Sisters By Choice Quotes

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There comes a time in your life when you have to choose to turn the page, write another book or simply close it.
Shannon L. Alder
The Waverley sisters hadn't been close as children, but they were as thick as thieves now, the way adult siblings often are, the moment they realize that family is actually a choice.
Sarah Addison Allen (First Frost (Waverley Family, #2))
I'll never know, and neither will you, of the life you don't choose. We'll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn't carry us. There's nothing to do but salute it from the shore.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Okay,' he said. He took a breath. 'What would you do, if you could do anything?' I took a step toward him, closing the space between us. 'This,' I said. And then I kissed him. Kissed him. There, in the middle of the street, as the world went on around us. Behind me, I knew Jason was still waiting for an explanation, my sister was still lecturing, and that angel still had her eyes skyward, waiting to fly. As for me, I was just trying to get it right, whatever that meant. But now I finally felt I was on my way. Everyone had a forever, but given a choice, this would be mine. The one that began in this moment, with Wes, in a kiss that took my breath away, then gave it back- leaving me astounded, amazed, and most of all, alive.
Sarah Dessen (The Truth About Forever)
Bravery wasn't an identity, so much as a choice.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
Why Not You? Today, many will awaken with a fresh sense of inspiration. Why not you? Today, many will open their eyes to the beauty that surrounds them. Why not you? Today, many will choose to leave the ghost of yesterday behind and seize the immeasurable power of today. Why not you? Today, many will break through the barriers of the past by looking at the blessings of the present. Why not you? Today, for many the burden of self doubt and insecurity will be lifted by the security and confidence of empowerment. Why not you? Today, many will rise above their believed limitations and make contact with their powerful innate strength. Why not you? Today, many will choose to live in such a manner that they will be a positive role model for their children. Why not you? Today, many will choose to free themselves from the personal imprisonment of their bad habits. Why not you? Today, many will choose to live free of conditions and rules governing their own happiness. Why not you? Today, many will find abundance in simplicity. Why not you? Today, many will be confronted by difficult moral choices and they will choose to do what is right instead of what is beneficial. Why not you? Today, many will decide to no longer sit back with a victim mentality, but to take charge of their lives and make positive changes. Why not you? Today, many will take the action necessary to make a difference. Why not you? Today, many will make the commitment to be a better mother, father, son, daughter, student, teacher, worker, boss, brother, sister, & so much more. Why not you? Today is a new day! Many will seize this day. Many will live it to the fullest. Why not you?
Steve Maraboli (Life, the Truth, and Being Free)
People sometimes make unexpected choices when they're lonely
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
Some people live in cages with bars built from their own fears and doubts. Some people live in cages with bars built from other people's fears and doubts; their parents, their friends, their brothers and sisters, their families. Some people live in cages with bars built from the choices others made for them, the circumstances other people imposed upon them. And some people break free.
C. JoyBell C.
They called each other family and that’s what they were—sisters. Many people in the world had family of the heart, kin by choice rather than by blood, and hers had come along in her darkest hour and saved her life.
Christine Feehan (Spirit Bound (Sea Haven/Sisters of the Heart, #2))
Your death has not been waiting for your arrival at the appointed hour: it has, for all the years of your life, been racing towards you with the fierce velocity of time's arrow. It cannot be evaded, it cannot be bargained with, deflected or placated. All that is given to you is the choice: meet it with open eyes and peace in your heart, go gentle to your reward. Or burn bright, take up arms, and fight the bitch.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
How do you make that choice?" I ask almost to myself. "Between what you need and what you want?" I feel like my sister's going through her own version of that. Kris's eyes are on Cooper, too. "You hope they become the same thing, I guess.
Karen M. McManus (One of Us Is Next (One of Us Is Lying, #2))
Choices are easy when you have nothing to lose.
Barbara Delinsky (While My Sister Sleeps)
I'll be damned if I apologize for the choices I've made. They were hard decisions, but I had good reasons for making them.
Christine Feehan (Oceans of Fire (Drake Sisters, #3))
Half of the time, the Holy Ghost tries to warn us about certain people that come into our life. The other half of the time he tries to tell us that the sick feeling we get in a situation is not the other person’s fault, rather it is our own hang-ups. A life filled with bias, hatred, judgment, insecurity, fear, delusion and self-righteousness can cloud the soul of anyone you meet. Our job is never to assume,instead it is to listen, communicate, ask questions then ask more, until we know the true depth of someone’s spirit.
Shannon L. Alder
Never sever ties with a family member you once loved. Each of you might be on different spiritual paths, but both trails are leading you home.
Shannon L. Alder
He crossed the street toward the man in the trench coat, which left me with two choices: follow my dad and see what was going on, or do what I was told. I decided on the slightly less dangerous path. I went to retrieve my sister
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
Don't say Fili, sister. Say Pili. In Tagalog, pili means to choose. Pino means fine. Pilipino equals 'fine choice.
Jessica Hagedorn (The Gangster of Love: A Novel)
Sometimes you have to make choices, and they're imperfect, but they're the only choices you can make and live with yourself.
Charles Sheehan-Miles (The Last Hour (Thompson Sisters, #4))
I knew that, although my life had been shaped by events out of my control, it was I who had chosen to react to them in the way I had
Lucinda Riley (The Seven Sisters (The Seven Sisters, #1))
If you want to be happy you have to work to make it happen. You can't just wish for it and you can't put it in the hands of other people.
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
BETRAYAL No failure in Life, whether of love or money, is ever really that simple; it usually involves a type of a shadowy betrayal, buried in a secret, mass grave of shared hopes and dreams. That universal mass grave exists in a private cemetery that most... both those suffering from the loss, but especially those committing the betrayal, refuse to acknowledge its existence. When you realize you've been deeply betrayed, fear really hits you. That's what you feel first. And then it's anger and frustration. Then disspointment and disilussionment. Part of the problem is how little we understand about the ultimate effects and consequences of betrayal on our hearts and spirits; and on trust and respect for our fellow brothers and sisters. In writing, there are only really a few good stories to tell, and in the end, and betrayal and the failure of love is one of the most powerful stories to tell. Tragedy in life normally comes with betrayal and compromise- by trading in our integrity and failing to treat life and others in our life, with respect and dignity. That's really where the truest and the most tragic failures comes from... they come making the choice to betray another soul, and in turn, giving up a peice of your own.
José N. Harris (Mi Vida)
All you Trump fans are gonna be really pissed off when your condom breaks and your sister can't get an abortion.
Oliver Markus Malloy (How to Defeat the Trump Cult: Want to Save Democracy? Share This Book)
I know what it is to be pushed in a direction you don't want to go, or one you're not ready for. People say they know what's best for you. Maybe sometimes it's true. But it doesn't matter if they keep pushing until they take your choices away.
Nora Roberts (Heaven and Earth (Three Sisters Island, #2))
Natalia was my sister by blood, but Ava, Bridget, and Jules would always be my sisters by choice.
Ana Huang (Twisted Lies (Twisted, #4))
We came together because we both wanted to be here more than anywhere else. We both had choices, and we both said yes to this, to us. That’s not fate. It’s just desire. And determination. Ambition. Resolve. We have it all.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Money, like emotions, is something you must control to keep your life on the right track.
Natasha Munson (Life Lessons for My Sisters: How to Make Wise Choices and Live a Life You Love!)
Destiny. To believe that a life is meant for a single purpose, one must also believe in a common fate. Father to daughter, brother to sister, mother to child. Blood ties can be as unyielding as they are eternal. But it is our bonds of choice that truly light the road we travel. Love versus hatred. Loyalty against betrayal. A person's true destiny can only be revealed at the end of his journey, and the story I have to tell is far from over.
Emily Thorne
Our children will be raised differently, and that’s alright. I sense our strength together, our support for each other’s choices. Today, I’ve fallen in deeper love with these people. No matter which direction we fucking move, we’ll all still be there.
Krista Ritchie (Some Kind of Perfect (Calloway Sisters, #5))
Let me have my five years, Rosalie," I whispered. "I know it can't last. Let me be happy while happiness is possible. Be part of that happiness. Be my sister, and if you can't love my choice the way I love yours, can you at least pretend to tolerate her?" (421).
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
Bramble's lips were tight. Her fists still shook. "Take it back," she said. She gazed at the floor, but the words whipped. "We don't want the picture. We don't want your charity. Take it back!" Teddie drew himself up to his full, towering taffy height. "N-dash it-O!" he said. "It's not charity and I won't take it back! It's a gift! A gift, dash it all! Because I liked your mum! And I like your sisters! And you, Bramble! I love you!" The words echoed. Everyone's hands clasped over their mouths, and they stared at Lord Teddie, who panted but kept a tight chin up. Bramble's lips were still pursed. They were white. "Young man," said the King gently. "Your ship leaves soon?" Azalea guessed that, with the fiasco of everything, the King had annulled any arrangements between Bramble and Lord Teddie. Lord Teddie's entire taffylike form slumped. He turned to go, all bounciness dissolved. "Do you mean it?" Lord Teddie turned quickly. Bramble's lips remained tight, but her gaze was up, blazing yellow. "Gad, yes," said Lord Teddie. "I love you so much, my fingers hurt!" "Oh!" Bramble slapped he hand over her mouth and doubled over. "Oh-oh-oh-oh!" She shook. It was hard to tell if she was crying, or coughing, or ill. "Oh!" In a billow of skirts, Bramble leaped. It was a grand jete worthy of the Delchastrian prima ballerina. She landed right on Lord Teddie, who had no choice but to catch her, and threw her arms around his neck. Then, to everyone's shock, she pressed her lips full on his. "Oh...my," said Clover. No one seemed more surprised than Lord Teddie who stumbled back under Bramble's assault.
Heather Dixon Wallwork (Entwined)
The only reason that some people aren’t ashamed of their parents and/or siblings is because they know that we know that they did not choose them.
Mokokoma Mokhonoana
As she stood in the darkened room and watched my sister and father, I knew one of things that heaven meant. I had a choice, and it was not to divide my family in my heart.
Alice Sebold (The Lovely Bones)
Worrying never heads off a crisis, and it doesn't prepare you for one.
Emilie Richards (Sister's Choice (Shenandoah Album, #5))
No hope is false, Atlas. Hope is a choice. Hope means hoping even when things seem hopeless. Choose to be hopeful, and amazing things can happen.
Lucinda Riley (Atlas: The Story of Pa Salt (The Seven Sisters, #8))
We lose ourselves,” she repeated, forming each word with care, “but we find our way back.” Wasn’t that the story of her life? Wasn’t that the story of Bethie’s? You make the wrong choices, you make mistakes, you disappear for a decade, you marry the wrong man. You get hurt. You lose sight of who you are, or of who you want to be, and then you remember, and if you’re lucky you have sisters or friends who remind you when you forget your best intentions. You come back to yourself, again and again. You try, and fail, and try again, and fail again.
Jennifer Weiner (Mrs. Everything)
At the time, it was romance novels that reminded me. Since you’ve never read one, that probably sounds weird. But it’s all about emotion, Dan—the whole thing, the whole story, the whole point. Just book after book about people facing their issues head on, and handling it, and never, ever failing—at least, not for good. I felt like my world had already ended unhappily, but every book I read about someone who’d been through the worst and found happiness anyway seemed to say the opposite. Like my story didn’t need to be over if I didn’t want it to. Like, if I could just be strong enough to reclaim my emotions, and to work through them, maybe I’d be okay again. That’s kind of what inspired me to, er, keep going. To make good choices, even when feeling better seemed impossible.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
There’s a paralysis in choice, especially when what’s at stake is more precious to a person than what they own.
Mark Lawrence (Grey Sister (Book of the Ancestor, #2))
God never sends suffering. Never. It is never "God's will" that we should suffer. God would like us not to suffer. But since the world brings suffering, and since God refuses to use His almighty power and treat us as foolish children, He aligns Himself with us, goes into Auschwitz with us, is devastated by 9/11 with us, and draws us with Him through it all into fulfillment. This is a high price to pay for our human freedom, but it is worth it. To be mere automatons for whom God arranges the world to cause us no suffering would mean we never have a self. We could not make choices.
Wendy Beckett
but sometimes love is worth every foolish choice you make.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Sabrina suggested they burn their orange monkey sweaters and blue heart covered pants but Daphne refused. Granny took Sabrina aside and apologised for the outfit, saying that Mr. Canis might not have been the right choice to shop for girls. After all, he was colour-blind.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
Nature offers us a thousand simple pleasers- Plays of light and color, fragrance in the air, the sun's warmth on skin and muscle, the audible rhythm of life's stir and push- for the price of merely paying attention. What joy! But how unwilling or unable many of us are to pay this price in an age when manufactured sources of stimulation and pleasure are everywhere at hand. For me, enjoying nature's pleasures takes conscious choice, a choice to slow down to seed time or rock time, to still the clamoring ego, to set aside plans and busyness, and to simply to be present in my body, to offer myself up. Respond to the above quote. Pay special attention to each of your five senses as you describe your surroundings. Also, you need to incorporate at least one metaphor and smile in your descriptions.
Lorraine Anderson (Sisters of the Earth: Women's Prose and Poetry About Nature)
Oh, you know me.” Jean reached behind his neck, down behind the loose leather vest he wore over his simple cotton tunic. He withdrew a pair of matching hatchets, each a foot and a half in length, with leather-wrapped handles and straight black blades that narrowed like scalpels. These were balanced with balls of blackened steel, each as wide around as a silver solon. The Wicked Sisters—Jean’s weapons of choice. “I never travel alone. It’s always the three of us.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
For me, family means the silent treatment. At any given moment, someone is always not speaking to someone else.' Really,' I said. We're passive-aggressive people,' she explained, taking a sip of her coffee. 'Silence is our weapon of choice. Right now, for instance, I'm not speaking to two of my sisters and one brother... At mine [my house], silence is golden. And common.' To me,' Reggie said, picking up a bottle of Vitamin A and moving it thoughtfully from one hand to the other, 'family is, like, the wellspring of human energy. The place where all life begins.'... Harriet considered this as she took a sip of coffee. 'Huh,' she said. 'I guess when someone else does something worse. Then you need people on your side, so you make up with one person, jsut as you're getting pissed off at another.' So it's an endless cycle,' I said. I guess.' She took another sip. 'Coming together, falling apart. Isn't that what families are all about?
Sarah Dessen (Lock and Key)
We pay for every little choice we make. You traded everyone else’s life for yours. I traded my life for everyone else’s.
Sister Souljah (The Coldest Winter Ever)
She went to him because there was no other choice.
Christine Feehan (Bound Together (Sea Haven/Sisters of the Heart, #6))
I don't know if she's making the right choice, but it's not my choice to make. I promise to support her, whatever she decides. Because that's what sisters do.
Megan McCafferty (Thumped (Bumped, #2))
{Calpurnia)"My mother…she’s desperate for a daughter she can dress like a porcelain doll. Sadly, I shall never be such a child. How I long for my sister to come out and distract the countess from my person." He joined her on the bench, asking, "How old is your sister?" "Eight," she said, mournfully. "Ah. Not ideal." "An understatement." She looked up at the star-filled sky. "No, I shall be long on the shelf by the time she makes her debut." "What makes you so certain you’re shelf-bound?" She cast him a sidelong glance. "While I appreciate your chivalry, my lord, your feigned ignorance insults us both." When he failed to reply, she stared down at her hands, and replied, "My choices are rather limited." "How so?" "I seem able to have my pick of the impoverished, the aged, and the deadly dull.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Has she accepted you?" "Not yet.She wants to discuss it with you first." "Thank God.Because I'll tell her that it's the worst idea I've ever heard." Leo arched a brow."You doubt I could protect her?" "I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire." "I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?" He saw from Harry's expression that only a few fragile constraints stood between him and certain death. "You seduced her deliberately," Harry managed to say. "Would you be happier if I claimed it was an accident?" "The only thing that would make me happy is to weight you with rocks and toss you into the Thames." "I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago." Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her." Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly." "That does it," Harry muttered, leaping for his throat.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.' 'You said the other day life was long,' I shot back. 'Which is it?' ' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.' 'Nothing can be two opposite things at once,' I said. 'It's impossible.' 'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.' 'Uh-huh,' Monica said, looking at her sister. 'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.' Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said. 'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked. 'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.' But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life. 'It's the same thing,' I told her. 'What is?' 'Being afraid and being alive.' 'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
Sarah Dessen (The Truth About Forever)
Then, Mother above, Nesta shifted her attention to Cassian, noticing that gleam—what it meant. She snarled softly, “What are you looking at?” Cassian’s brows rose—little amusement to be found now. “Someone who let her youngest sister risk her life every day in the woods while she did nothing. Someone who let a fourteen-year-old child go out into that forest, so close to the wall.” My face began heating, and I opened my mouth. To say what, I didn’t know. “Your sister died—died to save my people. She is willing to do so again to protect you from war. So don’t expect me to sit here with my mouth shut while you sneer at her for a choice she did not get to make —and insult my people in the process.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
We have this extraordinary conceit in the West that while we've been hard at work in the creation of technological wizardry and innovation, somehow the other cultures of the world have been intellectually idle. Nothing could be further from the truth. Nor is this difference due to some sort of inherent Western superiority. We now know to be true biologically what we've always dreamed to be true philosophically, and that is that we are all brothers and sisters. We are all, by definition, cut from the same genetic cloth. That means every single human society and culture, by definition, shares the same raw mental activity, the same intellectual capacity. And whether that raw genius is placed in service of technological wizardry or unraveling the complex thread of memory inherent in a myth is simply a matter of choice and cultural orientation.
Wade Davis
When I choose myself, do not be afraid if my choice looks different than yours
Lauren J.A. Bear (Medusa's Sisters)
Let us dedicate this new era to mothers around the world, and also to the mother of all mothers -- Mother Earth. It is up to us to keep building bridges to bring the world closer together, and not destroy them to divide us further apart. We can pave new roads towards peace simply by understanding other cultures. This can be achieved through traveling, learning other languages, and interacting with others from outside our borders. Only then will one truly discover how we are more alike than different. Never allow language or cultural traditions to come between brothers and sisters. The same way one brother may not like his sister's choice of fashion or hairstyle, he will never hate her for her personal style or music preference. If you judge a man, judge only his heart. And if you should do so, make sure you use the truth in your conscience when weighing one's character. Do not measure anybody strictly based on the bad you see in them and ignore all the good.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
She just wanted to take one step that belonged to her, make one move that she had independently decided to make, but at every turn it felt as if her strings were being pulled by unseen hands.
Emma Törzs (Ink Blood Sister Scribe)
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear so suddenly last night? It’s not like you to simply vanish without saying—” “I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.” Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask. “Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea. “Doing what?” Daisy asked blankly. Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The textbooks are dumbed down to the where your kid sister could probably read them, and the teacher go over and over and over the same stuff anyway, drilling it into your head so that they can ask you one hundred multiple-choice questions to get it all back out of you again.
Charles Benoit (You)
HECUBA: I had a knife in my skirt, Achilles. When Talthybius bent over me, I could have killed him. I wanted to. I had the knife just for that reason. Yet, at the last minute I thought, he's some mother's son just as Hector was, and aren't we women all sisters? If I killed him, I thought, wouldn't It be like killing family?Wouldn't it be making some other mother grieve? So I didn't kill him, but if I had, I might have saved Hector's child. Dead or damned, that's the choice we make. Either you men kill us and are honored for it, or we women kill you and are damned for it. Dead or damned. Women don't have to make choices like that in Hades. There is no love there, nothing to betray.
Sheri S. Tepper (The Gate to Women's Country)
Oh, baby sister. We all want things we shouldn’t have. Even you. Just because you love him doesn’t mean you should. Love is a choice, like anything else.
Kiersten White (Perfect Lies (Mind Games, #2))
Growing old is not for sissies.
Emilie Richards (Sister's Choice (Shenandoah Album, #5))
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
Hermann Hesse (Steppenwolf)
Rationality is not unnecessary. It serves the chaos of knowledge. It serves feeling. It serves to get from this place to that place. But if you don't honor those places, then the road is meaningless. Too often, that's what happens with the worship of rationality and that circular, academic, analytic thinking. But ultimately, I don't see feel/think as a dichotomy. I see them as a choice of ways and combinations.
Audre Lorde (Sister Outsider: Essays and Speeches)
Your death has not been waiting for your arrival at the appointed hour; it has, for all the years of your life, been racing towards you with the fierce velocity of time’s arrow. It cannot be evaded; it cannot be bargained with, deflected or placated. All that is given to you is the choice: Meet it with open eyes and peace in your heart, go gentle to your reward. Or burn bright, take up arms, and fight the bitch.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
If there was a moment that determined the course of my future, I'm pretty sure this was it. I had two somewhat simple choices. I could make a run for it and go back to Uncle Al's. Back to the bonfire where my cousins and dear sister would be drinking and revel in the normalcy of a Saturday night and forget I ever went to this horrid place and ran into this weirdo. Or I could go with said weirdo up the stairs in this decrepit old lighthouse, which was most likely condemned and unsafe, towards some unknown person (or thing) that was walking around, potentially waiting to murder us in horrific ways. It didn't seem like a very hard decision to make. In fact, I think 99.7% of people in the right frame of mind would have picked from column A and gone on with their merry lives. But for some freaking crazy reason, I thought that maybe, just maybe I should go with this stranger up those kelp-ridden stairs and toward the lair of unimaginable horror. You know, because it was the more interesting alternative.
Karina Halle (Darkhouse (Experiment in Terror, #1))
I believe that women ought to be more proactive about making choices in life. I think that I am not happy about seeing women take the passenger's seat and playing the victim game all too often. If you know a guy is engaged, don't kiss him! There is another woman in the situation whom you are hurting and that other woman could have very well been you, your sister, your mother! If someone is committed, don't sleep with him! There is another woman in the picture that is going to get hurt and that other woman is your sister, just because she is a woman too! This is the kind of proactive I want to see in women, everywhere. We're not victims of the choices that we make; we made those choices! Is another woman doing good? More successful? Happier? Good for her. Because she is your sister and she could very well be you. Let's respect the relationships, the personal paths, the doors and the walkways of our fellow women and let us wish one another the utmost happiness. Because this is the only way up and out.
C. JoyBell C.
Some mothers seem to have the capacity and energy to make their children's clothes, bake, give piano lessons, go to Relief Society, teach Sunday School, attend parent-teacher association meetings, and so on. Other mothers look upon such women as models and feel inadequate, depressed, and think they are failures when they make comparisons... Sisters, do not allow yourselves to be made to feel inadequate or frustrated because you cannot do everything others seem to be accomplishing. Rather, each should assess her own situation, her own energy, and her own talents, and then choose the best way to mold her family into a team, a unit that works together and supports each other. Only you and your Father in Heaven know your needs, strengths, and desires. Around this knowledge your personal course must be charted and your choices made.
Marvin J. Ashton
Question." "Yes," Candace asked expectantly, eyes fixed on the dark street ahead. "Have you ever had to chose sides between a friend and a boyfriend?" Candace nodded. "Which side are you suppose to pick?" "The right one." "What if they're both right?" "They're not." "But they are," Melody insisted. "That's the problem." "No." Candace slowly rolled past a police cruiser. "They both think they're right. But who do you think is right? Which side represents the thing you think is worth fighting for?" Melody glanced out the window as though she was expecting the answer to be revealed on a neighbor's lawn. Every house except hers had the lights turned off. "I dunno." "You do," Candace insisted. "You just don't have the courage to be honest with yourself. Because then you'd have to do the thing you don't want to do, and you hate doing anything that's hard. Which is why you gave up singing and why you have no life and why you've always been a -" "Um okay! Can we get back to the part where you were sounding like Oprah?" "I'm just saying, Melly, what would you do if you weren't afraid? That's your answer. That's your side." She turned into the circular driveway and put the SUV in PARK. "And if you don't choose it, you're lying to yourself and everyone around you." She opened the door and grabbed her purse. "Oprah out!" The door slammed behind her.
Lisi Harrison (Monster High (Monster High, #1))
How many times had I been caught in such a dilemma? Do I destroy the Trojans or the Greeks? Do I flirt with my sister's Hunters and risk getting slapped, or do I flirt with Britomartis and risk getting blow up? These are the kind of choices that define us.
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
Had she been able to articulate how she felt about her home life, had she been able to tell an adult, Jillian might have been surprised by the way things could change. But ah, if she had done that, she and her sister would never have become the bundle of resentments and contradictions necessary to summon a door to the Moors. Every choice feeds every choice that comes after, whether we want those choices or no.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
The shadow of the highest evil intermingled with the light of the highest good. Maybe all lives are filled with this. Maybe it is always a choice between embracing the darkness of one or the saving grace of the other.
Lisa Wingate (The Sea Glass Sisters (Carolina Heirlooms #.5))
Euryale could barely conceal the odium in her voice. “And their mothers allow you to enslave their children or leave them for dead?” “The mothers must survive in a world where men and gods—and men who think they are gods—limit their choices.” Charmion’s nostrils flared. “To have choices is to have power. Most women have neither.
Lauren J.A. Bear (Medusa's Sisters)
I knew I had to make a stand, somehow. Part of that would be saying no to the world’s desire for me to talk about my siblings, anywhere. Even in the pages of my own book. It is up to my brothers and sisters if they wish to share their story one day. But I’d be no better than Ruby if I detailed their experiences without their consent. They deserve to be given back the choice that had been stolen from them for so long. I don’t want to be anything like her, I thought. I won’t exploit them the way she did.
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
I think it all basically breaks down to something like this: You have to look and feel great first. If you eat well, exercise and get enough sleep, you will have ample energy and the proper self-confidence to create and produce beyond your wildest dreams! Looking great and radiating positive energy, while presenting your highest quality work, is what will always make you the most valuable and only logical choice in whatever it is that you reach for.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
It’s human nature to want your decisions validated. You feel better about yourself and your life when others make the same choices as you do.
Jessica Knoll (The Favorite Sister)
Making my way out of the bedroom, I found the loft empty, a visceral reminder that it had always been my sister’s choice not to know me.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
To have choices is to have power. Most women have neither.
Lauren J.A. Bear (Medusa's Sisters)
There's one way. Only one. Mine." Balthazar stepped closer, using every inch he had on Lucas, who was tall but not that tall. "Charity is a person. The same as you, the same as me." "You and me aren't the same." Balthazar cocked his head. "Then let's say the same as Bianca. Will that make you listen?" "Bianca's no killer! She didn't have a choice about what she is." "Guys, don't do this," I pleaded, but they paid no attention. "A choice? You think we all get a choice?" Although Balthazar spoke softly, there was a roughness to his voice I'd never heard before. It sent chills down my spine. "Try being hunted down in the night. Try running as far and as fast as you can and finding out their faster. Try coming to in a stable, with your parents' dead bodies on the ground in front of you, your hands roped above your head and a dozen hungry vampires arguing with each other about who gets you next. See how much choice you have then." Lucas just stared at him. Obviously he'd never imagined anything like that; neither had I. Even more quietly, Balthazar continued, "Try watching your baby sister die, and then tell me that you wouldn't spend the rest of eternity trying to make up for it. When you've done all that, Lucas, then you can talk to me about choices. Until that time, tell me what I need to know and then shut your mouth.
Claudia Gray (Stargazer (Evernight, #2))
Either to die the death or to abjure For ever the society of men. Therefore, fair Hermia, question your desires; Know of your youth, examine well your blood, Whether, if you yield not to your father's choice, You can endure the livery of a nun, For aye to be in shady cloister mew'd, To live a barren sister all your life, Chanting faint hymns to the cold fruitless moon. Thrice-blessed they that master so their blood, To undergo such maiden pilgrimage; But earthlier happy is the rose distill'd, Than that which withering on the virgin thorn Grows, lives and dies in single blessedness.
William Shakespeare (A Midsummer Night’s Dream)
We who are Black are at an extraordinary point of choice within our lives. To refuse to participate in the shaping our future is to give it up. Do not be misled into passivity either by false security (they don't mean me) or by despair (there's nothing we can do). Each of us must find our work and do it. Militancy no longer means guns at high noon, if it ever did. It means actively working for change, sometimes in the absence of any surety that change is coming. It means doing the unromantic and tedious work necessary to forge meaningful coalitions, and it means recognizing which coalitions are possible and which coalitions are not. It means knowing that coalition, like unity, means the coming together of whole, self-actualized human beings, focused and believing, not fragmented automatons marching to a prescribed step. It means fighting despair.
Audre Lorde (Sister Outsider: Essays and Speeches)
Everything has its way of speaking and telling things worth knowing. Even the little grass-blades have their way of saying things as plain as words when human lips let them fall...the choice bits of wisdom...were never written down in any books.
Julia Peterkin (Scarlet Sister Mary)
Inside the room it was dark now, the florescent light behind my father flickering so slightly it lit only the most obvious masses in the room. My sister was in a chair pulled up alongside the bed, her head resting on the side of it with her hand extended out to touch my father. My father, deep under, was lying on his back. My mother could not know that I was there with them, that here were the four of us, so changed now from the days when she tucked Lindsey and me into bed and went to make love to her husband, our father. Now she saw the pieces. She saw that my sister and father, together, had become a piece. She was glad of it. I had played a hide-and-seek game of love with my mother as I grew up, courting her attention and approval in a way that I had never had to with my father. I didn't have to play hide-and-seek anymore. As she stood in the darkened room and watched my sister and father, I knew one of the things that heaven meant. I had a choice, and it was not to divide my family in my heart. ~pg 154; Susie's family and heaven
Alice Sebold (The Lovely Bones)
Committing myself to the task of becoming fully human is saving my life now...to become fully human is something extra, a conscious choice that not everyone makes. Based on my limited wisdom and experience, there is more than one way to do this. If I were a Buddhist, I might do it by taking the bodhisattva vow, and if I were a Jew, I might do it by following Torah. Because I am a Christian, I do it by imitating Christ, although i will be the first to admit that I want to stop about a day short of following him all the way. In Luke's gospel, there comes a point when he turns around and says to the large crowd of those trailing after him, "Whoever comes to me and does not hate father and mother, wife and children, brothers and sisters, yes, and even life itself, cannot be my disciple" (14:26). Make of that what you will, but I think it was his way of telling them to go home. He did not need people to go to Jerusalem to die with him. He needed people to go back where they came from and live the kinds of lives that he had risked his own life to show them: lives of resisting the powers of death, of standing up for the little and the least, of turning cheeks and washing feet, of praying for enemies and loving the unlovable.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
But see, feminism isn’t about helping a fellow sister. It’s about an equal playing field. It’s about giving women choices, not guarantees.” Tia
Harlan Coben (Hold Tight)
Colored enslaved women are no concubines. She has no choice but to accept his rape...
Vanessa Riley (Sister Mother Warrior)
Choice is a mighty powerful thing, Ivy. When the time comes, choose your sisters wisely.
Bianca Marais (The Witches of Moonshyne Manor)
Marriage is nothing but a continuation of what you have already have.
Natasha Munson (Life Lessons for My Sisters: How to Make Wise Choices and Live a Life You Love!)
i don't suppose I have a choice.' 'As with so many things in a life, brother, I don't suppose you do.
Patrick deWitt (The Sisters Brothers)
Love is one part courage, one part choice, and one part luck. And like anything worth fighting for, it’s worth it in the end.
Amalie Howard (The Beast of Beswick (Everleigh Sisters, #1))
Sister?” Jessie Kay scowled. “Do I really look like his sister? I clearly come from grade-A stock while his ancestors made a few poor choices along the way.
Gena Showalter
It's important that a woman doesn't feel like the ugly sister. The second, lesser choice. That's a bitterness that won't sweeten.
Emma Chase
I’m putting on my own oxygen mask,” she whispered, doing her best not to give in to the need to throw up. “I’m saving myself. I’m allowed to do that. It’s going to be okay.
Susan Mallery (Sisters by Choice (Blackberry Island, #4))
Most people go through life never knowing what it’s like to have a calling, one that asks you to sacrifice the pleasure of the moment for the potential of a dream that may not be realized for years, if at all. It sets you apart from others, whether you want it to or not. It can be grueling, lonely, and punishing, but, if it is really your calling, it is not a choice.
Coco Mellors (Blue Sisters)
For it is a choice, I think, to close the heart, just as it is a choice to open it. It is a choice to look at what distresses you, and a choice to shut your eyes. It is a choice to hold tight your pain, or else let it slip your grasp, set it free to make its mark upon the world.
Beth Underdown (The Witchfinder's Sister)
I have two choices: attend my sister's dinner party or tie a plastic sack around my mother's head until she runs out of ngagging. I choose the evil that doesn't come witha felony conviction.
Alex Adams (White Horse (White Horse, #1))
If I could go back in time I'd make the same choice in a snap. And yet, there remains my sister life. All the other things I could have done instead. I wouldn't know what I couldn't know until I became a mom, and so I'm certain there are things I don't know because I can't know because I did. Who would I have nurtured had I not been nurturing my two children over these past seven years? In what creative and practical forces would my love have been gathered up? What didn't I write because I was catching my children at the bottoms of slides and spotting them as they balanced along the tops of low brick walls and pushing them endlessly in swings? What did I write because I did? Would I be happier and more intelligent and prettier if I had been free all this time to read in silence on a couch that sat opposite of Mr. Sugar's? Would I complain less? Has sleep deprivation and the consumption of an exorbitant number of Annie's Homegrown Organic Cheddar Bunnies taken years off my life or added years onto it? Who would I have met if I had bicycled across Iceland and hiked around Mongolia and what would I have experienced and where would that have taken me? I'll never know, and neither will you of the life you don't choose. We'll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn't carry us. There's nothing to do but salute it from the shore.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
You spend so much time being upset about being in the hospital in the first place that it is almost jarring to realize how many people don’t ever leave. I could have been just like his sister. I could have never woken up. But I did. I’m one of the ones who did. I consider for a moment what would have happened if I’d been standing just a little bit farther in the road or a little bit off to the side. What if I’d been thrown to the left instead of to the right? Or if the car had been going five miles per hour faster? I might not have ever woken up. Today could have been my funeral. How weird is that? How absolutely insane is that? The difference between life and death could be as simple and as uncomfortably slight as a step you take in either direction. Which means that I am here today, alive today, because I made the right choices, however brief and insignificant they felt at the time. I made the right choices.
Taylor Jenkins Reid (Maybe in Another Life)
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction. So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof. You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy. We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
Malcolm X
Tyrion was exceedingly courteous; he offered his sister the choice portions of every dish, and made certain he ate only what she did. Not that he truly thought she’d poison him, but it never hurt to be careful.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Of course this is the choice. It's always this choice in the end--sacrifice someone else, trade one heart for another, buy your survival at the price of someone else's. Save yourself but leave your sister behind.
Alix E. Harrow (The Once and Future Witches)
Her mother leaned in. “She calls him ‘Colossus.’Now what do you think that is for?” “I’m sure she’s fine—” “Not if she is with Colossus. She asked me last week if I could get her birth control.” “Okay, okay. What do you want me to do?” “I want you to find that campground and bring your sister home.”.... “Fine.” “You’re going to go now?” “Do I have any choice? It’s either that or let Lucy get impregnated by the Colossus, right?
Jessica Clare (The Care and Feeding of an Alpha Male (Bluebonnet, #2))
Your father and I did everything we could to help Tina be happy and healthy. But it wasn’t her path. And it took years, but we finally understood that it wasn’t our path to turn her into someone she’s not. We did our best with your sister. But Tina’s choices are not a measure of our worth. It’s a tough lesson, but we got it.
Lucy Score (Things We Never Got Over (Knockemout, #1))
They had to die. They were killing innocent people. (Wulf) They were surviving, Wulf. You never had to face the choice of being dead at twenty-seven. When most people’s lives are just beginning, we are looking at a death sentence. Have you any idea what it’s like to know you can never see your children grow up? Never see your own grandchildren? My mother used to say we were spring flowers who are only meant to bloom for one season. We bring our gifts to the world and then recede to dust so that others can come after us. When our loved ones die, we immortalize them like this. I have one for my mother and the other four are my sisters. No one will ever know the beauty of my sisters’ laughter. No one will remember the kindness of my mother’s smile. In eight months, my father won’t even have enough of me left to bury. I will become scattered dust. And for what? For something my great-great-great-whatever did? I’ve been alone the whole of my life because I dare not let anyone know me. I don’t want to love for fear of leaving someone like my father behind to mourn me. I will be a vague dream, and yet here you are, Wulf Tryggvason. Viking cur who once roamed the earth raiding villages. How many people did you kill in your human lifetime while you sought treasure and fame? Were you any better than the Daimons who kill so that they can live? What makes you better than us? (Cassandra) It’s not the same thing. (Wulf) Isn’t it? You know, I went to your Web site and saw the names listed there. Kyrian of Thrace, Julian of Macedon, Valerius Magnus, Jamie Gallagher, William Jess Brady. I’ve studied history all my life and know each of those names and the terror they wrought in their day. Why is it okay for the Dark-Hunters to have immortality even though most of you were killers as humans, while we are damned at birth for things we never did? Where is the justice in this? (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I believe we all have the choice to be better than the hands that shaped us. If I have the chance to do right by someone else, then why wouldn’t I take it?’ Wymack gave him a minute to consider that, then said. ‘Talk to me. What’s going on?’ She was a child. She was my baby sister, and I should have protected her, but I- I was just a child, too.
Nora Sakavic (The Sunshine Court (All For the Game, #4))
They say people are more important than stuff. Maybe that’s true, though I think there’s a reason nobody except Brothers and Sisters renounces their possessions. Even the destitute have something they cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mother says make me look like I’m in the army, this is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That’s the toy turtle my gramma gave me before she died. All I have now is me.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
I don't know what you want from me then,' she cried, casting out her arms. 'For I cannot make my situation any different. I must marry. And so far, I have no promises.' He would not look at her. 'Ask me then,' she said, voice raw, 'ask me if I should like, if I should want to marry Pemberton, were the choice only about me?' He looked up. 'Would you?' 'No,' she said, voice cracking. 'Now ask me, whether I should still love you, were the choice only mine to make?' He took a step forward. 'Would you?' he said again. 'Yes,' she confessed. 'I will always choose my sisters. I will choose their need more than my want every day. But I want you just as much as I need money. You see me, in my entirety - the worst and the best of me - as no one else ever has.
Sophie Irwin (A Lady's Guide to Fortune-Hunting (A Lady's Guide, #1))
You make the wrong choices, you make mistakes, you disappear for a decade, you marry the wrong man. You get hurt. You lose sight of who you are, or of who you want to be, and then you remember, and if you’re lucky you have sisters or friends who remind you when you forget your best intentions. You come back to yourself, again and again. You try, and fail, and try again, and fail again.
Jennifer Weiner (Mrs. Everything)
Often we imagine that we will work hard until we arrive at some distant goal, and then we will be happy. This is a delusion. Happiness is the result of a life lived with purpose. Happiness is not an objective. It is the movement of life itself, a process, and an activity. It arises from curiosity and discovery. Seek pleasure and you will quickly discover the shortest path to suffering. Other people, friends, brothers, sisters, neighbors, spouses, even your mother and I are not responsible for your happiness. Your life is your responsibility, and you always have the choice to do your best. Doing your best will bring happiness. Do not be overconcerned with avoiding pain or seeking pleasure. If you are concentrating on the results of your actions, you are not dedicated to your task.
Ethan Hawke (Rules for a Knight)
Witnessing all of those hardworking female street vendors in Vietnam also made me understand why my mom felt so passionate about me and my sisters working. While we were in Vietnam together, she explained that the country had a history of always being in wartime, so women were expected to rise to the occasion of making money for the family. Vietnamese women were always ready to take over roles traditionally filled by men, Like A League of Their Own (but where everyone is Marla Hooch). I also understood why my mom wasn't into processing her feelings, and how she was taught to just get over tragedy. To survive, she had to believe things like depression and allergies were a choice. In a culture entrenched in wartime, those who chose to be unhappy or to refuse gluten didn't last long.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
Are you planning to go, Penelope? Planning to ruin our marriage and your reputation and your sisters' names with one selfish choice?" She could not stop herself from replying. "I am selfish?" She laughed, and pushed past him toward the door. "That is amusing, coming from you- the most selfish man I've ever known- selfish enough to destroy your friends, and your wife in service to your own goals.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
It has been said that Black men cannot be denied their personal choice of the woman who meets their need to dominate. In that case, Black women also cannot be denied our personal choices, and those choices are becoming increasingly self-assertive and female oriented.
Audre Lorde (Sister Outsider: Essays and Speeches)
His heart lifted to a state approaching something like happiness, however, when he heard, unexpectedly, the sound of Rhea's low sweet voice humming gently to herself as she came up the slope towards the mountaintop. Loveliest sister and dearest wife! It was quite natural that she had been a little upset by his consumption of their six children, but she surely understood that he had had no choice. She was a Titan, she knew about duty and destiny.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
But in the world of consumer advertising and consumer purchasing, no evil is moral. The evils consist of high prices, inconvenience, lack of choice, lack of privacy, heartburn, hair loss, slippery roads. This is no surprise, since the only problems worth advertising solutions for are problems treatable through the spending of money. But money cannot solve the problem of bad manners—the chatterer in the darkened movie theater, the patronizing sister-in-law, the selfish sex partner—except by offering refuge in an atomized privacy. And such privacy is exactly what the American Century has tended toward.
Jonathan Franzen (How to Be Alone: Essays)
She [my sister] loves me well enough, but she’s of the opinion that sailing is not a proper profession and, apparently, there’s a misery-to-fun ratio I’m failing to honor. She views my choices through her lens and has arrived at the conclusion that I’m doing life wrong, rather than considering I have a lens of my own.
Trish Doller (Float Plan (Beck Sisters, #1))
The blessing was a mercy. He was offering me the same terms of surrender he had offered my sister. I imagined what a relief it must have been for her, to realize she could trade her reality—the one she shared with me—for his. How grateful she must have felt to pay such a modest price for her betrayal. I could not judge her for her choice, but in that moment I knew I could not choose it for myself. Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasn’t a demon: it was me.
Tara Westover (Educated)
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gaveher a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The storm was resting. It didn’t want to be, but it was. It had spent a fortnight understudying a famous anticyclone over the Circle Sea, turning up every day, hanging around in the cold front, grateful for a chance to uproot the occasional tree or whirl a farmhouse to any available emerald city of its choice. But the big break in the weather had never come.
Terry Pratchett (Wyrd Sisters (Discworld, #6))
Her sister, Vicky, had explained to her that being female, she had no choice but to be involved in the Battle of the Sexes.[MMT]
Nicholas Chong
had royal brides ever had freedom of choice?
Helen Rappaport (The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra (The Romanov Sisters #2))
Happiness comes from listening to yourself and making choices that work for you, not others.
Patty Ptak Kogutek (A Change of Habit: A Spiritual Journey from Sister Mary Kateri to Sister Mary Vodka)
Woman’s Anthem Women are fierce. They are powerful. No matter what language they speak, how they dress, or the work they choose to do. What matters is they have a choice, and the freedom to carve out a life for themselves. As long as we know women who are strong and resilient, we must respect them, carry them forward, lift them up. For they are the product of all our other selves, the women we were, the ones we strive to be, the collective struggle of our mothers, our sisters, our daughters. Our salvation will only come if we stand together
Lang Leav (Love Looks Pretty on You (Lang Leav))
I feel like the caterpillar that we think is making a choice when he eats or pupates but, in fact, is not. He's ruled by molecular forms of incluence acting on the base components of a moth. Likewise, perhaps I have become a killer through circumstances acting on my biological make-up. Which means, of course, that none of this is my fault and that it's all out of my hands.
Poppy Adams (The Sister)
There’s a Chinese word that means “soul sister,” and that is the word I would use to address you in my heart. Listen to me, soul sister: Fate or luck or destiny already put you through hell once. Please don’t make it worse by condemning yourself. There is no choice that would have left you feeling no guilt. Every time I watch Adam struggle to speak, every time I see another child laugh and point at him, every time I watch his face fall as he realizes he is not going to be treated like the other kids, I feel wrenched by guilt just as you did when you heard my story. Life is hard. We make the best choices we can. Condemnation, whether it comes from around you or inside you, only robs the world of another dram of compassion. God knows, we need all the compassion we can get. If you promise to try to forgive yourself, I’ll try to forgive myself as well. I think, in my heart of hearts, that there is nothing for either one of us to forgive.
Martha Beck
Celine believed things for exactly as long as she wanted to. Being smart, being logical, didn't help her. It just enabled her baroque self-deceit. Phoebe took the simpler route of putting no consideration into her life choices, but both sisters wound up equally mired in their own bullshit. Celine's decision-making required more cognitive energy, but not necessarily more thought.
Naoise Dolan (The Happy Couple)
I can’t grieve with my sisters, not explicitly. It’s too raw, too present. And to grieve with them seems like a defilement of the miracle of our togetherness. We never hold one another and cry.
Edith Eger (The Choice: Embrace the Possible)
Sister Katherine smiled. ‘Such arrogance. You did not choose God, Maria. He chose you. For you, as his servant, there is no such thing as choice. You must do what is right. You may do no other.
Jack Higgins (Luciano's Luck)
You make the wrong choices, you make mistakes, you disappear for a decade, you marry the wrong man. You get hurt. You lose sight of who you are, or of who you want to be, and then you remember, and if you’re lucky you have sisters or friends who remind you when you forget your best intentions. You come back to yourself, again and again. You try, and fail, and try again, and fail again. She
Jennifer Weiner (Mrs. Everything)
You wanted someone to pet you, and pamper you, and-and let you be fragile for a while! And i didn't! I was done being fragile. I wanted to have an adventure, I wanted to learn things and do things and not just be someone's precious trinket! Neither of us had any choices, Jill we never got to be sure of anything! So i left you, because if I didn't choose to go, we were going to keep not choosing anything. I'm sorry. I failed to be your sister. I didn't realize you needed me. But that doesn't make it right for you to take whatever you want and act like no one else matters. People matter. I matter
Seanan McGuire
Talking about Meghann’s painful choice and the lonely years that had followed it wouldn’t help. Her past wasn’t a collection of memories to be worked through; it was like an oversize Samsonite with a bum wheel.
Kristin Hannah (Between Sisters)
Other hurdles were ideological. ‘I’m not fucking fighting to defend women’s right to wear the veil, the hijab, the niqab, whatever,’ she declaimed. ‘All these young women these days who describe the veil as a signifier of their identity. I tell them they are suffering from what that presently unfashionable philosopher Karl Marx would have called false consciousness. In most of the world the veil is not a free choice. Women are forced into invisibility by men. These girls in the West making their quote- unquote free choices are legitimising the oppression of their sisters in the parts of the world where the choice is not free. That’s what I tell them, and they are very shocked. They tell me they find my remarks offensive. I tell them I feel the same way about the veil. It’s exhausting. I’ve become embittered. I just needed to stop.
Salman Rushdie (Quichotte)
Serena whirled, turning toward Lorelei, her eyes wild as she considered the second choice she had just been offered. Lorelei gave her a small nod.  She shifted to Kary, silently begging her younger sister to have mercy.  
Rebecca Queen (Elysian (A Celestian Novel, #1))
Cynthia had been on friendly terms with an eccentric librarian called Porlock who in the last years of his dusty life had been engaged in examining old books for miraculous misprints such as the substitution of "1" for the second "h" in the word "hither." Contrary to Cynthia, he cared nothing for the thrill of obscure predictions; all he sought was the freak itself, the chance that mimics choice, the flaw that looks like a flower; and Cynthia, a much more perverse amateur of misshapen or illicitly connected words, puns, logogriphs, and so on, had helped the poor crank to pursue a quest that in the light of the example she cited struck me as statistically insane. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
His mother is dead. She was a suicide. Her marriage was terrifying to her. In the center of it she found herself completely alone. During the last year she sent long telegrams to her sister, sometimes quoting poetry, Swinburne, Blake. One day she burned her diaries, a spring day, and walked into the Connecticut River to drown, just like Virginia Woolf or Madame Magritte. She was buried in Boston, her home. I could see the ceremony. Dean is six years old and his sister three. They stand stunned and obedient as the great, glistening coffin is lowered into the ground. Within lies the drowned woman who had given them life and who now gives an example of melancholy and commitment which will stay with them forever. Clods of earth thunder onto the hollow lid and, half-orphan, bearer of his mother’s death which is not yet even real, he begins his life. Much of it you know, at any rate college, the wanderings. Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with those daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.
James Salter (A Sport and a Pastime)
Phelan,” Cam said, looking up with an easy smile, “have you come to see the timber yard?” “Thank you, but I’m here for another reason.” Leo, who was standing near the window, glanced from Christopher’s rumpled attire to Beatrix’s disheveled condition. “Beatrix, darling, have you taken to going off the estate dressed like that?” “Only this once,” she said apologetically. “I was in a hurry.” “A hurry involving Captain Phelan?” Leo’s sharp gaze moved to Christopher. “What do you wish to discuss?” “It’s personal,” Christopher said quietly. “And it concerns your sister.” He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles. “Which one of you should I talk to?” Christopher asked. They pointed to each other and replied at the same time. “Him.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
All these young women these days who describe the veil as a signifier of their identity. I tell them they are suffering what the presently unfashionable philosopher Karl Marx would have called false consciousness. In most of the world the veil is not a free choice. Women are forced into invisibility by men. These girls in the West making their quote-unquote free choices are legitimizing the oppression of their sisters in the parts of the world where the choice is not free.
Salman Rushdie (Quichotte)
Ben was suffering from something over which he had little control. but I've been to that same dark place and I made a different choice. That doesn't mean I don't have bleak days when I hate myself and everyone else. But if I can promise you nothing else, it's that I intend to leave this world old, stooped. and with white hairs sticking out of my ears. And if having that image pressed into your brain hasn't given you second thoughts, well...I'm yours for as long as you want me.
Trish Doller (Float Plan (Beck Sisters, #1))
Control is a drug, and we are all hooked, whether or not we believe in the prosperity gospel's assurance that we can muster the future with our words and attitudes. I can barely admit to myself that I have almost no choice but to surrender, but neither can those around me. I can hear it in my sister-in-law's voice as she tells me to keep fighting. I can see it in my academic friends, who do what researchers do...Buried in all their concern is the unspoken question: Do I have any control?
Kate Bowler
If you love her as much as you claim you do, why can’t you let her be happy? She’s made her choice,” Lucas asked. “It’s because I love her that I’m trying to protect her from you. I could give her a better life in the heavens, away from danger,” Clyde fired back. Lucas chuckled, further maddening Clyde. “Maybe you could give her a better life, but you don’t love her. You know nothing of love, angel. If she chose you, I’d let her go because I love her. Above my needs come hers. That’s love.
J.L. Sheppard (Demon King's Desire (Elemental Sisters #1))
Standing there at Powell’s grave, telling my nephew about a buried skull, I realize how much of our relationship revolves around body parts and severed heads. Once Owen learned to walk, we started playing a game I call Frankenstein, in which I am Frankenstein’s monster and I chase him around trying to harvest his organs and appendages because my master is building another boy. “Frankenstein needs your spleen,” I yell, aping the voice of an announcer at a monster truck rally. “Give me your spleen!” Which is why the seemingly gross book I gave him for his birthday, a collection of poetry for children called The Blood-Hungry Spleen was actually a sentimental choice, even though my sister tells me it didn’t go over so well when he brought it to preschool.
Sarah Vowell (Assassination Vacation)
In a section of The Vaccine Book titled “Is it your social responsibility to vaccinate your kids?” Dr. Bob asks, “Can we fault parents for putting their own child’s health ahead of that of the kids around him?” This is meant to be a rhetorical question, but Dr. Bob’s implied answer is not mine. In another section of the book, Dr. Bob writes of his advice to parents who fear the MMR vaccine, “I also warn them not to share their fears with their neighbors, because if too many people avoid the MMR, we’ll likely see the disease increase significantly.” I do not need to consult an ethicist to determine that there is something wrong there, but my sister clarifies my discomfort. “The problem is in making a special exemption just for yourself,” she says. This reminds her of a way of thinking proposed by the philosopher John Rawls: Imagine that you do not know what position you are going to hold in society—rich, poor, educated, insured, no access to health care, infant, adult, HIV positive, healthy immune system, etc.—but that you are aware of the full range of possibilities. What you would want in that situation is a policy that is going to be equally just no matter what position you end up in. “Consider relationships of dependence,” my sister suggests. “You don’t own your body—that’s not what we are, our bodies aren’t independent. The health of our bodies always depends on choices other people are making.” She falters for a moment here, and is at a loss for words, which is rare for her. “I don’t even know how to talk about this,” she says. “The point is there’s an illusion of independence.
Eula Biss (On Immunity: An Inoculation)
In her years of ministry, she had always found these quiet moments to be worth more than most prayers. The small pause, the space of a few breaths between a choice and making it, between one step and the next. A moment to stop and steel yourself or falter if you needed.
Lina Rather (Sisters of the Forsaken Stars (Our Lady of Endless Worlds, #2))
For it is a choice, I think, to close the heart, just as it is a choice to open it. It is a choice to look at what distresses you, and a choice to shut your eyes. It is a choice to hold tight your pain, or to let it slip your grasp, set it free to make its mark upon the world.
Beth Underdown (The Witchfinder's Sister)
A girl who became accidentally pregnant might be forced to stand up before the congregation on a Sunday morning and beg forgiveness for her sins, while the equally sexually curious boy who helped get her pregnant sat, with his brothers and sisters in Christ, in judgment of her.
Willie Parker (Life's Work: A Moral Argument for Choice)
Sadie might not have many friends, but she’d never felt that she needed them: Alice was ne plus ultra. No one was cleverer, more daring, more beautiful, more athletic, more hilarious, more fill-in-the-adjective-of-your-choice than Alice. Even though they insisted Alice would recover, Sadie often found herself imagining a world that didn’t have Alice in it. A world that lacked shared jokes and music and sweaters and par-baked brownies and sister skin casually against sister skin, under the blankets, in the darkness, and most of all, lacking Alice, the keeper of the innermost secrets and shames of Sadie’s innocent heart. There was no one Sadie loved more than Alice, not her parents, not her grandmother. The world sans Alice was bleak, like a grainy photograph of Neil Armstrong on the moon, and it kept the eleven-year-old up late at night.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
The term bachelor girl was coined in 1895 to describe a specific breed of middle-class woman who chose to pursue the new educational and vocational opportunities opening up around her, which allowed her to live alone and support herself—so very unlike her sister the spinster, who was closely associated with the home, and the working-class women for whom work was an economic necessity. From roughly the 1870s to the 1910s, the marriage rate among educated women fell to 60 percent, 30 percent lower than the national average; clearly, for more than a few the single life was a deliberate choice.
Kate Bolick (Spinster: Making a Life of One's Own)
Rhys told himself that everything came with a price. He’d made a difficult choice years ago to regain all he had, and some days he could convince himself that life was like war: bitter, desperate choices were often made in the name of survival, and some inevitably survived at the expense of others.
Julie Anne Long (The Secret To Seduction (Holt Sisters Trilogy, #3))
Sadie might not have many friends, but she'd never felt that she needed them: Alice was ne plus ultra. No one was cleverer, more daring, more beautiful, more hilarious, more fill-in-the-adjective-of-your-choice than Alice. Even though they insisted Alice would recover, Sadie often found herself imaging a world that didn't have Alice in it. A world that lacked shared jokes and music and sweaters and par-baked brownies and sister skin casually against sister skin, under the blankets, in the darkness and most of all, lacking Alice, the keeper of innermost secrets and shames of Sadie's innocent heart.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I didn't want to hear another word he was saying, but then he was like, "You get to choose if you care. They can't take that away from you. And you get to choose if you're going to walk through the rest of your life like a dead man. I've made my choice." After that, he stood up and stomped off like he was made at me. It's a good thing too. Because what Eddie and Sister--everybody in this place--doesn't realize is, you and I never had a choice. There wasn't a single moment when we weren't risking something. Every minute, every second. An anxiety that never leaves. Struggling for breath my whole fucking life. And that's supposed to change in here?
Bryan Bliss (We'll Fly Away)
You make the wrong choices, you make mistakes, you disappear for a decade, you marry the wrong man. You get hurt. You lose sight of who you are, or of who you want to be, and then you remember, and if you’re lucky you have sisters or friends who remind you when you forget your best intentions. You come back to yourself, again and again.
Jennifer Weiner (Mrs. Everything)
Fruit of the Drunken Tree is a novel inspired by personal experience. Kidnapping was a reality for many Colombians until 2005 when the practice really began to decline. If they had not been kidnapped themselves, every Colombian knew someone who had experienced it: a friend, a family member, someone at work. There was once a girl like Petrona who worked as a live-in maid in my childhood house in Bogotá. Like Petrona she was forced into aiding in a kidnapping attempt against my sister and me, and like Petrona in the face of this impossible choice, she did not comply. I have thought of her throughout the years, along with all the women I have met who are stuck in hopeless situations in Colombia.
Ingrid Rojas Contreras (Fruit of the Drunken Tree)
She said, "Right now, while we have this time, I'm not going to do any of that other stuff. I'm going to seize this moment and simply enjoy being with Jesus while I can." Mary made a deliberate choice. She wasn't being lazy and using company as an excuse to get out of helping her sister with chores. She was choosing to focus on what mattered the most.
Craig Groeschel (Weird: Because Normal Isn't Working)
In addition to the gremlins, another thing that gets in the way of meaningful work is the struggle to define who we are and what we do in an honest way. In a world that values the primacy of work, the most common question that we ask and get asked is, “What do you do?” I used to wince every time someone asked me this question. I felt like my choices were to reduce myself to an easily digestible sound bite or to confuse the hell out of people. Now my answer to “What do you do?” is, “How much time do you have?” Most of us have complicated answers to this question. For example, I’m a mom, partner, researcher, writer, storyteller, sister, friend, daughter, and teacher. All of these things make up who I am, so I never know how to answer that question.
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
The attentive System 2 is who we think we are. System 2 articulates judgments and makes choices, but it often endorses or rationalizes ideas and feelings that were generated by System 1. You may not know that you are optimistic about a project because something about its leader reminds you of your beloved sister, or that you dislike a person who looks vaguely like your dentist.
Daniel Kahneman (Thinking, Fast and Slow)
Consider relationships of dependence,' my sister suggests. 'You don't own your body- that's not what we are, our bodies aren't independent. The health of our bodies always depends on choices other people are making.' She falters for a moment here, and is at a loss for words, which is rare for her. 'I don't even know how to talk about this,' she says. 'The point is there's an illusion of independence.
Eula Biss (On Immunity: An Inoculation)
You play at altruism, Miss Wyndham, but the truth is that you decided your sister was more important than my brother. What you don’t understand is that you don’t just ‘help people.’ Any choice to help someone, hurts someone else. You want to help Britain? Then take from Egypt. You want to heal someone? Then you leave someone else in pain, waiting. You want to save your sister? Then you kill my brother.
Tarun Shanker (These Ruthless Deeds (These Vicious Masks, #2))
I didn’t announce to my parents or my brothers and sisters that I wanted to be an astronaut. That would’ve elicited approximately the same reaction as announcing that I wanted to be a movie star. But from that night forward, my dream provided direction to my life. I recognized even as a 9-year-old that I had a lot of choices and my decisions mattered. What I did each day would determine the kind of person I’d become.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Now my sister is trembling and hurting. If I tell her I am awake, if I ask her what is wrong, if I become witness to her breakdown, she won’t have to be all alone with whatever is making her shake. But if I pretend I am asleep, I can preserve for her a mirror that doesn’t reflect back this new pain; I can be a selective mirror, I can shine back at her the things she wants to cultivate and leave everything else invisible.
Edith Eger (The Choice)
Well, sister, here’s the truth, and it may or may not surprise you that I’ve given this answer before, but it remains true. You aren’t going to find the time to pursue your goals; you’re going to make the time to pursue your goals. And the first thing you’re going to need to accept is that you are in control of your schedule. Yes, you, high-level executive. Yes, you, mama of four. Yes, you, college student with twenty-seven events this week. Yes, you, entry-level assistant with a demanding boss. You are in control of your schedule. In fact, there isn’t one thing in your life or your calendar right now that you didn’t allow to be there. Let that sink in for a second. Being overscheduled? That’s on you. Not finding time to feed yourself? You. Spending two hours a night watching TV or scrolling Instagram as a way to relax? Also your choice.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
....she has realized why people believe in a soul. It's because they have to for they have no other choice. It's hard to bear that all the conversations, all the memories you had with your parents,with your sisters, with the person you loved were burnt or buried, snuffed out of life. So conveniently, people invented the soul, not for the benefit of the deceased, but the loved ones he or she left behind, to make them feel that while they suffer, he or she is watching, and that they equally miss them, like they, too, think of them, and they, too, are watching him. We can't think of the people we love as bodies buried in caskets or an urn full of ashes, so we think of them as a concentrated mist of nothingness which we call the human soul. No matter how hard they we try to make ourselves believe that they are around us, the truth is that they are gone.
Durjoy Datta (When Only Love Remains)
To choose the world is to choose to do the work I am capable of doing, in collaboration with my brother and sister, to make the world better, more free, more just, more livable, more human. And it has now become transparently obvious that mere automatic “rejection of the world” and “contempt for the world” is in fact not a choice but an evasion of choice. The person who pretends that he can turn his back on Auschwitz or Viet Nam and act as if they were not there, is simply bluffing.
Jonathan (ed) Montaldo (Choosing to Love the World: On Contemplation)
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
She came towards me with a juicy gash between her legs that smelled like my best friend's sister" Just when I thought I'd escaped them all She comes reeling herself in pulling at my strings her hand quick to find my zipper She moaned the way a drunk old lady does And I wasn't even inside her yet "You don't have anywhere else to be," she managed to say... "My wounds have been reopened tonight already," I muttered I caught wind of the gully ...the part of her she once kept sacred as a Christian I smelled the information I lifted my hand into the air and hailed a cab He rolled down his window and saw her "Find another cab," he said, and sped off into the night I took her home because she said she was lonely really she was drunk off something some memory or some choice she walked funny... -one of her heels had broken On the couch I left her, Before I could go, she grabbed my cock I slapped her across the face and she pulled harder Her eyes stayed closed Her lips dripped Her grip clenched I wasn't getting out of this one unscathed "If I take my pants off, will you let me go?" I asked "If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..." I slapped her again, because she needed it She laughed Saying her cousin beat her harder Saying her father knew how to really... ...make things happen I asked her what her father's number was Let's get his motherfucking self up here to take you away, that's what I said She said he died, or killed himself "What's the difference really," she said, chewing on her hair She let go of my cock on her own accord And she opened her eyes for a moment She closed them again And I could tell she was sleeping Her eyes opened once more Her face red where I'd hit her She tasted the blood on her lip "Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?" I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summer—she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
Sarah Ockler (The Summer of Chasing Mermaids)
She was the only one who argued with Grace. 'He's not a good choice for you,' she insisted. 'He respects you too much.' 'Respect is good,' Grace said, thinking of how Colin slighted her letters. 'I want respect.' 'It's not enough.' 'He loves me!' "Not the right way.' Finally Grace turned on her sister in a rage. 'Don't you see, Lily? Must you make me say this aloud? No one will ever love me in the /right/ way, not in that feverish way that men fall in love with you. I'm not that sort of woman!' Lily cried, and Grace ended up crying, too.
Eloisa James (With This Kiss: Part Two)
Cassian was sizing up Nesta, a gleam in his eyes that I could only interpret as a warrior finding himself faced with a new, interesting opponent. Then, Mother above, Nesta shifted her attention to Cassian, noticing that gleam- what it meant. She snarled softly. 'What are you looking at?' Cassian's brows rose- little amusement to be found now. 'Someone who let her younger sister risk her life every day in the woods while she did nothing. Someone who let a fourteen-year-old child go out into that forest, so close to the wall.' My face began heating, and I opened my mouth. To say what, I don't know. 'Your sister died- died to save my people. She is willing to do so again to protect you from war. So don't expect me to sit here with my mouth shut while you sneer at her for a choice she did not get to make- and insult my people in the process.' Nesta didn't bat an eyelash as she studied the handsome features, the muscled torso. Then turned to me. Dismissing him entirely. Cassian's face went almost feral. A wolf who had been circling a doe... only to find a mountain cat wearing its hide instead.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Take David, the man after God’s own heart. For decades, he held on to God’s promise that he would become king. But then he gave up and moved to Goliath’s native country, where he worked for the Philistine king and fought the wrong battles (1 Samuel 27). Abraham, the father of faith, had bad days. He once ran away from the promised land and lied about his wife being his sister to protect himself (Genesis 20). Why? He was afraid. The apostle Paul begged God three times to take away a painful trial that was far too heavy for him to carry (2 Corinthians 12:7–8). Elijah, the mightiest of the miracle-working prophets, had a total emotional breakdown when a woman cussed him out. He ended up running away from home, hiding under a tree, and wishing for death (1 Kings 19:4). The prophet Jeremiah got so stressed out that he told God he was never going to preach again (Jeremiah 20:9). And then there’s John the Baptist. Jesus said that he is the best person ever to be born of a woman. He had such a big crisis of faith in prison that he doubted whether he had made the right choice in baptizing Jesus as the Messiah (Luke 7:20).
Levi Lusko (Through the Eyes of a Lion: Facing Impossible Pain, Finding Incredible Power)
....she has realized why people believe in a soul. It's because they have to for they have no other choice. It's hard to bear that all the conversations, all the memories you had with your parents,with your sisters, with the person you loved were burnt or buried, snuffed out of life. So conveniently, people invented the soul, not for the benefit of the deceased, but the loved ones he or she left behind, to make them feel that while they suffer, he or she is watching, and that they equally miss them, like they, too, think of them, and they, too, are watching him.
Durjoy Datta (When Only Love Remains)
When it comes to our unity in Christ, we constantly have choices to make. How will we respond to our brothers and sisters in Christ we wouldn’t have chosen if we had been given the choice — in light of our spiritual unity or in light of our earthly differences? The choice is ours. We can always find a way to get along. We can always find a way to pick a fight. But the choice we make will always have huge ramifications, not only for us but also for all the people we hope to influence and reach for Jesus. They’re not too likely to listen when we’re beating each other up
Larry Osborne (Accidental Pharisees: Avoiding Pride, Exclusivity, and the Other Dangers of Overzealous Faith)
new day, it all came back to the fact that he did not have a relationship with God. He’d already be up, and she trembled with the thought of seeing him again. How crazy was that? As if she could just walk blissfully to an altar and say, ‘I do.’ He had come all that way. Said he would’ve followed her to the ends of the earth. Still, just as her mother before her, she couldn’t. Not with a non-believer. How true that the generations repeated. Her dear sister had paid a high price for disobedience. Mary Rachel had suffered for her bad choice...though God redeemed her in the end.
Caryl McAdoo (At Liberty to Love (Texas Romance #7))
Don’t you understand? It’s forbidden, Aladdin! We jinn must abide by many rules, but first among them, most important of all, we must never fall in love with a human!” He catches his breath, swallowing hard. “And do you always follow the rules?” “I—” Casting my gaze skyward, I draw a deep breath, searching for words among the stars. “It’s not about that. Do you know what kind of destruction we would cause? Have you not heard the story of your own people, how their city was destroyed, how thousands died? It was not hate that sparked the war between your people and mine, Aladdin. It was love. I held hands with Roshana the Wise and called her sister, and those words set our world on fire!” There it is. My greatest shame, laid bare. The truth lies between us like broken glass. Surely now he sees what I truly am: a betrayer, a monster, an enemy. Aladdin stares at me, his face softening. “That wasn’t your fault,” he says. “Loving someone is never wrong. And like you said, it’s not a choice. It just happens, and we’re all helpless in its power.” “That doesn’t change the fact that the consequences are disastrous. As the poets say, shake hands with a jinni, and you shake hands with death.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
Do the routine for me. Please, Livie. I love you. I’m sorry I poisoned your boyfriend. I’m the one who made him so cute, though. You have to forgive me, Livia. I’m so bad.” Kyle looked close to tears. “He barfed and now he’s fine,” Livia said. “You know I love you, and you’re not bad, you just make bad choices. Do I still have to do the routine?” Kyle smiled and wrinkled her nose. “Oh, yes. The routine must happen. Assume the position.” Kyle bounced out of Livia’s arms and gave Lorraine what must have been the universal hand gesture for I just tricked my sister into humiliating herself. Start the music before she runs.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I will die before I wear the thrall’s collar,” Uspa said. He eyes flickered to Kráka. “I mean you no insult, sister. Those of the Tainted who wear the collar, they still cling to life. It is part of being human. Survival. To bear hardship and trial, in the hope of it ending. But I do not care for my life. I care for my husband, whom I have lost, and I care for my son, who is taken. If you put the thrall-collar on me, then my life would be over, for I would never see my son again.” She shrugged. “That is no choice to me: better death. And you saw what I did to Ilska’s warriors. Do not doubt that I could take my own life, if I set my will to it.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
A short poem from my new book, The Lost Journal of my Second Trip to Pergatory, Thorny Crowns Of course the gold one was for special occasions, weddings, etc, silver for family reunions, office-casual type affairs. Bronze was a everyday choice; during yard work its burnished surface shone in sunlight. There were various colors and holiday appropriate ones. I could never find the hatboxes they were stored in. But the wooden one was reserved for the long suffering caused by family. Stevie’s funeral, my hospital trips and sister’s rebellion rated real wood. One tip filed extra sharp produced a fine and dramatic line of blood droplets on her brow.
Michelle Hartman
I went to a party, And remembered what you said. You told me not to drink, Mom So I had a sprite instead. I felt proud of myself, The way you said I would, That I didn't drink and drive, Though some friends said I should. I made a healthy choice, And your advice to me was right, The party finally ended, And the kids drove out of sight. I got into my car, Sure to get home in one piece, I never knew what was coming, Mom Something I expected least. Now I'm lying on the pavement, And I hear the policeman say, The kid that caused this wreck was drunk, Mom, his voice seems far away. My own blood's all around me, As I try hard not to cry. I can hear the paramedic say, This girl is going to die. I'm sure the guy had no idea, While he was flying high, Because he chose to drink and drive, Now I would have to die. So why do people do it, Mom Knowing that it ruins lives? And now the pain is cutting me, Like a hundred stabbing knives. Tell sister not to be afraid, Tell daddy to be brave, And when I go to heaven, Put Daddy's Girl on my grave. Someone should have taught him, That its wrong to drink and drive. Maybe if his parents had, I'd still be alive. My breath is getting shorter, Mom I'm getting really scared. These are my final moments, And I'm so unprepared. I wish that you could hold me Mom, As I lie here and die. I wish that I could say, "I love you, Mom!" So I love you and good-bye.
Anonymous
May I ask you something?' said Peri. 'When we first met you said you and your sister had made different choices in life. So does that mean... you prefer to cover your head?' 'Of course. My parents always gave me the option. My hijab is a personal decision, a testimony to my faith. It gives me peace and confidence.' Mona's face darkened. 'Even though I have been bullied for it, endlessly.' 'You have?' 'Sure, but it didn't stop me. If I, with my headscarf, don't challenge stereotypes, who's going to do it for me? I want to shake things up. People look at me as if I'm a passive, obedient victim of male power. Well, I'm not. I have a mind of my own. My hijab has never got in the way of my independence.
Elif Shafak (Three Daughters of Eve)
I'm pleased-very pleased-that you've finally made your choice. It's about time you came to your senses." He arched a brow. "Even if it took a kidnapping to do it?" She nodded sagely. "Even so." She paused, then more gently asked, "She's the right one for you, isn't she?" He held her gaze, then nodded. "Yes. Definitely." He hesitated, then added, "I couldn't live without her." Caro's smile widened until she was beaming. "Wonderful. That's how it should be." He wasn't so sure he needed to hear that; the sense of vulnerability and dependency took some getting used to; he wasn't yet sure he'd mastered the knack. "Sadly, it seems that whenever I get close to a prospective wedding, I end up wounded. With you and Michael, I got shot and nearly died. This time, with me and Heather, I got gored and nearly died. I suppose I should be happy that Constance and Cordelia are already married." Caro laughed. "You probably escaped them because they're so much older that you-you were only a lad when they wed." She paused, head tilting as she studied him. Still smiling, she went on, "You're a protector, you know. That's what you are-that's what you do. And now you've found the lady you're supposed to protect for the rest of your life." Her smile deepened. "Once you marry her, you'll be safe." He humphed, but continued to smile, and didn't attempt to argue. Because she was right. Heather was the lady he would protect for the rest of his life.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Galen doesn’t get truly nervous until he senses the size of the Syrena mass coming toward them. Up until this point, he’d been worried about Emma. What she thought about all this. Her mother’s reunion with Grom. What she planned to do while they were gone. Whether or not she was going to keep her promise and stay out of the water. And…his thoughts keep wandering back to their kiss between the sand dunes. It was an exquisite torture, the way she tasted like a mixture of salt water and herself. A combination of two things he’s come to cherish. Water and land. Syrena world and human world. Love for his kind and love for Emma. Only now, as the party of Syrena approaches, its presence seems to encroach on Galen’s options. For some reason, it feels like a choice between water or land, Syrena world or human world, love for his kind or love for Emma. According to the law, there never was a choice. But that was before Emma. And Galen has the feeling that the time for truly deciding between the two is closing in on him. But haven’t I already made that decision? He steals a glance at Toraf, who’s been wearing the same grim expression since they left Emma’s house. Toraf is never grim. Since they were fingerlings, he’s always had a special talent for finding the positive in a situation, and if not the positive, then he can certainly find mischief in a situation. But not now. Now he’s keeping to himself. Toraf never keeps to himself. Even Grom, the usual sealed-up clam, has become boisterous and enlivened while he and Nalia chatter to each other, laughing and whispering and holding hands, all the while speculating over the events that separated them so long ago. But Toraf seems oblivious to the chatter and to Galen’s internal war of emotions and to the swarm of jellyfish he just narrowly avoided. Galen had thought Toraf might have been anxious about leaving Rayna behind. Usually, though, he comforts himself by talking about her until Galen wishes he’d had a twin brother instead of a twin sister. No, what’s troubling Toraf has nothing to do with leaving Rayna behind. He even persuaded her to stay. Which means he thinks it’s safer for her on land right now. Toraf’s motives are always simple: do what’s best for Rayna, in spite of Rayna.
Anna Banks (Of Triton (The Syrena Legacy, #2))
If I do not stop to help this man, what will happen to him?” It was like a punch, all at once, in my spiritual gut. The Scripture came alive and it spoke to me. For the Samaritan, the person in need was a fallen traveler. For me, it was a pregnant woman. The earth spun, and with it, this question turned on its head. It became not: Is it right for me, as a Christian, to perform abortions? But rather: Is it right for me, as a Christian, to refuse to do them? And in that instant, I understood that I, like the Levite and the priest, had been afraid—afraid of what my Christian brothers and sisters might think of me, of what my pastors and relatives in Birmingham might say, of what the social or political consequences of fully embracing the cause of abortion might be.
Willie Parker (Life's Work: A Moral Argument for Choice)
generations. Thank you, above all, for helping humankind make peace its most urgent and noble aspiration. I am moved, deeply moved by your words, Chairman Aarvik. And it is with a profound sense of humility that I accept the honor—the highest there is—that you have chosen to bestow upon me. I know your choice transcends my person. Do I have the right to represent the multitudes who have perished? Do I have the right to accept this great honor on their behalf? I do not. No one may speak for the dead, no one may interpret their mutilated dreams and visions. And yet, I sense their presence. I always do—and at this moment more than ever. The presence of my parents, that of my little sister. The presence of my teachers, my friends, my companions … This honor belongs to all the survivors and their children and, through us, to the Jewish people
Elie Wiesel (Night)
Here's my question: What age are you when you're in Heaven? I mean, if it's Heaven, you should be at your beauty-queen best, and I doubt that all the people who die of old age are wandering around toothless and bald. It opens up a whole additional realm of questions, too. If you hang yourself, do you walk around all gross and blue, with your tongue spitting out of your mouth? If you are killed in a war, do you spend eternity minus the leg that got blown up by a mine? I figure that maybe you get a choice. You fill out the application form that asks you if you want a star view or a cloud view, if you like chicken or fish or manna for dinner, what age you'd like to be seen as by everyone else. Like me, for example, I might pick seventeen, in the hopes I grow boobs by then, and even if I'm a pruny centegenarian by the time I die, in Heaven, I'd be young and pretty. Once at a dinner party I heard my father say that even though he was old old old, in his heart he was twenty-one. So maybe there is a place in your life you ear out like a rut, or even better, like the soft spot on the couch. And no matter what else happens to you, you come back to that. The problem, I suppose, is that everyone's different. What happens in Heaven when all these people are trying to find each other after so many years spent apart? Say that you die and start looking around for your husband, who died five years ago. what if you're picturing him at seventy, but he hit his groove at sixteen and is wandering around suave as can be? Or what if you're Kate, and you die at sixteen, but in Heaven you choose to look thirty-five, an age you never got to be here on Earth. How would anyone ever be able to find you?
Jodi Picoult (My Sister's Keeper)
Stuff doesn't matter. That's what they say. I wonder if they've tried losing everything? I left Kerenza with nothing but the clothes I was wearing, and I lost those soon after. I got a ship jumpsuit instead. They say people are more important than stuff. Maybe that's true, though I think there's a reason nobody but Brothers and Sisters renounce their possessions. Even the destitute have something to cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mom says make me look like I'm in the army. This is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That's the toy turtle my grandma gave me before she died. All I have now is me. People matter more than stuff? Well *beep* you, I don't have people. My mother's dead or mad. My father's on Heimdall, which means he's probably dead too. And my stuff might have been a tiny reminder, something to cling to. Something to tell me who I am. Excuse me for being so ----ing shallow. I want to slam this keyboard against the wall. This keyboard that belongs to the Hypatia. Not mine. Requisitioned. Like my blanket. Like my clothes. Like my life. So here's the thing. My people are gone. My stuff is gone. Nobody's left who knows me, there's nothing left to say who I am. Everyhing's gone, except one thing. One person. He told me to run, to get out, to spread the word. Byron said the same. I understand why they did. But Ezra was ready to die just to improve my chance of survival one percent more. Turns out I feel the same way. Time to go get him. Or die trying. - Kady; The Illuminae Files
Jay Kristoff (Illuminae (The Illuminae Files, #1))
When we did the majestic march on the stage at the school in the auditorium for the others to see us, we felt the warmth of the crowds, yet that did not last all that long. At the start of our walk, no one would have ever known. Yet some big mouths could not help, but make their nasty comments, their families did not approve of us going to prom in the condition she was in. Like one called out, ‘see the slut dirtbag, that got knocked up!’ One yield- ‘There is a thing called birth control, you two should have used it!’ Why it is any of their business, I do not know. It is our choice not there’s. Yet that was not going to stop us or spoil our night together. Ava and her sisters and friends were saying all kinds of things there and at the dance. Ava and her girlfriends and their dates would gather around us, and they even kept bumping into us on the dance floor. Yet all she wanted was one slow dance and a photo, and we got it. Oh God, I can still hear their comments!
Marcel Ray Duriez
I’m not helping you kill anybody else. It’s just not happening. I’m done.”“What makes you think you have a choice?”“You know why? I’ll tell you. Because we were just kissing in the street, and deep down, I don’t believe you could actually blow up my house or kill my sister. I just don’t, and she’s probably not even in the house anymore anyway, so if you want to go in there and shoot somebody, fine, but you’re on your own.”Gobi paused, seeming to consider all of this. “What is it that you want to hear from me, Perry? Do you want me to tell you that these are bad people that I am killing tonight? Because they are. They are very bad people. They deserve to die, each and every one of them.”“Nobody deserves to die.”“Oh, really?”“Okay, I mean, maybe people like Hitler and Pol Pot . . . dictators, tyrants, African warlords who starve their people into submission . . . but that guy at the bar wasn’t an evil man.”“How do you know? Because he had drinks with Hemingway?”“I just know.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
Happiness is not a choice, or we’d all be happy. Let’s stop putting unnecessary pressure on ourselves to be happy all the time, and to pretend we can choose to be happy whenever we want. That’s not how life works. Sure, we can make choices that reflect a commitment to our well-being, and the more of these choices we make, the more likely we are to find ourselves feeling good more often. Healthy choices are within our power, and are important. But we can’t choose happiness, and we just set ourselves up for failure by believing we can. Life is more than happiness, anyway. It’s okay to feel all the things we feel. It’s human. There’s no shame in wanting to be happy, of course. We all want to be happy. But rather than try to choose happiness, maybe we can choose to being kinder and more loving. That we can do. We can work hard to take better care of ourselves, and better care of each other. If we do these things, and we remember that we are all connected, all brothers and sisters, all worthy of love, maybe then happiness will choose us a little more often.
Scott Stabile
There was still the same unknowability about her life ahead. And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music
Matt Haig (The Midnight Library (The Midnight World, #1))
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
It always felt good to see Sister Charlotte, a retired teacher who would occasionally substitute in our class. She always allowed us private reading time, which we appreciated. One day in class, she asked me about my library book, Chaim Potok’s The Chosen. I told her that the story dealt with family problems and a son who had a tough choice to make, one that would be good for him but would displease his father. “Ah, universal theme,” said Sister. “Offspring challenging parents’ old ways. It’s normal. It’s natural. It’s called evolution.” “What about Christ?” I asked. “He obeyed His father’s wishes.” “Ah,” replied Sister, unperturbed. “Yes, I see what you mean.” “What do you think, Sister?” I sensed my questions were welcome, that Sister liked me. “Well, I answered that question one way when I entered this Order at sixteen years old. Today, I’d respond differently.” “How, Sister?” “Well, I think I’d jump right into my own creative life, yes, dive right in, no hesitation. I hope you do that, Eleanor. All our answers lie there but each of us must earn her own autonomy, so I’ll say no more.
Eleanor Cowan (A History of a Pedophile's Wife: Memoir of a Canadian Teacher and Writer)
She threw Lillian a laughing glance. “I’m sure he has found it refreshing to encounter a woman who actually dares to disagree with him.” “I’m not certain that ‘refreshing’ would be his first choice of words,” Lillian replied wryly. “However, when I don’t like something that he’s done, I do not hesitate to tell him so.” “Good,” Lady Olivia returned. “That is precisely what my brother needs. There are few women— or men, for that matter— who ever contradict him. He is a strong man who requires an equally strong wife to balance his nature.” Lillian found herself needlessly smoothing the skirts of her pale green gown as she remarked carefully, “If Lord Westcliff and I did marry… he would face many objections from relatives and friends, wouldn’t he? Especially from the countess.” “His friends would never dare,” Lady Olivia replied at once. “As for my mother…” She hesitated and then said frankly, “She has already made it clear that she does not approve of you. I doubt she ever will. However, that leaves you in very large company, as she disapproves of nearly everyone. Does it worry you that she opposes the match?” “It tempts me beyond reason,” Lillian said, causing Lady Olivia to erupt with laughter. “Oh, I do like you,” she gasped. “You must marry Marcus, as I would love above all else to have you as a sister-in-law.” Sobering, she stared at Lillian with a warm smile. “And I have a selfish reason for hoping that you will accept him. Although Mr. Shaw and I have no immediate plans to move to New York, I know that day will not be long in coming. When that happens, I should be relieved to know that Marcus is married and has someone to care for him, with both his sisters living so far away.” She stood from the bench, straightening her skirts. “The reason I’ve told you all of this is because I wanted you to understand why it is so difficult for Marcus to abandon himself to love. Difficult, but not impossible. My sister and I have finally managed to break free of the past, with the help of our husbands. But Marcus’s chains are the heaviest of all. I know that he is not the easiest man to love. However, if you could bring yourself to meet him halfway… perhaps even a bit more than halfway… I believe you would never have cause to regret it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Phelan,” Cam said, looking up with an easy smile, “have you come to see the timber yard?” “Thank you, but I’m here for another reason.” Leo, who was standing near the window, glanced from Christopher’s rumpled attire to Beatrix’s disheveled condition. “Beatrix, darling, have you taken to going off the estate dressed like that?” “Only this once,” she said apologetically. “I was in a hurry.” “A hurry involving Captain Phelan?” Leo’s sharp gaze moved to Christopher. “What do you wish to discuss?” “It’s personal,” Christopher said quietly. “And it concerns your sister.” He looked from Cam to Leo. Ordinarily there would have been no question concerning which one of them to approach. As lord of the manor, Leo would have been the first choice. However, the Hathaways seemed to have settled on an unconventional sharing of roles. “Which one of you should I talk to?” Christopher asked. They pointed to each other and replied at the same time. “Him.” Cam spoke to Leo. “You’re the viscount.” “You’re the one who usually deals with that sort of thing,” Leo protested. “Yes. But you won’t like my opinion on this one.” “You’re not actually considering giving them your approval, are you?” “Of all the Hathaway sisters,” Cam said equably, “Beatrix is the one most suited to choose her own husband. I trust her judgment.” Beatrix gave him a brilliant smile. “Thank you, Cam.” “What are you thinking?” Leo demanded of his brother-in-law. “You can’t trust Beatrix’s judgment.” “Why not?” “She’s too young,” Leo said. “I’m twenty-three,” Beatrix protested. “In dog years I’d be dead.” “And you’re female,” Leo persisted. “I beg your pardon?” Catherine interrupted. “Are you implying that women have poor judgment?” “In these matters, yes.” Leo gestured to Christopher. “Just look at the fellow, standing there like a bloody Greek god. Do you think she chose him because of his intellect?” “I graduated from Cambridge,” Christopher said acidly. “Should I have brought my diploma?” “In this family,” Cam interrupted, “there is no requirement of a university degree to prove one’s intelligence. Lord Ramsay is a perfect example of how one has nothing to do with the other.” “Phelan,” Leo said, “I don’t intend to be offensive, however--” “It’s something that comes naturally to him,” Catherine interrupted sweetly.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Do you ride?" The question was out of his mouth before he'd thought. She glanced at him, surprised by the comment coming out of nowhere, but then she nodded and looked ahead. "I love to ride. I don't get as much opportunity as I'd like what with being in London so much, but whenever I can manage it, I'll get on a horse." Her lips twitched and she glanced up at him. "Preferably one of Demon's." He grinned. "His are the best." "Do you have any?" He nodded. "One definite benefit of being connected to the family." "I love the exhilaration one gets when pounding along-I think that's what I enjoy the most." He blinked. Decided hard riding wasn't the best choice of conversational topics. At least not for him. Especially not with her. "What about dancing?" "I love to waltz. I even enjoy the older forms, the quadrilles and cotillions. They might be less fashionable now, but there's a certain...reined power in them, don't you think?" "Hmm." Where was an innocent topic when he needed one? "Have you ever danced the gavotte?" "Years ago." And he still remembered it. And of course the thought of dancing that particular measure with her, in full flight, instantly filled his mind.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Well you know who's whereabouts is rather important to me," Richard said stiffly. and then pointed out, "And I wouldn't have had to wake you from a dead slumber to find out where he is if you hadn't left without me last night." Daniel dropped into the nearest seat with disgust. You know who was George, of course. They had been calling him that sine this conversation started just in case they were overheard by a servant. Scowling irritably at Richard now, he asked, "Well, what else was I do to? Sit about in my carriage while you gave you know who's wife a tumble." Richard stiffened. "She is my wife, thank you very much." Daniel snorted and said dryly, "My, we've changed our tune this morning, have we not? Last night you weren't at all sure you wanted to keep her." "Yes,well,I hardly have a choice now. I've-" He paused and scowled. "How the devil did you know I tumbled her?" Daniel raised his eyebrows in disbelief. "Was it supposed to be a secret? If so, you shouldn't have done it in the front window for anyone on the street to see." Richar'd eyes widened in horrified realization and he simply stood for the longest time, until Daniel was irritated enough to prompt, "Well?" Richard blinked as if awaking from a dream and asked, uncertainly, "Well, what?" "Are you really planning to keep her?" Daniel asked with exasperation. Richard sighed and moved to settle in a chair himself before confessing, "She was a virgin until last night." Daniel blew out a silent whistle. "That was very remiss of you know who." Richard merely grunted. He looked pretty miserable, but Daniel wasn't feeling much sympathy at the moment. Aside from having had to deal with George's body on his own, he'd left the Radnor townhouse with aching balls and an erection that could have been mistaken for a pistol in his pocket. Richard on the other hand, had apparently had a jolly good time with his dead brother's not quite wife depending on how you looked at it. A woman, Daniel recalled, who disliked her "husband" intensely and had been obviously soused and, accoring to Richard, had still been a virgin. Daniel didn't like to think that Richard had taken advantage of the woman; he wasn't the sort to do that. However, he was having trouble seeing how it had come to pass. "So," Daniel said finally, "after a year of misery with you know who, whom she thought was you, she just forgave all and fell into your arms last night?" Guilt immediately filled Richard's expression. He scrubbed at his face as if trying to wipe away the feeling, and then sighed and muttered with self-disgust. "I took advantage of an inebriated woman.
Lynsay Sands (The Heiress (Madison Sisters, #2))
Daring to approach the brothers’ tension-filled embrace, Livia touched one of Beckett’s coiled arms. “Beckett.” She waited until his furious face turned toward her mouth. “I still need you. Here. I can’t wait for him without you. You promised. I’m not man enough. Remember?” Livia held her breath. “You’ve got your sister,” he said quietly. “Let go of him, Cole. Please.” Livia nodded at the puzzle of arms, each with its own agenda. Cole looked reluctant as he stepped away, keeping his body between Beckett and Chris. “It has to be all of us. Don’t ask me how I know, but I do. We all have to sit here and hope for the best. Pray for the best. Even with that pile of shit right there.” Livia didn’t have to point; they could all feel pulsating of the evil that was lodged in Chris. “We have to think about Blake—getting fixed, getting healed, getting back to us. Adding murder to tonight is wrong. It’s all wrong. You have to make a different choice. I trust you, Beckett. You can do this.” Livia’s earnest words seemed to make Beckett want to curse. His face boiled red for a moment. Only Beckett could hear Livia’s gentle breath that pleaded, “Please.” Rather than leaping to action, he rubbed his forehead and took in great gasps of air. Finally, he grabbed her head in a giant hug. “For you, Whitebread. Only for fucking you.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.” Kiaran moves to stand beside me. “I would have pulled off your wings.” “Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.” Kiaran’s emotionless gaze flickers to her. “Phiuthair.” “Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.” “Don’t.” Kiaran’s voice dips in warning. “I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?” “Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?” “You’re here because Kam wanted your help. Not because I did.” “Damn it, MacKay—” “You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.” “I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.” “Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.” Derrick peeks through my hair. “What’s that murderous arsehole doing here?” Sorcha blinks at him. “What did you just call me?” “You heard me, pointy-toothed hag.” “Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.” “So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.” “I chose the one who was conveniently chained up, rather than the one in hiding.” Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?” “I’m standing right here,” Sorcha says sharply. “Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.” “Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Just what do you think you’re doing, Arin?” He looked up at Sarsine, blearily rubbing his eyes. He had fallen asleep in a chair. It was full morning. “I couldn’t sleep in my old rooms. At least here, in Etta’s suite--” “I’m not talking about your choice of bedchamber, though I can’t help but notice how conveniently close it is to the east wing.” Arin winced. There was usually only one reason why a man kept a conquered woman prisoner after a battle. “This isn’t what it seems.” “Oh, no? Too many people heard you call her a spoil of war.” “It’s not true.” Sarsine threw her hands up in the air. “Then why did you say it?” “Because I couldn’t think of any other way to save her!” Sarsine stood still. Then she leaned over him and shook his shoulder as if waking him from a nightmare. “You? Save a Valorian?” Arin captured her hand. “Please listen to me.” “I will when you say something I can understand.” “I did your lessons for you, when we were children.” “So?” “I told Anireh to shut up when she made fun of your nose. Do you remember? She pushed me down.” “Your sister was too beautiful for her own good. But all this was long ago. What’s your point?” Arin held both her hands now. “We share something, and probably not for very long. The Valorians will come. There will be a siege.” He groped for what to say. “By the gods, just listen.” “Oh, Arin. Haven’t you learned? The gods won’t hear you.” She sighed. “But I will.” He told her about the day he had been sold to Kestrel, and every day since. He held nothing back. When he finished, Sarsine’s expression had changed. “You’re still a fool,” she said, but gently. “I am,” he whispered. “What do you plan to do with her?” Arin tilted his head helplessly against the carved back of his father’s chair. “I don’t know.” “She demanded to see a sick friend. Said you made her a promise.” “Yes, but I can’t do it.” “Why not?” “Kestrel hates me, but she still speaks to me. Once she sees Jess…she’ll never do that again.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
While the indecisive customer hovered over an array of perfumes that Nettle had brought out for her, the American girls browsed among the shelves of perfumes, colognes, pomades, waxes, creams, soaps, and other items intended for beauty care. There were bath oils in stoppered crystal bottles, , and tins of herbal unguents, and tiny boxes of violet pastilles to freshen the breath. Lower shelves held treasure troves of scented candles and inks, sachets filled with clove-saturated smelling salts, potpourri bowls, and jars of pastes and balms. Nettle noticed, however, that while the younger girl, Daisy, viewed the assortment with only mild interest, the older one, Lillian, had stopped before a row of oils and extracts that contained pure scent. Rose, frangipani, jasmine, bergamot, and so forth. Lifting the amber glass bottles, she opened them carefully and inhaled with visible appreciation. Eventually the blond woman made her choice, purchased a flacon of perfume, and left the shop, a small bell ringing cheerfully as the door closed. Lillian, who had turned to glance at the departing woman, murmured thoughtfully, "I wonder why it is that so many light-haired women smell of amber..." "You mean amber perfume?" Daisy asked. "No- their skin itself. Amber, and sometimes honey..." "What on earth do you mean?" the younger girl asked with a bemused laugh. "People don't smell like anything, except when they need to wash." The pair regarded each other with what appeared to be mutual surprise. "Yes, they do," Lillian said. "Everyone has a smell... don't say you've never noticed? The way some people's skin is like bitter almond, or violet, while others..." "Others have a scent like plum, or palm sap, or fresh hay," Nettle commented. Lillian glanced at him with a satisfied smile. "Yes, exactly!" Nettle removed his spectacles and polished them with care, while his mind swarmed with questions. Could it be? Was it possible that this girl could actually detect a person's intrinsic scent? He himself could- but it was a rare gift, and not one that he had ever known a woman to have.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What did you hope to get out of killing Win’s doctor?” “Enjoyment.” “No doubt you would have. Win didn’t seem to be enjoying it, however.” “Why is Harrow here?” Kev asked fiercely. “I can answer that one,” Leo said, leaning a shoulder against the wall with casual ease. “Harrow wants to become better acquainted with the Hathaways. Because he and my sister are … close.” Kev abruptly felt a sickening weight in his stomach, as if he’d swallowed a handful of river stones. “What do you mean?” he asked, even though he knew. No man could be exposed to Win and not fall in love with her. “Harrow is a widower,” Leo said. “A decent enough fellow. More attached to his clinic and patients than anything else. But he’s a sophisticated man, widely traveled, and wealthy as the devil. And he’s a collector of beautiful objects. A connoisseur of fine things.” Neither of the other men missed the implication. Win would indeed be an exquisite addition to a collection of fine things. It was difficult to ask the next question, but Kev forced himself to. “Does Win care for him?” “I don’t believe Win knows how much of what she feels for him is gratitude, and how much is true affection.” Leo gave Kev a pointed glance. “And there are still a few unresolved questions she has to answer for herself.” “I’ll talk to her.” “I wouldn’t, if I were you. Not until she cools a bit. She’s rather incensed with you.” “Why?” Kev asked, wondering if she had confided to her brother about the events of the previous night. “Why?” Leo’s mouth twisted. “There’s such a dazzling array of choices, I find myself in a quandary about which one to start with. Putting the subject of this morning aside, what about the fact that you never wrote to her?” “I did,” Kev said indignantly. “One letter,” Leo allowed. “The farm report. She showed it to me, actually. How could one forget the soaring prose you wrote about fertilizing the field near the east gate? I’ll tell you, the part about sheep dung nearly brought a tear to my eye, it was so sentimental and—” “What did she expect me to write about?” Kev demanded. “Don’t bother to explain, my lord,” Cam interceded as Leo opened his mouth. “It’s not the way of the Rom to put our private thoughts on paper.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Wanna hear something funny?” “What?” “I think I started liking you.” I go completely still. Then I pull my hand away from his, and I start to gather my hair into a ponytail, and then I remember I don’t have a hair tie. My heart is thudding in my chest and it’s hard to think all of a sudden. “Stop teasing.” “I’m not teasing. Why do you think I kissed you that day at McClaren’s house back in seventh grade? It’s why I went along with this thing in the first place. I’ve always thought you were cute.” My face feels hot. “In a quirky way.” Peter grins his perfect grin. “So? I guess I must like quirky, then.” Then he leads his head closer to mine, and I blurt out, “But aren’t you still in love with Genevieve?” Peter frowns. “Why are you always bringing up Gen? I’m trying to talk about us, and all you want to do is talk about her. Yeah, Gen and I have history. I’m always going to care about her.” He shrugs. “But now…I like you.” People are walking in and out of the lodge; a guy from school walks by and claps Peter on the shoulder. “What up,” Peter says. When he’s gone, Peter says to me, “So what do you say?” He’s looking at me expectantly. He’s expecting me to say yes. I want to say yes, but I don’t want to be with a boy whose heart belongs to somebody else. Just once, I want to be somebody’s first choice. “You might think you like me, but you don’t. If you did, you wouldn’t still like her.” Peter shakes his head. “What Gen and I have is completely separate from you and me,” he says. “How can that be true when from the very first minute, this has been about Genevieve?” “That’s not fair,” he objects. “When we started this thing, you liked Sanderson.” “Not anymore.” I swallow hard. “But you still love Genevieve.” Frustrated, Peter backs away from me and runs his hands through his hair. “God, what makes you such an expert on love? You’ve liked five guys in your life. One was gay, one lives in Indiana or Montana or some place, McClaren moved away before anything could actually happen, one was dating your sister. And then there’s me. Hmm, what do we all have in common? What’s the common denominator?” I feel all the blood rush to my face. “That’s not fair.” Peter leans in close and says, “You only like guys you don’t have a shot with, because you’re scared. What are you so scared of?
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You do have money, don’t you? You never paid your fare yesterday. It’s six pounds, eight. If you haven’t the coin, I’ll have no choice but to hold you for ransom once we reach Tortola.” Her fare. Sophia sipped her tea with relief. If Mr. Grayson was this concerned over six pounds, he surely had no idea he was harboring a runaway heiress with nearly one hundred times that amount strapped beneath her stays. She suppressed a nervous laugh. “Yes, of course I can pay my passage. You’ll have your money today, Mr. Grayson.” “Gray.” “Mr. Grayson,” she said, her voice and nerves growing thin, “I scarcely think that my moment of…of indisposition gives you leave to make such an intimate request, that I address you by your Christian name. I certainly shall not.” He clucked softly, wrapping the handkerchief around his fingers. With hypnotic tenderness, he reached out, drawing the fabric across her temple. “Now, sweetheart-surely my parents can be credited with greater imagination than you imply. Christening me ‘Gray Grayson’?” He chuckled low in his throat. “Everyone aboard this ship calls me Gray. Sorry to disappoint you, but it’s no particular privilege. There’s but one woman on earth permitted to address me by my Christian name.” “Your mother?” He grinned again. “No.” She blinked. “Oh, now don’t look so disappointed,” he said. “It’s my sister.” Sophia slanted her gaze to her lip, cursing herself for playing into his charm. If the sight of him drove the wits from her skull, the solution was plain. She mustn’t look. But then he pressed the handkerchief into her hand, covering her fingers with his own, and Sophia could not retrieve the small, defeated sigh that fell from her lips. His touch devastated her resolve completely. His hand was like the rest of him. Brute strength, neatly groomed. She heartily wished she’d thought to put on gloves. He leaned closer, his scent intruding through the pervasive smell of seawater-wholly masculine and faintly spicy, like pomade and rum. “And sweetheart, if I did make an intimate request of you”-his thumb swept boldly over the delicate skin of her wrist-“you’d know it.” Sophia sucked in her breath. “So call me Gray.” He released her hand abruptly. Disappointment-unbidden, imprudent, unthinkable emotion-cinched in Sophia’s chest. Distance from this man was precisely what she wished. Well, if not precisely what she wished, it was exactly what she needed. He looked at her as though he’d laid all her secrets bare, and her body as well. She pushed the tankard back at him, leaving him no choice but to take it from her hands. “I shall continue to address you as propriety demands, Mr. Grayson.” She cast him a sharp look. “And you certainly are not at liberty to call me ‘sweetheart.’” He donned an expression of wide-eyed innocence. “That isn’t what it stands for, then?” Teasing the handkerchief from her clenched fist, he ran his thumb over the embroidered monogram. S.H. “You see?” He traced each letter with the pad of his finger. “Sweet. Heart. I thought surely that must be it. Because I know your name is Jane Turner.” His lips curved in that insolent grin. “Unless…don’t tell me. It was a gift?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Good God, Miss Butterfield,” Lord Jarret said. “Don’t tell me you read Minerva’s Gothic horrors.” “They’re not Gothic horrors!” Maria protested. “They’re wonderful books! And yes, I’ve read every single one, more than once.” “Well, that explains a few things,” Oliver remarked. “I suppose I have my sister to thank for turning a sword on me at the brothel.” Lord Gabriel laughed. “You took a sword to old Oliver? Oh, God, that’s rich!” Lord Jarret sipped some wine. “At least the mystery of the ‘weapons at her disposal’ is now solved.” “He was misbehaving,” Maria said, with a warning glance for Oliver. Did he want them to know everything, for pity’s sake? “He left me no choice.” “Oh, Maria’s always doing things like that,” Freddy said through a mouth full of eel. “That’s why we won’t teach her to shoot. She always goes off half-cocked.” Maria thrust out her chin. “A woman has to stand up for herself.” “Hear, hear!” Lady Celia raised her goblet of wine to Maria. “Don’t mind these clod-pates. What can you expect from a group of men? They would prefer we let them run roughshod over us.” “No, we wouldn’t,” Lord Gabriel protested. “I like a woman with a little fire. Of course, I can’t speak for Oliver-“ “I assure you, I rarely feel the need to run roughshod over a woman,” Oliver drawled. An arch smile touched his lips as his gaze locked with Maria’s. “I’ve kissed one or two when they weren’t prepared for it, but every man does that.” Lady Minerva snorted. “Yes, and most of them get slapped, but not you, I expect. Even when you misbehave, you have a talent for turning ladies up sweet. How else would you go from having a sword thrust at you to gaining Miss Butterfield’s consent to be your bride-eh, Miss Butterfield?” Maria didn’t answer. Something was nagging at the back of her brain-a vaguely familiar line from one of Lady Minerva’s books: “He had a talent for turning ladies up sweet, which both thrilled and alarmed her.” “Heavens alive.” She stared at Oliver. “You’re the Marquess of Rockton!” She hardly realized she’d said it aloud until his brothers and sisters laughed. A pained look crossed Oliver’s face. “Don’t remind me.” Sparing a glare for his sister, Oliver muttered, “You have no idea how my friends revel in the fact that my sister made me a villain in her novel.” “They only revel because she made them into heroes,” Lord Jarret pointed out, eyes twinkling. “Foxmoor got quite a big head over it, and Kirkwood’s been strutting around ever since the last one came out. He loved that he got to trounce you.” “That’s because he knows he couldn’t trounce me in real life,” Oliver remarked. “Though he keeps suggesting we should have a ‘rapier duel’ to prove whether he could.” Maria stared at them agape. “Do you mean that the Viscount Churchgrove is real? And Foxmoor…great heavens, that’s Wolfplain!” “Yes.” Oliver rolled his eyes. “Churchgrove is my friend, the Viscount Kirkwood, and Wolfplain is another friend, the Duke of Foxmoor. Apparently Minerva has trouble coming up with original characters.” “You know perfectly well that I only used a version of their names,” Lady Minerva said smoothly. “The characters are my own.” “Except for you, Oliver,” Lord Jarret remarked. “You’re clearly Rockton.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.” “But who will arbitrate?” Daisy protested. “Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.” “Yes we have,” Daisy argued, and turned to Swift. “What is the score?” “I don’t know.” As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment. Amusement glittered in Swift’s eyes. “I think you won,” he said. “Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.” “I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.” “Which means that in all likelihood you preserved your early lead.” “But you chipped away at it after the third round—” “Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.” “There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace. Swift began to pick up the wooden bowls. “Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.” Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight. Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.” Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.” “Then it seems I misinterpreted your apparent passion for bowls.” Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.” “The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—” “I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will. “If you say so,” Westcliff said, sounding unconvinced.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))