β
Unrequited love is the infinite curse of a lonely heart.
β
β
Christina Westover
β
There are times when solitude is better than society, and silence is wiser than speech. We should be better Christians if we were more alone, waiting upon God, and gathering through meditation on His Word spiritual strength for labour in his service. We ought to muse upon the things of God, because we thus get the real nutriment out of them. . . . Why is it that some Christians, although they hear many sermons, make but slow advances in the divine life? Because they neglect their closets, and do not thoughtfully meditate on God's Word. They love the wheat, but they do not grind it; they would have the corn, but they will not go forth into the fields to gather it; the fruit hangs upon the tree, but they will not pluck it; the water flows at their feet, but they will not stoop to drink it. From such folly deliver us, O Lord. . . .
β
β
Charles Haddon Spurgeon
β
The βMuseβ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.
β
β
Roman Payne
β
There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
β
β
Wendell Berry
β
If a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.
β
β
Socrates
β
For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue β that I had to do the job myself.
β
β
AnaΓ―s Nin
β
Inspiration is the windfall from hard work and focus. Muses are too unreliable to keep on the payroll.
β
β
Helen Hanson
β
I am my own muse. I am the subject I know best. The subject I want to know better.
β
β
Oroma Elewa
β
All of us need to be in touch with a mysterious, tantalizing source of inspiration that teases our sense of wonder and goads us on to lifeβs next adventure.
β
β
Rob Brezsny
β
They need a muse," said Anna. "Someone to be inspired by. Someone to know their secrets. Would you like to be a muse?"
"No," said Cordelia. "I would like to be a hero.
β
β
Cassandra Clare (Chain of Gold (The Last Hours, #1))
β
Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.
β
β
Joseph Campbell (The Hero's Journey: Joseph Campbell on His Life & Work (Works))
β
Who knows where inspiration comes from. Perhaps it arises from desperation. Perhaps it comes from the flukes of the universe, the kindness of the muses.
β
β
Amy Tan
β
Biting my truant pen, beating myself for spite:
"Fool!" said my muse to me, "look in thy heart, and write.
β
β
Philip Sidney (Astrophel And Stella)
β
He who approaches the temple of the Muses without inspiration, in the belief that craftsmanship alone suffices, will remain a bungler and his presumptuous poetry will be obscured by the songs of the maniacs.
β
β
Plato
β
There is a muse, but heβs not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. Heβs a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think itβs fair? I think itβs fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but heβs got inspiration. Itβs right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. Thereβs stuff in there that can change your life. Believe me, I know.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
I do not write about love
as if I have invented it.
I write about love
because thoughts of you
inspire self-forgetfulness.
And because writing about you
gives birth to a star.
These stars sit inside me
where there was once
darkness.
β
β
Kamand Kojouri
β
Cheat your landlord if you can and must, but do not try to shortchange the Muse. It cannot be done. You can't fake quality any more than you can fake a good meal.
β
β
William S. Burroughs
β
sometimes i wake up
in the middle
of the night
and find
poetry
splattered
all over my bed.
β
β
Sanober Khan
β
Though itβs reasons to burn may vary... you are always the fuel of my fire.
β
β
Ranata Suzuki
β
She is my inspiration. My muse. My obsession.
β
β
Amy Plum (Die for Her (Revenants #2.5))
β
Muses had a way of killing those whom they inspired.
β
β
Katherine Neville (The Eight (The Eight, #1))
β
Anything that touches my heart holds the potential to inspire me.
β
β
Suman Pokhrel
β
Witnessing people's grief or the state against them moves me deeply and inspires me to write my thoughts and feelings.
β
β
Suman Pokhrel
β
The inspiration from my family, profound emotional experiences, and encounters with global and local issues have all contributed to my drive to write and bring about positive change.
β
β
Suman Pokhrel
β
File under "Hard Truths": the creative muse is fiction. If you sit around waiting for the right moment to create, you will die waiting.
β
β
Antony Johnston
β
When there is silence,
Give your voice.
When there is darkness,
Shine your light.
When there is desperation,
Offer hope.
β
β
Tim Fargo
β
There is also a third kind of madness, which is possession by the Muses, enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric....But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art--he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.
β
β
Plato (Phaedo)
β
I am a creature of the Fey
Prepare to give your soul away
My spell is passion and it is art
My song can bind a human heart
And if you chance to know my face
My hold shall be your last embrace.
I shall be thy lover...
I am unlike a mortal lass
From dreams of longing I have passed
I came upon your lonely cries
Revealed beauty to your eyes
So shun the world that you have known
And spend your nights within my own.
I shall be thy lover...
You shall be known by other men
For your great works of voice and pen
Yet inspiration has a cost
For with me know your soul is lost
I'll take your passion and your skill
I'll take your young life quicker still.
I shall be thy lover...
Through the kisses that I give
I draw from you that I will live
And though you think this weakness grand
The touch of death your lover's hand
Your will to live has come too late
Come to my arms and love this fate
I shall be thy lover...
I am a creature of the Fey
Prepare to give your soul away
My spell is passion and it is art
My song can bind a human heart
And if you chance to know my face
My hold shall be your last embrace.
β
β
Heather Alexander
β
Death is the true inspiring genius, or the muse of philosophy, wherefore Socrates has defined the latter as ΞΈΞ±Ξ½α½±ΟΞΏΟ
μΡλέΟΞ·. Indeed without death men would scarcely philosophise.
β
β
Arthur Schopenhauer (The World as Will and Representation, Volume I)
β
Nature is the grandest warehouse discovered on this planet, hence anything that touches my heart holds the potential to inspire me, as it enables me to delve into my emotions and forge connections with others through shared experiences.
β
β
Suman Pokhrel
β
He seems like a good guy, but we need to focus on finding Niaβs killer, and then finish the theater. We donβt have time for distractions. No men.β
βYeah, yeah, I know.β Mel rolled her eyes.
βInspiration before intercourse.β
Callie chuckled. βI should put that on a T-shirt.
β
β
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
β
You should be more careful
when you move, my dear
what with you...
spilling moonlight
into my poem, with a mere
flick of your hand.
β
β
Sanober Khan (A Thousand Flamingos)
β
my poetry is merely a body.
you are the soul in my words.
β
β
Sanober Khan
β
What is nobler," she mused, turning over the photographs, "than to be a woman to whom every one turns, in sorrow or difficulty?
β
β
Virginia Woolf (Night and Day)
β
He was no god, just an artist; and when an artist is a man, he needs a woman to create like a god.
β
β
Roman Payne
β
I'm not a big fan of inspiration. I'm too old to sit and wait for the muse to give me a little kiss... I write a lot, and I'm not afraid to make mistakes or to write badly. I can alsways fix something weak and dull. But I can't fix a blank page.
β
β
Ron Koertge
β
She is a sunflower! She brings hope to people.
β
β
Avijeet Das
β
All I need to do
is place my pen against paper
and your love
writes for me.
β
β
Kamand Kojouri
β
The muse in charge of fantasy wears good, sensible shoes.
β
β
Lloyd Alexander
β
True poetry (inspired by the Muse and her prime symbol, the moon) even today is a survival, or intuitive re-creation, of the ancient Goddess-worship.
β
β
Robert Graves (The White Goddess: A Historical Grammar of Poetic Myth (FSG Classics))
β
The nine Greek Muses, awakened again for this generation of man and meant to inspire mankind forward in the sciences and the arts.
β
β
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
β
Inspiration before intercourse.
β
β
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
β
Kind words dispel clouds of fear like the moonlight's smile on water.
β
β
Khaled Talib (The Little Book of Muses)
β
some poems froth
and foam and rise...
out of my morning cup of
mist-sweetened coffee.
β
β
Sanober Khan (Turquoise Silence)
β
Great ideas emerges from useless fragments of thoughts.
β
β
Michael Bassey Johnson
β
GIVING - Applied tithing is so rewarding. When you give away your time, talent, and treasures you create a huge shift in your prosperity consciousness. So start where you are as you reach for where it is you want to be.
β
β
Lisa Washington
β
You learn to write the same way you learn to play golf... You do it, and keep doing it until you get it right. A lot of people think something mystical happens to you, that maybe the muse kisses you on the ear. But writing isnβt divinely inspired β itβs hard work.
β
β
Tom Clancy
β
Wanderess, Wanderess, weave us a story of seduction and ruse. Heroic be the Wanderess, the world be her muse.'
...I jot this phrase of invocation in my old leather-bound notebook on a bright, cold morning at the CafΓ© **** in Paris, and with it Iβm inspired to take the reader back to the time I first met and became acquainted with the girl I call The Wanderessβas well as a famous adventurer named Saul, the Son of Solarus.
β
β
Roman Payne (The Wanderess)
β
Γ, Muse of the Heartβs Passion,
let me relive my Loveβs memory,
to remember her body, so brave and so free,
and the sound of my Dreameress singing to me,
and the scent of my Dreameress sleeping by me,
Γ, sing, sweet Muse, my soliloquy!
β
β
Roman Payne
β
(the whole world is at the
throat of the world,
everybody feels angry,
short-changed, cheated,
everybody is despondent,
disillusioned.)
I welcomed shots of
peace, tattered shards of
happiness.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
That is what you meant to me: a light that shone through the darkness.β (Your smile, p. 56)
β
β
Chimnese Davids (Muses of Wandering Passions)
β
Lovely thoughts came flying to meet me like birds. They weren't my thoughts. I couldn't think anything half so exquisite. They came from somewhere.
β
β
L.M. Montgomery (Emily Climbs (Emily, #2))
β
The Muse herself makes some men inspired, from whom a chain of other men is strung out who catch their own inspiration from theirs.
β
β
Plato
β
Some people are too precious. Their presence brings peace and tranquility into our lives.
β
β
Avijeet Das
β
May the key of inspiration unlock your dungeon of creativity
β
β
Kevin Ansbro
β
Remember, the village idiot was the spiritual man who built the ark and saved his family. Keep being you and never give up marching to the beat of your own drum!
β
β
Shannon L. Alder
β
Gratitude
...here at home our faith dwindles
political division
causes tensions to kindle -
we should never forget
who stands at the door -
who shields us with armor
and shall forever more...
β
β
Muse (Enigmatic Evolution)
β
A sacrifice is not about expecting God to break the bond you have with another person. You make the sacrifice on your own because God is more important than the bond.
β
β
Shannon L. Alder
β
How....will I ever truly depict you?
Youβre perfect, my writing isnβt.
β
β
Sanober Khan (A touch, a tear, a tempest)
β
Why are we so trapped by the hours, the minutes of every day? Why can't we live the life that's always out of reach?
β
β
Jessie Burton (The Muse)
β
Muses are the Mata Haris of inspiration.
β
β
Trevor Alan Foris (The Octunnumi Fosbit Files Prologue)
β
For the one last time, I want to go back,
To the beginning, where it all started,
Not to fix anything,
Not to mend anything,
To detect the force thatβs pulling me back and forth,
To look for the string thatβs messing with my vulnerabilities,
Not to play around with my haunting memories,
Not to sit around my screaming roars,
But to crush the last resilient chord,
That's stopping me from moving on.
β
β
Hareem Ch (Muse Buzz)
β
The Order of the Titans had agreed with his assessment. This generation, the Order would be successful where previous generations had failed, because this time they would steal mankind's inspiration. They would kill the muses for the greater good....
For the good of mankind.
β
β
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
β
Hallo, Pooh,β said Rabbit.
βHallo, Rabbit,β said Pooh dreamily.
βDid you make that song up?β
βWell, I sort of made it up,β said Pooh. βIt isnβt Brain,β he went on humbly, βbecause You Know Why, Rabbit; but it comes to me sometimes.β
βAh!β said Rabbit, who never let things come to him, but always went and fetched them.
β
β
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
β
Thatβs how it was back then. I was just supposed to be the inspiration for some manβs great idea. Well, fuck that. Thatβs why I started writing my own stuff.
β
β
Taylor Jenkins Reid (Daisy Jones & The Six)
β
Often the inspiration to write music comes from the voices in your head. Youβre not crazy. Just be thankful they are not making you rescue people in 20-degree weather at 2:30 in the morning in the forest.
β
β
Shannon L. Alder
β
Sometimes I muse about how wonderful it would be if I could string all my dreams together into one continuous life, a life consisting of entire days full of imaginary companions and created people.
β
β
Fernando Pessoa
β
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
β
β
Isabel Allende (Eva Luna)
β
When you can inspire a muse, you've got it going on.
β
β
Lisa Kessler (Light of the Spirit (Muse Chronicles, #4))
β
When the lyrical muse sings the creative pen dances.
β
β
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
β
It's the witching hour once more-
When the Muse comes out to play.
He calls me through that magic door-
Where galaxies of worlds await!
β
β
Belle Whittington
β
I will not stop singing
the Muses who set me dancing.
β
β
Anne Carson (Grief Lessons: Four Plays by Euripides)
β
Iβll be blastedβ, he said, βif I ever write another word, or try to write another word, to please Nick Greene or the Muse. Bad, good, or indifferent, Iβll write, from this day forward, to please myself
β
β
Virginia Woolf
β
I am listening to the wind,
to the voice in the wind telling me
to write it all down. So I do.
β
β
Kwame Dawes (Wheels)
β
Never durst a poet touch a pen to write
Until his ink was tempered with love's sighs.
β
β
William Shakespeare (Love's Labour's Lost)
β
There is no such thing as wasted writing.
β
β
Monica Wood (The Pocket Muse: Ideas and Inspirations for Writing)
β
Why don't you use some sense and try to be more like me? You might live to be a hundred and seven, too."
"Because itβs better to die on oneβs feet than live on oneβs knees,β Nately retorted with triumphant and lofty conviction. βI guess youβve heard that saying before.β
βYes, I certainly have,β mused the treacherous old man, smiling again. βBut Iβm afraid you have it backward. It is better to live on oneβs feet than die on oneβs knees. That is the way the saying goes.β
βAre you sure?β Nately asked with sober confusion. βIt seems to make more sense my way.β
βNo, it makes more sense my way. Ask your friends.
β
β
Joseph Heller (Catch-22)
β
Plato said: 'He who approaches the temple of the Muses without inspiration in the belief that craftmanship alone suffices, will remain a bungler and his presumptuous poetry will be obscured by the songs of the maniacs.'
β
β
Chuck Palahniuk (Diary)
β
Instead of discussing with myself every morning whether I feel inspired or not, I step into my office every day at nine sharp, open the window and politely ask the muse to enter and kiss me. Sometimes she comes in, more often she does not. But she can never claim that she hasnβt found me waiting in the right place.
β
β
Peter Prange
β
O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.
β
β
William Shakespeare (Henry V)
β
Uncertainty is a temptress. We may try our best to avoid her. But what is certain is that at some point of time, she will find us. The only question that remains is whether like Medusa, she will paralyze you, or whether like one of the nine muses of ancient Greece, she will drive you to greater things.
β
β
Richie Singh (Chasing Butterflies)
β
Jack," I said, "why don't you go check on Sam?" Maybe you can advise her on getting through those doors. OR you could sing to her. I know she'd love that."
"Yeah? Cool!" Jack zoomed off to serenade Sam, which meant Sam would want to hit me later, except it was Ramadan so she had to be nice to me. Wow, I was a bad person.
At the doors, Jack was trying to help by suggesting songs he could sing to inspire new ideas for getting inside: 'Knockin'on Heaven's Door', 'I Got the Keys' or 'Break on Through (to the Other Side)'.
"How about none of the above?" Sam said.
"'None of the Above' ..." Jack mused. "Is that by Stevie Wonder?"
"How's it going guys?" I asked. I didn't know if it was physically possible to strangle a magic sword, but I didn't want to see Sam try.
β
β
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
β
Then I knew: this wasnβt just a passion I felt for my model. My feelings about him had nothing to do with how his looks inspired me; he was far more than a muse. With every stroke of pencil and crayon, I had drawn Will into my heart.
I was in love with him.
β
β
Sharon Biggs Waller (A Mad, Wicked Folly)
β
When a writer is able to experience the whole range of human emotions, from deep depressions to glorious highs, it creates a whole inventory of feelings and musings from which they can choose and infuse into their words and characters.
β
β
David Perry
β
The boys were amazed that I could make such a poem as that out of my own head, and so was I, of course, it being as much a surprise to me as it could be to anybody, for I did not know that it was in me. If any had asked me a single day before if it was in me, I should have told them frankly no, it was not.
That is the way with us; we may go on half of our life not knowing such a thing is in us, when in reality it was there all the time, and all we needed was something to turn up that would call for it.
β
β
Mark Twain (Joan of Arc)
β
If we believe faeries are real, it brings a sense of magic to our very boring, difficult, everyday lives. It gives us a glimpse into a world of adventure, heroism, true love, and happy endings.
It inspires us to pull a little magic out of ourselves, and bestow it on others.
β
β
Daley Downing (Dreamings and Muses)
β
Naked. Fatigue of the body transparent as a glass-tree. Near yourself you hear the brutal rumor of inextricable desire. Night blindly mine. You're farther gone than me. Horror of checking for you in the screams of my poem. Your name is the disease of things at midnight. They had promised me one silence. Your face is closer to me than my own. Phantom memory. How I'd love to kill you β
β
β
Alejandra Pizarnik (The Galloping Hour: French Poems)
β
Youβll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chippedβfor nail polish will have returned, it always does. Youβre frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. Youβll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.
β
β
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
β
One great difference between good writing, that readers overlook, and bad writing, that they fail to notice, has to do with the number of rewrites and revisions usually required by the former. It isnβt at all easy to write clear, declarative proseβtransparency evolves from ruthless cutting and trimming and is hard workβwhile lumpy, tangle-footed writing flows from the pen as if inspired by the Muse.
β
β
Ira Levin (The Stepford Wives)
β
A kiss is such an amazing thing -- So simple, so complex. The only human act that gives while it receives. Mouth to mouth, it almost seems the eating of one another. Maybe thatβs all we are, food for each other. Why, I believe thereβs a poem in there somewhere. Another kiss to inspire my muse, DesirΓ©e, and Iβll tell you something else you donβt know.
β
β
Kenneth C. Goldman (Desiree)
β
For this will cure him that is sick, and rouse him that is in dumps; one that has loved, it will remember of it; one that has not, it will instruct. For there was never any yet that wholly could escape love, and never shall there be any, never so long as beauty shall be, never so long as eyes can see. But help me that God to write the passions of others; and while I write, keep me in my own right wits.
β
β
Longus (Daphnis and Chloe; The Love Romances of Parthenius and other fragments (Loeb Classical Library))
β
shot in the eye
shot in the brain
shot in the ass
shot like a flower in the dance
amazing how death wins hands down
amazing how much credence is given to idiot forms of
life
amazing how laughter has been drowned out
amazing how viciousness is such a constant
I must soon declare my own war on their war
I must hold to my last piece of ground
I must protect the small space I have made that has
allowed me life
my life not their death
my death not their death
this place, this time, now
I vow to the sun
that I will laugh the good laugh once again
in the perfect place of me
forever.
their death not my life.
β
β
Charles Bukowski (Betting on the Muse: Poems & Stories)
β
Here you are.
Still standing. Fierce with the reality of love and loss. Wearing the truth of our hearts on your tattered sleeves. And yes, this one very nearly took you out. And yes, there were days when the darkness was heavy and the climb out of that rabbit hole required you to mine your depths for strength you didnβt even know you had.
But here you are.
Broken open by hope. Cracked wide by loss. Full of longing and grief and the burn of that phoenix fire. Warrior painted with ashes. Embers from the blaze still clinging to your newborn skin, leaving you forever marked with scars of rebirth.
And just look at you. Heart broken but still beating. Arms empty but still open. Face raised to the sky and giving thanks for the light, even when it hurts your eyes.
My god, you are beautiful.
β
β
Jeanette LeBlanc
β
Please don't entertain for a moment the utterly mistaken idea that there is no drudgery in writing. There is a great deal of drudgery in even the most inspired, the most noble, the most distinguished writing. Read what the great ones have said about their jobs; how they never sit down to their work without a sigh of distress and never get up from it witout a sigh of relief. Do you imagine that your Muse is forever flamelike -- breathing the inspired word, the wonderful situation, the superb solution into your attentive ear? ... Believe me, my poor boy, if you wait for inspiration in our set-up, you'll wait for ever.
β
β
Ngaio Marsh (Death on the Air and Other Stories)
β
The hours spent forming a written work can make one obsessive, distracted, compulsive, and neurotic even, especially when it comes to those rare, precious occasions of streaming pure inspiration. To have a muse moment interrupted - to watch her scuttle back into hiding with unshared insight remaining on the tip of her tongue - is a wicked irritation. When a writer's eyes glaze over, when she stares off at nothing or appears to be memorizing the lines on a blank page, when she falls asleep at the desk... tiptoe softly. For a writer's greatest desire is to receive inspiration; her greatest nightmare, to have tossed to the wind what could have been captured in words.
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Richelle E. Goodrich
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When it came down to it, she decided, she believed in a few important things.
In humanity before Dogma.
In religion of human kindness.
In Poetry. In Sex.
In being clear enough to ask for what she wanted,
and detaching from ego enough to hear the answer.
In the power of yoga.
In being embodied.
In owning her reality without apology.
In embracing it all, the fuck-ups and the bliss.
In the absolute necessity of dark chocolate to her continued existence.
In the power of a hard swallow of whiskey to make everything clear.
That most of the time we all do the very best we can.
But most of all, she believed that nothing is fixed and unchanging,
Not even the things she believed the most.
That belief, it turns out, is the one that felt the most like freedom.
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Jeanette LeBlanc
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If you grow up the type of woman men want to look at,
You can let them look at you.
But do not mistake eyes for hands,
Or windows for mirrors.
Let them see what a woman looks like.
They may not have ever seen one before.
If you grow up the type of woman men want to touch,
You can let them touch you.
Sometimes it is not you they are reaching for.
Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman β
But their hands found you first.
Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack.
You are a woman β
Skin and bones, veins and nerves, hair and sweat
You are not made of metaphors,
Not apologies, not excuses.
If you grow up the type of woman men want to hold,
You can let them hold you.
All day they practice keeping their bodies upright.
Even after all this evolving it still feels unnatural,
Still strains the muscles, holds firm the arms and spine.
Only some men will want to learn what it feels like to curl themselves into a question mark around you,
Admit they donβt have the answers they thought they would by now.
Some men will want to hold you like the answer.
You are not the answer.
You are not the problem.
You are not the poem, or the punchline, or the riddle, or the joke.
Woman, if you grow up the type of woman men want to love,
You can let them love you.
Being loved is not the same thing as loving.
When you fall in love,
It is discovering the ocean after years of puddle jumping.
It is realising you have hands.
It is reaching for the tightrope after the crowds have all gone home.
Do not spend time wondering if you are the type of woman men will hurt.
If he leaves you with a car alarm heart.
You learn to sing along.
It is hard to stop loving the ocean,
Even after itβs left you gasping, salty.
So forgive yourself for the decisions youβve made,
The ones you still call mistakes when you tuck them in at night,
And know this.
Know you are the type of woman who is searching for a place to call yours.
Let the statues crumble.
You have always been the place.
You are a woman who can build it yourself.
You are born to build.
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Sarah Kay
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Have you ever wondered
What happens to all the
poems people write?
The poems they never
let anyone else read?
Perhaps they are
Too private and personal
Perhaps they are just not good enough.
Perhaps the prospect
of such a heartfelt
expression being seen as
clumsy
shallow silly
pretentious saccharine
unoriginal sentimental
trite boring
overwrought obscure stupid
pointless
or
simply embarrassing
is enough to give any aspiring
poet good reason to
hide their work from
public view.
forever.
Naturally many poems are IMMEDIATELY DESTROYED.
Burnt shredded flushed away
Occasionally they are folded
Into little squares
And wedged under the corner of
An unstable piece of furniture
(So actually quite useful)
Others are
hidden behind
a loose brick
or drainpipe
or
sealed into
the back of an
old alarm clock
or
put between the pages of
AN OBSCURE BOOK
that is unlikely
to ever be opened.
someone might find them one day,
BUT PROBABLY NOT
The truth is that unread poetry
Will almost always be just that.
DOOMED
to join a vast invisible river
of waste that flows out of suburbia.
well
Almost always.
On rare occasions,
Some especially insistent
pieces of writing will escape
into a backyard
or a laneway
be blown along
a roadside embankment
and finally come
to rest in a
shopping center
parking lot
as so many
things do
It is here that
something quite
Remarkable
takes place
two or more pieces of poetry
drift toward each other
through a strange
force of attraction
unknown
to science
and ever so slowly
cling together
to form a tiny,
shapeless ball.
Left undisturbed,
this ball gradually
becomes larger and rounder as other
free verses
confessions secrets
stray musings wishes and unsent
love letters
attach themselves
one by one.
Such a ball creeps
through the streets
Like a tumbleweed
for months even years
If it comes out only at night it has a good
Chance of surviving traffic and children
and through a
slow rolling motion
AVOIDS SNAILS
(its number one predator)
At a certain size, it instinctively
shelters from bad weather, unnoticed
but otherwise roams the streets
searching
for scraps
of forgotten
thought and feeling.
Given
time and luck
the poetry ball becomes
large HUGE ENORMOUS:
A vast accumulation of papery bits
That ultimately takes to the air, levitating by
The sheer force of so much unspoken emotion.
It floats gently
above suburban rooftops
when everybody is asleep
inspiring lonely dogs
to bark in the middle
of the night.
Sadly
a big ball of paper
no matter how large and
buoyant, is still a fragile thing.
Sooner or
LATER
it will be surprised by
a sudden
gust of wind
Beaten by
driving rain
and
REDUCED
in a matter
of minutes
to
a billion
soggy
shreds.
One morning
everyone will wake up
to find a pulpy mess
covering front lawns
clogging up gutters
and plastering car
windscreens.
Traffic will be delayed
children delighted
adults baffled
unable to figure out
where it all came from
Stranger still
Will be the
Discovery that
Every lump of
Wet paper
Contains various
faded words pressed into accidental
verse.
Barely visible
but undeniably present
To each reader
they will whisper
something different
something joyful
something sad
truthful absurd
hilarious profound and perfect
No one will be able to explain the
Strange feeling of weightlessness
or the private smile
that remains
Long after the street sweepers
have come and gone.
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Shaun Tan (Tales from Outer Suburbia)
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Style is not how you write.
It is how you do not write like anyone else.
* * *
How do you know if you're a writer?
Write something everyday for two weeks, then stop, if you can.
If you can't, you're a writer.
And no one, no matter how hard they may try,
will ever be able to stop you from following your writing dreams.
* * *
You can find your writer's voice
by simply listening to that little Muse inside
that says in a low, soft whisper, "Listen to this...
* * *
Enter the writing process
with a childlike sense of wonder and discovery.
Let it surprise you.
* * *
Poems for children help them
celebrate the joy and wonder of their world.
Humorous poems tickle the funny bone of their imaginations.
* * *
There are many fine poets writing for children today.
The greatest reward for each of us is in knowing that our efforts
might stir the minds and hearts of young readers with a vision
and wonder of the world and themselves that may be new to them
or reveal something already familiar in new and enlightening ways.
* * *
The path to inspiration starts
Beyond the trails weβve known;
Each writerβs block is not a rock,
But just a stepping stone.
* * *
When you write for children,
don't write for children.
Write from the child in you.
* * *
Poems look at the world from the inside out.
* * *
The act of writing brings with it a sense of discovery,
of discovering on the page something you didn't know you knew
until you wrote it.
* * *
The answer to the artist
Comes quicker than a blink
Though initial inspiration
Is not what you might think.
The Muse is full of magic,
Though her visionβs sometimes dim;
The artist does not choose the work,
It is the work that chooses him.
* * *
Poem-Making 101.
Poetry shows. Prose tells.
Choose precise, concrete words.
Remove prose from your poems.
Use images that evoke the senses.
Avoid the abstract, the verbose, the overstated.
Trust the poem to take you where it wants to go.
Follow it closely, recording its path with imagery.
* * *
What's a Poem?
A whisper,
a shout,
thoughts turned
inside out.
A laugh,
a sigh,
an echo
passing by.
A rhythm,
a rhyme,
a moment
caught in time.
A moon,
a star,
a glimpse
of who you are.
* * *
A poem is a little path
That leads you through the trees.
It takes you to the cliffs and shores,
To anywhere you please.
Follow it and trust your way
With mind and heart as one,
And when the journeyβs over,
Youβll find youβve just begun.
* * *
A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.
* * *
A poem is a busy bee
Buzzing in your head.
His hive is full of hidden thoughts
Waiting to be said.
His honey comes from your ideas
That he makes into rhyme.
He flies around looking for
What goes on in your mind.
When it is time to let him out
To make some poetry,
He gathers up your secret thoughts
And then he sets them free.
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Charles Ghigna
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Your Creative Autobiography 1. What is the first creative moment you remember? 2. Was anyone there to witness or appreciate it? 3. What is the best idea youβve ever had? 4. What made it great in your mind? 5. What is the dumbest idea? 6. What made it stupid? 7. Can you connect the dots that led you to this idea? 8. What is your creative ambition? 9. What are the obstacles to this ambition? 10. What are the vital steps to achieving this ambition? 11. How do you begin your day? 12. What are your habits? What patterns do you repeat? 13. Describe your first successful creative act. 14. Describe your second successful creative act. 15. Compare them. 16. What are your attitudes toward: money, power, praise, rivals, work, play? 17. Which artists do you admire most? 18. Why are they your role models? 19. What do you and your role models have in common? 20. Does anyone in your life regularly inspire you? 21. Who is your muse? 22. Define muse. 23. When confronted with superior intelligence or talent, how do you respond? 24. When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond? 25. When faced with impending success or the threat of failure, how do you respond? 26. When you work, do you love the process or the result? 27. At what moments do you feel your reach exceeds your grasp? 28. What is your ideal creative activity? 29. What is your greatest fear? 30. What is the likelihood of either of the answers to the previous two questions happening? 31. Which of your answers would you most like to change? 32. What is your idea of mastery? 33. What is your greatest dream?
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Twyla Tharp (The Creative Habit: Learn It and Use It for Life (Learn In and Use It for Life))