“
The phone rang. I picked it up.
“Are you sitting down?” Curran's voice asked.
“Yes.”
“Good.”
Click.
I listened to the disconnect signal. If he wanted me to sit, then I'd stand. I got up. The chair got up with me and I ended up bent over my desk, with the chair stuck to my butt. I grabbed the edge of the chair and tried to pull it off.
It remained stuck.
I would murder him. Slowly. And I'd enjoy every second of it.
”
”
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
“
The best minds of my generation are thinking about how to make people click ads,
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
“
My breathing begins to slow. The tension in my muscles starts to relax.
Then, a click in the headphones. A slow breath of air.
I open my eyes to bright moonlight.
And Hannah, with warmth.
Thank you.
”
”
Jay Asher (Thirteen Reasons Why)
“
Something inside me clicks. It's like I've spent my whole life fiddling with a complicated combination only to discover I was toying with the wrong lock.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
At the same time, though, I was beginning to wonder if this was just how it was supposed to be for me, like perhaps I wasn't capable of having that many people in my life at any one time. My mom turned up, Nate walked away, one door opening as another clicked shut.
”
”
Sarah Dessen (Lock and Key)
“
How did you do that?”
I shrug. “I click my heels three times and say, ‘There’s no place like home.’”
“Uh-huh. So … you think this is your home? My barn? His tone is playful, but the look he’s giving me is dead serious. A question.
“Haven’t you guessed by now?” I say, my heart hammering. “My home is you.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
Everyone I have lost
in the closing of a door
the click of the lock
is not forgotten, they
do not die but remain
within the soft edges
of the earth, the ash
of house fires and cancer
in sin and forgiveness
huddled under old blankets
dreaming their way into
my hands, my heart
closing tight like fists.
- "Indian Boy Love Song #1
”
”
Sherman Alexie (The Business of Fancydancing)
“
Enough," Curran said. An unmistakable command saturated his voice. Jim clicked his mouth shut. I crossed my arms. "I'm sorry, is this the part where I fall to my knees and shiver in fear, Your Furriness? Silly me, I didn't get the memo.
”
”
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
“
He dropped the phone back onto its cradle, began to turn around and felt a sudden ice-cold furrow open up in his side. Strength drained from his legs, and a moment later he sank to his knees. There was warmth now that ran over the initial and persistent cold.
Mohammed was confused, and barely noticed the briefcase being removed from his grip. He heard the click of a cell phone opening, and a soft beeping as a number was dialed.
'The package is in my possession,' a female voice said, and the phone clicked shut.
”
”
R.D. Ronald (The Zombie Room)
“
As soon as I look up, his eyes click onto my face. The breath whooshes out of my body and everything freezes for a second, as though I’m looking at him through my camera lens, zoomed in all the way, the world pausing for that tiny span of time between the opening and closing of the shutter.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
I took out my watch and listened to it clicking away, not knowing it couldn't even lie
”
”
William Faulkner (The Sound and the Fury)
“
Why do you keep coming?" she asked.
"Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
I thought about my mother, and the words she said to me almost a lifetime ago. That’s when it clicked: she had asked me not to settle, to fight for the person I loved, and for the first time, I did what she expected of me. I had finally lived up to who she wanted me to be.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
“
The best minds of my generation are thinking about how to make people click ads. That sucks.
”
”
Jeff Hammerbacher
“
Ranger clicked his penlight on. "Hang onto me if you can't see."
I curled my hand into the back of his cargo pants just above his gun belt. "I'm good to go."
He was still for a beat. "You could have held on to my jacket," he said.
"Would you rather I do that?"
"No. Not even a little.
”
”
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
“
A bouquet of clumsy words: you know that place between sleep and awake where you’re still dreaming but it’s slowly slipping? I wish we could feel like that more often. I also wish I could click my fingers three times and be transported to anywhere I like. I wish that people didn’t always say ‘just wondering’ when you both know there was a real reason behind them asking. And I wish I could get lost in the stars.
Listen, there’s a hell of a good universe next door, let’s go.
”
”
E.E. Cummings
“
So, come on,” he said softly, taunting me. “What’s the plan here, Ev? How were you going to convince me?”
“Oh. Well, I was um … I was going to seduce you, I guess. And see what happened. Yeah…”
“How? By complaining about me buying you stuff?”
“No. That was just an added bonus. You’re welcome.”
He licked his lips, but I saw the smile. “Right. Come on then, show me your moves.”
“My moves?”
“Your seduction techniques. Come on, time’s a-wasting.” I hesitated and he clicked his tongue, impatient. “I’m only wearing a towel, baby. How hard can this be?
”
”
Kylie Scott (Lick (Stage Dive, #1))
“
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V.
I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy.
Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him.
I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time?
I texted back: How'd you get my number?
Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
”
”
Amy Plum (Die for Me (Revenants, #1))
“
The War Has Been Declared.
Your Ally Been Ensnared.
It Is Now Or It Is Never.
Break The Code Or Die Forever.
Time Is Running Out
Running Out
Running Out
To the Warrior Give My Blade
By His Hand Your Fate Is Made
But Do Not Forget the Ticking
Or the Clicking, Clicking, Clicking
While a Rat's Tongue May Be Flicking
With Its Feet It Does the Tricking
For the Paw and Not the Jaw
Makes the Code of Claw
Time Is Standing Still
Standing Still
Standing Still
Since the Princess Is the Key
To Unlock the Treachery
She Cannot Avoid the Matching or the Scratching, Scratching, Scratching
When a Secret Plot is Hatching
In the Naming Is the Catching
What She Saw, It Is the Flaw
Of the Code of Claw
Time is Turning Back
Turning Back
Turning Back
When the Monster's Blood Is Spilled
When the Warrior Has Been Killed
You Must Not Ingore the Rapping
Or the Tapping, Tapping, Tapping
If the Gnawers Find you Napping
You Will Rot While They Are Mapping
Out the Law of Those Who Gnaw
In the Code of Claw
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
The padlock clicked open. A voice soundingoddly like South Parks's Cartman echoed through my quivering brain. Goddammit!
”
”
Jennifer Rardin (Bitten to Death (Jaz Parks, #4))
“
Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
In the beginning it was always the same. But. I kept trying. Then one day I accidentally moved as the shutter clicked. A shadow appeared. The next time I saw the outline of my face, and a few weeks later my face itself. It was the opposite of disappearing.
”
”
Nicole Krauss (The History of Love)
“
I love you, too." Click. "But I'm terrified."
He lowered the camera, eyes on me.
"I didn't want to fall in love with you,' I said.
He took a step closer. "If it makes you feel any better, you put up a very impressive fight." He didn't put the camera down when he stepped forward again to kiss me. He just moved his hand to the side and cupped my face with the other, pressing his mouth to mine. "I'm scared, too, Sara. I'm scared I'm your rebound. I'm scared we'll cock it up somehow. I'm scared you'll tire of me. But the thing is," he said, smiling, "I don't want anyone else. You've rather ruined me for other women.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
In every boy’s life, there is a girl he’ll never forget and in every girl’s life, there is a boy she’ll never forget!! - Sorry You're Not My Type
To buy the book click here: www.tinyurl.com/synmtamazon Pay when book reaches your door. No shipping cost. Get book at just Rs 111/-
”
”
Sudeep Nagarkar (Sorry, You're Not My Type)
“
Most of all, I think it was the novels that saved me from submission. I was young, but the first tiny, meek beginnings of my rebellion had already clicked into place.
”
”
Ayaan Hirsi Ali (Infidel)
“
And the process of reading is such a private one. I once came into a room where a friend of mine was reading one of my books, and he clicked his tongue impatiently and shooed me off.
”
”
Vikram Seth (The Rivered Earth)
“
You need to be clever to best him. Are you clever, Rachel?”
Oh God. She wants to know if I’m clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, “It’s the shiny pot that puts a hole in the sky.”
Al’s mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. “Very true,” she said as she eased back into the cushions.
With a soft click of his teeth, Al’s mouth shut. His eyes were cross, and he seemed peeved that I’d found a way to satisfy her without compromising myself at all.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
we left about midnight and walked down the hill in silence. the night was muggy, and all around me i felt the same pressure, a sense of time rushing by while it seemed to be standing still. whenever i thought of time in puerto rico, i was reminded of those old magnetic clocks that hung on the walls of my classrooms in high school. every now and then a hand would not move for several minutes -- and if i watched it long enough, wondering if it had finally broken down, the sudden click of the hand jumping three for four notches would startle me when it came.
”
”
Hunter S. Thompson (The Rum Diary)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can't imagine how it was without it there, even seconds ago.
”
”
Kendare Blake (Anna Dressed in Blood (Anna, #1))
“
You’ve gotta taste the light, like my friend and fellow shooter Chip Maury says. And when you see light like this, trust me, it’s like a strawberry sundae with sprinkles.
”
”
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
“
I open the Notes app and click on the most recent one. As soon as I see the two words at the top, I drop the phone, pressing it facedown on my thigh. “Atlas.” “Lily.
”
”
Colleen Hoover (It Starts with Us (It Ends with Us #2))
“
I walked in on my folks doing it doggy style less than four hours ago."
"Waitress!" Jonas screamed, clicking his fingers madly. "Bring two!" then, more quietly,"You want a neck massage? A bedtime story? A bullet in the ear?
”
”
MaryJanice Davidson (Sleeping with the Fishes (Fred the Mermaid, #1))
“
But when I clicked over to my e-mail program, it was just another “great opportunity” spam, this time adding the words “don’t delete!” to the subject line. With a sense of perverse satisfaction, I deleted it. It was probably the only act of rebellion I’d get away with all day.
”
”
Shanna Swendson (Enchanted, Inc. (Enchanted, Inc., #1))
“
I am tortured too. I am tortured by belly fat and magazine covers about how to please everyone but myself. I am tortured by sheep who click on anything that will guarantee a ten-pound loss in one week. Sheep who will get on their knees if it means someone will like them more. I am tortured by my inability to want to hang out with desperate sheep. I am tortured by goddamned yearbooks full of bullshit. I met you when. I’ll miss the times. I’ll keep in touch. Best friends forever. Is this okay? Are you all right? Are you tortured too?
”
”
A.S. King (Glory O Brien's History of the Future)
“
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
I shook my head, sweeping my lips across hers. Not good enough. “I need to hear you say it. I need to know you’re mine.”
“I’ve been yours since the second we
met,” she said, begging. I stared into her eyes for a few seconds, and then felt my mouth turn up into a half smile, hoping her words were true and not just spoken in the moment. I leaned down and kissed her tenderly, and then she slowly pulled me into her. My entire body felt like it was melting inside of her.
“Say it again.” Part of me couldn’t believe it was all really happening.
“I’m yours.” She breathed. “I don’t ever want to be apart from you again.”
“Promise me,” I said, groaning with another thrust.
“I love you. I’ll love you forever.” She looked straight into my eyes when she spoke, and it finally clicked that her words weren’t just an empty promise.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
something inside me clicked, like an engine shifting into higher gear. My thinking suddenly became faster and clearer. The anger and fear didn't go away, but I realized they weren't important. They weren't going to help me...
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I'm not interested in heaven unless my anger gets to go there too. I'm not interested in a happy eternity unless I get to spend an eternity on anger first. Let me speak for the meek and say that we don't want the earth, if that's where all the bodies are buried. If we are resurrected at the end of the world, I want us to assemble with a military click, I want us to come together as an army against what happened to us here. I want us to bring down the enemy of our suffering once and for all, and I want us to loot the pockets, and I want us to take baths in the blood.
”
”
Patricia Lockwood (Priestdaddy)
“
He clicked this tongue to the roof of this mouth, studying me for a moment, his eyes a shade darker than they had been before. "I think your favorite color is yellow," he guessed, and watched as the surprise trickled across my face. "But not a bright yellow - more of a golden yellow. The color of sunflowers. That might be your favorite flower.
”
”
Ashley Poston (The Seven Year Slip)
“
The phone rang, picked up, and the same male voice announced, “Chris Powers."
"Hey there, Chris. Are you aware it's a felony to make threats over the phone?"
To give Powers his fair due, he got over his shock within a split second. “Try it, asshole. I dare you. My lawyers will have you for lunch.” He clicked off again.
I did what any red-blooded American male would do. I called my big, ex-cop ex-boyfriend.
”
”
Josh Lanyon (The Dark Tide (The Adrien English Mysteries, #5))
“
I touched the combination lock. I concentrated so hard I felt like I was dead-lifting five hundred pounds. My pulse quickening. A line of sweat trickled down my nose. Finally I felt gears turning. Metal groaned, tumblers clicked, and the bolts popped back. Carefully avoiding the handle, I pried open the door with my fingertips and extracted an unbroken vial of green liquid.
Hal exhaled.
Thalia kissed me on the cheek, which she probably shouldn't haven't done while I was holding a tube of deadly poison.
"You are so good," she said.
Did that make the risk worth? Yeah, pretty much.
”
”
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
“
Something else lingered at the fringes of my thoughts, a sense of familiarity with him, of many moving pieces finally clicking into place. It just felt right. Zayne felt right.
”
”
Jennifer L. Armentrout (Storm and Fury (The Harbinger, #1))
“
And then you run into Nick Dunne on the Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognized, the both of you. You both find the exact same things worth remembering (Just one olive, though.) You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
”
”
Gillian Flynn (Gone Girl)
“
Something clicked in my brain. “I remember where I’ve seen you before. You’re Curran’s...”—lover, mistress, honey-bunny—“significant other.” Dear God, what could the Beast Lord’s concubine possibly want from me?
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Your name is a -- bird in my hand
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.
”
”
Marina Tsvetaeva
“
I wished there was some kind of switch on my brain. That I could turn it off in the same way that I could turn off the television. Just click it off and immediately empty my mind of all these images and worrying thoughts. And simply leave a blank screen. Or if I could just remove my head and put it on the bedside table and forget about it until morning. And then attach it again when I needed it.
”
”
Marian Keyes (Watermelon (Walsh Family, #1))
“
My real mom died when I was born—hemorrhaged to death while giving birth to
me, which has never been one of my favorite memories—and Dad married Denise before I’d turned a year. Without even asking my opinion on the
matter. Denise and I never really clicked.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
You both find the exact same things worth remembering. You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing & it’s so far beyond fine that you know you can never go back. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.
”
”
Gillian Flynn (Gone Girl)
“
Too bad you didn't just take Max up on his offer, Four. Well, too bad for you, anyway," says Eric quietly as he clicks the bullet into its chamber. My lungs burn; I haven't breathed in almost a minute. I see Tobias's hand twitch in the corner of my eye, but my hand is already on my gun. I press the barrel to Eric's forehead. His eyes widen, and his face goes slack, and for a second he looks like another sleeping Dauntless soldier. My index finger hovers over the trigger. "Get your gun away from his head," I say. "You won't shoot me," Eric replies. "Interesting theory. " I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them."
"Oh,sure.You killed my mother. You can imagine I'm dying to help you out."
Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?"
I shake my head. "Never seen him before."
Thomas clicks the remote. Another photo pops up. "How about this one?"
"Nope."
Another photo. "How about this?"
"Nope."
Yet another stranger pops up on the wall. "Seen this girl before?"
"Never seen her in my life."
More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
”
”
Marie Lu (Legend (Legend, #1))
“
He made an angry clicking sound behind his teeth. “You already broke my leg.” And he had the permanent limp to prove it. Willa’s eyebrows wrenched upward. “You have two legs. I can play that game twice.
”
”
T.S. Joyce (Gray Back Broken Bear (Gray Back Bears #4))
“
Twenty minutes into the film, she turns to me suddenly. “Hey. Question.”
I click the track pad to press pause. “Hit me.”
“Am I your girlfriend?”
I give her my creepiest leer. “I don’t know, baby, do you want to be?”
Amusement dances in her brown eyes. “Well, now I don’t.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
These shoes look like they're straight out of 'The Wizard of Oz,' but since I'm like the tornado that blew you into Oz, I guess you can wear Dorothy's red slippers. And if I'm gone and seem lost, maybe you can do a little click and I'll find my way home.
”
”
Portia Moore (If I Break (If I Break, #1))
“
If I'm still conscious to face the consequences of my actions, then at the very least I will know that my actions were real, thay they indeed had consequences, though my lone life will amount to less than a single click of static in the symphony of the big bang. If my actions were real, then so were my memories, and if those were real, the things I've done have allowed me to see God and I0m not afraid of following my life down that eight-second black rabbit hole.
”
”
Craig Clevenger (Dermaphoria)
“
That was the moment I fell in love with Josh Walker. Everything clicked into place, mending the broken parts of my soul enough to finally breathe freely, to soak in everything about him, and the beauty of what we were together.
”
”
Rebecca Yarros (Full Measures (Flight & Glory, #1))
“
I don’t know a lot of things. I don’t know why I didn’t hear the door click. Why I didn’t lock the damn door to begin with. Or why it didn’t register that something was wrong, so mercilessy wrong when I felt the mattress shift under his weight. Why I didn’t scream when I opened my eyes and saw him crawling between my sheets. Or why I didn’t to try to fight him when I still stood a chance.
”
”
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
“
This is a lot more satisfying," he said, "when I have intelligent life whom I can render awed, rapt with attention for my clever verbosity."
The ugly lizard-crab-thing on the next rock over clicked its claw, an almost hesitant sound.
"Your right, of course," Wit said. "My usual audience isn't particularly intelligent. That was also the obvious joke, however, so shame on you.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Big Daddy: What makes you so restless, have you got ants in your britches?
Brick: Yes, sir...
Big Daddy: Why?
Brick: - Something - Hasn't - Happened...
Big Daddy: Yeah? What is that?
Brick [sadly]: - the click...
Big Daddy: Did you say the click?
Brick: Yes, click.
Big Daddy: What click?
Brick: A click that I get in my head that makes me peaceful
Big Daddy: I sure in hell don't know what you're talking about, but it disturbs me.
Brick: It's just a mechanical thing.
Big Daddy: What is a mechanical thing?
Brick: This click that I get in my head that makes me peaceful. I got to drink till I get it.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
No, but . . . what will she eat?”
“I guess I’ll have to find another source of blood. Hmm, who could it be? Let’s see . . .” I drum my fingers against the edge of the table to create suspense. It sure works on Ana, who’s looking at me gape-mouthed. “Who smells good around—”
Lowe’s hand closes around mine. Our wedding bands clink together as he lifts it from the table and sets it in my lap, his grip lingering for a second. I feel hot. I shiver. Lowe clicks his tongue. “Stop playing with your food, wife,” he murmurs,
”
”
Ali Hazelwood (Bride (Bride, #1))
“
I owe a debt to you," his low voice hissed at Shion's ear. "Four years ago, you saved my life. I'm paying back that debt. That's all."
"Then you've paid enough. Too much, even." Shion gripped Nezumi's wrist to pry it away from his collar. But Nezumi's taut muscles showed no signs of relaxing.
"Let go."
"Make me, little boy."
"I'll bite your nose off." Shion clicked his teeth. There was a split second of hesitation. Shion didn't miss it. He slid a hand around the back of Nezumi's neck. "Biting noses off is my specialty."
"Huh? Wait a second, that's dirty―"
"I forgot to mention, over these past four years, I've also learned how to fight.
”
”
Atsuko Asano (No.6, Volume 1)
“
The funny thing about my procrastination was that I was almost done with the screenplay. I was like a person who had fought dragons and lost limbs and crawled through swamps and now, finally, the castle was visible. I could see tiny children waving flags on the balcony; all I had to do was walk across a field to get to them. But all of a sudden I was very, very sleepy. And the children couldn't believe their eyes as I folded down to my knees and fell to the ground face-first, with my eyes open. Motionless, I watched ants hurry in and out of a hole and I knew that standing up again would be a thousand times harder than the dragon or the swamp and so I did not even try. I just clicked on one thing after another after another.
”
”
Miranda July (It Chooses You)
“
I notice that I have to pay careful attention in order to listen to others with an openness that allows them to be as they are, or as they think themselves to be. The shutters of my mind habitually flip open and click shut, and these little snaps form into patterns I arrange for myself. The opposite of this inattention is love, is the honoring of others in a way that grants them the grace of their own autonomy and allows mutual discovery.
”
”
Anne Truitt (Daybook: The Journal of an Artist)
“
I haven’t had time,” I said, exasperated. “As soon as I remembered, I came straight here.” Ryan turned to face me before clicking on the results. I
didn’t like the way he was suddenly looking very suspiciously at me. “You were really upset…” he prompted, but I didn’t know what he wanted me to
say.
“Your point?”
“My point is, when you freaked out you came straight to me for help. That is the most girlfriendy thing ever. I don’t know why you won’t just accept
what you are.
”
”
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
“
My marriage to Jamie had been for me like the turning of a great key, each small turn setting in the intricate fall of tumblers within me. Bree had been able to turn that key as well, edging closer to the unlocking of the door of myself. But the final turn of the lock was frozen--until I had walked into the print shop in Edinburgh, and the mechanism had sprung free with a final, decisive click.
”
”
Diana Gabaldon (Voyager (Outlander, #3))
“
You have ten minutes,” he told me. “Ten minutes to think about what you did wrong and how bad you feel right now. Are you ready?”
He’d actually clicked a button on his watch and timed me, and for those ten minutes I brooded and sulked and wallowed in humiliation. I remembered the errors I’d made on the field and corrected them in my head. I imagined punching every player on the opposing team square in the mouth. And then Dad told me my time was up.
“There. It’s over now,” he said. “Now you look forward and figure out how you’re going to get better.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained."
He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch."
"They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting."
She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
”
”
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
“
In the years that followed, the goal went from taking huge risks to create new industries and grand new ideas, to chasing easier money by entertaining consumers and pumping out simple apps and advertisements. “The best minds of my generation are thinking about how to make people click ads,” Jeff Hammerbacher, an early Facebook engineer, told me. “That sucks.” Silicon Valley began to look an awful lot like Hollywood.
”
”
Ashlee Vance (Elon Musk: Inventing the Future)
“
Victims are often accused of seeking revenge, but revenge is a tiny engine. I know better than to think my peace arrives when the gavel hits, when the handcuffs click shut. He may sit in a cell, but he will never know what it’s like to be unhomed from his own body. We don’t fight for our own happy endings. We fight to say you can’t. We fight for accountability. We fight to establish precedent. We fight because we pray we’ll be the last ones to feel this kind of pain.
”
”
Chanel Miller (Know My Name: A Memoir)
“
But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.
”
”
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
“
But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing "catches," and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I 'want'.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
He handed me a bandana. "Tie that on."
"Why?" I said, but I did it anyway. "Norman, you are way too into ceremony."
"It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look."
I pulled off the blindfold. Beside me, Norman watched me see myself for the first time.
And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky.
The girl was something else, though. Something I hadn't expected. She was beautiful.
Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home.
"Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?"
"Colie." He was right beside me. "That's how you are.
”
”
Sarah Dessen (Keeping the Moon)
“
I wished I was old. I was tired of being so young, so stupidly knowing, so stupidly forgetful. I was tired of having to be anything at all. I felt like the Internet, full of every kind of information but none of it mattering more than any of it, and all of its little links like thin white roots on a broken plant dug out of the soil, lying drying on its side. And whenever I tried to access myself, whenever I'd try to click on me, try to go any deeper than a single fast-loading page on Facebook or MySpace, it was as if I knew that one morning I'd wake up and try to log on to find that not even that version of I existed any more, because the servers all over the world were all down. And that's how rootless. And that's how fragile.
”
”
Ali Smith (Girl Meets Boy)
“
Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.
”
”
Katherine Dunn (Geek Love)
“
The parents are in charge of all the stuff like technology in the house and time on screens and hours on social media, but then their computer goes wrong and they’re like a baby, going, “What happened to my document?” “I can’t get Facebook.” “How do I load a picture? Double-click what? What does that mean?” And we have to sort it out for them.
”
”
Sophie Kinsella (Finding Audrey)
“
Delaney."
"What?" She stuck her key on the lock, then paused with her hand on the doorknob.
"I lied to you yesterday." She looked over her shoulder, but she couldn't see him.
"When?"
"When I said you could have been anyone. I would know you with my eyes closed." His deep voice carried across the darkness more intimate than a whisper when he added, "I would know you, Delaney." Then the squeak of hinges followed by the click of a dead bolt and Delaney knew he was gone.
”
”
Rachel Gibson (Truly Madly Yours (Truly, Idaho, #1))
“
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.”
She turns to me as if to say, Is he talking to me?
He’s already gone, though, his footsteps thumping up the stairs.
At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?”
That doesn’t sound ominous.
When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.”
I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion.
Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.”
Sabrina raises an eyebrow at me.
I shrug, because I legitimately don’t know what the fuck he’s talking about.
“I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.”
“Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?”
He nods, busy flipping the page.
My baby mama gapes at me.
I shrug again.
“Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile.
He cheers up again. “Well, the top contender was Garrett.”
I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?”
“Graham.”
Hannah sighs.
“But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.”
My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.”
Sabrina is mystified. “Why Gigi?” she asks slowly.
Hannah sighs again.
The name suddenly clicks in my head. Oh for fuck’s sake.
“G.G.,” I mutter to Sabrina. “As in Garrett Graham.”
She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend.
“What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.”
“What rule book?” Hannah bursts out. “You make up the rules as you go along!”
“So?
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
I mean it wasn’t an empty hole, there was always something in it, but it was never right. It never fit. I went to college for a short time, until I sat back one day and said to myself: Andrew, what the fuck are you doing here? And it clicked in my head that I wasn’t there because it’s what I wanted, I was there because it’s what people expected, even people I don’t know, society. It’s what people do.
”
”
J.A. Redmerski
“
My father says--used to say-- that there is power in self-sacrifice. I turn the gun in my hands and press it into Tobias's palm. He pushes the barrel into my forehead. My tears have stopped and the air feels cold as it touches my cheeks. I reach out and rest my hand on his chest so I can feel his heartbeat. At least his heartbeat is still him. THe bullet clicks into the chamber. Maybe it will be easy to let him shoot me as it was in the fear landscape, as it is in my dreams. Maybe it will be a bang, and the lights will lift, and I will find myself in another world. I stand still and wait. Can I be forgiven for all I've done to get here? I don't know. I don't know. Please. THE SHOT DOESN'T come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palm, and my own heart lifts. He is divergent. He can fight this stimulation. Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor. He grabs my shoulders--- too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in a crueler way. "Tris," he says, and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him...
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Now that we’ve settled that,” Rhys drawled from behind me, “can we please eat? I’m famished.” Amren opened her mouth with a wry smile, but he added, “Do not say what you were going to say, Amren.” Rhys gave Cassian a sharp look. Both of them were still bruised—but healing fast. “Unless you want to have it out on the roof.”
Amren clicked her tongue and instead jerked her chin at me. “I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.”
“She saved his sorry ass is more like it,” Mor said, filling her glass of wine. “Poor little Rhys got himself in a bind.”
I held out my own glass for Mor to fill. “He does need unusual amounts of coddling.”
Azriel choked on his wine, and I met his gaze—warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
How are you awake? I demand.
He lifts his head,and I click the bullet into its chamber, raising an eyebrow at him.
"The Dauntless leaders...they evaluated my records and removed me from the simulation," he says.
"Because they figured out that you already have murderous tendencies and wouldn't mind killing a few hundred people while conscious," I say. "Makes sense."
"I'm not...murderous!"
"I never knew a Candor who was such a liar." I tap the gun against his skull. "Where are the computers that control the simulations,Peter?"
"You won't shoot me."
"People tend to overestimate my character," I say quietly. "They think that because I'm small,or a girl, or a Stiff, I can't possibly be cruel. But they're wrong.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Marked.” My face was on fire, my limbs shaking. “All of you. I will take all of you out with my own bare hands!”
There was laughter building in Bram’s voice as he responded. “As cute as I’m sure that would be, your attempt…if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.”
I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down.
“There are some very bad men out to get you, Miss Dearly.”
“You have got to be kidding me.”
“By the way, you have quite the vocabulary, for a princess.” He still sounded amused.
This statement was random enough to get my attention. “Princess?” I asked, confused.
“You know, a princess. A New Victorian girl.”
My lips parted to fire off another question before it clicked. “You’re a Punk.”
“Born and bred.”
“Fantastic.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
”
”
Barbara Kingsolver (Demon Copperhead)
“
You wanna be friends?"
Click click. Was that so impossible? Was he so mad, suddenly disliked her so much again, that he didn't want to be in the same building? "Yes."
"Friends like before or after we had sex on the floor?"
Her thumb stopped. "Before."
"Not interested."
"Why?"
"Because I don't want to be your friend."
"Oh." She swallowed her disappointment. It might be for the best, but she suddenly didn't want what was for the best. She didn't want to hate Sam and have Sam hate her. What choice did she have? "Okay."
"I want to be your lover. I can't pretend I don't want more. I want to be with you, Autumn. I want to get you naked and throw your legs over my shoulders"
She dropped the pen.
"I want to leave a mark on the inside of your thigh.
”
”
Rachel Gibson (Any Man of Mine (Chinooks Hockey Team, #6))
“
Mr Wisdom,' said the girl who had led him into the presence.
'Ah,' said Howard Saxby, and there was a pause of perhaps three minutes, during which his needles clicked busily. 'Wisdom, did she say?'
'Yes. I wrote "Cocktail Time"'
'You couldn't have done better,' said Mr Saxby cordially. 'How's your wife, Mr Wisdom?'
Cosmo said he had no wife.
'Surely?'
"I'm a bachelor.'
Then Wordsworth was wrong. He said you were married to immortal verse. Excuse me a moment,' murmured Mr Saxby, applying himself to the sock again. 'I'm just turning the heel. Do you knit?'
'No.'
'Sleep does. It knits the ravelled sleave of care.'
(After a period of engrossed knitting, Cosmo coughs loudly to draw attention to his presence.)
'Goodness, you made me jump!' he (Saxby) said. 'Who are you?'
'My name, as I have already told you, is Wisdom'
'How did you get in?' asked Mr Saxby with a show of interest.
'I was shown in.'
'And stayed in. I see, Tennyson was right. Knowledge comes, but Wisdom lingers. Take a chair.'
'I have.'
'Take another,' said Mr Saxby hospitably.
”
”
P.G. Wodehouse
“
Angel clicked on a few more pictures on the screen, and Alex made small talk about the place. Then he finally walked away. He stopped just before walking out.
“Did Valerie say anything else to Sarah?”
Angel glanced back at him. “About what?”
“You know about that guy she’s seeing.”
Angel turned his attention back to the computer. “No, not really.”
Alex frowned. He wasn’t one of those guys, so he wasn’t about to keep asking. If Angel knew anything, he’d tell him. He’d just have to wait until the rehearsal dinner.
He started back out when Angel spoke up. “I’m not sure, because she didn’t actually tell me, but I overheard Sarah on the phone last night. It sounded like Valerie was telling her about him.”
“Yeah, what did you hear?”
Angel looked up trying to remember. Something seemed to come to him but he hesitated. “I don’t think you wanna hear it, Alex. I know I wouldn’t.”
Alex squeezed the doorway with his hand. What the hell could he have heard? “Tell me.”
Angel shook his head and looked back at the monitor. “Only reason I caught my attentions was because I overheard Sarah ask her something about wearing lingerie.”
Alex felt the hair on the back of his neck rise and his gut tightened. He banged his fist against the doorway. He didn’t need to hear any more. Angel had been right that’s the last thing he needed right now. He charged back out of the office, infuriated with himself. Why the fuck had he asked?
”
”
Elizabeth Reyes (Always Been Mine (The Moreno Brothers, #2))
“
How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words.
The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words.
I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.
”
”
Janet Fitch (White Oleander)
“
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”
“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”
“Clary!” It was Jace.
Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Click.
The salamander flared, etching the room with searing white light and dark shadows.
Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand.
"Aarghaarghaaaargh..."
There was a shocked silence.
Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces.
"Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush."
But strong light hurts you!" said Sacharissa. "It hurts vampires!"
"Yes. It iss a bit of a bugger, but zere you go.
”
”
Terry Pratchett (The Truth: Stage Adaptation)
“
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?”
I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.”
“I swore an oath to Tamlin—”
“I had no other choice! You think I’m going to trust you after everything you said to me at the manor?”
“I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?”
I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard.
“Don’t you understand what Rhys is?”
“I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.”
Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Songs do not change the world,’ declares Jasper. ‘People do. People pass laws, riot, hear God and act accordingly. People invent, kill, make babies, start wars.’ Jasper lights a Marlboro. ‘Which begs a question. “Who or what influences the minds of the people who change the world?” My answer is “Ideas and feelings.” Which begs a question. “Where do ideas and feelings originate?” My answer is, “Others. One’s heart and mind. The press. The arts. Stories. Last, but not least, songs.” Songs. Songs, like dandelion seeds, billowing across space and time. Who knows where they’ll land? Or what they’ll bring?’ Jasper leans into the mic and, without a wisp of self-consciousness, sings a miscellany of single lines from nine or ten songs. Dean recognises, ‘It’s Alright Ma (I’m Only Bleeding)’, ‘Strange Fruit’ and ‘The Trail of the Lonesome Pine’. Others, Dean can’t identify, but the hardboiled press pack look on. Nobody laughs, nobody scoffs. Cameras click. ‘Where will these song-seeds land? It’s the Parable of the Sower. Often, usually, they land on barren soil and don’t take root. But sometimes, they land in a mind that is ready. Is fertile. What happens then? Feelings and ideas happen. Joy, solace, sympathy. Assurance. Cathartic sorrow. The idea that life could be, should be, better than this. An invitation to slip into somebody else’s skin for a little while. If a song plants an idea or a feeling in a mind, it has already changed the world.
”
”
David Mitchell (Utopia Avenue)
“
Everyday I rewrite her name across my ribcage
so that those who wish to break my heart
will know who to answer to later
She has no idea that I’ve taught my tongue to make pennies,
and every time our mouths are to meet
I will slip coins to the back of her throat and make wishes
I wish
that someday
my head on her belly might be like home
like doubt to doubt resuscitation
because time is supposed to mean more than skin
She doesn’t know that I have taught my arms to close around her clocks
so they can withstand the fallout from her Autumn
She is so explosive,
volcanoes watch her and learn
terrorists want to strap her to their chests
because she is a cause worth dying for
Maybe someday
time will teach me to pick up her pieces
put her back together
and remind her to click her heels
but she doesn’t need a wizard to tell her that I was here all along
Lady
let us catch the next tornado home
let us plant cantaloupe trees in our backyard
then maybe together we will realize that we don’t like cantaloupe
and they don’t grow on trees
we can laugh about it
then we can plant things we’ve never heard of
I’ve never heard of a woman
who can make flawed look so beautiful
the way you do
The word smitten is to how I feel about you
what a kiss is to romance
so maybe my lips to yours could be the penance to this confession
because I am the only one preaching your defunct religion
sitting alone at your altar, praising you out of faith
I cannot do this hard-knock life alone
You are all the softness a rock dreams of being
the mistakes the rain makes at picnics
when Mother Nature bears witness in much better places
So yes
I will gladly take on your ocean
just to swim beneath you
so I can kiss the bends of your knees
in appreciation for the work they do
keeping your head above water
”
”
Mike McGee
“
--How I Was Visited By Messengers--
Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse.
"i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher.
"water should help," I said and looked at the water.
it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to.
"there is the water," I thought.
but that wasn't the water and instead I got an itch in my ear.
I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass.
under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four.
"well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make.
-August 22, 1937
”
”
Daniil Kharms
“
Is that a no?" I said.
"No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off.
"There isn't a punch line," I said.
I rose onto my knees and inched over, in front of him. Then I stopped about a foot away.
"No punch line, Daniel," I said. "I'm asking if you'll go out with me."
He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and..
And he kissed me.
His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it."
Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner."
He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed.
"So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying."
"Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers."
He chuckled. "Will you?"
"Yep, a dozen pink roses, which you'll have to carry all night or risk offending me."
"And what happens if I offend you?"
"You don't get any more of this."
I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
”
”
Kelley Armstrong (The Rising (Darkness Rising, #3))
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
FatherMichael has entered the room
Wildflower: Ah don’t tell me you’re through a divorce yourself Father?
SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony.
Wildflower: I know that. I was just trying to lighten the atmosphere.
FatherMichael: So have the loving couple arrived yet?
SureOne: No but it’s customary for the bride to be late.
FatherMichael: Well is the groom here?
SingleSam has entered the room
Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names.
SingleSam: Hello all.
Buttercup: Where’s the bride?
LonelyLady: Probably fixing her makeup.
Wildflower: Oh don’t be silly. No one can even see her.
LonelyLady: SingleSam can see her.
SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting.
SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in.
SureOne: Doomed from the start.
Divorced_1 has entered the room
Wildflower: Wahoo! Here comes the bride, all dressed in . . .
SingleSam: Black.
Wildflower: How charming.
Buttercup: She’s right to wear black.
Divorced_1: What’s wrong with misery guts today?
LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do.
Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change.
SoOverHim has entered the room
FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”).
SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE?
THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM??
Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please?
Divorced_1: Ha ha.
SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO
UPSET OTHERS WHO ARE GENUINELY TROUBLED.
Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING.
LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time.
SoOverHim: OH I HAVE SEEN IT ALL NOW!
Buttercup: Sshh!
SoOverHim: Sorry. Mind if I stick around?
Divorced_1: Sure grab a pew; just don’t trip over my train.
Wildflower: Ha ha.
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married?
LonelyLady: Yes.
SureOne: I could give more than one reason.
Buttercup: Hell yes.
SoOverHim: DON’T DO IT!
FatherMichael: Well I’m afraid this has put me in a very tricky predicament.
Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife?
SingleSam: I do.
FatherMichael: Do you Penelope take Sam to be your lawful wedded husband?
Divorced_1: I do (yeah, yeah my name is Penelope).
FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again.
FatherMichael has left the room
Wildflower: Congrats Sam and Penelope!
Divorced_1: Thanks girls for being here.
SoOverHim: Freaks.
SoOverHim has left the room
”
”
Cecelia Ahern (Love, Rosie)
“
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show.
Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars.
It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily?
One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him.
When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.”
And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda.
Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic.
Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp.
Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
”
”
George Takei