Tom Holland Quotes

We've searched our database for all the quotes and captions related to Tom Holland. Here they are! All 100 of them:

I thought, gazing at the beauty of the landscape again, it is as though the fiend has prevailed against the angels, and fixed his throne in a heaven, to rule it as though it were Hell.
Tom Holland (Lord of the Dead)
It was an article of faith to the Romans that they were the most morally upright people in the world. How else was the size of their empire to be explained? Yet they also knew that the Republic's greatness carried its own risks. To abuse it would be to court divine anger. Hence the Roman's concern to refute all charges of bullying, and to insist they had won their empire purely in self-defense.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Gain cannot be made without loss to someone else.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Winners are the favourites of heaven.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
To control one’s own destiny takes a mastermind. To execute the plans takes a fool.
Daniel Keyes (The Minds of Billy Milligan: The book that inspired the hit series The Crowded Room starring Tom Holland)
The supreme achievement of the Jewish and Christian scholars of the age was to craft a history of their respective faiths that cast themselves as its rightful and inevitable culmination, and left anything that might have served to contradict such an impression out of the story altogether.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
By shutting out the real world we can live peacefully in ours. We know that a world without pain is a world without feeling . . . but a world without feeling is a world without pain. Kevin
Daniel Keyes (The Minds of Billy Milligan: The book that inspired the hit series The Crowded Room starring Tom Holland)
Just like any electorate, they delighted in making candidates for their favors sweat.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Once the world of ideas has been transformed, reality cannot hold out for long. Georg Wilhelm Friedrich Hegel
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
This [for opposition leaders to claim royal lineage], in a world ruled by a republic, was what revolution had come to mean.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Whatever else it may be, the Qur’an is no work of history. Startlingly, were it not for all the commentaries elucidating its mysteries, all the biographies of the Prophet, and all the sprawling collections of hadiths—none of which, in the form we have them, pre-dates the beginning of the third century after the hijra—we would have only the barest reason to associate it with a man named
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
A myth, though, is not a lie. At its most profound—as Tolkien, that devout Catholic, always argued—a myth can be true. To be a Christian is to believe that God became man and suffered a death as terrible as any mortal has ever suffered. This is why the cross, that ancient implement of torture, remains what it has always been: the fitting symbol of the Christian revolution. It is the audacity of it—the audacity of finding in a twisted and defeated corpse the glory of the creator of the universe—that serves to explain, more surely than anything else, the sheer strangeness of Christianity, and of the civilization to which it gave birth. Today, the power of this strangeness remains as alive as it has ever been. It is manifest in the great surge of conversions that has swept Africa and Asia over the past century; in the conviction of millions upon millions that the breath of the Spirit, like a living fire, still blows upon the world; and, in Europe and North America, in the assumptions of many more millions who would never think to describe themselves as Christian. All are heirs to the same revolution: a revolution that has, at its molten heart, the image of a god dead on a cross.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Venerable the scorn of the Jews for the Ishmaelites may have been; but it was nothing like so savage as their loathing for the Romans.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Yusuf As’ar Yath’ar: the last Jewish king ever to rule in Arabia.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
As one Saudi professor sternly tells his co-religionists, “Only the writings of a practising Muslim are worthy of our attention.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Kavad himself, if obliged to fight on a Jewish holy day, had been known to request his adversaries for a temporary truce.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
So highly did the Roman people prize this ideal of the common good that their name for it – res publica – served as shorthand for their entire system of government.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
We always want what we’re not allowed.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Only a few prefer liberty—the majority seek nothing more than fair masters. Sallust, Histories
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Never before had Jewish morality and Greek philosophy been fused to such momentous effect. That the law of the God of Israel might be read inscribed on the human heart, written there by his Spirit, was a notion that drew alike on the teachings of Pharisees and Stoics—and yet equally was foreign to them both.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Achievement was worthy of praise and honor, but excessive achievement was pernicious and a threat to the state. However great a citizen might become, however great he might wish to become, the truest greatness of all still belonged to the Roman Republic itself
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Only centuries after the death of Jesus—by which time, astonishingly, even the Caesars had been brought to acknowledge him as Christ—did his execution at last start to emerge as an acceptable theme for artists.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
stories of the Virgin being succoured by a friendly palm tree had actually been a Christian tradition for centuries, and seem in turn to have derived from a legend told by the pagan Greeks, was blithely ignored—as, of course, it was bound to be.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Time erodes both steel and stone.’ So Ovid had written in the months before his death.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
It was as though the problems of the Republic bored the man appointed to solve them, as though Rome herself were now too small a stage for his ambitions
Tom Holland (Rubicon: The Last Years of the Roman Republic)
History, unlike faith, cannot be built upon foundations of sand.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
If you have a problem with me, text me. And if you don't have my number, you don't know me well enough to have a problem with me.
Tom Holland
Of all Rome’s seven hills, however, the Palatine was the most exclusive by far.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Achievement was worthy of praise and honor, but excessive achievement was pernicious and a threat to the state.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
More people worship the rising than the setting sun,
Tom Holland (Rubicon: The Last Years of the Roman Republic)
[T]he greater the sense of awe with which a text was regarded, the more complete might be the amnesia as to the original circumstances of its composition.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Like unmixed wine, the dictatorship had a taste that was intoxicating and perilous.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
The dictator himself cast his reforms as a restoration, the sweeping away of clutter. Yet clutter was the essence of the Republic
Tom Holland (Rubicon: The Last Years of the Roman Republic)
that there existed no earthly empire so great or overweening that it might not one day be dashed to pieces
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
In the Arab world, at any rate, to doubt the traditional account of Islam’s origins has been to risk death threats, prosecution for apostasy, or even defenestration.61
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
While he may forget that he is Caesar, I never forget that I am Caesar’s daughter.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Harmony enables small things to flourish – while the lack of it destroys the great.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
[T]here [is] no limit to what might not be achieved by an alliance between an imperial monarchy and revelations, if truly believed to be heaven-sent, of a prophet.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Rome, over the years, had measurably benefited from the influx of foreign talent.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
JULIA: Oldest daughter of Julia and Agrippa. Owner of the smallest dwarf in Rome. Exiled in AD 8.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
The dull mind rises to the truth through material
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Honour, in the Republic, had never been a goal in itself, only a means to an infinite end. And what was true of her citizens, naturally, was also true of Rome herself. For the generation that had lived through the civil wars, this was the consolation history gave them. Out of calamity could come greatness. Out of dispossession could come the renewal of a civilised order.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Enthusiasts for empire argued that Rome had a civilizing mission; that because her values and institutions were self-evidently superior to those of barbarians, she had a duty to propagate them; that only once the whole globe had been subjected to her rule could there be a universal peace.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Their delight in posing as aliens, as transients, made a boast out of what should properly have been a cause of shame. ‘To them, a homeland is a foreign country, and a foreign country a homeland
Tom Holland (Dominion: The Making of the Western Mind)
A Roman penis was potent, masterful, prodigious. In a city where the phallus was everywhere to be seen, protecting doorways as a symbol of good luck, guarding crossroads or scaring off birds in gardens, ramrod size was much admired.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
One day perhaps, when the records of the twentieth century AD have grown as fragmentary as those of ancient Rome, a history of the Second World War will be written that relies solely upon the broadcasts of Hitler and the memoirs of Churchill. It will be one cut off from whole dimensions of experience: no letters from the front, no combatants’ diaries.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
The concept of natural law had no place in Torah. Yet Paul – as he struggled to define the law that he believed, in the wake of the crucifixion and the resurrection, to be written on the heart of all who acknowledged Christ as Lord – did not hesitate to adapt the teachings of the Greeks. The word he used for it – syneidesis – clearly signalled which philosophers in particular he had in mind. Paul, at the heart of his gospel, was enshrining the Stoic concept of conscience.
Tom Holland (Dominion: The Making of the Western Mind)
The unspeakable rituals of the heathen, who might think nothing of sacrificing a horse and then making sport with its phallus, were echoed in grim tales of Christian women transforming themselves into equine form, and revelling in the bestial.
Tom Holland (Æthelstan: The Making of England)
The state had the right to know everything, for the Romans believed that even “personal tastes and appetites should be subject to surveillance and review.”4 It was knowledge, intrusive knowledge, that provided the Republic with its surest foundations.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
The Roman character had a strong streak of snobbery: effectively, citizens preferred to vote for families with strong brand recognition, electing son after father after grandfather to the great magistracies of state, indulging the nobility’s dynastic pretensions with a numbing regularity.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
By AD 800, so redeemed was Arabic from the contempt in which it had once been held that its sound had come to rank as the very music of power, and its cursives as things of pure beauty, refined to a rare and exquisite perfection by the art of its calligraphers. Among the Arabs, the written word was on the verge of becoming a mania. One scholar, when he died in 822, left behind him a library that filled a whole six hundred trunks.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
The oath of duty spoken by a legionary, the sacramentum, was of a peculiarly fearsome order, and to break it a terrible thing. The men who swore it, although granted by its terms a licence denied civilians to fight and kill, were simultaneously deprived of rights that were the essence of citizenship.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
The news, when it leaked out, caused outrage and horror in Rome. The Republic was never so dangerous as when it believed that its security was at stake. The Romans rarely went to war, not even against the most negligible foe, without somehow first convincing themselves that their preemptive strikes were defensive in nature.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
the rabbis of Palestine were acknowledged to hold the advantage over those of Mesopotamia in several distinctive ways: they were more open to those who were not themselves scholars; they were better able to incinerate those who displeased them with a single glare; and they were more obsessively alert to the menace posed by menstruating women.
Tom Holland (In the Shadow of the Sword: The Battle for Global Empire and the End of the Ancient World)
Another woman, “whose face no one had ever seen outside the door of her house and who had never walked during the day in the city,”2 had torn off her headscarf, the better to reproach the king. Yusuf, in his fury, had ordered her daughter and granddaughter killed before her, their blood poured down her throat, and then her own head to be sent flying.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
When the Senate met for the first time a week after the funeral, on 17 September, it was to confirm that the dead Princeps was indeed to be worshipped as a god. His wife was appointed his priest. This, in a city where all the priesthoods except for those of Vesta were monopolised by men, was unprecedented. Astonishingly, Livia was even given a lictor.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
True strength manifested itself not in the exercise of power, but in the willingness to give it up. So Tolkien, as a Christian, believed. It was why, in the last year of
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Beautiful, dignified and pathetic, she was precisely the kind of woman whom the Roman people loved.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
January 10, the seven-hundred-and-fifth year since the foundation of Rome, the forty-ninth before the birth of Christ.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
For all the trauma of Sulla’s march on Rome, no one could imagine that the Republic itself might be overthrown, because no one could conceive what might possibly replace it.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
The origins of the obsession were venerable. Bouts between armed men had first been staged in Rome as munera: offerings to the shades of the departed.
Tom Holland (Pax: War and Peace in Rome's Golden Age)
Caesar, staging games to propitiate the ghost of his father, had set 320 pairs of gladiators to fight one another, all of them arrayed in silver armour.
Tom Holland (Pax: War and Peace in Rome's Golden Age)
In Pompeii, when a woman named Clodia Nigella was commemorated, her career was emblazoned on her tombstone as a badge of honour: ‘public pig-keeper’.
Tom Holland (Pax: War and Peace in Rome's Golden Age)
To convert is to educate
Tom Holland (Dominion: How the Christian Revolution Remade the World)
pathetic
Tom Holland (Rubicon: The Triumph and Tragedy of the Roman Republic)
We have been liberated, as John Updike once put it, “from all those oppressive old Roman values.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
As a result, a thousand years of civic self-government were brought to an end, and not for another thousand, and more, would it become a living reality again.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
and yet throughout this turbulent period of upheaval, the Roman people never ceased to affect a stern distaste for change.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
no shame in embracing a life of secluded ease.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
A perpetual forge of idols.’35 So Calvin had described the human mind.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
The Roman people too, in the end, grew tired of antique virtues, preferring the comforts of easy slavery and peace. Rather bread and circuses than endless internecine wars. As the Romans themselves recognized, their freedom had contained the seeds of its own ruin, a reflection sufficient to inspire much gloomy moralizing under the rule of a Nero or a Domitian.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Coloured marble, pompous avenues, urban planning: what were these, if not the prerogatives of kings? No one, in a free republic, could be permitted such sinister grandstanding. This was why, in the last feverish decade before the crossing of the Rubicon, the sudden appearance in Rome of a rash of grandiose monuments had served as portents of the Republic’s ruin.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
In a city famed for its wealth, Paul proclaimed that it was the ‘low and despised in the world, mere nothings’,34 who ranked first. Among a people who had always celebrated the agon, the contest to be the best, he announced that God had chosen the foolish to shame the wise, and the weak to shame the strong. In a world that took for granted the hierarchy of human chattels and their owners, he insisted that the distinctions between slave and free, now that Christ himself had suffered the death of a slave, were of no more account than those between Greek and Jew.
Tom Holland (Dominion: The Making of the Western Mind)
The concept of the ‘secular’, first planted by Augustine, and tended by Columbanus, had attained a spectacular bloom. Gregory and his fellow reformers did not invent the distinction between religio and the saeculum, between the sacred and the profane; but they did render it something fundamental to the future of the West, ‘for the first time and permanently’.16 A decisive moment.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
[A] history of Islam's origins cannot be written without reference to the origins of Judaism and Christianity - and [...] a history of the origins of Judaism and Christianity cannot be written without reference to the world that incubated them both. The vision of God to which both rabbis and bishops subscribed, and which Muhammad's followers inherited, did not emerge out of nowhere. The monotheisms that would end up established as state religions from the Atlantic to central Asia had ancient, and possibly unexpected, roots. To trace them is to cast a searchlight across the entire civilisation of late antiquity.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
Geography could not be bucked. Their bogs and trees shrouded in a perpetual drizzle, Germans were the spawn of their environment. The gods, who had considerately endowed Rome with a climate ideally suited to the growth of a mighty city, had doomed the inhabitants of the chilly North to a backwardness that was at once torpid and ferocious, dull and intemperate. Landscape, weather, people: Germany was unredeemably savage.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Sometimes I wonder: Do I want to gel well? Is all this fear, all this shit I’m going through now worth it? Or should I bury myself back here in the brain and forget about it?” “What’s your answer?” “I don’t know.
Daniel Keyes (The Minds of Billy Milligan: The book that inspired the hit series The Crowded Room starring Tom Holland)
Now, speaking as men no longer dared to speak, his daughter had fearlessly arraigned the Triumvirs themselves. ‘Why should we women pay taxes,’ Hortensia had demanded, ‘when we have no part in the honours, the commands, the rule of the state?’23 To this question, the Triumvirs had responded by having the women driven from the Forum; but such was their embarrassment that they did eventually, with much bad grace, agree to a tax cut.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
The heroes of the Iliad, favourites of the gods, golden and predatory, had scorned the weak and downtrodden. So too, for all the honour that Julian paid them, had philosophers. The starving deserved no sympathy. Beggars were best rounded up and deported. Pity risked undermining a wise man’s self-control. Only fellow citizens of good character who, through no fault of their own, had fallen on evil days might conceivably merit assistance.
Tom Holland (Dominion: The Making of the Western Mind)
The 'ulama', by tightly controlling what went into the history books, were able to propagate an understanding of their own dazzlingly rich and complex civilization that attributed almost every single thing of value within it to the Prophet, and the Prophet alone. There was no question of acknowledging the momentous roles played in the forging of Islam by countless others - be they autocrats such as Abd Al-Malik or scholars such as themselves.
Tom Holland (In the Shadow of the Sword: The Birth of Islam and the Rise of the Global Arab Empire)
What had begun as a feud of the kind that had always existed in the Republic—indeed, had formed the essence of its politics—was now spreading a contagion of bitterness and antagonism far beyond the ranks of the two rival factions.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Here, then, was one final paradox. A system that encouraged a gnawing hunger for prestige in its citizens, that seethed with their vaunting rivalries, that generated a dynamism so aggressive that it had overwhelmed all who came against it, also bred paralysis.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
At the heart of the crisis lay the simple fact that Caesar, if he were permitted to progress seamlessly from Gaul to a second consulship, would at no stage be a private citizen. This, to many, was intolerable—for only a private citizen could be brought to trial.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
Tom Holland is an award-winning historian of the ancient world, a translator of Greek classical texts, and a documentary writer. He is the author of six other books, including Rubicon, recipient of the Hessell-Tiltman Prize for History and shortlisted for the Samuel Johnson Prize, and Persian Fire, winner of the Anglo-Hellenic League’s Runciman Award. He contributes regularly to the Guardian, the Times of London, the Wall Street Journal, and the New York Times. He co-presents the chart-topping podcast The Rest Is History. He lives in London.
Tom Holland (Pax: War and Peace in Rome's Golden Age)
Of all the various features of the modern world that can be traced back to antiquity – alphabets, democracy, gladiator films – none, perhaps, has been more globally influential than the establishment, for the first time in history, of various brands of monotheism as state religions.
Tom Holland (In the Shadow of the Sword: The Battle for Global Empire and the End of the Ancient World)
Five kings followed Romulus on the throne of Rome; and when the sixth, Tarquin the Proud, proved himself a vicious tyrant more than deserving of his nickname, his subjects put their lives on the line and rose in rebellion. In 509 BC, the monarchy was ended for good. The man who had led the uprising, a cousin of Tarquin’s named Brutus, obliged the Roman people to swear a collective oath, ‘that they would never again allow a single man to reign in Rome’. From that moment on, the word ‘king’ was the dirtiest in their political vocabulary. No longer subjects, they ranked instead as cives, ‘citizens’.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Raised from scratch on sandbanks, the city lacked deep roots. No wonder, to Roman eyes, that it had such a harlot character. Without custom there could be no shame, and without shame anything became possible. A people whose traditions had withered would become prey to the most repellent and degrading habits.
Tom Holland (Rubicon: The Last Years of the Roman Republic)
These were the class of men, not slaves, who were known by the elites as operae: labourers. Lack of work was such a scourge precisely because there existed across Italy so many men desperate to be hired, to bend their backs, to strain their muscles, to sweat in the sun. Slavery was not a solution to any shortage
Tom Holland (Pax: War and Peace in Rome's Golden Age)
Hadrian rubbed salt into Jewish wounds by ordering a pagan temple built on the site. Once again, the Jews rose in revolt. Once again, the Romans crushed them. This time, the work of pacification was to prove decisive. Jerusalem was rebuilt as a Roman city. The name of the Jewish homeland, Judaea, was changed to Palestine.
Tom Holland (Pax: War and Peace in Rome's Golden Age)
When scholars in Europe sought to justify the Spanish conquest of the New World, they reached not for the Church Fathers, but for Aristotle. ‘As the Philosopher says, it is clear that some men are slaves by nature and others free by nature.’17 Even in the Indies, though, there were Spaniards who worried whether this was truly so. ‘Tell me,’ a Dominican demanded of his fellow settlers, eight years before Cortés took the road to Tenochtitlan, ‘by what right or justice do you keep these Indians in such a cruel and horrible servitude? On what authority have you waged a detestable war against these people, who dwelt quietly and peacefully in their own land?’18 Most of the friar’s congregation, too angered to reflect on his questions, contented themselves with issuing voluble complaints to the local governor, and agitating for his removal; but there were some colonists who did find their consciences pricked. Increasingly, adventurers in the New World had to reckon with condemnation of their exploits as cruelty, oppression, greed.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Not since the age of Constantine and his heirs had any one man exercised an authority over so wide a sweep of Europe as did the bishop of the ancient capital of the world. His open claim was to the ‘rights of heavenly and earthly empire’;24 his legates travelled to barbarous lands and expected to be heard; his court, in an echo of the building where the Roman Senate had once met, was known as the ‘Curia’. Yet the pope was no Caesar. His assertion of supremacy was not founded on force of arms, nor the rank of his ministers on their lineage or their wealth. The Church that had emerged from the Gregorian reformatio was instead an institution of a kind never before witnessed: one that had not merely come to think of itself as sovereign, but had willed itself into becoming so.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
The people of Rome had particular reason to associate a god more commonly worshipped as the patron of prophecy and self-discipline with vicious cruelty. In the Forum, next to the sacred fig tree, there stood the statue of a pot-bellied man with a wine-sack on his shoulder. This was Marsyas, a satyr who had once challenged Apollo to a musical contest, been cheated of the victory that was rightfully his, and then been flayed alive for his presumption. Such, at any rate, was the version of the story told by the Greeks – but in Italy an altogether happier ending was reported. Marsyas, they claimed, had escaped the irate Apollo and fled to the Apennines, where he had taught the arts of augury to the natives and fathered the snake-charming Marsians. Rome was not the only city to commemorate him. Statues of Marsyas were to be found in public squares across Italy.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Another preoccupation fed into this dynamic relationship between discovery and denial: does sexual abuse actually matter? Should it, in fact, be allowed? After all, it was only in the 19070s that the Paedophile Information Exchange had argued for adults’ right to have sex with children – or rather by a slippery sleight of word, PIE inverted the imperative by arguing that children should have the right to have sex with adults. This group had been disbanded after the imprisonment of Tom O’Carroll, its leader, with some of its activists bunkered in Holland’s paedophile enclaves, only to re-appear over the parapets in the sex crime controversies of the 1990s. How recent it was, then, that paedophilia was fielded as one of the liberation movements, how many of those on the left and right of the political firmament, were – and still are – persuaded that sex with children is merely another case for individual freedom? Few people in Britain at the turn of the century publicly defend adults’ rights to sex with children. But some do, and they are to be found nesting in the coalition crusading against evidence of sexual suffering. They have learned from the 1970s, masked their intentions and diverted attention on to ‘the system’. Others may not have come out for paedophilia but they are apparently content to enter into political alliances with those who have. We believe that this makes their critique of survivors and their allies unreliable. Others genuinely believe in false memories, but may not be aware of the credentials of some of their advisors.
Beatrix Campbell (Stolen Voices: The People and Politics Behind the Campaign to Discredit Childhood Testimony)
The shadow cast by Scipio over his fellow citizens was one that could not help but provoke resentment. The guiding principle of the Republic remained what it had always been: that no one man should rule supreme in Rome. To the Roman people, the very appearance of a magistrate served as a reminder of the seductions and dangers of monarchy. The purple that lined the border of his toga had originally been the colour of kingship. ‘Lictors’ – bodyguards whose duty it was to clear a path for him through the crowds of his fellow citizens – had once similarly escorted Tarquin the Proud. The rods and single axe borne by each lictor on his shoulder – the fasces, as they were known – symbolised authority of an intimidatingly regal scope: the right to inflict both corporal and capital punishment.*2 Power of this order was an awesome and treacherous thing. Only with the most extreme precautions in place could anyone in a free republic be trusted to wield it. This was why, in the wake of the monarchy’s downfall, the powers of the banished king had been allocated, not to a single magistrate, but to two: the consuls.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
But there was seed as well that fell on good ground. Lepers and slaves were not the most defenceless of God’s children. Across the Roman world, wailing at the sides of roads or on rubbish tips, babies abandoned by their parents were a common sight. Others might be dropped down drains, there to perish in the hundreds. The odd eccentric philosopher aside, few had ever queried this practice. Indeed, there were cities who by ancient law had made a positive virtue of it: condemning to death deformed infants for the good of the state. Sparta, one of the most celebrated cities in Greece, had been the epitome of this policy, and Aristotle himself had lent it the full weight of his prestige. Girls in particular were liable to be winnowed ruthlessly. Those who were rescued from the wayside would invariably be raised as slaves. Brothels were full of women who, as infants, had been abandoned by their parents—so much so that it had long provided novelists with a staple of their fiction. Only a few peoples—the odd German tribe and, inevitably, the Jews—had stood aloof from the exposure of unwanted children. Pretty much everyone else had always taken it for granted. Until, that was, the emergence of a Christian people.
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Augustus, who in almost everything save his ambition was deeply conservative, had far too much respect for tradition ever to think of having such a venerable memorial removed from the Forum. Nevertheless, the statue of Marsyas was troubling to him on a number of levels. At Philippi, where his own watchword had been ‘Apollo’, that of his opponents had been ‘liberty’. Not only that, but Marsyas was believed by his devotees to have been sprung from his would-be flayer’s clutches by a rival god named Liber, an anarchic deity who had taught humanity to enjoy wine and sexual abandon, whose very name meant ‘Freedom’, and who – capping it all – had been worshipped by Antony as his particular patron. The clash between the erstwhile Triumvirs had been patterned in the heavens. Antony, riding in procession through Cleopatra’s capital, had done so dressed as Liber, ‘his head wreathed in ivy, his body draped in a robe of saffron gold’.89 Visiting Asia Minor, where in ancient times the contest between Apollo and Marsyas had been staged, he had been greeted by revellers dressed as satyrs. The night before his suicide, ghostly sounds of music and laughter had filled the Egyptian air; ‘and men said that the god to whom Antony had always compared himself, and been most devoted, was abandoning him at last’.
Tom Holland (Dynasty: The Rise and Fall of the House of Caesar)
Sargon, the obscure adventurer who had emerged as though from nowhere to nurture this proud ambition, to extinguish the independence of neighboring city-states and to rule supreme over the “totality of the lands under heaven,” had always remained the model of a Mesopotamian strongman. Almost two thousand years after his foundation of Akkad, he remained the cynosure of great kings. Indeed, in the decades before the Persian conquest, the obsession with him had become a veritable craze. At Susa, the capital of Elam, a victory memorial originally inscribed by Sargon’s grandson had been lovingly dusted down and put on prominent display; in Akkad itself, when a statue of the great man was excavated, Nabonidus had come rushing in high excitement to inspect it, and to supervise its restoration. Museums had sprung up everywhere: at Ur, for instance, the antiquities collection maintained by Nabonidus’ daughter, Princess En-nigaldi-Nanna, had been carefully labeled and put on display for the edification of the public. Meanwhile, in Babylon itself, scholars pored over great libraries of archives, tracing ancient documents, recycling archaic phrases, looking to the distant past to legitimize the needs and whims of their masters. The people of Mesopotamia, living as they did amid the lumber of millennia, had always been profoundly respectful of antiquity. Rather than feeling oppressed by it, they recycled it, cannibalized it, and turned it to their advantage.
Tom Holland (Persian Fire: The First World Empire and the Battle for the West)
It seemed by now that every skirmish thrown up in political life was having a similar effect. The vast majority of citizens who cared for neither side, or for both, were in despair. “I’m fond of Curio,” wailed Cicero. “I wish to see Caesar honoured in the manner which is his due, and as for Pompey, I would lay down my life for him—all the same, what really counts with me is the Republic itself.”37 But there was nothing that he or anyone who thought like him could do. Spokesmen for peace were increasingly dismissed as appeasers. The rival factions were embracing their doom. It was as though, peering over the edge, vertigo was tempting them to jump. The thrill of a bloodlust was ripe in the winter air, and the talk was all of war. In
Tom Holland (Rubicon: The Last Years of the Roman Republic)
To hail a religion for its compatibility with a secular society was decidedly not a neutral gesture. Secularism was no less bred of the sweep of Christian history than were Orban's barbed-wire fences. Naturally, for it to function as its exponents wished it to function, this could never be admitted. The West, over the duration of its global hegemony, had become skilled in the art of repackaging Christian concepts for non-Christian audiences. A doctrine such as that of human rights was far likelier to be signed up to if its origins among the canon lawyers of medieval Europe could be kept concealed. The insistence of United Nations agencies on "the antiquity and broad acceptance of the conception of the rights of man” was a necessary precondition for their claim to a global, rather than a merely Western, jurisdiction. Secularism, in an identical manner, depended on the care with which it covered its tracks. If it were to be embraced by Jews, or Muslims, or Hindus as a neutral holder of the ring between them and people of other faiths, then it could not afford to be seen as what it was: a concept that had little meaning outside of a Christian context. In Europe, the secular had for so long been secularised that it was easy to forget its ultimate origins. To sign up to its premises was unavoidably to become just that bit more Christian. Merkel, welcoming Muslims co Germany, was inviting them to take their place in a continent that was not remotely neutral in its understanding of religion: a continent in which the division of church and state was absolutely assumed to apply to Islam
Tom Holland (Dominion: How the Christian Revolution Remade the World)
For the memory of Alexander’s greatness had always served the Romans as a reproach. Even worse, it provided an inspiration to their foes. In the east the model of kingship established by Alexander had never lost its allure. For more than a century it had been neutered and systematically humiliated by Rome, yet it remained the only credible system of government that could be opposed to the republicanism of the new world conquerors. Hence its appeal to monarchs, such as Mithridates, who were not even Greek, and hence, most startling of all, its appeal to bandits and rebellious slaves. When the pirates had called themselves kings and affected the gilded sails and purple awnings of monarchy, this had not been mere vanity, but a deliberate act of propaganda, as public a statement as they could make of their opposition to the Republic. They knew that the message would be read correctly, for invariably, whenever the order of things had threatened to crack during the previous decades, rebellion had been signaled by a slave with a crown. Spartacus’s communism had been all the more unusual in that the leaders of previous slave revolts, virtually without exception, had aimed to raise thrones upon the corpses of their masters. Most, like the pirates, had merely adopted the trappings of monarchy, but there were some who had brought the fantastical worlds of romances to life and claimed to be the long-lost sons of kings. This, in a world ruled by a republic, was what revolution had come to mean. The royal pretensions of slaves fed naturally into the swirling undercurrents of the troubled age, the prophecies, which Mithridates’ propaganda had exploited so brilliantly, of the coming of a universal king, of a new world monarchy, and the doom of Rome. So when Pompey presented himself as the new Alexander, he was appropriating a dream shared by potentate and slave alike. If any Roman was qualified to appreciate this, it was Pompey himself. The conqueror of the pirates and the patron of Posidonius, he would have been perfectly aware of the menacing links between kingship and revolution, between the uppitiness of Oriental princelings and the resentments of the dispossessed
Tom Holland (Rubicon: The Last Years of the Roman Republic)