Mr Howell Quotes

There is a dim possibility that he is of the stock of the New England Lincolns, of Plymouth colony,” he wrote, “but the noble science of heraldry is almost obsolete in this country, and none of Mr. Lincoln’s family seems to have been aware of the preciousness of long pedigrees.” Later, in the White House, Lincoln checked Howells’s book out of the Library of Congress, in order to check

Mr. Clark Howell, the editor of the Atlanta Constitution, telegraphed to a New York paper, among other words, the following, "I do not exaggerate when I say that Professor Booker T. Washington's address yesterday was one of the most notable speeches, both as to character and as to the warmth of its reception, ever delivered to a Southern audience. The address was a revelation. The whole speech is a platform upon which blacks and whites can stand with full justice to each other.

June 19: Sunday at 2:30 p.m., Reverend Benjamin Lingenfelder of the Christian Science church marries Norma Jeane and twenty-one-year-old James Dougherty at the home of Mr. and Mrs. Chester Howell. Chester is an attorney and friend of Grace, who chooses the Howell home at 432 South Bentley Avenue in West Los Angeles because it has a spiral staircase that Norma Jeane uses to make a dramatic entrance. Ana Lower makes Norma Jeane’s wedding gown and accompanies her to the altar. Norma Jeane has one bridesmaid, Lorraine Allen, a friend from University High School. No member of Norma Jeane’s family is present, but the Bolenders make an appearance. It is the last time they will see her. After a modest reception at the Florentine Gardens in Hollywood, Norma Jeane and Jim go to their home in Sherman Oaks. Jim Dougherty later recalled that his wife held on to him the entire afternoon. The young couple does not honeymoon but goes for a fishing weekend on Sherwood Lake. On Sundays they attend the Sherman Oaks Christian Science church.

Alma said, "They seem to be greatly amused with something in there." "Me, probably," said Beaton. "I seem to amuse everybody to-night." "Don't you always?" "I always amuse you, I'm afraid, Alma." She looked at him as if she were going to snub him openly for using her name; but apparently she decided to do it covertly. "You didn't at first. I really used to believe you could be serious, once." "Couldn't you believe it again? Now?" "Not when you put on that wind-harp stop." "Wetmore has been talking to you about me. He would sacrifice his best friend to a phrase. He spends his time making them." "He's made some very pretty ones about you." "Like the one you just quoted?" "No, not exactly. He admires you ever so much. He says" She stopped, teasingly. "What?" "He says you could be almost anything you wished, if you didn't wish to be everything." "That sounds more like the school of Wetmore. That's what you say, Alma. Well, if there were something you wished me to be, I could be it." "We might adapt Kingsley: 'Be good, sweet man, and let who will be clever.'" He could not help laughing. She went on: "I always thought that was the most patronizing and exasperating thing ever addressed to a human girl; and we've had to stand a good deal in our time. I should like to have it applied to the other 'sect' a while. As if any girl that was a girl would be good if she had the remotest chance of being clever." "Then you wouldn't wish me to be good?" Beaton asked. "Not if you were a girl." "You want to shock me. Well, I suppose I deserve it. But if I were one-tenth part as good as you are, Alma, I should have a lighter heart than I have now. I know that I'm fickle, but I'm not false, as you think I am." "Who said I thought you were false?" "No one," said Beaton. "It isn't necessary, when you look it—live it." "Oh, dear! I didn't know I devoted my whole time to the subject." "I know I'm despicable. I could tell you something—the history of this day, even—that would make you despise me." Beaton had in mind his purchase of the overcoat, which Alma was getting in so effectively, with the money he ought to have sent his father. "But," he went on, darkly, with a sense that what he was that moment suffering for his selfishness must somehow be a kind of atonement, which would finally leave him to the guiltless enjoyment of the overcoat, "you wouldn't believe the depths of baseness I could descend to." "I would try," said Alma, rapidly shading the collar, "if you'd give me some hint." Beaton had a sudden wish to pour out his remorse to her, but he was afraid of her laughing at him. He said to himself that this was a very wholesome fear, and that if he could always have her at hand he should not make a fool of himself so often. A man conceives of such an office as the very noblest for a woman; he worships her for it if he is magnanimous. But Beaton was silent, and Alma put back her head for the right distance on her sketch. "Mr. Fulkerson thinks you are the sublimest of human beings for advising him to get Colonel Woodburn to interview Mr. Dryfoos about Lindau. What have you ever done with your Judas?" "I haven't done anything with it. Nadel thought he would take hold of it at one time, but he dropped it again. After all, I don't suppose it could be popularized. Fulkerson wanted to offer it as a premium to subscribers for 'Every Other Week,' but I sat down on that.

Alma could not feel the absurdity of this, and she merely said, "'Every Other Week' seems to be going on just the same as ever." "Yes, the trouble has all blown over, I believe. Fulkerson," said Beaton, with a return to what they were saying, "has managed the whole business very well. But he exaggerates the value of my advice." "Very likely," Alma suggested, vaguely. "Or, no! Excuse me! He couldn't, he couldn't!" She laughed delightedly at Beaton's foolish look of embarrassment. He tried to recover his dignity in saying, "He's 'a very good fellow, and he deserves his happiness." "Oh, indeed!" said Alma, perversely. "Does any one deserve happiness?" "I know I don't," sighed Beaton. "You mean you don't get it." "I certainly don't get it." "Ah, but that isn't the reason." "What is?" "That's the secret of the universe," She bit in her lower lip, and looked at him with eyes, of gleaming fun. "Are you never serious?" he asked. "With serious people always." "I am serious; and you have the secret of my happiness—" He threw himself impulsively forward in his chair. "Oh, pose, pose!" she cried. "I won't pose," he answered, "and you have got to listen to me. You know I'm in love with you; and I know that once you cared for me. Can't that time—won't it—come back again? Try to think so, Alma!" "No," she said, briefly and seriously enough. "But that seems impossible. What is it I've done what have you against me?" "Nothing. But that time is past. I couldn't recall it if I wished. Why did you bring it up? You've broken your word. You know I wouldn't have let you keep coming here if you hadn't promised never to refer to it." "How could I help it? With that happiness near us—Fulkerson—" "Oh, it's that? I might have known it!" "No, it isn't that—it's something far deeper. But if it's nothing you have against me, what is it, Alma, that keeps you from caring for me now as you did then? I haven't changed." "But I have. I shall never care for you again, Mr. Beaton; you might as well understand it once for all. Don't think it's anything in yourself, or that I think you unworthy of me. I'm not so self-satisfied as that; I know very well that I'm not a perfect character, and that I've no claim on perfection in anybody else. I think women who want that are fools; they won't get it, and they don't deserve it. But I've learned a good deal more about myself than I knew in St. Barnaby, and a life of work, of art, and of art alone that's what I've made up my mind to." "A woman that's made up her mind to that has no heart to hinder her!" "Would a man have that had done so?" "But I don't believe you, Alma. You're merely laughing at me. And, besides, with me you needn't give up art. We could work together. You know how much I admire your talent. I believe I could help it—serve it; I would be its willing slave, and yours, Heaven knows!" "I don't want any slave—nor any slavery. I want to be free always. Now do you see? I don't care for you, and I never could in the old way; but I should have to care for some one more than I believe I ever shall to give up my work. Shall we go on?" She looked at her sketch. "No, we shall not go on," he said, gloomily, as he rose. "I suppose you blame me," she said, rising too. "Oh no! I blame no one—or only myself. I threw my chance away.

I'm glad you see that; and I'm glad you did it. You don't believe me, of course. Why do men think life can be only the one thing to women? And if you come to the selfish view, who are the happy women? I'm sure that if work doesn't fail me, health won't, and happiness won't." "But you could work on with me—" "Second fiddle. Do you suppose I shouldn't be woman enough to wish my work always less and lower than yours? At least I've heart enough for that!" "You've heart enough for anything, Alma. I was a fool to say you hadn't." "I think the women who keep their hearts have an even chance, at least, of having heart—" "Ah, there's where you're wrong!" "But mine isn't mine to give you, anyhow. And now I don't want you ever to speak to me about this again." "Oh, there's no danger!" he cried, bitterly. "I shall never willingly see you again." "That's as you like, Mr. Beaton. We've had to be very frank, but I don't see why we shouldn't be friends. Still, we needn't, if you don't like." "And I may come—I may come here—as—as usual?" "Why, if you can consistently," she said, with a smile, and she held out her hand to him.

And he won't come any more?" her mother sighed, with reserved censure. "Oh, I think he will. He couldn't very well come the next night. But he has the habit of coming, and with Mr. Beaton habit is everything—even the habit of thinking he's in love with some one." "Alma," said her mother, "I don't think it's very nice for a girl to let a young man keep coming to see her after she's refused him." "Why not, if it amuses him and doesn't hurt the girl?" "But it does hurt her, Alma. It—it's indelicate. It isn't fair to him; it gives him hopes." "Well, mamma, it hasn't happened in the given case yet. If Mr. Beaton comes again, I won't see him, and you can forbid him the house." "If I could only feel sure, Alma," said her mother, taking up another branch of the inquiry, "that you really knew your own mind, I should be easier about it." "Then you can rest perfectly quiet, mamma. I do know my own mind; and, what's worse, I know Mr. Beaton's mind." "What do you mean?" "I mean that he spoke to me the other night simply because Mr. Fulkerson's engagement had broken him all up." "What expressions!" Mrs. Leighton lamented. "He let it out himself," Alma went on. "And you wouldn't have thought it was very flattering yourself. When I'm made love to, after this, I prefer to be made love to in an off-year, when there isn't another engaged couple anywhere about." "Did you tell him that, Alma?" "Tell him that! What do you mean, mamma? I may be indelicate, but I'm not quite so indelicate as that." "I didn't mean you were indelicate, really, Alma, but I wanted to warn you. I think Mr. Beaton was very much in earnest." "Oh, so did he!" "And you didn't?" "Oh yes, for the time being. I suppose he's very much in earnest with Miss Vance at times, and with Miss Dryfoos at others. Sometimes he's a painter, and sometimes he's an architect, and sometimes he's a sculptor. He has too many gifts—too many tastes." "And if Miss Vance and Miss Dryfoos—" "Oh, do say Sculpture and Architecture, mamma! It's getting so dreadfully personal!" "Alma, you know that I only wish to get at your real feeling in the matter." "And you know that I don't want to let you—especially when I haven't got any real feeling in the matter. But I should think—speaking in the abstract entirely—that if either of those arts was ever going to be in earnest about him, it would want his exclusive devotion for a week at least." "I didn't know," said Mrs. Leighton, "that he was doing anything now at the others. I thought he was entirely taken up with his work on 'Every Other Week.'" "Oh, he is! he is!" "And you certainly can't say, my dear, that he hasn't been very kind—very useful to you, in that matter." "And so I ought to have said yes out of gratitude? Thank you, mamma! I didn't know you held me so cheap." "You know whether I hold you cheap or not, Alma. I don't want you to cheapen yourself. I don't want you to trifle with any one. I want you to be honest with yourself." "Well, come now, mamma! Suppose you begin. I've been perfectly honest with myself, and I've been honest with Mr. Beaton. I don't care for him, and I've told him I didn't; so he may be supposed to know it. If he comes here after this, he'll come as a plain, unostentatious friend of the family, and it's for you to say whether he shall come in that capacity or not. I hope you won't trifle with him, and let him get the notion that he's coming on any other basis." Mrs. Leighton felt the comfort of the critical attitude far too keenly to abandon it for anything constructive. She only said, "You know very well, Alma, that's a matter I can have nothing to do with." "Then you leave him entirely to me?" "I hope you will regard his right to candid and open treatment." "He's had nothing but the most open and candid treatment from me, mamma. It's you that wants to play fast and loose with him. And, to tell you the truth, I believe he would like that a good deal better.