Tom Bombadil Quotes

Old Tom Bombadil is a merry fellow, Bright blue his jacket is, and his boots are yellow. None has ever caught him yet, for Tom, he is the Master: His songs are stronger songs, and his feet are faster.

Ho! Tom Bombadil, Tom Bombadillo! By water, wood and hill, by reed and willow, By fire, sun and moon, harken now and hear us! Come, Tom Bombadil, for our need is near us!

Hey! Come merry dol! derry dol! My darling! Light goes the weather-wind and the feathered starling. Down along under the Hill, shining in the sunlight, Waiting on the doorstep for the cold starlight, There my pretty lady is, River-woman's daughter, Slender as the willow-wand, clearer than the water. Old Tom Bombadil water-lilies bringing Comes hopping home again. Can you hear him singing? Hey! Come merry dol! derry dol! and merry-o, Goldberry, Goldberry, merry yellow berry-o! Poor old Willow-man, you tuck your roots away! Tom's in a hurry now. Evening will follow day. Tom'sgoing hom again water lilies-bringing. Hey! Come derry dol! Can you hear me singing?

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothloriene no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient Kingdom of Men, but Fanghorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystefied as Frodo at Gandalf's failure to appear on September 22. J.R.R. Tolkien, in a letter to W.H. Auden, June 7, 1955

Fair lady!' said Frodo again after a while. 'Tell me, if my asking does not seem foolish, who is Tom Bombadil?' 'He is,' said Goldberry, staying her swift movements and smiling. Frodo looked at her questioningly. 'He is, as you have seen him,' she said in answer to his look. 'He is the Master of wood, water, and hill.

If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there. -- (J.R.R. Tolkien to W.H. Auden, June 7, 1955.)

Say rather that the Ring has no power over him. He is his own master. But he cannot alter the Ring itself, nor break its power over others. And now he is withdrawn into a little land, within bounds that he has set, though none can see them, waiting perhaps for a change of days, and he will not step beyond them.

What?’ shouted Tom Bombadil, leaping up in the air. ‘Old Man Willow? Naught worse than that, eh? That can soon be mended. I know the tune for him. Old grey Willow-man! I’ll freeze his marrow cold, if he don’t behave himself. I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. Old Man Willow!

Toke a lid, smoke a lid, pop the mescalino! ...Hop a hill! Pop a pill! For old Tim Benzedrino!

He is the Master of wood, water, and hill.’ ‘Then all this strange land belongs to him?’ ‘No indeed!’ she answered, and her smile faded. ‘That would indeed be a burden,’ she added in a low voice, as if to herself. ‘The trees and the grasses and all things growing or living in the land belong each to themselves. Tom Bombadil is the Master. No one has ever caught old Tom walking in the forest, wading in the water, leaping on the hill-tops under light and shadow. He has no fear. Tom Bombadil is master.

Old Tom Bombadil water-lilies bringing Comes hopping home again. Can you hear him singing?

Old Tom Bombadil is a merry fellow; Bright blue his jacket is, and his boots are yellow.

There is an inn, a merry old inn beneath an old grey hill, And there they brew a beer so brown That the Man in the Moon himself came down one night to drink his fill.

There was a merry passenger, a messenger, a mariner: he built a gilded gondola to wander in, and had in her a load of yellow oranges and porridge for his provender; he perfumed her with marjoram and cardamom and lavender.

Para siempre un mensajero, Un viajero demorado, Errante como una pluma, Un marinero guiado por el viento.

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient kingdom of men, but Fangorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystified as Frodo at Gandalf's failure to appear on September 22. (J.R. Tolkien, in a letter to W.H. Auden, June 7, 1955)

If we are encouraged to read high fantasies like The Tempest and urged to “enjoy a magic island and ‘believe’ in an Ariel and a Caliban,” then why should we not also “suspend our disbelief” and enjoy the invented world of Tolkien’s Lord of the Rings? Why not enter in and believe also in the magic of barrow-wights and orc-blades, Hobbiton, Tom Bombadil, and the tree-top city of Lothlórien?

Yeah. This is my compound. It’s secure, but I’m way off the beaten path and being hidden is my best security. You ever read Lord of the Rings?” “Does that have elves?” “Yes, and hobbits. I’m like Tom Bombadil, without the songs.

Our troubles, our daily struggles with evil, amount to a better story than one in which our troubles vanish with a casual wave of the Divine Hand.

The primary emotion in any bureaucracy, and the real thumbscrew of managerial control, is fear.

There is a seed of courage hidden (often deeply, it is true) in the heart of the fattest and most timid hobbit, waiting for some final and desperate danger to make it grow. Frodo was neither very fat nor very timid;

A little people, but of great worth are the Shire-folk . . .. Little do they know of our long labour for the safekeeping of their borders, and yet I grudge it not.

Now let the song begin! Let us sing together Of sun, stars, moon and mist, rain and cloudy weather, Light on the budding leaf, dew on the feather, Wind on the open hill, bells on the heather, Reeds by the shady pool, lilies on the water: Old Tom Bombadil and the River-daughter!

Who are you, Master?" [Frodo] asked. 'Eh, what?" said Tom, sitting up. and his eyes glinting in the gloom. 'Don't you know my name yet? That's the answer. Tell me, who are you, alone, yourself and nameless?

Some things are ill to hear when the world's in shadow, [- Tom Bombadil]

Some things are ill to hear when the world's in shadow. [- Tom Bombadil]

Tolkien THE HOBBIT LEAF BY NIGGLE ON FAIRY-STORIES FARMER GILES OF HAM THE HOMECOMING OF BEORHTNOTH THE LORD OF THE RINGS THE ADVENTURES OF TOM BOMBADIL THE ROAD GOES EVER ON (WITH DONALD SWANN) SMITH OF WOOTTON MAJOR WORKS PUBLISHED POSTHUMOUSLY SIR GAWAIN AND THE GREEN KNIGHT, PEARL AND SIR ORFEO* THE FATHER CHRISTMAS LETTERS THE SILMARILLION* PICTURES BY J.R.R. TOLKIEN* UNFINISHED TALES* THE LETTERS OF J.R.R. TOLKIEN* FINN AND HENGEST MR BLISS THE MONSTERS AND THE CRITICS & OTHER ESSAYS* ROVERANDOM THE CHILDREN OF HÚRIN* THE LEGEND OF SIGURD AND GUDRÚN* THE FALL OF ARTHUR* BEOWULF: A TRANSLATION AND COMMENTARY* THE STORY OF KULLERVO THE LAY OF AOTROU & ITROUN BEREN AND LÚTHIEN* THE FALL OF GONDOLIN* THE NATURE OF MIDDLE-EARTH THE HISTORY OF MIDDLE-EARTH – BY CHRISTOPHER TOLKIEN ​I THE BOOK OF LOST TALES, PART ONE ​II THE BOOK OF LOST TALES, PART TWO ​III THE LAYS OF BELERIAND ​IV THE SHAPING OF MIDDLE-EARTH ​V THE LOST ROAD AND OTHER WRITINGS ​VI THE RETURN OF THE SHADOW ​VII THE TREASON OF ISENGARD VIII THE WAR OF THE RING ​IX SAURON DEFEATED ​X MORGOTH’S RING ​XI THE WAR OF THE JEWELS ​XI THE PEOPLES OF MIDDLE-EARTH

As a matter of fact he came out on the right side in the end. It turned out later that only one horse had been actually stolen. The others had been driven of, or had bolted in terror, and were found wandering in different corners of the Bree-land. Merry's ponies had escaped altogether, and eventually (having a good deal of sense) they made their way to the Downs in search of Fatty Lumpkin. So they came under the care of Tom Bombadil for a while, and were well-off. But when news of the events at Bree came to Tom's ears, he sent them to Mr. Butterbur, who thus got five good beasts at a very fair price. They had to work harder in Bree, but Bob treated them well; so on the whole they were lucky: they missed a dark and dangerous journey. but they never came to Rivendell.

The Letters of J.R.R. Tolkien (Tolkien, J.R.R.) - Your Highlight on Location 529-531 | Added on Friday, December 26, 2014 8:28:31 PM Do you think Tom Bombadil, the spirit of the (vanishing) Oxford and Berkshire countryside, could be made into the hero of a story? Or is he, as I suspect, fully enshrined in the enclosed verses?1 Still I could enlarge the portrait.

The idea apparently being that in Hell there a food chain in which the higher consumes the lower. This is a reversal of the heavenly food chain we see in Christianity in which the highest of all gives himself as food for all, which results in a trickle-down of goodness and an expanding circumference of life.

Wake now, my merry friends! Forget the nightly noises! Ring a ding dillo del! derry del, my hearties! If you come soon you’ll find breakfast on the table. If you come late you’ll get grass and rain-water!

Tom Bombadil is not an important person – to the narrative. I suppose he has some importance as a ‘comment’. I mean, I do not really write like that: he is just an invention (who first appeared in the Oxford Magazine about 1933), and he represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function. I might put it this way. The story is cast in terms of a good side, and a bad side, beauty against ruthless ugliness, tyranny against kingship, moderated freedom with consent against compulsion that has long lost any object save mere power, and so on; but both sides in some degree, conservative or destructive, want a measure of control, but if you have, as it were taken ‘a vow of poverty’, renounced control, and take your delight in things for themselves without reference to yourself, watching, observing, and to some extent knowing, then the question of the rights and wrongs of power and control might become utterly meaningless to you, and the means of power quite valueless. It is a natural pacifist view, which always arises in the mind when there is a war.

They’ve fought a long defeat. But somehow Tom manages to live in the present. Could it be that it is because Tom knows how things end? Is that what gives his life between the Perilous Land and the Shadow of Death its lightness and joy?

If you see the world the way Saruman does, you’ll come to resemble a machine yourself. That’s the way things work. Whatever we think is the final truth of things, that’s the image we conform to.

The primary emotion in any bureaucracy, and the real thumbscrew of managerial control, is fear.