Sealed Off Quotes

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Extinguish my eyes, I'll go on seeing you. Seal my ears, I'll go on hearing you. And without feet I can make my way to you, without a mouth I can swear your name. Break off my arms, I'll take hold of you with my heart as with a hand. Stop my heart, and my brain will start to beat. And if you consume my brain with fire, I'll feel you burn in every drop of my blood.
Rainer Maria Rilke
What sealed the deal for me was that the cloak wouldn't come off without a generous donation of my tears. Those used to be almost impossible for me to summon, I admit, until I watched Field of Dreams. When Kevin Costner asks his dad at the end if he'd like to have a catch, I just completely lose my shit.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
There's a huge seal called 'impossibility' pasted all over this world. And don't ever forget that we're the only ones who can tear it off once and for all.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
The test is not a complex one: when the alarm goes off, do you get up out of bed, or do you lie there in comfort and fall back to sleep? If you have the discipline to get out of bed, you win—you pass the test. If you are mentally weak for that moment and you let that weakness keep you in bed, you fail. Though it seems small, that weakness translates to more significant decisions. But if you exercise discipline, that too translates to more substantial elements of your life.
Jocko Willink (Extreme Ownership: How U.S. Navy SEALs Lead and Win)
Codes and semiotic conventions are a challenge for human communication, since they seal off people with a privacy protection label and make them accessible only by means of a barcode that might estrange them from their surroundings but, at the same time, procure them a kind of reassurance in their comfort zone. This dialectical situation may keep them struggling during their entire life. ("The unbreakable code " )
Erik Pevernagie
Can’t seal up a conversation with a casual Oh, by the way, could you perhaps not touch me the way you always have because each time it puts fresh splinters in my heart? Particularly when what I’d really like to say is Oh, by the way, could you please keep touching me, and perhaps do it all the time, and while we’re at it, would you like to take off all your clothes and climb in bed? They’re both weighted alike.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
The family is the cradle of the world’s misinformation. There must be something in family life that generates factual error. Over-closeness, the noise and heat of being. Perhaps even something deeper like the need to survive. Murray says we are fragile creatures surrounded by a world of hostile facts. Facts threaten our happiness and security. The deeper we delve into things, the looser our structure may seem to become. The family process works towards sealing off the world. Small errors grow heads, fictions proliferate. I tell Murray that ignorance and confusion can’t possibly be the driving forces behind family solidarity. What an idea, what a subversion. He asks me why the strongest family units exist in the least developed societies. Not to know is a weapon of survival, he says. Magic and superstition become entrenched as the powerful orthodoxy of the clan. The family is strongest where objective reality is most likely to be misinterpreted. What a heartless theory, I say. But Murray insists it’s true.
Don DeLillo (White Noise)
If industrial man continues to multiply his numbers and expand his operations he will succeed in his apparent intention, to seal himself off from the natural and isolate himself within a synthetic prison of his own making.
Edward Abbey (Desert Solitaire)
When I was young. When I had no idea that all over the city, all over the world, there were people walking around sealed in their own universes of loss, independent solar systems of suffering closed off from the regular world, where things make sense and language is all you need to tell the truth. —
Ariel Levy (The Rules Do Not Apply)
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down, you dig, farting out the words. It was unlike anything I ever heard. Bubbly, thick, stagnant sound. A sound you could smell. This man worked for the carnival,you dig? And to start with it was like a novelty ventriloquist act. After a while, the ass started talking on its own. He would go in without anything prepared... and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teethlike... little raspy incurving hooks and started eating. He thought this was cute at first and built an act around it... but the asshole would eat its way through his pants and start talking on the street... shouting out it wanted equal rights. It would get drunk, too, and have crying jags. Nobody loved it. And it wanted to be kissed, same as any other mouth. Finally, it talked all the time, day and night. You could hear him for blocks, screaming at it to shut up... beating at it with his fists... and sticking candles up it, but... nothing did any good, and the asshole said to him... "It is you who will shut up in the end, not me... "because we don't need you around here anymore. I can talk and eat and shit." After that, he began waking up in the morning with transparentjelly... like a tadpole's tail all over his mouth. He would tear it off his mouth and the pieces would stick to his hands... like burning gasoline jelly and grow there. So, finally, his mouth sealed over... and the whole head... would have amputated spontaneously except for the eyes, you dig? That's the one thing that the asshole couldn't do was see. It needed the eyes. Nerve connections were blocked... and infiltrated and atrophied. So, the brain couldn't give orders anymore. It was trapped inside the skull... sealed off. For a while, you could see... the silent, helpless suffering of the brain behind the eyes. And then finally the brain must have died... because the eyes went out... and there was no more feeling in them than a crab's eye at the end of a stalk.
William S. Burroughs (Naked Lunch)
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
Ray Bradbury (Something Wicked This Way Comes)
I spin around and see Max running toward me in a gray Armani shirt. "Dante. Oh, Dante. Seal me! Seal me so hard!" He grabs my hips and pumps his toward mine. "Oh, Dante! You're so hot when you seal souls!" I shove my idiot-of-a-best-friend off me and laugh.
Victoria Scott (The Collector (Dante Walker, #1))
The seals stupidly dive off rocks into swirling black water, barking mindlessly. The zookeepers feed them dead fish. A crowd gathers around the tank, mostly adults, a few accompanied by children. On the seals' tank a plaque warns: COINS CAN KILL——IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL'S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL. So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It's not the seals I hate——it's the audience's enjoyment of them that bothers me.
Bret Easton Ellis (American Psycho)
For me, Savannah's resistance to change was its saving grace. The city looked inward, sealed off from the noises and distractions of the world at large. It grew inward, too, and in such a way that its people flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.
John Berendt (Midnight in the Garden of Good and Evil)
He could never go back to that place, it had been sealed off to him for ever, blown to the sky with explosives then flattened to the ground with bulldozers, built over with tarmac, lived on top of by other people.
Selma Dabbagh (Out of It)
I swear, if you touch me, I’ll go Lorena Bobbitt on you.” Lorena Bobbitt? Why does that sound—oh my God, the lady that chopped off her husband’s dick? I busted out laughing and put my pillow over my face. “Oh my God! Princess! You’re my new favorite!” That’s it, that comment right there, and it was sealed. I would do anything to have this beautiful gray-eyed princess lying next to me, as mine.
Molly McAdams (Stealing Harper (Taking Chances, #1.5))
Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.
Julian Assange
Was there to be any end to the gradual improvement in the techniques and artifices used by the replicators to ensure their own continuation in the world? There would be plenty of time for improvement. What weird engines of self-preservation would the millennia bring forth? Four thousand million years on, what was to be the fate of the ancient replicators? They did not die out, for they are past masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, sealed off from the outside world, communicating with it by tortuous indirect routes, manipulating it by remote control. They are in you and in me; they created us, body and mind; and their preservation is the ultimate rationale for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.
Richard Dawkins (The Selfish Gene)
Mitchell sanders was sitting under a banyan tree and using a thumbnail to pry off all the body lice, working slowly, carefully depositing them in a USO envelope. When he was done he sealed the envelope, wrote 'Free' in the right hand corner, and sent it to his draft board in ohio.
Tim O'Brien (The Things They Carried)
The color scheme of the whole sanatorium seemed to be based on liver. Dark, glowering woodwork, burnt-brown leather chairs, walls that might once have been white but had succumbed under a spreading malady of mod or damp. A mottled brown linoleum sealed off the floor.
Sylvia Plath (The Bell Jar)
Give up the human, and I’ll call them off,” Reseph called out. “Fuck you.” “Incest, brother?” He shrugged. “Well, hell, I’ve tried everything else since my Seal broke…
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
DADDY You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time― Marble-heavy, a bag full of God, Ghastly statue with one grey toe Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You― Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two― The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through.
Sylvia Plath (Ariel)
We can ask and ask but we can't have again what once seemed ours for ever - the way things looked, that church alone in the fields, a bed on a belfry floor, a remembered voice, the touch of a hand, a loved face. They've gone and you can only wait for the pain to pass. All this happened so long ago. And I never returned, never wrote, never met anyone who might have given me news of Oxgodby. So, in memory, it stays as I left it, a sealed room furnished by the past, airless, still, ink long dry on a put-down pen. But this was something I knew nothing of as I closed the gate and set off across the meadow.
J.L. Carr (A Month in the Country)
My mother used to tell me that Heaven never seals off all exits.
Lisa See (Dreams of Joy (Shanghai Girls, #2))
The two angels were both tall, but Aodhan was perhaps an inch taller, and now his eyes locked with Illium's for a long, quiet moment before he lowered his head slightly. Illium raised his hand, the movement slow, hesitant....and then his fingers brushed Aodhan's cheek just below the cut that had almost sealed. The first ray of dawn kissed the tear that rolled down Illium's face, caressed the painful wonder on Aodhan's as he lifted his hand to clasp the wrist of his friend's hand. That instant of contact, the power of it, stole her breath. Then Illium smiled, said something that made Aodhan's lips curve-Elena thought it might've been "Welcome back, Sparkle"-and they were separating to sweep off the Tower in a symphony of wild silver blue and heartbreaking light. "Raphael," she whispered, having felt him come up behind her. "Did you see?" "Yes." His hand on her nape, his thumb brushing over her pulse. "Of course it would be Illium who reached him," he murmured.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
Tragedy seems to bring out all varieties of unexpected qualities in people. It was as if some folks got dunked in plastic, vacuum-sealed like backpacking dinners, and could do nothing but sweat in their private hell. And others seemed to have just the opposite problem, as if disaster had dipped them in acid instead, stripping off the outside layer of skin that once protected them from the slings and arrows of other people’s outrageous fortunes. For these sorts, just walking down the street in the wake of every stranger’s ill wind became an agony, an aching slog through this man’s fresh divorce and this woman’s throat cancer. They were in hell, too, but it was everybody’s hell, this big, shoreless, sloshing sea of toxic waste.
Lionel Shriver (We Need to Talk About Kevin)
My lips are sealed but my words have a life of their own Even if they're locked up they'll bounce off three walls and slip between metal bars
Ibi Zoboi (Punching the Air)
Where beliefs are not checked against facts, but instead facts must meet the test of consonance with the prevailing vision, we are in the process of sealing ourselves off from feedback from reality. Heedless of the past, we are flying blind into the future.
Thomas Sowell (Black Rednecks and White Liberals)
I don't know how these couples do it, spend hours each night tucking their kids in, reading them books about misguided kittens or seals who wear uniforms, and then reread them if the child so orders. In my house, our parents put us to bed with two simple words: "Shut up." That was always the last thing we heard before our lights were turned off. Our artwork did not hang on the refrigerator or anywhere near it, because our parents recognized it for what it was: crap. They did not live in a child's house, we lived in theirs.
David Sedaris (Let's Explore Diabetes with Owls)
There were adventure stories supplied with cloths for mopping your brow, thrillers containing pressed leaves of soothing valerian to be sniffed when the suspense became too great, and books with stout locks sealed by the Atlantean censorship authorities ("Sale permitted, reading prohibited!"). One shop sold nothing but 'half' works that broke off in the middle because their author had died while writing them; another specialised in novels whose protagonists were insects. I also saw a Wolperting shop that sold nothing but books on chess and another patronised exclusively by dwarfs with blond beards, all of whom wore eye-shades.
Walter Moers (The City of Dreaming Books (Zamonia, #4))
No one knew exactly why the seals ate stones, but maybe, some thought, it was for ballast. Or to help digestion. Or to stave off hunger. Or, as Brown had written in the journal, 'maybe they're just weird.
Susan Casey (The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks)
Manfried imagined the stars to be jewels shining in the depths of a long-sealed crypt and, drifting off, he almost glimpsed himself prying open the lid of night and stuffing his pockets with the glittering gems.
Jesse Bullington (The Sad Tale of the Brothers Grossbart)
Those who lack imagination have no choice but to base their conclusions on the reality they see around them. But on the other hand, those who are imaginative have a tendency to build fortified castles they have designed themselves, and to seal off every window in them.
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
The human mind is a product of the Pleistocene age, shaped by wildness that has all but disappeared. If we complete the destruction of nature, we will have succeeded in cutting ourselves off from the source of sanity itself. Hermetically sealed amidst our creations and bereft of those of the Creation, the world then will reflect only the demented image of the mind imprisoned within itself. Can the mind doting on itself and its creations be sane?
Edward O. Wilson (The Biophilia Hypothesis (Shearwater Book))
For me, Savannah’s resistance to change was its saving grace. The city looked inward, sealed off from the noises and distractions of the world at large. It grew inward, too, and in such a way that its people flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure than would have been possible anywhere else in the world.
John Berendt (Midnight in the Garden of Good and Evil)
A few days back someone sent me two feathers. Two bird's feathers in a sheet of note-paper with a coronet, and fastened with a seal. Sent from a place a long way off; from one who need not have sent them back at all. That amused me too, those devilish green feathers.
Knut Hamsun
I put it to the great man [Hitchcock], the key to fictitious terror is partition or containment: so long as the Bates Motel is sealed off from our world, we want to peer in, like at a scorpion enclosure. But a film that shows the world is a Bates Motel, well, that's... the stuff of Buchloe, dystopia, depression. We'll dip our toes in a predatory, amoral, godless unive3rse, but only our toes.
David Mitchell (Cloud Atlas)
Seal it off baby. I said seal that fucker off!
Markiplier
Generally, when a leader struggles, the root cause behind the problem is that the leader has leaned too far in one direction and steered off course. Awareness
Jocko Willink (Extreme Ownership: How U.S. Navy SEALs Lead and Win)
Coasting is for “pussies” as SEAL would say and it’s when you dig deep that you feel the most alive. He lives his life that way. And some of that rubbed off on me.
Jesse Itzler (Living with a SEAL: 31 Days Training with the Toughest Man on the Planet)
Before Butch knew what was doing, V grabbed his forearm, bent down, and licked the cut, sealing it up quick. Butch yanked out of his roommate's hold. "Jesus, V! What if that blood's contaminated!" "It's fine. Just f-" With a boneless lurch, Vishous gasped and collapsed against the wall, eyes rolling back in his head, body twitching. "Oh, God...!" Butch reached out in horror- Only to have V cut the seizure off and calmly take a drink from his glass. "You're fine, cop. Tastes perfectly okay. Well fine for a human guy which really ain't my 'tail of choice, you feel me?" Butch hauled back and nailed his roommate in the arm with his fist. And as the brother cursed, Butch popped him another one. V glared and rubbed himself. "Christ, cop." "Suck it up, you deserve it.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Put another way, Peat thinks that synchronicities reveal the absence of division between the physical world and our inner psychological reality. Thus the relative scarcity of synchronous experiences in our lives shows not only the extent to which we have fragmented ourselves from the general field of consciousness, but also the degree to which we have sealed ourselves off from the infinite and dazzling potential of the deeper orders of mind and reality. According to Peat, when we experience a synchronicity, what we are really experiencing "is the human mind operating, for a moment, in its true order and extending throughout society and nature, moving through orders of increasing subtlety, reaching past the source of mind and matter into creativity itself.
Michael Talbot (The Holographic Universe)
Dante.Oh,Dante.Seal me!Seal me so hard!”.He grabs my hips and pumps his toward mine.“Oh,Dante! You’re so hot when you seal souls.” I shove my idiot-of-a-best-friend off me and laugh.“What the hell was that?” I ask. “My new move.
Victoria Scott (The Collector (Dante Walker, #1))
Isolation of catastrophic experiences. Dissociation may function to seal off overwhelming trauma into a compartmentalized area of conscious until the person is better able to integrate it into mainstream consciousness. The function of dissociation is particularly common in survivors of combat, political torture, or natural or transportation disasters.
Marlene Steinberg
The thing about trees is that they know what to do. When a leaf loses its colour, it's not because its time is up and it's dying, it's because the tree is taking back into itself the nutrients the leaf's been holding in reserve for it, out there on the twig, and why leaves change colour in autumn is because the tree is preparing for winter, it's filling itself with its own stored health so it can withstand the season. Then, clever tree, it literally pushes the used leaf off with the growth that's coming behind it. But because that growth has to protect itself through winter too, the tree fills the little wound in its branch or twig where the leaf was with a protective corky stuff which seals it against cold and bacteria. Otherwise every leaf lost would be an open wound on a tree and a single tree would be covered in thousands of little wounds. Clever trees.
Ali Smith (Artful)
We are, after all, citizens of the world - a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once. I'll give you the benefit of the doubt, Senor Tamale Stand Owner, Sushi-chef-san, Monsieur Bucket-head. What's that feathered game bird, hanging on the porch, getting riper by the day, the body nearly ready to drop off? I want some.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Dear Nastenka, I know I describe splendidly, but, excuse me, I don't know how else to do it. At this moment, dear Nastenka, at this moment I am like the spirit of King Solomon when, after lying a thousand years under seven seals in his urn, those seven seals were at last taken off. At this moment, Nastenka, when we have met at last after such a long separation - for I have known you for ages, Nastenka, because I have been looking for some one for ages, and that is a sign that it was you I was looking for, and it was ordained that we should meet now - at this moment a thousand valves have opened in my head, and I must let myself flow in a river of words, or I shall choke. And so I beg you not to interrupt me, Nastenka, but listen humbly and obediently, or I will be silent.
Fyodor Dostoevsky (White Nights)
Heavens never seals off all the exits
Mo Yan
Sometimes John had recorded new compositions, or lines from his new poems. Sometimes he'd just record a busy night in The Green Man. Sometimes sheep, seals, skylarks, the wind turbine. If Liam were home there would be some Liam. The summer fair. The Fastnet Race. I would unfold my map of Clear Island. Those tapes prised the lid off homesickness and rattled out the contents, but always at the bottom was solace.
David Mitchell (Ghostwritten)
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Marge Piercy (To Be of Use: Poems)
Extremism, he says, is the universal tuberculosis of modern society: a world infection of resentment and hatred generated by rapid change and the breakdown of old values. In the stabler nations the tubercles are sealed off in scar tissue, and these are the harmless lunatic movements. In times of social disorder, depression, war, or revolution, the germs can break forth and infect the nation. This has happened in Germany. It could happen anywhere, even in the United States.
Herman Wouk (War and Remembrance (The Henry Family, #2))
Who're you writing the novel to anyway?" Ron asked Hermione, trying to read the bit of parchment now trailing on the floor. Hermione hitched it up out of sight. "Viktor." "Krum?" "How many other Viktors do we know?" Ron said nothing, but looked disgruntled. They sat in silence for another twenty minutes, Ron finishing his Transfiguration essay with many snorts of impatience, rolling in up carefully and sealing it, and Harry staring into the fire, wishing more than anything that Sirius's head would appear there and give him some advice about girls. But the fire merely crackled lower and lower, until the red-hot embers crumbled into ash and, looking around, Harry saw that they were, yet again, the last in the common room. "Well, 'night," said Hermione, yawning widely, and she set off up the girls' staircase. "What does she see in Krum?" Ron demanded as he and Harry climbed the boys' stairs. "Well," said Harry, considering the matter, "I s'pose he's older, isn't he...and he's an international Quidditch player...." "Yeah, but apart from that," said Ron, sounding aggravated. "I mean he's a grouchy git, isn't he?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
What can it matter to you? You just drift along. You don't give a good godamm about the universal consequences that can flow from our most trifling acts, our most unforeseen thoughts . . . It's no skin off your ass . . . You're caulked . . . hermetically sealed . . . Nothing means anything to you . . . Am I right? Nothing. Eat! Drink! Sleep! Up there as cozy as you please . . . All warm and comfy on my couch . . . You've got everything you want . . . You wallow in well-being . . . the earth rolls on . . . How? Why? A staggering miracle . . . how it moves . . . the profound mystery of it . . . toward an infinite unforeseeable goal . . . in the sky all scintillating with comets . . . all unknown . . . from one rotation to the next . . . Each second is the culmination and also the prelude of an eternity of other miracles . . . of impenetrable wonders, thousands of them, Ferdinand! Millions! billions of trillions of years! . . . And you? What are you doing in the midst of this cosmologonic whirl? this vast sidereal wonder? Just tell me that! You eat! You fill your belly! You sleep! You don't give a damn . . . That's right! Salad! Swiss cheese! Sapience! Turnips! Everything! You wallow in your own muck! You'll loll around, befouled! Glutted! Satisfied! You don't ask for anything more! You pass through the stars . . . as if they were raindrops in May! . . . God, you amaze me, Ferdinand! Do you really think this can go on forever? . . ." I didn't say a word . . . I had no set opinion about the stars or the moon, but I had one about him, the bastard. And the stinker knew it.
Louis-Ferdinand Céline (Death on the Installment Plan)
I hazarded to your mother that tragedy seems to bring out all varieties of unexpected qualities in people. I said it was as if some folks (I was thinking of Mary) got dunked in plastic, vacuum-sealed like backpacking dinners, and could do nothing but sweat in their private hell. And others seemed to have just the opposite problem, as if disaster had dipped them in acid instead, stripping off the outside layer of skin that once protected them from the slings and arrows of other people's outrageous fortunes. For these sorts, just walking down the street in the wake of every stranger's ill wind became an agony, an aching slog through the man's fresh divorce and that woman's terminal throat cancer. They were in hell, too, but it was everybody's hell, this big, shoreless, sloshing sea of toxic waste.
Lionel Shriver (We Need to Talk About Kevin)
I could. I don’t think Dan can. He’s trying to bang some biochemist working in the research lab next to his. For his sake, I hope she’s as hot as he claims. His last lay could scare Christ off the cross.
Cecy Robson (Sealed with a Curse (Weird Girls, #1))
You wanted strength.” “I still want it,” Rhy whispered. “Every day. I wake up wanting to be a stronger person. A better prince. A worthy king. That want, it’s like a fire in my chest. And then, there are these moments, these horrible, icy moments when I remember what I did …” His hand drifted to his heart. “To myself. To you. To my kingdom. And it hurts….” His voice trembled. “More than dying ever did. There are days when I don’t feel like I deserve this.” He tapped the soul seal. “I deserve to be …” He trailed off, but Kell could feel his brother’s pain, as though it were a physical thing.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Where we grew up, we didn’t learn how to live. We learned how to bury the land, seal life off. There was an unacknowledged backdrop to being a kid on land that was fast turning into strip malls, when you loved trees and a silent corporate presence kept showing up to knock the trees down. It was the helpless sense that everything you ever loved could be destroyed, without debate.
Monica Drake (The Folly of Loving Life)
As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way.
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
She knew that kindness kills. All her life she'd suspected this and so she'd only ever been cold and cruel. She'd faced kindness with cutting remarks. She'd curled her lips at smiling faces. She'd twisted every thoughtful, considerate act into an assault. Everyone who was nice to her, who was compassionate and loving, she rebuffed. Because she'd loved them. Loved them with all her heart, and wouldn't see them hurt. Because she'd known all her life that the surest way to hurt someone, to maim and cripple them, was to be kind. If people were exposed, they die. Best to teach them to be armored, even if it meant she herself was forever alone. Sealed off from human touch.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
Tink looked over at Ren. “Wait. Have you two stopped fighting? Oh my Queen Mab, you guys are in love again!” My eyes widened as I glanced around, seeing that several of the strangers were watching us with detached interest. “Tink . . .” “We were never not together,” Ren said, dropping his arm over my shoulders. The blue and red bag slipped to the floor as he clapped his hands like an overexcited seal. “You guys are! This is amazing.” “Tink,” I said again, this time with a little more force behind his name. “Thank the faery lords and ladies, I will not be a product of a split home.” “For the last time, we are not your parents, Tink.” I shook my head as I started to turn but stopped. “Pick up your bag.” Ren leaned in as Tink snatched the bag off the floor. “You sound like his mom.” “Shut up,” I hissed.
Jennifer L. Armentrout (Brave (Wicked Trilogy, #3))
Lonny finishes his drink and stands. “So what’s our plan?” “You don’t have to go,” I tell him, shrugging out of Carmindor’s jacket. “I’m sort of going AWOL, so it’s not in your contract.” “Then as far as I’m concerned, I’m off the clock,” he says, straightening his suit. “I can do whatever I want with my time, and I want to help you out. So what’s the plan?” “First,” I say, “to the vending machines. With all this good luck, they gotta have an Orange Crush.” And holy gods of soda, Batman, by the glowing light of the great vending machines on the third floor, I spot a beautiful Orange Crush button, and when I push it an orange bottle rolls out. I crack the seal and drink to the sweet, sweet taste of victory. “That’s your plan?” Lonny says. “To drink a soda?
Ashley Poston (Geekerella (Once Upon a Con, #1))
The process of putting Haarlem behind him resembled the changes a man goes through when he divorces. He takes a girl friend to forget his wife, but just doing that prolongs the connection with the wife. Possibly things will work out only with the next girl friend - although the third one has the best chance. Boundaries have to be continuously sealed off, but it's a hopeless job, fore everything touches everything else in this world. A beginning never disappears, not even with the ending.
Harry Mulisch (The Assault)
GONE TO STATIC it sounds better than it is, this business of surviving, making it through the wrong place at the wrong time and living to tell. when the talk shows and movie credits wear off, it's just me and my dumb luck. this morning I had that dream again: the one where I'm dead. I wake up and nothing's much different. everything's gone sepia, a dirty bourbon glass by the bed, you're still dead. I could stumble to the shower, scrub the luck of breath off my skin but it's futile. the killer always wins. it's just a matter of time. and I have time. I have grief and liquor to fill it. tonight, the liquor and I are talking to you. the liquor says, 'remember' and I fill in the rest, your hands, your smile. all those times. remember. tonight the liquor and I are telling you about our day. we made it out of bed. we miss you. we were surprised by the blood between our legs. we miss you. we made it to the video store, missing you. we stopped at the liquor store hoping the bourbon would stop the missing. there's always more bourbon, more missing tonight, when we got home, there was a stray cat at the door. she came in. she screams to be touched. she screams when I touch her. she's right at home. not me. the whisky is open the vcr is on. I'm running the film backwards and one by one you come back to me, all of you. your pulses stutter to a begin your eyes go from fixed to blink the knives come out of your chests, the chainsaws roar out from your legs your wounds seal over your t-cells multiply, your tumors shrink the maniac killer disappears it's just you and me and the bourbon and the movie flickering together and the air breathes us and I am home, I am lucky I am right before everything goes black
Daphne Gottlieb (Final Girl)
The left side of my brain had been shut down like a damaged section of a spinship being sealed off, airtight doors leaving the doomed compartments open to vacuum. I could still think. Control of the right side of my body soon returned. Only the language centers had been damaged beyond simple repair. The marvelous organic computer wedged in my skull had dumped its language content like a flawed program. The right hemisphere was not without some language—but only the most emotionally charged units of communication could lodge in that affective hemisphere; my vocabulary was now down to nine words. (This, I learned later, was exceptional, many victims of CVAs retain only two or three.) For the record, here is my entire vocabulary of manageable words: fuck, shit, piss, cunt, goddamn, motherfucker, asshole, peepee, and poopoo;
Dan Simmons (Hyperion (Hyperion Cantos, #1))
It is a source of refreshment, laughter, joy and life—and of more power. Remove power and you cut off life, the possibility of creating something new and better in this rich and recalcitrant world. Life is power. Power is life. And flourishing power leads to flourishing life. Of course, like life itself, power is nothing—worse than nothing—without love. But love without power is less than it was meant to be. Love without the capacity to make something of the world, without the ability to respond to and make room for the beloved’s flourishing, is frustrated love. This is why the love that is the heartbeat of the Christian story—the Father’s love for the Son and, through the Son, for the world—is not simply a sentimental feeling or a distant, ethereal theological truth, but has been signed and sealed by the most audacious act of true power in the history of the world, the resurrection of the Son from the dead. Power at its best is resurrection to full life, to full humanity. Whenever human beings become what they were meant to be, when even death cannot finally hold its prisoners, then we can truly speak of power.
Andy Crouch (Playing God: Redeeming the Gift of Power)
I was in Washington State, at a small-town YMCA, when a boy wandered into the lap lane and popped his head, seal-like, out of the water. I would later learn that he was nine, but at the time he was just this kid, slightly pudgy, with a stern haircut. It's like he went to a barbershop with a picture of Hitler, that's how severe it was. We got to talking, and when I told him I wasn't a very good swimmer, he challenged me to a race. I think he assumed that, like most adults, I'd slow down and intentionally let him win, but he didn't know who he was dealing with. I need all the confidence I can get, and one victory is just as good as any other. Thus I swam for my very life and beat the pants off him. I thought this was it - he'd accept his defeat and move on with his life - but five minutes later he stopped me again and asked me if I believed in God. "No," I told him. "Why?" I thought for a second. Because I have hair on my back, and a lot of other people, people who kill and rob and make life miserable, don't. A real God wouldn't let that happen.
David Sedaris
The lawyers have twisted it into such a state of bedevilment that the original merits of the case have long disappeared from the face of the earth. It’s about a will and the trusts under a will — or it was once. It’s about nothing but costs now. We are always appearing, and disappearing, and swearing, and interrogating, and filing, and cross-filing, and arguing, and sealing, and motioning, and referring, and reporting, and revolving about the Lord Chancellor and all his satellites, and equitably waltzing ourselves off to dusty death, about costs. That’s the great question. All the rest, by some extraordinary means, has melted away.
Charles Dickens (Bleak House)
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
E.L. Doctorow (Ragtime)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
a team of Japanese engineers had recently tried to build a 35-feet-high replica of the Great Pyramid (rather smaller than the original, which was 481 feet 5 inches in height). The team started off by limiting itself strictly to techniques proved by archaeology to have been in use during the Fourth Dynasty. However, construction of the replica under these limitations turned out to be impossible and, in due course, modern earth-moving, quarrying and lifting machines were brought to the site. Still no worthwhile progress was made. Ultimately, with some embarrassment, the project had to be abandoned.175
Graham Hancock (The Sign and the Seal: The Quest for the Lost Ark of the Covenant)
This country has not seen and probably will never know the true level of sacrifice of our veterans. As a civilian I owe an unpayable debt to all our military. Going forward let’s not send our servicemen and women off to war or conflict zones unless it is overwhelmingly justifiable and on moral high ground. The men of WWII were the greatest generation, perhaps Korea the forgotten, Vietnam the trampled, Cold War unsung and Iraqi Freedom and Afghanistan vets underestimated. Every generation has proved itself to be worthy to stand up to the precedent of the greatest generation. Going back to the Revolution American soldiers have been the best in the world. Let’s all take a remembrance for all veterans who served or are serving, peace time or wartime and gone or still with us. 11/11/16 May God Bless America and All Veterans.
Thomas M. Smith
Caroline, or Sister Carrie, as she had been half affectionately termed by the family, was possessed of a mind rudimentary in its power of observation and analysis. Self-interest with her was high, but not strong. It was, nevertheless, her guiding characteristic. Warm with the fancies of youth, pretty with the insipid prettiness of the formative period, possessed of a figure promising eventual shapeliness and an eye alight with certain native intelligence, she was a fair example of the middle American class—two generations removed from the emigrant. Books were beyond her interest—knowledge a sealed book. In the intuitive graces she was still crude. She could scarcely toss her head gracefully. Her hands were almost ineffectual. The feet, though small, were set flatly. And yet she was interested in her charms, quick to understand the keener pleasures of life, ambitious to gain in material things. A half-equipped little knight she was, venturing to reconnoitre the mysterious city and dreaming wild dreams of some vague, far-off supremacy, which should make it prey and subject—the proper penitent, grovelling at a woman's slipper.
Theodore Dreiser (Sister Carrie)
On Rachel's show for November 7, 2012: Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism. Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations, everyone!
Rachel Maddow
She’s my wife. Back off, jarhead,” he tossed back over his shoulder. Jared laughed, and it wasn’t a mean laugh. Cassie bit back a grin as he stepped back, giving Mitch room to turn around before stepping right back into his personal space. His smile was knowing and totally awesome. “Actually, she’s Cassie. She’s nobody’s wife, because the loser she was married to wasn’t smart enough to know just how awesome his wife was when he had her. So if that’s you, I’m sorry, bud. And I’m guessing it is, because only a moron who’s never served in uniform would call someone a jarhead. You gotta be a Marine to use that term, and only to another Marine. You fail on both points, but try harder next time.
Cora Seton (SEALs of Winter)
His gaze widened, then taking in the entirety of the camp. All these people: they were trapped. And not merely by the wires that surrounded them. Physical barricades were nothing compared to the wires of the mind. What had truly imprisoned them was one another. Husbands and wives, parents and children, friends and companions: what they believed had given them strength in their lives had actually done the opposite. Guilder recalled the couple who lived across the street from his townhouse, trading off their sleeping daughter on the way to the car. How heavy that burden must have felt in their arms. And when the end swept down upon them all, they would exit the world on a wave of suffering, their agonies magnified a million times over by the loss of her. Would they have to watch her die? Would they perish first, knowing what would become of her in their absence? Which was preferable? But the answer was neither. Love had sealed their doom. Which was what love did.
Justin Cronin (The Twelve (The Passage, #2))
Three or four days later he was still thinking about seal flipper pie. Remembered the two raw eggs Petal gave him. That he invested with pathetic meaning. 'Petal,' said Quoyle to Wavey, 'hated to cook. Hardly ever did.' Thought of the times he had fixed dinner for her, set put his stupid candles, folded the napkins as though they were important, waited and finally ate alone, the radio on for company. And later dined with the children, shoveling in canned spaghetti, scraping baby food off small chins. 'Once she gave me two eggs. Raw eggs for a present.' He had made an omelet of them, hand-fed her as thought she were a nestling bird. And saved the shells in a paper cup on top of the kitchen cabinet. Where they still must be.
Annie Proulx (The Shipping News)
The difference between Before and After is that today we need to safeguard our inner weirdo, seal it off and protect it from being buffeted. Learn an old torch song that nobody knows; read a musty, out-of-print detective novel; photograph a honey-perfect sunset and show it to no one. We may need to build new and stronger weirdo cocoons, in which to entertain our private selves. Beyond the sharing, the commenting, the constant thumbs-upping, beyond all that distracting gilt, there are stranger things waiting to be loved.
Michael Harris (Solitude: In Pursuit of a Singular Life in a Crowded World)
The imaginable had always been problematic. When I was a child the feel of things went into me: deep, narrow, intense. The grittiness of the street, the chalk-white air of the drugstore, the grain of the wooden floor in the storefront library, the blocks of cheese in the grocery-store refrigerator. I took it all so seriously, so literally. I was without imagination. I paid a kind of idiot attention to the look and feel of things, leveling an intent inner stare at the prototypic face of the world. These streets were all streets, these buildings all buildings, these women and men all women and men. I could imagine no other than that which stood before me. That child’s literalness of the emotions continued to exert influence, as though a shock had been administered to the nervous system and the flow of imagination had stopped. I could feel strongly, but I could not imagine. The granite gray of the street, the American-cheese yellow of the grocery store, the melancholy brownish tint of the buildings were all still in place, only now it was the woman on the couch, the girl hanging out the window, the confinement that sealed us off, on which I looked with that same inner intentness that had always crowded out possibility as well as uncertainty. It would be years before I learned that extraordinary focus, that excluding insistence, is also called depression.
Vivian Gornick (Fierce Attachments)
In our relationships, weatherproofing typically plays itself out like this: You meet someone and all is well. You are attracted to his or her appearance, personality, intellect, sense of humor, or some combination of these traits. Initially, you not only approve of your differences with this person, you actually appreciate them. You might even be attracted to the person, in part because of how different you are. You have different opinions, preferences, tastes, and priorities. After a while, however, you begin to notice little quirks about your new partner (or friend, teacher, whoever), that you feel could be improved upon. You bring it to their attention. You might say, “You know, you sure have a tendency to be late.” Or, “I’ve noticed you don’t read very much.” The point is, you’ve begun what inevitably turns into a way of life—looking for and thinking about what you don’t like about someone, or something that isn’t quite right. Obviously, an occasional comment, constructive criticism, or helpful guidance isn’t cause for alarm. I have to say, however, that in the course of working with hundreds of couples over the years, I’ve met very few people who didn’t feel that they were weatherproofed at times by their partner. Occasional harmless comments have an insidious tendency to become a way of looking at life. When you are weatherproofing another human being, it says nothing about them—but it does define you as someone who needs to be critical. Whether you have a tendency to weatherproof your relationships, certain aspects of your life, or both, what you need to do is write off weatherproofing as a bad idea. As the habit creeps into your thinking, catch yourself and seal your lips. The less often you weatherproof your partner or your friends, the more you’ll notice how super your life really is.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
So…you're not going to tell me what they mean? C'mon. What's the Hob? Why Forks?” When I stand, I switch to my blatantly rude, you're-an-idiot tone. This is the one that always pisses off my mom. To be sure he's not missing my insult this time, I also cross my arms and speak very slowly like I'm speaking to a toddler. “The Hob is from The Hunger Games books. It's the underground market where the characters trade food and information. Forks would be the town in Twilight. The setting. In boy-speak, Forks equals the planet Tatooine for Star Wars. You know—Anakin Skywalker's childhood home? Or are you not familiar with any global blockbusters? I suppose I could use Sesame Street or Pokémon for a reference—if it would help you understand better?” Bam. That should seal it. I couldn't have sounded more like a total bitch. He nods. “No, I've got it. My bedroom was Tatooine for all of third and fourth grade. Boy-speak…that's funny.” He laughs again, and it sounds warm and—and—not at all offended!
Anne Eliot (Almost)
When every link to the outside world is severed, time has no meaning. It ceases to exist other than as a dull memory, a vague recollection of what a minute used to be, an hour, a day. Sealed up tight so far beneath the ground, every single second was stretched out almost to infinity—each one a vast and empty abyss where time used to reign, an ageless aeon barren of significance and consequence. When every scrap of light and sound has been taken away, reality has no meaning. It too ceases to exist, for what is reality other than the cumulation of senses—images witnessed by our own eyes and the noises that enter through our ears? But when all those senses are starved, then the real world fades away like the last frantic gasp of a television program when the set is switched off. And when reality goes, sanity has no reason. How can your ability to behave in a normal and rational way still exist when nothing normal or rational remains? As soon as reality breaks, as soon as we are separated from the physical world, the cracks begin to appear in our minds. And through them seeps the madness that has always been there, flowing into your skull like a liquid nightmare.
Alexander Gordon Smith (Solitary (Escape from Furnace, #2))
Being Scared-off by Evil Lastly, we deny the presence of evil because we are terrified by the horrendously hurtful, cruel, and bloody kinds of evil people tell us about—if we are willing to listen. This was poignantly brought home during an interdisciplinary case conference involving a resident who was counseling for the first time a woman who had been sexually abused. As we worked with him, it became clear that he was resisting entering what he called the 'psychic cave" of her sealed—off experience from which she was shouting for assistance. Because of his resistance, he was not providing her the support and guidance she so desperately needed, and he was not facilitating her working through the abuse and hurt that were continuing to impact her life. As he was confronted about this at one point in the conference, he stated tearfully: "I'm afraid if I help her move into her memories. I will have to go with her, and if I go with her, my view of the world as a basically good and safe place will be shattered. I'm not sure I can handle that for myself, or be able to think about the fact that my wife and kids may be more vulnerable living in this world than I can be comfortable believing" (Means 1995, 299).
J. Jeffrey Means (Trauma and Evil: Healing the Wounded Soul)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
This smells like shit,” MacRuairi said, smearing the black seal grease over his naked skin. They'd bundled their armor and weapons in a pack to keep them dry when they crossed the river. The seal grease would not only help them blend into the darkness, it protected them from the cold December waters. “You'll be grateful for in in a few minutes.” MacSorley grinned. “The water will freeze your bollocks off.” “Which shouldn't be a problem for you anymore,” MacRuairi said dryly. “Damn, cousin, was that a joke?” MacSorley shook his head. “It does snow in hell.” MacRuairi muttered something under his breath as he finished applying the grease.
Monica McCarty (The Saint (Highland Guard, #5))
Looking back into childhood is like turning a telescope the wrong way around. Everything appears in miniature, but with a clarity it probably does not deserve; moreover it has become concentrated and stylized, taking shape in symbolism. Thus it is that I sometimes see my infant self as having been set down before a blank slate on which to construct a map or schema of the external world, and as hesitantly beginning to sketch it, with many false starts and much rubbing-out, the anatomy of my universe. Happiness and sorrow, love and friendship, hostility, a sense of guilt and more abstract concepts still, must all find a place somewhere, much as an architect lays out the plan of a house he is designing - hall, dining-room and bedrooms - but must not forget the bathroom. In a child’s map, too, some of the rooms are connected by a serving-hatch, while others are sealed off behind baize doors. How can the fragments possibly be combined to make sense? Yet this map or finished diagram, constructed in the course of ten or twelve years’ puzzling, refuses to be ignored, and for some time to come will make itself felt as bones through flesh, to emerge as the complex organism which adults think of as their philosophy of life. Presumably it has its origins in both heredity and enviorment. So with heredity I shall begin.
Frances Partridge (Love in Bloomsbury: Memories)
Once we go on this mission, we aren’t going to see our kids again or kiss our wives. We’ll never eat another steak or smoke another cigar.” We were trying to get down to the truth about why we were still willing to do this when we pretty much knew we were going to die. What we came up with was that we were doing it for the single mom who dropped her kids off at school and went to work on a Tuesday morning, and then an hour later decided to jump out of a skyscraper because it was better than burning alive. A woman whose last gesture of human decency was holding down her skirt on the long way to the pavement so no one could see her underwear. That’s why we were going. She was just trying to get through a workday, live a life.
Robert O'Neill (The Operator: Firing the Shots that Killed Osama bin Laden and My Years as a SEAL Team Warrior)
According to Flinders, all religious and spiritual traditions and specifically meditative practices—because they were built by men and for men—promote the following: self-silencing; self-naughting (destruction of the ego); resisting desire; and enclosure (turning inward, sealing off from the world). As a feminist, naming these four requirements of transcendence troubled her. “I realized that however ancient and universal these disciplines may be, they are not gender neutral at all. Formulated for the most part within monastic contexts, they cancel the basic freedoms—to say what one wants, go where one likes, enjoy whatever pleasures one can afford, and most of all, to be somebody—that have normally defined male privilege” (emphasis mine).
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
--And yet this great wink of eternity, Of rimless floods, unfettered leewardings, Samite sheeted and processioned where Her undinal vast belly moonward bends, Laughing the wrapt inflections of our love; Take this Sea, whose diapason knells On scrolls of silver snowy sentences, The sceptred terror of whose sessions rends As her demeanors motion well or ill, All but the pieties of lovers’ hands. And onward, as bells off San Salvador Salute the crocus lustres of the stars, In these poinsettia meadows of her tides,-- Adagios of islands, O my Prodigal, Complete the dark confessions her veins spell. Mark how her turning shoulders wind the hours, And hasten while her penniless rich palms Pass superscription of bent foam and wave,-- Hasten, while they are true,--sleep, death, desire, Close round one instant in one floating flower. Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise.
Hart Crane
O, ho, are you there with me? No eyes in your head, nor no money in your purse? Your eyes are in a heavy case, your purse in a light: yet you see how this world goes. Ear; of Gloster, “I see it feelingly.” Lear, “What, art mad? A man may see how this world goes with no eyes. Look with thine ears: see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and handy-dandy, which is the justice, which is the thief? - Thou hast seen a farmer’s dog bark at a begger? Earl of Gloster, ‘Ay, sir. Lear, “And the creature run from the cur? There thou mightst behold the great image of authority: a dog’s obey’d in office. - Thou rascal beadle, hold thy bloody hand! Why dost though lash that whore? Strip thine own back; Thou hotly lusts to use her in that kind For which thou whipst her. The usurer hangs the cozener. Through tattere’d clothes small vices to appear; Robes and furr’d gowns hide all. Plate sin with gold, And the strong lance of justice hurtless breaks; Arm it in rags, a pygmy’s straw does pierce it. None does offend, none, - I say, none; I’ll able ‘em to seal the accuser’s lips. Get thee glass eyes; To see the things thou dost not. - Now, now, now, now: Pull off my boots: - harder, harder: - so. Edgar (aside), “O, matter and impertinency mixt! Reason in madness!
William Shakespeare
He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said 'forty-five or fifty'. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can't endure this any more, I must breathe: you burst out of the room amd into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has preceded effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean.
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
Do you have any idea why you might be feeling better?” “No, not really,” I said curtly. Better wasn’t even the word for how I felt. There wasn’t a word for it. It was more that things too small to mention—laughter in the hall at school, a live gecko scurrying in a tank in the science lab—made me feel happy one moment and the next like crying. Sometimes, in the evenings, a damp, gritty wind blew in the windows from Park Avenue, just as the rush hour traffic was thinning and the city was emptying for the night; it was rainy, trees leafing out, spring deepening into summer; and the forlorn cry of horns on the street, the dank smell of the wet pavement had an electricity about it, a sense of crowds and static, lonely secretaries and fat guys with bags of carry-out, everywhere the ungainly sadness of creatures pushing and struggling to live. For weeks, I’d been frozen, sealed-off; now, in the shower, I would turn up the water as hard as it would go and howl, silently. Everything was raw and painful and confusing and wrong and yet it was as if I’d been dragged from freezing water through a break in the ice, into sun and blazing cold.
Donna Tartt (The Goldfinch)
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
Donna Tartt (The Goldfinch)
Sunday night is my personal weekly Halloween. I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop. Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices. “Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.” “Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.” “I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.” He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases. “I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.” He gives me a few coins’ change and bags my sweet, spongy drugs.
Sally Thorne (99 Percent Mine)
I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I was willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
BAPTISM BY FIRE Scriptures for meditation: 2 Chronicles 6; 7:1-6 Confession: Jer. 20:9 PRAYER POINTS Thank God for the purifying power of the fire of the Holy Ghost. I cover myself with the blood of the Lord Jesus. Father, let Your fire that burns away every deposit of the enemy fall upon me in the name of Jesus. Holy Ghost fire, incubate me in the name of the Lord Jesus Christ. I reject any evil stamp or seal placed upon me by ancestral spirits in the name of Jesus. I release myself from every negative anointing in the name of Jesus. Let every door of spiritual leakage be closed in the name of Jesus. I challenge every organ of my body with the fire of the Holy Spirit. (Lay your right hand methodically on various parts of the body beginning from the head.) Let every human spirit attacking my own spirit release me in the mighty name of Jesus. I reject every spirit of the tail in the name of Jesus. Sing the song "Holy Ghost fire, fire fall on me". Let all evil marks on my body be burnt off by the fire of the Holy Spirit in the name of Jesus. Let the anointing of the Holy Ghost fall upon me and break every negative yoke in the name of Jesus. Let every garment of hindrance and dirtiness be dissolved by the fire of the Holy Ghost in the name of Jesus. I command all my chained blessings to be unchained in the name of Jesus. Let all spiritual cages inhibiting my progress be roasted by the fire of the Holy Spirit in the name of Jesus. Now Make this Powerful Confession Before You Proceed I boldly declare that my body is the temple of God and that the Holy Ghost is dwelling in me. I am cleansed through the blood of the Lord Jesus Christ. Therefore, whosoever wants me to go into captivity shall go into captivity. Whosoever wants me to die by the sword shall die by the sword. The strangers shall fade away and be afraid out of their close places in the mighty name of the Lord Jesus Christ. They shall lick the dust like a serpent, they shall move out of their holes like worms of the earth,
D.K. Olukoya (Pray your Way to Breakthrough)
PROLOGUE   Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
P.C. Cast (Revealed (House of Night #11))
Mrs. Crisparkle had need of her own share of philanthropy when she beheld this very large and very loud excrescence on the little party. Always something in the nature of a Boil upon the face of society, Mr. Honeythunder expanded into an inflammatory Wen in Minor Canon Corner. Though it was not literally true, as was facetiously charged against him by public unbelievers, that he called aloud to his fellow-creatures: ‘Curse your souls and bodies, come here and be blessed!’ still his philanthropy was of that gunpowderous sort that the difference between it and animosity was hard to determine. You were to abolish military force, but you were first to bring all commanding officers who had done their duty, to trial by court-martial for that offence, and shoot them. You were to abolish war, but were to make converts by making war upon them, and charging them with loving war as the apple of their eye. You were to have no capital punishment, but were first to sweep off the face of the earth all legislators, jurists, and judges, who were of the contrary opinion. You were to have universal concord, and were to get it by eliminating all the people who wouldn’t, or conscientiously couldn’t, be concordant. You were to love your brother as yourself, but after an indefinite interval of maligning him (very much as if you hated him), and calling him all manner of names. Above all things, you were to do nothing in private, or on your own account. You were to go to the offices of the Haven of Philanthropy, and put your name down as a Member and a Professing Philanthropist. Then, you were to pay up your subscription, get your card of membership and your riband and medal, and were evermore to live upon a platform, and evermore to say what Mr. Honeythunder said, and what the Treasurer said, and what the sub-Treasurer said, and what the Committee said, and what the sub-Committee said, and what the Secretary said, and what the Vice-Secretary said. And this was usually said in the unanimously-carried resolution under hand and seal, to the effect: ‘That this assembled Body of Professing Philanthropists views, with indignant scorn and contempt, not unmixed with utter detestation and loathing abhorrence’—in short, the baseness of all those who do not belong to it, and pledges itself to make as many obnoxious statements as possible about them, without being at all particular as to facts.
Charles Dickens (The Mystery of Edwin Drood)