Mr Briggs Quotes

We've searched our database for all the quotes and captions related to Mr Briggs. Here they are! All 14 of them:

Dear sir, Mr. B.J. Thing... er... we the people of Britain are fed up with being bombed. We had enough of it last time with old Hitler so will you just leave us in peace, you live your life and we'll live ours, hope you are well... please don't drop any bombs. Yours sincerely, Mr. and Mrs. J. Bloggs
Raymond Briggs (When the Wind Blows)
You mean all the dead women looked like Mr. Hauptman’s ex-wife? That’s . . . that’s right out of a profiler’s book.” Jenny snorted her coffee, wiped her nose, and gave her assistant a quelling look. “You might curb your enthusiasm over the deaths of seven women, Andrea. It isn’t really appropriate.” “Poor things,” said Andrea obediently. “But this is like being in the middle of an episode of Criminal Minds.” She paused. “Okay. That’s dorky.
Patricia Briggs (Night Broken (Mercy Thompson, #8))
All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.” He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone. I was starting to really like this guy.
Patricia Briggs (Storm Cursed (Mercy Thompson, #11))
A student once walked into the office of Harvard Dean LeBaron Russell Briggs and said he hadn't done his assignment because he hadn't felt well. Looking the student piercingly in the eye, Dean Briggs said, "Mr. Smith, I think in time you may perhaps find that most of the work in the world is done by people who aren't feeling very well
LeBaron Russell Briggs
Grab a lime and suck it, Mr. Badass Texas Ranger.
Jodi Linton (Talk Dirty to Me, Cowboy (Deputy Laney Briggs #1.6))
Mrs. Fisher, her hands folded on her lap, was doing nothing, merely gazing fixedly into the fire. The lamp was arranged conveniently for reading, but she was not reading. Her great dead friends did not seem worth reading that night. They always said the same things now—over and over again they said the same things, and nothing new was to be got out of them any more for ever. No doubt they were greater than any one was now, but they had this immense disadvantage, that they were dead. Nothing further was to be expected of them; while of the living, what might one not still expect? She craved for the living, the developing—the crystallized and finished wearied her. She was thinking that if only she had had a son—a son like Mr. Briggs, a dear
Elizabeth von Arnim (The Elizabeth von Arnim Collection)
How unfortunate, how extremely unfortunate, the determination that seized people to get hold of and engulf other people. If only they could be induced to stand more on their own feet. Why couldn't Mr. Briggs be more like Lotty, who never wanted anything of anybody, but was complete in herself and respected other people's completeness? One loved being with Lotty. With her one was free, and yet befriended. Mr. Briggs looked so really nice, too. She thought she might like him if only he wouldn't so excessively like her.
Elizabeth von Arnim (The Enchanted April)
He started to look at me, but his eyes ran into trouble as they hit Honey and refused to move off of her. It was not an uncommon reaction. One more reason to hate Honey—not that I needed another one. “Honey, this is Tom Black, a reporter who wants the skinny on what it’s like to date Adam Hauptman, prince of the werewolves.” I said it to get a rise out of her, but Honey disappointed me. “Mr. Black,” she said, coolly extending her hand. He shook her hand, still staring at her, and then seemed to recover. He cleared his throat. “Prince of the Werewolves? Is he?” “She can’t talk to you, Mr. Black,” Honey told him, though she glanced at me to make it clear that the words were directed at me. If she weren’t more careful, she’d find herself outed as a werewolf. If she weren’t dumber than a stump, she’d have known I don’t take orders. Not from Bran, not from Adam or Samuel—certainly not from Honey. “No one ever told me not to talk to reporters,” I said truthfully. Everyone just assumed I’d be smart enough not to. I was so busy tormenting Honey that I ignored what the implicit promise in my statement would do to the reporter. “I will make it worth your while,” Black said in a classic assumption close worthy of a used-car salesman. He reached into his suit jacket and pulled out a roll of bills in a gold clip and set them on the counter. If I hadn’t been so ticked off with Honey—and Adam for sticking me with her—I’d have laughed. But Honey was there, so I licked my lips and looked interested. “Well . . .” I began. Honey turned to me, vibrating with rage. “I hope that Adam lets me be the one to break your scrawny neck.” Yep. It wouldn’t be long before everyone knew Honey was a werewolf. She was just too easy. I ought to have felt guilty for baiting her. Instead, I rolled my eyes at her. “Please.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
I found Lord Emsworth, Lady Constance, and told him the car was in readiness.’ ‘Oh, thank you, Miss Briggs. Where was he?’ ‘Down at the sty. Would there be anything furthah?’ ‘No thank you, Miss Briggs.’ As the door closed, the Duke exploded with a loud report. ‘Down at the sty!’ he cried. ‘Wouldn’t you have known it! Whenever you want him, he’s down at the sty, gazing at that pig of his, absorbed, like somebody watching a strip-tease act. It’s not wholesome for a man to worship a pig the way he does. Isn’t there something in the Bible about the Israelites worshipping a pig? No, it was a golden calf, but the principle’s the same. I tell you …’ He broke off. The door had opened again. Lord Emsworth stood on the threshold, his mild face agitated. ‘Connie, I can’t find my umbrella.’ ‘Oh, Clarence!’ said Lady Constance with the exasperation the head of the family so often aroused in her, and hustled him out towards the cupboard in the hall where, as he should have known perfectly well, his umbrella had its home. Left alone, the Duke prowled about the room for some moments, chewing his moustache and examining his surroundings with popping eyes. He opened drawers, looked at books, stared at pictures, fiddled with pens and paper-knives. He picked up a photograph of Mr Schoonmaker and thought how right he had been in comparing his head to a pumpkin. He read the letter Lady Constance had been writing. Then, having exhausted all the entertainment the room had to offer, he sat down at the desk and gave himself up to thoughts of Lord Emsworth and the Empress. Every
P.G. Wodehouse (Service With a Smile)
And when I wrote my play, how wrong I went. Was I such an emulator and fool that I needed a third party to tell us about the fate of two people who were making life difficult for each other? How easily I fell into that trap. And I surely ought to have known that this third party, who appears in all lives and literatures, this ghost of a third person, has no meaning at all, that he ought to be disavowed. He is one of Nature’s pretexts, for she is always at pains to distract humanity from her deepest secrets. He is the screen behind which a drama unfolds. He is the noise at the entrance to the voiceless quiet of a genuine conflict. I’m tempted to think that everyone has hitherto found it too difficult to speak about the two people at the heart of it; the third one, precisely because he is so unreal, is the easiest part of the task, anyone could write him. Right from the beginning of these dramas you notice their impatience to get to the third party, they can hardly wait for him to appear. Once he’s there, everything is fine. But how boring it is if he’s late, absolutely nothing can happen without him, everything comes to a standstill, pauses, waits. Yes, and what if they didn’t get past this pile-up, this logjam? What if, Mr Playwright, and you, the Public, who know about life, what if he were lost without trace, this well-liked man-about-town or this bumptious young person who fits into every marriage like a master-key? What if, for instance, he has been whisked off by the Devil? Let’s assume he has. You suddenly notice the artificial emptiness of theatres, they’re walled up like dangerous holes, and only the moths from the cushioned edges of the boxes tumble down through the hollow space with nothing to hold on to. Playwrights no longer enjoy the exclusive areas of town. All the prying public is looking on their behalf in the far corners of the world for the irreplaceable person who was the very embodiment of the action. And at the same time they’re living amongst the people, not these ‘third parties’, but the two people about whom an incredible amount could be said, but about whom nothing has ever yet been said, although they suffer and get on with things and don’t know how to manage.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
Wednesday evening arrived, eight o'clock came, and eight members of the committee were punctual in their attendance. Mr Loggins, the solicitor, of Boswell-court, sent an excuse, and Mr Samuel Briggs, the ditto of Furnival's Inn, sent his brother, much to his (the brother's) satisfaction, and greatly to the discomfiture of Mr Percy Noakes. Between the Briggses and the Tauntons there existed a degree of implacable hatred, quite unprecedented. The animosity between the Montagues and Capulets was nothing to that which prevailed between these two illustrious houses. Mrs Briggs was a widow, with three daughters and two sons; Mr Samuel, the eldest, was an attorney, and Mr Alexander, the youngest, was under articles to his brother. They resided in Portland-street, Oxford-street, and moved in the same orbit as the Tauntons - hence their mutual dislike. If the Miss Briggs appeared in smart bonnets, the Miss Tauntons eclipsed them with smarter. If Mrs Taunton appeared in a cap of all the hues of the rainbow, Mrs Briggs forthwith mounted a toque, with all the patterns of a kaleidoscope. If Miss Sophia Taunton learnt a new song, two of the Miss Briggses came out with a new duet. The Tauntons had once gained a temporary triumph with the assistance of a harp, but the Briggses brought three guitars into the field, and effectually routed the enemy. There was no end to the rivalry between them.
Charles Dickens
Some children (three solemn-faced kids who, with their mother, were staying with us until their mother’s ex-husband quit threatening them) had made too much noise in Kyle’s pool after seven P.M., which was when Mr. Francis went to bed. We should make sure that all children were in their beds and silent so as not to disturb Mr. Francis if we didn’t want the police called. We’d thought it was a joke, had laughed at the way he’d referred to himself as “Mr. Francis” in his own notes. The grapes along the solid eight-foot-tall stone fence between the backyards were growing down over Mr. Francis’s side. We should trim them so he didn’t have to look at them. He saw a dog in the yard (me) and hoped that it was licensed, fixed, and vaccinated. A photo of the dog had been sent to the city to ensure that this was so. And so on. When the police and the city had afforded him no satisfaction, he’d taken action on his own. I’d found poisoned meat thrown inconspicuously into the bushes in Kyle’s backyard. Someone dumped a batch of red dye into the swimming pool that had stained the concrete. Fixing that had cost a mint, and we now had security cameras in the backyard. But we didn’t get them in fast enough to save the grapes. He’d been some kind of high-level CEO forcibly retired when the stress gave him ulcers and other medical problems.
Patricia Briggs (Shifting Shadows: Stories from the World of Mercy Thompson)
Mr. Francis hired a witch to make a zombie to kill me?
Patricia Briggs (Shifting Shadows: Stories from the World of Mercy Thompson)
Miss Beale had been introduced to the principal tutor, Miss Hilda Rolfe, and to a senior consultant surgeon, Mr. Stephen Courtney-Briggs. She knew both by reputation.
P.D. James (Shroud For A Nightingale (Adam Dalgliesh, #4))