexander’s voice broke. “And your immortal blood. Tatiana, you were my only life force. You have no idea how hard I tried to get to you again. I gave myself up to the enemy, to the Germans for you. I got shot at for you and beaten for you and betrayed for you and convicted for you. All I wanted was to see you again. That you came back for me, it’s everything, Tatia. Don’t you understand? The rest is nothing to me. Germany, Kolyma, Dimitri, Nikolai Ouspensky, the Soviet Union, all of it, nothing. Forget them all, let them all go. You hear?” “I hear,” Tatiana said. We walk alone through this world, but if we’re lucky, we have a moment of belonging to something, to someone, that sustains us through a lifetime of loneliness. For an evening minute I touched him again and grew red wings and was young again in the Summer Garden, and had hope and eternal life.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
I’m Steve, and I’m an addict,” Steve said after raising his hand to share. Steve was in his seventies and always shared first. It was as if he prepared an amazing speech every morning to present to all of us and his words always had a way of putting everything into perspective for me. “I look at these young girls over here, man,” he said pointing to our row, “and I can’t help but feel a bit envious. I’m 71 years old. I’ve got five years clean. I used for fifty years. I missed so damn much. I missed everything.” His voice broke and I could tell he was getting emotional. “I lost my wife once she finally got sick enough of my shit. My kids are adults and haven’t spoken to me in over twenty years—hell—I got grandbabies I ain’t even met.” He stared down at the table for a moment, you could hear a pin drop in that room. When he finally looked up, he looked straight at me and stared into my eyes. “Man, I’ll tell you what…. I would give anything in this world, to go back in time, and enter these rooms when I was your fucking age. Then I might actually have something to look back on and be proud of. You girls are young enough now to get it right, to have a life and make something of yourself. Don’t do what I did. Get it now so that you aren’t my age looking back on your life and thinking damn…I wasted all of it.” It felt like I’d suddenly been struck by lightning. Tears began welling in my eyes as I processed what he’d just said. I imagined what it would be like to have waited until I was an old woman to get clean – if I made it that long. I imagined my children being adults and never speaking to me. The loneliness, the guilt… for what? A momentary high? Never in my life had anyone’s words saturated my skin and seeped into my soul like his just did. I could hear other members voices mumbling as they shared their own bits of wisdom, but all I could do was replay in my head what Steve had said. That was it. That was the moment. Steve’s words changed my life that day. The universe had carefully devised a grand plan to align our paths so we both ended up in the same room that day. Whatever higher power was out there, knew that I needed to hear what that man had just said.
Tiffany Jenkins (High Achiever: The Shocking True Story of One Addict's Double Life)
When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.
Charlotte Brontë (Jane Eyre)
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Genevieve announces in her pinched voice for all to hear, "I stuck a fork in your butt, but you're so fat didn't feel a thing!!" As everyone turns to look at me, the world- even the air itself- jerks to a standstill. My heart stops. And waits. For anything. Rescue. Reinforcements. The end of the world, with any luck... I get down on one knee in the sand and pretend to tie my shoes, so I don't have to look at the others looking at me looking at them looking at me. We ate with spoons this morning. But I can't help but wonder, I'll wonder for the longest time, if Genevieve really did what she said.
Fanny Britt (Jane, the Fox & Me)
After All This" After all this love, after the birds rip like scissors through the morning sky, after we leave, when the empty bed appears like a collapsed galaxy, or the wake of disturbed air behind a plane, after that, as the wind turns to stone, as the leaves shriek, you are still breathing inside my own breath. The lighthouse on the far point still sweeps away the darkness with the brush of an arm. The tides inside your heart still pull me towards you. After all this, what are these words but mollusk shells a child plays with? What could say more than the eloquence of last night’s constellations? or the storm anchored by its own flashes behind the far mountains? I remember the way your body wavers under my touch like the northern lights. After all this, I want the certainty of hidden roots spreading in all directions from their tree. I want to hear again the sky tangled in your voice. Some nights I can hear the footsteps of the stars. How can these words ever reveal the secret that waits in their sleeping light? The words that walk through my mind say only what has already passed. Beyond, the swallows are still knitting the wind. After a while, the smokebush will turn to fire. After a while, the thin moon will grow like a tear in a curtain. Under it, a small boy kicks a ball against the wall of a burned out house. He is too young to remember the war. He hardly knows the emptiness that kindles around him. He can speak the language of early birds outside our window. Someday he will know this kind of love that changes the color of the sky, and frees the earth from its moorings. Sometimes I kiss your eyes to see beyond what I can imagine. Sometimes I think I can speak the language of unborn stars. I think the whole earth breathes with you. After all this, these words are all I have to say what is impossible to think, what shy dreams hide in the rafters of my heart, because these words are only a form of touch, only tell you I have no life that isn’t yours, and no death you couldn’t turn into a life.
Richard Jackson (Resonance)
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy. “So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak
Luck ever attends the bold and constructive thinker: the apple, for instance, fell from the tree precisely when Newton's mind was groping after the law of gravity, and as Diva stepped into her grocer's to begin her morning's shopping (for she had been occupied with roses ever since breakfast) the attendant was at the telephone at the back of the shop. He spoke in a lucid telephone-voice. "We've only two of the big tins of corned beef," he said; and there was a pause, during which, to a psychic, Diva's ears might have seemed to grow as pointed with attention as a satyr's. But she could only hear little hollow quacks from the other end. "Tongue as well. Very good. I'll send them up at once," he added, and came forward into the shop. "Good morning," said Diva. Her voice was tremulous with anxiety and investigation. "Got any big tins of corned beef? The ones that contain six pounds." "Very sorry, ma'am. We've only got two, and they've just been ordered." "A small pot of ginger then, please," said Diva recklessly. "Will you send it round immediately?" "Yes, ma'am. The boy's just going out." That was luck. Diva hurried into the street, and was absorbed by the headlines of the news outside the stationer's. This was a favourite place for observation, for you appeared to be quite taken up by the topics of the day, and kept an oblique eye on the true object of your scrutiny...
E.F. Benson (Miss Mapp (Lucia, #2))
When we get up out of bed in the morning, among our first thoughts should be this: Lord, speak to me. I’m listening. I want to hear your voice. This is not because it’s a nice way to start the day, but because the only thing that can keep us straight is being full of God and full of his Word. If you don’t do something like this, you do not have the option of having a neutral mind. Your thoughts cannot be empty. As the old saying goes, nature abhors a vacuum. If you are not entertaining God’s truth, you will be entertaining Satan’s lies. This is what happened to each one living in the days of Noah when “every intent of the thoughts of his heart was only evil continually” (Gen. 6:5). Now contrast that with Jesus.
Dallas Willard (Life Without Lack: Living in the Fullness of Psalm 23)
There's one thing you ought to know about old people," Alberto Terégo told me on our early morning walk on the beach. "Like what?" I asked my friend in reply. "Like old people don't mind if you kill them," Terégo said. "Just don't give them any more crap while you're doing it." "Are you talking about yourself?" I said. "You're telling me you'd rather have someone kill you than give you a hard time?” My head was starting to hurt. It usually did when I talked with Terégo, but never so soon into our daily conservation. He was grinning now, knowing he had me again. I just stared at him. He has this uncanny knack of making me feel he's laid a booby trap of punji sticks on which I'm about to impale myself. “That's ridiculous," I said finally, feeling like a kid for not being able to come up with a better response to his bizarre suggestion. “No, it's life,” Terégo said, his grin growing larger. “What's life?” I said. “Taking crap,” he said. "Taking crap is life?" I said. The grin hung ear to ear now. “It's what nice people do,” Terégo said. “There's an 18th century proverb that says we all have to eat a peck of dirt before we die. We do it from an early age, so old people have been doing it for a very long time, way beyond the proverbial amount that broke the camel's back.” “Eating dirt is life?” I said, feeling the pain grow under my arched eyebrows. "That's right," he said. "Eating dirt?" I repeated dully. "We do it to be team players, so we don’t rock the boat, to go with the flow," Terégo said. "We put up, shut up, get along--no matter what--with people even the Dalai Lama would slap silly. We defer to their foolishness, stupidity, biases, racism, ego, telling them what they want to hear, keeping quiet when we ought to be speaking up loud and clear. We put a sock in it even though it chokes us. We do it so we won’t offend, to fit in, be neighborly, sociable, kind. We do it so people will like us, love and reward and hire and promote us. We do it to be successful, secure, happy." "We eat dirt to be happy," I said, my eyes starting to glaze over like frost on window panes in deep winter. "You see the supreme irony in that," Terégo said, the triumph in his voice almost palpable, galling me no end.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
Confession I love you – I love you, e’en as I Rage at myself for this obsession, And as I make my shamed confession, Despairing at your feet I lie. I know, I know – It ill becomes me, I am too old, time to be wise … But how? … This love – it overcomes me, A sickness this in passion’s guise. When you are near I’m filled with sadness, When far, I yawn, for life’s a bore. I must pour out this love, this madness, There’s nothing that I long for more! When your shirts rustle, when, my angel, Your girlish voice I hear, when your Light step sounds in the parlour – strangely, I turn confused, perturbed, unsure. Your frown – and I’m in pain, I languish; You smile – and joy defeats distress; My one reward for a day’s anguish Comes when your, pale hand, love, I kiss. When you sit, bent over your sewing, Your eyes cast down and fine curls blowing. About your face, with tenderness I like childlike watch, my heart o’erflowing With love, in my gaze a caress. Shall I my jealousy and yearning Describe, my bitterness and woe When by yourself on some bleak morning Off on a distant walk you go, Or with another spend the evening And, with him near, the piano play, Or for Opochka leave, or, grieving Weep and in silence, pass the day? Alina! Pray relent have mercy! I dare not ask for love – with all My many sins, both great and small, I am perhaps of love unworthy! But if feigned love, if you would Pretend, you’d easily deceive me, For happily would I, believe me, Deceive myself if but I could!
Alexander Pushkin
Never took you for someone so naughty." "Looks can be deceiving." "Ah, such a fucking smart mouth." "Face it, you love my smart mouth." "Hmm..." "What?" "Just thinking about all the things I want to do to that smart mouth." Her breath hitches in her throat. "You---" "Tell me what I'm thinking right now. If you guess right, maybe we'll make it happen." Eden's face fills with heat, her heart pounding in her chest. Her brain is about to melt. There are so many possibilities, so many scenarios. But one look from him, and she's a goner. Her tongue is a twisted knot. The fire pooling in the pit of her stomach has her unraveling at the seams. Alexander might have just broken her. Alexander can sense her struggle and chuckles, tenderly kissing her cheek. "What are you being so shy for? You started it, sweetheart. Come on, venture a guess." "What if I guess wrong?" "I doubt you will." He presses his forehead to hers, the tips of their noses bumping up against one another. "Say it," he whispers against her lips. "Say it." "I think..." Eden takes a deep but shaky breath. "I think you want to fuck me." "Among other things." She looks deep into his eyes and reads him like a book. "I think you want to fuck me hard. And then soft. All night, and then all morning. On my back. On my knees. You want to taste me. You want me to taste you." "I think you want me to make you beg," he says, still soft and only loud enough for her alone to hear. "You want to be taken against a wall. In my bed. On the fucking floor. You want me to make you tremble. You want to be fucked so good, your voice gives out. You want to feel sore in the morning. Isn't that right, Eden?" "Yes," she gasps, the word bubbling past her lips without a second thought.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
I know what you’re thinking, Gray,” O’Shea’s brogue lilted down through the skylight one warm morning, while Sophia was hard at work. Mr. Grayson responded, a raw longing in his voice. “Aye. It would be so easy to take her.” Sophia nearly dropped her quill. “We’ve the advantage of the wind,” O’Shea said. “And a faster ship,” Gray replied. “We’d be on her stern in no time.” Ships. Sophia breathed again. They were speaking of ships. “Those were the days.” O’Shea gave a low whistle. “One cannonball to the rudder…” “Wouldn’t even need that. She’d accept our terms with little more than a signal shot and a smile.” She could hear that smile in his voice. He continued, “Cannons are for amateurs. Seizing a ship intact…it’s all in the approach. From the moment that sail appears on the horizon, you act as though it’s already yours. All that remains is to inform the other captain.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Does it undermine my image as a warrior to be with you?' 'No. Does it undermine Feyre's when she's seen with Rhys?' Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river. Cassian asked carefully. 'Why?' Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.' At his utter silence, she knew what he'd say. Halted again, bracing herself for it. Cassian's face was a void. Completely empty as he said, 'And we're not?' Nesta said nothing. He huffed a laugh. 'Because they're mates and you don't want us to be.' 'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.' 'That's bullshit.' When she only began walking along the river again, he asked. 'Why are you frightened?' 'I'm not frightened.' 'What spooked you? Just being seen publicly with me like this?' Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before. Drag him down with her. 'Nesta. Talk to me.' She met his stare, but wouldn't open her mouth. Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.' 'I don't know what you're talking about.' 'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.' Nesta kept her mouth shut. 'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.' Her mouth went dry. 'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from. 'No.' His face shuttered with rage even as his voice became calm. 'Say it.' She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that. 'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.' She wouldn't. 'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?' She let the truth, voiced at last, wash over her. 'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?' 'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!' He blinked. 'I thought you wanted to be one of us.' 'I don't know what I want. I didn't have a choice.' 'Well, I didn't have a choice in being shackled to you, either.' The declaration slammed into her. Shackled. He sucked in a breath. 'That was an incredibly poor choice of words.' 'But the truth, right?' 'No, I was angry- it's not true.' 'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh. Shackled. Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed. But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Only One [Intro] As I lay me down to sleep I hear her speak to me [Verse 1] Hello 'Mari, how ya doin'? I think the storm ran out of rain, the clouds are moving I know you're happy, cause I can see it So tell the voice inside ya' head to believe it I talked to God about you, he said he sent you an angel And look at all that he gave you You asked for one and you got two You know I never left you Cause every road that leads to heaven's right inside you So I can say [Hook 1] Hello my only one, just like the morning sun You'll keep on rising till the sky knows your name Hello my only one, remember who you are No you're not perfect but you're not your mistakes [Verse 2] Hey, hey, hey, hey Oh the good outweighs the bad even on your worst day Remember how I'd say Hey hey one day you'll be the man you always knew you could be And if you knew how proud I was You'd never shed a tear, have a fear, no you wouldn't do that And though I didn't pick the day to turn the page I know it's not the end every time I see her face, and I hear you say [Hook 2] Hello my only one, remember who you are You got the world cause you got love in your hands And you're still my chosen one So can you understand? One day you'll understand [Bridge] So hear me out, hear me out I won't go, I won't go No goodbyes, no goodbyes Just hello, just hello And when you cry, I will cry And when you smile, I will smile And next time when I look in your eyes We'll have wings and we'll fly [Hook 3] Hello my only one, just like the morning sun You'll keep on rising till the sky knows your name And you're still my chosen one, remember who you are No you're not perfect but you're not your mistakes [Outro] Hey, hey, hey, hey Tell Nori about me, tell Nori ab- I just want you to do me a favor Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me...
Kanye West
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.
Veronica Roth (Allegiant (Divergent, #3))
Amy tossed in her bed, then froze as she heard Northcliff’s voice in her head. Do you know that when you rise in the morning, I hear your footsteps over my head? I imagine you slipping out of a worn nightgown, your body gleaming pale and sweet, and donning one of your ghastly gowns. At night, the floorboards creak as you ready yourself for bed, and I imagine you undressing. And all night long, every time you turn over in your virgin bed, I hear you. You have me imprisoned, but I am watching you. A shiver ran up her spine at the memory of Northcliff’s words, but it wasn’t fear. It was desire. She wanted to rise from her bed and go to him. She wanted to see him. Not just his face or the expanse of his chest, but all of him. Because while he said he had been imagining her, she had also been imagining him. In a motion so slow and cautious her ancient straw-stuffed mattress made no noise, Amy sat up and wrapped her arms around her knees. Northcliff was awake below. She knew it; she could feel his unswerving attention, the waves of his will beckoning her to him.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
Sometimes a woman would tell me that the feeling gets so strong she runs out of the house and walks through the streets. Or she stays inside her house and cries. Or her children tell her a joke, and she doesn’t laugh because she doesn’t hear it. I talked to women who had spent years on the analyst’s couch, working out their “adjustment to the feminine role,” their blocks to “fulfillment as a wife and mother.” But the desperate tone in these women’s voices, and the look in their eyes, was the same as the tone and the look of other women, who were sure they had no problem, even though they did have a strange feeling of desperation. A mother of four who left college at nineteen to get married told me: I’ve tried everything women are supposed to do—hobbies, gardening, pick-ling, canning, being very social with my neighbors, joining committees, run-ning PTA teas. I can do it all, and I like it, but it doesn’t leave you anything to think about—any feeling of who you are. I never had any career ambitions. All I wanted was to get married and have four children. I love the kids and Bob and my home. There’s no problem you can even put a name to. But I’m desperate. I begin to feel I have no personality. I’m a server of food and a putter-on of pants and a bedmaker, somebody who can be called on when you want something. But who am I? A twenty-three-year-old mother in blue jeans said: I ask myself why I’m so dissatisfied. I’ve got my health, fine children, a lovely new home, enough money. My husband has a real future as an electron-ics engineer. He doesn’t have any of these feelings. He says maybe I need a vacation, let’s go to New York for a weekend. But that isn’t it. I always had this idea we should do everything together. I can’t sit down and read a book alone. If the children are napping and I have one hour to myself I just walk through the house waiting for them to wake up. I don’t make a move until I know where the rest of the crowd is going. It’s as if ever since you were a little girl, there’s always been somebody or something that will take care of your life: your parents, or college, or falling in love, or having a child, or moving to a new house. Then you wake up one morning and there’s nothing to look forward to.
Betty Friedan (The Feminine Mystique)
My father was a firm believer in raising his children according to his Christian faith as elucidated in Proverbs 22:6. Unfailingly at five every morning, my father would wake us children for devotion. "Get up. It's time to pray," he came calling. "I’m still very sleepy," I often complained. The prayers normally lasted about ten minutes and it had to be ten minutes of wakefulness, else we incurred the wrath of our father if he saw anyone sleeping. "Wake up, say 'Amen!'" he would yell. After that daily morning time for prayers, we were free to go about preparing for our day. He also taught us to say a simple prayer for him whenever he gave us money. “I pray God to bless you. May He replenish your pocket and may you be blessed by others. Amen.” We were also commanded to say the prayer to thank any other grownup who gifted us with money. The prayer became a magnet for monetary gifts because his friends were always excited to hear our little voices reciting the prayer dutifully. Some came to our house solely to be entertained by our family tradition of saying this particular prayer after being given money. They gave, we prayed, we were delighted and our piggy banks gained weight in coins.
Emmanuel Olawale (The Flavor of Favor: Quest for the American Dream)
told me more about what happened the other night?” she asked, deciding to air her worst fears. “Am I under suspicion or something?” “Everyone is.” “Especially ex-wives who are publicly humiliated on the day of the murder, right?” Something in Montoya’s expression changed. Hardened. “I’ll be back,” he promised, “and I’ll bring another detective with me, then we’ll interview you and you can ask all the questions you like.” “And you’ll answer them?” He offered a hint of a smile. “That I can’t promise. Just that I won’t lie to you.” “I wouldn’t expect you to, Detective.” He gave a quick nod. “In the meantime if you suddenly remember, or think of anything, give me a call.” “I will,” she promised, irritated, watching as he hurried down the two steps of the porch to his car. He was younger than she was by a couple of years, she guessed, though she couldn’t be certain, and there was something about him that exuded a natural brooding sexuality, as if he knew he was attractive to women, almost expected it to be so. Great. Just what she needed, a sexy-as-hell cop who probably had her pinned to the top of his murder suspect list. She whistled for the dog and Hershey bounded inside, dragging some mud and leaves with her. “Sit!” Abby commanded and the Lab dropped her rear end onto the floor just inside the door. Abby opened the door to the closet and found a towel hanging on a peg she kept for just such occasions, then, while Hershey whined in protest, she cleaned all four of her damp paws. “You’re gonna be a problem, aren’t you?” she teased, then dropped the towel over the dog’s head. Hershey shook herself, tossed off the towel, then bit at it, snagging one end in her mouth and pulling backward in a quick game of tug of war. Abby laughed as she played with the dog, the first real joy she’d felt since hearing the news about her ex-husband. The phone rang and she left the dog growling and shaking the tattered piece of terry cloth. “Hello?” she said, still chuckling at Hershey’s antics as she lifted the phone to her ear. “Abby Chastain?” “Yes.” “Beth Ann Wright with the New Orleans Sentinel.” Abby’s heart plummeted. The press. Just what she needed. “You were Luke Gierman’s wife, right?” “What’s this about?” Abby asked warily as Hershey padded into the kitchen and looked expectantly at the back door leading to her studio. “In a second,” she mouthed to the Lab. Hershey slowly wagged her tail. “Oh, I’m sorry,” Beth Ann said, sounding sincerely rueful. “I should have explained. The paper’s running a series of articles on Luke, as he was a local celebrity, and I’d like to interview you for the piece. I was thinking we could meet tomorrow morning?” “Luke and I were divorced.” “Yes, I know, but I would like to give some insight to the man behind the mike, you know. He had a certain public persona, but I’m sure my readers would like to know more about him, his history, his hopes, his dreams, you know, the human-interest angle.” “It’s kind of late for that,” Abby said, not bothering to keep the ice out of her voice. “But you knew him intimately. I thought you could come up with some anecdotes, let people see the real Luke Gierman.” “I don’t think so.” “I realize you and he had some unresolved issues.” “Pardon me?” “I caught his program the other day.” Abby tensed, her fingers holding the phone in a death grip. “So this is probably harder for you than most, but I still would like to ask you some questions.” “Maybe another time,” she hedged and Beth Ann didn’t miss a beat. “Anytime you’d like. You’re a native Louisianan, aren’t you?” Abby’s neck muscles tightened. “Born and raised, but you met Luke in Seattle when he was working for a radio station . . . what’s the call sign, I know I’ve got it somewhere.” “KCTY.” It was a matter of public record. “Oh, that’s right. Country in the City. But you grew up here and went to local schools, right? Your
Lisa Jackson (Lisa Jackson's Bentz & Montoya Bundle: Shiver, Absolute Fear, Lost Souls, Hot Blooded, Cold Blooded, Malice & Devious (A Bentz/Montoya Novel))
Psalm 5 Song of the Clouded Dawn For the Pure and Shining One, for her who receives the inheritance.11 By King David. 1Listen to my passionate prayer! Can’t You hear my groaning? 2Don’t You hear how I’m crying out to You? My King and my God, consider my every word, For I am calling out to You. 3At each and every sunrise You will hear my voice As I prepare my sacrifice of prayer to You. Every morning I lay out the pieces of my life on the altar And wait for Your fire to fall upon my heart.12 4I know that You, God, Are never pleased with lawlessness, And evil ones will never be invited As guests in Your house. 5Boasters collapse, unable to survive Your scrutiny, For Your hatred of evildoers is clear. 6You will make an end of all those who lie. How You hate their hypocrisy And despise all who love violence! 7But I know the way back home, And I know that You will welcome me Into Your house, For I am covered by Your covenant of mercy and love. So I come to Your sanctuary with deepest awe, To bow in worship and adore You. 8Lord, lead me in the pathways of Your pleasure, Just like You promised me You would, Or else my enemies will conquer me. Smooth out Your road in front of me, Straight and level so that I will know where to walk. 9For you can’t trust anything they say. Their hearts are nothing but deep pits of destruction, Drawing people into their darkness with their speeches. They are smooth-tongued deceivers Who flatter with their words! 10Declare them guilty, O God! Let their own schemes be their downfall! Let the guilt of their sins collapse on top of them, For they rebel against You. 11But let them all be glad, Those who turn aside to hide themselves in You, May they keep shouting for joy forever! Overshadow them in Your presence As they sing and rejoice, Then every lover of Your name Will burst forth with endless joy. 12Lord, how wonderfully You bless the righteous. Your favor wraps around each one and Covers them Under Your canopy of kindness and joy. 11. 5:Title The Hebrew word used here is Neliloth, or “flutes.” It can also be translated “inheritances.” The early church father, Augustine, translated this: “For her who receives the inheritance,” meaning the church of Jesus Christ. God the Father told the Son in Psalm 2 to ask for His inheritance; here we see it is the church that receives what Jesus asks for. We receive our inheritance of eternal life through the cross and resurrection of the Son of God. The Septuagint reads “For the end,” also found in numerous inscriptions of the Psalms. 12. 5:3 Implied in the concept of preparing the morning sacrifice. The Aramaic text states, “At dawn I shall be ready and shall appear before You.
Brian Simmons (The Psalms, Poetry on Fire (The Passion Translation Book 2))
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
What is it?” I asked, pasting a magazine photo of a football--found in an old Seventeen magazine spread--on my beloved’s collage. “Well, a bunch of cattle trucks just showed up,” he said, trying to talk over the symphonic mooing of cows all around him. “They were supposed to get here tomorrow night, but they showed up early…” “Oh, no…that’s a bummer,” I said, not quite sure what he was getting at. “So now I’ve got to work all these cattle tonight and get ’em shipped…and by the time I get done, the store in town will be closed,” he began. Our appointment with Father Johnson was at ten the next morning. “So I think I’m just going to have to come over there really early tomorrow morning and do the thing at your house,” Marlboro Man said. I could hardly hear him through the cattle. “Are you sure?” I asked. “What time were you thinking of coming over?” I braced myself for the worst. “I was thinking around six or so,” he said. “That would give me plenty of time to get it done before we go.” Six? In the morning? Ugh, I thought. I have only one more week of sleeping in. After we’re married, there’s no telling what time I’ll have to get out of bed. “Okay,” I said, my voice dripping with trepidation. “I’ll see you in the morning. Oh, and hey…if I don’t answer the door right away it probably means I’m doing some weight training or something.” “Gotcha,” Marlboro Man answered, humoring me. “And hey--don’t pull any muscles or strain yourself. We’re getting married in less than a week.” My stomach fluttered as I hung up the phone and resumed work on my collage.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
Anne Carson (Norma Jeane Baker of Troy)
When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))
Silvanus, the camp prefect, took a step forward. I heard his voice every morning after parade, but had never listened to the tones of it as I did now. He was not afraid, that much was clear; he was angry. "Pathetic. I should cashier you all now and destroy your Eagles." Silvanus spoke quietly; we had to strain to hear his voice. You could have heard the stars slide across the sky, we were so still and so silent. "If General Corbulo were here, he would destroy you. He dismissed half of the Fifth and the Tenth and sent them home. The rest are billeted in tents in the Armenian highlands with barley meal for fodder. He intends to make an army of them, to meet Vologases when he comes. I intend the same and therefore you will be treated the same as your betters in better legions. You will be proficient by the spring, or you will be dead." His gaze raked us, and we wondered which of us might die that night for the crime of being ineffectual. His voice rocked us. "To that end, you will spend the next three months in tents in the Mountains of the Hawk that lie between us and the sea. One hundred paces above the snow line, each century will determine an area suitable for three months’ stay and build its own base camp. You will alternate along the mountains’ length so that each century of the Fourth has a century of the Twelfth to either side, and vice versa. Each century will defend and maintain its own stocks against the men of the opposing legion; you are encouraged to avail yourselves of what you can. You may not remove stocks from camps belonging to other centuries of your own legion, and equally you may not aid in defending them against raiding parties from the opposing men. So that you may tell each other apart, the Twelfth legion will wear" – did I hear a note of distaste there? – "red cloth tied about their left arms at all times. The Fourth will wear blue. You will be provided with raw fleece with which to wrap your weapons that they might strike but not bite. A man who is careless enough to be captured by the other side will be flogged and returned to his unit. Any man who kills another will be flogged until dead and any man who wounds another will be staked out beyond the boundary of his camp for two days and nights; if he lives, he will be returned to his unit. Any man who dies of hunger, cold or fright, or who falls off the mountain, will be deemed to have died by his own hand. You have until the next watch to make ready. You are dismissed.
M.C. Scott (Rome: The Eagle of the Twelfth (Rome, #3))
It was an imprudent idea to begin with.” “I shan’t argue with you on that point.” Rose scoffed at him. “You don’t get to play morally superior with me, Grey. I may have been stupid enough to conspire against you, but you didn’t even recognize someone you’ve known for years! If one of us must be the bigger idiot, I think it must be you!” Oh dear God. She covered her mouth with her hand. What had she just said? Dark arched brows pulled together tightly over stormy blue eyes. “You’re right,” he agreed. “I am an idiot, but only because I allowed this ridiculous ruse past the point when I realized your identity.” Rose froze-like a damp leaf on an icy pond. “You knew?” And yet he continued to pretend…oh, he was worse than she by far. “Of course I knew.” He glowered at her. “Blindfold me and I would know the scent of your skin, the exact color and texture of your skin. Do you not realize that I know the color of your eyes right down to the flecks of gold that light their depths?” Heart pounding, stomach churning in shock, Rose could only stare at him. How could he say such things to her and sound so disgusted? “When?” Her voice was a ragged whisper. “When did you know?” “I suspected before but tried to deny it. The morning after we last met I took one look at your sweet mouth and knew there couldn’t be two women in the world, let alone London with the same delectable bottom lip.” It hurt. Oh, she hadn’t thought hearing him say such wonderful things could hurt so much! She pressed a hand to her chest. “You suspected and yet you made love to me any way.” “Made love?” He snorted. “That’s a girl’s term, Rose. What you and I did…it was something far worse than making trite love.” Worse? How could he malign what had transpired between them. “So you regret it, despite your own choice to continue with the charade.” “What I regret,” he growled, suddenly moving toward her, “is your sudden attack of conscience.” He was mad. She took a step back. “I don’t understand you.” “If only you had managed to keep your guilt where it belonged.” A ravaged smile curved his lips as he shook his head. “We might have continued on, with neither being the wiser, but now we must endure the rest of the Season together, knowing what we can no longer have.” “Then you admit you have feelings for me.” He laughed hollowly. “So many I can scarce discern them all.” It was a hollow victory at best. “If you care for me and I for you, then why can we not reveal our feelings? You have but to ask and I’m yours.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
He took a breath. He could feel his anxiety fade; he could feel himself returning to who he was. 'But would you sing with me?' Every morning for the past two months, they had been singing with each other in preparation for Duets. In the film, his character and the character's wife led an annual Christmas pageant, and both he and the actress playing his wife would be performing their own vocals. The director had sent him a list of songs to work on, and Jude had been practicing with him: Jude took the melody, and he took the harmony. 'Sure,' Jude said. 'Our usual?' For the past week, they'd been working on 'Adeste Fideles,' which he would have to sing a cappella, and for the past week, he'd been pitching sharp at the exact same point, at 'Venite adoremus,' right in the first stanza. He'd wince every time he did it, hearing the error, and Jude would shake his head at him and keep going, and he'd follow him until the end. 'You're overthinking it,' Jude would say. 'When you go sharp, its because you're concentrating too hard on staying on key; just don't think about it, Willem, and you'll get it.' That morning, though, he felt certain he'd get it right. He gave Jude the bunch of herbs, which he was still holding, and Jude thanked him, pinching its little purple flowers between his fingers to release its perfume. 'I think it's a kind of perilla,' he said, and held his fingers up for Willem to smell. 'Nice,' he said, and they smiled at each other. And so Jude began, and he followed, and he made it through without going sharp. And at the end of the song, just after the last note, Jude immediately began singing the next song on the list, 'For Unto Us a Child Is Born,' and after that, 'Good King Wenceslas,' and again and again, Willem followed. His voice wasn't as full as Jude's, but he could tell in those moments that it was good enough, that it was maybe better than good enough: he could tell it sounded better with Jude's, and he closed his eyes and let himself appreciate it. They were still singing when the doorbell chimed with their breakfast, but as he was standing, Jude put his hand on his wrist, and they remained there, Jude sitting, he standing, until they had sung the last words of the song, and only after they had finished did he go to answer the door. Around him, the room was redolent of the unknown herb he'd found, green and fresh and yet somehow familiar, like something he hadn't known he had liked until it had appeared, suddenly and unexpectedly, in his life.
Hanya Yanagihara (A Little Life)
CHAPTER 5. Advice from a Caterpillar The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice. “Who are you?” said the Caterpillar. This was not an encouraging opening for a conversation. Alice replied, rather shyly, “I—I hardly know, Sir, just at present—at least I know who I was when I got up this morning, but I think I must have been changed several times since then.” “What do you mean by that?” said the Caterpillar, sternly. “Explain yourself!” “I can’t explain myself, I’m afraid, Sir,” said Alice, “because I’m not myself, you see.” “I don’t see,” said the Caterpillar. “I’m afraid I can’t put it more clearly,” Alice replied, very politely, “for I can’t understand it myself, to begin with; and being so many different sizes in a day is very confusing.” “It isn’t,” said the Caterpillar. “Well, perhaps you haven’t found it so yet,” said Alice; “but when you have to turn into a chrysalis—you will some day, you know—and then after that into a butterfly, I should think you’ll feel it a little queer, won’t you?” “Not a bit,” said the Caterpillar. “Well, perhaps your feelings may be different,” said Alice: “all I know is, it would feel very queer to me.” “You!” said the Caterpillar contemptuously. “Who are you?” Which brought them back again to the beginning of the conversation. Alice felt a little irritated at the Caterpillar’s making such very short remarks, and she drew herself up and said, very gravely, “I think you ought to tell me who you are, first.” “Why?” said the Caterpillar. Here was another puzzling question; and, as Alice could not think of any good reason, and as the Caterpillar seemed to be in a very unpleasant state of mind, she turned away. “Come back!” the Caterpillar called after her. “I’ve something important to say!” This sounded promising, certainly. Alice turned and came back again. “Keep your temper,” said the Caterpillar. “Is that all?” said Alice, swallowing down her anger as well as she could. “No,” said the Caterpillar. Alice thought she might as well wait, as she had nothing else to do, and perhaps after all it might tell her something worth hearing. For some minutes it puffed away without speaking; but at last it unfolded its arms, took the hookah out of its mouth again, and said “So you think you’re changed, do you?” “I’m afraid I am, Sir,” said Alice. “I can’t remember things as I used—and I don’t keep the same size for ten minutes together!
Lewis Carroll (Alice's Adventures in Wonderland)
Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Meditation + Mental Strength An emotion is our evolved biology predicting the future impact of a current event. In modern settings, it’s usually exaggerated or wrong. Why is meditation so powerful? Your breath is one of the few places where your autonomic nervous system meets your voluntary nervous system. It’s involuntary, but you can also control it. I think a lot of meditation practices put an emphasis on the breath because it is a gateway into your autonomic nervous system. There are many, many cases in the medical and spiritual literature of people controlling their bodies at levels that should be autonomous. Your mind is such a powerful thing. What’s so unusual about your forebrain sending signals to your hindbrain and your hindbrain routing resources to your entire body? You can do it just by breathing. Relaxed breathing tells your body you’re safe. Then, your forebrain doesn’t need as many resources as it normally does. Now, the extra energy can be sent to your hindbrain, and it can reroute those resources to the rest of your body. I’m not saying you can beat whatever illness you have just because you activated your hindbrain. But you’re devoting most of the energy normally required to care about the external environment to the immune system. I highly recommend listening to the Tim Ferriss’s podcast with Wim Hof. He is a walking miracle. Wim’s nickname is the Ice Man. He holds the world record for the longest time spent in an ice bath and swimming in freezing cold water. I was very inspired by him, not only because he’s capable of super-human physical feats, but because he does it while being incredibly kind and happy—which is not easy to accomplish. He advocates cold exposure, because he believes people are too separate from their natural environment. We’re constantly clothed, fed, and warm. Our bodies have lost touch with the cold. The cold is important because it can activate the immune system. So, he advocates taking long ice baths. Being from the Indian subcontinent, I’m strongly against the idea of ice baths. But Wim inspired me to give cold showers a try. And I did so by using the Wim Hof breathing method. It involves hyperventilating to get more oxygen into your blood, which raises your core temperature. Then, you can go into the shower. The first few cold showers were hilarious because I’d slowly ease myself in, wincing the entire way. I started about four or five months ago. Now, I turn the shower on full-blast, and then I walk right in. I don’t give myself any time to hesitate. As soon as I hear the voice in my head telling me how cold it’s going to be, I know I have to walk in. I learned a very important lesson from this: most of our suffering comes from avoidance. Most of the suffering from a cold shower is the tip-toeing your way in. Once you’re in, you’re in. It’s not suffering. It’s just cold. Your body saying it’s cold is different than your mind saying it’s cold. Acknowledge your body saying it’s cold. Look at it. Deal with it. Accept it, but don’t mentally suffer over it. Taking a cold shower for two minutes isn’t going to kill you. Having a cold shower helps you re-learn that lesson every morning. Now hot showers are just one less thing I need out of life. [2] Meditation is intermittent fasting for the mind. Too much sugar leads to a heavy body, and too many distractions lead to a heavy mind. Time spent undistracted and alone, in self-examination, journaling, meditation, resolves the unresolved and takes us from mentally fat to fit.
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
What's this?" I asked, putting her cup on the counter next to the plate. "Rocky Road Bars," she supplied with a shrug. "Is that some kind of message?" I asked, head dipped. "Message?" she asked, her brows drawing together and proving that it wasn't. "Never mind," I said, shaking my head, feeling a small wave of relief even if she was standing there wound like a clock for some untold reason. Maybe that was the reason that when she shrugged at me and went to reach for her coffee, I reached over the counter, snagged her chin in my thumb and forefinger and leaned in to lick a small bit of chocolate from beside her lips from where she had smudged it. Her entire body stiffened then trembled at the contact. It was all the encouragement I needed. So right there, a dozen eyes no doubt on us, I framed her face in my hands and pressed my lips to hers. There was nothing sweet or chaste about it. I fucking devoured her mouth, my tongue moving to invade, drawing a quiet whimper from her as her hands slammed down on the counter. The sound was enough to remind me that I couldn't take it any further right then and there and better stop before either of us got too worked up. But as I pulled away and her eyes fluttered open and all I could see was a deep desire there, I knew she was a little bit more worked up than I intended. There were a couple chuckles and one brave soul let out a loud whistle as we pulled apart, making my smile tip up slightly, knowing I had just, whether I truly intended it or not, staked a claim. I let the whole town know that I was messing around with one of their favorite daughters. "I hate you right now," she said, her voice airy, her cheeks pink, her lips swollen. "No you don't," I countered, shaking my head. "You just hate that you can't climb over this counter and let me fuck you right here and now. Don't worry, you can have me all to yourself in just a couple of hours. If you can control yourself until then..." "Control myself," she hissed, both looking slightly outraged and equally amused. "I believe you were the one half-mauling me in public." "And I'm pretty sure it was your tongue moving over mine and your whimper I heard, right? Or was that Old Mildred. Hey, Milly..." I started to call, making Maddy's eyes bulge comically as she slammed her hand into my shoulder hard enough to send me back a foot. "Shut up!" she hissed, making me let out a chuckle. "Alright fine. You made your point," she said, shaking her head as she reached for her coffee. "What was my point, exactly?" I asked, curious. "You just like... marked your territory or whatever," she said, rolling her eyes at the very idea, but a small smile pulled at her lips. "So, what, you're mine now?" "Oh, I, well... I thought..." she fumbled, shaking her head at her lack of explanations. "Relax, sweetheart," I said, saving her from her misery. "Like I said last night, I'm in. You were the one who came in all anti-social this morning." "That had nothing to do with you," she informed me, looking almost pained. "Alice?" "My mom needs to find some friends to talk to about sex, Brant. I can't take it. I can't," she said, looking horrified. "I thought I was a cool, mature, experienced, metropolitan woman. But when your mom starts talking about blowjobs, it makes you really, really want to stick your fingers in your ears and scream 'I'm not hearing this, I'm not hearing this' until she shuts up." "Traumatized for life, huh?" "He's coming over tonight. Did I mention that part? He's coming to dinner and then, ah, staying the night. Because apparently it's... serious. Do they still sell earplugs at the pharmacy? I think I might actually die if I have to listen to them doing it.'' I laughed at that, finding myself charmed by her embarrassment. "Tell you what, why don't you come to my place for dinner.
Jessica Gadziala (Peace, Love, & Macarons)
Oh, well…they’ve been a little relaxed because of Gram’s passing, but I’ve been assured once school starts my life will be all work and no play.” I kick my feet under the water and watch the surface swirl. “Well, we better take advantage.” He pulls me in for another kiss and when we break apart, I’m overcome with laughter. This is so the opposite of how I saw my summer ending even just a few hours ago. “You’re really here. I can’t get over it.” “When I called and heard your voice mail greeting this morning, something inside me just clicked. I had to see you. Today.” He leans toward me until our foreheads press together, his fingertips trailing tortuously slowly up and down each of my arms. “I tried all summer to talk myself out of liking you, to stay away from Cinque Terre once I knew you were there. Especially when I thought you might be with someone else. But I couldn’t. I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
When I called and heard your voice mail greeting this morning, something inside me just clicked. I had to see you. Today.” He leans toward me until our foreheads press together, his fingertips trailing tortuously slowly up and down each of my arms. “I tried all summer to talk myself out of liking you, to stay away from Cinque Terre once I knew you were there. Especially when I thought you might be with someone else. But I couldn’t. I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
[F]or three-quarters of an hour we sat in silence, and the voice of Mr. Gruffydd, wherever he was, filled us again with courage, and with hope of a better world. And his watch was in my hand, warm as when he gave it to me. “Are you with us here this morning, Mr. Gruffydd?” my father said, with my mother’s hand in his. “Lifting up our eyes to the hills, we are, see. As you said, so we do. Forever. God bless you. Yes. And, O God, give ease to the sore hearts this day. Amen.” “Amen,” said we all. “Let us sing a good hymn,” my father said. “Let us give our voices a good bit of work, now, before they will wash away.” So we sang, and I seemed to hear Mr. Gruffydd’s basso as you will hear it from a choir, only to be heard if you bend your ear and listen well, and only then, if you know what to listen for.
Richard Llewellyn (How Green Was My Valley)
Here’s a message you probably won’t hear at church this morning--the Gospel isn’t an offer of what could be, but rather a pronouncement of what already is. All are saved, or all are not. Faith is merely awakening to the wholeness you already possess, and the God of Love who authored it. Therefore, the Christian life is not a test--it’s a rest. It’s not about becoming someone tomorrow who you aren’t today, through behavioral modification and sin management. Rather, it’s simply the journey of our actions effortlessly catching up to our identities in Christ, as we rest in Grace. In fact, as a finished work of the cross, there is nothing to improve in you--only everything to believe. You lack no spiritual blessing, as wholeness and holiness are completely yours already--not because of your performance, but because of His. You are the delight of the Father, and nothing less than the beauty of His face. Now believe it, and live it. Throw aside the shackles of guilt, condemnation, and shame that imprison you. Turn off the voices of insecurity, inferiority, and self-criticism that haunt you. Be free. Do you. Live a life shining your truth in ways that reflect Grace. Grace is brave. Be brave.
Chris Kratzer (Stupid Shit Heard In Church)
On Sunday, after church, Aunt Gertrude said good-by to her nephews and went off with a ladies’ group to visit sick members of the congregation. The boys were alone in the house when the telephone rang. Frank answered and was delighted to hear his father’s voice. “Dad! What a swell surprise! Where are you?” “At Bayport Airport, son. Just landed from Paris this morning and then hopped a plane from New York. Think you and Joe could pick me up?” “You bet. We’ll be there in a jiffy!” Fifteen minutes later the tall, broad-shouldered investigator was embracing his two sons. “Boy, you look great, Dad!” Joe said. “How’d you make out on your case in Europe?” “Tell you about it later. Right now I could use some of Aunt Gertrude’s home cooking.” “You’re out of luck,” Frank said. “She won’t be home until three o’clock.” Mr. Hardy chuckled wryly. “In that case I’ll settle for ham and eggs at the nearest diner.” After stowing their father’s luggage in the trunk of the convertible, the boys took him to a roadside restaurant just outside Bayport. Soon the three were settled in a comfortable booth, enjoying their meal.
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
The first half of your detention will be spent digging an eight foot deep hole in the meadow.” Darius stalked off with the other guys and I moved forward to collect my shovel. Orion scooped it up, holding it out for me. Before I took it he caught my hand, brushing his thumb across my palm and sending a shiver through me. He repeated the process on the other hand then pressed his index finger to his lips. “That'll stop your skin chaffing,” he whispered. I stared at him in complete surprise as he passed me the shovel and moved aside. “Thank you,” I said, confused as I stepped past him, making my way through the high grass and colourful array of meadow flowers as I walked toward the Heirs. The four of them had formed a circle and were already getting to work digging the hole. ... “Vega!” Orion beckoned me and I was grateful to put the shovel down. I was a little dizzy as I walked up to his high metal chair where he was sitting a few feet above my head. He now had a large umbrella set up over it and a flask of coffee in his hand which he'd apparently brought with him. His Atlas was propped on his knee and he looked like he was thoroughly enjoying his morning as he gazed down at my mud stained skin with a bright smile. Thanks to his magic, at least I didn't have any blisters on my hands. “Water.” Orion waved his hand and water gathered in the air before me, circling into a glistening sphere. Orion tossed me a cup and I caught it at the last second. The water dropped straight into it with a splash and I guzzled it down greedily, “That's favouritism, sir!” Caleb called. “You're right, how rude of me!” Orion shouted back, lifting a hand and a torrential waterfall poured down on all of the heirs. Max crowed like a cockerel, pounding his chest, seemingly spurred on by the downpour. The others didn't seem quite as happy as the water continued to fall down on them. A laugh rushed from my throat and Orion threw me a wink. “So I'm having a little trouble, Miss Vega.” “With what, sir?” “Telling you apart from your sister,” he said in a low voice that I imagined only I could hear through the torrential storm he was still casting over the Heirs. “And you never did answer my question. Blue or green?” A smile twisted up my lips and I shrugged, deciding to leave him in continued suspense over that question, walking back to join the group. “I want an answer by sundown,” he called after me and my grin grew even wider. ... “Shut the fuck up!” Orion shouted. “I'm trying to concentrate here.” “Watching porn again, sir?” Seth shot at him with a smirk. “Yeah, your mom's really improved since the last edition,” he answered without missing a beat and Seth's face dropped into a scowl as a laugh tore from my throat. “Do you know who is always watching porn?” Max chipped in. “You?” the three other guys answered in unison. They all burst out laughing and I fought the urge to join in. “Hilarious,” Max said dryly. “I meant Washer. He snuck off in class the other day to rub one out.” “Useless. Well up you go then,” he said and I moved toward the ladder, taking hold of the first rung. Orion stepped up close behind me and his fingers brushed my waist, barely perceptible but I felt it everywhere. It scored a line of goosebumps across my back and a heavenly shiver fluttered up my spine. Heated air pushed under my clothes, drying them out almost instantly. “Thank you,” I whispered for the second time today. What’s gotten into him? He took hold of the ladder either side of my hands. “Up,” he breathed against my cheek and hot wax seemed to pour down each of my legs, making it almost impossible to move. But somehow, I managed it.
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
A good man buys you tampons when you run out. He does the dishes. He makes you coffee before you’re awake in the morning. He listens to you when you’re talking, even if it’s about home décor. He goes out of his way to touch you, even if it’s just your hand. He doesn’t call it ‘babysitting’ when he looks after his own children. He calls you from work just to hear your voice. And he always thinks you’re beautiful, even—no, especially—when you don’t.
Katherine Center (The Lost Husband)
God, I want to see You. God, I want to hear You. God, I want to know You. God, I want to follow hard after You. And even before I know what I will face today, I say yes to You. This simple act of surrender each morning will prepare your eyes to see Him, your ears to hear Him, your mind to perceive Him, and your heart to receive Him. This is how to live expecting to experience God.
Lysa TerKeurst (Is God Speaking to Me?: How to Discern His Voice and Direction (Harvest Pocket Books))
Getting more into one-on-one therapy helped. It helped me to keep going, and it helped me to quit drinking. I almost feel it’s mandatory in my position. C’mon, buddy, you’ve got to get your head shrunk. Because your head gets so big, you need to shrink it. You need to go to some guy who’s going to tell you what you already know about yourself and pay attention to you for an hour straight. Which we all like. We all need a little attention. The first time I ever considered therapy was back in Boston, during my run in Richard III. I was staying at our director David Wheeler’s house for a few days, and he came into my room one morning to share some good news with me. “Hey, Al!” he said. “You just won the National Board of Review!” It was my first major film award for The Godfather. I said to him, in the softest voice I could summon up, “I was going to ask you, David, do you have the name of a psychiatrist? Because I need one.” That was my answer to him. Not that I was unhappy about winning such a prestigious award, but there were just other things on my mind. I saw a psychiatrist in Boston first, and then I went and got myself a guy in New York. I fell in love with the process, and I got to a point where I was in therapy five days a week at certain times. I highly recommend therapy if you’re at all leaning in that direction. Maybe you don’t need it five times a week, but give it a whirl. There’s an old story: A woman goes to a therapist for years. It’s her last appointment, because she feels she’s come to a great place in her life and is ready to move on. She wants to congratulate her therapist and say goodbye. So she tells him, “You’ve done so much good for me. I love my husband so much. Every day with my kids is just a joy. My work is going off the charts. I’m seeing a whole new side of life. You’ve been so wonderful. I never hear you speak. You just take it all in. Please tell me, how did you do it?” The doctor looks at her and says, “No habla inglés.” That’s an interpretation of therapy too; you need to talk and get it out. When I was living with Jill, before I ever went to therapy, I used to just sit in the bathtub alone and talk about things. I cleared my mind to myself. It’s an unusual relationship that you forge when you find a good doctor, someone you feel has that kind of commitment to you. And then they take some colossal amount of time off, and you don’t see them for the whole summer. I had one of those episodes when I couldn’t find my doctor. I might have been spared about twenty years of tsuris if I could have avoided it. It’s a good idea that when your psychiatrist goes away, you know where they are and you can call them when you’re in trouble. They need rest too. I can deal with, “Hey, my daughter’s graduating college, I’ll be out for a few days.” But going up a fucking river somewhere, to not be available for, like, six weeks? Come on, my life was capable of going right off the rails in far less time than that. I used to have recurring dreams in which I go to my psychiatrist’s office but can’t find him anywhere. He’s in the building, but he’s unavailable. I’m at the door, but there’s not even a buzzer I can press to let him know I’m there and no way to let me in. That was my dream. Now I have that feeling about my agent.
Al Pacino (Sonny Boy)
Over the course of the next week or so, Gaby had spoken to Power just about every day. She tried texting him the morning after their first conversation, playing it cool with an ‘It was nice talking to you last night; have a good day’, type of message.  His reply staggered her. ‘Why are you doing this? You are the only person I don’t want to read words from. I want to hear them in your voice. I thought you were in the boat. Don’t jump ship now.
Takerra Allen (An Affair in Munthill)
Wanting to thank him for his gifts, she left the tent to find her husband. He was in the middle of the camp, with knights all around him. She paused as she saw him there. He was again garbed as a black-robed monk, but he had taken time to shave this morning. There was no sign of the sword she knew he had strapped to his hips and she could barely catch a glimpse of his mail-covered leggings beneath it. He was handsome, her prince. More so than any man in the group. He, Phantom, Ioan, Lutian, and three men she knew not at all were standing in a circle as they discussed some matter. Her heart light, she approached her husband from behind. Ioan was speaking. “You know, Abbot, I hear wormwood helps with that problem.” He held his hand up and crooked his finger down as if it were suddenly limp. All the men save Christian laughed, while Christian glared murderously at Lutian. “Look to the good of it,” Phantom said as he sobered. He appeared to be imparting grave advice to her husband. “I hear all men have trouble from time to time with their sexual performance. Mind you, I have no personal experience with that, but…” His voice trailed off as he looked past Christian to see Adara glowering at him. Struggling not to strangle the men who mocked him, Christian turned to see what had disturbed Phantom to find Adara standing behind him. His groin jerked awake at the vision she made in her finery. She was beautiful. The gown fit even better than he had hoped. Unlike her peasant garb, this one laced in the front and at the sides, pulling the cloth into a perfect fit that showed every lush curve of her body. The only thing that sparkled more than her jewels were her brown eyes. “Thank you,” she said softly before she kissed his cheek. “I had a most wondrous night.” Christian was too dumbstruck by his lust to even respond. Lutian bristled at her actions and if she didn’t know better, she’d swear he was jealous. “Nay. Tell me this isn’t so. Why are you kissing him, my queen? It was me. Me. I’m the one who told him what to do. He had no idea how to please you. None. He was lost and confused when he sought me out. He didn’t even know how to do the most basic thing. It was me, all me.” Every man there gaped at Lutian’s words. “Christ’s toes, Christian,” Ioan said in disbelief. “Are you a monk in truth? Don’t tell me you had to take advice from the fool on how to please a woman? You should have come to me. At least I know what I’m doing.” “You can’t be a virgin,” Phantom said. “What about that Norman tart in Hexham? Surely you did more than talk to her when the two of you vanished to her room?” “Nay,” another knight said. “I saw him drunk in Calais with two women.” “Aye,” another knight began. “I was with him in London when he vanished for three days with a widowed countess.” Christian ground his teeth as this conversation quickly degenerated, while Lutian continued to take credit for instructing him on how to please Adara. Lutian still held Adara’s attention. “I’m the one who got him—” Enraged, Christian lunged for the source of his current humiliation. “Christian!” Adara snapped as he seized her fool. “Don’t hurt Lutian.” He wanted to do much more than hurt the fool. He wanted to tear the man’s head from his shoulders. Growling in frustration, he let the fool go. “Thank you, my queen.” “’Tis my place to hurt him.” She glared at her fool and smacked him on his arm. “I fully intend to take this up with you later.” She walked over to Ioan. “And for your information, my lord…” She lifted his hand and put his index and middle finger upright. “I assure you that there is nothing wrong with Christian’s technique or prowess.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
  I Miss You   Outside the sun is shining, and the roses are in bloom. The sky this morning is so lovely, but here I sit in gloom.   Outside the birds are singing, but in here, no beauty resides. For my heart is empty, shattered and broken, and will be ‘til you’re back by my side.   Honey, I miss you every morning, and at night when I go to bed. I remember the times you were with me, and all the things that we said.   And I miss your touch; the touch that makes me feel so much a man. I miss the smell of your hair, and the softness of your hands.   I miss holding you in my arms and feeling your lips on mine. I miss hearing your sweet voice, which sounds so loving and kind.   But most of all, I miss your warm tender body next to me as I sleep. I feel so empty when you’re not here; I lie awake all night and weep.   Because without your love, my life is over and I’ll spend the rest of it being blue. So please say you love me and come back; for sweetheart, I miss you.
Kenneth Edward Barnes (My Favorite Poems)
Lord, Open my eyes to see where you would lead me. Awaken my ears that I would hear your voice guiding me. Inspire my mind that I may comprehend your love for me. Soften my heart that I would offer grace to those I meet. Watch my feet that I would tread upon your kingdom paths. Guard my heart from selfishness that I would give freely. Inspire my words that I may speak of hope and healing. O Lord, I follow you. Amen.
Oliver Powell (Prayer: The 100 Most Powerful Morning Prayers Every Christian Needs To Know (Christian Prayer Book 1))
The morning following Shaselle’s arrest and release, I descended the Grand Staircase to the entry hall below and was drawn toward the antechamber by raised voices. I entered to find one of my worst nightmares unfolding--Steldor and Narian were in heated argument, both seeming to have discounted where they were and who might overhear. They stood opposite one another across the room from me, Steldor likely having come from Cannan’s office, while Narian had probably been passing through on his way to the Hearing Hall. I stared transfixed, not knowing what they were arguing about, but certain they would not appreciate my interference. “What business have you in the Bastion?” my betrothed demanded. “Business that is not yours, Cokyrian,” Steldor spat. Narian glowered at the former King. “Much as you might detest the thought, Steldor, I am no longer your enemy.” “These scars on my back argue differently.” “I was merciful in leaving you alive. You asked for execution and I ordered a lashing. If not for your ridiculous pride, you’d acknowledge that.” Steldor laughed mirthlessly. “I owe you nothing after all you’ve taken from me.” “Alera is not a possession,” Narian astutely shot back. “Alera hadn’t entered my mind.” The curl in Steldor’s lip revealed the lie, and the hostility he exuded would have made most men run in the other direction. But Narian wasn’t most men. “And yet I see you around this Bastion, her home, more than any soldier or son need be. You yearn for any chance glimpse of her.” “I come to the palace on business, you mongrel pup.” “Then pray tell, what business is that?” I stood miserably by, for it was apparent neither of them was aware of my presence. Still, the argument had come full circle, and I prayed it would soon be over. “I don’t have to tell you anything,” Steldor seethed. “You are not my superior.” His dark eyes glinted malevolently, a look he had once or twice directed at me during our unfortunate marriage. “True enough. But you are nonetheless one of my subjects.” Steldor’s fists clenched and unclenched at his sides, telling me how close he was to unleashing his hellish temper. Before I could intervene, he threw a right cross at Narian’s chin, which the commander adroitly dodged, stepping back and raising his hands in a gesture of surrender. “I suggest you walk away, Steldor,” he said, unnervingly calm. “I did so once,” my former husband retorted. “I don’t intend to do so again.” Narian perused his opponent, judging his strengths and weaknesses, then struck Steldor in the middle of his chest with the heel of his palm, sending him staggering backward. In a flash, a dagger appeared in Steldor’s hand, and panic seized me. Would they spill each other’s blood right here, right now? “Stop!” I cried. “Both of you!” They straightened warily at the sound of my voice, and I hurried to stand between them, so distraught my hands were shaking. “I don’t know what this is about,” I beseeched, hoping Cannan would hear and lend assistance. “But please, for my sake, leave things be.” They glared at each other over the top of my head, then Steldor moved away, his eyes on Narian until he could place a hand on the door leading into the Grand Entry. “Queen Alera,” he pointedly acknowledged me. “I humbly honor your request.” With a disdainful smirk for Narian, he tossed the knife onto the floor, then exited, pulling the door firmly closed behind him. Narian crossed to snatch up the weapon, examining it carefully before showing it to me. “Do you plan to tell me that you recognize this blade?” he asked, and I stared at him, dumbfounded. With a stiff nod, he strode through the same door Steldor had used, leaving me alone.
Cayla Kluver (Sacrifice (Legacy, #3))
4 The Lord GOD [the Father] hath given me [Jesus] the tongue of the learned [Father taught Me well], that I should know how to speak a [strengthening] word in season to him [Israel; see 2 Nephi 7:4] that is weary: he wakeneth morning by morning, he wakeneth mine ear to hear as the learned [German: the Father is constantly communicating with Me and I hear as His disciple]. 5 The Lord GOD [the Father] hath opened mine ear, and I was not rebellious, neither turned away back [I was obedient and did not turn away from accomplishing the Atonement]. In verses 6–7, next, Isaiah prophesies some details surrounding Christ’s crucifixion. In verse 6, especially, He speaks of the future as if it is past. 6 I gave my back to the smiters [ allowed Himself to be flogged; see Matthew 27:26], and my cheeks to them that plucked off the hair [pulled out the whiskers of My beard]: I hid not my face from shame and spitting [see Matthew 26:67]. Here is a quote from Bible scholar Edward J. Young, (not a member of the Church) concerning the plucking of the beard, in verse 6, above: “In addition the servant [ Christ, in Isaiah 50:6] gave his cheeks to those who pluck out the hair. The reference is to those who deliberately give the most heinous and degrading of insults. The Oriental regarded the beard as a sign of freedom and respect, and to pluck out the hair of the beard (for cheek in effect would refer to a beard) is to show utter contempt.” (Book of Isaiah, vol. 3, page 300.) 7 For the Lord GOD [the Father] will help me; therefore shall I not be confounded [I will not be stopped]: therefore have I set my face like a flint [I brace Myself for the task], and I know that I shall not be ashamed [I know I will not fail]. 8 He [the Father] is near that justifieth me [approves of everything I do]; who will [dares to] contend with me? let us [Me and those who would dare contend against Me] stand together [go to court, as in a court of law—go ahead and present your arguments against Me]: who is mine adversary? let him come near to me [ face Me]. 9 Behold, the Lord GOD [the Father] will help me [the Savior]; who is he that shall condemn me? lo, they [those who contend against Me] all shall wax old as a garment; the moth shall eat them up [the wicked will have their day and then fade away and reap the punishment]. Next, in verse 10, the question is asked, in effect, “Who is loyal to the Lord and is not supported by Him?” The answer, as you will see, is no one. 10 Who is among you that feareth [respects] the LORD, that obeyeth the voice of his servant, that walketh in darkness, and hath no light? [Answer: No one, because the Lord blesses His true followers with light.] let him trust in the name of the LORD, and stay upon [be supported by] his God. the sparks that ye have kindled [rather than Christ’s gospel light]. This shall ye have of mine hand [German: you will get what you deserve]; ye shall lie down in sorrow [misery awaits those who try to live without God].
David J. Ridges (Your Study of Isaiah Made Easier in the Bible and the Book of Mormon)
No, they were," Avery said, clearly confusing her. As he waited for someone to answer the phone, he gave Janice his most cocky grin, a very clear watch-me-get-what-I-want expression. "La Bella Luna, can I help you?" The deep rich timbre turned him on instantly, and his gaze strayed to the corner of his desk, Janice completely forgotten. "Good Morning, this is Avery Adams. Who do I have the pleasure of speaking with?" He already knew the answer, he just wanted to hear Kane's voice again. Avery thought about Kane's hands and how competently he'd handled that bottle of wine. He imagined them using the same care as he picked up the phone from the cradle. The air in the room sizzled, his heartbeat picked up, and his body grew hard with need. He had never in his life been so immediately taken with another. Avery prayed Kane might be at least bi-sexual. Straight men were much harder to work into his bed—not impossible, but harder—and he definitely wanted Kane Dalton in his bed. "Hello, Mr. Adams. This Kane Dalton, would you prefer I transfer this call to someone else?" The soothing voice on the other end of the phone became tense. "No, you're who I was hoping to speak with. It seems you and I may have gotten off on the wrong foot, and I'd like to set things right between us," Avery said, adjusting his gaze to stare out the open window. "I have no issue with you, sir," Kane responded back immediately. "There's a large bouquet of rather expensive lilies sitting in my office that might say otherwise." He cut his eyes back to the flowers on the small conference table. Kane didn't respond this time, there was just silence. Good. Kane got a taste of his own medicine. "Listen, I'd like to book a regular table in your restaurant a couple of days a week. It doesn't have to be the same days each week, but I thoroughly enjoyed myself a few nights ago and got reacquainted with several families from my youth." He was met with more silence, then he heard the rustle of pages being turned. "Sir, I'm sorry, but I just don't have—" "I'll make it worth your while." Avery cut him off, his eyes still on the flowers, but seeing the man who sent them instead of the lovely blooms. "It's not that, sir. We're just incredibly booked." Kane started with the excuses again, but Avery wasn't taking no for an answer. "Please lose the sir. My name's Avery. I'd like you to use it." Avery's voice turned lower and huskier as he spoke from his deepest desires. "Avery," Kane said as if testing the word. "We don't have the space available. We're booked solidly for several months." "No one's that booked," Avery called him on the lie, and left it right there between them. After a long extended pause, Kane finally answered, "You're right, let's get you in Monday and Wednesday evenings. Does that suit you?" "You sure do," Avery said. Now that he'd managed a firm reservation, it was time to draw Kane in. Not surprisingly, he was met with silence. "I'll take whatever days you offer." In fact, I'll take whatever you are willing to give. As the thought faded, Avery realized those were actually terrible days to be seen out and about. "Seven o'clock?" Kane asked, ignoring everything he said. "Whatever works," Avery replied. "All right, would you like to come in tomorrow night?" Kane asked. His tone was back to all business. "Absolutely!
Kindle Alexander (Always (Always & Forever #1))
The next morning Becky was going to call Felix, but Mike had a better idea. “I haven’t bought you a Christmas present yet. If you don’t mind getting it early, I thought we could fly to L.A. and surprise Felix.” Becky gaped. “Good,” Mike said, “because I already reserved the tickets.” Through Celeste, Mike had learned that Felix was in Los Angeles. “You should go see him at the studio,” Celeste said. “I’ll call in your names. How I wish I could be there to see his face! This is a wonderful thing. Next time I see you, Michael, I will kiss you. You should warn your wife.” “I should warn myself,” Mike said. Becky could hear Celeste’s warm voice coming over the phone, and saw Mike’s neck flush. When he hung up, he said defensively, “She was being nice. She does not dig me.” “She’s going to kiss you.” His neck flushed darker. “She won’t. She was kidding.” “She will. She’s French. Kissing for her is like a genetic tic.
Shannon Hale (The Actor and the Housewife)
I’ll pay you two thousand dollars if you stall.” Mitch blinked, surprised to hear the words that had just come out of his mouth. “What?” Tommy asked, his own surprise clear in his tone. “I will pay you two grand to stall the repair,” he repeated, ignoring the little voice in his head telling him this was wrong. If there was another way, he’d take it, but every other option had variables. And he couldn’t risk variables. “And how long am I supposed to do that?” Mitch calculated how much time he could get away with while not raising Maddie’s suspicions. The small-town thing would only get him so far before it became unbelievable. “Can you make it the end of the week?” If he pushed it until Friday, maybe he could convince her to stay through the weekend instead of making her way back home. That gave him about a week. One week, then he’d let the chips fall where they may. “So let me get this straight, you’re going to pay me two thousand dollars to let the car sit in my garage for a week?” “Plus the cost of the repair,” Mitch added, knowing Maddie would insist on paying for the car herself. “I’ll bring her in this morning, and you tell her the repair will be three to four hundred but will take until Friday to fix. I’ll pay you two thousand dollars on the side.” “You’ve got a real hard-on for this girl.” Tommy laughed, repeating Charlie’s sentiment from last night. “Never mind that. And for fuck’s sake, don’t tell your wife.” It was only right to point out that Tommy was the pussy-whipped one, not him. “Now, that’s going to cost you a little more,” Tommy said in a thoughtful tone. Mitch narrowed his eyes. “You’re telling me two grand isn’t enough?” “It’s plenty for me, but Mary Beth’s silence will cost you something extra.” Ah, hell. He was about to get hustled and there wasn’t a damn thing he could do about it. “Don’t tell her and we won’t have a problem.” Tommy made disapproving sounds, and Mitch could practically see the big, blond ex-captain of the football team rocking back and forth on his chair. “Now, you know I can’t. A good marriage is built on honesty.” Mitch’s grip tightened on his mug, and he silently cursed. “You don’t give a shit that your wife carries your balls in her purse, do you?” Tommy’s chuckle was pure evil. “It’s a small price to pay for matrimonial bliss.” Mitch tried to think of a way out, but for the life of him he couldn’t see one. Between lack of sleep and deprived blood flow, his normally agile mind failed. “And this is nonnegotiable?” “Well, I’m reasonable.” Tommy’s voice took on the tone of a resigned man. “But, you know Mary Beth, and she does like her gossip.” Everyone in town would know about the plot by noon, and as much as Mitch wanted to delude himself, he didn’t think Maddie would stay locked in the house for a week. “Fine.” Mitch ground out through clenched teeth. “I’ll look at your nephew’s case. But I’m not making any promises.” Mary
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Brandon walked in and when he saw us he held up his hands like he was surrendering and slowly backed back out. It wasn’t weird to see Bree and I hug, but I usually wasn’t naked. “You’re not supposed to see her!” Bree said over my shoulder, “You’ve already seen her too much this morning. Go hide until we can leave.” “Bree,” I whined and looked at the empty doorway, “I love you Brandon!” You could hear the smile in Brandon’s voice, “I love you too sweetheart, I can’t wait to marry you. Bree keep your hands off my wife, you already had your chance to make her gay … too late now.” Bree and I laughed so hard, tears were streaming down our faces.
Molly McAdams (Taking Chances (Taking Chances, #1))