My Molecule Quotes

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All right," said Susan. "I'm not stupid. You're saying humans need... fantasies to make life bearable." REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE. "Tooth fairies? Hogfathers? Little—" YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES. "So we can believe the big ones?" YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING. "They're not the same at all!" YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED. "Yes, but people have got to believe that, or what's the point—" MY POINT EXACTLY.
Terry Pratchett (Hogfather)
I know that the molecules in my body are traceable to phenomena in the cosmos. That makes me want to grab people on the street and say: ‘Have you HEARD THIS?
Neil deGrasse Tyson
It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
Hanya Yanagihara (A Little Life)
If I had my way," Dionysus said, "I would cause your molecules to erupt in flames. We'd sweep up the ashes and be done with a lot of trouble. But Chiron seems to feel this would be against my mission at this cursed camp: to keep you little brats safe from harm." "Spontaneous combustion is a form of harm, Mr. D," Chiron put in. "Nonsense," Dionysus said. "Boy wouldn't feel a thing. Nevertheless, I've agreed to restrain myself. I'm thinking of turning you into a dolphin instead, sending you back to your father.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I placed my face so close to his that his features became indistict, and I began to lose myself in them. I stroked his hair, his skin, his brow, with my fingertips, tears sliding unchecked down my cheeks, my nose against his, and all the time he watched me silently, studying me intently as if he were storing each molecule of me away. He was already retreating withdrawing to somewhere I couldn't reach him. I kissed him, trying to bring him back. I kissed him and let my lips rest against his so that our breath mingled and the tears from my eyes became salt on his skin, and I told myself that, somewhere, tiny particles of him would become tiny particles of me, ingested, swallowed, alive perpetual. I wanted to press every bit of me against him. I wanted to will something into him. I wanted to give him every bit of life I felt and force him to life. I held him, Will Traynor ex-City whiz kid, ex-stunt diver, sportsman, traveller, lover. I held him close and said nothing, all the while telling him silently that he was loved. Oh, but he was loved.
Jojo Moyes (Me Before You (Me Before You, #1))
My knee radiated heat. As I watched him pull himself from the car and walk casually across the brightly lit parking lot, I thought dumb things. I will never wash my knee again. I will never wash these jeans again. I will cut the knee out of these jeans and sew a pillow to sleep on every night, just to have a molecule of him in my bed with me.
Jennifer Echols (Going Too Far)
Night flight to San Francisco; chase the moon across America. God, it’s been years since I was on a plane. When we hit 35,000 feet we’ll have reached the tropopause, the great belt of calm air, as close as I’ll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing’s lost forever. In this world, there’s a kind of painful progress. Longing for what we’ve left behind, and dreaming ahead. At least I think that’s so.
Tony Kushner (Perestroika (Angels in America, #2))
But as I stand here in the ocean that stole you away from us, I wonder if any molecule here witnessed your death, if any water splashing against my legs filled your throat as you struggled to breathe. I
Adam Silvera (History Is All You Left Me)
Yes, Jenna, I love you with all my heart. And with my atoms and molecules and electrons and whatever further breakdown you require.
Sharon Shinn (Jenna Starborn)
My future husband was devastation poured into a suit. Not handsome by conventional means, but so powerful and compelling his presence swallowed every molecule of oxygen in the room like a black hole consuming a newborn star. There were generically good-looking men, and there was him.
Ana Huang (King of Wrath (Kings of Sin, #1))
At last the cold crept up my spine; at last it filled me from foot to head; at last I grew so chill and desolate that all thought and pain and awareness came to a standstill. I wasn't miserable anymore: I wasn't anything at all. I was a nothing-- a random configuration of molecules. If my heart still beat I didn't know it. I was aware of one thing only; next to the gaping fact called Death, all I knew was nothing, all I did meant nothing, all I felt conveyed nothing. This was no passing thought. It was a gnawing, palpable emptiness more real than the cold.
David James Duncan (The River Why)
If you could be nothing, you could also be everything. Once my molecules had dispersed, I would be here forever. Free. Part of the timeless. The sky and the ocean would also be me. Molecules never die, I thought.
Lydia Millet (A Children's Bible)
Every tiny molecule of Ash is in motion with my heat I am such a Lunatic that I am free even in Jail.
Bhagat Singh
The heart is a hollow muscle, and it will beat billions of times during our lives. About the size of a fist, it has four chambers: two Atria and two ventricles. How this muscle can house something as encompassing as love is beyond me. Is this heart the one that loves? or do you love with your soul, which is infinite?I don't know. All I know is that I feel this love in every molecule in my body, every breath I take, all the infinity in my soul.
Katy Evans (Mine (Real, #2))
Life wastes nothing. Over and over again every molecule that has ever been is gathered up by the hand of life to be reshaped into yet another form. p 259
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know that is happening we are forty, fifty, sixty... Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning. My picture of my father on that evening in 1976 is, in other words, twofold: on the one hand I see him as I saw him at that time, through the eyes of an eight-year-old: unpredictable and frightening; on the other hand, I see him as a peer through whose life time is blowing and unremittingly sweeping large chunks of meaning along with it.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
I want to laugh hysterically into a bucket of water, have my humor imprinted on each water molecule and then drink the funniest drink ever.
Jarod Kintz (I Want Two apply for a job at our country's largest funeral home, and then wear a suit and noose to the job interview.)
We did make use, from time to time, of candles, neckties, scarves, shoelaces, a little water-color paintbrush, her hairbrush, butter, whipped cream, strawberry jam, Johnson’s Baby Oil, my Swedish hand vibrator, a fascinating bead necklace she had, miscellaneous common household items, and every molecule of flesh that was exposed to air or could be located with strenuous search.
Spider Robinson (User Friendly)
I feel myself dissolve into a thousand molecules, amazed at how three small words can completely alter my state of being.
Amy Ewing (The Jewel (The Lone City, #1))
I'm frequently asked, "Do you believe there's extraterrestrial intelligence?" I give the standard arguments- there are a lot of places out there, the molecules of life are everywhere, I use the word billions, and so on. Then I say it would be astonishing to me if there weren't extraterrestrial intelligence, but of course there is as yet no compelling evidence for it. Often, I'm asked next, "What do you really think?" I say, "I just told you what I really think." "Yes, but what's your gut feeling?" But I try not to think with my gut. If I'm serious about understanding the world, thinking with anything besides my brain, as tempting as that might be, is likely to get me into trouble. Really, it's okay to reserve judgment until the evidence is in.
Carl Sagan
Opponents and supporters of abortion rights may find fault with my proposal that a pineal DMT release at forty-nine days after conception marks the entrance of the spirit into the fetus.
Rick Strassman (DMT: The Spirit Molecule)
Molecules never die, I thought. Hadn’t they told us that in chemistry? Hadn’t they said a molecule of Julius Caesar’s dying breath was, statistically speaking, in every breath we took? Same with Lincoln. Or our grandparents. Molecules exchanging and mingling, on and on. Particles that had once been others and now moved through us. “Evie!” said Jack. “Look! I found a sand dollar!” That was the sad thing about my molecules: they wouldn’t remember him.
Lydia Millet (A Children's Bible)
To me, the rainbow was a profoundly hopeful symbol, separating the the white light of appearances into its multiple spectrum and revealing a hidden dimension. It reminded me of my belief that it was the mission of science to pierce through the layers of everyday reality and penetrate to the truth.
Candace B. Pert (Molecules of Emotion: The Science Behind Mind-Body Medicine)
Human beings used to be molecules which could do many, many different sorts of dances, or decline to dance at all --as they pleased. My mother could do the waltz, the tango, the rumba....
Kurt Vonnegut Jr. (Galápagos)
This is the disconcerting conclusion that emerges from Boltzmann’s work: the difference between the past and the future refers only to our own blurred vision of the world. It’s a conclusion that leaves us flabbergasted: is it really possible that a perception so vivid, basic, existential—my perception of the passage of time—depends on the fact that I cannot apprehend the world in all of its minute detail? On a kind of distortion that’s produced by myopia? Is it true that, if I could see exactly and take into consideration the actual dance of millions of molecules, then the future would be “just like” the past?
Carlo Rovelli (The Order of Time)
In my mind, MDMA is a mild drug. People who prefer it to the typical psychedelics tend not to do well when stressed, either by life or by taking more potent mind-bending drugs. MDMA is what I like to call a “love and light” drug, one that accentuates the positive and minimizes the negative. If only life were so simple.
Rick Strassman (DMT: The Spirit Molecule)
All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in, year out. This body of ours, this disguise put on my common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but "us," the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.
Louis-Ferdinand Céline
The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang. The three-billion-year history of life’s evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic. There is also the poetic vision of space and time in relativity, the weird subatomic world of quantum mechanics … these wondrous stories of science all possess an irresistible attraction. Through the medium of science fiction, I seek only to create my own worlds using the power of imagination, and to make known the poetry of Nature in those worlds, to tell the romantic legends that have unfolded between Man and Universe.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
Am I the same person i was fifty years ago? Every molecule and cell of my body has been replaced many times over.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
But getting back to my old friend water, the thing of it is this: No matter how hot or how cold, no matter its state, its form, its qualities, or its color, each molecule of water still consists of no more than a single oxygen atom bonded to two sister atoms of hydrogen. It takes all three of them to make a blinding blizzard— or a thunderstorm, for that matter … or a puffy white cloud in a summer sky. O Lord, how manifold are thy works!
Alan Bradley (I Am Half-Sick of Shadows (Flavia de Luce, #4))
At 19, I read a sentence that re-terraformed my head: “The level of matter in the universe has been constant since the Big Bang.” In all the aeons we have lost nothing, we have gained nothing - not a speck, not a grain, not a breath. The universe is simply a sealed, twisting kaleidoscope that has reordered itself a trillion trillion trillion times over. Each baby, then, is a unique collision - a cocktail, a remix - of all that has come before: made from molecules of Napoleon and stardust and comets and whale tooth; colloidal mercury and Cleopatra’s breath: and with the same darkness that is between the stars between, and inside, our own atoms. When you know this, you suddenly see the crowded top deck of the bus, in the rain, as a miracle: this collection of people is by way of a starburst constellation. Families are bright, irregular-shaped nebulae. Finding a person you love is like galaxies colliding. We are all peculiar, unrepeatable, perambulating micro-universes - we have never been before and we will never be again. Oh God, the sheer exuberant, unlikely face of our existences. The honour of being alive. They will never be able to make you again. Don’t you dare waste a second of it thinking something better will happen when it ends. Don’t you dare
Caitlin Moran
Albert Einstein once said, "My passionate sense of social justice and social responsibility has always contrasted oddly with my pronounced lack of need for direct contact with other human beings and human communities". And "I love Humanity but I hate humans." The abstract concepts of social justice and humanity came easily, but the concrete experience of encountering another person was too hard.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity—and Will Determine the Fate of the Human Race)
He stares at me, smiling, unaware of the volcano erupting within me. These intimate sessions mutilate my sense of independence; in this murdered church of my body, every molecule is a screaming prisoner.
Tlotlo Tsamaase (Womb City)
This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart or start it again; volt, re-volt-- I shudder, I stutter, I start to life. I've got my ion you, copper-top, so watch how you conduct yourself. Here's today's newsflash: a battery of rolling blackouts in California, sudden, like lightning kisses: sudden, whitehot darkness and you're here, fumbling for that small switch with an urgent surge strong enough to kill lesser machines. Static makes hair raise, makes things cling, makes things rise like a gathering storm charging outside our darkened house and here I am: tempest, pouring out mouthfulls of tsunami on the ground, I've got that rain-soaked kite, that drenched key. You know what it's for, circuit-breaker, you know how to kiss until it's hertz.
Daphne Gottlieb (Why Things Burn)
Although it was difficult to understand it then, what I wanted was more. For the rest of my days I would want it. I would see sex everywhere, splinters shoved into each molecule of each space, saturating everything I saw and smelled and tasted and touched.
Scott Heim (Mysterious Skin: A Novel)
All right,” said Susan. “I’m not stupid. You’re saying humans need…fantasies to make life bearable.” REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE. “Tooth fairies? Hogfathers? Little—” YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES. “So we can believe the big ones?” YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING. “They’re not the same at all!” YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME…SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED. “Yes, but people have got to believe that, or what’s the point—” MY POINT EXACTLY. She tried to assemble her thoughts. THERE IS A PLACE WHERE TWO GALAXIES HAVE BEEN COLLIDING FOR A MILLION YEARS, said Death, apropos of nothing. DON’T TRY TO TELL ME THAT’S RIGHT. “Yes, but people don’t think about that,” said Susan. “Somewhere there was a bed…” CORRECT. STARS EXPLODE, WORLDS COLLIDE, THERE’S HARDLY ANYWHERE IN THE UNIVERSE WHERE HUMANS CAN LIVE WITHOUT BEING FROZEN OR FRIED, AND YET YOU BELIEVE THAT A…A BED IS A NORMAL THING. IT IS THE MOST AMAZING TALENT. “Talent?” OH, YES. A VERY SPECIAL KIND OF STUPIDITY. YOU THINK THE WHOLE UNIVERSE IS INSIDE YOUR HEADS. “You make us sound mad,” said Susan. A nice warm bed… NO. YOU NEED TO BELIEVE IN THINGS THAT AREN’T TRUE. HOW ELSE CAN THEY BECOME? said Death
Terry Pratchett (Hogfather)
As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.
James Joyce (Ulysses)
I am insubstantial. A tangled, vaporous creature that lives in my brain, almost wholly imaginary. I can be here with him as easily as I can inhabit a sonnet or an organic molecule, or crawl inside a math problem.
Brenna Yovanoff (Places No One Knows)
In all things I saw the passion of life for growth and greatness, the drama of everlasting creation. I came to think of myself, not as a dance and chaos of molecules, but as a brief and minute portion of that majestic process... I became almost reconciled to mortality, knowing that my spirit would survive me enshrined in a fairer mold... and that my little worth would somehow be preserved in the heritage of men. In a measure the Great Sadness was lifted from me, and, where I had seen omnipresent death, I saw now everywhere the pageant and triumph of life.
Will Durant
I’m a feeler. I feel everything deep within my core. Even when I don’t want to. I don’t know where my emotions stop and my empathy begins. I feel from the tips of my toes to the follicles of my head. I feel with every fiber, every molecule, every tissue, marrow, muscle, and bone in my body. I feel.
A.J. Compton (The Counting-Downers)
He carried himself like a guy who lived in his whole body. Like every molecule was under his control. I lived in exactly 12% of my body. I wasn’t even sure what my hair was doing.
Molly O'Keefe (Bad Neighbor (Bad Boy Romance, #1))
I look at her and see her pieced-together smile, the wobble of her. I see how Mum is made of molecules, how she is only just together. 'Why do you love me?' I ask. She hiccup-laughs. 'So many reasons,' she says. She sits beside my bed and lists them.
Helena Fox (How It Feels to Float)
He was like . . . like . . . a magnet and I was metal and all the laws of nature said there was nothing for it. But it wasn’t like I was drawn to him. It was like I was connected to him and nothing could shake me loose unless all my molecules were jumbled up and I became a different me.
Kristen Ashley (The Time in Between (Magdalene, #3))
People always, always talk about confidence, it’s supposed to be such an attractive thing. I wonder why though, why is it supposed to be such an attractive thing? When confidence hides so many other things that are so much more beautiful! When you think of being confident, you think of tucking away all those other things that you consider to be nuisances; but those nuisances make up whom you are! And those nuisances are beautiful. They are beautiful and they are you and they’re always going to be there, even when you try to cover them up! So what happens when they all come out one day? Are you going to feel like less of a person? Are the people who are supposed to love you, going to see you as less of a person? I say that it’s not about going out into the world and putting on a certain face— it’s just about going out into the world. I’ve gone out into the world! And I don’t put on that face! Or any other face, as a matter of fact! I don’t want to hide the way I play with my hair to feel more secure or the way I laugh at all the wrong times. I don’t want to hide those things because those things are a part of me. And I can still go out into the world— and all alone, too! I know so, because I’ve actually done it! So more important than confidence— is serenity and acceptance. The serenity comes from having a deep acceptance of all those little things about you that add up like the trillions of molecules and atoms you are made up of! And that’s just beautiful. Being beautiful is something rooted and strong; being confident is just a matter of putting on something that isn’t even a real part of you. Falling in love with the molecules that make up your essence is so much more attractive. And maybe that’s what confidence really means— the acceptance and belief in every single atom that you are.
C. JoyBell C.
You are a clever little monster,' said the Doctor, tossing off another cognac and placing the glass upon the table with a click. 'A diabolically clever little monster.' 'That is what I hoped you would realize, Doctor,' said Steerpike. 'But haven't all ambitious people soemthing of the monstrous about them? You, sir, for instance, if you will forgive me, are a little bit monstrous.' 'But, my poor youth, said Prunesquallor, beginning to pace the room, 'there is not the minutest molecule of ambition in my anatomy, monstrous though it may appear to you, ha, ha, ha!
Mervyn Peake (Titus Groan (Gormenghast, #1))
Nothing in me, not one little atom or molecule, wants to let go. Fuck. You’re in my head all the time, in my chest, in my damn skin. I breathe you, damn it.
Rebecca Zanetti (Justice Ascending (The Scorpius Syndrome, #3))
But every molecule in my body is crying out that I have to try to help this woman—now.
Freida McFadden (The Housemaid's Secret (The Housemaid, #2))
In my NDE state, I realized that the entire universe is composed of unconditional love, and I’m an expression of this. Every atom, molecule, quark, and tetraquark, is made of love. I can be nothing else, because this is my essence and the nature of the entire universe. Even things that seem negative are all part of the infinite, unconditional spectrum of love.
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
That must have been some serious Island voodoo: the ending I saw in the cave came true. The next day we went back to the United States. Five months later I got a letter from my ex-baby. I was dating someone new, but Magda’s handwriting still blasted every molecule of air out of my lungs. It turned out she was also going out with somebody else. A very nice guy she’d met. Dominican, like me. Except he loves me, she wrote. But I’m getting ahead of myself. I need to finish by showing you what kind of fool I was. When I returned to the bungalow that night, Magda was waiting up for me. Was packed, looked like she’d been bawling. I’m going home tomorrow, she said. I sat down next to her. Took her hand. This can work, I said. All we have to do is try.
Junot Díaz (This Is How You Lose Her)
There is no man more perfect for me, no one I'd rather spend my life with, no one I will ever want more. But I need someone who wants me equally in return. I love you with every ounce that I am, down to the smallest molecule of my being, but that isn't enough if you won't reciprocate.
Genna Rulon (Only for You (For You, #1))
All my investigations have led me away from the idea of a dead material universe tossed about by various forces, to that of a universe which is absolutely all force, life, soul, thought, or whatever name we choose to call it. Every atom, molecule, plant, animal or planet, is only an aggregation of organized unit forces held in place by stronger forces, thus holding them for a time latent, though teeming with inconceivable power. All life on our planet is, so to speak, just on the outer fringe of this infinite ocean of force. The universe is not half dead, but all alive.
William Walker Atkinson (Mind‑Power: The Secret of Mental Magic (Timeless Wisdom Collection Book 113))
What is there about fire that's so lovely? No matter what age we are, what draws us to it?" Beatty blew out the flame and lit it again. "It's perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it'd burn our lifetimes out. What is fire? It's a mystery. Scientists give us gobbledegook about friction and molecules. But they don't really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you're a burden. And fire will lift you off my shoulders, clean, quick, sure; nothing to rot later. Antibiotic, aesthetic, practical.
Ray Bradbury (Fahrenheit 451)
There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.
Kiran Manral (The Face at the Window)
My future husband was devastation poured into a suit. Not handsome by conventional means, but so powerful and compelling his presence swallowed every molecule of oxygen in the room like a black hole consuming a newborn star.
Ana Huang (King of Wrath (Kings of Sin, #1))
Our presence here, outside the domain of the home planet, was not rooted in an accident of nature, nor the capricious political whim of a technological civilization. It was rather an extension of the same universal process that evolved our molecules. And what I felt was an extraordinary personal connectedness with it. I experienced what has been described as an ecstasy of unity. I not only saw the connectedness, I.felt it and experienced it sentiently. I was overwhelmed with the sensation of physically and mentally extending out into the cosmos. The restraints and boundaries of flesh and bone fell away. I realized that this was a biological response of my brain attempting to reorganize and give meaning to information about the wonderful and awesome processes I was privileged to view from this vantage point.
Edgar D. Mitchell (The Way of the Explorer)
Dark matter and dark energy make up 96 percent of the universe. And: The sun doesn’t rise, the Earth just spins. And: When we breathe, we are breathing in the very same molecules our dead ancestors did. And: One day the sun will obliterate the Earth and all life here will be gone forever. And: Everything you know and will ever know is housed in three pounds of tissue, isolated from the world. And: Color doesn’t even really exist, it’s just how you perceive wavelengths of light; color is all in your head. Or: There are more atoms in my eye than there are stars in the known universe.
A.D. Aliwat (In Limbo)
Just as a snowflake went on to feed a puddle that filled a stream and then the river, the pumpkin patch is a gathering of molecules from my old goats, chickens, and cats, feeding the underworld of dirt creatures. And somewhere, my father’s ashes mingle with birds, air, and sea.
Katherine Dunn (Misfits of Love: Healing Conversations in the Barnyard)
The thought made me feel a gasping, grabbing tightness in my chest. Like someone was holding a pillow over my mouth, only the teeny-tiniest molecules of air getting through, more of a taunt than a lifeline. I squeezed my eyes tight shut and forced that part of my mind to turn black. It wasn't there. There was no problem.
Ciara Smyth (Not My Problem)
What, after all, is so special about genes? The answer is that they are replicators. The laws of physics are supposed to be true all over the accessible universe. Are there any principles of biology which are likely to have similar universal validity? When astronauts voyage to distant planets and look for life, they can expect to find creatures too strange and unearthly for us to imagine. But is there anything which must be true of all life, wherever it is found, and whatever the basis of its chemistry? If forms of life exist whose chemistry is based on silicon rather than carbon, or ammonia rather than water, if creatures are discovered which boil to death at -100 degrees centigrade, if a form of life is found which is not based on chemistry at all, but on electronic reverberating circuits, will there still be any general principle which is true of all life? Obviously I do not know but, if I had to bet, I would put my money on one fundamental principle. This is the law that all life evolves by the differential survival of replicating entities. The gene, the DNA molecule, happens to be the replicating entity which prevails on our own planet. There may be others. If there are, provided certain conditions are met, they will almost inevitably tend to become the basis for an evolutionary process.
Richard Dawkins (The Selfish Gene)
Just about everyone I've ever interviewed has told me that by doing something or other--recovering from cancer, climbing a mountain, playing the part of a serial killer in a movie--they have learned something about themselves. And I always nod and smile thoughtfully, when really I want to pin them down: What did you learn from the cancer, actually? That you don't like being sick? That you don't want to die? That wigs make your scalp itch? Come on, be specific. I suspect it's something they tell themselves in order to turn the experience into something that might appear valuable, rather than a complete and utter waste of time. In the last few months, I have been to prison, lost every last molecule of self-respect, become estranged from my children, and thought very seriously about killing myself. I mean, that little lot has got to be the psychological equivalent of cancer, right? And it's certainly a bigger deal than acting in a bloody film. So how come I've learned absolutley bugger all? What was I supposed to learn? I've found out that prison and poverty aren't really me. But, you know, I could have had a wild stab in the dark about both of those things beforehand. Call me literal-minded, but I suspect people might learn more about themselves if they didn't get cancer. They'd have more time, and a lot more energy.
Nick Hornby (A Long Way Down)
Some scientists thrive on the conceptual; their minds can envision particles that the most powerful microscopes can’t show us; processes that can’t be directly observed, but only inferred, guessed at, by interpreting a stew of complex biochemical by-products. I am not one of these scientists; I need bones and teeth, things I can see with my eyes and grasp with my hands. Jason Eshleman, on the other hand, can see with his mind’s eye, grasping the complex interactions of the most complex molecules in the body, DNA.
William M. Bass (Beyond the Body Farm: A Legendary Bone Detective Explores Murders, Mysteries, and the Revolution in Forensic Science)
grace. What a gift she gave me. Shame makes people abandon their children and drink themselves to death. It also keeps us from true happiness. An apology is a glorious release. Anastasia gave me a huge gift. That e-mail changed me. It rearranged my molecules. She has lived a life of struggle and decided not to pick up the armor. She teaches me about
Amy Poehler (Yes Please)
She told my parents I was gifted. My parents shared what she’d said, and I got very excited for a moment because I honestly thought being gifted involved getting gifts.
Susin Nielsen (We Are All Made of Molecules)
I love her with every part of my body, soul, mind, and molecules.
Alechia Dow (The Kindred)
Beatrice presses her finger into the cleft in my chin, flash-melting every molecule in my body. She whispers softly, “I love you, Daddy.
Lauren Rowe (Hero (The Morgan Brothers, #1))
I shake my head at him.  “Cloud gazing with you must be fun times.” “Staring at an accumulation of frozen water molecules while you ascribe fantasy animal shapes to them?  Sure is.
Amanda Milo (Alluvial (Valos of Sonhadra, #1))
But it is an interesting biological conundrum when one organ – in this case, my brain – tells me one thing, and another organ – in this case, my heart – tells me another.
Susin Nielsen (We Are All Made of Molecules)
I watch my classmates spilling out of school, in groups of two or three, their formations intimidatingly organic. Atoms into molecules. Like usual, I am alone.
Julie Buxbaum (What to Say Next)
My being is a condensation of atoms and molecules, a homogenous, perfect combination of my parents’ genes that formed a human being who’s unable to relate to humanity.
Rina Kent (God of Malice (Legacy of Gods, #1))
Mother had another way of looking, too, that bored into me when I had my back turned, making a vacuum around me, driving out every molecule of air, of life. Suffocation.
Agustín Gómez Arcos (The Carnivorous Lamb)
Every day, sometimes when I am doing my meditation practice and sometimes when I am working at my computer or sitting in my car waiting for a traffic light to change or sharing a meal with friends, I turn my attention to my breath and visualize myself on some inner plane of the imagination turning my face toward that which is larger than myself—the Great Mystery. I only have to turn my face toward it. I become aware of the temperature of the air touching my cheek. I imagine the molecules of oxygen and hydrogen and carbon dioxide colliding in exuberant activity, caressing the skin of my face. And I become aware that these molecules are alive with a vibration, a presence that is there also in the cells of my skin and in the molecules of those cells and in the atoms and subatomic particles of those. Slowly I turn my attention to an inner view of the landscape around and within me, and I become aware of this presence, like the hum of a great song constantly reverberating throughout and emanating from my body, the chair supporting me, the ground beneath me, and the people around me. And I know this presence as a whole that is larger than the sum of the parts and yet inseparable from the parts—including me—which are in a state of constant change. And I experience this presence, this bloodred thread of being that runs through the dark tapestry of daily life, as that which gives me the ability to truly know each other as another myself—as compassion.
Oriah Mountain Dreamer (The Dance: Moving to the Deep Rhythms of Your Life)
From the time I learned to love Jade and was drawn into the life of the Butterfield house, straight through to the wait for my case to come before the judge, there was nothing in my life that wasn't alive with meaning, that wasn't capable of suggesting weird and hidden significances, that didn't carry with it the undertaste of what for lack of anything better to call it I’ll call The Infinite. If being in love is to be suddenly united with the most unruly, the most outrageously alive part of yourself, this state of piercing consciousness did not subside in me, as I've learned it does in others, after a time. If my mind could have made a sound, it would have burst a row of wineglasses. I saw coincidences everywhere; meanings darted and danced like overheated molecules. Everything was terrifyingly complex; everything was terrifyingly simple. Nothing went unnoticed and everything carried with it a kind of drama.
Scott Spencer (Endless Love)
It occurred to Soo-Ja that if she gave him permission, he'd kiss her right then and there. But she realized that all along, what she really wasn't to have him in the present - how could she, married woman that she was, married man that he was — but to rewrite the past, have him go back in time and create a version that allowed them to kiss. To be able to kiss him did not seem to take much — a step forward, the angling of her face. But, in fact, it required rearranging the molecules of every interaction they had ever had, from the very first day they met.
Samuel Park (This Burns My Heart)
I thought of my own self fifteen years ago, and how much I’ve changed in the same period. The me who exists today and the me who existed then, if put side by side, would look more than vaguely similar. But we are a completely different collection of molecules, with different hairlines and waistlines, and, it sometimes seems, little in common besides our names. What binds that me to this me, and allows me to maintain the illusion that there is continuity from moment to moment and year to year, is some relatively stable but gradually evolving thing at the nucleus of my being. Call it a soul, or a self, or an emergent by-product of a neural network, but whatever you want to call it, that element of continuity is entirely dependent on memory.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself.
Henry Miller (Tropic of Capricorn (Tropic, #2))
felt the DMT release my soul’s energy and push it through the DNA. It’s what happened when I lost my body. There were spirals that reminded me of things I’ve seen at Chaco Canyon. Maybe that was DNA. Maybe the ancients knew that. The DNA is backed into the universe like space travel. One needs to travel without one’s body. It’s ridiculous to think about space travel in little ships.
Rick Strassman (DMT: The Spirit Molecule)
There is a river that runs through time and the universe, vast and inexplicable, a flow of spirit that is at the heart of all existence, and every molecule of our being is a part of it. And what is God but the whole of that river? … Perhaps the most important truth I’ve learned across the whole of my life is that it’s only when I yield to the river and embrace the journey that I find peace.
William Kent Krueger (This Tender Land)
My Everest is not your Everest. Your Everest is not mine. We all have an Everest. Each of us. Sometimes the peak is literally Mount Everest but most times it lies deep within us, figuratively occupying a mountainous inner space. It calls us to rise up, to do what we formerly labeled as impossible, and to be who we deeply and desperately want to be. I know that I have found an Everest when my soul furiously pokes me repeatedly until I listen. Heeding this call to passionate adventure of any sort initiates a journey of intense immense proportion that changes every molecule of my being.
T.A. Loeffler
Mostly what I remember is the way things looked sometimes after I'd push down the plunger, sometimes when I got so high so fast I couldn't even take the needle out of my arm. I just sat back, head lolling on my shoulders like a balloon on a string, and everything, walls, carpet, couch cushion, my own hands, broke down to swirling molecules, reassembled as a million other things, and danced before my eyes before arranging themselves once more as reality. The endless cycle, that dance of molecules and their return to something solid, left me as drained as if I'd flown around the sun with veins for wings.
Jerry Stahl (Permanent Midnight)
PHOENIX: As I was about to say… “Telekinesis” means “mind over matter.” U-Men: I’m not scared… I’ll match your natural powers with my electric blood transfusion. PHOENIX: No… No. I’m sorry, you won’t. All your minds… looking out through those little portholes… Naked insecurities crawling all over you like graffiti… So sad… You’ll be quiet and you’ll listen to someone else for just 5 minutes. Mind over matter? Think back to all that processed food you ate today to help calm your nerves. I’m thinking about it right now. I’m thinking of moving it up. U-Men: Aaautch! Bblaaauuurrr! PHOENIX: And moving it down. U-Men: Oh! Awwwww! PHOENIX: I don’t want you to get hurt but you have to understand… the more you annoy me the more I can’t help thinking about deconstructing you, molecule by molecule, memory by memory… until there’s nothing left but screaming, traumatized atoms. So don’t patronize me. Don’t threaten me. And don’t ever endanger any of my students again. Don’t even think about it. Or I’ll know.
Grant Morrison
Food was becoming more abstract, more aestheticized and compartmentalized-- and indeed, after kaiseki, who can ever go back to Burger King, or even a well-made gourmet sandwich? Instead of food, I longed for other things to swell my body and buoy its lines--- lists of ancient queens, the grave and stately names for the forgotten regions of the sea, the imagined words for desire in hermetic languages; food, on the other hand, was leaving me increasingly unmoved.... I grew thinner and thinner, streamlined, my blood nourished by ever-slighter molecules, some kind of pale elongated light running the length of my body, nightmares detouring it in the most starved, and so-lightly blue-black-bruised, corners of my flesh. In this state of non-health, every step became a performance, each stride an act of contrition, a question and an answer.... On the once-dry, now-flowering branches of my skeletal limbs, the words sight, hearing, taste, smell, and touch were being invisibly but indelibly written. I was a festival of new senses.
Cynthia Gralla
Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes. I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out. The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes. Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake. 'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.' 'A pot,' I said. 'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. ' There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced. 'Well?' I said. 'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.' None of us said anything for a time. Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking. Examining the 8×10 glossies, Ginger said, 'How lovely!' 'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed
Philip K. Dick (VALIS)
A fine statue of a naked Theseus stands proudly today in Athens' central place of assembly, the city's hub, Syntagma Square. Even today he is a focus of Athenian identity and pride. The ship he brought back from his adventures in the Labyrinth of Crete remained moored in the harbour at Piraeus, a visitor attraction right up to the days of historical ancient Athens, the time of Socrates and Aristotle. Its continuous presence there for such a long time caused the Ship of Theseus to become a subject of intriguing philosophical speculation. Over hundreds of years, its rigging, its planks, its hull, deck, keel, prow, stern and all its timbers had been replaced so that not one atom of the original remained. Could one call it the same ship? Am I the same person I was fifty years ago? Every molecule and cell of my body has been replaced many times over.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
Everyone's existence is filled with special stories. But my life is my story; an amazing journey, a bouncing steel ball in a living pinball machine flying through the molecules and empty spaces of primal experience.
Gerasimos I. Kambites (Tears on the Equator - Muzungu)
When I haven't been kissed in a long time, I walk behind well-dressed women on cold, December mornings and shovel the steamy exhalations pluming from their lips down my throat with both hands, hoping a single molecule will cling to my lungs. When I haven't been kissed in a long time, I sneak into the ladies room of a fancy restaurant, dig into the trashcan for a napkin where a woman checked her lipstick, then go home, light candles, put on Barry White, and press the napkin all over my body. When I haven't been kissed in a long time, I start thinking leeches are the most romantic creatures, cause all they want to do is kiss. If only someone invented a kinder, gentler leech, I'd paint it bright pink and pretend Winona Ryder's lips crawled off her face, up my thigh, and were sucking on my swollen bicep. When I haven't been kissed in a long time, I create civil disturbances, then insult the cops who show up, till one of them grabs me by the collar and hurls me up against the squad car, so I can remember, at least for a moment, what it's like to be touched.
Jeffrey McDaniel
But I saw something only I could see because of my astonishing ability to see such things. Souls were rising, from the earth far below, souls of the dead, of people who's perished from famine, from war, from the plague... And they floated up, like skydivers in reverse, limbs all akimbo, wheeling, spinning. And the souls of these departed joined hands, clasped ankles and formed a web, a great net of souls. And the souls were three-atom oxygen molecules of the stuff of ozone and the outer rim absorbed them, and was repaired. Because nothing is lost forever. In this world, there a kind of painful progress. A longing for what we've left behind, and dreaming ahead. At least I think that's so.
Lisa Genova (Still Alice)
I finally drift back to sleep. I'm in the darkness. The molecules of my mind are still scattered, and I float through oily black space, trying to swipe them up like fireflies. Every time I go to sleep, I know I may never wake up. How could anyone expect to? You drop your tiny, helpless mind into a bottomless well, crossing your fingers and hoping that when you pull it out on its flimsy fishing wire it hasn't been gnawed to bones by nameless beasts below. Hoping you pull up anything at all.
Isaac Marion
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge.
Karl Ove Knausgård (My Struggle: Book 1)
Look at this woman. This beauty. What an act of grace. What a gift she gave me. Shame makes people abandon their children and drink themselves to death. It also keeps us from true happiness. An apology is a glorious release. Anastasia gave me a huge gift. That e-mail changed me. It rearranged my molecules. She has lived a life of struggle and decided not to pick up the armor. She teaches me about compassion. She makes her journey about open hearts. She is not ashamed. Thank you thank you thank you.
Amy Poehler
Different entities are composed of different densities of molecules but ultimately every pixel is made up of electrons, protons, and neutrons performing a delicate dance. Every pixel, including every iota of you and me, and every pixel of space seemingly
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
Cut through the thicket of dangerous thorns surrounding her gorgeous, one-of-a-kind heart, so that I could hold the tender, fragile bud in my hand and watch it grow. Dominate her mind, body and soul until every molecule of her person was imprinted with my name.
Giana Darling (Good Gone Bad (The Fallen Men, #3))
Our visual field, the entire view of what we can see when we look out into the world, is divided into billions of tiny spots or pixels. Each pixel is filled with atoms and molecules that are in vibration. The retinal cells in the back of our eyes detect the movement of those atomic particles. Atoms vibrating at different frequencies emit different wavelengths of energy, and this information is eventually coded as different colors by the visual cortex in the occipital region of our brain. A visual image is built by our brain's ability to package groups of pixels together in the form of edges. Different edges with different orientations - vertical, horizontal and oblique, combine to form complex images. Different groups of cells in our brain add depth, color and motion to what we see.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
If only I had a mother, the way the ancients had. I mean my own mother. And if for her I could be —not the Builder of the Integral, and not number D-503, and not a molecule of the One State, but just a piece of humanity, a piece of her own self, trampled, crushed, outcast . . .
Yevgeny Zamyatin (We)
An instant later I was unwilling. Some part of me treasured the privacy that not even Dorcas had entered. Deep inside the convolutions of my mind, in the embrace of the molecules, Thecla and I were twined together. For others—a dozen or a thousand, perhaps, if in absorbing the personality of the Autarch I was also to absorb those he had incorporated into himself—to come where we lay would be for the crowds of the bazaar to enter a bower. I clasped my heart’s companion to me, and felt myself clasped. I felt myself clasped, and clasped my heart’s companion to me.
Gene Wolfe (Sword & Citadel (The Book of the New Sun #3-4))
I take a step toward him. My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into his lungs. I want to travel through his body, seeing what makes him happy. Attaching myself to whatever place in him sparks to life on my arrival. His blood, his tissues, his muscles, I want to burrow inside the folds like a windblown dusting of snow, so that each time I melt away he seeks me out again.
Josh Kilmer-Purcell
Think of the billions of trillions of snowflakes, and the billions of trillions of hydrogen and oxygen molecules in every single one of them. It makes you wonder, doesn’t it, who wrote the laws for the wind and the rain, the snow and the dew? I’ve tried to work it out, but it makes my head spin.
Alan Bradley (I Am Half-Sick of Shadows (Flavia de Luce, #4))
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilise it with fixer. When it has been fixed we call it knowledge.
Karl Ove Knausgård (A Death in the Family (My Struggle #1))
As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but from that which then I shall be.
James Joyce (Ulysses)
Never mind undressing me with his eyes. He’s disassembling me. Atoms, molecules, every fiber and filament of my being stripped down, analyzed, assessed. I don’t know what he sees or what he thinks of it; there’s still no face under that hood. Forget all my previous bets about normal humanity lurking in the shadows. This man is a ghost.
Lex Veia (City of Shadows (Shadow & Ghost, #1))
In high school I developed a habit of wandering through shopping malls after school, swaying through the bright, chill mezzanines until I was so dazed with consumer goods and product codes, with promenades and escalators, with mirrors and Muzak and noise and light, that a fuse would blow in my brain and all at once everything would become unintelligible: color without form, a babble of detached molecules. Then I would walk like a zombie to the parking lot and drive to the baseball field, where I wouldn't even get out of the car, just sit with my hands on the steering wheel and stare at the Cyclone fence and the yellowed winter grass until the sun went down and it was too dark for me to see.
Donna Tartt (The Secret History)
When I sit up I am greeted by the world. Level with the treetops I look down on sparrows swooping in and out of the branches. The tide, the new rising moon, the clouds, the wind - these greet me. These are my allies. The whole planet is laid out before me and available for whatever adventure the day will take me on. By comparison, living in society seems to require an alarm clock. Primarily assembled from angst and fish anuses, these contraptions, regardless of your soul's whereabouts, will slap and assault you into a pitiful state of what passes for consciousness. Your first sight is the Time, an arragement of molecules on the clock's face to whom you will be enslaved for the rest of the day. You may as well call him "master." Next, a pile of dirty clothes on the floor, a knocked-over glass of water, and so forth, until you are so overwhelmed with despair that to prevent hurling yourself through the window, you must ignore your personal bill of rights, put on an acceptable frown, and go about your business, disregarding the pleas from you increasingly timid soul.
Daniel Hays (On Whale Island: Notes from a Place I Never Meant to Leave)
The longevity genes I work on are called “sirtuins,” named after the yeast SIR2 gene, the first one to be discovered. There are seven sirtuins in mammals, SIRT1 to SIRT7, and they are made by almost every cell in the body. When I started my research, sirtuins were barely on the scientific radar. Now this family of genes is at the forefront of medical research and drug development. Descended from gene B in M. superstes, sirtuins are enzymes that remove acetyl tags from histones and other proteins and, by doing so, change the packaging of the DNA, turning genes off and on when needed. These critical epigenetic regulators sit at the very top of cellular control systems, controlling our reproduction and our DNA repair. After a few billion years of advancement since the days of yeast, they have evolved to control our health, our fitness, and our very survival. They have also evolved to require a molecule called nicotinamide adenine dinucleotide, or NAD. As we will see later, the loss of NAD as we age, and the resulting decline in sirtuin activity, is thought to be a primary reason our bodies develop diseases when we are old but not when we are young.
David A. Sinclair (Lifespan: Why We Age—and Why We Don't Have To)
There is a river that runs through time and the universe, vast and inexplicable, a flow of spirit that is at the heart of all existence, and every molecule of our being is a part of it. And what is God but the whole of that river? Perhaps the most important truth I've learned across the whole of my life is that it's only when I yield to the river and embrace the journey that I find peace.
William Kent Krueger (This Tender Land)
All my life I have wondered about the possibility of life elsewhere. What would it be like? Of what would it be made? All living things on our planet are constructed of organic molecules—complex microscopic architectures in which the carbon atom plays a central role. There was once a time before life, when the Earth was barren and utterly desolate. Our world is now overflowing with life. How did it come about? How, in the absence of life, were carbon-based organic molecules made? How did the first living things arise? How did life evolve to produce beings as elaborate and complex as we, able to explore the mystery of our own origins? And on the countless other planets that may circle other suns, is there life also? Is extraterrestrial life, if it exists, based on the same organic molecules as life on Earth? Do the beings of other worlds look much like life on Earth? Or are they stunningly different—other adaptations to other environments? What else is possible? The nature of life on Earth and the search for life elsewhere are two sides of the same question—the search for who we are. In the great dark between the stars there are clouds of gas and dust and organic matter. Dozens of different kinds of organic molecules have been found there by radio telescopes. The abundance of these molecules suggests that the stuff of life is everywhere. Perhaps the origin and evolution of life is, given enough time, a cosmic inevitability. On some of the billions of planets in the Milky Way Galaxy, life may never arise. On others, it may arise and die out, or never evolve beyond its simplest forms. And on some small fraction of worlds there may develop intelligences and civilizations more advanced than our own. Occasionally someone remarks on what a lucky coincidence it is that the Earth is perfectly suitable for life—moderate temperatures, liquid water, oxygen atmosphere, and so on. But this is, at least in part, a confusion of cause and effect. We earthlings are supremely well adapted to the environment of the Earth because we grew up here. Those earlier forms of life that were not well adapted died. We are descended from the organisms that did well. Organisms that evolve on a quite different world will doubtless sing its praises too. All life on Earth is closely related. We have a common organic chemistry and a common evolutionary heritage. As a result, our biologists are profoundly limited. They study only a single kind of biology, one lonely theme in the music of life. Is this faint and reedy tune the only voice for thousands of light-years? Or is there a kind of cosmic fugue, with themes and counterpoints, dissonances and harmonies, a billion different voices playing the life music of the Galaxy? Let
Carl Sagan (Cosmos)
There is a river that runs through time and the uni-verse, vast and inexplicable, a flow of spirit that is at the heart of all existence, and every molecule of our being is a part of it. And what is God but the whole of that river? Perhaps the most important truth I've learned across the whole of my life is that it's only when I yield to the river and embrace the journey that I find peace.
William Kent Krueger (This Tender Land)
I've been patient. I decided early on that I'd get where I needed to go if I just kept going. Some moves were intentional and sometimes I put my body on autopilot just to get through things. I enjoyed the views from the bottom and the views from the apex. And sometimes, I've winced at the views from both. I'm patient like every molecule of water - knowing it will eventually make it to the ocean.
Darnell Lamont Walker
The Future is an illusion because, at the most fundamental level, Choice is an illusion. I am a believer in the theory, popular among physicists, that every time there is a Choice, the universe splits: both choices come to pass, but in now-separate universes. And so on, and on, with every choice of every particle, every atom, every molecule, every cell, every being, coming into being. In this universe of universes, everything happens, and every combination of things happens. Our universe is a mote of dust in an ever-growing dust-storm of possibilities, but each mote of dust in that storm is generating its own dust-storm of possibilities every instant, the motes of which in turn... But you get the general impression. Indeed to think of ourselves as single selves, and our universe as a single universe, is to be blinded, by the limitations of our senses and our consciousness, to the infinite-faceted truth: that we are infinite in a universe of universes that are each infinitely infinite..." "An intriguingly intricate view of the world," I said (...) Pat Sheeran nodded. "And it is astonishing how little practical difference it makes," he said. "All my other lives are as inaccessible to me as if they did not exist at all. No doubt in other universes I am a beggar, a revolutionary thinker, an academic, an accountant; a drinker, a thinker, a writer of books; I lose a freckle, gain a mole, shade off into men nothing like me at all; I have sons, fire guns, live forever, die too young. Whenever any particle in this universe changes state, I am split and travel in both directions, multiplied. But here I am, suffering the illusion of unity in this endlessly bifurcating moment. Yet sometimes, I wave my arms for the joy of creating a spray of universes." I said startled at the implications, “Though it may make no practical difference, the implications are nonetheless startling." "Indeed," said Pat Sheeran. "I had immediately to file all the fiction on my shelves under Non-Fiction. For it is an unavoidable corollary of this theory, that Fiction is impossible. For all novels are true histories of worlds as real as ours, but which we cannot see. All stories are possible, all histories have happened. I, billion-bodied, live a trillion lives every quantum instant. Those trillion lives branch out, a quintillion times a second, as every particle in every atom in each mote of dust on land, in sea, and sky, and space, and star, flickering in and out of being in the void, hesitates and decides its next stage. All tragedies, all triumphs, are mine, are yours." "It is a curious and difficult thing, to think that all is possible. No, probable. No, certain," I said, attempting to grasp the largeness of the thought."That nothing is improbable." "It is a comforting thought, some nights, to this version of me, now," said Pat Sheeran, and we roared on.
Julian Gough (Jude: Level 1)
like Dostoevsky’s character, I cannot bear the thought that I am simply a piano key, thinking and doing what I must when I’m struck. I want some kind of unpredictability in my behavior. I want freedom. I want some kind of “I-ness” in my brain that is more than the sum of neurons and sodium gates and acetylcholine molecules, a captain who can make decisions on the spot—good or bad decisions, it doesn’t matter.
Alan Lightman (The Accidental Universe: The World You Thought You Knew)
Days after the elections of 2016, asha sent me a link to a talk by astrophysicist Neil deGrasse Tyson. We have to have hope, she says to me across 3,000 miles, she in Brooklyn, me in Los Angeles. We listen together as Dr. deGrasse Tyson explains that the very atoms and molecules in our bodies are traceable to the crucibles in the centers of stars that once upon a time exploded into gas clouds. And those gas clouds formed other stars and those stars possessed the divine-right mix of properties needed to create not only planets, including our own, but also people, including us, me and her. He is saying that not only are we in the universe, but that the universe is in us. He is saying that we, human beings, are literally made out of stardust. And I know when I hear Dr. deGrasse Tyson say this that he is telling the truth because I have seen it since I was a child, the magic, the stardust we are, in the lives of the people I come from. I watched it in the labor of my mother, a Jehovah's Witness and a woman who worked two and sometimes three jobs at a time, keeping other people's children, working the reception desks at gyms, telemarketing, doing anything and everything for 16 hours a day the whole of my childhood in the Van Nuys barrio where we lived. My mother, cocoa brown and smooth, disowned by her family for the children she had as a very young and unmarried woman. My mother, never giving up despite never making a living wage. I saw it in the thin, brown face of my father, a boy out of Cajun country, a wounded healer, whose addictions were borne of a world that did not love him and told him so not once but constantly. My father, who always came back, who never stopped trying to be a version of himself there were no mirrors for. And I knew it because I am the thirteenth-generation progeny of a people who survived the hulls of slave ships, survived the chains, the whips, the months laying in their own shit and piss. The human beings legislated as not human beings who watched their names, their languages, their Goddesses and Gods, the arc of their dances and beats of their songs, the majesty of their dreams, their very families snatched up and stolen, disassembled and discarded, and despite this built language and honored God and created movement and upheld love. What could they be but stardust, these people who refused to die, who refused to accept the idea that their lives did not matter, that their children's lives did not matter?
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
Now I don't know anything. I don't know who I'm supposed to be in my new world. I keep trying to pinpoint the moment when everything changed. […] So, if I could change one moment, which one would I pick? And would I get the results I want? Would I still be Maddy? […] Chaos theory says that even a small change in initial conditions can lead to wildly unpredictable results. A butterfly flaps her wings now and a hurricane forms in the future. Still. I think if I could just find the moment, I could take it apart piece by piece, molecule by molecule, until I got down to the atomic level, until I got to the part that was inviolate and essential. If I could take it apart and understand it then maybe I could make just exactly the right change. […] I could understand how I came to be sitting on this roof at the beginning and at the end of everything.
Nicola Yoon (Everything, Everything)
What phrase was that, sir?” “You said something about interviewing people face to——” He shook his head, his tongue dabbing quickly at his lips. “I would rather not say it. I think you know what I mean. The phrase conjured up the most striking picture of the two of us breathing—breathing one another’s breath.” The Solarian shuddered. “Don’t you find that repulsive?” “I don’t know that I’ve ever thought of it so.” “It seems so filthy a habit. And as you said it and the picture rose in my mind, I realized that after all we were in the same room and even though I was not facing you, puffs of air that had been in your lungs must be reaching me and entering mine. With my sensitive frame of mind——” Baley said, “Molecules all over Solaria’s atmosphere have been in thousands of lungs. Jehoshaphat! They’ve been in the lungs of animals and the gills of fish.
Isaac Asimov
There is a river that runs through time and the universe, vast and inexplicable, a flow of spirit that is at the heart of all existence, and every molecule of our being is a part of it. And what is God but the whole of that river? Perhaps the most important truth I've learned across the whole of my life is that it's only when I yield to the river and embrace the journey that I find peace." THIS TENDER LAND by William Kent Krueger
William Kent Krueger (This Tender Land)
I have a very limited time left in this marvelous form of stardust which I’ve been talking about over the past few months. I don’t feel any dread. I want to assure you that I don’t feel fear about this. It seems very petty to complain about the eventual dissipation of my stardust back into the stardust of the cosmos after having lived 72 years in this extraordinary form of existence that very few molecules in the entire universe get to experience. Indeed, to even use the word "experience" with respect to my stardust is amazing. Atoms don’t have experiences. They’re just stuff. That’s all I really am is stuff. But stuff so complexly organized across several thresholds of stuff-complexity, that it’s able to reflect upon its stuff-ness and what an extraordinary thing it has been to be alive and aware that it’s alive and aware that it’s aware that it’s alive.
Erik Olin Wright (Stardust to Stardust: Reflections on Living and Dying)
I'd never before wanted to uncover all the molecules of shit that were such a part of my deepest being which, once released, would smell forever of the shit that I was, and which nothing--not exile, not fame, could ever disappear. But I threw the shit and the trash and the sand, and for years and years I just threw it. And I began to light up my soul with scenes. I made what I could with what I had. And I finally became a real girl.
Sheila Heti (How Should a Person Be?)
I’d like to tell you not to be afraid, but I’ve lost my voice. I’m not used to all these legs, these claws, these feelers. It’s the old story, predictable as fallout—the rearrangement of molecules. And everyone is surprised and no one understands why each man tries to kill the thing he loves, when the change comes over him. So now you know what I never found the time to say. Sweetheart, put down your flamethrower. You know I always loved you.
Lawrence Raab
We have come to understand the phenomena of life only as an assemblage of the lifeless. We take the mechanistic abstractions of our technical calculation to be ultimately concrete and "fundamentally real," while our most intimate experiences are labelled "mere appearance" and something having reality only within the closet of the isolated mind. Suppose however we were to invert this whole scheme, reverse the order in which it assigns abstract and concrete. What is central to our experience, then, need not be peripheral to nature. This sunset now, for example, caught within the network of bare winter branches, seems like a moment of benediction in which the whole of nature collaborates. Why should not these colours and these charging banners of light be as much a part of the universe as the atoms and molecules that make them up? If they were only "in my mind," then I and my mind would no longer be a part of nature. Why should the pulse of life toward beauty and value not be a part of things? Following this path, we do not vainly seek to assemble the living out of configurations of dead stuff, but we descend downwards from more complex to simpler grades of the organic. From humans to trees to rocks; from "higher grade" to "lower grade" organisms. In the universe of energy, any individual thing is a pattern of activity within the flux, and thereby an organism at some level.
William Barrett (The Illusion of Technique: A Search for Meaning in a Technological Civilization)
The Greeks had four words for love, and I had no idea which one fit, but it was there: real, chemical, inevitable. You spend enough time with someone and your molecules blend. You become part of each other. It seemed like it should be obvious, though it maybe wasn’t, or at least would not be to most people. Would he be surprised? Probably not. To him it would have been inevitable and impossible, both at once. And he would have laughed at my words and ruined my soul.
Michael Fiegel (Blackbird)
again at 4am I blitzed the cabbage until it was individual molecules and I baked the molecules of cabbage into my double choc chip muffins…and ahahahahahahah…you can’t taste the cabbage Reggie you’re eating cabbage!! I win! I win! I haven’t had any sleep but I WIN!! Ahahahahahahah!!” Dad, Jon, Ron, Don, Lon, and Con all tried to calm her down but nothing worked. She kept cackling and dancing. When Dad threw a bucket of cold water over her and that still didn’t work he went to the phone
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Rising thermals gyre silently over sun-soaked fields. I watch them strike the frigid currents arcing down from the north. Splashes of ice crystals mark each impact point. These intermingle and shred, then regroup again until the grow smooth and white and pliant like kneaded dough. My mind soars up through the lace of nascent clouds, past deeper shoals of stratus, accelerating steadily as the molecules spread apart, until it reaches the deepest pools of sky, the place where mares' tails flick and trail.
Ann Batterson
At least work keeps you from your vices," Win quipped one evening before supper, rubbing his hair affectionately as she joined him in the parlor. "I happen to like my vices," Leo told her. "That's why I went to the trouble of acquiring them." "What you need to acquire," Win said gently, "is a wife. And I'm not saying that out of self-interest, Leo." He smiled at her, this gentlest of sisters, who had fought so many personal battles for the sake of love. "You don't possess a molecule of self-interest, Win.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
In our profession, we tend to name things exactly as we see them. Big red stars we call red giants. Small white stars we call white dwarfs. When stars are made of neutrons, we call them neutron stars. Stars that pulse, we call them pulsars. In biology they come up with big Latin words for things. MDs write prescriptions in a cuneiform that patients can’t understand, hand them to the pharmacist, who understands the cuneiform. It’s some long fancy chemical thing, which we ingest. In biochemistry, the most popular molecule has ten syllables—deoxyribonucleic acid! Yet the beginning of all space, time, matter, and energy in the cosmos, we can describe in two simple words, Big Bang. We are a monosyllabic science, because the universe is hard enough. There is no point in making big words to confuse you further. Want more? In the universe, there are places where the gravity is so strong that light doesn’t come out. You fall in, and you don’t come out either: black hole. Once again, with single syllables, we get the whole job done. Sorry, but I had to get all that off my chest.
Neil deGrasse Tyson (Welcome to the Universe: The Problem Book)
If you had told me, when Willa was fifteen, that it would ever be like this, I would have thought you were pranking me just to be mean. Back then, every molecule in her body recoiled, in horror, from every molecule in my own. I exhaled carbon dioxide that she was then forced to inhale! I manifested odors and opinions and existence, and all of it was unspeakable, intolerable. I felt, for a year or two, like I was kneeling soundless with a palmful of birdseed, hand extended, waiting for the wild animal of my daughter to approach me." page 97, Wreck
Catherine Newman (Wreck)
answer. It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one’s mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor’s house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor’s leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn’t only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
Hanya Yanagihara (A Little Life)
I think I would make a very good astronaut. To be a good astronaut you have to be intelligent and I’m intelligent. You also have to understand how machines work and I’m good at understanding how machines work. You also have to be someone who would like being on their own in a tiny spacecraft thousands and thousands of miles away from the surface of the earth and not panic or get claustrophobia or homesick or insane. And I really like little spaces, so long as there is no one else in them with me. Sometimes when I want to be on my own I get into the airing cupboard outside the bathroom and slide in beside the boiler and pull the door closed behind me and sit there and think for hours and it makes me feel very calm. So I would have to be an astronaut on my own, or have my own part of the space craft which no one else could come into. And also there are no yellow things or brown things in a space craft, so that would be okay too. And I would have to talk to other people from Mission Control, but we would do that through a radio linkup and a TV monitor, so they wouldn’t be like real people who are strangers, but it would be like playing a computer game. Also I wouldn’t be homesick at all because I’d be surrounded by things I like, which are machines and computers and outer space. And I would be able to look out of a little window in the spacecraft and know that there was no one near me for thousands and thousands of miles, which is what I sometimes pretend at night in the summer when I go and lie on the lawn and look up at the sky and I put my hands round the sides of my face so that I can’t see the fence and the chimney and the washing line and I can pretend I’m in space. And all I could see would be stars. And stars are the places where molecules that life is made of were constructed billions of years ago. For example, all the iron in your blood which keeps you from being anemic was made in a star. And I would like it if I could take Toby with me into space, and that might be allowed because they sometimes do take animals into space for experiments, so if I could think of a good experiment you could do with a rat that didn’t hurt the rat, I could make them let me take Toby. But if they didn’t let me I would still go because it would be a Dream Come True.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
My research shows that improving the quality of education is a cost-free way to raise prosperity. it's cost-free because it reinforces so many of the other things we need to keep the virtuous cycle rolling that, ultimately, the increase in economic benefits far outstrips the cost of the investment. Education brings more people into the comfort zone of higher income, which increases trust, then causes people to demand better government, which further increases the trust, which further reduces inequality, which increases the pool of those who will get a good education.
Paul J. Zak (The Moral Molecule: The Source of Love and Prosperity)
JANUARY 25 Loving Yourself I begin to realize that in inquiring about my own origin and goal, I am inquiring about something other than myself…. In this very realization I begin to recognize the origin and goal of the world. —MARTIN BUBER In loving ourselves, we love the world. For just as fire, rock, and water are all made up of molecules, everything, including you and me, is connected by a small piece of the beginning. Yet, how do we love ourselves? It is as difficult at times as seeing the back of your head. It can be as elusive as it is necessary. I have tried and tripped many times. And I can only say that loving yourself is like feeding a clear bird that no one else can see. You must be still and offer your palmful of secrets like delicate seed. As she eats your secrets, no longer secret, she glows and you lighten, and her voice, which only you can hear, is your voice bereft of plans. And the light through her body will bathe you till you wonder why the gems in your palm were ever fisted. Others will think you crazed to wait on something no one sees. But the clear bird only wants to feed and fly and sing. She only wants light in her belly. And once in a great while, if someone loves you enough, they might see her rise from the nest beneath your fear. In this way, I've learned that loving yourself requires a courage unlike any other. It requires us to believe in and stay loyal to something no one else can see that keeps us in the world—our own self-worth. All the great moments of conception—the birth of mountains, of trees, of fish, of prophets, and the truth of relationships that last—all begin where no one can see, and it is our job not to extinguish what is so beautifully begun. For once full of light, everything is safely on its way—not pain-free, but unencumbered—and the air beneath your wings is the same air that trills in my throat, and the empty benches in snow are as much a part of us as the empty figures who slouch on them in spring. When we believe in what no one else can see, we find we are each other. And all moments of living, no matter how difficult, come back into some central point where self and world are one, where light pours in and out at once. And once there, I realize—make real before me—that this moment, whatever it might be, is a fine moment to live and a fine moment to die.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Did you know that it’s not mathematically impossible for two snowflakes to be identical? They’re made up of a quintillion molecules that can form in various geometries, so it’s just highly improbable.” “A quintillion?” “Picture a one and then add eighteen zeros.” She shrugs and I don’t think she pictures it. Which is too bad because the image of a quintillion looks just like a line of poetry. “The point is it’s totally possible. Unlikely, of course. The chances are like one in a gazillion. Which is not an actual number but an exaggerative placeholder, but you get my point. It’s possible.
Julie Buxbaum (What to Say Next)
I’m not the most confident person when it comes to administering first aid, but I am probably the most germ conscious. I hope you close the lid of the toilet when you flush. If you don’t, the swirl of the water breaking up your poop sends millions of tiny poop molecules flying about the bathroom. And you know where they like landing best? On your toothbrush! And speaking of toothbrushes, what can be more horrible than going into the bathroom and seeing the bristles from your brush touching the bristles from your partner’s brush! My God, you can almost see those germs running from theirs to yours!
John Donoghue (Police, Crime & 999 - The True Story of a Front Line Officer)
How could you,” began Mackey, “how could you, a mathematician, a man devoted to reason and logical proof . . . how could you believe that extraterrestrials are sending you messages? How could you believe that you are being recruited by aliens from outer space to save the world? How could you . . . ?” Nash looked up at last and fixed Mackey with an unblinking stare as cool and dispassionate as that of any bird or snake. “Because,” Nash said slowly in his soft, reasonable southern drawl, as if talking to himself, “the ideas I had about supernatural beings came to me the same way that my mathematical ideas did.
Daniel Z. Lieberman (The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity―and Will Determine the Fate of the Human Race)
What is there about fire that’s so lovely? No matter what age we are, what draws us to it?” Beatty blew out the flame and lit it again. “It’s perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it’d burn our lifetimes out. What is fire? It’s a mystery. Scientists give us gobbledegook about friction and molecules. But they don’t really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you’re a burden. And fire will lift you off my shoulders, clean, quick, sure.
Ray Bradbury (Fahrenheit 451)
What is there about fire that’s so lovely? No matter what age we are, what draws us to it?” Beatty blew out the flame and lit it again. “It’s perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it’d burn our lifetimes out. What is fire? It’s a mystery. Scientists give us gobbledegook about friction and molecules. But they don’t really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you’re a burden. And fire will lift you off my shoulders, clean, quick, sure".
Ray Bradbury (Fahrenheit 451)
What is there about fire that's so lovely? Not matter what age we are, what draws us to it? It's perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it'd burn our lifetimes out. What is fire? It's a mystery. Scientists give us gobbledegook about friction and molecules. But they don't really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you're a burden. And fire will lift you off my shoulders, clean, quick, sure; nothing to rot later. Antibiotic, aesthetic, practical.
Ray Bradbury (Fahrenheit 451)
It was filled with a dark paste, rather than liquid. I unscrewed the cap. The smell rolled toward me, and I reared back. I could almost hear growling, the pop of a bone socket. "Civet," Claudia said, unfazed. "It takes a strong stomach to smell an animalic base note straight, don't you think? But a drop or two, down there in the bottom of a perfume? It sends that other message. Death and sex- that's what perfume's all about. You'll understand when you're older." I stared back at her. I knew about death. I knew about sex. I didn't need her to tell me. She held out another bottle, her expression bland. "Jasmine." I was cautious this time, barely sniffing the contents, but the smell was a relief- sweet, white, and creamy, almost euphoric. I felt as if I were floating in it. Just as I was about to put the bottle down, though, I caught a whiff of something else in the background, something narcotic and sticky. I inhaled more deeply, trying to pin it down. "You like it," Claudia said. For the first time, she seemed pleased with me. "Do you know what that is, that note you're searching for?" I shook my head. It was right there, but in that cool, blank room, I couldn't quite name it. "It's shit," Claudia said. She smiled, slow and lazy. "Technically, the molecule's called indole, but a rose by any other name...
Erica Bauermeister (The Scent Keeper)
formulas as easy as possible, I’ve simplified my recommendation to just five core probiotic species that are widely available: Lactobacillus plantarum, Lactobacillus acidophilus, Lactobacillus brevis, Bifidobacterium lactis, and Bifidobacterium longum. Different strains provide different benefits, but these are the ones that will, as we’ve been discussing since the beginning of the book, best support brain health in these ways: • Fortifying the intestinal lining and reducing gut permeability • Reducing LPS, the inflammatory molecule that can be dangerous if it reaches the bloodstream • Increasing BDNF, the brain’s growth hormone • Sustaining an overall balance to crowd out any
David Perlmutter (Brain Maker: The Power of Gut Microbes to Heal and Protect Your Brain for Life)
The soul,' he said to Pip, 'is a chemical sensation. What you see lying on this sofa is a glorified enzyme. Every enzyme has its special job to do. It spends its life looking for the specific molecule it's designed to interact with. And can an enzyme be happy? Does it have a soul? I say yes to both questions! What the enzyme you see lying here was made to do is find bad prose, interact with it, and make it better. That's what I've become, a bad-prose-correcting enzyme, floating in my cell here.' He nodded at Leila. 'And she worries that I'm not happy.' Pip's eyes widened with swallowed comment. 'She's still looking for her molecule,' Charles continued. 'I already know mine. Do you know yours?
Jonathan Franzen
When thousands of cars slowly edge their way through London, we call that a traffic jam, but it doesn’t create some great Londonian consciousness that hovers high above Piccadilly and says to itself, ‘Blimey, I feel jammed!’ When millions of people sell billions of shares, we call that an economic crisis, but no great Wall Street spirit grumbles, ‘Shit, I feel I am in crisis.’ When trillions of water molecules coalesce in the sky we call that a cloud, but no cloud consciousness emerges to announce, ‘I feel rainy.’ How is it, then, that when billions of electric signals move around in my brain, a mind emerges that feels ‘I am furious!’? As of 2016, we have absolutely no idea. Hence if this discussion
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
As a science fiction writer who began as a fan, I do not use my fiction as a disguised way to criticize the reality of the present. I feel that the greatest appeal of science fiction is the creation of numerous imaginary worlds outside of reality. I’ve always felt that the greatest and most beautiful stories in the history of humanity were not sung by wandering bards or written by playwrights and novelists, but told by science. The stories of science are far more magnificent, grand, involved, profound, thrilling, strange, terrifying, mysterious, and even emotional, compared to the stories told by literature. Only, these wonderful stories are locked in cold equations that most do not know how to read. The creation myths of the various peoples and religions of the world pale when compared to the glory of the big bang. The three-billion-year history of life’s evolution from self-reproducing molecules to civilization contains twists and romances that cannot be matched by any myth or epic. There is also the poetic vision of space and time in relativity, the weird subatomic world of quantum mechanics … these wondrous stories of science all possess an irresistible attraction. Through the medium of science fiction, I seek only to create my own worlds using the power of imagination, and to make known the poetry of Nature in those worlds, to tell the romantic legends that have unfolded between Man and Universe.
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
I'm frequently asked, "Do you believe there's extraterrestrial intelligence?" I give the standard arguments- there are a lot of places out there, the molecules of life are everywhere, I use the word billions, and so on. Then I say it would be astonishing to me if there weren't extraterrestrial intelligence, but of course there is as yet no compelling evidence for it. Often, I'm asked next, "What do you really think?" I say, "I just told you what I really think." "Yes, but what's your gut feeling?" But I try not to think with my gut. If I'm serious about understanding the world, thinking with anything besides my brain, as tempting as that might be, is likely to get me into trouble. Really, it's okay to reserve judgment until the evidence is in.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Among the most virulent of all such cultural parasite-equivalents is the religion-based denial of organic evolution. About one-half of Americans (46 percent in 2013, up from 44 percent in 1980), most of whom are evangelical Christians, together with a comparable fraction of Muslims worldwide, believe that no such process has ever occurred. As Creationists, they insist that God created humankind and the rest of life in one to several magical mega-strokes. Their minds are closed to the overwhelming mass of factual demonstrations of evolution, which is increasingly interlocked across every level of biological organization from molecules to ecosystem and the geography of biodiversity. They ignore, or more precisely they call it virtue to remain ignorant of, ongoing evolution observed in the field and even traced to the genes involved. Also looked past are new species created in the laboratory. To Creationists, evolution is at best just an unproven theory. To a few, it is an idea invented by Satan and transmitted through Darwin and later scientists in order to mislead humanity. When I was a small boy attending an evangelical church in Florida, I was taught that the secular agents of Satan are extremely bright and determined, but liars all, man and woman, and so no matter what I heard I must stick my fingers in my ears and hold fast to the true faith. We are all free in a democracy to believe whatever we wish, so why call any opinion such as Creationism a virulent cultural parasite-equivalent? Because it represents a triumph of blind religious faith over carefully tested fact. It is not a conception of reality forged by evidence and logical judgment. Instead, it is part of the price of admission to a religious tribe. Faith is the evidence given of a person’s submission to a particular god, and even then not to the deity directly but to other humans who claim to represent the god. The cost to society as a whole of the bowed head has been enormous. Evolution is a fundamental process of the Universe, not just in living organisms but everywhere, at every level. Its analysis is vital to biology, including medicine, microbiology, and agronomy. Furthermore psychology, anthropology, and even the history of religion itself make no sense without evolution as the key component followed through the passage of time. The explicit denial of evolution presented as a part of a “creation science” is an outright falsehood, the adult equivalent of plugging one’s ears, and a deficit to any society that chooses to acquiesce in this manner to a fundamentalist faith.
Edward O. Wilson (The Meaning of Human Existence)
The mental pictures I have of my parents and grandparents and my childhood are beginning to break up into small fragments and get blown away from me into empty space, and the same wind is sucking me toward it ever so gently, so gently as not even to raise a hair on my head (though the truth is that there are very few of them to be raised). I'm starting to take the idea of death as the end of life somewhat harder than before. I used to wonder why people seemed to think that life is tragic or sad. Isn't it also comic and funny? And beyond all that, isn't it amazing and marvelous? Yes, but only if you have it. And I am starting not to have it. The pictures are disintegrating, as if their molecules were saying, "I've had enough," ready to go somewhere else and form a new configuration. They betray us, those molecules, we who have loved them. They treat us like dirt.
Ron Padget
said Susan. “I’m not stupid. You’re saying humans need…fantasies to make life bearable.” REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE. “Tooth fairies? Hogfathers? Little—” YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES. “So we can believe the big ones?” YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING. “They’re not the same at all!” YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME…SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED. “Yes, but people have got to believe that, or what’s the point—” MY POINT EXACTLY. She
Terry Pratchett (Hogfather (Discworld, #20))
I wanted to climb to the summit of challenges, attack my way through hardships as solid as granite, tempt all sorts of peril, and break through mysteries with science. I longed to inhale all sorts of experience and then explore the labyrinthine ins and outs of life that in the end cannot be guessed. I yearned for possibilities that react with each other, like the collision of uranium molecules: binding, multiplying, bursting, and dispersing in unexpected directions. I wanted to go to faraway places and meet with endless varieties of foreign languages and peoples. I wished to rove, finding my direction through reading the stars of constellations. I wanted to cross fields and deserts, to be burned by the sun until I blistered, to be shook by the assaulting wind, and shrink from being gripped by cold. I wanted a life that was thrilling, filled with conquest. I wanted to live! To feel the essence of being!
Andrea Hirataira
I am, reluctantly, a self-confessed carbon chauvinist. Carbon is abundant in the Cosmos. It makes marvelously complex molecules, good for life. I am also a water chauvinist. Water makes an ideal solvent system for organic chemistry to work in and stays liquid over a wide range of temperatures. But sometimes I wonder. Could my fondness for materials have something to do with the fact that I am made chiefly of them? Are we carbon- and water-based because those materials were abundant on the Earth at the time of the origin of life? Could life elsewhere—on Mars, say—be built of different stuff? I am a collection of water, calcium and organic molecules called Carl Sagan. You are a collection of almost identical molecules with a different collective label. But is that all? Is there nothing in here but molecules? Some people find this idea somehow demeaning to human dignity. For myself, I find it elevating that our universe permits the evolution of molecular machines as intricate and subtle as we. But the essence of life is not so much the atoms and simple molecules that make us up as the way in which they are put together. Every now and then we read that the chemicals which constitute the human body cost ninety-seven cents or ten dollars or some such figure; it is a little depressing to find our bodies valued so little. However, these estimates are for human beings reduced to our simplest possible components. We are made mostly of water, which costs almost nothing; the carbon is costed in the form of coal; the calcium in our bones as chalk; the nitrogen in our proteins as air (cheap also); the iron in our blood as rusty nails. If we did not know better, we might be tempted to take all the atoms that make us up, mix them together in a big container and stir. We can do this as much as we want. But in the end all we have is a tedious mixture of atoms. How could we have expected anything else? Harold Morowitz has calculated what it would cost to put together the correct molecular constituents that make up a human being by buying the molecules from chemical supply houses. The answer turns out to be about ten million dollars, which should make us all feel a little better. But even then we could not mix those chemicals together and have a human being emerge from the jar. That is far beyond our capability and will probably be so for a very long period of time. Fortunately, there are other less expensive but still highly reliable methods of making human beings. I think the lifeforms on many worlds will consist, by and large, of the same atoms we have here, perhaps even many of the same basic molecules, such as proteins and nucleic acids—but put together in unfamiliar ways. Perhaps organisms that float in dense planetary atmospheres will be very much like us in their atomic composition, except they might not have bones and therefore not need much calcium. Perhaps elsewhere some solvent other than water is used. Hydrofluoric acid might serve rather well, although there is not a great deal of fluorine in the Cosmos; hydrofluoric acid would do a great deal of damage to the kind of molecules that make us up, but other organic molecules, paraffin waxes, for example, are perfectly stable in its presence. Liquid ammonia would make an even better solvent system, because ammonia is very abundant in the Cosmos. But it is liquid only on worlds much colder than the Earth or Mars. Ammonia is ordinarily a gas on Earth, as water is on Venus. Or perhaps there are living things that do not have a solvent system at all—solid-state life, where there are electrical signals propagating rather than molecules floating about. But these ideas do not
Carl Sagan (Cosmos)
EAGLE The East direction is represented by eagle and condor, who bring vision, clarity, and foresight. Eagle perceives the entire panorama of life without becoming bogged down in its details. The energies of eagle assist us in finding the guiding vision of our lives. The eyes of condor see into the past and the future, helping to know where we come from, and who we are becoming. When I work with a client who is stuck in the traumas of the past, I help her to connect with the spirit of eagle or condor. As this energy infuses the healing space, my client is often able to attain new clarity and insight into her life. This is not an intellectual insight, but rather a call, faint at first, hardly consciously heard. Her possibilities beckon to her and propel her out of her grief and into her destiny. I believe that while everyone has a future, only certain people have a destiny. Having a destiny means living to your fullest human potential. You don’t need to become a famous politician or poet, but your destiny has to be endowed with meaning and purpose. You could be a street sweeper and be living a destiny. You could be the president of a large corporation and be living a life bereft of meaning. One can make oneself available to destiny, but it requires a great deal of courage to do so. Otherwise our destiny bypasses us, leaving us deprived of a fulfillment known by those who choose to take the road less traveled. Eagle allows us to rise above the mundane battles that occupy our lives and consume our energy and attention. Eagle gives us wings to soar above trivial day-to-day struggles into the high peaks close to Heaven. Eagle and condor represent the self-transcending principle in nature. Biologists have identified the self-transcending principle as one of the prime agendas of evolution. Living molecules seek to transcend their selfhood to become cells, then simple organisms, which then form tissues, then organs, and then evolve into complex beings such as humans and whales. Every transcending jump is inclusive of all of the levels beneath it. Cells are inclusive of molecules, yet transcend them; organs are inclusive of cells, yet go far beyond them; whales are inclusive of organs yet cannot be described by them, as the whole transcends the sum of its parts. The transcending principle represented by eagle states that problems at a certain level are best solved by going up one step. The problems of cells are best resolved by organs, while the needs of organs are best addressed by an organism such as a butterfly or a human. The same principle operates in our lives. Think of nested Russian dolls. Material needs are the tiny doll in the center. The larger emotional doll encompasses them, and both are contained within the outermost spiritual doll. In this way, we cannot satisfy emotional needs with material things, but we can satisfy them spiritually. When we go one step up, our emotional needs are addressed in the solution. We rise above our life dilemmas on the wings of eagle and see our lives in perspective.
Alberto Villoldo (Shaman, Healer, Sage: How to Heal Yourself and Others with the Energy Medicine of the Americas)
My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him. 'Please,' I say softly, 'let me try.' Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.
Josh Kilmer-Purcell (I Am Not Myself These Days)
The first step was to restore confidence, so I asked him, speaking pretty loud so that he would hear me through his closed ears, "Would you like some sugar to get your flies around again?" He seemed to wake up all at once, and shook his head. With a laugh he replied, "Not much! Flies are poor things, after all!" After a pause he added, "But I don't want their souls buzzing round me, all the same." "Or spiders?" I went on. "Blow spiders! What's the use of spiders? There isn't anything in them to eat or…" He stopped suddenly as though reminded of a forbidden topic. "So, so!" I thought to myself, "this is the second time he has suddenly stopped at the word 'drink'. What does it mean?" Renfield seemed himself aware of having made a lapse, for he hurried on, as though to distract my attention from it, "I don't take any stock at all in such matters. 'Rats and mice and such small deer,' as Shakespeare has it, 'chicken feed of the larder' they might be called. I'm past all that sort of nonsense. You might as well ask a man to eat molecules with a pair of chopsticks, as to try to interest me about the less carnivora, when I know of what is before me." "I see," I said. "You want big things that you can make your teeth meet in? How would you like to breakfast on an elephant?" "What ridiculous nonsense you are talking?" He was getting too wide awake, so I thought I would press him hard. "I wonder," I said reflectively, "what an elephant's soul is like!" The effect I desired was obtained, for he at once fell from his high-horse and became a child again. "I don't want an elephant's soul, or any soul at all!" he said. For a few moments he sat despondently. Suddenly he jumped to his feet, with his eyes blazing and all the signs of intense cerebral excitement. "To hell with you and your souls!" he shouted. "Why do you plague me about souls? Haven't I got enough to worry, and pain, to distract me already, without thinking of souls?" He looked so hostile that I thought he was in for another homicidal fit, so I blew my whistle.
Bram Stoker (Dracula)
What is there about fire that’s so lovely? No matter what age we are, what draws us to it?” Beatty blew out the flame and lit it again. “It’s perpetual motion; the thing man wanted to invent but never did. Or almost perpetual motion. If you let it go on, it’d burn our lifetimes out. What is fire? It’s a mystery. Scientists give us gobbledegook about friction and molecules. But they don’t really know. Its real beauty is that it destroys responsibility and consequences. A problem gets too burdensome, then into the furnace with it. Now, Montag, you’re a burden. And fire will lift you off my shoulders, clean, quick, sure; nothing to rot later. Antibiotic, aesthetic, practical.” Montag stood looking in now at this queer house, made strange by the hour of the night, by murmuring neighbor voices, by littered glass, and there on the floor, their covers torn off and spilled out like swan feathers, the incredible books that looked so silly and really not worth bothering with, for these were nothing but black type and yellowed paper and raveled binding. Mildred, of course. She
Ray Bradbury (Fahrenheit 451)
Interlaken Get a running start. Catch a good wind, he said: Be a good bird. I thought him German as his hand did the wave––tumult of syllables, the ocean. A gust carried us from the top of a ridge to where land helixes hug vague bodies of water, pebbled pastures skimming treelines across the range littered with wildflowers. Winds lilted: It’s not your day to go, as I watched clouds blush vermillion, flying in tandem as a crow does over reservoirs and glacial gorges. That high up, I thought maybe we could fall in love, full of pomp and spectacle, but he was a stranger, and to him, I was strange; possibly ugly. Everyone peddles timing––the random alchemy of abutting molecules––though I’ve grown weary of waiting. Stillness is the danger. So I spread out my arms, carved ciphers into ether while a choir could be heard along the nave where winding trails scissor the basin. Spiraling downward, I mouthed a new prayer, knelt in air for deliverance, morphing into needle of a compass, unbeholden to a place inhospitable: the mind. The mind bent on forgetting: I was blown wide open.
Su Hwang
Why suffer the slings and arrows when I can just wet my nose, insert it into the light socket, and never have to deal with anxiety, heartache, or my mother’s boiled chicken ever again? Hamlet chose not to because he feared what might happen in an afterlife, but I didn’t believe in an afterlife, so given my utterly dismal appraisal of the human condition and its painful absurdity, why go on with it? In the end, I couldn’t come up with a logical reason why and finally came to the conclusion that as humans, we are simply hardwired to resist death. The blood trumps the brain. No logical reason to cling to life, but who cares what the head says—the heart says: Have you seen Lola in a miniskirt? As much as we whine and moan and insist, often quite persuasively, that life is a pointless nightmare of suffering and tears, if a man suddenly entered the room with a knife to kill us, we instantly react. We grab him and fight with every ounce of our energy to disarm him and survive. (Personally, I run.) This, I submit, is a property strictly of our molecules. By now you’ve probably figured out not only I’m no intellectual but also no fun at parties.
Woody Allen (Apropos of Nothing)
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length, we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know what is happening we are forty, fifty, sixty...Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning.
Karl Ove Knausgård
Dad takes a step back, one hand still on my shoulder, and reaches into his pocket. He draws out a little blue capsule, and I feel every molecule in my body screaming to run. Dad must catch the panic in my eyes - he squeezes my shoulder and holds out the capsule. "Cas, it's fine. It's going to be fine. This is just in case." Just in case. Just in case the worst happens. The ship falls. Durga fails, I fail, and the knowledge I carry as a Reckoner trainer must be disposed of. That information can't fall into the wrong hands, into the hands of people who will do anything to take down our beasts. So this little capsule holds the pill that will kill me if it comes to that. "It's waterproof," Dad continues, pressing it into my hand. "The pocket on the collar of your wetsuit, keep it there. It has to stay with you at all times." It won't happen on this voyage. It's such a basic mission, gift-wrapped to be easy enough for me to handle on my own. But even holding the pill fills me with revulsion. On all my training voyages, I've never had to carry one of these capsules. That burden only goes to full-time trainers. "Cas." Dad tilts my chin up, ripping my gaze from the pull. "You were born to do this. I promise you, you'll forget you even have it." I suppose he ought to know - he's been carrying one for two decades. It's just a right of passage, I tell myself, and throw my arms around his neck once more.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
morning to pour out the sugar and substitute salt, thinking it so hilarious until our father lost his temper and spanked us both. The two of us dancing on the Eden patio in my mother’s cast-off nightgowns. Playing mermaid on the beach or fairies on the bluffs. Later, all three of us moving like a school of fish, Josie and Dylan and me, swimming in the cove or making a bonfire or practicing calligraphy with fountain pens my mother brought back from some trip she took with my father during one of their happy stints, an interest bolstered by Dylan’s passion for all things Chinese. Like so many boys of the era, he’d fallen hard for Kwai Chang Caine in the Kung Fu television series. I adored them both, but my sister was first. Worshipped the very air she breathed. I would have done anything she told me—chased down bandits, built a ladder to the moon. In turn, she brought me sand dollars to examine and Pop-Tarts she stole from the pantry in the house kitchen, and she kept her arms around me all night. It was Dylan who introduced surfing. He taught us when I was seven and Josie nine. It gave us both a sense of power and relief, a way to escape our crumbling family life and explore the sea—and, of course, it was our bond with Dylan himself. Josie. Thinking of her in the times before she turned into the later version of herself, the aloof, promiscuous addict, makes me ache with longing. I miss my sister with every molecule
Barbara O'Neal (When We Believed in Mermaids)
In a nutshell, serotonin gives your neurons a thick skin, so they can withstand the pace of the bristling, bustling, neural metropolis. And then along comes a tiny army of LSD molecules, marching out of their Trojan Horse—a small purple tablet—and they look just like serotonin molecules. If you were a receptor site, you wouldn’t be able to tell the difference. Through this insidious trickery, LSD molecules fool the receptors that normally suck up serotonin. They elbow serotonin out of the way and lodge themselves in these receptors instead. They do this in perceptual regions of the cortex, such as the occipital and temporal lobes, in charge of seeing and hearing, and in more cognitive zones, such as the prefrontal cortex, where conscious judgments take place. They do it in brain-stem nuclei that send their messages throughout the brain and body, felt as arousal and alertness. And once they’ve taken up their positions, Troy begins to fall. Not through force, as with the devastating blows of alcohol and dextromethorphan, but through passivity. Once encamped in their serotonin receptors, LSD molecules simply remain passive. They don’t inhibit, they don’t soothe, they don’t regulate, or filter, or modulate. They sit back with evil little grins and say, “It’s showtime! You just go ahead and fire as much as you like. You’re going to pick up a lot of channels you never got before. So have fun. And call me in about eight hours when my shift is over.
Marc Lewis (Memoirs of an Addicted Brain: A Neuroscientist Examines his Former Life on Drugs)
We have seen quite a few cats being let out of the bag- the mathematical mind, which is supposed to have such a dry, logical, rational texture. As a last example in this chapter I shall quote the dramatic case of Friedrich August von Kekule', Professor of Chemistry in Ghent, who, one afternoon in 1865, fell asleep and dreamt what was probably the most important dream in history since Joseph's seven fat and seven lean cows: I turned my chair to the fire and dozed, he relates. Again the atoms were gambolling before my eyes. This time the smaller groups kept modestly in the background. My mental eye, rendered more acute by repeated visions of this kind, could now distinguish larger structures, of manifold conformation; long rows, sometimes more closely fitted together; all twining and twisting in snakelike motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes. As if by a flash of lightning I awoke...Let us learn to dream, gentlemen. The serpent biting its own tail gave Kekule' the clue to a discovery which has been called 'the most brilliant piece of prediction to be found in the whole range of organic chemistry' and which, in fact, is one of the cornerstones of modern science. Put in a somewhat simplified manner, it consisted in the revolutionary proposal that the molecules of certain important organic compounds are not open structures but closed chains or 'rings'-like the snake swallowing its tail.
Arthur Koestler (The Act of Creation)
When I read Dawkins, it occurred to me that his theory suggested a useful way to think about the effects of psychoactive plants on culture—the critical role they’ve played at various junctures in the evolution of religion and music (think of jazz or rock improvisation), of poetry, philosophy, and the visual arts. What if these plant toxins function as a kind of cultural mutagen, not unlike the effect of radiation on the genome? They are, after all, chemicals with the power to alter mental constructs—to propose new metaphors, new ways of looking at things, and, occasionally, whole new mental constructs. Anyone who uses them knows they also generate plenty of mental errors; most such mistakes are useless or worse, but a few inevitably turn out to be the germs of new insights and metaphors. (And the better part of Western literature, if literary theorist Harold Bloom’s idea of “creative misreading” is to be believed.) The molecules themselves don’t add anything new to the stock of memes resident in a human brain, no more than radiation adds new genes. But surely the shifts in perception and breaks in mental habit they provoke are among the methods, and models, we have of imaginatively transforming mental and cultural givens—for mutating our inherited memes. •         •         • At the risk of discrediting my own idea, I want to acknowledge that it owes a debt—how large I can’t say—to a psychoactive plant. The notion that drugs might function as cultural mutagens occurred to me while reading The Selfish Gene while high on marijuana, which may or may not be an advisable thing to do.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
When Dennis McKenna drank ayahuasca , he had a vision in which he became “a sentient water molecule, percolating randomly through the soil, lost amid the tangle of the enormous root fibers of the Banisteriopsis World Tree.” I could feel the coolness, the dank dampness of the soil surrounding me. I felt suspended in an enormous underground cistern, a single drop among billions of drops … as if squeezed by the implacable force of irresistible osmotic pressures, I was rapidly translocated into the roots of the Banisteriopsis tree …” He was “carried through the articulating veins toward some unknown destination”. McKenna found himself within the extraordinary cellular mechanisms that turn light into “the molecular stuff of life”. Pulled on a kind of conveyor belt to the place where photosynthesis occurs. His consciousness exploded as he was “smited by the bolt of energy emitted by the phytic acid transducers and my poor water-molecule soul was split asunder”. As this vision ended, he found himself “embedded in the matrix” of the plant’s biochemical makeup. Suddenly he was suspended above the Amazon rainforest, looking over its vast expanse: “The vista stretching to the curved horizon was blue and green and bluish green, the vegetation below, threaded with shining rivers, looked like green mold covering an overgrown petri plate.” McKenna felt: “anger and rage toward my own rapacious, destructive species, scarcely aware of its own devastating power, a species that cares little about the swath of destruction it leaves in its wake as it thoughtlessly decimates ecosystems and burns thousands of acres of rainforest.” He wept. Suddenly a voice spoke to him: “You monkeys only think you’re running things. You don’t think we would really allow this to happen, do you?
Daniel Pinchbeck (When Plants Dream: Ayahuasca, Amazonian Shamanism and the Global Psychedelic Renaissance)
So it’s not the sight of stromatolites that makes them exciting. It’s the idea of them – and in this respect they are peerless. Well, imagine it. You are looking at living rocks – quietly functioning replicas of the very first organic structures ever to appear on earth. You are experiencing the world as it was 3.5 billion years ago – more than three-quarters of the way back to the moment of terrestrial creation. Now if that is not an exciting thought, I don’t know what is. As the aforementioned palaeontologist Richard Fortey has put it: ‘This is truly time travelling, and if the world were attuned to its real wonders this sight would be as well-known as the pyramids of Giza.’ Quite right. Stromatolites are rather like corals in that all of their life is on the surface, and that most of what you are looking at is the dead mass of earlier generations. If you peer, you can sometimes see tiny bubbles of oxygen rising in streams from the formations. This is the stromatolite’s only trick and it isn’t much, but it is what made life as we know it possible. The bubbles are produced by primitive algae-like micro-organisms called cyanobacteria, which live on the surface of the rocks – about three billion of them to the square yard, to save you counting – each of them capturing a molecule of carbon dioxide and a tiny beat of energy from the sun and combining them to fuel its unimaginably modest ambitions to exist, to live. The byproduct of this very simple process is the faintest puff of oxygen. But get enough stromatolites respiring away over a long enough period and you can change the world. For two billion years this is all the life there was on earth, but in that time the stromatolites raised the oxygen level in the atmosphere to 20 per cent – enough to allow the development of other, more complex life forms: me, for instance. My gratitude was real. The
Bill Bryson (In a Sunburned Country)
James Tour is a leading origin-of-life researcher with over 630 research publications and over 120 patents. He was inducted into the National Academy of Inventors in 2015, listed in “The World’s Most Influential Scientific Minds” by Thomson Reuters in 2014, and named “Scientist of the Year” by R&D Magazine. Here is how he recently described the state of the field: We have no idea how the molecules that compose living systems could have been devised such that they would work in concert to fulfill biology’s functions. We have no idea how the basic set of molecules, carbohydrates, nucleic acids, lipids and proteins were made and how they could have coupled in proper sequences, and then transformed into the ordered assemblies until there was the construction of a complex biological system, and eventually to that first cell. Nobody has any idea on how this was done when using our commonly understood mechanisms of chemical science. Those that say that they understand are generally wholly uninformed regarding chemical synthesis. Those that say, “Oh this is well worked out,” they know nothing—nothing—about chemical synthesis—nothing. … From a synthetic chemical perspective, neither I nor any of my colleagues can fathom a prebiotic molecular route to construction of a complex system. We cannot even figure out the prebiotic routes to the basic building blocks of life: carbohydrates, nucleic acids, lipids, and proteins. Chemists are collectively bewildered. Hence I say that no chemist understands prebiotic synthesis of the requisite building blocks, let alone assembly into a complex system. That’s how clueless we are. I have asked all of my colleagues—National Academy members, Nobel Prize winners—I sit with them in offices. Nobody understands this. So if your professors say it’s all worked out, if your teachers say it’s all worked out, they don’t know what they’re talking about.23
Matti Leisola (Heretic: One Scientist's Journey from Darwin to Design)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
The fourth way is that processed food lacks two things we really need—protein and fiber. The effect this is having has been investigated by David Raubenheimer, a professor of nutritional ecology at the University of Sydney. Protein is a complex molecule that we all need to build muscles and healthy bones, and David wondered if there was a deep underlying reason why eating low-protein, processed foods—as most of us do these days—could drive us to overeat. What if we have more than one kind of hunger? We all know we have a natural hunger for calories to give us energy, but the body also knows that for it to function properly it also needs protein. So he asked—what if your body makes you hungry not just for calories in general, but also for protein, and it leaves you feeling unsatisfied until you get enough of both? If this was true, it could cause a problem in an environment full of processed foods. Imagine a table where, to the left, you have the kind of high-protein meals my dad grew up eating, and to the right, you have the low-protein meals I grew up eating. To get you the same amount of protein into your system, the meal to the right would have to be much bigger. You would have to eat much more. To figure out if this was true, David designed a small but clever experiment. He split people into two groups—one one was given a high-protein diet, and the other was given a low-protein diet. Both were told they could eat as much as they wanted. They were then monitored, to see how much they consumed. It turned out that both groups ate the same amount of protein—but to get it, the people eating the processed food had to consume 35 percent more calories in total. This, he told me, was proof that when we consume processed foods, we eat more of them “to get our fill of protein.” At the same time, fiber is a type of carbohydrate that we can’t fully digest, so when you eat it, it takes longer for food to pass through your body, and your whole digestive process is slowed down. David explained to me that (like chewing) this acts as “a brake” on eating. When you don’t have much fiber in your diet, you’ll get hungry again more quickly, and eat more. Processed foods are generally low in fiber.
Johann Hari (Magic Pill: The Extraordinary Benefits and Disturbing Risks of the New Weight-Loss Drugs)
Ночной перелет в Сан-Франциско. Погоня за луной через всю Америку. Господи, уже сто лет не летала на самолетах. Поднявшись на 35 тысяч футов, мы достигли тропопаузы, огромного пояса безветрия. Ближе к озоновому слою я еще никогда не была. Вот бы оказаться там, вот бы самолет поднялся выше тропопаузы и достиг внешнего слоя - озона изношенного, рваного, продырявленного, как кусок сыра, и от того страшного. Но я бы видела больше остальных, благодаря своей способности замечать такие вещи. Я бы видела души, поднимающиеся с поверхности земли. Души людей, которые спаслись от голода, войн, чумы. Они взлетают как прыгуны с трамплина, только наоборот, с широко раскинутыми руками, кружась вокруг своей оси. И достигнув высшей точки, они берут друг друга за руки, формируя огромную необъятную сеть душ. Именно души состоят из трех атомных молекул кислорода, которые и латают износившийся озоновый слой . Ничто не пропадает навсегда. Даже в нашем мире есть пускай и мучительный, но все же прогресс. Он оставляет все былое позади, а мечтания - впереди. По крайней мере, я в это верю. "Ангелы в Америке" Night flight to San Francisco; chase the moon across America. God, it’s been years since I was on a plane. When we hit 35,000 feet we’ll have reached the tropopause, the great belt of calm air, as close as I’ll ever get to the ozone. I dreamed we were there. The plane leapt the tropopause, the safe air, and attained the outer rim, the ozone, which was ragged and torn, patches of it threadbare as old cheesecloth, and that was frightening. But I saw something that only I could see because of my astonishing ability to see such things: Souls were rising, from the earth far below, souls of the dead, of people who had perished, from famine, from war, from the plague, and they floated up, like skydivers in reverse, limbs all akimbo, wheeling and spinning. And the souls of these departed joined hands, clasped ankles, and formed a web, a great net of souls, and the souls were three-atom oxygen molecules of the stuff of ozone, and the outer rim absorbed them and was repaired. Nothing’s lost forever. In this world, there’s a kind of painful progress. Longing for what we’ve left behind, and dreaming ahead. At least I think that’s so.
Tony Kushner (Perestroika (Angels in America, #2))
Marvin stood there. ‘Out of my way little robot,’ growled the tank. ‘I’m afraid,’ said Marvin, ‘that I’ve been left here to stop you.’ The probe extended again for a quick recheck. It withdrew again. ‘You? Stop me?’ roared the tank, ‘Go on!’ ‘No, really I have,’ said Marvin simply. ‘What are you armed with?’ roared the tank in disbelief. ‘Guess,’ said Marvin. The tank’s engines rumbled, its gears ground. Molecule-sized electronic relays deep in its micro-brain flipped backwards and forwards in consternation. ‘Guess?’ said the tank. ‘Yes, go on,’ said Marvin to the huge battle machine, ‘you’ll never guess.’ ‘Errrmmm …’ said the machine, vibrating with unaccustomed thought, ‘laser beams?’ Marvin shook his head solemnly. ‘No,’ muttered the machine in its deep gutteral rumble, ‘Too obvious. Anti-matter ray?’ it hazarded. ‘Far too obvious,’ admonished Marvin. ‘Yes,’ grumbled the machine, somewhat abashed, ‘Er … how about an electron ram?’ This was new to Marvin. ‘What’s that?’ he said. ‘One of these,’ said the machine with enthusiasm. From its turret emerged a sharp prong which spat a single lethal blaze of light. Behind Marvin a wall roared and collapsed as a heap of dust. The dust billowed briefly, then settled. ‘No,’ said Marvin, ‘not one of those.’ ‘Good though, isn’t it?’ ‘Very good,’ agreed Marvin. ‘I know,’ said the Frogstar battle machine, after another moment’s consideration, ‘you must have one of those new Xanthic Re-Structron Destabilized Zenon Emitters!’ 'Nice, aren’t they?’ agreed Marvin. ‘That’s what you’ve got?’ said the machine in condiderable awe. ‘No,’ said Marvin. ‘Oh,’ said the machine, disappointed, ‘then it must be …’ ‘You’re thinking along the wrong lines,’ said Marvin, ‘You’re failing to take into account something fairly basic in the relationship between men and robots.’ ‘Er, I know,’ said the battle machine, 'is it … ’ it tailed off into thought again. ‘Just think,’ urged Marvin, ‘they left me, an ordinary, menial robot, to stop you, a gigantic heavy-duty battle machine, whilst they ran off to save themselves. What do you think they would leave me with?’ ‘Oooh er,’ muttered the machine in alarm, ‘something pretty damn devastating I should expect.’ ‘Expect!’ said Marvin. ‘Oh yes, expect. I’ll tell you what they gave me to protect myself with shall I?’ ‘Yes, alright,’ said the battle machine, bracing itself. ‘Nothing,’ said Marvin. There was a dangerous pause. 'Nothing?’ roared the battle machine. ‘Nothing at all,’ intoned Marvin dismally, ‘not an electronic sausage.’ The machine heaved about with fury. ‘Well doesn’t that just take the biscuit!’ it roared, ‘Nothing, eh?’ Just don’t think, do they?’ ‘And me,’ said Marvin in a soft low voice, ‘with this terrible pain in all the diodes down my left side.’ ‘Makes you spit, doesn’t it?’ ‘Yes,’ agreed Marvin with feeling. ‘Hell that makes me angry,’ bellowed the machine, ‘think I’ll smash that wall down!’ The electron ram stabbed out another searing blaze of light and took out the wall next to the machine. ‘How do you think I feel?’ said Marvin bitterly. ‘Just ran off and left you did they?’ the Machine thundered. ‘Yes,’ said Marvin. ‘I think I’ll shoot down their bloody ceiling as well!’ raged the tank. It took out the ceiling of the bridge. ‘That’s very impressive,’ murmured Marvin. ‘You ain’t seen nothing yet,’ promised the machine, ‘I can take out this floor too, no trouble!’ It took out the floor too. ‘Hells bells!’ the machine roared as it plummeted fifteen storeys and smashed itself to bits on the ground below. ‘What a depressingly stupid machine,’ said Marvin and trudged away.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
I lay in bed awake, my bedside light still on past three.In my chest, my stomach, in my aching head, I felt pain for us both. That Lawrie loved me, I could not easily believe. Though he had never made me feel like an outsider, I couldn't help worrying that he only liked me because I looked different to all the other girls in that gang he'd turned up with at Cynth's wedding. Lawrie had rushed in with his declaration of love--but did he really see me? I couldn't imagine being someone who dived in for another like that; the sense that one's molecules were being recalibrated; the sheer, multi-layered joy of being seen and adored, and adoring in return, the cycle of shyness to confidence as each new step was taken. To seek your beloved in a crowd, to lock eyes and feel you have no truer place--it seemed impossible to me. I was--both by circumstance and nature--a migrant in this world, and my lived experience had long become a state of mind. I didn't know if I loved him, and that was also frightening--not to know, to be sure.
Jessie Burton (The Muse)
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))
I remembered that a live audience does provide some qualities a radio broadcast lacks. There is a moment that everybody shares, together in one place. An experience that will never exist again in quite that way. Everybody breathes the same air molecules for a brief stretch of time. There’s an audible reaction as you walk the high wire and nail the performance, or tumble off the tightrope and try to climb back on and salvage your dignity. I love how intimate and personal radio can be; those qualities appeal to my instinct to connect. But I also love how communal live performance is; that appeals to my instinct to form a collective.
Ari Shapiro (The Best Strangers in the World: Stories from a Life Spent Listening—A Poignant Journey Through Journalism, Global Connections, and Human Resilience in Today's World)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy:
William H. Gass (The Tunnel)
I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in
Elizabeth Gilbert (Eat, Pray, Love)
garden-variety LDL particle is fused with another, rarer type of protein called apolipoprotein(a), or apo(a) for short (not to be confused with apolipoprotein A or apoA, the protein that marks HDL particles). The apo(a) wraps loosely around the LDL particle, with multiple looping amino acid segments called “kringles,” so named because their structure resembles the ring-shaped Danish pastry by that name. The kringles are what make Lp(a) so dangerous: as the LDL particle passes through the bloodstream, they scoop up bits of oxidized lipid molecules and carry them along. As my lipid guru Tom Dayspring points out, this isn’t entirely bad. There is some evidence that Lp(a) may act as a sort
Peter Attia (Outlive: The Science and Art of Longevity)
It was uncanny: this exotic molecule, found only on an isolated scrap of land in the middle of the ocean, acts almost like a switch that inhibits a very specific cellular mechanism that exists in nearly everything that lives. It was a perfect fit, and this fact still blows my mind every time I think about it.
Peter Attia (Outlive: The Science and Art of Longevity)
My Liberty (The Sonnet) My liberty is not in luxury, My liberty is on the blades of grass. My liberty is not in the palace, My liberty is in molecules of dust. My liberty is not in fancy ceremonies, My liberty is in alleys of the homeless. My liberty is not in the crown jewels, My liberty is at the feet of the pathless. My liberty is not in murals of rigidity, My liberty is across tradition’s torment. My liberty is not in the habits of history, My liberty is in building the present. My liberty is in the destruction of destiny. I am liberty incarnate and I write my own reality.
Abhijit Naskar (Earthquakin' Egalitarian: I Die Everyday So Your Children Can Live)
That I have limits is a fact, and I accept it. I don’t expect my changes to have a big impact. (I don’t expect anything, actually.) If what I do has impact, I know this impact arises only from an existing resonance, a resonance that grows through interacting with many other people in turn. We are like water molecules in a wave: we simultaneously transmit the wave and are moved by it. No one water molecule causes the wave, but together an enormous number of water molecules carry the wave. It’s all of us together, carried by a resonance, that will effect great change.
Peter Kalmus (Being the Change: Live Well and Spark a Climate Revolution)
I Give You My Life (The Sonnet) I give you my life, Crossing all foul insecurity. Don't let me dwindle in chains, Accept this offering of my serenity. Pour me with all your suffering, So I can bathe in your smile. Take this torch of my burning soul, With it light up your shadowy aisle. Darkness is a fiendish illusion, Our each molecule is a fountain of light. I have nothing to give my friend, So I give you my life to amplify your might. We are dead till we live for others. In helping them our burden disappears.
Abhijit Naskar (When Veins Ignite: Either Integration or Degradation)
It’s not remotely likely, but then neither is anything. If the force of gravity were even slightly weaker, stars wouldn’t be dense enough to cross the Coulomb barrier and start thermonuclear fusion. It would be a completely dark universe. If gravity were slightly stronger, stars would burn too hot and fast, and there would be no life. If the attractive force between electrons and atomic nuclei were too weak, electrons couldn’t orbit; if it were too strong, atoms couldn’t bond with each other. Either way, there would be no molecules. There are more than thirty such parameters that must have almost the precise values that they do in order to permit a universe with life. The odds of that happening have been calculated to be one to the negative 230—that is to say, one chance in a number that has 229 zeros after it. Randomly finding a specific grain of sand on the first try among all the grains on earth would be millions of millions of times more likely than the universe existing. And yet here we are.
Sebastian Junger (In My Time of Dying: How I Came Face to Face with the Idea of an Afterlife)
Our work is not to get rid of viruses, or we would, by definition, fail. Our work is to live alongside viruses and to protect as many human lives as we can. This depends, in part, on what viral stories we tell, what viral metaphors we use. A virus killed my friend. I miss her every day. I live alongside viruses every day, missing her. Her memory will make me smile; her memory will make me cry. It will make me angry, forever, at influenza, the virus that took her away, but that anger won’t get her, or us, a second chance. As individual humans and the collective we together form, death or symbiosis are our only options. The planet cannot continue to sustain our abuse. Will we eat it alive, use up its resources, and leave it an unsuitable host for further human reproduction? What will this earn us? Continued wealth for a small number of human animals is all. Human reproduction is not driving global warming; wealth production is. Human wealth will be lytic, killing our host planet and us with it. Lysogeny may still be an option. Symbiosis. We could understand, like one of lambda’s stories, that treating the host well is treating us well. The earth’s well-being is our own well-being. Lambda has its choice made for it by molecules and circumstances and luck. We have our molecules and circumstances, but we can make more than luck. We must choose it, actively and every day, a lysogenic viral story, a living with and caring for the earth because it means caring for ourselves. A virus is not an enemy; if it is, we will only lose. Viruses aren’t the problem, they’re a fact of the world. We are the problem when we refuse to protect one another’s lives as the most precious things we have. You are precious to me. We might well prefer a world without viruses, their everyday annoyances, the fever or runny nose, the cold sores, the never-ending possibility of pandemic. We won’t get a day without them. I miss Sarah every day. Viruses aren’t going anywhere. We get to choose what we become. For my part, I live to be lysogenic. Won’t you join me here?
Joseph Osmundson (Virology: Essays for the Living, the Dead, and the Small Things in Between)
I stared at the girl who was my heart displaced outside my chest. Only with her did I ever feel this agonizingly alive. Every beat of my heart, every molecule of blood in my veins, and breath in my lungs claimed and reanimated by her.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
I’d been holding on to the idea that if I worked hard in time my molecules would be replaced and I could be completely new—but what if this belief was delusional? What if I couldn’t learn from my failures and just move on? What if with all my running from the past I was like one of those protagonists from a Greek tragedy—like Oedipus, whose fate was unavoidable, who only got more trapped the more he tried to wrest himself from it? What if, like these tragic figures from literature, and like Richie, I too was programmed to self-destruct?
David Adjmi (Lot Six)
History is what [hearts] curse shared out among the holes in personhood, the cars, in the twist of torsos, the swing of blood, a billion and a half tons of plastic and metal moving around bound to some insane imperative the stiffening cast of motion, shutter and shadow morcellized, that's my jam, that's the molecule won't compute, won't shut up about how weird it is no other world is possible except all of them
Jasper Bernes (We Are Nothing and So Can You)
How is knowing about atoms and molecules going to help me stop my family from falling apart?’ ‘Well, technically, that’s the point of atoms. They build stuff, keep everything together.
Alex Light (The Upside of Falling)
Wouldn’t that be an even more amazing story, showcasing God’s incredible power and genius in allowing DNA molecules to form? To my point of view, if this was the case, the original
Charles J. Wolfe (The 11:11 Code: The Great Awakening by the Numbers)
You're finding that atheism isn't a belief system. It's just a lack of belief in God. You can't build a life on that. It's like trying to build a league of people who don't play golf. Total nonsense. But let's look at things with new eyes. Was the sunrise any less beautiful today just because it won't be around forever? Is the time with your family worthless because it won't be around forever? Is life any less of a gift just because it's a result of physics? So, God gave you meaning. Do you still care about the needy? Do you still want to be a good father? Then do those things, make them your life's purpose. You don't need some God to tell you to be good--you can be good on your own. And isn't that more meaningful? To love and to make the world a better place because you choose to? ... You get one life, one shot to find every beautiful sight, to help others, and to enjoy the odd series of events that allow a bag of organic molecules to know they exist. Don't waste it.
Mike McHargue (Finding God in the Waves: How I Lost My Faith and Found It Again Through Science)
You know what lasers are?” “No,” I said stuffily. “Not lasers, or masers, or atoms, or molecules, or flashlights—” He raised an eyebrow, then the other one. “You may think you know what a laser is, but you do not, you simply do not, my ignorant friend. You may know that laser is an acronym for light amplification by stimulated emission of radiation, which describes a concentrated source of coherent light all of the same wavelength, and you may realize that with lasers men can drill holes through little jewels and also bounce signals off the moon and make holograms, and you may be vaguely aware that men even now perform delicate retinoneural surgery—weld eyeballs, to you—and even more delicate microsurgery on single cells, and do other exciting things such as etching halftone plates and fixing decayed teeth. But you do not know what a laser is.” “I’ll bet I’m going to find out.” “It is your great good fortune. Soon lasers will be all over the place, coming out of your ears. They’ll be used for swift bloodless surgery, for invisible death rays that slice open the enemy, knock down satellites, carve legs of lamb. They’ll carry thousands of phone calls on one beam of light, zillions of television sets on one laser beam—” “Sets?” “—stations. Channels, signals. What do you care?” “I don’t.” “But I haven’t told you the greatest thing,” he said. “Can I stop you?” “During the demonstration earlier tonight, Dr. Fretsindler—that’s Fretsindler of M.I.T.—had a big hunk of granite on the stage. He banged it with a hammer, smacked it with a chisel, and naturally nothing happened.” “Then why are you telling me all this?” “Nothing was supposed to happen, Sheldon,” he said cheerfully. “That was the point. But then Fretsindler aimed some new kind of infrared laser—already had it on stage—at the damned boulder.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Six)
Willa wrote her college admissions essay about this pond, and I loved it. It was about all her layers of memories and experiences: she learned to swim here; she was happy here, and also anxious; Jamie taught her about molecules while they lazed in the shallows; my mother showed her where the blueberries grew at the water’s edge; she came out to us here. In the version of the story she likes best, she splashes up to us to announce her gayness and I say, “No duh.” This is not strictly true, but close enough. It was such a good essay.
Catherine Newman (Sandwich)
Some of my teammates and their girlfriends were hoping to take a group photo. Would you mind shooting that?” “Not at all.” I slide my arms through his jacket as Jake steps away to talk to one of the guys. A minute later, several huge football players hoist their girlfriends onto their shoulders. “Aww, this is so cute.” I direct them to move closer, and then I have to step back and squat to get everyone in one shot. After I take a few, Jake tells the guys to hold up and then turns to me. “Can you ask Roxy to take a pic? Basically the same shot you just took, just with one more couple?” I tilt my head, confused, but he’s already called her over. He makes me hand over the camera to Roxy before he drags me over to the group. “Hang tight.” That’s the only warning he gives me before he lifts me onto his shoulder. Like, I’m literally sitting on his left shoulder. “Jake!” I laugh as I wobble, but then he reaches up a hand, and I cling to him for dear life. He yells, “’Kay, Roxy. Go for it.” He looks up at me and grins. “Smile for the camera, cupcake.” She takes several shots. I’m smiling so hard, my cheeks hurt, and I forget to worry about whether or not I’m blinking. When we’re done and he slides me down to the ground, I’m out of breath. I almost feel like Jake is claiming me somehow, but that’s crazy, right? He wanted to be in the photo, and I’m his good friend, so he had me join him. Roxy returns the camera and leans into me to whisper, “What was that about? Are you two doing the deed?” “No. We’re just friends.” God, I feel like a broken record. Her eyebrow lifts. “Because the looks he’s giving you tonight…” Jake’s giving me looks? I turn to find him talking to Cam, but his eyes are glued on me. Every molecule in my body heats. “Holy hot sexual tension, Batman.” Roxy bumps me with her hip. “I want all the deets tomorrow!” “There won’t be any deets.” Will there be deets?
Lex Martin (Second Down Darling (Varsity Dads #4))
When I walk barefoot on the rocks warmed by the sun I feel their feral freedom, the freedom of Tiziana, Alessandra, of my mother. I know that molecules of that same primeval strength endure in our blood – we are made of them, made of defeat and rose petals.
Alba Donati (Diary of a Tuscan Bookshop)
And all the air whooshed out of my lungs. Thick black hair. Olive skin. A slightly crooked nose that enhanced rather than detracted from his ruggedly masculine charm. My future husband was devastation poured into a suit. Not handsome by conventional means, but so powerful and compelling his presence swallowed every molecule of oxygen in the room like a black hole consuming a newborn star. There were generically good-looking men, and there was him.
Ana Huang (King of Wrath (Kings of Sin, #1))
Dr. Guneet stands up and walks toward the image on the screen, pointing at a slight wiggle in one portion of the spectra, saying, “It’s the nope-sh that really gets my attention.” Nope-sh is the way he pronounces the letters CNOPSH, which stands for carbon, nitrogen, oxygen, phosphorus, silicon, and hydrogen. Nope-sh is a generic term for complex organic molecules in the atmosphere that may or may not arise from life.
Peter Cawdron (The Simulacrum)
I like you messy,” he says and nips my bottom lip. Every molecule of my being lights up as he kisses me with deep, penetrating strokes of his tongue. Screw the lip gloss. I can reapply it. “Who can’t keep his hands, mouth, and dick off her?
Jennilynn Wyer (Beautiful Chaos (Beautiful Sin, #3))
It seemed as if doggystyle was her favorite position because she couldn't see who was behind her. She kept playing Snoop Dogg's song, “What's My Name?”. It seemed as if she was referring to my signature being forged and still being on the club and she knew perfectly. As if she was referring to all the dogs eager to breed in the video running after something after someone had let them out. As Snoop Dogg is magically transforming into a Doberman dog in the music video, just like the kind of dogs the Nazis had. I just realize Martina’s dog, Chicha was all black and her cat Anouki was all black too, just like the night Sky, just like the dark, empty, cold Space. The total darkness the canvas, on which our planet is just a pinhead. This rock. This sizzling rock. Spinning. Turning. Leaning. Following the Sun. Lost in the infinite nothingness. Ain’t like a balloon which has nothing inside. All the nothing is outside, all the cold and dark and wide and empty and vile. All the dark forces all the nights, all the known universe and beyond, is located here, inside. Iron comes from Outer Space, it is not a local material on this planet. Each one of us has iron inside a “kickstart-molecule” located in our hearts. Without iron, there would be no life. Are we locals on this planet? To what degree? Since when? I noticed three members of the Camorra in our street and the street parallel to it, casually passing by. I even nodded to one or two of them, since we already knew each other from the club where I hadn't been since Adam and I had our disagreement. Later that night, while I was waiting for Martina in vain, I noticed two to three of the Camorra's soldiers living a few houses down our street. From the rooftop, and our bedroom that was higher than theirs, I could see into their living room. I couldn't help but wonder whether this was a mere coincidence, or if Adam and Martina had found our new home together, hanging out in Nico’s store, and so we moved on the Mountain of Jews, on purpose, perhaps, knowing that the Camorra’s men were living almost right in front of us. No accidents. When I told Martina about the Camorra’s guys living across the street, Martina couldn’t have cared less. It was almost as if she never considered her life being in danger in Barcelona, Europe, but only mine. I had felt before like Adam had used my skin to make money, while I was the one walking around the streets, spotting tourists usually having fun, not thinking about how I was working hard to make their “unreachable” happiness come true. This time, however, I felt both stuck in our home, feeling helpless to make Martina happy and the outside world offered her much better chances to have fun and find a rich guy or any other smoker club manager with her beauty.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Every molecule in my body was convinced that Kane was made for me, yet he seemed equally convinced that we could never be together.
Jill Ramsower (Perfect Enemies (The Five Families, #6))
Love Thy Hater (The Sonnet) Soul that is kind is soul divine, Mind segregated is most unholy kind. Helping the helpless is holiness alive, Day of the living is day of the divine. The living never die, the dead never live. Body dies, not deeds - Deeds live, not creed. My heart that holds Mevlana as brother, also holds Tom (Aquinas) as bosom buddy. Many ideas of both are out of date today, yet both are epitome of heart's purity. Make every molecule the home of love, let no divisive tradition taint your fervor. Human begins at the end of hate - Restrain the hate, but love thy hater.
Abhijit Naskar (Little Planet on The Prairie: Dunya Benim, Sorumluluk Benim)
It is possible that the olfactory neurons die and regrow because they are exposed so intensely to the environment, he explained. These are the only cranial nerve cells that actually make contact with physical stimulus directly from the outer world, interacting directly with odor molecules on each inhale. They aren’t in the possession of that buffer of skin.
Molly Birnbaum (Season to Taste: How I Lost My Sense of Smell and Found My Way – A Funny, Joyous, and Inspiring Memoir of Life in the Kitchen)
After all, it wouldn't be the first time that I'd let a beautiful woman rip the molecules of my body apart, shoot them through a light beam, and throw them back together somewhere else for credits. But that's another story...
John Zakour (Dangerous Dames)
Having Wes back in my life is bliss. We may not be in Kansas anymore, but our love can thrive in any universe at anytime. Trying to suppress love like ours would be like separating water molecules in hopes to dry out the sea—an impossibility too great to fathom.
Addison Moore (Ephemeral (The Countenance, #1))
It wasn't night, it was simply darkness, with me in the middle hoping all the while that time was carrying on flowing, that something would crop up, me all alone in the middle, with my veins and my muscles dissolving rapidly into nothingness, me made of molecules of flesh and thought, dispersing in a cloud (a process of expansion as sudden as that of the room, a nebula of bedroom and me, between limits that grew dimmer by the moment).
Marie Darrieussecq (My Phantom Husband)
What you need to acquire,” Win said gently, “is a wife. And I’m not saying that out of self-interest, Leo.” He smiled at her, this gentlest of sisters, who had fought so many personal battles for the sake of love. “You don’t possess a molecule of self-interest, Win. But as sound as your advice usually is, I’m not going to take it.” “You should. You need a family of your own.” “I have more than enough family to contend with. And there are things I would much rather do than marry.” “Such as?” “Oh, cut out my tongue and join the Trappist Monks … roll naked in treacle and nap on an anthill … Shall I go on?” “That won’t be necessary,” Win said, smiling. “However, you will marry someday, Leo. Both Cam and Merripen have said that you have a very distinct marriage line on your hand.” Bemused, Leo looked down at his palm. “That’s a crease from the way I hold my pen.” “It’s a marriage line. And it’s so long, it practically wraps around both sides of your hand. Which means you will someday marry a fated love.” Win raised her fair brows significantly, as if to say, What do you think of that? “Romas don’t really believe in palm reading,” Leo informed her. “It’s nonsense. They only do it to extract money from fools and drunkards.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
It's intense--the way he's touching me, the feel of his mouth, the level of turned on he's making me. I need to bring it down a little, gain some control back even if it's just a molecule of it. So, as his mouth drifts from mine back down toward my breasts I use my martial arts training, carefully positioning my legs between his and reach out with my arms and--boom! I flip him. It's not graceful, and I almost fall off the bed when I do it and end up flailing a little, which I'm sure looks extra ridiculous topless, but I flipped him and he looks impressed. Stunned but impressed. "Cool. I've never fucked a ninja before." I laugh--loudly. "You don't fuck ninjas. They fuck you.
Victoria Denault (Slammed (San Francisco Thunder, #2))
I have sucked into my lungs molecules from not only the last breath of animals and people I have loved, but also from their exhalations at any of the moments I choose from their biographies: Marissa’s and Newton’s first yells after gulping air for the first time; Peter’s wholehearted “Ja” on our wedding day; my mother’s pant-pant-blows as she labored to push me into the world;
Gerda Saunders (Memory's Last Breath: Field Notes on My Dementia)
The jostling of ghosts and soon-to-be-ghosts, yourself included. We think about this, you and I, in private and without telling each other. With morbid secrecy I study your old hand with my younger eye, knowing that soon it will be a lifeless one; it rests on the kitchen table, then fiddles with your penknife; your knuckles and finger joints are a collection of small boulders now, almost bursting through the tissue thin, speckled skin. Your whole body has become geological. Stones and flinty bones. Crags. Hills. Furrows. Fissures. Your nails ridged and calciferous. The frosted forest of your mouth. Breath a mist. Skin starting to resemble a dried lake crust. And ebbing slowly as a pebble, molecule by molecule ... I am now the spy. Spying. Thinking it. And then your hand lies quite still for a moment, and sadness overwhelms me
Keggie Carew (Dadland: A Journey into Uncharted Territory)
My heart warmed. Life wasn’t just about genetics and birth and loss. But that’s where my ability to express it ran out. Verbalizing the connectedness I felt, of molecules intermixing and creating something new and beautiful, was beyond my ability to explain even all these years later.
Grace Greene (The Memory of Butterflies)