Sweet Sensitive Quotes

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Take a drink every time you hear you’re not enough. Not the right fit. Not the right look. Not the right focus. Not the right drive. Not the right time. Not the right job. Not the right path. Not the right future. Not the right present. Not the right you. Not you. (Not me?) There’s just something missing. From us. What could I have done? Nothing. It’s just… (Who you are.) I didn’t think we were serious. (You’re just too… …sweet. …soft. …sensitive.) I just don’t see us ending up together. I met someone. I’m sorry It’s not you. Swallow it down. We’re not on the same page. We’re not in the same place. It’s not you. We can’t help who we fall in love with. (And who we don’t.) You’re such a good friend. You’re going to make the right girl happy. You deserve better. Let’s stay friends. I don’t want to lose you. It’s not you. I’m sorry.
Victoria Schwab (The Invisible Life of Addie LaRue)
...a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or powerful as their boyfriends. A box for people who were not forces to be reckoned with.
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
Don’t give up on books. They feel so good—their friendly heft. The sweet reluctance of their pages when you turn them with your sensitive fingertips. A large part of our brains is devoted to deciding what our hands are touching, is good or bad for us. Any brain worth a nickel knows books are good for us.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
Matthew had called her harmless. Harmless. And being with him made Frankie feel squashed into a box - a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or as powerful as their boyfriends. A box for people who were not forces to be reckoned with. Frankie wanted to be a force.
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
I love you because you’re funny and snarky, sarcastic as all hell, and the night we met, you told me to go fuck myself.” He ignores the way Cara shrieks his name. “You’re also kind and soft, sensitive and sweet, the best auntie, and a teacher I would’ve died to have in high school. You’re not just my girlfriend; you’re my biggest cheerleader and my best friend.
Becka Mack (Consider Me (Playing For Keeps, #1))
Oh, if somewhere there were a being strong and handsome, a valiant heart, passionate and sensitive at once, a poet's spirit in an angel's form, a lyre with strings of steel, sounding sweet-sad epithalamiums to the heavens, then why should she not find that being?
Gustave Flaubert (Madame Bovary)
The more sensitive the lunatic, the less able is he to resist this prying interest of the normal human being. I felt that Renée's change of key - to myself, I compared Renée to a sweet melody, a little flat despite its laborious harmonies - was approaching.
Colette (The Pure and the Impure)
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
We had the same sensitivity to beautiful things, the same need to enjoy them, the same need to search for the right words to say how sweet the night was, how magical the moon, how the sea sparkled, how two souls were able to meet and recognize each other in the darkness, in the fragrant air.
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
The inn's guests were sometimes friendly, but more often they were rude. As bad as the ones who stared were the ones who looked away in embarrassment. Some guests didn't want me to serve their food, and some didn't want me to clean their rooms. We Ayorthians are sensitive to beauty, more sensitive than the subjects in other kingdoms, I think. We love a fine voice especially, but we also admire a rosy sunset, a sweet scent, a fetching face. And when we're not pleased, we're displeased. I developed the habit of holding my hand in front of my face when guests arrived, a foolish practice, because it raised curiosity and concealed little.
Gail Carson Levine (Fairest)
Gabriel settled over her, pinning her in place. His mouth lowered to her shoulder for a brief, soft bite. “You obsess me, with your sweet mouth and clever little hands . . . your beautiful back . . . and legs . . .” “You need a hobby,” Pandora said severely as she felt his erection against her bottom. “Have you ever tried writing poetry? Building a ship in a bottle?” “You’re my hobby.” He pressed his lips to the back of her neck, having discovered it was a particularly sensitive place.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Navigating ableist situations is like traversing the muckiest mud pit. Ableism runs so deep in our society that most ableists don't recognize their actions as ableist. They coat ableism in sweetness, then expect applause for their "good" deeds. Attempts to explain the ableism behind the "good deeds" get brushed aside as sensitive, angry, and ungrateful.
Haben Girma (Haben: The Deafblind Woman Who Conquered Harvard Law)
Don’t give up on books. They feel so good—their friendly heft. The sweet reluctance of their pages when you turn them with your sensitive fingertips. A large part of our brains is devoted to deciding whether what our hands are touching is good or bad for us. Any brain worth a nickel knows books are good for us.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: Advice for the Young)
God, you're so sweet.” He holds my face in his hands and kisses me deeply. I slowly unzip his hoodie and touch a hand to his bare chest. I relish in the feel of it. Barely an hour ago I was admiring it from afar, and now it's no longer just a tease. When I slide my hand down to his stomach, he groans and his hands slip just under my shirt. “So that's why you didn't want to change.” I can feel his smile against my lips. “You just wanted me to take your clothes off for you.” “Guilty.” I lift my arms for him to pull it off. Instead of returning to kissing me, his eyes roam down my body. I fight the urge to cover myself; even though my bra is still on, I feel exposed. His hands lightly touch each side along the seam. My breath catches in my throat. Meeting my eyes, he says, “You're so damn beautiful.” He leans forward, pressing a soft kiss in between my breasts. I shiver at the light touch of his lips to my sensitive skin. If this is how he makes me feel with such little contact, then how will the rest of this feel? The need is building inside like a spark starting a fire.
Lilly Avalon (Here All Along)
how many of those I called Bad Boys and Bad Girls were, in reality, spiritually thirsty and spiritually sick. Perhaps they were the most sensitive, the most easily hurt of all my patients, the most tortured by the human fate of knowing we are going to die.
Victoria Sweet (God's Hotel: A Doctor, a Hospital, and a Pilgrimage to the Heart of Medicine)
Fuck,” I groan, my voice gritty, my eyes closing as I tilt my head back. Her hand is warm, her skin velvety soft, but her touch is firm as she strokes, hitting just the right places to set me off. Her thumb massages the sweet spot on the underside of my cock, the sensitive outer ridges of the head, right where those nerve endings are bundled. Jesus, this woman knows her anatomy. A+ Top marks. Summa cum laude. Valedictorian of her motherfucking class.
J.M. Darhower (Menace (Scarlet Scars, #1))
English majors want the joy of seeing the world through the eyes of people who—let us admit it—are more sensitive, more articulate, shrewder, sharper, more alive than they themselves are. The experience of merging minds and hearts with Proust or James or Austen makes you see that there is more to the world than you had ever imagined. You see that life is bigger, sweeter, more tragic and intense—more alive with meaning than you had thought. Real reading is reincarnation. There is no other way to put it. It is being born again into a higher form of consciousness than we ourselves possess. When we walk the streets of Manhattan with Walt Whitman or contemplate our hopes for eternity with Emily Dickinson, we are reborn into more ample and generous minds. "Life piled on life / Were all too little," says Tennyson's "Ulysses," and he is right. Given the ragged magnificence of the world, who would wish to live only once? The English major lives many times through the astounding transportive magic of words and the welcoming power of his receptive imagination. The economics major? In all probability he lives but once. If the English major has enough energy and openness of heart, he lives not once but hundreds of times. Not all books are worth being reincarnated into, to be sure—but those that are win Keats's sweet phrase: "a joy forever.
Mark Edmundson
When you're single again, at the beginning you're very optimistic and you say, 'I want to meet someone who's really smart, really sweet, really sensitive.' And six months later you're like, 'Lord, any mammal with a day job.
Carol Leifer
It looked like a colour, but also... like a bruise or a secretion, like an oozing-and something else, an odour, for example, it melted into the odour of wet earth, warm, moist wood, into a black odour that spread like varnish over this sensitive wood, in a flavour of chewed, sweet fibre. I did not simply see this black: sight is an abstract invention, a simplified idea, one of man's ideas. That black, amorphous, weakly presence, far surpassed sight, smell and taste. But this richness was lost in confusion and finally was no more because it was too much.
Jean-Paul Sartre (Nausea)
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
Nick laughed and gave in to the urge to brush Perry’s fair hair out of his eyes ‑‑ his fingertips sensitive to the silky texture of eyebrows and hair, warm skin, eyelashes. Perry’s lashes fluttered down, concealing his eyes. “Hey,” Nick said huskily. Perry gave him an uncertain look. It was a mistake, of course. A huge mistake. But suddenly, urgently Nick wanted to taste Perry’s mouth, so he bent his head. Perry’s eyes widened, then their faces bumped, and his mouth found Perry’s. It was a gentle kiss, because Nick was thinking what a stupid thing this was to do, and that Perry, being inexperienced, would probably expect songbirds and firecrackers. Perry tasted like hot chocolate and something warm and young and male. It was unexpectedly erotic. He responded sweetly, opening right up, and Nick’s heart turned over in his chest.
Josh Lanyon (The Ghost Wore Yellow Socks (The Ghost Wore Yellow Socks, #1))
As far as boyfriends were concerned, I dated, had a lot of meaningless relationships and that was pretty much it. It was really hard to find a decent guy. A guy that would be worthwhile. They were all great in the beginning, sweet and caring, sensitive and romantic. But if you scratched deeper, you would find NOTHING. Plenty of nothing. Sometimes one might even be surprised just how much nothing there was, but not me. No. Somehow, I had learned to brace myself for the worst. But, to be honest, it wasn’t always the case. Some of the guys weren’t that empty beneath the surface, some even proved to be quite the opposite. True-Prince-charming kind of guys... And their girlfriends! They were even more charming princesses when they found out. Well, I guess we all have our little flaws... So, after some time, I was finally coming to terms with the genuine truth that there was no such thing as a perfect boyfriend. On the other hand, Melina was waiting for her prince on a white horse, and was honestly expecting him to show up single. No matter how many times I’d tried to convince her that all a girl gets from that prince-on-a-white-horse fairytale is actually and inevitably a horse and no prince, she never believed that.
Danka V. (The Unchosen Life)
I will. See you later, and thanks again.” Before Carlisle had a chance to leave out of the window she leaned over and kissed him, nothing ostentatious, just sweet and sensitive. He took no time in hesitating. He reached his arm out and pulled her body close to his. He pressed them together and let his mouth open hers, his tongue slipped inside, and he stole a few more moments of sweetness with her before slipping out of her window and walking down the street, into the distance and eventually out of sight.
Ashley Nemer (Maverick Touch: The Cat)
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra — But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice — he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun — how sun made the stone reek! he sought that tunnel of shade — how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony — goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
Virginia Woolf (Flush)
Just as he loved sweet scents and fragrance in general, so also he was exceedingly sensitive to the slightest unpleasantness of odour, especially in the breath, in himself and in others.
Martin Lings (MUHAMMAD: His Life Based on the Earliest Sources)
The typical Anarchist, then, may be defined as follows: A man perceptible by the spirit of revolt under one or more of its forms,—opposition, investigation, criticism, innovation,—endowed with a strong love of liberty, egoistic or individualistic, and possessed of great curiosity, a keen desire to know. These traits are supplemented by an ardent love of others, a highly developed moral sensitiveness, a profound sentiment of justice, and imbued with missionary zeal.” To the above characteristics, says Alvin F. Sanborn, must be added these sterling qualities: a rare love of animals, surpassing sweetness in all the ordinary relations of life, exceptional sobriety of demeanor, frugality and regularity, austerity, even, of living, and courage beyond compare.[2]
Emma Goldman (Anarchism and Other Essays)
His body was sweet and clean smelling. As she finished [massaging his dislocated shoulder], Fay bent and gently kissed him on the neck, that part where the skin is so soft abd sensitive, midway between the angle of the jaw and the hair line at the back of the neck. He opened his eyes, startled, then smiled as he murmured, "Oh! It's you. That's all right." He folded his arms about her, bringing her head close to his, then like a contented child sank into a deep sleep. His clean body odor gave her keenest delight. She hesitated to attempt to alter their relationship, and possibly lose him entirely. He had accepted her as a pal, that she would be.
Robert Scully
In my twenties if even a tenth reading of Mallarmé failed to yield up its treasures, the fault was mine, not his. If my eyes swooned shut while I read The Sweet Cheat Gone, Proust’s pacing was never called into question, just my intelligence and dedication and sensitivity. And I still entertain these sacralizing preconceptions about high art. I still admire what is difficult, though I now recognize it as a “period” taste and that my generation was the last to give a damn. Though we were atheists, we were, strangely enough, preparing ourselves for God’s great Quiz Show; we had to know everything because we were convinced we would be tested on it—in our next life.
Edmund White (City Boy: My Life in New York in the 1960s and 70s)
And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?” “Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek. “If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.” That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless. She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.” A fresh surge of tenderness and profound pride swept through him at her sweetness and her candor, and he wrapped his arms tightly, protectively around her, smiling with joyous contentment. He had realized within minutes of meeting her that she was rare; he had known within hours that she was everything he wanted. Passionate and gentle, intelligent, sensitive, and witty. He loved all of her qualities, but he hadn’t discovered the one he particularly admired until much later, and that was her courage. He was so proud of the courage that had enabled he to repeatedly confront adversity and adversaries-even when the adversary was him.
Judith McNaught (Almost Heaven (Sequels, #3))
You’re beautiful, Evie,” came his soft comment. Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. “Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there’s no getting rid of them.” Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites… shall I tell you where they are?” Disarmed and discomfited, Evie shook her head and made a movement to twist away from him. He wouldn’t let her, however. Pulling her closer, he bent his golden head and kissed the side of her neck. “Little spoilsport,” he whispered, smiling. “I’m going to tell you anyway.” His fingers closed around a handful of the chemise and eased the hem slowly upward. Her breath caught as she felt his fingers nuzzling tenderly between her bare legs. “As I discovered earlier,” he said against her sensitive throat, “there’s a trail inside your right thigh that leads to—” A knock at the door interrupted them, and Sebastian lifted his head with a grumble of annoyance. “Breakfast,” he muttered. “And I wouldn’t care to make you choose between my lovemaking or a hot meal, as the answer would likely be unflattering.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
A linking experience of temperature and taste 1. Sensitivity enhancement The higher the temperature, the more likely it is to stimulate sensitivity to spicy flavors; the lower the temperature, the more likely it is to stimulate sensitivity to sweet flavors.
Shakenal Dimension (The Human Nature of Cooking: A Guide to High-End Cuisine Tasting)
The Force is all around us," she said. " You don't have to be sensitive to it to attract it, to be part of it. We're all part of it. Some people are just...well, think of it like a butterfly landing on you. That doesn't mean you're a flower. It just means you smell sweet. It's a good thing.
Delilah S. Dawson (Black Spire (Star Wars: Galaxy's Edge, #2))
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
With a knowing tilt of his lips, he ran his knuckles over the silky underwear, up and down, shifting the material over her achy, sensitive flesh. Her back arched on the pillows, and she whimpered. “Soon, there won’t be any barrier between us, Ruby. Just skin on skin. It’s going to be so fucking sweet. But tonight I’m going to make you regret saying no.” “Who said no?” She shook her head once. “Not me.” Laughter rumbled in his chest. “You said no matter how good the omelet tastes, the answer is no.” One knuckle pressed and held firm against her clitoris. “Next time, maybe you’ll say yes.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Two lines in “If I Was Your Girlfriend” stand out after talking with people close to Prince. When he’s imagining himself as her girlfriend he sings, “Would u let me wash your hair?” And later as a man he says, “Would u let me give u a bath?” Those desires I’m told are part of his real life. Someone who was intimate with him and knows others who were, too, says Prince was not doing exactly as much screwing as he’d have you believe. I was told by someone who knows that Prince loves to bathe women. And brush their hair. And sometimes he did these things in lieu of intercourse. It was not part of trying to get laid or deepen the sexual experience, but as a worshipful appreciation of femininity. A person who was close to Prince said, “One girl told me that she got frustrated because he’d rather bathe her.” A woman who was in a relationship with Prince years ago told me that when he gave women baths he took total control. “He ran the bath, he put the bubbles in, he took your clothes off, he washed you, he washed your hair, it was a whole procedure and process. He put lotion on you after. He’d give you a robe. I don’t know if it was worshipful or if it was sweet and sensitive.
Touré (I Would Die 4 U: Why Prince Became an Icon)
So, I just focused on Matthew, who could make me laugh so hard every day, and once a week, laugh so hard I cried and couldn´t breathe. He was there, Matthew Perry, who is whip-smart...charming, sweet, sensitive, very reasonable and rational. That guy, with everything he was battling, was still there.
Matthew Perry
The Art of Living is to be yourself. It is to be true to yourself. The Art of Living is learning to live with love, awareness and truth. Meditation is the way to learn The Art of Living. Being is you. To discover your being is the beginning of life. You can live in two ways: 1. Ego - effort and desire and 2.Being - no-effort, being in a let go with existence. Religion is The Art of Living. Five keys to The Art of Living: 1. Be life-affirmative. Life is synonymous with God. Live with reverence, great respect and gratitude for life. Feel thankful and prayerful. 2. Make life an heartful, aesthetic experience. Become more sensitive, sensuous and creative - and you will become more spiritual. 3.Experience life in all possible ways. Experience all dualities and polarities of life: good/bad, bitter/sweet, summer/winter, happiness/sadness and life/death. Do not be afraid of experience, because the more experiences you have, the more spiritually mature you become. 4. Live in the present. Forget the past and the future - this moment is the only reality. This moment has to become your whole love, life and death. 5.Live courageously. Do not become too result-oriented, because result-oriented people miss life. Do not think of goals, because goals are in the future - and life is in the moment, in the here and now.
Swami Dhyan Giten
You have to judge things by the result," Shirley continued. "And the result in which you can exult is that the very best was combined in you: grace, brains, creativity, beauty. Whatever alien, mechanical, outside element was in the story—it was a story of success. You have such a rich endowment. You have been so recompensed. You carry the heightened sensitivity, to be sure. You carry the pain and you also carry the reward." Her voice—hoarse from speaking for hours—was a part of me. Her strong hands, her expressive forehead, her sweet smile—all a part of me, because she had always been a part of me. I had been so afraid that blood would be all that mattered.
Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity, and Love)
“I like you,” I whisper and immediately stare at my shoes. Of all the things I could have said, that shouldn’t have been it. I. Am. An. Idiot. A gentle tug on my hair sends goose bumps raining down my arms. I close my eyes and relish the sweet brush of his knuckles against my neck as he flips my hair over my shoulder. “Rachel?” “Yes?” I say so softly he may not have heard me. His hand caresses the sensitive spot right below my chin, and with a gentle pressure, Isaiah raises my head until I look into those warm silver eyes. “I like you, too.” The right side of my mouth quirks and a spring of hope bubbles up inside me. He likes me. A really hot, really awesome guy likes me.
Katie McGarry (Crash into You (Pushing the Limits, #3))
You taste so sweet." The whispered words sent a shiver down her spine. Somehow, whenever she had imagined this intimacy with a man, she had thought of darkness and urgency and groping. She had not expected firelight and heat and this patient courting of her body. Jack's lips wandered in a velvet path from her throat to the sensitive opening of her ear, played lightly, and then Amanda jerked in surprise as she felt the tip of his tongue stroke along a tiny inner crevice. "Jack," she whispered. "You don't have to play the lover for me. Truly... you are kind to pretend that I'm desirable, and you-" She felt him smile against her ear. "You are an innocent, mhuirnin, if you think that a man's body reacts this way out of kindness.
Lisa Kleypas (Suddenly You)
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
She turned to put the basket of bread on the table and saw Brian, and the clutch of mums and zinnias he held in his hand. "It seemed to call for them," he said. She stared at the cheerful fall bloossoms, then up into his face. "You picked me flowers." The sheer disbelief in her voice had him moving his shoulders restlessly. "Well,you made me dinner, with wine and candles and the whole of it. Bedsides, they're your flowers anyway." "No,they're not." Drowning in love she set the basket down, waited. "Until you give them to me." "I'll never understand why women are so sensitive over posies." He held them out. "Thank you." She closed her eyes, buried her face in them. She wanted to remember the exact fragrance, the exact texture. Then lowering them again, she lifted her mouth to his for a kiss. Rubbed her cheek against his. His arms came around her so suddenly, so tightly, she gasped. "Brian? What is it?" That gesture,the simple and sweet gesture of cheek against cheek nearly destroyed him. "It's nothing. I just like the way you feel against me when I hold you." "Hold me any tighter,I'll be through you.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
I’m going to need you to do something besides the deer in headlights look. You’re giving everyone the impression that I brought you here at gunpoint.” I rolled my eyes. “You’re sweet.” “Seriously. Looking even moderately enthused will do.” “Yeah, duly noted. How could I say no to such a sweet and sensitive boyfriend?” Mason smirked… “I didn’t realize sweet and sensitive was what you wanted.” “I think that’s what most girlfriends want, but I understand that you wouldn’t know that,” I replied, averting my eyes as Mason watched me gather my hair over one shoulder. “Duly noted. If that’s what works with you, then here.” One step forward and Mason was suddenly inches from me. The breath hitched in my throat as he locked his gaze on mine. Shit.
Stella Rhys (Ex Games)
From college to those bleak textbook-company years, come evening I’d listen to the Such Sweet Thunder album, the “Star-Crossed Lovers” track over and over. Johnny Hodges had this sensitive and elegant solo on it. Whenever I heard that languid, beautiful melody, those days came back to me. It wasn’t what I’d characterize as a happy part of my life, living as I was, a balled-up mass of unfulfilled desires. I was much younger, much hungrier, much more alone. But I was myself, pared down to the essentials. I could feel each single note of music, each line I read, seep down deep inside me. My nerves were sharp as a blade, my eyes shining with a piercing light. And every time I heard that music, I recalled my eyes then, glaring back at me from a mirror.
Haruki Murakami (South of the Border, West of the Sun)
He had a friend. He would have said this if he could, he would have said it, but there was no need: Like his sweet Sophia who loved her Snowball, Abel had a friend. And if such a gift could come to him at such a time, then anything-dear girl from Rockford dressed up for her meeting, rushing above the Rock River-he opened his eyes, and yes, there it was, the perfect knowledge: Anything was possible for anyone.
Elizabeth Strout (Anything Is Possible (Amgash, #2))
Propping up on his elbows, he takes my face in his hands and strokes my cheeks with his thumbs before ever so softly brushing light kisses across my face. There is nothing urgent about them, just a reassurance that he’s here in my arms, filling every fantasy I’ve ever had. And this will most likely be the end of me, because this is the Rome I saw, the Rome no one else could see. Sensitive, sweet, and loving. Intense.
Sara Ney (Love, Sincerely, Yours)
It was a warm and breezy day, too warm for Sally's heavy clothes, so she draped her coat over her arm. The sun went through the fabric of her dress, a hot hand across flesh and bones. Sally felt as though she'd been dead and now that she was back she was particularly sensitive to the world of the living: the touch of the wind against her skin, the gnats in the air, the scent of mud and new leaves, the sweetness of blues and greens.
Alice Hoffman (Practical Magic (Practical Magic, #1))
As we sit allowing these thoughts and, more importantly, uncomfortable feelings to arise, it is important not to have any subtle agenda with them, not to ‘do this’ in order to ‘get rid of them’, That would be more of the same. Just allow the full panoply of thoughts and feelings to display themselves in your loving and indifferent presence. In time their ferocity will die down, revealing subtler and subtler layers of thinking and feeling on behalf of a separate entity, until we come to the little, almost innocuous background thinking about which we were speaking earlier. This is the sense of separation, the ‘ego’, in its apparently mildest and least easily detectable form. Be very sensitive to this. Be sensitive to the ‘avoidance of what is’ in its subtlest forms. It is the sweet, furry baby animal that later turns into a monster! As time goes on we become more and more sensitive and we see how much of our thinking and feeling, as well as our activities, are generated for the sole purpose of avoiding ‘what is’, of avoiding the ‘this’ and the ‘now’, It is this open, un-judging, un-avoiding allowing of all things which, in time, restores the ‘I’ to its proper place in the seat of awareness and which, as a natural corollary to the abiding in and as our true self, gently realigns our thoughts, feelings and activities with the peace and happiness that are inherent in it. Nobody Has, Owns or Chooses Anything Q: While allowing the body, mind and world to be as they are, different thoughts arise, some not so savoury and others that might be better left not acted upon. You have said that, once one begins to abide knowingly as presence, responses to situations will flow naturally from there. Some thoughts will engage the body, others
Rupert Spira (Presence: The Intimacy of All Experience)
And I'm not sensitive at all, Philip. Just mean." He smiled down at her. "Have you ever considered having an affair with a younger man?" She laughed, taking the compliment as it was meant. "You're a charmer. Since you amuse me, I'll give you a little advice. Charm doesn't work on Addy. Patience might." "I appreciate it," Philip said. He was watching Adrianne when she lifted a hand to her throat and found it bare. He saw her instant of surprise and confusion, then the tightly controlled temper as she zeroed in on him. With a smile he sent her a nod of acknowledgment. Her necklace of faux diamonds and sapphires was resting comfortably in his pocket. The bastard. The low, slimy bastard. He'd stolen from her. He'd lifted the necklace right off her throat without her feeling a thing but the pumping of her pulse. Then he'd taunted her. He'd looked right at her and grinned. He was going to pay for it, Adrianne thought as she tossed her gloves into her shoulder bag. And he was going to pay for it tonight. She knew it was reckless.
Nora Roberts (Sweet Revenge)
When I look back on my life I realize I was very sick for a long time. Sitting here in good health, I find myself crying. I do that sometimes. I am very sensitive. My dear son Jayden, who many know as Fox0r Jr., inherited that trait from me. I see it in him already. Jaxson is confident. Owen is sweet and loving. He is also spry and cunning. Finley is bold. Finley is also a stirring and adventurous child. We have laughed together. We have cried together. We have smiled together. My sons, next to Jesus, are my greatest inspiration.
Aaron Kyle Andresen (How Dad Found Himself in the Padded Room: A Bipolar Father's Gift For The World (The Padded Room Trilogy Book 1))
I’m sensitive. I’m nothing but a big ball of mushy sensitive stuff inside. Tell her, pumpkin.” “Your son is very sensitive,” I dutifully recited. “That didn’t sound believable.” He gently tugged on a strand of my hair, moving in closer. “My feelings are hurt. You’ve wounded me. Kiss it better.” “Apologies.” I gave him a brief but sweet kiss on the lips. “That the best you got?” He rubbed his lips against mine, trying to lure me in deeper. “You should be ashamed of yourself. I think you can do much, much better than that. Why, you missed my mouth entirely.
Kylie Scott (Play (Stage Dive, #2))
It was impossible to tell what he might be thinking. His mask didn’t waver. It was not my stony, flat mask of death, nor was it the stiff, cheerful posturing popular among housewives and other sad and deranged women. It was not the cutthroat bad boy mask set to ward off potential threats with the promise of violence and hot rage. Neither was it the lily-sweet bashfulness of men who pretend they’re so weak, so sensitive, they would crumble if anyone ever challenged them even a little. Lee’s look of calm contentment was an odd mask, peculiar in its falseness as it hardly looked fake at all.
Ottessa Moshfegh (Eileen)
-did you just ask something?" "I asked if you can undress any faster." Evie huffed with a mixture of amusement and exasperation. "No, I can't. There are too many b-buttons, and they're very small." "What a pity. Because in thirty seconds, I'm going to rip away whatever clothing you have left." Evie knew full well not to take the threat lightly- he'd done it before, on more than one occasion. "Sebastian, no. I like this dress." Her husband's eyes glinted with devilish humor as he watched her increasingly frantic efforts. "No dress is as beautiful as your naked skin. All those sweet freckles scattered over you, like a thousand tiny angel kisses... you have twenty seconds left, by the way." "You don't even h-have a clock," she complained. "I'm counting by heartbeats. You'd better hurry, love." Evie glanced anxiously down at the row of pearl buttons, which seem to have multiplied. With a defeated sigh, she dropped her arms to her sides. "Just go on and rip it off," she mumbled. She heard his silky laugh, and a sluice of water. He stood with streams runneling over the sleek, muscled contours of his body, and Evie gasped as she was pulled into a steaming embrace. His amused voice curled inside the sensitive shell of her ear. "My poor little put-upon wife. Let me help you. I have a way with buttons...
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The Sun burned down in a warm contrasting world of white and black, of white Sun against black sky and white rolling ground mottled with black shadow. The bright sweet smell of the Sun on every exposed square centimeter of metal contrasting with the creeping death-of-aroma on the other side. He lifted his hand and stared at it, counting the fingers. Hot-hot-hot-turning, putting each finger, one by one, into the shadow of the others and the hot slowly dying in a change in tactility that made him feel the clean, comfortable vacuum. Yet not entirely vacuum. He straightened and lifted both arms over his head, stretching them out, and the sensitive spots on either wrist felt the vapors- the thin, faint touch of tin and lead rolling through the cloy of mercury. The thicker taste rose from his feet; the silicates of each variety, marked by the clear separate-and-together touch and tang of each metal ion. He moved one foot slowly through the crunchy, caked dust, and felt the changes like a soft, not quite random symphony. And over all the Sun. He looked up at it, large and fat and bright and hot, and heard its joy. He watched the slow rise of prominences around its rim and listened to the crackling sound of each; and to the other happy noises over the broad face. When he dimmed the background light, the red of the rising wisps of hydrogen showed in bursts of mellow contralto, and the deep bass of the spots amid the muted whistling of the wispy, moving faculae, and the occasional thin keening of a flare, the ping-pong ticking of gamma rays and cosmic particles, and over all in every direction the soft, fainting, and ever-renewed sigh of the Sun's substance rising and retreating forever in a cosmic wind which reached out and bathed him in glory. He jumped, and rose slowly in the air with a freedom he had never felt, and jumped again when he landed, and ran, and jumped, and ran again, with a body that responded perfectly to this glorious world, this paradise in which he found himself.
Isaac Asimov (The Bicentennial Man and Other Stories)
Shocked, she uttered a hoarse protest and shifted beneath him, but he soothed her with his hands, stroking her legs and hips, resettling her on the mattress. "Lie still. You don't have to do anything, my love. Let me take care of you. Yes. You can touch me if you... mmm, yes..." He purred as he felt her trembling fingers touch his glistening hair, the back of his neck, the hard slope of his shoulders. He moved lower, his hair-roughened legs sliding along the insides of hers, and she realized that his face was just above the triangle of fiery red curls. Flooded with embarrassment, she automatically reached down to cover the private area with her hand. St. Vincent's erotic mouth lowered to her hip, and she felt him smile against her tender skin. "You shouldn't do that," he whispered. "When you hide something from me, I want it all the more. I'm afraid you're filling my head with the most lascivious ideas... you'd better take your hand away, sweet, or I might do something really depraved." As her shaking hand withdrew, he let one fingertip wander into the springy hair, delicately searching the cushiony softness. "That's right... obey your husband," he whispered wickedly, stroking farther, deeper, until he had separated the cluster of curls. "Especially in bed. How beautiful you are. Open your legs, my love. I'm going to touch inside you. No, don't be afraid. Will it help if I kiss you here? Be still for me..." Evie sobbed as his mouth searched through the triangle of brilliant red hair. His warm, ruthlessly patient tongue found the little peak half concealed beneath the vulnerable hood. His long, agile finger probed the entrance of her body, but he was momentarily dislodged as she jerked in surprise. Whispering reassurances against her swollen flesh, St. Vincent slid his finger inside her again, deeper this time. "Innocent darling," came his soft murmur, and his tongue tickled a place so excruciatingly sensitive that she quivered and moaned. At the same time, his finger stroked her inner softness with a languid rhythm.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Fair are the flowers and the children, but their subtle suggestion is fairer. Rare is the rose-burst of dawn, but the secret that clasps it is rarer; Sweet is the exultance of song, but the strain that precedes it is sweeter; And never was poem yet writ, but the meaning outmaster'd the metre. Never a daisy that grows, but a mystery guideth the growing; Never a river that flows, but a majesty sceptres the flowing; Never a Shakespeare that soar'd, but a stronger than he did enfold him, Nor ever a prophet foretells, but a mightier seer hath foretold him. Back of the canvas that throbs, the painter is hinted and hidden; Into the statue that breathes, the soul of the sculptor is bidden; Under the joy that is felt, lie the infinite issues of feeling; Crowning the glory reveal'd. is the glory that crowns the revealing. Great are the symbols of being, but that which is symboll'd is greater; Vast the create and beheld, but vaster the inward Creator; Back of the sound broods the silence, back of the gift stands the giving; Back of the hand that receives, thrill the sensitive nerves of receiving. Space is as nothing to Spirit, the deed is outdone by the doing; The heart of the wooer is warm, but warmer the heart of the wooing; And up from the pits where these shiver, and up from the heights where those shine, Twin voices and shadows swim starward, and the essence of life is Divine. RICHARD REALF
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
When I was a kid watching comedians on TV and listening to their records they were the only ones that could make it all seem okay. They seemed to cut through the bullshit and disarm fears and horror by being clever and funny. I don't think I could have survived my childhood without watching stand-up comics. When I started doing comedy I didn't understand show business. I just wanted to be a comedian. Now, after twenty-five years of doing stand-up and the last two years of having long conversations with over two hundred comics I can honestly say they are some of the most thoughtful, philosophical, open-minded, sensitive, insightful, talented, self-centred, neurotic, compulsive, angry, fucked-up, sweet, creative people in the world.
Marc Maron
Some diseases, such as HIV/AIDS, have slid down the list, but among the diseases whose incidence has increased the most over the past generation is chronic kidney disease. The number of deaths has doubled.14 This has been blamed on our “meat-sweet” diet.15 Excess table sugar and high-fructose corn syrup consumption is associated with increased blood pressure and uric acid levels, both of which can damage the kidney. The saturated fat, trans fat, and cholesterol found in animal products and junk food are also associated with impaired kidney function, and meat protein increases the acid load to the kidneys, boosting ammonia production and potentially damaging our sensitive kidney cells.16 This is why a restriction of protein intake is often recommended to chronic kidney disease patients to
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will. Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me. "Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips. "Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it. And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me. Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth." I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways. Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that. She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge. My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..." She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
Kristen Callihan (Make It Sweet)
He burned to taste her everywhere. To find out if all of her was as sweet as that honey trap of a mouth. He shifted her onto her back and licked his way down her neck to the fragrant curve of a shoulder. She quivered and made a muffled sound of excitement. Her legs rubbed against his in a devilishly suggestive dance and her breath emerged in rapid gusts. Oh, yes, his strategy worked, all right. It might even succeed if he didn't shatter into a million shards of frustration first. He nipped and sucked at her sensitive neck and tasted her shivers of surrender. Only when she gasped and mewed with pleasure did he lift his head. Flushed with desire, she sprawled against the white sheets. Beautiful. Her eyes were dark and heavy, the pupils so dilated, they almost swallowed the rich blue of her irises.
Anna Campbell (Untouched)
His hands glided from her waist to her back, his fingers touching the skin exposed by the straps of her dress, and Mollie shivered. “Cold?” he murmured. She shook her head. “Ah. Let’s see what happens if I…” His words trailed off as he dipped his head to her neck, slipping beneath her hair to drag his lips along the column of her neck. She gave a soft moan as his mouth opened there, softly sucking the skin between his teeth before soothing it with his tongue. “I love the way you taste right here,” he said, his hand coming up and trailing a finger along the side of her neck. “You taste clean. And sweet. You taste like Mollie.” Mollie’s eyes closed as he dipped his head again, pressing hot kisses to the sensitive skin of her neck. He pulled back, framing her face with his big hands, waiting until she opened her eyes and met his gaze.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
Take a drink every time you hear you’re not enough. Not the right fit. Not the right look. Not the right focus. Not the right drive. Not the right time. Not the right job. Not the right path. Not the right future. Not the right present. Not the right you. Not you. (Not me?) There’s just something missing. (Missing…) From us. What could I have done? Nothing. It’s just … (Who you are.) I didn’t think we were serious. (You’re just too … … sweet. … soft. … sensitive.) I just don’t see us ending up together. I met someone. I’m sorry. It’s not you. Swallow it down. We’re not on the same page. We’re not in the same place. It’s not you. We can’t help who we fall in love with. (And who we don’t.) You’re such a good friend. You’re going to make the right girl happy. You deserve better. Let’s stay friends. I don’t want to lose you. It’s not you. I’m sorry.
Victoria Schwab (The Invisible Life of Addie LaRue)
It had been well if he had been left with only a wounded heart, but in that heart lay wounded pride. He hid it carefully, and the keener in consequence grew the sensitiveness, almost feminine, which no stranger could have suspected beneath the manner he wore. Under that bronzed countenance, with its firm-set mouth and powerful jaw--below that clear blue eye, and that upright easy carriage, lay a faithful heart haunted by a sense of wrong: he who is not perfect in forgiveness must be haunted thus; he only is free whose love for the human is so strong that he can pardon the individual sin; he alone can pray the prayer,"Forgive us our trespasses," out of a full heart. Forgiveness is the only cure of wrong. And hand in hand with Sense-of-injury walks ever the weak sister-demon Self-pity, so dear, so sweet to many--both of them the children of Philautos, not of Agape.
George MacDonald (Mary Marston)
She stood on the willow bank. It was bright as mid-afternoon in the openness of the water, quiet and peaceful. She took off her clothes and let herself into the river. She saw her waist disappear into reflection less water; it was like walking into sky, some impurity of skies. All seemed one weight, one matter -- until she put down her head and closed her eyes and the light slipped under her lids, she felt this matter a translucent one, the river, herself, the sky all vessels which the sun filled. She began to swim in the river, forcing it gently, as she would wish for gentleness to her body. Her breasts around which she felt the water curving were as sensitive at that moment as the tips of wings must feel to birds, or antennae to insects. She felt the sand, grains intricate as little cogged wheels, minute shells of old seas, and the many dark ribbons of grass and mud touch her and leave her, like suggestions and withdrawals of some bondage that might have been dear, now dismembering and losing itself. She moved but like a cloud in skies, aware but only of the nebulous edges of her feeling and the vanishing opacity of her will, the carelessness for the water of the river through which her body had already passed as well as for what was ahead. The bank was all one, where out of the faded September world the little ripening plums started. Memory dappled her like no more than a paler light, which in slight agitations came through leaves, not darkening her for more than an instant. the iron taste of the old river was sweet to her, though. If she opened her eyes she looked at blue bottles, the skating waterbugs. If she trembled, it was at the smoothness of a fish or a snake that crossed her knees. In the middle of the river, whose downstream or upstream could not be told by a current, she lay on her stretched arm, not breathing, floating. Virgie had reached the point where in the next moment she might turn into something without feeling it shock her. She hung suspended in the Big Black River as she would know how to hang suspended in felicity. Far to the west, a cloud running fingerlike over the sun made her splash the water. She stood, walked along the soft mud of the bottom, and pulled herself out of the water by a willow branch, which like a warm rain brushed her back with its leaves. The moon, while she looked into the high sky, took its own light between one moment and the next. A wood thrush, which had begun to sing, hushed its long moment and began again. Virgie put her clothes back on. She would have given much for a cigarette, always wishing for a little more of what had just been. (from the short story The Wanderers)
Eudora Welty
Chirality matters. In the curious case of the artificial fragrance limonene, the right-handed form smells like an orange, whereas the left-handed version of this simple ring-shaped molecule smells like a lemon. The smell receptors in your nose are sensitive to chirality, so right- and left-limonene transmit slightly different signals to your brain. Taste buds are less sensitive to the differences between right- and left-handed sugars. They both taste sweet, but our body’s fine-tuned digestive system can process only the right-handed forms. The artificial sweetener tagatose, a zero-calorie left-handed sugar substitute, exploits these properties. The tragic story of thalidomide also rests on handedness. The right-handed version of this drug alleviated morning sickness in pregnant women, but the left-handed variant that inevitably tagged along caused birth defects. Today the FDA imposes strict requirements for chirally pure drugs—regulations
Robert M. Hazen (The Story of Earth: The First 4.5 Billion Years, from Stardust to Living Planet)
His body was racked with movement and in the semi-darkness he looked like some kind of fairy-tale goblin engaged in a flurry of hocus-pocus. In the harsh spotlight that lit up the rostrum his face was fascinatingly ugly and had a ghastly pallor, ringed as it was by his waving hair. Every little shift in the orchestra was reflected in his sensitive features: one moment he would be dampening something down, which would knot the skin round his eyes into grim folds accompanied by a lifting of his nose; the next moment he would be smiling in confluence with the sweet strains of the orchestra, radiating his approval and enjoyment, so that it was a case of both devils and angels crossing his visage in turn. Lightning flashed from his spectacle lenses with each sharp movement of his head, and from behind the lenses his eyes shone forth, watchful, assertive and demanding attention - every inch of his frame was simultaneously both an instrument of command and a means of expression.
Jens Malte Fischer (Gustav Mahler)
My husband and I have been a part of the same small group for the past five years.... Like many small groups, we regularly share a meal together, love one another practically, and serve together to meet needs outside our small group. We worship, study God’s Word, and pray. It has been a rich time to grow in our understanding of God, what Jesus has accomplished for us, God’s purposes for us as a part of his kingdom, his power and desire to change us, and many other precious truths. We have grown in our love for God and others, and have been challenged to repent of our sin and trust God in every area of our lives. It was a new and refreshing experience for us to be in a group where people were willing to share their struggles with temptation and sin and ask for prayer....We have been welcomed by others, challenged to become more vulnerable, held up in prayer, encouraged in specific ongoing struggles, and have developed sweet friendships. I have seen one woman who had one foot in the world and one foot in the church openly share her struggles with us. We prayed that God would show her the way of escape from temptation many times and have seen God’s work in delivering her. Her openness has given us a front row seat to see the power of God intersect with her weakness. Her continued vulnerability and growth in godliness encourage us to be humble with one another, and to believe that God is able to change us too. Because years have now passed in close community, God’s work can be seen more clearly than on a week-by-week basis. One man who had some deep struggles and a lot of anger has grown through repenting of sin and being vulnerable one on one and in the group. He has been willing to hear the encouragement and challenges of others, and to stay in community throughout his struggle.... He has become an example in serving others, a better listener, and more gentle with his wife. As a group, we have confronted anxiety, interpersonal strife, the need to forgive, lust, family troubles, unbelief, the fear of man, hypocrisy, unemployment, sickness, lack of love, idolatry, and marital strife. We have been helped, held accountable, and lifted up by one another. We have also grieved together, celebrated together, laughed together, offended one another, reconciled with one another, put up with one another,...and sought to love God and one another. As a group we were saddened in the spring when a man who had recently joined us felt that we let him down by not being sensitive to his loneliness. He chose to leave. I say this because, with all the benefits of being in a small group, it is still just a group of sinners. It is Jesus who makes it worth getting together. Apart from our relationship with him...,we have nothing to offer. But because our focus is on Jesus, the group has the potential to make a significant and life-changing difference in all our lives. ...When 7 o’clock on Monday night comes around, I eagerly look forward to the sound of my brothers and sisters coming in our front door. I never know how the evening will go, what burdens people will be carrying, how I will be challenged, or what laughter or tears we will share. But I always know that the great Shepherd will meet us and that our lives will be richer and fuller because we have been together. ...I hope that by hearing my story you will be encouraged to make a commitment to become a part of a small group and experience the blessing of Christian community within the smaller, more intimate setting that it makes possible. 6
Timothy S. Lane (How People Change)
Turn." It took her a moment to realize what he meant. He wanted her to spin into the bandages, instead of standing still and allowing him to wrap her. She did so, slowly, understanding almost immediately the seductive nature of the situation. Something about the movement, about his dark blue eyes on her as she spun, made her feel like a temptress- his Salome. He did not touch her as she turned, dancing only for him; instead, he allowed her to choose the speed and the strength of the fabric, she spun right into his arms. Holding her gaze, Ralston tucked the end of the linen into the bindings before he took her face in one hand and tilted it up for another kiss. This one was soft and sweet, his lips brushing gently across hers in an excruciatingly slow caress, leaving her heart pounding and her mind reeling. With his other hand, he stroked one flattened breast gently, teasing the protected skin until she wanted to tear off the bindings again. He broke off the kiss and leaned down, setting his lips to the edge of the linen, softly laving the sensitive skin straining above the bindings. "Poor, lovely darlings," he murmured, worshipping her with hands and mouth, raising her temperature and sending another wave of passion pooling deep within her.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I’ll climb right up on you, just straddle your face and smother you with my sweet stuff… bury your face in thighs and my big old butt until you just can’t breathe.”  Dan groaned again. “Oh, yeah, baby, you know what I like.” “And when I’m done riding your face and drowning you in my wetness, I’m going to slide down... way down and leave a little trail of my juice down your chest and tummy, all the way down to your knees.” Dan was beginning to breathe harder.  “Yeah, oh, yeah, baby,” he said. “Yeah.  And you know big old girls are hungry girls, so I’m going to savor that big hard monster, rub it all over my face.”  I moan and groan a bit while peeking out the livingroom window to make sure Shell is still where I can see her in the front yard.  She is.  I continue, “Dan, oh, baby, I’m rubbing it on my lips… my chin… my cheeks… over my eyes…”  He’s imagining me caressing his daylily.  In reality, though, I’m dipping my paint brush into mauve paint and spreading the almost-pink color on the walls. I can tell that Dan is feeling the heat.  “I kiss that big old head gently… now I’m licking just underneath it… where it’s so sensitive.  Do you like that, sweetheart?” I ask him provocatively. “Oh, yeah…” “Tell me how much you like it, baby.  You just tell Rosie…
Maggie Mistery (Diary of a Real-Life Phone Sex Operator--CENSORED EDITION)
His face softened and he leaned down and covered her mouth with his. Dark and dirty, hot and horny, sweet and utterly seductive. Damn, the man could kiss. "I want you inside me." She swallowed hard. "I want...you." "You have me---all of me." He pushed deep, filling her, stretching her, making her feel every inch of him. His smoldering eyes watched her intently, sending a current of need arrowing straight to her core. When she moaned, he moved his hips in just the right way to hit her most sensitive spot. Pleasure licked through her body and she surged toward the peak. "Don't stop." "No chance of that." His gaze didn't leave hers as he pulled out and thrust again, his hips moving hard and fast, arms braced on either side of her. The world fell away until there was only Jay, his scent, his heat, his muscles tightening and releasing, and his eyes locked on her like she truly was the most beautiful woman in the world. Heart-squeezing tenderness and wild heat. She came in a roll of pleasure, a soul-deep release as she let herself go. Jay followed her with a quiet shudder that ripped the tension out of his muscular body with a groan. "Fuck." He fell forward, his body covering hers, taking his weight on his elbows beside her. Small kisses to her lips made her feel seen and not forgotten. "We just did." She looked up to her hands and he released them with one tug. "Touch me, sweetheart. I want to feel your hands on me." She held him close for what seemed like forever, breathing in his scent of sex and sweat and the lingering hint of his cologne.
Sara Desai (The Singles Table (Marriage Game, #3))
In the Middle Ages, sugar was a rare luxury in Europe. It was imported from the Middle East at prohibitive prices and used sparingly as a secret ingredient in delicacies and snake-oil medicines. After large sugar plantations were established in America, ever-increasing amounts of sugar began to reach Europe. The price of sugar dropped and Europe developed an insatiable sweet tooth. Entrepreneurs met this need by producing huge quantities of sweets: cakes, cookies, chocolate, candy, and sweetened beverages such as cocoa, coffee and tea. The annual sugar intake of the average Englishman rose from near zero in the early seventeenth century to around eighteen pounds in the early nineteenth century. However, growing cane and extracting its sugar was a labour-intensive business. Few people wanted to work long hours in malaria-infested sugar fields under a tropical sun. Contract labourers would have produced a commodity too expensive for mass consumption. Sensitive to market forces, and greedy for profits and economic growth, European plantation owners switched to slaves. From the sixteenth to the nineteenth centuries, about 10 million African slaves were imported to America. About 70 per cent of them worked on the sugar plantations. Labour conditions were abominable. Most slaves lived a short and miserable life, and millions more died during wars waged to capture slaves or during the long voyage from inner Africa to the shores of America. All this so that Europeans could enjoy their sweet tea and candy – and sugar barons could enjoy huge profits. The slave trade was not
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Dear Familiar Place, I am lost. I wonder who lives behind my eyes. I guess a lost little child who never grew up. However, I was forced to grow up, but I never had a chance to experience the sweet and playful side of life. I notice that at the moment, it is only me sitting on you—usually, I would have to share you with two or three people. After I leave, you will not be marked until a lonely broken soul will claim you. Just for tonight, they will have something to claim as their own. I wonder who will claim you tonight? I thank you for keeping me warm the best way you could. I am sure you are one of everyone’s best friends. I bet you have a lot of stories to tell. I am looking at the clouds and wondering how long the cloud will last in my life. I’ve had so many cloudy days; sadly, I forget how the sun looks and feels. My eyes are sensitive to the daylight, but they are immune to the darkness with just the right kind of light from the stars. During the day, my mood is cloudy, uncertain, blurred, depressing, and there is so much fog I can’t see the sun, nor do I have a head's up that the rain is coming. I wish just one day my mood could at least be fair skies. I’ll accept cool and fair skies. I mean, at least for once, could my life be fair instead of constantly feeling anxiety and my soul tied in two knots or more? I retraced my thoughts and noticed the wind was blowing. I smile slightly because the leaves are playing with each other as the breeze shows them some unconditional love. I wonder what unconditional love is? In my world, unconditional love is blowing dandelions in the daytime and hugging the stars during the night. I guess that’s all the love I need. Wishing for brighter days.
Charlena E. Jackson (Pinwheels and Dandelions)
You said, Mother, that criticism would help me. But how can it, when it's so contradictory that I don't know whether I've written a promising book or broken all the ten commandments?" cried poor Jo, turning over a heap of notices, the perusal of which filled her with pride and joy one minute, wrath and dismay the next. "This man says, `An exquisite book, full of truth, beauty, and earnestness. All is sweet, pure, and healthy.'" continued the perplexed authoress. "The next, `The theory of the book is bad, full of morbid fancies, spiritualistic ideas, and unnatural characters.' Now, as I had no theory of any kind, don't believe in Spiritualism, and copied my characters from life, I don't see how this critic can be right. Another says, `It's one of the best American novels which has appeared for years.' (I know better than that), and the next asserts that `Though it is original, and written with great force and feeling, it is a dangerous book.' 'Tisn't! Some make fun of it, some overpraise, and nearly all insist that I had a deep theory to expound, when I only wrote it for the pleasure and the money. I wish I'd printed the whole or not at all, for I do hate to be so misjudged." Her family and friends administered comfort and commendation liberally. Yet it was a hard time for sensitive, high-spirited Jo, who meant so well and had apparently done so ill. But it did her good, for those whose opinion had real value gave her the criticism which is an author's best education, and when the first soreness was over, she could laugh at her poor little book, yet believe in it still, and feel herself the wiser and stronger for the buffeting she had received. "Not being a genius, like Keats, it won't kill me," she said stoutly, "and I've got the joke on my side, after all, for the parts that were taken straight out of real life are denounced as impossible and absurd, and the scenes that I made up out of my own silly head are pronounced `charmingly natural, tender, and true'. So I'll comfort myself with that, and when I'm ready, I'll up again and take another.
Louisa May Alcott (Little Women)
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
Lottie pressed her face into the crook of his neck and shoulder. She had to stop him now, before her will was completely demolished. “No. Please stop. I’m sorry.” His hand slid from her blouse, and he touched her damp lips with his fingers. “Have I frightened you?” he whispered. Lottie shook her head, somehow resisting the urge to curl into his embrace like a sun-warmed cat. “No… I’ve frightened myself.” For some reason her admission made him smile. His fingers moved to her throat, tracing the fragile line with a sensitivity that made her breath catch. Tugging the peasant blouse back up to her shoulder, he retied the frayed ribbon that secured the neckline. “Then I’ll stop,” he said. “Come— I’ll take you to the house.” He stayed close to her as they continued through the forest, occasionally moving to push a branch out of the way, or taking her hand to guide her over a rough place on the path. As familiar as she was with the woods of Stony Cross Park, Lottie had no need of his assistance. But she accepted the help with demur. And she did not protest when he paused again, his lips finding hers easily in the darkness. His mouth was hot and sweet as he kissed her compulsively… swift kisses, languid ones, kisses that ranged from intense need to wicked flirtation. Drugged with pleasure, Lottie let her hands wander to the thick dishevelment of his hair, the iron-hard nape of his neck. When the blistering heat rose to an untenable degree, Lord Sydney groaned softly. “Charlotte…” “Lottie,” she told him breathlessly. He pressed his lips to her temple and cuddled her against his powerful body as if she were infinitely fragile. “I never thought I would find someone like you,” he whispered. “I’ve looked for you so long… needed you…” Lottie shivered and dropped her head to his shoulder. “This isn’t real,” she said faintly. His lips touched her neck, finding a place that made her arch involuntarily. “What’s real, then?” She gestured to the yew hedge that bordered the estate garden. “Everything back there.” His arms tightened, and he spoke in a muffled voice. “Let me come to your room. Just for a little while.” Lottie responded with a trembling laugh, knowing exactly what would happen if she allowed that. “Absolutely not.” Soft, hot kisses drifted over her skin. “You’re safe with me. I would never ask for more than you were willing to give.” Lottie closed her eyes, her head spinning. “The problem is,” she said ruefully, “I am willing to give you entirely too much.” She felt the curve of his smile against her cheek. “Is that a problem?” “Oh, yes.” Pulling away from him, Lottie held her hands to her hot face and sighed unsteadily. “We must stop this. I don’t trust myself with you.” “You shouldn’t,” he agreed hoarsely. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Martha would come over every week and check on Mia and work with her on relaxation and breathing exercises to prepare for the natural labor. Jenny was on board with the natural thing too, so of course she and Mia dragged Tyler and me to the Bradley Birthing Method classes. It was hysterical; we had to get in all kinds of weird poses with the girls while they mimicked being in labor. We would massage their backs while they were perched on all fours, moaning. One of the hardest things I’ve ever done is contain my laughter during those classes. Mia was the freakin’ teacher’s pet because she was taking it so seriously. Right around the third class, they showed us a video of a live birth. I had nightmares for a week after that. Tyler and I agreed that we had to find a way to get out of going to the classes. We hadn’t mutually agreed on a plan, so during the fifth class, Tyler took it upon himself and used his own bodily gifts to get us into a heap of trouble. Tyler is lactose intolerant, and he has to take these little white tablets every time he eats cheese. The morning of the class, he stopped by the studio with a half-eaten pizza. I didn’t even think twice about it until that night in class during our visualization exercises when this god-awful, horrendous odor overtook our senses. At first everyone kept quiet and just looked around for the source. There wasn’t a sound to accompany the lethal attack, so everyone went into investigation mode, staring each other down. Mia began to gag. I heard Jenny cry a little behind us. Finally when I turned toward Tyler, I noticed he had the most triumphant glimmer in his eyes. I completely lost my shit. I was rolling around, laughing hysterically. Mia grabbed the hood of my sweatshirt and pulled me to my feet. “Outside, now!” She was scowling as she dragged me along. When we passed Tyler, she pointed to him angrily. “You too, joker.” Mia and Jenny pressed us up against the brick wall outside and then gave us the death stare, both of them with their arms crossed over their blooming bellies. They whispered something to each other and then turned and walked off, arm in arm. We followed. “Come on, you guys, it was funny.” Jenny stopped dead in her tracks and turned. She jabbed her index finger into my chest and said, “Yes, it is funny. When you’re five! Not when you’re in a room full of pregnant women. Do you know how sensitive our noses are?” I shrugged. “It wasn’t me.” “Oh, I know he’s a child,” she said but wouldn’t even look at Tyler. “And you are too, Will, for encouraging it.” Mia was glaring at me with a disappointed look, and then she shook her head and turned to continue down the street. Jenny caught up and walked away with her. “God, they’re so sensitive,” I whispered to Tyler. “Yeah, I kinda feel bad.” Without turning around, Mia yelled to us, “You guys don’t have to come anymore. Jenny and I can be each other’s partners.” I turned to Tyler and mouthed, “It worked!” I had a huge smile on my face. Tyler and I high-fived. “Why don’t you guys go celebrate? I know that’s what you wanted,” Jenny yelled back as they made a sharp turn down the sidewalk and down the stairs to the subway. “Nothing gets past them,” Tyler said
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
Any memories of other women were banished permanently from his mind... there was only Evie, her red hair streaming and curling over his stomach and thighs, her playful fingers and frolicsome mouth causing him an agony of pleasure like nothing he had ever felt before. When he could no longer hold back his groans, she climbed over him carefully, straddling him, crawling up his body slowly like a sun-warmed lioness. He had one glimpse of her flushed face before she sought his mouth with teasing, sucking kisses. The rosy tips of her breasts dragged through the hair on his chest... she rubbed herself against him, purring with satisfaction at the hard warmth of the male body beneath her. His breath snagged in his throat as he felt her hand slip between their hips. He was so aroused that she had to gently pull his sex away from his stomach before she could fit it between her thighs. The crisp red curls of her mound tickled his exquisitely sensitive skin as she guided him between the hot folds of her body. "No," Sebastian managed, recalling the bet. "Not now. Evie, no---" "Oh, stop protesting. I didn't make nearly this much of a fuss after our wedding, and I was a virgin." "But I don't want---oh God. Holy Mother of God---" She had pushed the head of his sex into her entrance, the sweet flesh so snug and soft that it took his breath away. Evie writhed a little, her hand still grasping the length of his organ as she tried to guide him deeper. Seeing the difficulty she was having in accommodating him caused him to swell even harder, his entire body flushed with prickling excitement. And then came the slow, miraculous slide, hardness within softness. Sebastian's head fell back to the pillow, his eyes drowsy with intense desire as he stared up into her face. Evie made a little satisfied hum in her throat, her eyes tightly closed as she concentrated on taking him deeper. She moved carefully, too inexperienced to find or sustain a rhythm. Sebastian had always been relatively quiet in his passion, but as her lush body lifted and settled, deepening his penetration, and his cock was gripped and stroked by her wet depths, he heard himself muttering endearments, pleas, sex words, love words. Somehow he coaxed her to lean farther over him, resting more of her body against his, adjusting the angle between them. Evie resisted briefly, fearing she would hurt him, but he took her head in his hands. "Yes," he whispered shakily. "Do it this way. Sweetheart. Move on me... yes..." As Evie felt the difference in their position, the increased friction against the tingling peak of her sex, her eyes widened. "Oh," she breathed, and then inhaled sharply. "Oh, that's so---" She broke off as he set a rhythm, nudging deeper, filling her with steady strokes. The entire world dwindled to the place where he invaded her, their most sensitive flesh joined. Evie's long auburn lashes lowered to her cheeks, concealing her unfocused gaze. Sebastian watched a pink flush creep over her face. He was suspended in wonder, suffused with vehement tenderness as he used his body to pleasure hers. "Kiss me," he said in a guttural whisper, and guided her swollen lips to his, slowly ravishing her mouth with his tongue. She sobbed and shuddered with release, her hips bearing greedily against his as she took his full length. The rim of her sex clamped tightly around him, and Sebastian gave himself up to the squeezing, enticing, pulsing flesh, letting her pull the ecstasy from him in great voluptuous surges. As she relaxed over him, trying to catch her breath, he drew his hands over her damp back, his fingertips gently inquiring as they traveled to the plump curve of her bottom. To his delight, she squirmed and tightened around him in helpless response. If he had his usual strength... oh, the things he would have done to her...
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The first and truest thing is that all truth is a paradox. Life is both a precious, unfathomably beautiful gift, and it's impossible here, on the incarnational side of things. It's been a very bad match for those of us who were born extremely sensitive. It's so hard and weird that we sometimes wonder if we're being punked. It's filled simultaneously with heartbreaking sweetness and beauty, desperate poverty, floods and babies and acne and Mozart, all swirled together
Ann Lamott
Eggs and Nightshades You may improve your results by restricting eggs and nightshades, too. Egg whites contain proteins that can indirectly increase immune activity—a contributing factor in immune-mediated diseases. Nightshades are a group of plants that contain compounds that promote gut irritability, inflammation, joint pain and/or stiffness in sensitive individuals. Nightshades include potatoes (all varieties except sweet potatoes or yams), tomatoes, all sweet and hot peppers, eggplant, tomatillos, tamarios, pepinos, and spices like cayenne, chili powder, curry powder, paprika, pimento, and red pepper flakes. These two groups are the most commonly problematic in those with autoimmune conditions, chronic pain, and other immune-mediated medical conditions, so consider leaving these off your Whole30 if this is your context.
Melissa Urban (The Whole30: The 30-Day Guide to Total Health and Food Freedom)
My mother spoke to them sweetly about all my problems, insomnia, trouble concentrating, social anxiety, looking over at me now and then, like she was simply telling them things we talked openly about all the time, some funny, homegrown mystery that had nothing to do with her. My dad rubbed her back or squeezed her shoulder or patter her knee, all sensitive and supportive.
Season Butler (Cygnet)
Beauty and stone In the huge town square, A statue carved from stone witnessed every passer by, And wondered how it could similar movements acquire, So that it too could walk if not fly, Its eyes constantly looked at the strange faces, Its posture was always the same, It stood at just one place and it could never visit other places, For it had sacrificed everything in the static beauty’s name, That is still, motionless, feelingless and always the same, It even perceives different things with single perception of mind, Cursed to play over and over again the same game, Because for the statue-like beauty everything is predefined, The posture, the view, the stance, and I guess even its every thought, At least that is how I feel when I look at the statue placed in the main town square, It seems to seek what it since eternity has sought, Because it may bear a fixed expression, but that has nothing to do with its desire, Because it expresses what its sculptor felt, And in this crowded town square it looks the same every night, everyday and every time, Of its own sweet will it has never with anything dealt, It has witnessed many lovers’ kisses, and it has been witness to many a crime, But it is its irony to be a statue and nothing else, Beautiful to look at and admire, But it has a missing pulse, That of real, warm, sensitive and sensate beauty in its prime, So, I sometimes look at it and just pretend it noticed me, As I leave the spot, I see it unmoved and feelingless, To it nothing matters, who you are or who you wish to be, Because it is just beauty carved from stone, completely lifeless, And then my love I think of you, and I miss you, So I leave the statue and its stone carved beauty behind, Because the statue is beautiful, but it cannot be you, Therefore, instead in my memories and in my heart beats you I discover and always manage to find!
Javid Ahmad Tak (They Loved in 2075!)
Beautiful ways Memories with deep feelings, Are like always retracting emotions, They drop like sticky cob web hanging from the ceilings, And retrieve many moments filled with deep sensations, Sometimes they lead to poignancy, And sometimes they bring flashes of her sweet memories, And then the heart struggles to find its buoyancy, Because the mind willingly all these moments carries, Poor heart’s every perversion, Fails to convince the mind to consider the heart’s requests, the heart that keeps it alive, Alas the mind is a slave to her memories and her beautiful sensation, And without bearing her feelings in no other thinking avenues it wishes to dive, So the heart beats with a sense of precariousness, While the mind seeks her sensations, her feelings and enters a state of meditation, Where it only ponders on her feelings and her loveliness, And the poor heart becomes the victim of its own creation, Of loving, of feeling, of emoting, of beating just for her, And as the mind becomes unresponsive, I neither think of my anguished heart, my inactive mind, but just about her, and only about her, And wait and hope that the reality becomes a little bit sensitive and a bit more submissive, But destiny that turns the wheels of time and everything, Has its own plans to execute and fulfil, To it love, lovers, feelings do not mean anything, Because it obeys someone else’s heart’s will, For destiny is true to her emotions and her love affair, And I too then proclaim I am devoted to my memories and their every sensation, And loving her is by all means sensible and fair, For if destiny can do what it pleases, my heart and mind too shall seek their destiny in their most loving destination, So let destiny play its game and cast the heart and mind in time’s bottomless well, But let it know, that we all- my heart, my mind and I, shall fill it too with her sensation, And then time may bid to every other life’s pursuit its final farewell, And then mine shall be the destiny and I shall live with her in the world that will be her beauty’s creation, So, let my heart love her enough, Let my mind think of her always, For time and destiny maybe tough, But love and facts always find their new and beautiful ways!
Javid Ahmad Tak (They Loved in 2075!)
So many different kinds of fruit and vegetables! Eggplants of all sizes, in every shade of purple, white, and black! Dozens of onion-scented things that weren't the traditional farmhouse variety: leeks, scallions, long green onions, calçots, chives... Ten different kinds of peaches! Remi felt drunk on the sweet, sugary smells that wafted up from the fruit as the sunlight hit it. He almost fell to the ground when he came to the fromageries. The combination of fine cheeses being sold from those booths was too much for his refined nose, which was already a thousand times more sensitive than a normal rat nose. It was like he was eating by breathing, like he was swimming through an ocean of fromage.
Elizabeth Lim (A Twisted Tale Anthology: A Twisted Tale)
What are you thinking about?” Grip’s whispered question mists the sensitive skin of my neck, and I scoot back to snuggle under the covers and against his hard, naked body. “‘Night on the Island.’” “Fitting.” He opens his mouth over the curve of my shoulder in a kiss. “Because you were definitely wild and sweet last night.’” “You weren’t so bad yourself.” I turn over to run my thumb over his full lips. “Neruda was so romantic. I’m glad you introduced me to him.” “Dude had serious game.” Grip laughs. “No one writes about love and sex and passion like Neruda.” He grins down at me, a hint of mischief in his eyes. “The original Chocolate Charm.” We both laugh at that. I haven’t heard it in so long. It’s our own inside joke, from the first day we met, but Grip really could charm lint from your pockets.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
The light receptors in the eye that communicate “daytime” to the suprachiasmatic nucleus are most sensitive to short-wavelength light within the blue spectrum—the exact sweet spot where blue LEDs are most powerful. As a consequence, evening blue LED light has a more harmful impact on human nighttime melatonin suppression than the warm, yellow light from old incandescent bulbs, even when their lux intensities are matched.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
Actually, it would seem I’m just a big fan of Rhett Eaton, and not the cocky cowboy everyone else gets to see. The man who kisses me sweetly, who makes me feel taken care of, like I’m not a burden—the one who’s just a little bit vulnerable and insecure. The man that no one else really sees. I’m not sure why he’s opted to show me that side of himself, but I know I need to handle it with care. I know Rhett is far more sensitive than he lets on. His wounds run deep, and he’s patched them with a public persona and a cocky grin that doesn’t match the soulful man I’ve come to know.
Elsie Silver (Flawless (Chestnut Springs, #1))
Love is the sweetness of life.” “Pray is gold, whereas love is a diamond.” “Love does not wear hatred and bias.” “Love is a fulfillment of life; without that, life is nothing.” Love cannot appear and become true love without respect, tolerance, empathy, sympathy, care, and sacrifice.” “One can love whoever and whenever one wants; however, expecting similar feelings from that whom one loves is a risk of self-hurting.” “Love speaks in your words, sights with your eyes, grows on your conduct, and finally resides in your heart, becoming your heartbeat.” “When your mind is rich in wisdom, and your heart is sensitive and filled with love, you are a person who can change the world.” “Love does not recognize the terms hide and seek. When it happens, it becomes visible without any fear or hesitation.” “Those who care for self-respect show real and true love, and they do not break the trust and certainty of their beloved. Love cannot stay where there is no self-respect.” “If you love someone, and you are also keeping the options, it is not fair to your lover, not even yourself. You are just an opportunist. True love knows no options.” “Love for humanity is the mother of every love; no other love can prevail over it.” “Etiquette, respect, and love embellish and beautify the character while also helping to reach and qualify for success in life.” “Love with motives does not have success and embraces shame and sorry.” “My religion is love, which I have learned from my religion.” “Beauty hits eyes, and love touches heartbeats.” “The billions of beautiful faces exist in the world, but I fell in love with one face.” “The silent love has more truth than the spoken one.” “Please pray for me. I am going to fall in love.” “I do not search for a true friend and true love. I practice becoming a true friend and giving true love.” “I can never feel again such love which I had felt for the first time in my youth.” “If there is no current, the lamp does not light up; similarly, if there is no passion, love does not become the heartbeat.” “Love with the heart validates purity and truth. Love with the mind may evidence diplomacy and tact.” “Real and pure love exists at the age of nine and ninety years; between that lies a risk. However, an exception may become a wonder.” “Love fragrances, and colors, the breath waves that inspire the heart language.” “Love bears two negative feelings; fear and jealousy, overcoming that beautify life; otherwise, these become self-hurting.” “Love is not just a remedy for sex frustration; it is a solemn life pledge to be together for all seasons and circumstances.” “How simple it is, how deep it is, and how true it is, within the two-L-that you are my Life and Love. Do we honestly make also perfumed that?” “Log in Love; log out Hatred and scan evil threats with the purity of thoughts: Life becomes secure and stays smooth and flowery.” “Anyone who indulges only in self-love remains devoid of true love.” "Your words can be constructive or destructive. Love is a positive energy that grows when it is filled up with sweet words and keeps love fresh and alive. If there are destructive words, love will go dry and finally die. "Love is a context of heartbeats; intimacy is its dictionary; use it carefully and properly; otherwise, typos can cause risks.
Ehsan Sehgal
She was a being who needed joy. Having joy, she could triumph over the most desperate physical ills. But when joy flickered and went out, then she remembered the grave. Now, as she went softly over the bridge and began to climb the woods, joy seemed fled forever. “She looked round her in a kind of terror, for she had come to the moment, which all sensitive people must reach at some time, when the soul perceives simultaneously the life of man—its small comforts, its upholstery of everyday—and the infinite; when it asks, bemused and anxious, ‘Which is the dream?’ They cannot both be true, it seems, for they are in flat contradiction. Yet daily life is true. There it is, with its duties and meals and wordy meetings; with its sweetness of affectionate glances and homely jests. That is no dream. Yet, when the beloved is dead, the daily life shrinks and withers; the infinite presses in. There it is, with all its indifferent stars, fearfully real, utterly unknown. With this intrusion of the infinite there come all the strange instincts of the spirit that have no part in daily life. These also are no dream. So there the soul stands, browbeaten and stunned by antithesis, murmuring, ‘Which is true? Is anything true?
Mary Webb (The House in Dormer Forest)
The heat from his cum sent electric shocks through her body and caused her to erupt with cyclone force. To which Incubus immediately removed himself from her and dove between her legs to lick and suck every offering she bestowed while she came. His eyes rolled back as he devoured her elixir, unsure if he’d be able to part from the sweet nectar. Pulling at her clit harder, the sensitive nerve continued to rattle between his lips. Burying his burning tongue deeper inside her to reach the highest, sweeter juice, he grabbed both her ass cheeks and pressed his face against her wetness. Rubbing side to side as her body oscillated in his hands. ​Forcing
Marilynn Harper (the Incubus)
Before I knew what was happening, he had me crowded up against the wall that separated my living room from my bedroom. He nipped a gentle line down the column of my throat, letting his teeth lightly scrape against me as he moved. His real teeth; not the ones he showed the world. "I've wanted to touch you for so long." His mouth was everywhere. On my neck, my collarbone, then moving back up to kiss along my jaw. He gave my ass a firm, possessive squeeze. Mine, it said. It felt so good I nearly moaned out loud. "Do you know how many times I've thought about it?" "Tell me," I gasped. I didn't know where that bravery was coming from, but I needed to know. "Please." He answered with an excruciatingly slow swipe of his tongue along the sweet, sensitive spot where my neck met my shoulder. His touch was like wildfire, and I keened, my body alight with anticipation as he mouthed at me. My knees felt seconds away from buckling. I threw my arms around his neck so that I wouldn't fall to the floor. As though sensing my insatiability, he thrust his hips forward, pinning me in place between his body and the wall. "At the coffee shop," he mumbled against my neck. His words were gentle vibrations against my heated flesh that I could feel down to my knees. "At your family's party. Every time you touched my hand, smiled, and leaned over in that tiny fucking black dress.
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
She snorted. “I doubt it. Waxing hurts.” “I’d kiss it better afterward, babe. I promise. I’ll rake my teeth over the smooth skin and lick every inch of your sweet pussy all night long until you’re dizzy from coming and beg me to stop. Your folds will be so sensitive the smallest friction will set you off.
Elle Aycart (Heavy Issues (Bowen Boys, #2))
Jon was the first to cry out; having been brought to the edge so many times already, he was nearly feverish with his mounting pleasure when Baltsaros quickened his pace. He pulled his mouth away from Tom with a sob as he came hard. The pleasure crashed through him, making his body pulse in a hot, sweet wave that wrung mindless gasps and moans from him. Pressing his forehead against the man beneath him as he rocked his pelvis, Jon whimpered as the first mate’s lips and tongue milked his cock, and Baltsaros’s thrusts stroked the throbbing, sensitive spot inside him. Eyes closed, he panted against Tom’s hip for a few seconds, his lips spreading into a wide grin as he tried to catch his breath. When he was able to lift his head, Jon took Tom into his mouth again, and the first mate released him with a gasp. Tom’s fingers tightened around his waist as Jon forced his jaw wide around the first mate’s cock, taking in as much as he could before working at a fast rhythm. It seemed like only a few moments before Tom went rigid beneath him, a strangled cry heralding the yolky, bitter cum that pulsed hot over Jon’s tongue. Jon groaned around the cock in his mouth, swallowing down quickly as Baltsaros began to pound into him, his sharp growl loud over Tom’s panting as the captain shuddered with climax.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
Once upon a time, a boorish, brute for a detective walked into a salon owned by a sweet and sensitive man.
Aimee Nicole Walker (Dyed and Gone to Heaven (Curl Up and Dye Mysteries, #3))
I cannot marry you,” she told the clump of toadstools flourishing at its base. “I’m so terribly sorry. I should have told you years ago, but—” “For God’s sake, Cecily.” His soft laugh startled her, and she lifted her gaze. “You can’t do this, not yet. How can a lady refuse a man, when he hasn’t even proposed? I won’t stand for it.” “It’s not right, Denny. I’ve known for some time now that we wouldn’t . . . that I couldn’t . . .” He shushed her gently, placing his hands on her shoulders. “The truth is, we know nothing of what could be or would be. We’ve been delaying this conversation for years now, haven’t we? I’ve been waiting for . . . Well, I hardly know what I’ve been waiting for. Something indefinable, I suppose. And you’ve been waiting for Luke.” Her breath caught. Denny knew? Oh, dear. Perhaps she shouldn’t be so surprised. They’d grown up together. He’d known her longer than anyone. “Yes, of course I knew,” he said, as if reading her thoughts. “Why do you think I invited you both here, to my home? I wanted to know how matters stood between you.” “And how do they stand?” she asked, hoping he would understand her better than she knew herself. He sighed. “I know he has some strange hold on your heart. But I believe you’d be happier marrying me.” Cecily shook her head in disbelief. If she didn’t know better, she would think him working in concert with Luke. Their arguments were one and the same. “But, Denny . . .” She prayed these words would not hurt his pride overmuch. “But we don’t love one another, not in that way.” “Perhaps not. But you’ve been in love with Luke for four years now. Has it made you happy?” She had no answer to that. “And I’ll admit, bachelorhood is losing its charms for me.” Gently, he folded her hands in his. “I know there is no grand passion between us, Cecily. But there is genuine caring. Honesty. Respect. Lasting unions have been built on foundations far weaker than these. And in time, perhaps some deeper attachment would grow. We don’t know what could happen, if only we gave it a chance.” He brought her hands to his lips and kissed them warmly—first the knuckles, then each sensitive palm—before pressing them to either side of his face and holding them there. The sweetness in the gesture surprised her, as did the fond regard in his eyes. This was Denny’s face she held in her hands. Dear, familiar, uncomplicated Denny, with the dimple on his right cheek and the tiny pockmark on the other. She’d known this face since her childhood. Could she learn to see to him in a new light, as a husband? She did want children and companionship and a happy home—all the things Luke refused to offer her. She sighed. “I don’t know what to say.” “That’s all right. I’m not asking you to say yes, not right now. Just . . . don’t say no quite yet?” He smiled then, that crooked, endearing Denny smile. And he kissed her, still holding her hands pressed against his face. It was sweet. He tasted of tea and peppermint, and his lips felt soft and warm. Denny’s kiss was mild, tender. Comforting and comfortable. And it was wretchedly unfair to him, that even as he claimed her lips, her heart remained divided. She couldn’t stop comparing this kiss to Luke’s. It just wasn’t the same. “Do
Tessa Dare (How to Catch a Wild Viscount)
Lowering his hand to her belly, he pressed his palm against her spasm-stricken muscles and kneaded away the tightness. She felt like a sensitive harp string, thrummed by expert fingers. Horrified by her body’s reaction, she tried to twist free, but he threw a damp, buckskin-clad leg over both of hers and pinned her to the fur. Her back stung each time she moved, the pain so sharp it made beads of sweat pop out on her brow. Her thighs felt as if they were on fire. “M-mm-m, you are still hot,” he mumbled. His hand lingered on her belly. “Not too bad where the sun did not touch, though. The fever is better.” No man had ever dared touch her like this. She tossed her head from side to side, strained to get her arms and legs free, then shuddered in defeat. “Do not fight.” His voice was so close, it seemed to come from within her own mind. “You cannot win, eh? Rest.” His sleepy whispers invaded her whole being, slow, hypnotic, persuasive. He rubbed her in a circular motion, pausing in sleep, then coming awake to rub some more. “Lie still. Trust this Comanche. It is for the burn, no? To heal your skin.” As he slid his palm slowly downward, she realized she was slick with some kind of oil. Her heart drummed a sensual alto, off-key to the soprano shrills of fear emitted by her nerve endings. No, please, no. He molded his hand to the slight mound between her thighs, searching out its external softness, his fingertips undulating in a subtle manipulation that shot bolts of sensation to the core of her. Nuzzling her hair again, he sighed, his warm breath raising goose bumps on her neck. “Ah, Blue Eyes, your mother did not lie. You are sweet.” He gave the conjuncture of her thighs a farewell caress, then traced the curve of her hip with a hand that skimmed the painfully burned flesh there so lightly that she scarcely felt it. The pressure of his palm increased when it gained purchase on her ribs where the sun had not reached. His hand tightened its grip, squeezed, and released so rhythmically that it seemed to keep time with the strange, blood-pounding beat inside her. It was as if he had begun the rhythm within her, as if he somehow knew the thrusts, the lulls, better than she.
Catherine Anderson (Comanche Moon (Comanche, #1))
Loretta stared up at him, trying to assure herself that he was only bluffing. She had run away; now he meant to teach her a lesson. Once he felt vindicated, he would be the same sweet, gentle Hunter he had always been. She kept right on telling herself that until he crouched beside her and jerked up her overblouse to rudely expose her breasts. Her breath snagged as his fingers plucked the tip of one nipple into throbbing hardness. The moonlight played upon his face, revealing the taut anger in his expression. “Ah, yes, this is the way of it, eh? A heathen and his woman?” His face twisted in a sneer as he rolled her sensitive flesh between his finger and thumb, sending shocks of sensation shooting into her belly. “Hunter, the one who rapes and tortures? That is me.” Abandoning her breast, he rocked back on his heels and jerked up her skirt. “This is very good, Blue Eyes. The animal in me likes having you tied.” With that, he stretched out beside her. Even in her turmoil, Loretta heard an echo in every word he spoke. Looking into his eyes, she knew how deeply her leaving had hurt him.
Catherine Anderson (Comanche Moon (Comanche, #1))
Ah, yes, this is the way of it, eh? A heathen and his woman?” His face twisted in a sneer as he rolled her sensitive flesh between his finger and thumb, sending shocks of sensation shooting into her belly. “Hunter, the one who rapes and tortures? That is me.” Abandoning her breast, he rocked back on his heels and jerked up her skirt. “This is very good, Blue Eyes. The animal in me likes having you tied.” With that, he stretched out beside her. Even in her turmoil, Loretta heard an echo in every word he spoke. Looking into his eyes, she knew how deeply her leaving had hurt him. Propping himself up on an elbow, he planted a hand on her abdomen and lowered his head to brush his lips across her temple. Her belly convulsed as his fingers began a subtle manipulation, charging her senses, making her skin tingle, in a relentless path toward her breasts. “I will be cruel, yes? And make you weep rivers of tears while I play my games. It will be good, very good.” His mouth touched hers, teasingly light. His hand cupped her breast. Silhouetted against the moon-silvered sky, he was a black outline, his broad shoulders a threatening wall, his long hair drifting in a silken curtain around her. Nightmare or dream? He continued to whisper--saying terrible things, cruel things, taunting her with what was yet to come, living up to all her worst expectations. But his touch was that of a lover, as sweet and magical, as patient and gentle, as the last time they had been together. She knew he had tied her only to prove a point, that no matter what the circumstances, no matter how angry he might become, he would never harm her. “Oh, Hunter, I’m sorry,” she said on the crest of a sob. “I didn’t mean to hurt you like this. I didn’t mean to hurt you.” “You rip my heart out and it should not hurt?” His teeth closed on her earlobe, nipping lightly, sending shivers over her skin. “You spit upon all that I am, and it should not hurt? You abandon me, you dishonor me, and it should not hurt?
Catherine Anderson (Comanche Moon (Comanche, #1))
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
We landed heavily on the sand. I threw off Khyber’s embrace. “I can walk by myself.” “Good. You’re heavier than usual. How does a girl manage to put on weight on a deserted island?” “I’m just trying to keep you in shape,” I replied sweetly. “Your tiny, pale-ass arms aren’t impressing anyone.” “Sensitive, are we?” But when a tree-sized stalagmite barred our way, Khyber swiftly strode forward to snap it in two. I laughed and brushed past him. “I’m not the only one.
Heather Heffner (Year of the Dragon (Changeling Sisters, #3))
The Heart's Pleasure We are born with this need to cry our naked cry inside each other. We are so shy about our sexuality that we often miss the quiet teachings that overcome us in moments of true intimacy. The deep intensity of sensitivity during orgasm, for instance, is a sweet paradox in how we all cherish that moment and want to return there, over and over, and yet none of us can endure that ecstasy for very long. This heightened moment reveals a great deal to us about both our very human limitations and our deepest moments of being alive. It is not by chance that we feel compelled to be naked and vulnerable in the presence of another, that despite all our fears and defensive styles, we want to be held and touched completely just at the moment when we are unbearably sensitive. This is the heart's definition of pleasure, and though we need this moment of exposure and release to feel complete, we also must accept that we cannot bear it for very long. This is why the cries of ecstasy and agony often sound the same. That we need to feel such complete sensitivity and vulnerability in union with another is proof that no one can live this life alone. In this way, true intimacy cannot happen without trust. When we let our bodies become this sensitive while holding back the heart, we forego ecstasy and experience its smaller echo, climax. In actuality, this moment of ecstasy, of holding nothing back, can be experienced not just during sex, but in the being and doing and truth telling of all our relationships—in the ecstatic moment when we allow ourselves to be completely revealed and held at the same time. In this daring and fragile moment, the heart rehearses all its gifts: being who we really are, holding nothing back, trusting another, being complete, and witnessing the completeness of another. This is a meditation on intimacy to be shared with a loved one. Sit facing each other and breathe slowly until you find a natural common rhythm. Maintain eye contact and gently hold each other's face. Trace each other's features slowly and lightly with your fingertips, letting the walls between you thin.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)