Motorcycle Detailing Quotes

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The application of this knife, the division of the world into parts and the building of this structure, is something everybody does. All the time we are aware of millions of things around us - these changing shapes, these burning hills, the sound of the engine, the feel of the throttle, each rock and weed and fence post and piece of debris beside the road - aware of these things but not really conscious of them unless there is something unusual or unless they reflect something we are predisposed to see. We could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and calls consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
Steele could be so completely still, it felt like he could disappear. His energy would get so low that you could forget he was in your space. He never missed anything when he was like that. He took in the smallest detail.
Christine Feehan (Vengeance Road (Torpedo Ink, #2))
She knew every scar, every tattoo. She had traced every one of those scars and tattoos with her tongue. With her fingertips. She'd memorized them until they were etched so deeply in her brain, she could have drawn them and gotten every detail perfect.
Christine Feehan (Vengeance Road (Torpedo Ink, #2))
The New York power failure was not the first time the Hell's Angels have confounded the forces of decency and got off scot-free. They are incredibly devious. Law enforcement officials have compared their guile to that of the snipe, a wily beast that many have seen but few have ever trapped. This is because the snipe has the ability to transform himself, when facing capture, into something entirely different. The only other animals capable of this are the werewolf and the Hell's Angel, which have many traits in common. The physical resemblance is obvious, but far more important is the transmogrification factor, the strange ability to alter their own physical structure, and hence "disappear." The Hell's Angels are very close-mouthed about this, but it is a well-known fact among public officials. ... About halfway through our talk I got a strong whiff of the transmogrification factor, but I was hardly prepared for the mayor's special fillip on it. There were plenty of Hell's Angels at the riot, "but they escaped, " he explained, "behind a wall of fire." While he elaborated on this I checked my calendar to make sure I hadn't lost track of the days. If it was Sunday, perhaps he had just come back from church in a high, biblical state of mind. At any moment I expected to hear that the Angels had driven their motorcycles straight into the sea, which had rolled back to let them pass. But no, it wasn't like that. The mayor was not loath to give details of the escape; he wanted law enforcement agencies everywhere to be warned of the Angels' methods. Knowledge is power, he opined.
Hunter S. Thompson (Hell's Angels)
On a motorcycle, I learned to let go of the vast uncertainty and focus instead on what is in front of me: the surface of the road and the curve of it, the vehicles in front and behind, the wind and the rain and the wildlife peeking out of the grass. There are times when I struggle to manage every last detail as it whips pat me, to hold on to past and present and future simultaneously, but they're not mine to understand, or control. I have to remind myself, again and again, that only this is mine: this moment, this heartbeat, this decision.
Lily Brooks-Dalton (Motorcycles I've Loved: A Memoir)
I think it was Coleridge who said everyone is either a Platonist or an Aristotelian. People who can’t stand Aristotle’s endless specificity of detail are natural lovers of Plato’s soaring generalities. People who can’t stand the eternal lofty idealism of Plato welcome the down-to-earth facts of Aristotle.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
Many of my friends around the world express surprise at the Palestinian attachment to place of origin and concerns for family ties. Some even scoff at it and contrast it with their own open-armed acceptance of adventure, discovery, a nomadic lifestyle and residence in places that they choose and change according to their fancy, without the slightest regret at leaving family or even homeland behind. They remind me that the world is wider and more beautiful than 'our villages' and 'our families'. I understand this beautiful sense of the vastness of the world. Like them, I love movement, journeys, and living in new places. What these friends forget is that it is they who choose to distance themselves. They are the ones who take the decision and make the plans and then present their passports (recognized everywhere) and get on planes and trains and cars and motorcycles and go to places where three conditions that the Palestinian cannot meet are fulfilled: first, that it is their preference and choice to go to specifically these places; second, that these places always welcome them; and third and most important, that it is in their power to return to their home country whenever they desire and decide. The Palestinian forced to become a refugee, to migrate, and to go into exile from his homeland in the sixty years since the Nakba of 1948, or the forty since the June 1967 War, suffers miseries trying to obtain a document by which he will be recognized at borders. He suffers miseries trying to obtain a passport from another state because he is stateless and has to go through Kafkaesque interrogations before being granted entry visa to any place in the world, even the Arab states. The Palestinian is forbidden to enter his own country by land, sea, or air, even in a coffin. It is not a matter of romantic attachment to a place but of eternal exclusion from it. The Palestinian stripped of an original identity is a palm tree broken in the middle. My foreign friends have control over the details of their lives but a single Israeli solder can control the details of the life of any Palestinian. This is the difference. This is the story.
Mourid Barghouti (ولدت هناك .. ولدت هنا)
In any event, it was not many months later that my wife conceived, unexpectedly. After careful discussion we decided it was not something that should continue. I’m in my fifties. I didn’t want to go through any more child-raising experiences. I’d seen enough. So we came to our conclusion and made the necessary medical appointment. "Then something very strange happened. I’ll never forget it. As we went over the whole decision in detail one last time, there was a kind of dissociation, as though my wife started to recede while we sat there talking. We were looking at each other, talking normally, but it was like those photographs of a rocket just after launching where you see two stages start to separate from each other in space. You think you’re together and then suddenly you see that you’re not together anymore. "I said, 'Wait. Stop. Something’s wrong.' What it was, was unknown, but it was intense and I didn’t want it to continue. It was a really frightening thing, which has since become clearer. It was the larger pattern of Chris, making itself known at last. We reversed our decision, and now realize what a catastrophe it would have been for us if we hadn’t. "So I guess you could say, in this primitive way of looking at things, that Chris got his airplane ticket after all. This time he’s little girl named Nell and our life is back in perspective again. The hole in the pattern is being mended. A thousand memories of Chris will always be at hand, of course, but not a destructive clinging to some material entity that can never be here again. We’re in Sweden now, the home of my mother’s ancestors, and I’m working on a second book which is a sequel to this one. "Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn’t bother. There is always Chris’s silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things. "ooolo99ikl;i.,pyknulmmmmmmmmmm 111 "(This last line is by Nell. She reached around the corner of the machine and banged on the keys and then watched with the same gleam Chris used to have. If the editors preserve it, it will be her first published work.) " ...Robert M. Pirsig Gothenburg, Sweden 1984
Robert Pirsig, Zen and the Art of Motorcycle Maintenance
Sailor Sam,” a name that would not have meant much to American listeners, although British listeners, and anyone close enough to Paul to know the details of his expanded project list, recognized Sailor Sam as a Rupert Bear character—the sailor who lived on the edge of Nutwood and took Rupert on rides in the sidecar of his motorcycle
Allan Kozinn (The McCartney Legacy: Volume 1: 1969 – 73)
The self-balancing action of a motorcycle front end is a result of the combined effects of a number of details, including rake, trail, steering head rise and fall, mass shift, contact patch location, and tire profiles.
David L. Hough (Proficient Motorcycling: The Ultimate Guide to Riding Well)
Intuition is science. It is what happens when the brain sees two or more incongruous details and a narrative in the subconscious cannot be established. We pause before crossing a road and barely avoid getting killed by a motorcycle, or take the stairs rather than sharing a lift with a stranger who turns out to have murdered a nun. The story told afterwards is that a mystical force from the future sent a warning in the form of a feeling. Fear as foresight. We believe we are in tune with the transcendent. But this is bullshit. The only truth is that each sense is alive to narratives where pieces are missing, and we are very good at filling in the gaps. So. I know why I turned to examine the long nylon bag rather than chucking the laundry into the tumble dryer and leaving. But it was only after I touched the bag that I consciously spotted the Christmas tree in pieces by the garage door, its branches arranged at odd angles. My peripheral vision must have clocked the tree and sent a signal: something is out of place.
Sarah Crossan (Hey, Zoey)
could not possibly be conscious of these things and remember all of them because our mind would be so full of useless details we would be unable to think. From all this awareness we must select, and what we select and call consciousness is never the same as the awareness because the process of selection mutates it. We take a handful of sand from the endless landscape of awareness around us and call that handful of sand the world. Once we have the handful of sand, the world of which we are conscious, a process of discrimination goes to work on it. This is the knife. We divide the sand into parts. This and that. Here and there. Black and white. Now and then. The discrimination is the division of the conscious universe into parts.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
12 seconds represents about as far ahead as you can see details. If you’re not in the habit of looking that far ahead, then you should be working on that important technique.
David L. Hough (Mastering the Ride: More Proficient Motorcycling)