Mortal Instruments Short Quotes

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It's so dark," she said lamely. "You want me to hold your hand?" Clary put both her hands behind her back like a small child. "Don't talk down to me." "Well, I could hardly talk up to you. You're too short.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud: I love you; I love you and I don’t care that you’re my sister; don’t be with him, don’t want him, don’t go with him. Be with me. Want me. Stay with me. I don’t know how to be without you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Clary," Jace said again. "You know: short, redheaded, bad temper.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Look, I asked you here for a reason. Much as I hate to admit it, vampire, we have something in common. " "Totally awesome hair?" Simon suggested, but his heart wasn't really in it either. Something about the look on Jace's face was making him increasingly uneasy. Simon was caught off guard. "Clary?" "Clary, " Jace said again. "You know: short, redheaded, bad temper.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
But the person who stepped out of the front door was tall and thin, with short, spiky dark hair. he was wearing a gold mesh vest and a pair of silk pajama pants. He regarded Clary with mild interest, puffing gently on a fantastically large pipe as he did so. Though he looked nothing at all like a Viking, he was instantly and totally familiar. Magnus Bane
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
To be beautiful you had to be willowy and tall. When you were as short as Clary was, just over five feet, you were cute. Not pretty or beautiful, but cute.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Alec laughed, a short, brittle laugh. “The day I’m wise is the day you’re careful.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Clary,’ Jace Saïd again. ‘You know: short, redheaded, bad temper.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
If it’s this short on me, how short must it be on you?” she mused aloud to Isabelle. Isabelle grinned. “On me it’s a shirt.” Clary
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Clary,’ Jace said again. ‘You know: short, redheaded, bad temper.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
For being in the Circle?” Jace asked, his face a mask of astonishment. “For not leaving it before the Uprising.” “But the Lightwoods weren’t punished,” Clary said. “Why not? They’d done the same thing you’d done.” “There were extenuating circumstances in their case—they were married, they had a child. Although it is not as if they reside in this outpost, far from home, by their own choice. We were banished here, the three of us—the four of us, I should say; Alec was a squalling baby when we left the Glass City. They can return to Idris on official business only, and then only for short times. I can never return. I will never see the Glass City again.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
It’s so . . . dark,” she said lamely. “You want me to hold your hand?” Clary put both her hands behind her back like a small child. “Don’t talk down to me.” “Well, I could hardly talk up to you. You’re too short.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
It’s so short,” he said in confusion. Even half in demon hunter clothes, Clary thought, he looked like the sort of boy who’d come over to your house to pick you up for a date and be polite to your parents and nice to your pets.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
There was a short silence before Isabelle answered. “The thing about the Mirror is that no one knows where it is. In fact, no one knows what it is.” “It’s a mirror,” Simon said. “You know—reflective, glass. I’m just assuming.” “What
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
The fact that we fail at seeing these things, that our interpretations may perpetrate violence against a text, and so on, is only more evidence of the Lord’s grace is granting us participation in the love of the Trinity, through existence and in the body of Christ. That same grace is offered to us who are granted the privilege of literacy. Meaning-making through reading, after all, is another testimony of the attributes of the invisible God being clearly seen in what has been made (Rom. 1:20). That we fall into idolatry is undeniable—in reading and the rest of life: the image in Romans of exchanging “the glory of the immortal God for images resembling a mortal human being or birds or four-footed animals or reptiles” is as aesthetic and poetic as it is magic and earthen (Rom. 1:23). It harkens back to the idolatries of both noninstrumental and instrumental reading discussed in the introduction. God will bring the entire cosmos into the beloved community of the new creation through the purification and repurposing work of judgment—as idolatry and violence and sin and death become the nothing to which they have always pointed. God’s judgment will differentiate those who seek the glory of God from those who seek the nothingness of their own glory. But text may be cultivated by anyone; its becoming gives glory to the God of all meaning-making regardless. The special office of the reader in the body of Christ is the express veneration of the word—is, in short, praise.
Tiffany Eberle Kriner (The Future of the Word: An Eschatology of Reading)
To be beautiful you had to be willowy and tall. When you were as short as Clary was, just over five feet, you were cute. Not pretty or beautiful, but cute. Throw in carroty hair and a face full of freckles, and she was a Raggedy Ann to her mother’s Barbie doll.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Here, you can wear these with it. They’ll make you look taller.” “Right, because I’m flat-chested and a midget.” Clary tugged the hem of the dress down. It just brushed the tops of her thighs. She hardly ever wore skirts, much less short ones, so seeing this much of her own legs was alarming. “If it’s this short on me, how short must it be on you?” she mused aloud to Isabelle. Isabelle grinned. “On me it’s a shirt.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
If there was such a thing as terminal literalism, you’d have died in childhood,” said Jace, brushing dust off the windowsill and eyeing it as if considering whether it was clean enough to sit on. “Gray is short for ‘Gramarye.’ It means ‘magic, hidden wisdom.’ In it is copied every rune the Angel Raziel wrote in the original Book of the Covenant. There aren’t many copies because each one has to be specially made. Some of the runes are so powerful they’d burn through regular pages.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))