Mouse Sayings Quotes

If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse, and you say that you are neutral, the mouse will not appreciate your neutrality.

In the action business, when you don't want to say you ran like a mouse, you call it 'taking cover.' It's more heroic.

Love is an enigma, and it's redefined every time someone says it.

The Doctor: Amazing. Nancy: What is? The Doctor: 1941. Right now, not very far from here, the German war machine is rolling up the map of Europe. Country after country, falling like dominoes. Nothing can stop it, nothing. Until one tiny, damp little island says "No. No, not here." A mouse in front of a lion. You're amazing, the lot of you. I don't know what you do to Hitler, but you frighten the hell out of me.

Look," I whisper to Cat, "Shooting star! That's good luck." She rolls her eyes. "It's a plane, you idiot," she says, and when I look again I can see that she's right. Typical.

Our mouths are touching the same spot,” she says shakily. “Does that count as kissing?” “You tell me, little mouse. When I make you cry out for God, does that count as praying?

Introduction to Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.

And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.

In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed. In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were. And with good reason. In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want. Piece of cake. In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class. Send 'em anywhere. Make 'em do anything. Piece of cake. The O'Reilly Factor. So I am a man without a country, except for the librarians and a Chicago paper called "In These Times." Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there. Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun. Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you? Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine. My last words? "Life is no way to treat an animal, not even a mouse." Napalm came from Harvard. Veritas! Our president is a Christian? So was Adolf Hitler. What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?

Did she cry out for God?” he pushes. “Yes,” Xavier spits, and fuck, I’m falling apart. I thrust against Zade’s hand, rolling my hips mindlessly, the bliss eroding my entire being. “Good,” he says, a grin in his voice. “That means she was crying out for me.

There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.

Da. This is going very well already." Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas." "Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn." "Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's." "Aragorn wishes he looked that good," countered Thomas. "What about Karrin?" Sanya asked. "What--for Gimli?" Thomas mused. "She is fairly--" "Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice. "Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest-- "Sanya," I said. "Who did I get cast as?" "Sam," Sanya said. I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.

I love you, Zade. Sometimes I can’t fucking stand it,” I say, my voice raspy and uneven. “But it was the only thing that kept me alive. You saved me. Even when we were apart, you saved me. And I hope to God you never stop hunting me.

Don't tell me from genetics. What've they got to do with it?" said Crowley. "Look at Satan. Created as an angel, grows up to be the Great Adversary. Hey, if you're going to go on about genetics, you might as well say the kid will grow up to be an angel. After all, his father was really big in Heaven in the old days. Saying he'll grow up to be a demon just because his dad _became_ one is like saying a mouse with its tail cut off will give birth to tailless mice. No. Upbringing is everything. Take it from me.

You.. love me?'' Snow nods. ''Yeah,'' he says, ''of course.'' Like it's obvious. It isn't obvious. It has not been obvious. ''You never said,'' I say. ''Haven't I?'' ''No.'' He frowns. ''I thought- I mean... I've killed so many things for you.'' I laught. It might be another sob, but mabe it's just a laugh. ''What are you, a house cat? Am I supposed to know how you feel because you brought me a mouse?'' The corner of Snow's mouth twitches. ''I brought you a cow once, remember? And I killed that chimera for you in fifth year.

I don't think you know what love is," I whisper. He grunts with amusement. "I don't think anyone does, baby. Love is an enigma, and it's redefined every time someone says it.

Alistair spoke behind his visor. "You look very pretty." Mouse looked to Eanrin. "He sounds concerned. What did he say?" "He said they're never going to believe you're a girl.

She approaches me slowly. “Let’s run some scenarios. What do you do when a man asks you to get on your knees for him?” “Get on my knees,” I answer, my voice hoarse. “And when he tells you to unfasten his pants and take out his cock?” “Do as he says.” She nods, studying me closely. “And then what?” Bite his dick off.

Stop it," spluttered Eustace, "go away. Put that thing away. It's not safe. Stop it, I say. I'll tell Caspian. I'll have you muzzled and tied up." "Why do you not draw your own sword, poltroon!" cheeped the Mouse. "Draw and fight or I'll beat you black and blue with the flat." "I haven't got one," said Eustace. "I'm a pacifist. I don't believe in fighting." "Do I understand," said Reepicheep, withdrawing his sword for a moment and speaking very sternly, "that you do not intend to give me satisfaction?

This is the legend of Cassius Clay, The most beautiful fighter in the world today. He talks a great deal, and brags indeed-y, of a muscular punch that's incredibly speed-y. The fistic world was dull and weary, But with a champ like Liston, things had to be dreary. Then someone with color and someone with dash, Brought fight fans are runnin' with Cash. This brash young boxer is something to see And the heavyweight championship is his des-tin-y. This kid fights great; he’s got speed and endurance, But if you sign to fight him, increase your insurance. This kid's got a left; this kid's got a right, If he hit you once, you're asleep for the night. And as you lie on the floor while the ref counts ten, You’ll pray that you won’t have to fight me again. For I am the man this poem’s about, The next champ of the world, there isn’t a doubt. This I predict and I know the score, I’ll be champ of the world in ’64. When I say three, they’ll go in the third, 10 months ago So don’t bet against me, I’m a man of my word. He is the greatest! Yes! I am the man this poem’s about, I’ll be champ of the world, there isn’t a doubt. Here I predict Mr. Liston’s dismemberment, I’ll hit him so hard; he’ll wonder where October and November went. When I say two, there’s never a third, Standin against me is completely absurd. When Cassius says a mouse can outrun a horse, Don’t ask how; put your money where your mouse is! I AM THE GREATEST!

If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse and you say that you are neutral, the mouse will not appreciate your neutrality

Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.

Zade is quiet for a beat. “Happiness is fleeting. All that matters is that they’re living their life the way they want to.” “You believe that?” I ask, facing him. “That happiness is fleeting?” He shrugs, tossing the last bite of his cone into his mouth, and chews as he contemplates something. “Absolutely,” he says finally. “It’s not something solid you can hold on to. It’s vapor in the wind, and all you can do is inhale it when it’s near and hope it comes around again when it blows away.

Since when do politics affect a mammals ability to sustain a flame? That aside, who says a burning mouse can't run a distance of twelve feet?

I SEE THE GIRL WRITES IN GREEN CRAYON ON PINK PAPER WITH A MOUSE IN THE CORNER. THE MOUSE IS WEARING A DRESS. 'I ought to point out that she decided to do that so the Hogfather would think she was sweet,' said Susan. 'Including the deliberate bad spelling. But look, why are you ...' SHE SAYS SHE IS FIVE YEARS OLD. 'In years, yes. In cynicism, she's about thirty-five. Why are you doing the...' BUT SHE BELIEVES IN THE HOGFATHER? 'She'd believe in anything if there was a dolly in it for her.

Ac­cord­ing to the agent, the se­cret to get­ting fa­mous is you just keep say­ing yes.

He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.

When friends speak overmuch of times gone by, often it's because they sense their present time is turning them from friends to strangers. Long before the moment came to say goodbye, I think, we said goodbye in other words and ways and silences. Then when the moment came for it at last, we didn't say it as should be said by friends. So now at last, dear Mouse, with many, many years between: goodbye.

Dear Bill (O'Reilly)...I am concerned that you have been losing touch with reality recently. Did you really say you are more powerful than any politician? That reminds me of the famous story about Squeaky the Chicago Mouse. It seems that Squeaky was floating on his back along the Chicago River one day. Approaching the Michigan Avenue lift bridge, he called out: Raise the bridge! I have an erection!

I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.

...I heard Molly say, 'Our Mouse is a hundred miles away.' But I wasn't as far away as that; I was in a dimly lit street somewhere in Hampstead.

MY NAME IS Mouse and I am a Good Dog. Everyone says so.

You’re supposed to say I smell like flowers.” “Baby, there are flowers out there that smell like straight ass. So sure, you smell like those flowers.

What you hear in the forest but cannot see might be a tiger. It might even be a conspiracy of tigers, each hungrier and more vicious than the other, led by a crocodile. But it might not be, too. If you turn and look, perhaps you’ll see that it’s just a squirrel. (I know someone who was actually chased by a squirrel.) Something is out there in the woods. You know that with certainty. But often it’s only a squirrel. If you refuse to look, however, then it’s a dragon, and you’re no knight: you’re a mouse confronting a lion; a rabbit, paralyzed by the gaze of a wolf. And I am not saying that it’s always a squirrel. Often it’s something truly terrible. But even what is terrible in actuality often pales in significance compared to what is terrible in imagination. And often what cannot be confronted because of its horror in imagination can in fact be confronted when reduced to its-still-admittedly-terrible actuality.

You could have mentioned that this kid never sleeps,” Tim calls from the living room. We go in to find him slumped in the easy chair next to the pulled-out sofa bed. Andy’s sprawled out on the bed, long tan legs in a V, George gathered in her arms. Duff, still in his clothes, lies across the bottom, Harry curled in a ball on the pillow under Andy’s outstretched leg. Safety, as much as could be found, must have lain in numbers.Patsy’s fingering Tim’s nose and pulling on his bottom lip, her eyes wide-blue open. “Sorry, man,” Jase says. “She’s usually good to go at bedtime.” “Do you have any idea how many times I’ve read If You Give a Mouse a Cookie to this kid? That is one fucked-up story. How is that a book for babies?” Jase laughs. “I thought it was about babysitting.” “Hell no, it’s addiction. That friggin’ mouse is never satisfied. You give him one thing, he wants something else, and then he asks for more and on and on and on. Fucked up. Patsy liked it, though. Fifty thousand times.” Tim yawns, and Patsy snuggles more comfortably onto his chest, grabbing a handful of shirt. “So what’s doin’?” We tell him what we know—nothing—then put the baby in her crib. She glowers, angry and bewildered for a moment, then grabs her five pacifiers, closes her eyes with a look of fierce concentration, and falls very deeply asleep.

People always say to me "What do you think you'd like to be When you grow up?" And I say, "Why, I think I'd like to be the sky Or be a plane or train or mouse Or maybe a haunted house Or something furry, rough and wild... Or maybe I will stay a child.

mouse was always depressed because he was afraid of cats. A great wizard took pity on him and turned him into a cat. Then he started to be afraid of dogs, and so the wizard turned him into a dog. Then he began to fear tigers. The wizard, who was very patient, used his powers to turn him into a tiger. Then he was afraid of hunters. Finally, the wizard gave up and turned him back into a mouse, saying: “Nothing I do will help you, because you never understood your growth. You are better being what you always were.

Such a small question, little mouse. Why. Yet, such a large answer. Suffice it to say that the gods are at war. And when the gods make war, it's we little mice who pay the price.” ~Dal Durvaas, The Living Gods

ODE TO THE WORD PUSSY I could devote my time to justifying your name by defending the feline. But what about the lioness, I might say, colossal queen of the animal kingdom, or even a house cat, twitching mouse caught in its claws, how could my body not be that? But

Mon Dieu, look, look," says Antoinette. "He lives. He lives! And he seems such the happy mouse." "Forgiven," whispers Lester. "Cripes," says Furlough, "unbelievable." "Just so," says the threadmaster, Hovis, smiling. "Just so." And, reader, it is just so. Isn't it?

IT IS SO EASY TO GIVE IN I have been thinking about the man who gives in. Have you heard about him? In this story A twenty-eight-foot pine meets a small wind And the pine bends all the way over to the ground. I was persuaded,” the pine says. “It was convincing.” A mouse visits a cat, and the cat agrees To drown all her children. “What could I do?” The cat said. “The mouse needed that.” It’s strange. I’ve heard that some people conspire In their own ruin. A fool says, “You don’t Deserve to live.” The man says, “I’ll string this rope Over that branch, maybe you can find a box.” The Great One with her necklace of skulls says, I need twenty thousand corpses.” “Tell you what,” The General says, “we have an extra battalion Over there on the hill. We don’t need all these men.

But it was as if a tiny animal living in the corner of my mind, smaller than a mouse, smaller than an ant, and unobtrusive even considering its size, was saying, 'Bullshit.

Saying he’ll grow up to be a demon just because his dad became one is like saying a mouse with its tail cut off will give birth to tailless mice. No. Upbringing is everything

You shouldn’t litter,” I say hoarsely, earning a slight grin in return. He bends and picks up the cigarette butt and deposits it in his pocket. “Sorry, baby,” he rasps. “Won’t happen again.

What are you feeling right now?" he asks softly. My breathing escalates. "Confined." "Trapped?" he volleys back. My mouth tightens because while a part of me wants to say yes, the truth is that I don't. I feel... safe. Protected. Treasured. "One day, you will realize that you are not trapped in a prison," he murmurs roughly. "You are in my church where I am your God, and you are my equal. I'm not a jail, little mouse, I am your sanctuary.

Grimm: Cat and Mouse (#1.18)" (2012) Edgar Waltz: You may think I'm a monster, but what I am is necessary. No society would survive without order. Free thought is not free. There's no such thing as revolution. The oppressed always become the oppressors and the cycle repeats itself over and over. The only way to win is to stay out of the cycle. You don't understand a word that I've been saying. Rosalee Calvert: I'm sorry. I wasn't listening.

Try a little experiment. Close your eyes and say to yourself: “I wonder what my next thought is going to be.” Then become very alert and wait for the next thought. Be like a cat watching a mouse hole. What thought is going to come out of the mouse hole? Try it now.

Her nervous, wild eyes boomeranging back to me every few seconds, almost as if she’s waiting for me to say something. Sexy little mouse. The woman defines the meaning of sex appeal hidden under her good girl persona. I just bet she’s terrified to step outside of the box she’s been told she can never come out of to have a little fun. Lucky for Delaney Sloan, she’s met me now. I don’t believe in boxes or holding back if I want something. Or someone. And I want to fuck her again. Badly, as it turns out.

Yes. You couldn’t make anyone else happy. He tried to tell himself that, and drink through the buzzing little voice saying that, for a few short weeks, he actually had made someone else happy. And Owen had made him happy too.

People are assholes, Mouse. You already know that.” He paused as he scooped some of my hair back, gently tossing the strands over my shoulder. “And there’s nothing to be embarrassed about.” I glanced over at him. Everything about his steady gaze and the serious press of his lips screamed earnest. But he was wrong. “It is...embarrassing.” “Not if you don’t let it be.” His leg brushed mine as he turned in his seat, facing me. Our eyes met. “You have the power over that. People can say crap. They can think whatever they want, but you control how you feel about it.

Ponder and his fellow students watched Hex carefully. 'It can't just, you know, stop,' said Adrian 'Mad Drongo' Tumipseed. 'The ants are just standing still,' said Ponder. He sighed. 'All right, put the wretched thing back.' Adrian carefully replaced the small fluffy teddy bear above Hex's keyboard. Things immediately began to whirr. The ants started to trot again. The mouse squeaked. They'd tried this three times. Ponder looked again at the single sentence Hex had written. +++ Mine! Waaaah +++ 'I don't actually think,' he said, gloomily, 'that I want to tell the Archchancellor that this machine stops working if we take its fluffy teddy bear away. I just don't think I want to live in that kind of world.' 'Er,' said Mad Drongo, 'you could always, you know, sort of say it needs to work with the FTB enabled... 'You think that's better?' said Ponder, reluctantly. It wasn't as if it was even a very realistic interpretation of a bear. 'You mean, better than "fluffy teddy bear"?' Ponder nodded. 'It's better,' he said.

One of the most stupid things in life is not to enter the door which is wide open just because of the fear that this door will be shut and going back will be impossible! Have some courage, because even a harvest mouse leaves his hole to discover new places!

Run after an elephant and you will find out why you are not a mouse.

Grown-up people find it very difficult to believe really wonderful things, unless they have what they call proof. But children will believe almost anything, and grown-ups know this. That is why they tell you that the earth is round like an orange, when you can see perfectly well that it is flat and lumpy; and why they say that the earth goes round the sun, when you can see for yourself any day that the sun gets up in the morning and goes to bed at night like a good sun it is, and the earth knows its place, and lies as still as a mouse.

Are you afraid of the tigers? Do you hear them padding all round you on their fierce fine velvet feet? The speed of growth of tigers in the nightland is a thing which ought to be investigated some time by the competent authority. You start off with one, about the size of a mouse, and before you know where you are he’s twice the size of the Sumatra tiger which defeats all comers in that hemisphere. And then, before you can say Knife (not a very tactful thing to say in the circumstances anyhow), all his boy and girl friends are gathered round, your respectable quiet decorous docile night turns itself into a regular tiger-garden.

There is a hole in the universe. It is not like a hole in a wall where a mouse slips through, solid and crisp and leading from somewhere to someplace. It is rather like a hole in the heart, an amorphous and edgeless void. It is a heartfelt absence, a blank space where something is missing, a large and obvious blind spot in our understanding of the universe. That missing something, strange to say, is a grasp of nothing itself. Understanding nothing matters, because nothing is the all-important background upon which everything else happens.

Grown-up people find it difficult to believe really wonderful things, unless they have what they call proof. But children will believe almost anything, and grown-ups know this. That is why they tell you that the earth is round like an orange, when you can see perfectly well that it is flat and lumpy; and why they say that the earth goes round the sun, when you can see for yourself any day that the sun gets up in the morning and goes to bed at night like a good sun as it is, and the earth knows its place, and lies as still as a mouse. Yet I daresay you believe all that about the earth and the sun, and if so you will find it quite easy to believe that before Anthea and Cyril and the others had been a week in the country they had found a fairy.

How long does a mouse live?" "Ah," she said. "I've been waiting for you to ask me that." There was a silence. She sat there smoking away and gazing at the fire. "Well," I said. "How long do we live, us mice?" "I have been reading about mice," she said. "I have been trying to find out everything I can about them." "Go on then, Grandmamma. Why don't you tell me?" "If you really want to know," she said, "I'm afraid a mouse doesn't live for a very long time." "How long?" I asked. "Well, an ordinary mouse only lives for about three years," she said. "But you are not an ordinary mouse. You are a mouse-person, and that is a very different matter." "How different?" I asked. "How long does a mouse-person live, Grandmamma?" "Longer," she said. "Much longer." "A mouse-person will almost certainly live for three times as long as an ordinary mouse," my grandmother said. "About nine years." "Good!" I cried. "That's great! It's the best news I've ever had!" "Why do you say that?" she asked, surprised. "Because I would never want to live longer than you," I said. "I couldn't stand being looked after by anybody else." There was a short silence. She had a way of fondling me behind the ears with the tip of one finger. It felt lovely. "How old are you, Grandmamma?" I asked. "I'm eighty-six," she said. "Will you live another eight or nine years?" "I might," she said. "With a bit of luck." "You've got to," I said. "Because by then I'll be a very old mouse and you'll be a very old grandmother and soon after that we'll both die together." "That would be perfect," she said.

Americans say all men created equal. These words very good. Make men feel special. They know is not true, not really, but they always say is true, and they point to these words and say, Ideas like this make us strong. They turn mouse into bear. They turn dog into bear. Everything can become strong like bear if you think with American brains. But if everything is bear, what do bears eat? Americans

476. Children do not learn that books exist, that armchairs exist, etc.,etc. - they learn to fetch books, sit in armchairs, etc.,etc. Later, questions about the existence of things do of course arise, "Is there such a thing as a unicorn?" and so on. But such a question is possible only because as a rule no corresponding question presents itself. For how does one know how to set about satisfying oneself of the existence of unicorns? How did one learn the method for determining whether something exists or not? 477. "So one must know that the objects whose names one teaches a child by an ostensive definition exist." - Why must one know they do? Isn't it enough that experience doesn't later show the opposite? For why should the language-game rest on some kind of knowledge? 478. Does a child believe that milk exists? Or does it know that milk exists? Does a cat know that a mouse exists? 479. Are we to say that the knowledge that there are physical objects comes very early or very late?

I suppose cats have sayings like... "A dead mouse...has no entertainment value." How's that? Doesn't exactly trip off the tongue, does it? Okay, how about..."Red sky at night, time for a nap...red sky in the morning... time for a nap.

Okay, let’s say you’re a cat and Hadrian’s a dog and you want to make him happy. You give him a dead mouse and are surprised when he isn’t thrilled. The problem is that you need to see the world through the eyes of a dog to understand what’s best for him. If you did, you would see that a nice juicy bone would be a better choice, even though to a cat it’s not very appealing.

Try a little experiment. Close your eyes and say to yourself: “I wonder what my next thought is going to be.” Then become very alert and wait for the next thought. Be like a cat watching a mouse hole. What thought is going to come out of the mouse hole?

...and also celebrate the Skill of the Scythians in that Art, who sent once to Darius King of Persia an Embassador that made him a present of a Bird, a Frog, a Mouse, and five Arrows, without speaking one word; and being ask'd what those Presents meant, and if he had Commission to say any thing, answer'd that he had not; Which puzzl'd and gravell'd Darius very much; till Gobrias, one of the seven Captains that had kil'd the Magi explain'd it, saying to Darius, By these Gifts and Offerings the Scythians silently tell you, that except the Persians like Birds fly up to Heaven, like Mice hide themselves near the Centre of the Earth, or like Frogs dive to the very bottom of Ponds and Lakes, they shall be destroyed by the Power and Arrows of the Scythians.

Wait and wonder when we will return, mouse - then you will really see what a battle is like." Simeon turned his head in the direction of Graypatch's voice. "Alas, I will never see anything for I am blind; but I can sense a lot. I can feel you are both evil and desperate. They say you have only one eye. I am surprised at you—even a fool with half an eye could see that you will never triumph against good if you are evil.

Dude, stop trying so hard.” She kneeled until she was at eye level with the cage. The mouse kicked around with its little legs, its tail flopping back and forth. “You’re supposed to be bad at this. And I’m supposed to write a dissertation about how bad you are. And then you get a chunk of cheese, and I get a real job that pays real money and the joy of saying ‘I’m not that kind of doctor’ when someone is having a stroke on my airplane.

Of course, there are crude messages. Vile ones. Ones that don’t seem like they cam from a real human being at all, but some computer program designed to say things no person should say to another person. I read all of those too, like Pringles- they might be terrible for you, but once you pop, you can’t stop. This is a rollercoaster that only goes down. Near the end I feel like a hollow shell clicking a mouse, scanning words with aching eyes.

The machine seemed to understand time and space, but it didn’t, not as we do. We are analog, fluid, swimming in a flowing sea of events, where one moment contains the next, is the next, since the notion of “moment” itself is the illusion. The machine—it—is digital, and digital is the decision to forget the idea of the infinitely moving wave, and just take snapshots, convincing yourself that if you take enough pictures, it won’t matter that you’ve left out the flowing, continuous aspect of things. You take the mimic for the thing mimicked and say, Good enough. But now I knew that between one pixel and the next—no matter how densely together you packed them—the world still existed, down to the finest grain of the stuff of the universe. And no matter how frequently that mouse located itself, sample after sample, snapshot after snapshot—here, now here, now here—something was always happening between the here’s. The mouse was still moving—was somewhere, but where? It couldn’t say. Time, invisible, was slipping through its digital now’s.

January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.

They’s no use kiddin’ ourself any more,’ said Tommy Haley. ‘He might get down to thirty-seven in a pinch, but if he done below that a mouse could stop him. He’s a welter; that’s what he is and he knows it as well as I do. He’s growed like a weed in the last six mont’s. I told him, I says, “If you don’t quit growin’ they won’t be nobody for you to box, only Willard and them.” He says, “Well, I wouldn’t run away from Willard if I weighed twenty pounds more.”’ ‘He must hate himself,’ said Tommy’s brother. ‘I never seen a good one that didn’t.

There was plenty going on in and around the town. With the War Effort there used to be parties and dances, travelling circuses, fairs, cinemas and the like to cheer people up. There weren’t many men about. “Our boys are away fighting” the women used to say. Things went onto rationing and everyone was given a gas mask. Mine was a pink one called a Mickey Mouse mask.

With one Like I can say hi to a friend, support them during a crisis, share in a joke, make someone happy, or reinforce a person’s self esteem.  I make myself part of their world.  It’s like I stopped by for coffee.  But, by Liking, I can also avoid talking to all the people I don’t want to waste time on.  Or I can check to see what my ex-girlfriend is doing seven or eight times an hour.  It’s a double-edged mouse click.

21.  If he is secure at all points, be prepared for him. If he is in superior strength, evade him. 22.  If your opponent is of choleric temper, seek to irritate him. Pretend to be weak, that he may grow arrogant. [Wang Tzu, quoted by Tu Yu, says that the good tactician plays with his adversary as a cat plays with a mouse, first feigning weakness and immobility, and then suddenly pouncing upon him.] 23.  If he is taking his ease, give him no rest. [This is probably the meaning though Mei Yao-ch’en has the note: “while we are taking our ease, wait for the enemy to tire himself out.” The YU LAN has “Lure him on and tire him out.”] If his forces are united, separate them. [Less plausible is the interpretation favored by most of the commentators: “If sovereign and subject are in accord, put division between them.”] 24.  Attack him where he is unprepared, appear where you are not expected. 25.  These military devices, leading to victory, must not be divulged beforehand. 26.  Now the general who wins a battle makes many calculations in his temple ere the battle is fought. [Chang Yu tells us that in ancient times it was customary for a temple to be set apart for the use of a general who was about to take the field, in order that he might there elaborate his plan of campaign.] The general who loses a battle makes but few calculations beforehand. Thus do many calculations lead to victory, and few calculations to defeat: how much more no calculation at all! It is by attention to this point that I can foresee who is likely to win or lose.

His were always lighthearted notes from the places they'd visited, scrawled in the limited space on the back of the cards, whereas hers tended to be longer and slightly rambling, unrestricted by the confines of paper. But sitting there with the cursor blinking at him, he wasn't sure what to say. There was something too immediate about an e-mail, the idea that she might get it in mere moments, that just one click of the mouse would make it appear on her screen in an instant, like magic. He realized how much he preferred the safety of a letter, the physicality of it, the distance it had to cross on its way from here to there, which felt honest and somehow more real.

Say something.” I struggled to get the word out. “What?” “My name.” I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.” His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders. And then his arms were around me. My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest. Whoa. His hugs were most definitely different than they were when we were twelve. “Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.” I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.

He was suddenly thrilled to see his private, personal star arise in the east. This was a particular star his nanny had chosen for him as a child. As a child, he would sometimes talk to this star, but only when he was his most serious, real self, and not being any sort of a show-off or clown. As he grew up, the practice had somehow worn off. He looked up at his old friend as if to say, “You see my predicament.” The star seemed to respond, “I see.” Abel next put the question: “What shall I do?” The star seemed to answer, “You will do what you will do.” For some reason this reply strengthened Abel’s belief in himself. Sleep gently enfolded him. The constellations proceeded across the hushed heavens as if tiptoeing past the dreaming mouse on his high branch.

Don't tell me from genetics. What've they got to do with it?" said Crowley. "Look at Satan. Created as an angel, grows up to be the Great Adversary. Hey, if you're going to go on about genetics, you might as well say the kid will grow up to be an angel. After all, his father was really big in Heaven in the old days. Saying he'll grow up to be a demon just because his dad became one is like saying a mouse with its tail cut off will give birth to tailless mice. No. Upbringing is everything. Take it from me.

Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away." "Come kiss me awake in seventeen minutes." She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest. He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?" She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at. He sighed. "That was a no. How much longer am I going to be on the fence with you?" "Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone. He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up." She leaned her chin against her hand, looking down at him. "I like you, Jack." "You just figured that out?" "I'll like you more when you catch my mouse." "The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide." Or you could move your left hand about three inches to the right right and catch her." Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it." "You're horrible." He smiled. "I'm serious." "So am I." Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops." "That wasn't fair. You scared my mouse." Jack set the kitten on the floor. "Benji, go get her mouse." The kitten took off after it. "You're teaching her to be a mouser." "Working on it. Come here. You owe me a kiss for the new year." "Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff." He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year." She glanced at the muted television. "That's two minutes away." "Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow. She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered. "Next year will be even better." "Really? Promise?" "Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?" She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?" "A rare find." He smiled. "Like you." "That sounds like a bit of honey." "I'm good at being mushy." "Oh, really?" He glanced over her shoulder. "Turn up the TV. There's the countdown." She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve. "Tell me I didn't see what I think I just did." "I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?

So now I lye by Day and toss or rave by Night, since the ratling and perpetual Hum of the Town deny me rest: just as Madness and Phrensy are the vapours which rise from the lower Faculties, so the Chaos of the Streets reaches up even to the very Closet here and I am whirl'd about by cries of Knives to Grind and Here are your Mouse-Traps. I was last night about to enter the Shaddowe of Rest when a Watch-man, half-drunken, thumps at the Door with his Past Three-a-clock and his Rainy Wet Morning. And when at length I slipp'd into Sleep I had no sooner forgot my present Distemper than I was plunged into a worse: I dreamd my self to be lying in a small place under ground, like unto a Grave, and my Body was all broken while others sung. And there was a Face that did so terrifie me that I had like to have expired in my Dream. Well, I will say no more.

Try a little experiment. Close your eyes and say to yourself: “I wonder what my next thought is going to be.” Then become very alert and wait for the next thought. Be like a cat watching a mouse hole. What thought is going to come out of the mouse hole? Try it now. Well? I had to wait for quite a long time before a thought came in. Exactly. As long as you are in a state of intense presence, you are free of thought. You are still, yet highly alert. The instant your conscious attention sinks below a certain level, thought rushes in. The mental noise returns; the stillness is lost. You are back in time.

Four billion people on this earth, but my imagination is the way it's always been: bad with large numbers. It is still moved by particularity. It flits about the darkness like a flashlight beam, disclosing only random faces, while the rest go blindly by, unthought of, unpitied. Not even a Dante could have stopped that. So what do you do when you're not, even with all the muses on your side? Non omnis moriar—a premature worry. Yet am I fully alive, and is that enough? It never has been, and even less so now. I select by rejecting, for there's no other way, but what I reject, is more numerous, more dense, more intrusive than ever. At the cost of untold losses—a poem, a sigh. I reply with a whisper to a thunderous calling. How much I am silent about I can't say. A mouse at the foot of mother mountain. Life lasts as long as a few lines of claws in the sand. My dreams—even they are not as populous as they should be. There is more solitude in them than crowds or clamor. Sometimes someone long dead will drop by for a bit. A single hand turns a knob. Annexes of echo overgrow the empty house. I run from the threshold down into the quiet valley seemingly no one's—an anachronism by now. Where does all this space still in me come from— that I don't know.

Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.

Dormouse had closed its eyes by this time, and was going off into a doze; but, on being pinched by the Hatter, it woke up again with a little shriek, and went on: '--that begins with an M, such as mouse-traps, and the moon, and memory, and muchness-- you know you say things are "much of a muchness"--did you ever see such a thing as a drawing of a muchness?' 'Really, now you ask me,' said Alice, very much confused, 'I don't think--' 'Then you shouldn't talk,' said the Hatter. This piece of rudeness was more than Alice could bear: she got up in great disgust, and walked off; the Dormouse fell asleep instantly, and neither of the others took the least notice of her going, though

Whoa," says Michael. "What is it?" I ask. Michael shakes his head in disbelief. He points at the screen. "Wil Wheaton saw an I Kill the Mockingbird flyer and tweeted about it." "Wil Wheaton?" I say. "Wil Wheaton!" Michael says again. "Wil Wheaton!" "Who is Wil Wheaton?" "Wil Wheaton!" "Michael," says Elena, "no matter how many times you say his name we still don't know who you're talking about." "He's a gamer!" Michael takes the mouse from Elena and clicks on Wil Wheaton's profile. "He's a total geek hero! He's an author and an actor. He used to be on STAR TREK." I point to the description that Wil Wheaton has written about himself. "It says here that he's just a guy." "Just a guy who used to be on STAR TREK!" says Michael.

I have none of the sense of decorum, the modesty, or the pessimism of my relatives, and none of their fear of what people will say, of extravagance, or of God. I don’t speak or write apologetically, instead I’m rather grandiloquent, and I like attracting attention. That is, I simply am as I am today, after a lot of living. In my childhood I was a strange little insect; in adolescence, a shy mouse—for many years my nickname was Laucha, which was what we called our ordinary household mice—and in my youthful years I was everything from a rabid feminist to a flower-crowned hippie. My worst flaw is that I tell secrets, my own and everybody else’s. In short, a disaster. If I lived in Chile no one would speak to me. But one thing I am is hospitable.

“Esa chica esta bien caliente.” Hector laughed as Rider shook his head. Ainsley stiffened across from me. She was pretty fluent in Spanish and even though Hector was Puerto Rican, I had a feeling she was getting the general gist of whatever he was saying and she was not happy about it. “Me gustaria a llevarla a mi casa y comermela.” Ainsley cocked her head to the side as she brushed her long, blond hair over her shoulder. “Gracias! Pero no hay ni una parte de mi que tu te vas a comer.” Hector’s eyes widened. Rider threw his head back and burst into laughter. “Oh, shit. Priceless.” “What?” Ainsley blinked big eyes at the stunned Hector. “You think some white chick can’t possibly understand another language so you’re going to sit in front of me and talk about me like I’m not here?” Her smile was brittle and fake. “Bitch, please.” “Man...” Hector sat back, slowly shaking his head as he stared at her. “You’re...brutal.” “Damn straight,” she replied, her eyes like chips of blue ice. Whatever yumminess she’d seen in Hector was completely out the window now. “And you’re a mal criado.” Hector’s eyes narrowed. “I really like your friend, Mouse.” Still chuckling, Rider winked at me. “She basically called him a classless ass, and I agree.

Never Ending Math Equation" I'm the same as I was when I was 6 years old And oh my God I feel so damn old I don't really feel anything On a plane, I can see the tiny lights below And oh my God, they look so alone Do they really feel anything? Oh my God, I've gotta gotta gotta gotta move on Where do you move when what you're moving from Is yourself? The universe works on a math equation that never even ever really even ends in the end Infinity spirals out creation We're on the tip of its tongue, and it is saying We ain't sure where you stand You ain't machines and you ain't land And the plants and the animals, they are linked And the plants and the animals eat each other Oh my God and oh my cat I told my Dad what I need Well I know what I have and want But I don't know what I need Well, he said he said he said he said "Where we're going I'm dead.

One day a few houses appeared," said Toshaway. "Someone had been cutting the trees. Of course we did not mind, in the same way you would not mind if someone came into your family home, disposed of your belongings, and moved in their own family. But perhaps, I don't know. Perhaps white people are different. Perhaps a Texan, if someone stole his house, he would say: 'Oh, I have made a mistake, I have built this house, but I guess you like it also so you may have it, along with all this good land that feeds my family. I am but a kahuu, little mouse. Please allow me to tell you where my ancestors lie, so you may dig them up and plunder their graves.' Do you think that is what he would say, Tiehteti-taibo?" That was my name. I shook my head. "That's right," said Toshaway. "He would kill the men who had stolen his house. He would tell them, 'Itsa nu kahni. Now I will cut out your heart.

I AM RAPHAEL, ONE OF THE SEVEN ARCHANGELS WHO PASS IN and out of the presence of the Holy One, blessed be he. I bring him the prayers of all who pray and of those who don’t even know that they’re praying. Some prayers I hold out as far from me as my arm will reach, the way a woman holds a dead mouse by the tail when she removes it from the kitchen. Some, like flowers, are almost too beautiful to touch, and others so aflame that I’d be afraid of their setting me on fire if I weren’t already more like fire than I am like anything else. There are prayers of such power that you might almost say they carry me rather than the other way round—the way a bird with outstretched wings is carried higher and higher on the back of the wind. There are prayers so apologetic and shamefaced and halfhearted that they all but melt away in my grasp like sad little flakes of snow. Some prayers are very boring.

Down, down, down. There was nothing else to do, so Alice soon began talking again. "Dinah'll miss me very much to-night, I should think!" (Dinah was the cat.) "I hope they'll remember her saucer of milk at tea-time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I'm afraid, but you might catch a bat, and that's very like a mouse, you know. But do cats eat bats, I wonder?" And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, "do cats eat bats? Do cats eat bats?" and sometimes, "do bats eat cats?" for, you see, as she couldn't answer either question, it didn't much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, "Now, Dinah, tell me the truth: did you ever eat a bat?" when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall was over.   Alice

Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.

He grabbed her by the shoulders and stared into her soul with his madly hypnotic eyes, the same color as his chemical birthplace. “Would you die for me?” he asked. Quinzel nodded with certainty. “Yes.” “No. That’s too easy.” He leaned in closer, his eyes drawing her in. “Would you live for me?” He then smiled The Smile, and it scared the hell out of her. Quinzel trembled. There was a power about him she could not deny, and she wanted that power to ravage her. He was a lion about to swallow a mouse, and she could hardly wait another instant to be devoured. But he wouldn’t let her go. Not now. Not yet. “Will you embrace me and only me?” he demanded. She nodded vigorously. Of course. There’ll never be anyone else. “Will you bind your spirit to mine, in hate?” If not you, who else? Bind me. Bind me any way you want. “Do you consign your soul to me?” Duh. What do you think I’ve been trying to do? C’mon. Let’s do this already. “Do you laugh at the world in disgust?” Always have. Always will. ’Specially if we can laugh at it together. All she said to him was, “Yes.” Joker backed away. He stared at her, studied her. He was the doctor now, and she the patient, but he still needed to make sure. “Do not say this oath thoughtlessly,” he said, his expression serious. “Desire becomes surrender. Surrender becomes power. Do you want it? Do you really want it?” She looked at him with undying love in her eyes. “I do,” she joyously said. “I do.” “Then goodbye, Dr. Quinzel.” He

Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.

A newly formed planet appeared on the large screen. its surface was till red-hot, like a piece of charcoal fresh out of the furnace. Time passed at the rate of geological eras, and the planet gradually cooled. The color and patterns on the surface slowly shifted in a hypnotic manner. A few minutes later, an orange planet appeared on the screen, indicating the end of the simulation run. "The computations were done at the coarsest level; to do it with more precision would require over a month." Green Glasses moved the mouse and zoomed in on the surface of the planet. The view swept over a broad desert, over a cluster of strangely shaped, towering mountain peaks, over a circular depression like an impact crater. "What are we looking at?" Yang Dong asked. "Earth. Without life, this is what the surface of the planet would look like now." "But . . . where are the oceans?" "There are no oceans. No rivers either. The entire surface is dry." "Your'e saying that without life, liquid water would not exist on Earth?" "The reality would probably be even more shocking. Remember, this is only a coarse simulation, but at least you can see how much of an impact life had in the present state of the Earth." "But--" "Do you think life is nothing but a fragile, thin, soft shell clinging to the surface of this planet?" "Isn't it?" "Only if you neglect the power of time. If a colony of ants continue to move clods the size of grains of rice, they could remove all of Mount Tai in a billion years. As long as you give it enough time, life is stronger than metal and stone, more powerful than typhoons and volcanoes.

The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ... Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short. Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state. Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ... Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively. Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room. There's often a brilliant overfocussing. ("Introduction")

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.

Strong underneath, though!’ decided Julian. ‘There’s no softness there, if you ask me. I think Emma’s got authority but it’s the best sort. It’s quiet authority . . .’ ‘Rita wasn’t exactly loud, Martin!’ Elizabeth pointed out, rather impatiently. ‘I bet Rita was very like Emma before she was elected head girl. Was she, Belinda? You must have been at Whyteleafe then.’ Belinda had been at Whyteleafe longer than the others. She had joined in the junior class. She frowned now, deep in thought. ‘Why, Elizabeth, I do believe you’re right! I remember overhearing some of the teachers say that Rita was a bit too young and as quiet as a mouse and might not be able to keep order! But they were proved wrong. Rita was nervous at the first Meeting or two. But after that she was such a success she stayed on as head girl for two years running.’ ‘There, Martin!’ said Elizabeth. ‘Lucky the teachers don’t have any say in it then, isn’t it?’ laughed Julian. ‘I think all schools should be run by the pupils, the way ours is.’ ‘What about Nora?’ asked Jenny, suddenly. ‘She wouldn’t be nervous of going on the platform.’ ‘She’d be good in some ways,’ said Belinda, her mind now made up, ‘but I don’t think she’d be as good as Emma . . .’ They discussed it further. By the end, Elizabeth felt well satisfied. Everyone seemed to agree that Thomas was the right choice for head boy. And apart from Martin, who didn’t know who he wanted, and Jenny, who still favoured Nora, everyone seemed to agree with her about Emma. Because of the way that Whyteleafe School was run, in Elizabeth’s opinion it was extremely important to get the right head boy and head girl. And she’d set her heart on Thomas and Emma. She felt that this discussion was a promising start. Then suddenly, near the end of the train journey, Belinda raised something which made Elizabeth’s scalp prickle with excitement. ‘We haven’t even talked about our own election! For a monitor to replace Susan. Now she’s going up into the third form, we’ll need someone new. We’ve got Joan, of course, but the second form always has two.’ She was looking straight at Elizabeth! ‘We all think you should be the other monitor, Elizabeth,’ explained Jenny. ‘We talked amongst ourselves at the end of last term and everyone agreed. Would you be willing to stand?’ ‘I – I—’ Elizabeth was quite lost for words. Speechless with pleasure! She had already been a monitor once and William and Rita had promised that her chance to be a monitor would surely come again. But she’d never expected it to come so soon! ‘You see, Elizabeth,’ Joan said gently, having been in on the secret, ‘everyone thinks it was very fine the way you stood down in favour of Susan last term. And that it’s only fair you should take her place now she’s going up.’ ‘Not to mention all the things you’ve done for the school. Even if we do always think of you as the Naughtiest Girl!’ laughed Kathleen. ‘We were really proud of you last term, Elizabeth. We were proud that you were in our form!’ ‘So would you be willing to stand?’ repeated Jenny. ‘Oh, yes, please!’ exclaimed Elizabeth, glancing across at Joan in delight. Their classmates wanted her to be a monitor again, with her best friend Joan! The two of them would be second form monitors together. ‘There’s nothing I’d like better!’ she added. What a wonderful surprise. What a marvellous term this was going to be! They all piled off at the station and watched their luggage being loaded on to the school coach. Julian gave Elizabeth’s back a pat. There was an amused gleam in his eyes. ‘Well, well. It looks as though the Naughtiest Girl is going to be made a monitor again. At the first Meeting. When will that be? This Saturday? Can she last that long without misbehaving?’ ‘Of course I can, Julian,’ replied Elizabeth, refusing to be amused. ‘I’m going to jolly well make certain of that!’ That, at least, was her intention.