Murders In The Rue Morgue Quotes

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The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
Edgar Allan Poe
Books, indeed, were his sole luxuries
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
Even for those to whom life and death are equal jests. There are some things that are still held in respect.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
I seemed to be upon the verge of comprehension, without the power to comprehend as men, at time, find themselves upon the brink of rememberance, without being able, in the end, to remember.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained.
Edgar Allan Poe (The Purloined Letter/Murders in Rue Morgue)
By undue profundity, we perplex and enfeeble thought; and it is possible to make even Venus herself vanish from the firmament by a scrutiny too sustained, too concentrated, or too direct. The Murders in the Rue Morgue
Edgar Allan Poe
I have before suggested that a genuine blackguard is never without a pocket-handkerchief.
Edgar Allan Poe
I was deeply interested in the little family history which he detailed to me with all that candor which a Frenchman indulges whenever mere self is the theme.
Edgar Allan Poe (The Murders in the Rue Morgue)
Let him talk," said Dupin, who had not thought it necessary to reply. "Let him discourse; it will ease his conscience, I a satisfied with having defeated him in his own castle.
Edgar Allan Poe (The Murders in the Rue Morgue and Other Tales)
Coincidences, in general, are great stumbling-blocks in the way of that class of thinkers who have been educated to know nothing of the theory of probabilities---that theory to which the most glorious objects of human research are indebted for the most glorious of illustration.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. The occupation is often full of interest and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
He impaired his vision by holding the object too close. He might see, perhaps, one or two points with unusual clearness, but in so doing he, necessarily, lost sight of the matter as a whole. Thus there is such a thing as being too profound. Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
I am a writer. Therefore. I am not sane.
Edger Allan Poe (Keyword wordbook: The Murders in the Rue Morgue version with original novel)
To look at a star by glances - to view it in a side-long way, by turning toward it the exterior portions of the retina (more susceptible of feeble impressions of light than the interior), is to behold the star distinctly - is to have the best appreciation of its lustre - a lustre which grows dim just in proportion as we turn our vision fully upon it.
Edgar Allan Poe (Tales & Sketches, Vol. 1: 1831-1842)
...and into this bizarrerie, as into all his others, I quietly fell; giving myself up to his wild whims with a perfect abandon.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
The Murders in the Rue Morgue,
Dean Koontz (Devoted)
To look at a star by glances—to view it in a side-long way, by turning toward it the exterior portions of the retina (more susceptible of feeble impressions of light than the interior), is to behold the star distinctly—is to have the best appreciation of its lustre—a lustre which grows dim just in proportion as we turn our vision fully upon it. A greater number of rays actually fall upon the eye in the latter case, but in the former, there is the more refined capacity for comprehension. By undue profundity we perplex and enfeeble thought; and it is possible to make even Venus herself vanish from the firmament by a scrutiny too sustained, too concentrated, or too direct.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
This backward construction was an authorial slight of hand that Poe understood well. Pondering what he called “tales of ratiocination”—his own name for detective stories—Poe later remarked, “People think them more ingenious than they are—on account of their method and air of method. In the ‘Murders in the Rue Morgue,’ for instance, where is the ingenuity of unravelling a web which you yourself (the author) have woven? The reader is made to confound the ingenuity of the suppositious Dupin with that of the writer of the story.
Paul Collins (Edgar Allan Poe: The Fever Called Living)
Between ingenuity and the analytic ability there exists a difference far greater, indeed, than that between the fancy and the imagination, but of a character very strictly analogous. It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
we then busied our souls in dreams - reading, writing, or conversing
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
Истината не винаги се намира на дъното на кладенеца.
Edgar Allan Poe (The Murders in the Rue Morgue)
В действителност лесно се забелязва, че изобретателните винаги са фантазьори, докато онези с истинско въображение не могат да бъдат други освен аналитици.
Edgar Allan Poe (The Murders in the Rue Morgue)
Книгите, разбира се, представляваха единственият му разкош, а в Париж те са лесно достъпни.
Edgar Allan Poe (The Murders in the Rue Morgue)
Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
Το να είναι κανείς υπερβολικά βαθύς είναι κακό. Η αλήθεια δεν βρίσκεται πάντοτε σ’ ένα πηγάδι.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
There are very few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
You will say, no doubt, using the language of the law, that 'to make out my case,' I should rather undervalue, than insist upon a full estimation of the activity required in this matter. This may be the practice in law, but it is not the usage of reason.
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
[He] found the beast occupying his bedroom, into which it had broken from a closet adjoining, where it had been, as was thought, securely confined. Razor in hand, and fully lathered, it was sitting before a looking-glass, attempting the operation of shaving, in which it had no doubt previously watched its master through the keyhole of the closet.
Edgar Allan Poe (The Murders in the Rue Morgue)
there are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. the occupation is often full of interest; and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal.
Edgar Allan Poe (The Murders in the Rue Morgue)
As the strongman exalts in his physical ability, delighting in such exercises as called his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talent into play. He's fond of enigmas, of conundrums, hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears the ordinary apprehension præternatural.
Edgar Allan Poe (The Murders in the Rue Morgue)
The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyse. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract, let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometime indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.
Edgar Allan Poe (The Murders in the Rue Morgue: The Dupin Tales (C. Auguste Dupin, #1-3))
So rich a client having suffered such a messy death was an unsettling embarrassment to Captain Harald Biscay. It was bad for business. He had the murder hushed up immediately, his security staff investigating the matter covertly but thoroughly. Five and a half thousand souls onboard. Five and a half thousand suspects. Three days. So far, nothing. Now it would be taken further by the planetary authorities on the colony world below. A forensic team (cunningly disguised as a cleaning crew) was now rummaging through Smiffs apartment, examining every single particle. He had a feeling -- a strong feeling, about what they were going to find. Somehow, Biscay was of the opinion that this was going to be another contender for the Unsolved Murders show.
Christina Engela (Dead Man's Hammer)
The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talents into play. He is fond of enigmas, of conundrums, of hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension preternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition.
Edgar Allan Poe (The Murders in the Rue Morgue)
Poe’s literary importance is so vast that it’s hard to believe that he accomplished so much in such an abbreviated lifetime. With “The Murders in the Rue Morgue,” he invented detective fiction and became master of the form. He remains the undisputed king of gothic horror. His poetry appealed to the masses and critics alike. His own criticism, while often stinging, peeled back the veneer on the old boy’s club that was American letters.
James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
The conventional view, however, is that the first detective story was Edgar Allan Poe’s ‘The Murders in the Rue Morgue’, published in 1841. But should the credit go to Hoffmann, Müllner or Hansen, or an even more obscure candidate? The answer depends on slippery issues of definition. As Reginald Hill has said, there is no more a single starting point for the modern crime story than there is for modern society.
Martin Edwards (The Life of Crime: Detecting the History of Mysteries and their Creators)
of Edgar Allan Poe’s 1841 classic “The Murders in the Rue Morgue,” may have been history’s first behavioral profiler.
John E. Douglas (Mind Hunter: Inside the FBI's Elite Serial Crime Unit (Mindhunter #1))
Poe is credited with being the father of detective fiction with the publication of The Murders in the Rue Morgue,
Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))