Mornings With Baby Quotes

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I need you. I can’t stand the thought of being without you.” He releases a shaky breath. “You’re the last person I think about before I go to sleep, and the first person I think about when I open my eyes in the morning. You’re it for me, baby.
Elle Kennedy (The Mistake (Off-Campus, #2))
The smile that flickers on a baby’s lips when he sleeps- does anyone know where it was born? Yes, there is a rumor that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning.
Rabindranath Tagore
You grew up too fast, baby." Didn't always feel that way, especially this morning when I couldn't find my other flip-flop and I'd been, like, two seconds from kicking a fit.
Jennifer L. Armentrout (Opal (Lux, #3))
The depression belongs to all of us. I think of the family down the road whose mother was having a baby and they went around the neighborhood saying, "We're pregnant." I want to go around the neighborhood saying, "We're depressed." If my mum can't get out of bed in the morning, all of us feel the same. Her silence has become ours, and it's eating us alive.
Melina Marchetta (Saving Francesca)
Bill: Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
Quentin Tarantino (Kill Bill)
I couldn't help shaking my head as I looked at him. Ian slept like a baby every morning - well, a baby who continually kept one hand down his pants.
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies.
Harper Lee (To Kill a Mockingbird)
If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.
Vincent van Gogh
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
I want to wake up every morning to you, cherub, and I want to marry the shit out of you, and then I want to have lots and lots of babies with you. If, that is, you will have me.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
Every life has a soundtrack. There is a tune that makes me think of the summer I spent rubbing baby oil on my stomach in pursuit of the perfect tan. There's another that reminds me of tagging along with my father on Sunday morning to pick up the New York Times. There's the song that reminds me of using fake ID to get into a nightclub; and the one that brings back my cousin Isobel's sweet sixteen, where I played Seven Minutes in Heaven with a boy whose breath smelled like tomato soup. If you ask me, music is the language of memory.
Jodi Picoult (Sing You Home)
What we want most is to be held...and told..that everything (everything is a funny thing, is baby milk and papa's eyes, is roaring logs on a cold morning, is hoot owls and the boy who makes you cry after school, is mama's long hair, is being afraid and twisted faces on the bedroom wall)...is going to be alright.
Truman Capote
What if I really am alone?” “Baby, you aren’t alone. I’m here.
Karina Halle (Dead Sky Morning (Experiment in Terror, #3))
Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
Celeste Ng (Little Fires Everywhere)
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V. I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy. Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him. I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time? I texted back: How'd you get my number? Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
Amy Plum (Die for Me (Revenants, #1))
You’re the last person I think about before I go to sleep, and the first person I think about when I open my eyes in the morning. You’re it for me, baby.
Elle Kennedy (The Mistake (Off-Campus, #2))
New days should be greeted like new lovers and babies toddling along a table looking back to make sure we’re watching.
Darnell Lamont Walker
I am not a machine. For what can a machine know of the smell of wet grass in the morning, or the sound of a crying baby? I am the feeling of the warm sun against my skin; I am the sensation of a cool wave breaking over me. I am the places I have never seen, yet imagine when my eyes are closed. I am the taste of another's breath, the color of her hair. You mock me for the shortness of my life span, but it is this very fear of dying which breathes life into me. I am the thinker who thinks of thought. I am curiosity, I am reason, I am love, and I am hatred. I am indifference. I am the son of a father, who in turn was a father’s son. I am the reason my mother laughed and the reason my mother cried. I am wonder and I am wondrous. Yes, the world may push your buttons as it passes through your circuitry. But the world does not pass through me. It lingers. I am in it and it is in me. I am the means by which the universe has come to know itself. I am the thing no machine can ever make. I am meaning.
Bernard Beckett (Genesis)
Dare said that Brian had a baby this morning,” she said. “Yeah, I never thought Brian would ever be able to push it out through such a little hole. It was fuckin’ brutal.
Olivia Cunning (Double Time (Sinners on Tour, #5))
Don't make fun of her," the Duke said. "She needs gentle encouragement. Carla, baby, we love you. You are such a good car. And we believe in you one hundred percent." ... "Don't listen to him, Carla. You're gonna do this." ... "I love you, Carla. You know that, don't you? I wake up every morning and the first thing I think is that I love Tobin's mom's car. I know that's weird, baby, but I do. I love you. And I know you can do this." ... "Carla," the Duke said, "it's time to tell you the truth. I'm in love with you. I want to be with you, Carla. I've never felt this way about a c-
John Green (Let It Snow: Three Holiday Romances)
No, and I don't like mornin' people... or mornin's... or people." "Wow, I'm a lucky guy to have you, baby." Sarcastic pig!
L.A. Casey (Alec (Slater Brothers, #2))
What we want most is only to be held…and told…that everything (everything is a funny thing, is baby milk and Papa’s eyes, is roaring logs on a cold morning, is hoot-owls and the boy who makes you cry after school, is Mama’s long hair, is being afraid, and twisted faces on the bedroom wall)…everything is going to be all right.
Truman Capote (Other Voices, Other Rooms)
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
This morning, I'm relishing the perks of working for the Underworld. I press my foot down on the accelerator, and the deep rumble of my candy apple-red Escalade growls. My new baby girl has black leather, Bose surround sound, and twenty-two inch rimes. Match.com couldn't have created a happier couple.
Victoria Scott (The Collector (Dante Walker, #1))
Do you think any of us know how to love?! Do you think anybody would ever do anything if they waited until they knew how to love?! Do you think that babies would ever get made or meals cooked or crops planed or books written or what God-damn-have-you? Do you think people would even get out of bed in the morning if they waited until they knew how to love? You have had too much therapy. Or not enough. God knows how to love, kiddo. The rest of us are only good actors. Forget love. Try good manners.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
This morning I delivered little baby Sayton – pronounced Satan, as in King of the Underworld.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
I took my coffee into the dining room and settled down with the morning paper. A woman in New York had had twins in a taxi. A woman in Ohio had just had her seventeenth child. A twelve-year-old girl in Mexico had given birth to a thirteen-pound boy. The lead article on the woman's page was about how to adjust the older child to the new baby. I finally found an account of an axe murder on page seventeen, and held my coffee cup up to my face to see if the steam might revive me.
Shirley Jackson (Life Among the Savages)
And then: 'Here comes your baby. Sois sage. Sois chic.' He moved slightly away and began talking to the boy next to him. And here my baby came indeed, through all that sunlight, his face flushed and his hair flying, his eyes, unbelievably, like morning stars.
James Baldwin (Giovanni’s Room)
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
The baby is coming next week. Come down tomorrow morning to help prepare the manor, will you?
Misba (The Oldest Dance (Wisdom Revolution, #2))
Started to go to the gym,” she said. “You know, to work off some of the baby fat. Only I couldn’t find my membership card and a new one was ten bucks. And since a doughnut and coffee was only three bucks, guess who saved seven bucks this morning?
Jill Shalvis (Rainy Day Friends (Wildstone, #2))
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…
Mehek Bassi (Chained: Can you escape fate?)
Poor little old human beings – they’re jerked into this world without having any idea where they came from or what it is they are supposed to do, or how long they have to do it in. Or where they are gonna wind up after that. But bless their hearts, most of them wake up every morning and keep on trying to make some sense out of it. Why, you can’t help but love them, can you? I just wonder why more of them aren’t as crazy as betsy bugs. ” Aunt Elner, 1978
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs, #1))
I actually remember feeling delight, at two o'clock in the morning, when the baby woke for his feed, because I so longed to have another look at him.
Margaret Drabble
I have vicarious morning sickness. Other people's babies make me nauseous.
Jacob M. Appel (The Magic Laundry)
A Brief for the Defense Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils. But we enjoy our lives because that's what God wants. Otherwise the mornings before summer dawn would not be made so fine. The Bengal tiger would not be fashioned so miraculously well. The poor women at the fountain are laughing together between the suffering they have known and the awfulness in their future, smiling and laughing while somebody in the village is very sick. There is laughter every day in the terrible streets of Calcutta, and the women laugh in the cages of Bombay. If we deny our happiness, resist our satisfaction, we lessen the importance of their deprivation. We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world. To make injustice the only measure of our attention is to praise the Devil. If the locomotive of the Lord runs us down, we should give thanks that the end had magnitude. We must admit there will be music despite everything. We stand at the prow again of a small ship anchored late at night in the tiny port looking over to the sleeping island: the waterfront is three shuttered cafés and one naked light burning. To hear the faint sound of oars in the silence as a rowboat comes slowly out and then goes back is truly worth all the years of sorrow that are to come.
Jack Gilbert (Refusing Heaven: Poems)
She worried that she was going to miss her baby’s entire childhood. She would wake up in the morning and see this big bulky three-year-old with facial hair running toward her, shouting in a deep voice, “Hey, Mom! What up?
Rick Riordan (Percy Jackson's Greek Gods)
Does the work get easier once you know what you are doing?" "Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
Taking care a white babies, that’s what I do, along with all the cooking and the cleaning. I done raised seventeen kids in my lifetime. I know how to get them babies to sleep, stop crying, and go in the toilet bowl before they mamas even get out a bed in the morning.
Kathryn Stockett (The Help)
Heaven, such as it is, is right here on earth. Behold: my revelation: I stand at the door in the morning, and lo, there is a newspaper, in sight like unto an emerald. And holy, holy, holy is the coffee, which was, and is, and is to come. And hark, I hear the voice of an angel round about the radio saying, "Since my baby left me I found a new place to dwell." And lo, after this I beheld a great multitude, which no man could number, of shoes. And after these things I will hasten unto a taxicab and to a theater, where a ticket will be given unto me, and lo, it will be a matinee, and a film that doeth great wonders. And when it is finished, the heavens will open, and out will cometh a rain fragrant as myrrh, and yea, I have an umbrella.
Sarah Vowell (Take the Cannoli)
He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of gray house with sad brown doors.
Harper Lee (To Kill a Mockingbird)
How's the world treating you this morning?' 'Like a baby treats a diaper.
Biyi Bandele-Thomas (The Street)
Mornings are fresh like babies, uncontaminated by events. I find them sad for that reason. They’re too fragile and naïve.
Vicki Covington (Bird of Paradise (Voices of the South))
That night I slept like a baby. When I woke the next morning I knew I was going to smoke heroin again. Everything that day was enjoyable: sitting on the bus, working all day – it all felt good. It was the best day of my life.
Christine Lewry (Thin Wire: A Mother's Journey Through Her Daughter's Heroin Addiction)
I hoped what little dinner I'd eaten wasn't something my new baby-rich body didn't like. I didn't want to throw up all over the bad guys, or then again maybe I did. It would certainly be distracting.
Laurell K. Hamilton (Divine Misdemeanors (Merry Gentry, #8))
How about we just go with sayonara then?” Graham laughed. “Or au revoir.” “Arrivederci.” “Hasta la vista, baby,” he said, and then he stepped forward and kissed her again, sending a shiver through her in spite of the warmth of the early-morning sun.
Jennifer E. Smith (Happy Again (This Is What Happy Looks Like #1.5))
You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love... It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.
Anna Quindlen (One True Thing)
I think our generation has been called to apathy just as our grandparents were called to defeat fascism and the baby boomers were called to get divorced and fuck around for most of their adult lives before bankrupting the entire goddamn country when they retire. But we have the chance to do something really special here. Imagine a world where people didn’t care enough to go to war over anything. Where some guy gets up in the morning and says, “I know God wants me to kill the infidels and keep gay people from marrying each other, but I just don’t give a shit. I’m going back to bed.” It would be paradise on earth. This is our mission. I think we can make it happen, but I really don’t care either way. And that’s called hope.
Paul Neilan
You think you cannot live anymore. You think that the light of your soul has been put out and that you will stay in the dark forever. But when you are engulfed by such solid darkness, when you have both eyes closed to the world, a third eye opens in your heart. And only then do you come to realize that eyesight conflicts with inner knowledge. No eye sees so clear and sharp as the eye of love. After grief comes another season, another valley, another you. And the lover who is nowhere to be found, you start to see everywhere. You see him in the drop of water that falls into the ocean, in the high tide that follows the waxing of the moon, or in the morning wind that spreads its fresh smell; you see him in the geomancy symbols in the sand, in the tiny particles of rock glittering under the sun, in the smile of a newborn baby, or in your throbbing vein. How can you say Shams is gone when he is everywhere and in everything?
Elif Shafak (The Forty Rules of Love)
Norman picked up a sketch, glanced at it, then put it back down on the table. "I saw Bea Williamson this morning," he said in a low voice. "Lurking about looking for cut glass." "Oh, of course," Mira said with a sigh. "Did she have it with her?" Norman nodded solemnly. "Yep. I swear, I think it's almost gotten ... bigger." Mira shook her head. "Not possible." "I'm serious," Norman said. "It's way big." I kept waiting for someone to expand on this, but since neither of them seemed about to, I asked, "What are you talking about?" They looked at each other. Then, Mira took a breath. "Bea Williamson's baby," she said quietly, as if someone could hear us, "has the biggest head you have ever seen." Norman nodded, seconding this. "A baby?" I said. "A big-headed baby," Mira corrected me. "You should see the cranium on this kid. It's mind-boggling.
Sarah Dessen (Keeping the Moon)
As long as it’s BYOB, I’m cool,” Tuck answers. “And if Danny is coming then you better lock up the liquor cabinet.” “We can move the hooch to G’s room,” Logan says with a snort. “God knows he won’t drink a drop of it.” Tuck glances over at me with a grin. “Poor baby. When are you gonna learn to handle your liquor like a man?” “Hey, I handle the drinking part just fine. It’s the morning after that does me in.” I smirk at my teammates. “Besides, I’m your captain. Somebody has to stay sober to keep your crazy asses in line.” “Thanks, Mom.” Logan pauses, then shakes his head. “Actually, no, you’re the mom,” he tells Tucker, grinning at Tuck’s apron before turning back at me. “Guess that makes you the dad. You two are positively domestic.” We both flip him the finger. “Aw, are Mommy and Daddy mad at me?” He gives a mock gasp. “Are you guys gonna get a divorce?” “Fuck off,” Tuck says, but he’s laughing. The microwave beeps, and Tucker pulls out the defrosted chicken, then proceeds to cook our dinner while I do my homework at the counter. And damned if the whole thing isn’t domestic as hell.
Elle Kennedy (The Deal (Off-Campus, #1))
Life is full of joy and beauty. Look around and notice it. Notice the little butterfly, a little baby with a smile, and the white rose in the garden. Notice a drop of dew on a green leaf in the morning sun. Touch the wind, smell the rain, and feel the joy. Live your life with beauty and joy.
Debasish Mridha
YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU
José N. Harris
I especially loved the Old Testament. Even as a kid I had a sense of it being slightly illicit. As though someone had slipped an R-rated action movie into a pile of Disney DVDs. For starters Adam and Eve were naked on the first page. I was fascinated by Eve's ability to always stand in the Garden of Eden so that a tree branch or leaf was covering her private areas like some kind of organic bakini. But it was the Bible's murder and mayhem that really got my attention. When I started reading the real Bible I spent most of my time in Genesis Exodus 1 and 2 Samuel and 1 and 2 Kings. Talk about violent. Cain killed Abel. The Egyptians fed babies to alligators. Moses killed an Egyptian. God killed thousands of Egyptians in the Red Sea. David killed Goliath and won a girl by bringing a bag of two hundred Philistine foreskins to his future father-in-law. I couldn't believe that Mom was so happy about my spending time each morning reading about gruesome battles prostitutes fratricide murder and adultery. What a way to have a "quiet time." While I grew up with a fairly solid grasp of Bible stories I didn't have a clear idea of how the Bible fit together or what it was all about. I certainly didn't understand how the exciting stories of the Old Testament connected to the rather less-exciting New Testament and the story of Jesus. This concept of the Bible as a bunch of disconnected stories sprinkled with wise advice and capped off with the inspirational life of Jesus seems fairly common among Christians. That is so unfortunate because to see the Bible as one book with one author and all about one main character is to see it in its breathtaking beauty.
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
On my birthday, every year since I turned eighteen, she called me at twelve twenty in the morning to wish me happy birthday and tell me how much joy I brought her. She’d told me she was sorry she couldn’t do it when I turned thirty, and handed me a box filled with little bits of paper. She’d written Happy Birthday to my baby boy on every one. There must have been fifty of them.
T.A. Webb (Second Chances (Second Chances #1))
Gmorning. Did you also forget to get the lifetime warranty for your peace of mind? Saaaaame Here I got some home remedy sh*t *opens bag full of creams, alcolado, encouragement, distractions, this gif of a baby panda* Gnight. Did you also forget to get the lifetime warranty for a good night's sleep? Saaaaame Here I got some Chicken Soup For The Soul type sh*t *opens bag full of lavender sh*t, dreams, alcolado, deep breaths, flights of fantasy, this bunny at a piano*
Lin-Manuel Miranda (Gmorning, Gnight!: Little Pep Talks for Me & You)
Lucas crept around the building to the back parking lot. And there it was, just like he had seen from the roof—a baby lying in a shopping cart. Lucas’s mind went negative. What if the kid was dead? He tried to think if he had ever seen a dead person before. He’d never been to a funeral, and he knew he had never seen a dead baby. And he definitely didn’t want to. His heart pounded in his chest. Lucas walked, almost tiptoed, toward the shopping cart. The last of the parking lot lights flickered out, leav-ing only the early morning sun. He moved across the blacktop, making sure not to step on a white line. At this moment he needed all the luck he could muster. As he got closer to the cart, he held his breath and swallowed. Then he grabbed the shopping cart handle and looked over into the basket. He gasped.
Paul Aertker (Brainwashed (Crime Travelers, #1))
Today Means Amen Dear you, whoever you are, however you got here, this is exactly where you are supposed to be. This moment has waited its whole life for you. This moment is your lover and you are a soldier. Come home, baby, it's over. You don't need to suffer anymore. Dear you, this moment is your surprise party. You are both hiding in the dark and walking through the door. This moment is a hallelujah. This moment is your permission slip to finally open that love letter you've been hiding from yourself, the one you wrote when you were little when you still danced like a sparkler at dusk. Do you remember the moment you realized they were watching? When you became ashamed of how much light you were holding? When you first learned how to unlove yourself? Dear you, the word today means amen in every language. Today, we made it. Today, I'm going to love you. Today, I'm going to love myself. Today, the boxcutter will rust in the garbage. The noose will forget how to hold you, today, today-- Dear you, and I have always meant you, nothing would be the same if you did not exist. You, whose voice is someone's favorite voice, someone's favorite face to wake up to. Nothing would be the same if you did not exist. You, the teacher, the starter's gun, the lantern in the night who offers not a way home, but the courage to travel farther into the dark. You, the lover, who worships the taste of her body, who is the largest tree ring in his heart, who does not let fear ration your love. You, the friend, the sacred chorus of how can I help. You, who have felt more numb than holy, more cracked than mosaic. Who have known the tiles of a bathroom by heart, who have forgotten what makes you worth it. You, the forgiven, the forgiver, who belongs right here in this moment. You, this clump of cells, this happy explosion that happened to start breathing, and by the grace of whatever is up there, you got here. You made it this whole way: through the nights that swallowed you whole, the mornings that arrived in pieces. The scabs, the gravel, the doubt, the hurt, the hurt, the hurt is over. Today, you made it. You made it. You made it here.
Sierra DeMulder (Today Means Amen)
A small boy asks his Dad, "Daddy, what is politics?" Dad says, "Well son, let me try to explain it this way: I'm the breadwinner of the family, so let's call me Capitalism. Your mom, she's the administrator of the money, so we'll call her the Government. We're here to take care of your needs, so we'll call you the People. The nanny, we'll consider her the Working Class. And your baby brother, we'll call him the Future. Now, think about that and see if that makes sense." So the little boy goes off to bed thinking about what Dad has said. Later that night, he hears his baby brother crying, so he gets up to check on him. He finds that the baby has severely soiled his diaper. The little boy goes to his parents' room and finds his mother sound asleep. Not wanting to wake her, he goes to the nanny's room. Finding the door locked, he peeks in the keyhole and sees his father having sex with the nanny. He gives up and goes back to bed. The next morning, the little boy says to his father, "Dad, I think I understand the concept of politics now." The father says, "Good, son, tell me in your own words what you think politics is all about." The little boy replies, "Well, while Capitalism is screwing the Working Class, the Government is sound asleep, the People are being ignored and the Future is in Deep Shit." ♦◊♦◊♦◊♦
Various (101 Dirty Jokes - sexual and adult's jokes)
Don't be anyone's firefly in a jar! A lot of people are attracted to the light. Some are also intimidated by it. They selfishly try to keep it for themselves. Sometimes it happens so fast, you don't even realize you're being captured. There is magic within you that will suffocate in a jar. If you wake up one morning and realize there's a lid above you, do whatever it takes to free yourself. Life is much better beyond the jar. The world needs your light! Shine, Baby, shine!
Sheri Fink
Eve,” I exhale, burrowing my nose behind her ear. “I want to take you to be my wife.” Kiss. “I want to have you and hold you.” Kiss. “From this day forward, for better, for worse.” Kiss. “For richer, for poorer, in sickness and in health.” Kiss. “Until death do us part.” Kiss. “I’m so sorry for what I’m about to do. Forgive me, baby. I love you so fucking much.” I fall asleep with my face buried in her coconut-scented hair, wishing things could be different, but knowing that come morning, I’ll be shattering her life, and mine.
Jessica Ruben (Reckoning (Vincent and Eve #2))
What turned babies, fragile and curious, into Shermans? Into Ollies? Into men who could not interact with a new thing without wanting to dominate it? What order of events did Vern need to disrupt in the lives of the millions upon millions who woke up every morning proud to be Americans? What made someone love lies? She saw that cursed flag on the hunter's T-shirt and wondered if he know about the glut of traumas that define this nation's founding. Had he fallen so in love with the myth of belonging that he thought the corpses of his imaginary foes were worthwhile sacrifices toward barbecues, megachurches, bandannas, and hot dogs? The primary freedoms this nation protected were the ones to own and annihilate.
Rivers Solomon (Sorrowland)
DD/MM/YYYY was not an ordinary day. Early in the morning, before the sunrise, a Baby Girl Fairy was dropped from the Fairy Lands to the Earth. There were songs of joys and rejoices everywhere. Cool breeze was playing and running across the meadows. Dew drops were dancing and floating over the leaves. Birds were swaying and singing in chorus: "Happy Birthday Happy Birthday Happy Birthday (Name), Happy Birthday Happy Birthday Happy Birthday to you.
Malik Adnan Ahmad
I watched her—the way her shoulders moved with the tilt of her head, how her smile lit up the six people around her, how her hair, tucked behind her ears, framed her face like baby’s breath. I thought about how the sound of her heart beating sounded the rhythm for our dance atop the magnolia floor. I wanted to tell her all this, but didn’t know how. Just because something is broken doesn’t mean it’s no good. Doesn’t mean you throw it away. It just means it’s broken, and broken is okay. I wanted to tell her that broken is still beautiful, still works, still wakes me in the morning, and at the end of every day past and those to come, I can love broken.
Charles Martin (Maggie (Awakening #2))
Philippa Somerville was annoyed. To her friends the Nixons, who owned Liddel Keep, and with whom Kate had deposited her for one night, she had given an accurate description of Sir William Scott of Kincurd, his height, his skill, his status, and his general suitability as an escort for Philippa Somerville from Liddesdale to Midculter Castle. And the said William Scott had not turned up. She fumed all the morning of that fine first day of May, and by afternoon was driven to revealing her general dissatisfaction with Scotland, the boring nature of Joleta, her extreme dislike of one of the Crawfords and the variable and unreliable nature of the said William Scott. She agreed that the Dowager Lady Culter was adorable, and Mariotta nice, and that she liked the baby.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes. The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps. The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs.
Rabindranath Tagore (Gitanjali)
Oh what a morning it was, that first morning of Mrs. Sweet awaking before the baby Heracles with his angry cries, declaring his hunger, the discomfort of his wet diaper, the very aggravation of being new and in the world; the rays of sun were falling on the just and unjust, the beautiful and the ugly, causing the innocent dew to evaporate; the sun, the dew, the little waterfall right next to the village's firehouse, making a roar, though really it was an imitation of the roar of a real waterfall; the smell of some flower, faint, as it unfurled its petals for the first time: oh what a morning!
Jamaica Kincaid (See Now Then)
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed. Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
Johanna Spyri (Heidi)
I learned that female professors and departmental secretaries are the natural enemies of the academic world, as I was privileged to overhear discussions of my sexual orientation and probable childhood traumas from ten to ten-thirty each morning through the paper-thin walls of the break room located adjacent to my office. By these means I learned that although I was in desperate need of a girdle, I was better off than one of the other female professors, who would never lose all that baby weight by working all of the time. As
Hope Jahren (Lab Girl)
Roth was feeling a gentle warmth as he thought of his son. He was remembering the way his son used to awaken him on Sunday mornings. His wife would put the baby in bed with him, and the child would straddle his stomach and pull feebly at the hairs on Roth’s chest, cooing with delight. It gave him a pang of joy to think of it, and then, back of it, a realization that he had never enjoyed his child as much when he had lived with him. He had been annoyed and irritable at having his sleep disturbed, and it filled him with wonder that he could have missed so much happiness when he had been so close to it. It seemed to him now that he was very near a fundamental understanding of himself, and he felt a sense of mystery and discovery as if he had found unseen gulfs and bridges in all the familiar drab terrain of his life. “You know,” he said, “life is funny.
Norman Mailer (The Naked and the Dead)
What have I ever had to do in my life that really needed to be done? I always had a choice, and I always took the easy way out—we always took the easy way out. At our age the burden of double maths on a Monday morning and finding a spot the size of Pluto on my nose was as complicated as it ever got for me. This time round I’m having a baby. A baby. And that baby will be around on the Monday, on the Tuesday, on the Wednesday, Thursday, Friday, Saturday, and Sunday. I have no weekends off. No three-month holidays. I can’t take a day off, call in sick, or get Mum to write a note. I am going to be the mum now. I wish I could write myself a note. I’m scared, Alex. Rosie
Cecelia Ahern (Love, Rosie)
Bluntly and quietly, in a series of simple, forthright sentences, she dismantled the architecture of unhappiness that had been growing up around us for the past several days. She was calling from the office she said, and had to talk in a low voice, 'but if you can hear me, Sid' she began, 'there are four things I want you to know. First, I haven't stopped thinking about you since I left the house this morning. Second, I've decided to have the baby, and we're never going to use the word "abortion" again. Third, don't bother to make dinner. [...] Fourth, make sure Mr. Johnson's ready for action. I'm going to attack you the minute I walk in the door, my love, so be prepared.
Paul Auster (Oracle Night)
I poke myself in the eye. “Would you stop touching yourself?” I drop the mascara tube on the table and pick up a tissue to wipe the smear of black I just made at the inside corner of my eyelid because I can’t keep my fricking eyes off Dean. “What’s wrong, baby? You jealous? I was thinking of how hot you look.” He rolls to his side. “You make a little circle with your mouth when you put your eye makeup on. It’s basically begging me to stick my dick in there.” Nope, there’s nothing warm and squishy about my relationship with this guy. I shoot him a disbelieving glance. “We just got done having morning sex,” I remind him. I apply two quick swipes of the mascara before Dean’s hand can do more damage under the bed sheets. “That was thirty minutes ago. Since then, you’ve showered, waved your tits and bare ass in front of me getting dressed, and then made little blowjob circles with your mouth. So yeah, I’m horny again. Sue me.
Elle Kennedy (The Score (Off-Campus, #3))
Hey… this bed is awfully lonely without you in it." His sleepy morning rasp pulls at me and his words seduce me when I have no business being seduced. "Believe me, I’d much rather be there with you—” "Then get here as quick as you can, baby, because time’s wasting. I have a long list of things to do today," he says, humor edging the suggestive tone of his voice. And I love this about him—about us—that just his voice can help ease the stress of my morning. "What is it you have to do today?" "You on the couch, you on the counter, you against the wall, you just about any place imaginable…
K. Bromberg (Crashed (Driven, #3))
Dawn had passed and it was most of the way to morning when the baby emerged into the world, looked around, and burst into tears. “You get used to it,” the Sister told the infant, and handed the child to Marra, who stared at it with intense horror. It was bloody and wrinkly and reddish gray and looked like the sort of thing you would drive back to hell with holy water. “Um,” said Marra. “Is it…Is…” The mother was panting and could hardly breathe. “It cried. It’s alive, right?” “Oh, yes,” said Marra hurriedly. “Very alive.” She stared at it, trying to find something else to say. “Had arms and legs. And, uh…a head…” “That’s good,” said the mother, and began giggling with high, hysterical laughter. “Oh, that’s good. You want them to have heads.” “Lady of Grackles have mercy,” muttered the Sister Apothecary, but as she was saying this directly into the birth canal, no one but Marra heard.
T. Kingfisher (Nettle & Bone)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
I slammed the door shut before we had a cold buffet in the front corridor. The shouts grew louder, denied their target. If I had better aim I'd have opened the door and tossed it all right back at them. But with my luck I'd hit the sleeping baby or an innocent old grandmother out for her morning constitution. And then we'd be dragged through the streets for certain. Dread uncurled in the pit of my stomach. "Is that cabbage?" Colin asked, coming out of the dining room. Listening to the raised voices, he reached for the doorknob, frowning. I caught his hand. "Don't." "Whyever not?" I raised an eyebrow. "You'll get a rotted meat tart in the eye for your trouble,that's why.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
He welcomes the chance to do fatherly things with the little girl, and those ten morning minutes with dear little four-year-old Ruby, with her deep soulful eyes, and the wondrous things she sees with them, and her deep soulful voice, and the precious though not entirely memorable things she says with it, and the smell of baby shampoo and breakfast cereal filling the car, that little shimmering capsule of time is like listening to cello music in the morning, or watching birds in a flutter of industry building a nest, it simply reminds you that even if God is dead, or never existed in the first place, there is, nevertheless, something tender at the center of creation, some meaning, some purpose and poetry.
Scott Spencer (A Ship Made of Paper)
At first, as the months went by, it was shameful to me when I would realize that without my consent, almost without my knowledge, something had made me happy. And then I learned to think, when those times would come, 'Well, go ahead. If you're happy, then be happy.' No big happiness came to me yet, but little happinessess did come, and they came from ordinary pleasures in ordinary things; the baby, sunlight, breezes, animals and birds, daily work, rest when I was tired, food, strands of fog in the hollows early in the morning, butterflies, flowers. The flowers didn't have to be dahlias and roses either, but just the weeds blooming in the fields, the daisies and the yarrow. I began to trust the world again, not to give me what I wanted, for I saw that it could not be trusted to do that, but to give unforeseen goods and pleasures that I had not thought to want.
Wendell Berry (Hannah Coulter)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
Well that ain’t so. You get babies from each other. But there’s this man, too—he has all these babies just waitin‘ to wake up, he breathes life into ’em…” Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of a gray house with sad brown doors. “Dill?” “Mm?” “Why do you reckon Boo Radley’s never run off?” Dill sighed a long sigh and turned away from me. “Maybe he doesn’t have anywhere to run off to…
Harper Lee
When Sam’s having a hard time and being a total baby about the whole thing, I feel so much frustration and rage and self-doubt and worry that it’s like a mini-breakdown. I feel like my mind becomes a lake full of ugly fish and big clumps of algae and coral, of feelings and unhappy memories and rehearsals for future difficulties and failures. I paddle around in it like some crazy old dog, and then I remember that there’s a float in the middle of the lake and I can swim out to it and lie down in the sun. That float is about being loved, by my friends and by God and even sort of by me. And so I lie there and get warm and dry off, and I guess I get bored or else it is human nature because after a while I jump back into the lake, into all that crap. I guess the solution is just to keep trying to get back to the float. This morning Sam woke at 4:00, so
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
Orin's special conscious horror, besides heights and the early morning, is roaches. There'd been parts of metro Boston near the Bay he'd refused to go to, as a child. Roaches give him the howling fantods. The parishes around N.O. had been having a spate or outbreak of a certain Latin-origin breed of sinister tropical flying roaches, that were small and timid but could fucking fly, and that kept being found swarming on New Orleans infants, at night, in their cribs, especially infants in like tenements or squalor, and that reportedly fed on the mucus in the babies' eyes, some special sort of optical-mucus — the stuff of fucking nightmares, mobile flying roaches that wanted to get at your eyes, as an infant — and were reportedly blinding them; parents'd come in in the ghastly A.M.-tenement light and find their infants blind, like a dozen blinded infants that last summer; and it was during this spate or nightmarish outbreak, plus July flooding that sent over a dozen nightmarish dead bodies from a hilltop graveyard sliding all gray-blue down the incline Orin and two teammates had their townhouse on, in suburban Chalmette, shedding limbs and innards all the way down the hillside's mud and one even one morning coming to rest against the post of their roadside mailbox, when Orin came out for the morning paper, that Orin had had his agent put out the trade feelers.
David Foster Wallace (Infinite Jest)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
This morning I was walking through Manhattan, head down, checking directions, when I looked up to see a fruit truck selling lychee, two pounds for five bucks, and I had ten bucks in my pocket! Then while buying my bus ticket for later that evening I witnessed the Transbridge teller’s face soften after she had endured a couple unusually rude interactions in front of me as I kept eye contact and thanked her. She called me honey first (delight), baby second (delight), and almost smiled before I turned away. On my way to the Flatiron building there was an aisle of kousa dogwood—looking parched, but still, the prickly knobs of fruit nestled beneath the leaves. A cup of coffee from a well-shaped cup. A fly, its wings hauling all the light in the room, landing on the porcelain handle as if to say, “Notice the precise flare of this handle, as though designed for the romance between the thumb and index finger that holding a cup can be.” Or the peanut butter salty enough. Or the light blue bike the man pushed through the lobby. Or the topknot of the barista. Or the sweet glance of the man in his stylish short pants (well-lotioned ankles gleaming beneath) walking two little dogs. Or the woman stepping in and out of her shoe, her foot curling up and stretching out and curling up.
Ross Gay (The Book of Delights: Essays)
Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names. That sounds good. Maybe you should think about what you want and we can go shopping. Julia turned to look at him. Now? I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile. She's a baby, Gabriel. Her stuff is going to be juvenile. You know what I mean. I want it to be elegant and not look like a preschool. Good grief. Julia fought a grin as she began imagining what the Professor would design. (Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.) He cleared his throat. I might have done some searching on the Internet. Oh, really? From where? Restoration Hardware? Of course not. He bristled. Their things wouldn't be appropriate for a baby's room. So where then? He gazed at her triumphantly. Pottery Barn Kids. Julia groaned. We've become yuppies. Gabriel stared at her in mock horror. Why do you say that? We're driving a Volvo and talking about shopping at Pottery Barn. First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself. As long as we get Thai food first. Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it. Julia burst into peals of laughter.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
By the way, a Bulgarian I met lately in Moscow," Ivan went on, seeming not to hear his brother's words, "told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them- all sorts of things you can't imagine. People talk sometimes of bestial cruelty, but that's a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that's all he can do. He would never think of nailing people by the ears, even if he were able to do it. These Turks took a pleasure in torturing children, -too; cutting the unborn child from the mothers womb, and tossing babies up in the air and catching them on the points of their bayonets before their mothers' eyes. Doing it before the mothers' eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They've planned a diversion: they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby's face. The baby laughs with glee, holds out its little hands to the pistol, and he pulls the trigger in the baby's face and blows out its brains. Artistic, wasn't it? By the way, Turks are particularly fond of sweet things, they say.
Fyodor Dostoevsky (The Brothers Karamazov)
We walked into my mother's house at 10:30 in the morning at the end of February 1992. I had been gone for three weeks. She had been so desperate about us - she, too, looked thin and haggard. She was stunned to see me walk in, filthy and crawling with lice, with a huge crowd of starving people. We ate and drank clean water; then, before we even washed, I put Marian in a taxi with me and told the driver to go to Nairobi Hospital. We had no money left and I knew Nairobi Hospital was expensive; it was where I had been operated on when the ma'alim broke my skull. But I also knew that there they would help us first and ask to pay later. Saving the baby's life had become the only thing that mattered to me. At the reception desk I announced, "This baby is going to die," and the nurse's eyes went wide with horror. She took him and put a drip in his arm, and very slowly, this tiny shape seemed to uncrumple slightly. After a little while, his eyes opened. The nurse said, "The child will live," and told us to deal with the bill at the cash desk. I asked her who her director was, and found him, and told this middle-aged Indian doctor the whole story. I said I couldn't pay the bill. He took it and tore it up. He said it didn't matter. Then he told me how to look after the baby, and where to get rehydration salts, and we took a taxi home. Ma paid for the taxi and looked at me, her eyes round with respect. "Well done," she said. It was a rare compliment. In the next few days the baby began filling out, growing from a crumpled horror-movie image into a real baby, watchful, alive.
Ayaan Hirsi Ali (Infidel)
On September 16, in defiance of the cease-fire, Ariel Sharon’s army circled the refugee camps of Sabra and Shatila, where Fatima and Falasteen slept defenselessly without Yousef. Israeli soldiers set up checkpoints, barring the exit of refugees, and allowed their Lebanese Phalange allies into the camp. Israeli soldiers, perched on rooftops, watched through their binoculars during the day and at night lit the sky with flares to guide the path of the Phalange, who went from shelter to shelter in the refugee camps. Two days later, the first western journalists entered the camp and bore witness. Robert Fisk wrote of it in Pity the Nation: They were everywhere, in the road, the laneways, in the back yards and broken rooms, beneath crumpled masonry and across the top of garbage tips. When we had seen a hundred bodies, we stopped counting. Down every alleyway, there were corpses—women, young men, babies and grandparents—lying together in lazy and terrible profusion where they had been knifed or machine-gunned to death. Each corridor through the rubble produced more bodies. The patients at the Palestinian hospital had disappeared after gunmen ordered the doctors to leave. Everywhere, we found signs of hastily dug mass graves. Even while we were there, amid the evidence of such savagery, we could see the Israelis watching us. From the top of the tower block to the west, we could see them staring at us through field-glasses, scanning back and forth across the streets of corpses, the lenses of the binoculars sometimes flashing in the sun as their gaze ranged through the camp. Loren Jenkins [of the Washington Post] cursed a lot. Jenkins immediately realized that the Israeli defense minister would have to bear some responsibility for this horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon! This is Deir Yassin all over again.
Susan Abulhawa (Mornings in Jenin)
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
Ty and Livvy were the last to come say good-bye to Jules; Livvy embraced him fiercely, and Ty gave him a soft, shy smile. Julian wondered where Kit was. He'd been glued to Ty's and Livvy's sides the whole time they'd been in London, but he appeared to have vanished for the family farewell. "I've got something for you," Ty said. He held out a box, which Julian took with some surprise. Ty was absolutely punctual about Christmas and birthday presents, but he rarely gave gifs spontaneously. Curious, Julian popped open the top of the box to find a set of colored pencils. He didn't know the brand, but they looked pristine and unused. "Where did you get these?" "Fleet Street," said Ty. "I went out early this morning." An ache of love pressed against the back of Julian's throat. It reminded him of when Ty was a baby, serious and quiet. He hadn't been able to go to sleep for a long time without someone holding him, and though Julian had been very small himself, he remembered holding Ty while he fell asleep, all round wrists and straight black hair and long lashes. He'd felt so much love for his brother even then it had been like an explosion in his heart. "Thanks. I've missed drawing," Julian said, and tucked the box into his duffel bag. He didn't fuss; Ty didn't like fuss, but Julian made his tone as warm as he could, and Ty beamed. Jules thought of Livvy, the night before, the way she'd kissed his forehead. Her thank-you. This was Ty's.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.
Don Winslow (The Kings of Cool (Savages, #1))
At the beginning of my illness, hospital visits couldn’t be avoided. I needed tests, I had to have my diet and insulin regulated, and once I fainted at school and went into insulin shock and the ambulance came and took me to St. Luke’s. If one of my friends got that sick, I would have called her in the hospital and sent her cards and visited her when she went home. But not Laine. She seemed almost afraid of me (although she tried to cover up by acting cool and snooty). And my other friends did what Laine did, because she was the leader. Their leader. My leader. And we were her followers. The school year grew worse and worse. I fainted twice more at school, each time causing a big scene and getting lots of attention, and every week, it seemed, I missed at least one morning while Mom and Dad took me to some doctor or clinic or other. Laine called me a baby, a liar, a hypochondriac, and a bunch of other things that indicated she thought my parents and I were making a big deal over nothing. But if she really thought it was nothing, why wouldn’t she come over to my apartment anymore? Why wouldn’t she share sandwiches or go to the movies with me? And why did she move her desk away from mine in school? I was confused and unhappy and sick, and I didn’t have any friends left, thanks to Laine. I hated Laine.
Ann M. Martin (The Truth About Stacey (The Baby-Sitters Club, #3))
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted. Each of his thumbs curved over the shells of my ears. "That's my girl." His girl. After all the crap that I'd gone through today, there couldn't have been three better words to hear. Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now. What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings. “What’cha thinkin’, Ritz?” I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?” Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine. "And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me." He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you." He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you." The feeling that swamped me was indescribable. He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it. "Dex," I exhaled his name. He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby." I choked out a laugh. Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass." Fire shot straight through my chest. "Yeah?" I panted. "Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
Mariana Zapata (Under Locke)
You took it with good grace when you could have sliced him to ribbons with a few words." "I was tempted," she admitted. "But I couldn't help remembering something Mother once said." It had been on a long-ago morning in her childhood, when she and Gabriel had still needed books stacked on their chairs whenever they sat at the breakfast table. Their father had been reading a freshly ironed newspaper, while their mother, Evangeline, or Evie, as family and friends called her, fed spoonfuls of sweetened porridge to baby Raphael in his high chair. After Phoebe had recounted some injustice done to her by a playmate, saying she wouldn't accept the girl's apology, her mother had persuaded her to reconsider for the sake of kindness. "But she's a bad, selfish girl," Phoebe had said indignantly. Evie's reply was gentle but matter-of-fact. "Kindness counts the most when it's given to people who don't deserve it." "Does Gabriel have to be kind to everyone too?" Phoebe had demanded. "Yes, darling." "Does Father?" "No, Redbird," her father had replied, his mouth twitching at the corners. "That's why I married your mother- she's kind enough for two people." "Mother," Gabriel had asked hopefully, "could you be kind enough for three people?" At that, their father had taken a sudden intense interest in his newspaper, lifting it in front of his face. A quiet wheeze emerged from behind it. "I'm afraid not, dear," Evie had said gently, her eyes sparkling. "But I'm sure you and your sister can find a great deal of kindness in your own hearts." Returning her thoughts to the present, Phoebe said, "Mother told us to be kind even to people who don't deserve it.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)