Movie Piracy Quotes

Every time I go past a cinema and see a queue out the door, I think, look at those fools, every penny they spend is turned into profits that are used to pass laws imprisoning their own children. Can't they see?

I looked at Judy as calmly as I could. "Music and movie piracy..." I slipped into a dramatic pause as I desperately tried to come up with some idea, any idea. I scanned the room for inspiration, briefly glimpsed Randy-- I had my answer. "...are terrorism.

Take content protection, Windows 7’s copy-protection initiative for so-called premium content like high-definition movies from Blu-Ray and HD DVD discs. According to Microsoft’s standards, software and hardware manufacturers are supposed to disable “premium content” across all interfaces that don’t provide copy protection. One such interface is the S/PDIF digital audio port — usually in the form of a TOSlink optical plug — that comes on most high-end audio cards. Since S/PDIF doesn’t support copy protection — meaning that you could theoretically plug it into another PC and rip the soundtrack off an HD movie — Windows 7 requires that your TOSlink plug be disabled whenever you play back that HD movie on your PC. As a result, you’ll only be able to use your analog audio outputs when watching HD content, and that expensive sound card you just bought is now trash. Why would Microsoft hobble an important feature? For you, the consumer? Of course not. Windows 7’s content-protection feature is intended to appease piracy-wary movie studios, so Microsoft won’t be left behind as the home theater industry finds new ways to rake in cash. And ironically, Microsoft boasts content protection as a feature of Windows 7.

JON FAVREAU: There’s only two types of movies that are going to be making money, I think, in this era of piracy. One is a big tentpole event film, where you have to go to the theater, like an Avatar, and the other is a semi-low-budget-ish comedy that can break $100 million.

Born in 1635, Henry Morgan was a Welsh plantation owner and privateer, which was really the same as a pirate, only with the consent of the king who was Charles II of England, Scotland, and Ireland at the time. Little is known about Morgan’s early life or how he got to the Caribbean. He began his career as a privateer in the West Indies and there is evidence that in the 1660’s he was a member of a marauding band of raiders led by Sir Christopher Myngs . Having an engaging personality he soon became a close friend of Sir Thomas Modyford, who was the English Governor of Jamaica. Captain Henry Morgan owned and was the captain of several ships during his lifetime, but his flagship was named the “Satisfaction.” The ship was the largest of Morgan’s fleet and was involved in several profitable conflicts in the waters of the Caribbean and Central America. More recently, on August 8, 2011, near the Lajas Reef, off the coast of Panama, a large section of a wooden hull, that is believed to have been the sail ship “Satisfaction,” was found by Archaeologists from Texas State University. In 1668 Captain Morgan sailed for Lake Maracaibo in modern day Venezuela. There he raided the cities of Maracaibo and Gibraltar and taking the available gold divested the cities of their wealth before destroying a large Spanish naval squadron stationed there. In 1671 Morgan attacked Panama City during which he was arrested and dispatched to London in chains. When he got there, instead of imprisonment he was treated as a hero. Captain Morgan was knighted and in November of 1674 he returned to Jamaica to serve as the territory’s Lieutenant Governor. In 1678 he served as acting governor of Jamaica and again served as such from 1680 to 1682. During his time a governor, the Jamaican legislature passed an anti-piracy law and Morgan even assisted in the prosecution of other pirates. On August 25, 1688 he died on the island, after which he became an inspiration and somewhat of a glorified hero in both pirate stories and in the movies.

But history tells us that, in the early stage of their development, virtually all successful countries used some mixture of protection, subsidies and regulation in order to develop their economies. The history of the successful developing countries that I discussed in chapter 1 shows that. Furthermore, the history of today's rich countries also confirms it, as I have discussed in this chapter. Unfortunately, another lesson of history is that rich countries have 'kicked away the ladder' by forcing free-market, free-trade policies on poor countries. Already established countries do not want more competitors emerging through the nationalistic policies they themselves succesfully used in the past. Even the newest member of the club of rich countries, my native Korea, has not been an exception to this pattern. Despite once having been one of the most protectionist countries in the world, it now advocates steep cuts in industrial tariffs, if not total free trade, in the WTO. Despite once having been the world piracy capital, it gets upset that the Chinese and the Vietnamese are producing pirate CDs of Korean pop music and pirate DVDs of Korean movies. Worse, these Korean free-marketeers are often the same people who, not so long ago, actually drafted and implemented interventionist, protectionist policies in their earlier jobs. Most of them probably learned their free market economics from pirate-copied rock and roll music and watching pirate-copied videos of Hollywood films in their spare time.

Why Are Terrorists into Piracy? Well, they are movie buffs too!

I am Not a Pirate, I merely watch movies and delete them. Never store them on my computer.

Don Simpson was right about Robert Altman. Screenwriter, Ring Lardner wrote M*A*S*H (1970) and director Altman praised his script in early interviews. After the movie was a hit, Altman said that he had tossed out Lardner’s script and written it himself. The movie’s producer, George Litto, said, “Bob was never one to acknowledge a writer’s contribution. The movie was ninety percent Ring Lardner’s script, but Bob started saying he improvised the movie. I said,* ‘Bob, Ring Lardner gave you the best opportunity you had in your whole life. Ring was blacklisted for years. What you’re doing is very unfair to him and you ought to stop it.’

There are people who can’t afford to buy a book or a movie ticket, but this high and mighty society thinks it’s morally wrong that piracy makes cultural products available for free. Fucking assholes, güey. Fucking slave world. Supposedly it’s taboo to talk about this stuff because it implies the negation of the legal system, the pornography of the market, but I don’t give a fuck what defenders of intellectual property say, because, of course, they defend the inanest concept ever invented. Because copyrighting ideas and artistic creations is a repulsive kind of elitism, truth be told. I’m not saying we should deny authorship to authors, but we should think about what piracy does for the people. The siblings once told me that filmmakers in Ecuador make a deal with the pirated-DVD sellers to pirate their movies, and that’s super cool, right, because the world is horribly unequal and we, the third-world simpletons, know that better than anyone. I write and hope I’ll be able to publish someday, but not because I want to make a show of my intellectual property or restrict the circulation of whatever I make to the little group of people who can pay for it. I want to publish because when an editor takes a risk on your work, others are more likely to read you, and I write to be read, dude, not to go around playing the part of the tortured writer-type. In fact, I’d love if someone pirated my work once it’s published. The day I’m pirated I’ll celebrate for real, I swear.