Mouth Mask Quotes

I'm Draco Malfoy, I'm Draco, I'm on your side!" Draco was on the upper landing, pleading with another masked Death Eater. Harry Stunned the Death Eater as they passed: Malfoy looked around, beaming, for his savior, and Ron punched him from under the cloak. Malfoy fell backward on top of the Death Eater, his mouth bleeding, utterly bemused. "And that's the second time we've saved your life tonight, you two-faced bastard!" Ron yelled.

I'd thought once, actually, of taking your mind, if you asked. I'd thought I could help you fall asleep at night." He opened his mouth to say something. Shut it again. His face closed for a moment, his unreadable mask falling into place. He spoke softly. "But that wouldn't be fair; for after I slept you'd be left awake, with no one to help you sleep.

Blood filled my mouth, warm as it dribbled out between my lips. I gazed at Tamlin's masked face one last time. "Love," I breathed, the world crumbling into a blackness with no end. A pause in Amarantha's magic. "The answer to the riddle...," I got out, chocking on my own blood, "is... love." Tamlin's eyes went wide before something forever cracked in my spine.

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

There are boys you look at and want to touch with your mouth, and there are boys you look at and want to wear one of those surgical masks everyone in China had during bird flu. There are a lot more bird-flu boys at large.

Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.

Uh-oh,' said Gazzy, but Angel was so nauseated she didn't have time to leap to a safe distance, or grab a gas mask Bbbbbrrrrrrrttthhhhhhttttttt. 'Mother of God, no!' Total cried, doing a fast belly-crawl to the pool and throwing himself in. 'You said it wasn't your digestive system!' 'What was that?' Dylan asked. He winced and threw an arm oer his nose and mouth. ... 'Sorry,' Gazzy said miserably, but he couldn't help a tiny grin. Nudge was clawing at a stack of towels to cover her face. 'Nice one, Gaz,' said Iggy. ... 'Wait-that was Gazzy? Is that why you call him...Oh, crap,' Dylan said weakly.

What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure. "What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?" But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me - The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine. Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.

We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!

I felt the mask crumple, the great poisonous store of corrosive ashes begin to spew out of my mouth.

What am I to you?” I lean back into him, pursing my mouth at the question. “The oxygen mask”—I glance back at him—“that falls down from the ceiling of the planes.

...Why are all these masks winking?" Jason pointed around the room with his fork. The loremaster dabbed at his mouth with a frilled purple napkin. "One eye is open to all truth, the other closed to all deception.

You shut up!You speak too much for someone who always keeps his mouth hidden behind a mask!

We would’ve told her that all together, we got centuries on her. If we laid all our lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. That littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more. —

Look at that ugly dead mask here and do not forget it. It is a chalk mask with dead dry poison behind it, like the death angel. It is what I was this fall, and what I never want to be again. The pouting disconsolate mouth, the flat, bored, numb, expressionless eyes: symptoms of the foul decay within.

Do you care about your image?' Even as the words were coming out of my mouth, I was mentally kicking myself. He'd been kidding around, and meanwhile I sounded like an afternoon special. But he didn't seem to mind. 'Sure. It's my armor.' 'Your what?' The WALK sign flashed, and he put a hand on my elbow as we crossed the street. And yes, even that faint pressure on that small spot made my entire arm tingle. 'My armor. You know. Self-protective camouflage. Everybody has an armor. Even you, I bet, even though I still haven't figured out what form yours takes.

Absolute confidence, absolute arrogance: her best shields and most beloved masks. “I hope His Majesty has a decent spread of food for me to eat while I’m being interrogated.” “Watch your mouth or the only thing you’ll be eating is hot coals.” “Do you actually make people do that?” His eyes narrowed. “What kind of person do you take me for?” “You are the Captain of the Guard of the most powerful man in the world. Wyrd knows what horrible things you’ve done to people.” “You must be nervous as hell if you’re resorting to taunting me.

Sanya told you about his beliefs.' I felt the corners of my mouth start to twinge as another smile threatened. 'Yeah.' Shiro let out a pleased snort. 'Sanya is a good man.' 'I just don't get why he'd be recruited as a Knight of the Cross.' Shiro looked at me over the glasses, chewing. After a while, he sad, 'Man sees faces. Sees skin. Flags. Membership lists. Files.' He took another large bite, ate it, and said, 'God sees hearts.

With the suddneness of a cat leaping upon its prey, he leaned forward and caught up her wrist. "Tread lightly, Miranda Fair." His thumb moved lightly over her fluttering pulse, as she stared with her mouth assuredly hanging open in shock, her heart beating furiously within her breast."You know, it's never wise to tempt the devil." His gaze lowered to her hand, still locked in his grip, her fingers glistening with pear juice. "Had I not this mask, I should be of a mind to suck that juice right off of your fingers.

Are the Trials starting?” The girl claps her hands over her mouth. “I'm sorry,” she whispers. “I—” “It's all right.” I don't smile at her. It will only scare her. For a female slave, a smile from a Mask is not usually a good thing. “I'm actually wondering the same thing. What's your name?” “S-slave-Girl.” Of course. My mother would already have scourged her name out of existence. “Right. You work for the Commandant?” I want her to say no. I want her to say that my mother roped her into this. I want her to say she's assigned to the kitchens or infirmary, where slaves aren't scarred or missing body parts. But the girl nods in response to my question. Don't let my mother break you, I think. The girl meets my eyes, and there is that feeling again, low and hot and consuming. Don't be weak. Fight. Escape. A gust of wind whips a strand free from her bun and across her cheekbone. Defiance flashes across her face as she holds my gaze, and for a second, I see my own desire for freedom mirrored, intensified in her eyes. It's something I've never detected in the eyes of a fellow student, let alone a Scholar slave. For one strange moment, I feel less alone. But then she looks down, and I wonder at my own naiveté. She can't fight. She can't scape. Not from Blackcliff. I smile joylessly; in this, at least, the slave and I are more similar than she'll ever know.

This was a face such as I had never seen before, even in the most fanciful of dreams, a face that was, in its way, a work of art. For it was light and dark, night and day, this world and the Otherworld. On the left side, the face of a youngish man, the skin weathered but fair, the eye gray and clear, the mouth well formed if unyielding in character. On all the right side, extending from an undrawn mark down the exact center, an etching of line and curve and feathery pattern, like the mask of some fierce bird of prey. An eagle? A goshawk? No, it was, I thought, a raven, even as far as the circles about the eye and the suggestion of predatory beak around the nostril. The mark of the raven. If I had not been so frightened, I might have laughed at the irony of it. The pattern extended down his neck and under the border of his leather jerkin and the linen shirt he wore beneath it. His head was completely shaven, and the skull, too, was colored the same, half-man, half-wild creature; some great artist of the inks and needle had wrought this over many days, and I imagined the pain must have been considerable.

There are speckles of paint in his hair and ears and eyebrows, but the mask has protected the rest of his face. I look away when his clean mouth talks.

He shuffled up to the stake and examined the impaled, naked, dead man. The stake entered his anus and protruded through his gaping mouth, his death mask frozen in a look of horror.

I knew you were something special, and I wasn’t going to take the chance that I’d only get a taste. I knew that once I did, I’d be addicted. That I’d have to have more. I needed you to be as off balance as I was.” I kissed the corner of her mouth. “And it worked.

I will tell you about the lady I loved." The girls settled together on the entrance steps, not even breathing, for fear it would rustle the rosebushes about them and mask Mr. Keeper's words. Mr. Keeper stood unmoving on the dance floor. "Once upon a time," he said. His voice dripped in silk strands. "There was a High King, who wanted more than anything to kill the Captain General who incited a rebellion against him. It consumed him. The desire to kill the Captain General filled him to his core, and he spent every breath, every step, thinking of ways to murder the Captain General. "But he was old, and time passed, as it always does." Mr. Keeper paused. Bramble cast a slightly bemused glance at Azalea, her eyebrow arched. "So," Mr. Keeper continued, "he took an oath. He filled a wine flute to the brim with blood. And he swore, on that blood, to kill the Wentworth General, and that he would not die until he did. "And then, he drank it. "The end." There was a very ugly, naked silence after that. The girls' mouths gaped in perfect Os. "Sorry?" said Delphinium. "I missed the part about the lady?" "Ah," said Mr. Keeper. "The blood. It was hers.

the world I’ve lived in wears masking tape over its mouth.

It was called ‘We Wear the Mask’, by Paul Laurence Dunbar. I transcribed the first stanza and then started jotting down my reaction to it. We wear the mask that grins and lies, It hides our cheeks and shades our eyes,— This debt we pay to human guile; With torn and bleeding hearts we smile, And mouth with myriad subtleties. I used to wear masks so subtle I barely noticed them. A compliment to my mother after a dismal meal, a smile at my best friend when she sang out of tune, a forced laugh at my uncle’s bad jokes. I wore small masks that came and went, like fleeting expressions. I am stuck inside the mask I wear now. I want to rip it off. I want to show my scars to the world, to unveil the ugliness that breathes inside me. I want to be unashamed. I want to be unafraid. But every day the mask gets tighter, and I suffocate a little more. I stopped writing.

We need to mask your scent.” If stranger words had come out of his mouth, she hadn’t heard them. But then it clicked. “The thing can smell me.” And it did get a good whiff at the house

We wear the mask that grins and lies. It shades our cheeks and hides our eyes. This debt we pay to human guile With torn and bleeding hearts… We smile and mouth the myriad subtleties. Why should the world think otherwise In counting all our tears and sighs. Nay let them only see us while We wear the mask.

Here one comes upon an all-important English trait: the respect for constituitionalism and legality, the belief in 'the law' as something above the state and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible. It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like 'They can't run me in; I haven't done anything wrong', or 'They can't do that; it's against the law', are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney's Walls Have Mouths or Jim Phelan's Jail Journey, in the solemn idiocies that take places at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a 'miscarriage of British justice'. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory. An illusion can become a half-truth, a mask can alter the expression of a face. The familiar arguments to the effect that democracy is 'just the same as' or 'just as bad as' totalitarianism never take account of this fact. All such arguments boil down to saying that half a loaf is the same as no bread. In England such concepts as justice, liberty and objective truth are still believed in. They may be illusions, but they are powerful illusions. The belief in them influences conduct,national life is different because of them. In proof of which, look about you. Where are the rubber truncheons, where is the caster oil? The sword is still in the scabbard, and while it stays corruption cannot go beyond a certain point. The English electoral system, for instance, is an all but open fraud. In a dozen obvious ways it is gerrymandered in the interest of the moneyed class. But until some deep change has occurred in the public mind, it cannot become completely corrupt. You do not arrive at the polling booth to find men with revolvers telling you which way to vote, nor are the votes miscounted, nor is there any direct bribery. Even hypocrisy is powerful safeguard. The hanging judge, that evil old man in scarlet robe and horse-hair wig,whom nothing short of dynamite will ever teach what century he is living in, but who will at any rate interpret the law according to the books and will in no circumstances take a money bribe,is one of the symbolic figures of England. He is a symbol of the strange mixture of reality and illusion, democracy and privilege, humbug and decency, the subtle network of compromises, by which the nation keeps itself in its familiar shape.

He checked her over while mentally checking himself. “Environment suits sealed up. Breather masks in hand. Daemons. Blades. Transmitters. Healthy respect for the adversary—you’ve got that, right?” One corner of her mouth curled up. “Absolutely.

I can’t seem to wipe away the blood. I rub my hands against my nightgown, but traces of the red remain, staining the lines of my palms and the crescents beneath my fingernails. I wipe harder, gathering and bunching the soft cotton inside my fists. The fabric has been slit up the center and for a moment I worry that I’ve been cut, that maybe the blood is my own. I try to ask what’s happening, but there’s a mask over my mouth and nose. Suddenly it hits me—I’m in an ambulance. I don’t remember how I got here.

My mouth kept running without checking in with my brain. My heart maybe, but not my brain.

What you do to me, Julia, your fucking sassy mouth, your tight little body... I want to make you do such bad things.

Andrew's mouth gave a violent twitch, a grimace he forcibly repressed, and he finally looked up. The darkness in his stare almost took Neil's breath away. Fast on the heels of shock was a bolt of triumph. Andrew had been back from Easthaven for almost two weeks, and this was the first sign that there was anything real going on behind that blank mask. Neil would have preferred to see the real Andrew under safer circumstances, but knowing he could be reached was a desperate relief. "Fuck you," Andrew said. The edge in his voice had every hair on Neil's arm standing on end. Neil held Andrew's stare, silently daring that anger to break against him instead of Allison.

Andrea was never sure who leaned forward first, but she was melting toward him and, next thing she knew, felt the scalding pressure of Sean's mouth on hers. He kissed her with strength, barely masking his power, and Andrea closed her eyes and drank it in. His hand stole to the back of her neck, arching her up to savor more of her. "Come inside with me," he whispered against her mouth....

He'd caught only a few brief glimpses of her without the mask over the course of the day, but he could see her clearly now, an outrageously beautiful woman who vibrated with energy. With her dark hair now an unbound mass of curls falling softly around her shoulders, full mouth curved in a smile, dark eyes sparkling, she was the kind of woman who stirred a man's blood. He couldn't tear his gaze away.

How many are we talking about? What percentage of females in Chicago are ready to have sex with you right now? What happens if one of them needs to travel? Do they have a phone tree? Is there a coverage plan or a backup plan for emergencies?” Quinn covered the bottom half of his mouth with his free hand, too late to mask the smile, his shoulders started shaking with silent laughter. I continued, feeling a little better knowing that he was able to laugh at himself, “Is there entry criteria? An established search committee? An interview process? Skills test? What kind of radius do you require? Do you have one circling the block now? Do you always keep one nearby? Was there one at the restaurant? At the bar maybe?

By now it was too late to call St. Jude. He chose an out-of-the-way patch of airport carpeting and lay it down to sleep. He didn't understand what had happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached and worn out along the fold lines. He semi-dreamed of disembodied eyes and isolated mouths in ski masks. He'd lost track of what he wanted, and since who a person was was what a person wanted, you could say that he'd lost track of himself.

People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

She pushed and elbowed and knocked and strained to catch him, and finally, she did, reaching out for his hand--adoring the fact that neither of them wore gloves, loving the way their skin came together, the way his brought wonderful heat in a lush, irresistible current. He felt it too. She knew it because he stopped the instant they touched, turning to face her, grey eyes wild as Devonshire rain. She knew it because he whispered her name, aching and beautiful and soft enough for only her to hear. And she it because his free hand rose, captured her jaw and titled her face up to him even as he leaned down and stole her lips and breath and thought in a kiss that she would never in her lifetime forget. The was like food and drink, like sleep, like breath. She needed it with the same elemental desire and she cared not a bit that all of London was watching. Yes, she was masked, but it did not matter. She would have stripped to her chemise for this kiss. To her skin. Their fingers still intertwined, he wrapped their arms behind her back and pulled her to him, claiming her mouth with lips and tongue and teeth, marking her with one long luscious kiss that went on and on until she thought she might die from the pleasure of it. Her free hand was in his hair then, tangling in the soft locks, loving their silky promise. She was lost, claimed and fairly consumed by the intensity of the kiss, and for the first time in her life, Pippa gave herself up to emotion, pouring every bit of her desire and her passion and her fear and her need into this moment This caress. This man. This man, who was everything she had never allowed herself to dream she would find. This man, who made her believe in friendship. In partnership.. In love

He watched her for her reaction, or possibly watched her just to watch, his eyes hooded by his lashes and his mouth impassive. A faceless man—such as the one she had dreamed of since she was a child—his identity not obscured by mist or flying sand or swirling dust, but by a mask he readily employed whenever he wished. As a shutter closed against a gale. Closed against her, no matter the impact of his words. He seemed to speak them against his will, just as he seemed to care for her against his will.

A warm, ragged breath disturbed the hairs on my forehead, and my blood began pricking as I realized where exactly I had retreated: right into Mr. Braddock, our strange connection humming through the hairsbreadth of distance between our bodies, our faces. I froze, forcing myself to stop shoving against him further. Before I understood anything, a rough, large hand brushed my chin, my face tipped upwards, and his mouth caught mine, and suddenly my entire body was on fire. Whatever odd sensation had thrummed between us before was just the stroke of a violin bow to this clash of an orchestra. I felt the world pass between our lips, tasting champagne, hunger, and something indefinably darker, while his hand ignited sparks down my cheek to the nape of my neck. He wrapped an arm around my waist, pulling me closer, forcing that elusive essence to run deeper than my skin, deeper than my veins, until my very bones vibrated.

My name, among our people, means ‘slow arrow.’ It comes from a story in which the god Fen’Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen’Harel how he would save them, and he said to them, ‘When did I say that I would save you?’ And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen’Harel had loosed fell from the sky into the great beast’s mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen’Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed.

Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.

Mia looks down at my outstretched hands, opens her mouth to say something, and then she just sighs. Her face hardens into a mask as she reaches out her own hand to take mine. The tremor in my hand has become so normal, so nonstop, that it's generally imperceptible to me. But as soon as my fingers close around Mia's, the thing I notice is that it stops and suddenly it goes quiet, like when the squall of feedback is suddenly cut when someone switches off an amp. And I could linger here forever. Except this is a handshake, nothing more.

Paths of the mirror" I And above all else, to look with innocence. As if nothing was happening, which is true. II But you, I want to look at you until your face escapes from my fear like a bird from the sharp edge of the night. III Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain. IV Like when a flower blooms and reveals the heart that isn’t there. V Every gesture of my body and my voice to make myself into the offering, the bouquet that is abandoned by the wind on the porch. VI Cover the memory of your face with the mask of who you will be and scare the girl you once were. VII The night of us both scattered with the fog. It’s the season of cold foods. VIII And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole, I drank, I remember. IX To fall like a wounded animal in a place that was meant to be for revelations. X As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot. Inside, the wind. Everything closed and the wind inside. XI Under the black sun of the silence the words burned slowly. XII But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone. There’s somebody here shivering. XIII Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence. That’s why I speak. XIV The night is shaped like a wolf’s scream. XV Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am. Migrant of myself, I’ve gone towards the one who sleeps in a country of wind. XVI My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself. XVII Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn. XVIII Yellow flowers constellate a circle of blue earth. The water trembles full of wind. XIX The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body, I have to return to my mourning bones, I have to understand what my voice is saying.

So Miss Curdy said I had to be punished. She gave me a choice of punishments. One: I could come into the gym after school every day and inflate all the basketballs — by mouth — until my head exploded. Or two: I could coach the first-grade soccer team. I chose number two. The wrong choice.

Gray Donohue was a fierce and hungry beast.His hair was wild,his eyes narrowed,his face contorted into a mask of diabolical intensity.And then that face descended on hers and his mouth claimed her in a ravenous kiss.As his cock worked in and out of her pussy,as his tongue fucked the inside of her mouth,Dillon knew this was something beyond what she was capable of,beyond what her tiny scrap of an unbeating heart could ever hold on to.

The habits of Franciscan nuns still shrouded all but their faces, and so each of the new nun's features were emphasized, read forty times over in astonishment. Outlined in a stiff white frame of starched linen, Sister's eyes, nose, and mouth leapt out, a mask from a dream, a great raw-boned jackal's muzzle.

People with such a visible, flagrant childhood both inside and out are called children, and you can treat them any way you like because there’s nothing to fear from them. They have no weapons and no masks unless they are very cunning. I am that kind of cunning child, and my mask is stupidity, which I’m always careful not to let anyone tear away from me. I let my mouth fall open a little and make my eyes completely blank, as if they’re always just staring off into the blue. Whenever it starts singing inside me, I’m especially careful not to let my mask show any holes. None of the grownups can stand the song in my heart or the garlands of words in my soul. But they know about them because bits seep out of me through a secret channel I don’t recognize and therefore can’t stop up.

I'm more dangerous than you think,' I flat-out bluster. 'So I see. I'm quaking in my boots.' The corner of his mouth rises in a mocking smile. Fucking. Asshole. I flip the daggers in my hand, pinching them at the tips, then flick my wrists and fire them past his head, one on each side. They land solidly in the trunk of the tree behind him. 'You missed.' He doesn't even flinch. 'Did I?' I reach for my last two blades. 'Why don't you back up a couple of steps and test that theory?' Curiosity flares in his eyes, but it's gone in the next second, masked by cold, mocking indifference. Every one of my senses is on high alert, but the shadows around me don't slide in as he moves backward, his eyes locked with mine. His back hits the tree, and the hilts of my daggers brush his ears. 'Tell me again that I missed,' I threaten, taking the dagger in my right hand by the tip. 'Fascinating. You look all frail and breakable, but you're really a violent little thing, aren't you?' An appreciative smile curves his perfect lips as shadows dance up the trunk of the oak, taking the form of fingers. They pluck the daggers from the tree and bring them to Xaden's waiting hands.

The AIDS pandemic forced humans to cover their genitals with condoms. The COVID-19 pandemic is forcing them to put on masks. It is as if many people weren’t already going through life putting on a million masks and changing them based on convenience and self-interest. It is as if countless humans on this planet weren’t already forced to keep their mouths shut and endure the misfortunes imposed on them by the ‘fortunate’ few. I wonder which body part we will be forced to cover next. I wonder if, in the first place, all of this is happening because our eyes were covered all along. Are we heading to a time when staying safe becomes akin to a death sentence with stay of execution?

Margherita stared at the mask. It was painted bright yellow and marked with little copper-colored circles to suggest florets. White petals streaked with gold radiated out in all directions. Long golden eyelashes fringed the eye slits, and the mouth was painted as a big happy smile. 'La sua bella,' she whispered, her lisp more pronounced than ever.

Flute Notes from a Reedy Pond" Now coldness comes sifting down, layer after layer, To our bower at the lily root. Overhead the old umbrellas of summer Wither like pithless hands. There is little shelter. Hourly the eye of the sky enlarges its blank Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases, The lamp-headed nymphs are nodding to sleep like statues. Puppets, loosed from the strings of the puppetmaster Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed, And how a god flimsy as a baby's finger Shall unhusk himself and steer into the air.

Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low. Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts. “How are you, Raphael?” asked Magnus. “Annoyed,” said Raphael. “As usual.” “I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.” There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn. “Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?” Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother. Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back. Ragnor Fell. Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back. There must have been very few people in Raphael’s life he’d ever counted as friends. “I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.” Magnus inclined his head with a slight smile. “Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?” Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.” “I’m undead,” said Raphael. “What about joie de unvivre?” Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed. “Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.” “What problem? Are you in trouble?” asked Raphael. “Nothing I can’t handle,” said Magnus. “Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.” “Take care of yourself, Raphael,” said Magnus. Raphael waved a dismissive hand over his shoulder. “I always do.

The mad scientist is going to chase you around with a hypodermic needle, Gregori," she teased. Gregori lifted an eyebrow, his face an unreadable mask,the pale eyes glittering with more than menace. White teeth flashed,a baring of fangs. "Maybe not," Gary conceded. "Not the best idea after all." Savannah was up and moving with hersensuous grace to fit herself beneath Gregori's shoulder. She looked impossibly small next to the big Carpathian, delicate, fragile even. It wasn't so much Gregori's height but the rippling muscles, the thickness of his arms and chest, and the power emanating from him. Her face was turned up toward his, her soft mouth curved with laughter, in no way intimidated by him. Gregori's arm swept around her and crushed her to him, nearly enveloping her completely. "She thinks I am going to take her on this ridiculous vampire hunt." "She's right,too,isn't she?" Gary grinned at him. "Unfortunately," Gregori admitted.

He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.

I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.

Lupe was upset that the Japanese honeymooners were wearing surgical masks over their mouths and noses; she imagined the young Japanese couples were dying of some dread disease—she thought they’d come to Of the Roses to beg Our Lady of Guadalupe to save them. “But aren’t they contagious?” Lupe asked. “How many people have they infected between here and Japan?” How much of Juan Diego’s translation and Edward Bonshaw’s explanation to Lupe was lost in the crowd noise? The proclivity of the Japanese to be “precautionary,” to wear surgical masks to protect themselves from bad air or disease—well, it was unclear if Lupe ever understood what that was about.

His habitual melancholy was changing day by day into something more sinister. There were moments when he would desecrate the crumbling and mournful mask of his face with a smile more horrible than the darkest lineaments of pain. Across the stoniness of his eyes a strange light would pass for a moment, as though the moon were flaring on the gristle, and his lips would open and the gash of his mouth would widen in a dead, climbing curve

I reached up to touch his mask. It was so cold, despite how flushed his skin was just beyond it. My hand shook, and my breathing became shallow as I grazed the skin of his jaw. It was smooth—and hot. He wet his lips, his breathing as uneven as my own. His fingers contracted against the plane of my lower back, and I let him tug me closer to him—until our bodies were touching, and the warmth of him seeped into me. I had to tilt my head back to see his face. His mouth was caught somewhere between a smile and a wince. “What?” I asked, and put a hand on his chest, preparing to shove myself back. But his other hand slipped under my hair, resting at the base of my neck. “I’m thinking I might kiss you,” he said quietly, intently. “Then do it.” I blushed at my own boldness. But Tamlin only gave that breathy laugh, and leaned in. His lips brushed mine—testing, soft and warm. He pulled back a little. He was still staring at me, and I stared right back as he kissed me again, harder, but nothing like the way he’d kissed my neck. He withdrew more fully this time and watched me. “That’s it?” I demanded, and he laughed and kissed me fiercely. My hands went around his neck, pulling him closer, crushing myself against him. His hands roved my back, playing in my hair, grasping my waist, as if he couldn’t touch enough of me at once.

What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me. "The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. "You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message... That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.

Their wet cold faces, her shapeless nose and his grotesque hooked nose like the caricature-mask of a Roman soldier, their large, contorted, abnormal mouths, made, it might seem, more for anguished curses against God than for the sweet usage of lovers, were now pressed savagely against each other and, as they kissed, queer sounds came from both their throats, that were answered by the groanings of the tree and by the raindrops as the wind shook it.

Oh, by the way," Coop announces as he weaves his DeathBot ship through a barrage of space debris on his laptop screen. "In case you didn't know. It's national 'That's What She Said' Day." I give him a thumbs-up. "I like it." We're camping out in Sean's backyard tonight. It's another one of our traditions. One night, every summer, we buy a ton of junk food and energy drinks and set up Sean's six-person tent in the far corner of his yard. We've got an extension cord running from the garage so that we can rough it in style, with computers and a TV and DVD player. There's a citronella candle burning in the middle of the tent to ward off mosquitoes and to mask the thick stink of mildew. Everyone's brought sleeping bags and pillows, but we aren't planning on logging too many Zs. Sean enters the tent carrying his Xbox. "I don't think there are enough sockets for all of these." I waggle my eyebrows at Coop. "That's what she said." Coop busts up. Sean stands there, looking confused. "I don't get it." "That's what she says," Coop says, sending him and me into hysterics. Sean sighs and puts the Xbox down. "I can see this is going to be a long night." "That's what she said," me and Coop howl in chorus. "Are you guys done yet?" Coop is practically in tears. "That's what she said." "Okay. I'll just keep my mouth shut," Sean grumbles. "That's what she said." I can barely talk I'm laughing so hard. "Enough. No more. My cheeks hurt," Coop says, rubbing his face. I point at him. "That's what she said." And with that, the three of us fall over in fits. "Oh, man, now look what you made me do." Coop motions to his computer. "That was my last DeathBot ship." "That's what she said," Sean blurts out, laughing at his nonsensical joke. Coop and I stare at him, and then silmultaniously, we hit Sean in the face with our pillows.

I felt Thomas studying me but no longer had the urge to mask my expression as I used to. He opened his mouth, then shut it, causing me to puzzle over what he might have said. Perhaps he’d grown as weary of having the same debate. I didn’t wish to tell anyone of our eventual betrothal until we’d spoken to my father. Thomas saw it as hesitancy on my part, a notion so ridiculous I refused to acknowledge it at all. We simply did not have the luxury of time to visit with Father and inform him of our intentions while we raced to the ship, as much as I wanted to. There wasn’t any part of me that didn’t long to be with him forever. After everything we’d been through over the last month, I thought he’d know that. A moment later, he wrapped an arm around my shoulders and tugged me near, safe in his indiscretion, since we were alone on the freezing deck. I relaxed into his embrace, letting the warmth of his body and the scent of his cologne comfort me. “I cannot promise all will be well, Audrey Rose.

We would've told her that all together, we got centuries on her. If we laid out all lives toes to heel, we were born before the Depression, the Civil War, even America itself. In all that living, we have known men. Oh girl, we have known littlebit love. The littlebit of honey left in an empty jar that traps the sweetness in your mouth long enough to mask your hunger. We have run tongues over teeth to savor that last littlebit as long as we could, and in all our living, nothing has starved us more.

Kiaran tosses me his coat. “Here. There’s a roll of bread for you in the inner pocket. You need to eat something.” The bread is wrapped in leaves that kept it dry. I gratefully murmur my thanks that Kiaran is so practical. Between the Morrigan’s attacks and worrying over the Book, I didn’t even notice how famished I was. Kiaran gathers wood for a fire and I light it with my powers. A small bit of energy I’m willing to risk because I’m so bloody tired and I’ve never seen Kiaran look this rough, either. Now you know how I feel, I think wryly as I move to sit near the flames. No invulnerable, shining fae skin. No immediate healing. Just the deep bone-tiredness of mortality. Kiaran sits opposite, as far from me as possible. The scent of burning wood must mask the scent of my blood, at least a little. His eyes flicker to me in a quick, controlled assessment. “Your wounds need binding.” I can’t help but smile. “First the bread, now my wounds. Is this the Kiaran MacKay way of fussing over someone?” “I don’t fuss,” Kiaran says. “I give stern instructions, like: Bind your goddamn wounds.” “I don’t like overbearing men.” His mouth quirks into a sly smile. “And yet I love assertive, stubborn women.” I laugh in surprise. “God, I adore you.

I turned back to the shrike, but the beak of his mask grazed up my neck and warm lips brushed my ear. Thrills coursed through me, but I didn't move until he started away. I caught his hand. "Wait." He'd felt right. I knew who I needed him to be, even if the way we'd danced was not how- That kind of passion he reserved for music. Not me. A cold breeze made me shiver as I tightened my grip on his. Stepped closer. Searched his eyes. His lips tilted up at one corner, like amusement. I'd known, but still, the familiar expression stunned me so much I almost didn't act. I kissed him. Rather, I pressed my mouth against his and hoped he wouldn't run. It would probably kill me. Three long seconds and he only gasped and tightened his hands on my back. Then, with a soft moan, he opened his mouth and kissed me. It wasn't an easy, sweet kiss like I'd imagined my first would be, but frustraeted and hungry. That was good, better than easy and sweet, because after everything, I was frustrated and hungry for him, too. His beak scraped my cheek, but I ignored it while the tip of his tongue danced over my lips.

As delightful as Dr. Gibson is, she doesn't have the makings of a farmwife." Ethan's brows lifted. "Are you thinking about taking a wife?" West shrugged. "The nights can be long and quiet in the country," he admitted. "If I found a woman who was an interesting companion and attractive enough to bed... yes, I'd consider marrying her." He paused. "Better yet if she were educated. A sense of humor would be icing on the cake. Red hair isn't a requirement, but I do have a fatal weakness for it." West's mouth twisted with a self-mocking grin. "Of course, she'd have to be willing to overlook the fact that I was an undisciplined and obnoxious swill-tub until about three years ago." A nearly imperceptible look of bitterness flashed across his face before he masked it. "Who is she?" Ethan asked softly. "No one. An imaginary woman." Averting his gaze, West used the toe of his boot to flick a loose pebble to the side of the drive. "Who happens to despise me," he muttered. Ethan regarded him with sympathetic amusement. "You might be able to change her opinion." "Only if I could travel back in time and beat my former self to a pulp.

Clasped in his arms like some dead dancing partner was a bloated, festering corpse, a seaweed tangle of hair swirling around a fright mask of a face, ragged clothing hanging to an almost entirely skeletal frame. David could almost hear mocking laughter issuing from the cavernous, busted hole mouth, and feel grasping bony fingers clinging to him, as the scream began to bubble out of him into the water. He dropped it and felt what was left of the bloated water-logged flesh began to come easily away from the bone. From 'In the Darkest Hour'-as yet unpublished full length

Roll toward me,” she directed and leaned close to reach around him as he complied. Easing the bandage away from the wound on his back, she pushed it as far beneath him as she could before sponging the dried blood from his back. The basin of tepid water had been placed on the bed beside him, and as he lay flat she reached across to wring the cloth out. In the next moment his left hand rose and pressed lightly between her shoulders, causing her to fall toward him until he could capture her lips with his own. Off balance, she could not immediately withdraw and was held snared by a torrid kiss that torched her cool-minded resolve and cindered it beneath the heat of his demand. His open mouth moved upon hers with a hunger that greedily sought for a like response. The stirring rush of excitement flared through her, and the need was there to answer him, but the sudden intrusion of a black, staring mask into her mind made her push away with a sudden gasp. She came to her feet, her cheeks ablaze with the shame of her own ardor. Christopher challenged her with a mocking grin. “You must have read my mind, madam. ’Twas the very gift I desired.” -Erienne & Christopher

You need to choose,” he told me intently. “Adam or Samuel or neither. But you can’t keep them dangling.” Adam was the Alpha of the local werewolf pack, my neighbor, and sometimes my date. Samuel was my first love, my first heartbreak, and currently my roommate. Just my roommate—though he’d like to be more. I didn’t trust either of them. Samuel’s easygoing exterior masked a patient and ruthless predator. And Adam . . . well, Adam just flat scared me. And I was very much afraid that I loved them both. “I know.” Warren dropped his eyes from mine, a sure sign he was uncomfortable. “I didn’t brush my teeth with gunpowder this morning so I could go shooting my mouth off, Mercy, but this is serious. I know it’s been difficult, but you can’t have two dominant werewolves after the same woman without bloodshed. I don’t know any other wolves who could have allowed you as much leeway as they have, but one of them is going to break soon.

The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.

Aisling tumbled out, his gold eyes going wild about the room to take in all of them. His beak clicked as he worked it in silence. Then, as the breaking of ice may bring a cascade of water from winter’s falls, the griffin’s voice—no longer that small shrill copy of Taryn’s, but his own true voice—poured plaintively from him. “Mom!” Taryn jerked around, her mouth dropping open. Aisling bounded toward her and she swept him up into a tight embrace. He clutched at her shoulders with his talons, burying his head under her chin, and cried, “Mom! Yoo…rrrrr…oh…kay!” “Great gods,” Antilles heard himself say and he shot Tonka a startled glance. “He cannot be speaking?!” The horseman merely smiled. “And why not?” he murmured, resettling himself on his padded bolster. “For has he not been a miracle from the very first?” “You’re talking,” Taryn cried, true delight painting itself over the grief that had seemed to mask her since the dawning of this terrible day. She was radiant once more, burning with a joy and a healing light all its own as she hugged her griffin close. “Oh, my fierce prince! My big boy!” “Yoo…rrrr…Ai-sing,” whispered the griffin. His raptor’s eyes flicked to Antilles and his naked wings fluttered. “Tilly. Yoo…rrrr…sun-shy?” Taryn giggled, her face pressed to fur. “Aye, lad,” Antilles said, tossing his broken horn. “My sun and my moon and all my starry skies.

Loftus grew up with a cold father who taught her nothing about love but everything about angles. A mathematician, he showed her the beauty of the triangle's strong tip, the circumference of the circle, the rigorous mission of calculus. Her mother was softer, more dramatic, prone to deep depressions. Loftus tells all this to me with little feeling "I have no feelings about this right now," she says, "but when I'm in the right space I could cry." I somehow don't believe her; she seems so far from real tears, from the original griefs, so immersed in the immersed in the operas of others. Loftus recalls her father asking her out to see a play, and in the car, coming home at night, the moon hanging above them like a stopwatch, tick tick, her father saying to her, "You know, there's something wrong with your mother. She'll never be well again. Her father was right. When Loftus was fourteen, her mother drowned in the family swimming pool. She was found floating face down in the deep end, in the summer. The sun was just coming up, the sky a mess of reds and bruise. Loftus recalls the shock, the siren, an oxygen mask clamped over her mouth as she screamed, "Mother mother mother," hysteria. That is a kind of drowning. "I loved her," Loftus says. "Was it suicide?" I ask. She says, "My father thinks so. Every year when I go home for Christmas, my brothers and I think about it, but we'll never know," she says. Then she says, "It doesn't matter." "What doesn't matter?" I ask. "Whether it was or it wasn't," she says. "It doesn't matter because it's all going to be okay." Then I hear nothing on the line but some static. on the line but some static. "You there?" I say. "Oh I'm here," she says. "Tomorrow I'm going to Chicago, some guy on death row, I'm gonna save him. I gotta go testify. Thank God I have my work," she says. "You've always had your work," I say. "Without it," she says, "Where would I be?

The beast plopped into the chair, the wood groaning, and, in a flash of white light, turned into a golden-haired man. I stifled a cry and pushed myself against the paneled wall beside the door, feeling for the molding of the threshold, trying to gauge the distance between me and escape. This beast was not a man, not a lesser faerie. He was one of the High Fae, one of their ruling nobility: beautiful, lethal, and merciless. He was young—or at least what I could see of his face seemed young. His nose, cheeks, and brows were covered by an exquisite golden mask embedded with emeralds shaped like whorls of leaves. Some absurd High Fae fashion, no doubt. It left only his eyes—looking the same as they had in his beast form, strong jaw, and mouth for me to see, and the latter tightened into a thin line.

I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors. Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table. “Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished. I could feel the full weight of Tamlin’s undivided attention on me—on every breath and movement I took. I studied the candelabras atop the mantel beside the table. I had nothing to say that didn’t sound absurd—yet for some reason, my mouth decided to start moving. “You’re so far away.” I gestured to the expanse of table between us. “It’s like you’re in another room.” The quarters of the table vanished, leaving Tamlin not two feet away, sitting at an infinitely more intimate table. I yelped and almost tipped over in my chair. He laughed as I gaped at the small table that now stood between us. “Better?” he asked. I ignored the metallic tang of magic as I said, “How … how did you do that? Where did it go?” He cocked his head. “Between. Think of it as … a broom closet tucked between pockets of the world.” He flexed his hands and rolled his neck, as if shaking off some pain. “Does it tax you?” Sweat seemed to gleam on the strong column of his neck. He stopped flexing his hands and set them flat on the table. “Once, it was as easy as breathing. But now … it requires concentration.” Because of the blight on Prythian and the toll it had taken on him. “You could have just taken a closer seat,” I said. Tamlin gave me a lazy grin. “And miss a chance to show off to a beautiful woman? Never.

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

Without direction, the respiratory technician goes to the head of the bed. She takes the tubing, attaches it to the oxygen, and turns it on as high as it will go. She provides a seal with her hand cupped over the plastic mask, over the nose and mouth of the toddler, and methodically provides oxygenated air. Doyle’s tiny chest rises and falls while I listen with my stethoscope. I am reaching for another breathing tube. “Fib!” Dr. Pedras feels for a pulse while another places gelled pads on her chest.

Sara reared back in panic, but the door was already closed, and Craven's arms were around her. His hand clasped the back of her neck, and his voice puffed warmly into her hair. "Easy. All I want to do is hold you." "But I can't-" "Let me hold you." He kissed her neck and crowded her more closely against him. Slowly Sara relaxed. A pleasant languor spread from her head to her toes, and somehow she forgot there was a world outside the circle of his arms. There was only the warmth of his skin, banked within the layers of his clothes. And the movement of his hands as he worked the soft muscles of her neck and back. Even in her innocence, she was aware of the sinful knowledge in his touch. He knew how to hold a woman, how to seduce her away from inhibition. Blindly she lifted her face, and he kissed her. His lips seemed to wring her very soul from her body. Sara clung to him, wrapping herself closer until her aching breasts were wedged against his chest. He took hold of her waist, pressing her to his groin. As she felt the hard, insistent protrusion of his body, she broke away awkwardly. "I-I've had too much to drink. I must go, I must..." Derek gave a muffled laugh and stripped off his mask. Greedily he kissed her vulnerable throat, biting into the tender flesh. She gasped, trying to move back, but he caught the slippery waves of her hair in his fist. Murmuring reassurances, he nudged her off-balance and eased her down to the cushioned chaise. Objections wavered on her lips, all too quickly hushed by his mouth.

Will you come and tell me when the music ends When the musicians are swallowed in flames Every instrument blackening and crumbling to ash When the dancers stumble and sprawl their diseased limbs rotting off and twitching the skin sloughing away Will you come and tell me when the music ends When the stars we pushed into the sky loose their roars And the clouds we built into visible rage do now explode When the bright princes of privilege march past with dead smiles falling from their faces a host of deceiving masks Will you come and tell me when the music ends When reason sinks into the morass of superstition Waging a war of ten thousand armies stung to the lash When we stop looking up even as we begin our mad running into stupidity’s nothingness with heavenly choirs screaming Will you come and tell me when the music ends When the musicians are no more than black grinning sticks Every instrument wailing its frantic death cry down the road When the ones left standing have had their mouths cut off leaving holes from which a charnel wind eternally blows

Savage. Let us explain this word. When these bristling men, who in the early days of the revolutionary chaos, tattered, howling, wild, with uplifted bludgeon, pike on high, hurled themselves upon ancient Paris in an uproar, what did they want? They wanted an end to oppression, an end to tyranny, an end to the sword, work for men, instruction for the child, social sweetness for the woman, liberty, equality, fraternity, bread for all, the idea for all, the Edenizing of the world. Progress; and that holy, sweet, and good thing, progress, they claimed in terrible wise, driven to extremities as they were, half naked, club in fist, a roar in their mouths. They were savages, yes; but the savages of civilization. They proclaimed right furiously; they were desirous, if only with fear and trembling, to force the human race to paradise. They seemed barbarians, and they were saviours. They demanded light with the mask of night. Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.

Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.

In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.

He staggers through the forest. The burning forest. Bits of brush smoldering. A stormtrooper helmet nearby, charred and half melted. A small fire burns nearby. In the distance, the skeleton of an AT-AT walker. Its top blown open in the blast, peeled open like a metal flower. That burns, too. Bodies all around. Some of them are faceless, nameless. To him, at least. But others, he knows. Or knew. There—the fresh-faced officer, Cerk Lormin. Good kid. Eager to please. Joined the Empire because it’s what you did. Not a true believer, not by a long stretch. Not far from him: Captain Blevins. Definitely a true believer. A froth-mouthed braggart and bully, too. His face is a mask of blood. Sinjir is glad that one is dead. Nearby, a young woman: He knows her face from the mess, but not her name, and the insignia rank on her chest has been covered in blood. Whoever she was, she’s nobody now. Mulch for the forest. Food for the native Ewoks. Just stardust and nothing. We’re all stardust and nothing, he thinks. An absurd thought. But no less absurd than the one that follows: We did this to ourselves. He should blame them. The rebels. Even now he can hear them applauding. Firing blasters into the air. Hicks and yokels. Farm boy warriors and pipe-fitter pilots. Good for them. They deserve their celebration. Just as we deserve our graves.

Daddy looks past me at my boyfriend. “So . . . Plain-Ass Chris.” Seven snorts. DeVante snickers. Momma goes, “Maverick!” as I say, “Daddy!” “At least it’s not white boy,” Chris says. “Exactly,” Daddy says. “It’s a step up. You gotta earn my tolerance in increments if you gon’ date my daughter.” “Lord.” Momma rolls her eyes. “Chris, baby, you’ve been out here all night?” The way she says it, I can’t help but laugh. She’s basically asking him, “You do realize you’re in the hood, right?” “Yes, ma’am,” Chris says. “All night.” Daddy grunts. “Maybe you do got some balls then.” My mouth drops, and Momma says, “Maverick Carter!” Seven and DeVante crack up. But Chris? Chris says, “Yes, sir, I’d like to think I do.” “Daaaaamn,” says Seven. He reaches to give Chris dap, but Daddy cuts him a hard eye and he pulls his hand back. “A’ight, Plain-Ass Chris,” Daddy says. “Boxing gym, next Saturday, you and me.” Chris lifts his oxygen mask so fast. “I’m sorry, I shouldn’t have said—” “Calm down, I’m not gon’ fight you,” Daddy says. “We gon’ train. Get to know each other. You been seeing my daughter for a minute now. I gotta know you, and you can learn a lot about a man at a boxing gym.” “Oh . . .” Chris’s shoulders relax. “Okay.” He puts the oxygen mask back on. Daddy grins. It’s a little too mischievous for my liking. He’s gonna kill my poor boyfriend.

Oh, ho!” his brother cried, clasping him close in a fierce embrace. “Did you think you’d escape without saying hello?” Then, for Grey’s ears alone, “I’m so frigging proud of you I could just piss.” “Please don’t.” Grey gently pushed him away, meeting the other man’s bright gaze with a lump in his throat. “But thank you.” His mother hugged him as well, so overcome that she began to weep. Grey didn’t know what to do with her, but Archer gave her a handkerchief and Rose discreetly took her aside so she could compose herself. That left Grey with Bronte, who looked as though she was on the verge of tears as well, her blue eyes watery behind her mask. “You,” he said firmly. “Let you and I get one thing straight right now. I don’t care if you’ve already asked Archer. I don’t care what your groom’s family wants, or who you think you’re trying to protect. I will give you away, or there will be no wedding. Is that understood?” The cupid’s bow of his sister’s mouth trembled and for a moment he thought he had been wrong about her and now she hated him, but then she threw herself into his arms, laughing. “I love you,” she whispered against his ear before kissing his cheek. She was gone before Grey could even hug her back, which was probably just as well given the burning in his eyes. “We’ll be all over the scandal rags tomorrow,” Archer crowed with a bit too much enthusiasm. “No doubt,” Grey agreed. “I’m afraid I have provided enough entertainment for one evening. Dinner tomorrow?” His family accept the invitation with quiet aplomb and a great deal of unspoken pride, but it was obvious all the same.

The deaths of writers aren’t special deaths; they just happen to be described deaths. I think of Flaubert lying on his sofa, struck down – who can tell at this distance? – by epilepsy, apoplexy or syphilis, or perhaps some malign axis of the three. Yet Zola called it une belle mort – to be crushed like an insect beneath a giant finger. I think of Bouilhet in his final delirium, feverishly composing a new play in his head and declaring that it must be read to Gustave. I think of the slow decline of Jules de Goncourt: first stumbling over his consonants, the c’s turning to t’s in his mouth; then being unable to remember the titles of his own books; then the haggard mask of imbecility (his brother’s phrase) slipping over his face; then the deathbed visions and panics, and all night long the rasping breaths that sounded (his brother’s words again) like a saw cutting through wet wood. I think of Maupassant slowly disintegrating from the same disease, transported in a strait-jacket to the Passy sanatorium of Dr Blanche, who kept the Paris salons entertained with news of his celebrated client; Baudelaire dying just as inexorably, deprived of speech, arguing with Nadar about the existence of God by pointing mutely at the sunset; Rimbaud, his right leg amputated, slowly losing all feeling in the limbs that remained, and repudiating, amputating his own genius –‘Merde pour la poésie’; Daudet ‘vaulting from forty-five to sixty-five’, his joints collapsing, able to become bright and witty for an evening by giving himself five morphine injections in a row, tempted by suicide –But one doesn’t have the right.

Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.

Blake took off his jacket and blanketed her undergarments on the ground. He unbuttoned his shirt with the carelessness of a man standing in front of his dresser. His hands never hitched. Livia wanted to cheer as he revealed his chest to the sun. But Blake had other plans. He put his chest against hers, and his sun-drenched hands ran from her shoulders to her lower back, pulling her to him with a hard jerk. He was a gentleman, but not necessarily a gentle lover. Their hearts beat as if they were trying to touch from the inside out. Blake ghost-kissed Livia, not quite letting their lips touch. She felt his hot mint breath on her cheek. Blake reached for his pants, and Livia longed to release the button for him, but he needed to do this. He removed his pants and boxer briefs in one swift motion. He kicked off his socks and shoes. All that remained was the mask. Blake and Livia stood apart for a moment before he gathered her again in his arms. With no more material between their bodies, he touched every part of her. He spun her so her back pressed against his chest and he could warm her breasts with his hands. “I always wanted to know if your lips were the same color as your nipples. But they’re not. I think the sun has faded your lips just a bit.” Blake’s liquid silk voice tickled her neck. Livia could feel the scratch of the ski mask. She remembered that the first time she’d heard his voice it was just like this, from behind her. She begged her hands not to remove his mask. They were having a hard time listening. She squirmed until she and Blake were chest to chest again. She kissed his shoulder instead of his mouth. Blake was glorious naked. Powerful.

When I opened my eyes, we were still surrounded by darkness. A lantern, standing on the ground, showed a bubbling well. The water splashing from the well disappeared, almost at once, under the floor on which I was lying, with my head on the knee of the man in the black cloak and the black mask. He was bathing my temples and his hands smelt of death. I tried to push them away and asked, ‘Who are you? Where is the voice?’ His only answer was a sigh. Suddenly, a hot breath passed over my face and I perceived a white shape, beside the man’s black shape, in the darkness. The black shape lifted me on to the white shape, a glad neighing greeted my astounded ears and I murmured, ‘Cesar!’ The animal quivered. Raoul, I was lying half back on a saddle and I had recognized the white horse out of the PROFETA, which I had so often fed with sugar and sweets. I remembered that, one evening, there was a rumor in the theater that the horse had disappeared and that it had been stolen by the Opera ghost. I believed in the voice, but had never believed in the ghost. Now, however, I began to wonder, with a shiver, whether I was the ghost’s prisoner. I called upon the voice to help me, for I should never have imagined that the voice and the ghost were one. You have heard about the Opera ghost, have you not, Raoul?” “Yes, but tell me what happened when you were on the white horse of the Profeta?” “I made no movement and let myself go. The black shape held me up, and I made no effort to escape. A curious feeling of peacefulness came over me and I thought that I must be under the influence of some cordial. I had the full command of my senses; and my eyes became used to the darkness, which was lit, here and there, by fitful gleams. I calculated that we were in a narrow circular gallery, probably running all round the Opera, which is immense, underground. I had once been down into those cellars, but had stopped at the third floor, though there were two lower still, large enough to hold a town. But the figures of which I caught sight had made me run away. There are demons down there, quite black, standing in front of boilers, and they wield shovels and pitchforks and poke up fires and stir up flames and, if you come too near them, they frighten you by suddenly opening the red mouths of their furnaces … Well, while Cesar was quietly carrying me on his back, I saw those black demons in the distance, looking quite small, in front of the red fires of their furnaces: they came into sight, disappeared and came into sight again, as we went on our winding way. At last, they disappeared altogether. The shape was still holding me up and Cesar walked on, unled and sure-footed. I could not tell you, even approximately, how long this ride lasted; I only know that we seemed to turn and turn and often went down a spiral stair into the very heart of the earth. Even then, it may be that my head was turning, but I don’t think so: no, my mind was quite clear. At last, Cesar raised his nostrils, sniffed the air and quickened his pace a little. I felt a moistness in the air and Cesar stopped. The darkness had lifted. A sort of bluey light surrounded us. We were on the edge of a lake, whose leaden waters stretched into the distance, into the darkness; but the blue light lit up the bank and I saw a little boat fastened to an iron ring on the wharf!” - Chapter 12: Apollo’s Lyre

So, my dear…” She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it. “… You say I have let another man into my bed.” Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare. From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back. “I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.” Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece. As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion. She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her. “Christopher! What…?” She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort. “Christopher Stuart Saxton, lord of Saxton Hall.” His voice no longer bore a hint of a rasp. “Your servant, my lady.” “But… but where is…?” The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin. “… Stuart?” “One and the same, madam.” He stepped near, and those translucent eyes commanded her attention. “Look at me, Erienne. Look very closely.” He towered over her, and his lean, hard face bore no hint of humor. “And tell me again if you think I would ever allow another man in your bed while I yet breathe.” -Christopher & Erienne

He seemed to be drinking in her face, looking at her instead of into her. “Stop. Stop that. This isn’t goodbye.” Blake pulled her left hand to his mouth and kissed her ring finger. “I’m still glad it’s empty. He never deserved you. Of that, I’m very sure.” Livia saw moisture in his eyes. “You’re saying goodbye. No. Here’s what I’m sure of. I’ll walk away from this house right now, wearing only what I have on my back and be happy. With you I can taste forever—it’s right here.” Livia pointed at her lips and then kissed his. Blake allowed the kiss, but mumbled a question as well, “How many shotguns does he have?” “Not enough to get me away from you.” Livia traced his jaw. Blake took her hand and kissed her palm, then her forehead, “Livia, go in there and let him talk to you. He’s a father. I’d want to talk to my daughter at a moment like this. Let’s give him that respect.” “I will not go in there. Where will you go?” Livia felt a gentle tug on her heart. She was torn. She wanted to comfort her dad and get him to understand who Blake was, but in as little time as possible so she could get back to Blake. “My inamorata, you know where I’ll be: where I’ll always be. Waiting. For you.” Blake began putting the mask on. Livia looked around wildly, feeling close to irrational. “I don’t want you to go.” These words were inadequate to express her need. Blake smoothed her hair away from her face. “I’ve often wished I had a father. Let me help him be that. He needs you to himself for a just a little while.” Livia’s love for her dad gave her the strength to step back and nod. She stood on the porch and watched Blake’s retreating form. Every once in a while he turned to wave, and just before he reached the end of her street, he stopped to look at her. Neither of them waved this time.

He handed me something done up in paper. 'Your mask,' he said. 'Don't put it on until we get past the city-limits.' It was a frightening-looking thing when I did so. It was not a mask but a hood for the entire head, canvas and cardboard, chalk-white to simulate a skull, with deep black hollows for the eyes and grinning teeth for the mouth. The private highway, as we neared the house, was lined on both sides with parked cars. I counted fifteen of them as we bashed by; and there must have been as many more ahead, in the other direction. We drew up and he and I got out. I glanced in cautiously over my shoulder at the driver as we went by, to see if I could see his face, but he too had donned one of the death-masks. 'Never do that,' the Messenger warned me in a low voice. 'Never try to penetrate any other member's disguise.' The house was as silent and lifeless as the last time - on the outside. Within it was a horrid, crawling charnel-house alive with skull-headed figures, their bodies encased in business-suits, tuxedos, and evening dresses. The lights were all dyed a ghastly green or ghostly blue, by means of colored tissue-paper sheathed around them. A group of masked musicians kept playing the Funeral March over and over, with brief pauses in between. A coffin stood in the center of the main living-room. I was drenched with sweat under my own mask and sick almost to death, even this early in the game. At last the Book-keeper, unmasked, appeared in their midst. Behind him came the Messenger. The dead-head guests all applauded enthusiastically and gathered around them in a ring. Those in other rooms came in. The musicians stopped the Death Match. The Book-keeper bowed, smiled graciously. 'Good evening, fellow corpses,' was his chill greeting. 'We are gathered together to witness the induction of our newest member.' There was an electric tension. 'Brother Bud!' His voice rang out like a clarion in the silence. 'Step forward.' ("Graves For Living")

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

Wave after wave of an orgasm broke over her, but soon it would be over for him. “Stop,” Livia panted. Blake paused as Livia swallowed to try to compose herself. She was here for a reason. “The mask. Take it off. I want you to kiss me.” Livia watched his eyes. He was scared. “Blake, you’re inside of me. I’ll keep you safe. You’re inside of me.” Livia squeezed him again, reminding him exactly where he was. Blake smiled at the sensation. “Do it for me, Livia. Please.” And even though they were naked and locked in the most intimate embrace, this was the striptease. Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited. Open your eyes. After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory. The o in sorry vanished. Blake looked at Livia beneath him. She smiled. “Five hundred ninety-eight,” he whispered. Still counting. “Yes! Yes. I knew you could do this. I knew you could do this.” Livia beamed with pride. Blake blurred as her eyes became two pools of tears. He kissed her softly, but Livia wanted the rough thrusts back. She pulled away and wiped her eyes. “Giddy up!” Livia spanked Blake playfully. He gave a little chuckle before he put her out of her misery. If she thought he was going fast and hard before, she was wrong. Blake was almost done when he let Livia’s leg slip from his shoulder. He kissed her with his clever tongue and moaned loudly into her mouth.

Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?