Monster High Quotes

We've searched our database for all the quotes and captions related to Monster High. Here they are! All 100 of them:

Because all the monsters have been let out of their cages tonight, no matter what court they belong to. So I may roam wherever I wish until the dawn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Every fairytale has a villain. All high quality happy endings involve a black-hearted monster. I just didn't want you to be mine.
Coco J. Ginger
She didn't mind a little rain. At least no one would see her cry.
Lisi Harrison (Monster High (Monster High, #1))
Nobody ever thinks of himself as a villain, does he? Even monsters hold high opinions of themselves.
Victor LaValle (The Ballad of Black Tom)
One by one, drops fell from her eyes like they were on an assembly line - gather, fall, slide...gather, fall, slide...each one commemorating something she had lost. Hope. Faith. Confidence. Pride. Security. Trust. Independence. Joy. Beauty. Freedom. Innocence.
Lisi Harrison (Monster High (Monster High, #1))
At a normal high school, having class outside on a gorgeous May day is usually pretty awesome. It means sitting in the sunshine, maybe reading some poetry, letting the breeze blow through your hair...At Hecate Hall, a.k.a. Juvie for Monsters, it meant I was getting thrown in the pond.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Nothing could convince Aunt Nelly to let Vlad stay home for the duration of the school year, which just goes to prove that parents and guardians don't care if they're sending you to face bloodthirsty monsters, so long as you get a B in English.
Heather Brewer (Eighth Grade Bites (The Chronicles of Vladimir Tod, #1))
This is our big chance to see what people think of us. The real us. We have to show em there's nothing to be afraid of. If we don't get over our fears, they never will.
Lisi Harrison (Monster High (Monster High, #1))
No, we aren't civilized, even in our business suits and high heels. People are as mean as ever, and as predictable. Underneath it all, we are not so different from what lurks in the wild, perhaps we're worse.
Donna Lynn Hope
This isn't going to be pretty. Rules will be broken. Friendships will be tested. And huge risks will be taken. But they're small prices to pay for true love and freedom, right?
Lisi Harrison (Monster High (Monster High, #1))
Kate wondered who was more addicted to their high, serial killers or coffee addicts.
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
I'm Carter Kane-part-time high school freshman, part-time magician, full-time worrier about all the Egyptian gods and monsters who are constantly trying to kill me. Okay, that last part is an exaggeration. Not all the gods want me dead. Just a lot of them.
Rick Riordan (The Son of Sobek (Demigods & Magicians, #1))
Sure you’ll be all right?” Glitch asked, breaking through my thoughts. “I could come with you, if you’d like. They won’t even see me.” I shook my head. “Better if I do this alone. Besides, there’s one member of that household who can see you. And he’s seen enough scary monsters to last him a lifetime.” “Begging your pardon, your highness,” Glitch smirked, “but who are you calling a scary monster?” I swatted at him.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
We were in such good moods, we even decided to hit Todd's house for candy. Sam rang the doorbell, and when it opened, this hideous, rubber monster face roared at us. Sam screamed. Todd started laughing and took off the mask. I yelled, "Put it back on! Put it back on! Your hideousness is terrifying!" Todd did a fake yuk-yuk-yuk at my joke. "What are you guys supposed to be? Is it Prom Night Massacre or something?" Sam sighed at Todd's obvious stupidity. "We're zombie princesses, Todd. Can't you tell?" She stuck her arms straight out in front of her and said, "BRAINS! BRAINS!" I patted Sam on the head and said, "Sorry, Sam. You're wasting your time with this one.
Kristin Walker (A Match Made in High School)
Wearing nothing but sweats and a sheer coat of lip gloss, she wiggle through her frosted window and jumped six feet to freedom, feeling more charged than a Visa card at Christmas time.
Lisi Harrison (Monster High (Monster High, #1))
She raced for him, propelled by the strength of a thousand regrets.
Lisi Harrison (Monster High (Monster High, #1))
He ran a hand through his hair. "What I have to be tomorrow, who I have to become, is not....it's not something I want you to see. How I will treat you, treat others...." "The mask of the High Lord," I said quietly. "Yes." He took a seat on the bottom of the stairs. I remained in the center of the foyer as I asked carefully, "Why don't you want me to see that?" "Because you've only started looking at me like I'm not a monster, and I can't stomach the idea of anything you see tomorrow, being beneath that mountain that mountain, putting you back into that place where I found you.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
After each dream, Frankie woke with a start, soaked in tears. But she found no relief in the peaceful silence of her room, because there everything was real. And the guilt was too immense to bear. Each time she opened her eyes, she'd quickly shut them. And wish that she had woken up for the very last time.
Lisi Harrison (Monster High (Monster High, #1))
We are told in fairy tales that evil always loses and good eventually will triumph. That is what makes those stories so desirable to the general population. They want to believe that karma works and the bad guys are always defeated in the end. But in a world where no one thinks they are the bad guy and everyone plays the victim, it is harder and harder to find the black and the white of a situation. We are all the hero, and we are all the monster.
John Goode (Maybe With a Chance of Certainty (Tales from Foster High, #1))
See, that’s the tragedy of the human condition. No one wants to be corrupted by power when they set out to get it. They have good, even noble reasons for doing whatever it is they do. They don’t want to misuse it, they don’t want to abuse it, and they don’t want to become vicious monsters. Good people, decent people, set out to take the high road, to pick up power without letting it change them or push them away from their ideals. But it keeps happening anyway. History is full of it. As a rule, people aren’t good at handling power. And the second you start to think you’re better at controlling your power than anyone else, you’ve already taken the first step.
Jim Butcher (Cold Days (The Dresden Files, #14))
It was an image Melody would never forget. Or was it the emotions the image conjured - hope, excitement, and fear of the unknown, all three tightly braided together, creating a fourth emotion that was impossible to define. She was getting a second chance at happiness and it tickled like swallowing fifty fuzzy caterpillars.
Lisi Harrison (Monster High (Monster High, #1))
the spirit of wickedness in high places is now so powerful and many-headed in its incarnations that there seems nothing more to do than personally refuse to worship any of the hydras' heads.
J.R.R. Tolkien (The Monsters and the Critics and Other Essays)
Because whipping an atlas at Jackson's head while he was flirt-touching that Frankie girl in geography would have been very satisfying. And beating him with the Eiffel Tower snowglobe while he kissed Cleo in French would have been tres cathartic. But she hadn't. Instead she'd been egg-like: a hard shell on the outside, and a runny mess on the inside.
Lisi Harrison (Monster High (Monster High, #1))
I've always loved joining clubs--although, in truth, they're usually book clubs." ~Robecca Steam
Gitty Daneshvari (Monster High: Ghoulfriends Forever)
Confide in me, my hideous little monster.
L.J. Shen (Pretty Reckless (All Saints High, #1))
My problem is that I want to smoke the cigar and for someone else to light it. I want to blow out smoke. Like a volcano. Like a monster. I want to fume. I do not want to be the girl whose job it is to wail in a high-pitched voice at funerals.
Deborah Levy (Hot Milk)
Watching a make-out while wrapped in a blanket with a guy she wanted to make out with made her feel exposed. Obvious. Transparent. Like her thoughts were flashing before his eyes. Finally Brett managed to pull away without consent of Bekka's lips. The confusion created a sloppy bite-a-juicy-peach sound. Everyone cringed.
Lisi Harrison (Monster High (Monster High, #1))
“But I’m not evolved. Am I a monster?” “No, sweetie. Evolution is an endless thread. And you’re already in the process.”
Misba (The High Auction (Wisdom Revolution, #1))
Of course,” said Mik, without missing a beat. “However, as cool a word as samurai is, I don’t think it’s what we really mean. We just want to be able to kick ass, right?” “Well, definitely don’t phrase it that way. We’d probably just become highly skilled at kicking people in the ass. Don’t turn your back on them,” she intoned. “They never miss.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
I don't hurt other people intentionally. I'm not a bad person. I have a decent job. So I like to put on high heels and a little dress. Does that make me a monster? -Edgar Saturnino, 24 (Lamentations 5:23)
Jessica Zafra (Twisted 8: The Night of the Living Twisted)
“When you don’t evolve your mind enough, in a way, you grow your own monsters, sweetie.”
Misba (The High Auction (Wisdom Revolution, #1))
A burrito is a delicious food item that breaks down all social barriers and leads to temporary spiritual enlightenment.
Lisi Harrison (Monster High (Monster High, #1))
When you don’t evolve your mind enough, in a way, you grow your own monsters, sweetie.
Misba (The High Auction (Wisdom Revolution, #1))
Something about Bekka and Haylee reminded her of Candace's line between ingenious and insane. Ingenuity inspired their dreams, and insanity gave them the courage to pursue them. It was something Melody wanted for herself.
Lisi Harrison (Monster High (Monster High, #1))
You see?” Ryn asked once they stood in the pool of darkness. “It’s empty.” “I see.” Her voice wasn’t quite as high or thin as before. “But how do you know before you’re in it?” “Because I’m from places where shadows aren’t empty. I know the difference.
Casey Matthews (The One Who Eats Monsters (Wind and Shadow, #1))
The confusing lesson whipped Frankie's anger into something she had never felt before. It was like an emotional meringue - the airy feeling of loneliness topped with the hard crisp of injustice. Yet its taste was far from sweet.
Lisi Harrison (Monster High (Monster High, #1))
Kate wondered who was more addicted to their high, serial killers or coffee addicts. “Next!
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
What was it about high school that made people think with their insecurities instead of their brains?
Lisi Harrison (Where There's a Wolf, There's a Way (Monster High, #3))
Friends first." "Even before Brett?" "Always," Bekka said. Her lively freckled face was dead serious. "Wow," Melody said in surprise. They really were friends. Hearing it helped her feel it. And feeling it was like sinking deeper into a warm bath.
Lisi Harrison (Monster High (Monster High, #1))
Don’t meet him. That monster has an agenda. Ren. Yuan’s CRAB forwards the text to his mind. So, he silences it. Why after two decades? Ren. It smells fishy. Ren. Just because he's a childhood buddy, you'll run to him? Ren. Maybe I didn’t see the Apocalypse with you, but I'm your war comrade, too. Ren. The texts stay unread in his CRAB.
Misba (The High Auction (Wisdom Revolution, #1))
I sunk to my knees in the spot he had left me. I felt a part of me had just been lost. I was fraught with so many emotions, confused by them all; however, I was hurt more than anything. Hurt to hear him call himself a monster. A monster? Of all the things I thought he was, a monster was not one of them.
Charlotte Munro (The Lockharts)
WAKE Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn’t need more problems. But inexplicably, since she was eight years old, she has been pulled in to people’s dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel’s covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters.
Lisa McMann
That was the first time I did coke. My body, it was electric. For the first time in my life I felt as if I had a real heart and a real body and I knew that there was this fire in me that could have lit up the entire universe. No book had ever made me feel that way. No human being had ever made me feel like that.
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
O Hathor,” Cleo began, “why bless me with an abundance of gorgeousness and then deprive me of people to envy it? Especially on a Saturday night?
Lisi Harrison (The Ghoul Next Door (Monster High, #2))
We saw a pale echo of what is now possible in 1990-1991, when Saddam Hussein, the autocrat of Iraq, made a sudden transition in the American consciousness from an obscure near-ally - granted commodities, high technology, weaponry, and even satellite intelligence data - to a slavering monster menacing the world. I am not myself an admirer of Mr. Hussein, but it was striking how quickly he could be brought from someone almost no American had heard of into the incarnation of evil. These days the apparatus for generating indignation is busy elsewhere. How confident are we that the power to drive and determine public opinion will always reside in responsible hands?
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Maybe sometimes we make people monsters in our heads because we can’t understand them. Maybe we don’t understand them because we don’t try to. And maybe we don’t try to because we’re scared.
L.J. Shen (Broken Knight (All Saints High, #2))
I learned that the possessions most esteemed by your fellow-creatures were, high and unsullied descent united with riches. A man might be respected with only one of these acquisitions; but without either he was considered, except in very rare instances, as a vagabond and slave, doomed to waste his powers for the profit of the chosen few. And what was I? Of my creation and creator I was absolutely ignorant; but I knew that I possessed no money, no friends, no kind of property. I was, besides, endowed with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they, and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded their's. When I looked around, I saw and heard of none like me. Was I then a monster, a blot upon the earth, from which all men fled, and whom all men disowned?
Mary Wollstonecraft Shelley (Frankenstein, Or The Modern Prometheus)
Is this what greed feels like? Is he turning into a monster, like him? Yuan browses the CRAB in his mind. His brain sees an older text: Let’s meet where we met last. On the 19th, 19:20 hours. Ruem D.
Misba (The High Auction (Wisdom Revolution, #1))
...Until they stood at last by a crumbling wall, looking up and up and still farther up at the great tombyard top of the old house. For that's what it seemed. The high mountain peak of the mansion was littered with what looked like black bones or iron rods, and enough chimneys to choke out smoke signals from three dozen fires on sooty hearths hidden far below in dim bowels of this monster place. With so many chimneys, the roof seemed a vast cemetery, each chimney signifying the burial place of some old god of fire or enchantress of steam, smoke, and firefly spark. even as they watched, a kind of bleak exhalation of soot breathed up out of some four dozen flues, darkening the sky still more, and putting out some few stars.
Ray Bradbury (The Halloween Tree)
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
Viktor was swinging a leather duffle and wearing a black Adidas tracksuit and his favorite brown UGG slippers with a hole in the toe. "Worn and old, just like Viv," he'd say when Frankie made fun of them, and then his wife would swat him on the arm. But Frankie knew he was just joking, because Viveka was the type of woman you wished was in a magazine just so you could stare at her violet-colored eyes and shiny black hair without being called a stalker or a freak.
Lisi Harrison (Monster High (Monster High, #1))
Oh my God…How could he do such a thing? What kind of monster is he? (Kiara) You think you’re so unsullied. How dare you sit there like some high queen dispensing her judgment on us. Don’t waste pity on Arast. If he’d been given the chance, he’d have raped you slowly and in ways you can’t even conceive of, then cut you into little pieces and fed you to his dogs. All except your head with your contorted fear permanently twisted on your pretty little face – that he would have sent home to your father as a present, but only after he’d been paid. And that’s nice compared to what he’d have done to Nykyrian. To what he’s done to Nykyrian in the past. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
Ignorance is bliss was bull. Melody had been ignorant her whole life, and things were far from blissful. It was time to give knowledge is power a try.
Lisi Harrison (Where There's a Wolf, There's a Way (Monster High, #3))
Even monsters hold high opinions of themselves.
Victor LaValle (The Ballad of Black Tom)
And for a split second Cleo saw the value in living openly. Liberation was Windex for the soul. It let the light shine through. But why dwell? Nothing was ever going to change.
Lisi Harrison (The Ghoul Next Door (Monster High, #2))
Lightning snapped the night sky like a jock’s gym towel on a dork’s butt.
Lisi Harrison (The Ghoul Next Door (Monster High, #2))
I’m surrounded by my monsters now, but at least I hold the leash of some very pretty ones.
C.M. Stunich (Chaos at Prescott High (The Havoc Boys, #2))
October approached. Nervously, the monsters eyed the calendar between news reports. Were they scary enough? The bar was getting a little high.
James Mark Miller
A monster of a man sits on his blood-red steed, a massive sword strapped to his back. There are gold rings in his dark hair and kohl thickly lines his eyes. His cheekbones are high and the scowl he wears makes him look absolutely petrifying.
Laura Thalassa (War (The Four Horsemen, #2))
The air space is obviously for the Aerial Transports—ATs, and the roads are for the Ground Vehicles—GVs. However, even among the GVs, strict rules apply for the ones with wheels and tires—they must stay nearest to the earth. A truck with monster tires, like hers, must stay away from the upper-level highways if she wants to avoid stares.
Misba (The High Auction (Wisdom Revolution, #1))
The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?
Lisi Harrison (Monster High (Monster High, #1))
“Are they monsters?” Kusha once asked Meera about the ones living in the Junk Land. Meera didn’t answer. Not directly anyway. She skeptically avoided it like the diva of voice she is—the kind who owns half of the entertainment channels of Alpha…
Misba (The High Auction (Wisdom Revolution, #1))
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
Question." "Yes," Candace asked expectantly, eyes fixed on the dark street ahead. "Have you ever had to chose sides between a friend and a boyfriend?" Candace nodded. "Which side are you suppose to pick?" "The right one." "What if they're both right?" "They're not." "But they are," Melody insisted. "That's the problem." "No." Candace slowly rolled past a police cruiser. "They both think they're right. But who do you think is right? Which side represents the thing you think is worth fighting for?" Melody glanced out the window as though she was expecting the answer to be revealed on a neighbor's lawn. Every house except hers had the lights turned off. "I dunno." "You do," Candace insisted. "You just don't have the courage to be honest with yourself. Because then you'd have to do the thing you don't want to do, and you hate doing anything that's hard. Which is why you gave up singing and why you have no life and why you've always been a -" "Um okay! Can we get back to the part where you were sounding like Oprah?" "I'm just saying, Melly, what would you do if you weren't afraid? That's your answer. That's your side." She turned into the circular driveway and put the SUV in PARK. "And if you don't choose it, you're lying to yourself and everyone around you." She opened the door and grabbed her purse. "Oprah out!" The door slammed behind her.
Lisi Harrison (Monster High (Monster High, #1))
My children are monsters, Kiro thought. And I am responsible. Perhaps if I had read them the haikus of Basho when they were little instead of that American manifesto of high-pressure sales, Green Eggs and Ham...
Christopher Moore (Coyote Blue)
They live like beasts, sweetie. They slang, they bark, they rape. They kill for a solar panel or the copper ring they find in the junk. They don’t think about art and culture or how the universe exists as the High Grades do. They are lowly, earthly monsters … Meera never speaks such words aloud, but Magic Mama told her once what the High Grades think of anyone unevolved, no matter if they’re outside the walls or inside them.
Misba (The High Auction (Wisdom Revolution, #1))
Sooo, I'm tired of people thinking I'm a freak. I know you can't relate to that but -" "Get over it already, will ya?" Candace stood. "You're not Smellody anymore. You're pretty. You can get hot guys now. Tanned ones with good vision. Not geeky hose jousters." She shut the window. "Don't you ever want to use your lips as something other than veneer protectors?" Melody felt a familiar pinch behind her eyes. Her throat dried. Her eyes burned. And then they came. Like salty little paratroopers, tears descended en masse. She hated Candace thought she had never made out with a boy. But how could she convince a seventeen-year-old with more dates than a fruitcake that Randy the Starbucks cashier (aka Scarbucks, because of his acne scars) was a great kisser? She couldn't.
Lisi Harrison (Monster High (Monster High, #1))
Even if we die, if we have to become monsters and everyone hates us, we have to read the book because it will teach us how to avoid the alligator’s jaws, the wolves who wait in the forest, the huge snakes, and how to become birds.
Kathy Acker (Blood and Guts in High School)
The hardest thing about being a parent is watching your kids make mistakes. Our instinct is to protect you. But you're right, Deenie. Sometimes we have to step aside and let you make them anyway. The best we can do is be there when you mess up.
Lisi Harrison (Where There's a Wolf, There's a Way (Monster High, #3))
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds. And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
Robert G. Ingersoll
That said, pointing out inaccurate or unrealistic portrayals of women to younger grade school children-ages five to eight-does seem to be effective, when done judiciously:taking to little girls about body image and dieting, for example, can actually introduce them to disordered behavior rather than inoculating them against it. I may be taking a bit of a leap here, but to me all this indicated that if you are creeped out about the characters fromMonster High, it is fine to keep them out of your house.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Like Martin Luther King Jr., Frankie dreamed of living in a nation where people would not be judged by the color of their skin but by the content of their character. The sonner she realized that dream, the sooner she could get started on Katy Perry's and live the teenage one.
Lisi Harrison (Where There's a Wolf, There's a Way (Monster High, #3))
The monsters in our lives are as particular about their final girls as people are about their Starbucks order. Black nonfat camp counselor with high threshold for pain and an extra shot. A double soy lesbian babysitter who’s not afraid to stab someone in the eye, hold the foam.
Grady Hendrix (The Final Girl Support Group)
Native to Southeast Asia, zannies were skilled torturers, notoriously amoral, and universally despised. Over the years, zannies had spread across the world, and their small population made them highly paid and in higher demand. Every dictator and genocidal maniac worth his salt had a zannie on staff.
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song. Out of the dead compost and the inert slag they breed a song that contaminates. I see this other race of individuals ransacking the universe, turning everything upside down, their feet always moving in blood and tears, their hands always empty, always clutching and grasping for the beyond, for the god out of reach: slaying everything within reach in order to quiet the monster that gnaws at their vitals. I see that when they tear their hair with the effort to comprehend, to seize this forever unattainable, I see that when they bellow like crazed beasts and rip and gore, I see that this is right, that there is no other path to pursue. A man who belongs to this race must stand up on the high place with gibberish in his mouth and rip out his entrails. It is right and just, because he must! And anything that falls short of this frightening spectacle, anything less shuddering, less terrifying, less mad, less intoxicated, less contaminating, is not art. The rest is counterfeit. The rest is human. The rest belongs to life and lifelessness.
Henry Miller (Tropic of Cancer (Tropic, #1))
There are no true enemies, only potential allies — hearts and minds yet to be won, “peaceful people” being deprived of their natural right to fast food, wall-to-wall carpet and high definition pornography. There are no more statues of heroes because no true villains can be acknowledged. There is no Beowulf because there are no monsters or dragons — only outsiders who are disenfranchised and misunderstood. Monuments can only be raised to mythic martyred unifiers like Jesus Christ or Martin Luther King or Abraham Lincoln. This
Jack Donovan (Becoming a Barbarian)
The Austrian writer Robert Musil summed up the Fanatic's great rhetorical advantage in just ten words: There is no truth which stupidity can't make use of. Another Austrian, novelist Heimito von Doderer, put this way: Even the most impossible persons who do the most unforgivable things possess substantial reality; from their points of view they are always right – for let them only doubt that and they are no longer such impossible persons. And we must pay close heed to those who play such ungrateful roles, for these roles are indispensable. It is no small thing to be a monster or a spiteful idiot, and in the first case to think oneself beautiful, in the second a highly intelligent person. Such characters must be represented. Some one has to do it.
David James Duncan
What would you know of struggle, perfect son? When have you fought against the mutilation of your mind? When have you had to do anything other than tally compliance's and polish your armor? The people of your world named you "Great One". The people of mine called me slave. Which one of us landed on a paradise of civilization to be raised by a foster father, Roboute? Which one of us was given armies to lead after training in the halls of the Macraggian High Riders? Which one of us inherited a strong, cultured kingdom? And which one of us had to rise up against a kingdom with nothing but a horde of starving slaves? Which one of us was a child enslaved on a world of monsters, with his brain cut up by carving knives? Listen to your blue clad wretches yelling courage and honor, courage and honor, courage and honor! Do you even know the meaning of those words? Courage is fighting the kingdom which enslaves you, no matter that their armies outnumber yours by ten-thousand to one. You know nothing of courage! Honor is resisting a tyrant when all others suckle and grow fat on the hypocrisy he feeds them. You know nothing of honor!
Angron, Wahammer 40K
For all his cruelty, he is a highly intelligent man,” Amina says. “I think we sometimes make the mistake of thinking monsters are abhorrent aberrations, lurking in the darkest recesses, when the truth is far more disturbing. The most monstrous of men are those who sit in plain sight, daring you to challenge them. He’s calculating and manipulative, and believe me when I say he will not stop until he finds you.
Kalynn Bayron (Cinderella Is Dead)
The inaugural morning at Merston High was officially over. It was no longer a mysterious place in Melody's imagination, filled with endless possibilities and hooks on which to hang hopes for a better tomorrow. It was completely - boringly - normal. Like meeting an online crush after months of e-flirting, the reality didn't live up to the fantasy. It was dull, predictable, and way more attractive in the photos.
Lisi Harrison (Monster High (Monster High, #1))
The last captain called to sea again Sails intrepid forward The waves they rock But he cares not He need only follow the stars Looking down at that compass Would just lead him astray His great old vessel Done in by monsters, maelstroms, Tidal waves Foundering toward lost Atlantis But by ancient stars Burning oh so bright And sails high and strong He’ll catch the gale That will take him there Out where he belongs Not a distant shore But heaven’s door One with the sublime Another bright light In the starry night Shining with True greatness
A.D. Aliwat (In Limbo)
...sick, my brothers are sending me home. This place infects me. Templeton my smooth little pill... such images I have. Such voices, that high voice, the little girl's so naughty, talking to me, all the time now. How I hate her... the train is empty, Albany a small, spangled fish... this train is all brown velvet... the train slows, I am in Templeton, oh. Templeton, Templeton, the train says, slowing down. The lake, the blue, is an embrace.
Lauren Groff (The Monsters of Templeton)
Don't be afraid." And then we were gone. Weightless. The ground at my feet suddenly disappeared along with everything else. A scream lodged in my throat, coming out broken and pathetic. And then we were sitting on a wide ledge. High above Jackson Square. Christ, he'd blinked me to - I gazed above me. Not just a ledge. Oh God, oh God, oh God. "It helps if you breathe." "I think I might kill you," I said in a near whisper. Sebastian's shoulder bumped mine as he tried to hide a smile. "Well, you've got time, because we'll be up here for an hour or so before I have enough power again to get us down. I didn't think you'd be afraid of heights." I glared at him. "I'm not afraid of heights. I am, apparently, afraid of disappearing from solid ground and then reappearing on a ledge.
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
No, I'm serious," Frankie insisted, fed up with being silenced. "Why didn't you just make me a normie?" Viktor sighed. "Because that's not who we are. We're special. And I'm very proud that. You should be, too." "Proud?" Frankie spat out the word as if it had been soaked in nail polish remover. "How can I be proud when everyone is telling me to hide?" "I'm telling you to hide so you'll be safe. But you can still feel proud of who you are," he explained, like it really was that simple. "Pride has to come from within you and stay with you, no matter what people say." Huh? Frankie crossed her arms and looked away.
Lisi Harrison (Monster High (Monster High, #1))
Long live transfinite mountains, the hollow earth, time machines, fractal writing, aliens, dada, telepathy, flying saucers, warped space, teleportation, artificial reality, robots, pod people, hylozoism, endless shrinking, intelligent goo, antigravity, surrealism, software highs, two-dimensional time, gnarly computation, the art of photo composition, pleasure zappers, nanomachines, mind viruses, hyperspace, monsters from the deep and, of course, always and forever, the attack of the giant ants!
Rudy Rucker
Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-sized monster of ingratitudes: Those scraps are good deeds past; which are devour'd As fast as they are made, forgot as soon As done: perseverance, dear my lord, Keeps honour bright: to have done is to hang Quite out of fashion, like a rusty mail In monumental mockery. Take the instant way; For honour travels in a strait so narrow, Where one but goes abreast: keep then the path; For emulation hath a thousand sons That one by one pursue: if you give way, Or hedge aside from the direct forthright, Like to an enter'd tide, they all rush by And leave you hindmost; Or like a gallant horse fall'n in first rank, Lie there for pavement to the abject rear, O'er-run and trampled on: then what they do in present, Though less than yours in past, must o'ertop yours; For time is like a fashionable host That slightly shakes his parting guest by the hand, And with his arms outstretch'd, as he would fly, Grasps in the comer: welcome ever smiles, And farewell goes out sighing. O, let not virtue seek Remuneration for the thing it was; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
William Shakespeare (Troilus and Cressida)
He had murdered any illlusion of Alex Remington. The golden pendant had been replaced by a spiked dog collar, and he was wearing a black T-shirt that hugged his form and showed off the many designs on his arms: Fenris on the right wrist, and Echidna, the greek mother of monsters, high on his left arm. The norse world serpent was wrapped around his left wrist, and a new design had recently been added: Cerberus, the three-headed dog who guarded the gates of Hades. The world serpent was partially obscurred by a black leather knife sheath, which held a silver knife Aubrey had taken from a vampire hunter a few thousand years earlier. His hair was slightly touseled, as if he'd been running, and a few strands fell across his face. Looking at him now, Jessica couldn't imagine how she had ever mistaken him for a human. But illusion was Aubrey's art. And it was simple to fool people who expected nothing else. For the moment, Aubrey appeared to be exactly what he was: stunning, michievous, and completely deadly all at once
Amelia Atwater-Rhodes (Demon in My View (Den of Shadows, #2))
Sadistic monsters,' Gwyn hissed as the three friends limped toward the water station, defeat heavy on their shoulders. 'We try again tomorrow,' Emerie swore, sporting a black eye thanks tot the swinging log that had knocked her on her ass before Nesta could grab her. 'We keep trying until we wipe that smug look off their stupid perfect faces. Indeed, Azriel and Cassian had just leaned against the wall, arms crossed, and smiled at them the entire time. Gwyn threw Azriel a withering stare as she strode past him. 'See you tomorrow, Shadowsinger,' she tossed over a shoulder. Az stared after her, brows high with amusement. When he turned back, Nesta grinned. 'You have no idea what you just started,' she said. Az angled his head, hazel eyes narrowing as Gwyn reached the archway. 'Remember how Gwyn was with the ribbon?' Nesta winked and clapped the shadowsinger on the shoulder. 'You're the new ribbon, Az.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
sodoyouthinkyoucouldtrustmetogotothedancetonight?" she blurted before losing her nerve. Viktor and Viveka exchanged a quick glance. Are they considering it? They are! They trust - "No," they said together. Frankie resisted the urge to spark. Or scream. Or threaten to go on a charging strike. She had prepared herself for this. It had always been a possibility. That's why she'd read 'Acting For Young Actors: The Ultimate Teenage Guide' by Mary Lou Belli and Dihah Lenney. So she could act like she understood their rejection. Act like she accepted it. And act like she would return to her room with grace. "Well, thanks for hearing me out," she said, kissing them on the cheeks and skipping off to bed. "Good night." "Good night?" Viktor responded. "That's it? No argument?" "No argument," Frankie said with a sweet smile. "You have to see this punishment through or you're not teaching me anything. I get it." "O-kay." Viktor returned to his medical journal, shaking his head as if he couldn't quite believe what he was hearing. "We love you." Viveka blew another kiss. "I love you, too." Frankie blew two back. Time for Plan B.
Lisi Harrison (Monster High (Monster High, #1))
My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book--everything I like--trying to evoke some of the decadence… Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires--they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird. I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection--the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in.
Holly Black
Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.
Lisi Harrison (Monster High (Monster High, #1))
The strident emotional belief that children made you happy, even when all the data pointed to misery. The high-amplitude fear of sharks and dark-skinned snipers who would never kill you; indifference to all the toxins and pesticides that could. The mind was so rotten with misrepresentation that in some cases it literally had to be damaged before it could make a truly rational decision—and should some brain-lesioned mother abandon her baby in a burning house in order to save two strangers from the same fire, the rest of the world would be more likely to call her a monster than laud the rationality of her lifeboat ethics. Hell, rationality itself—the exalted Human ability to reason—hadn’t evolved in the pursuit of truth but simply to win arguments, to gain control: to bend others, by means logical or sophistic, to your will. Truth had never been a priority. If believing a lie kept the genes proliferating, the system would believe that lie with all its heart. Fossil feelings. Better off without them, once you’d outgrown the savanna and decided that Truth mattered after all. But Humanity wasn’t defined by arms and legs and upright posture. Humanity had evolved at the synapse as well as at the opposable thumb—and those misleading gut feelings were the very groundwork on which the whole damn clade had been built. Capuchins felt empathy. Chimps had an innate sense of fair play. You could look into the eyes of any cat or dog and see a connection there, a legacy of common subroutines and shared emotions.
Peter Watts (Firefall (Firefall #1-2))
I still carry a picture in my mind of an abuser who is a rageaholic, a monster, a person visibly and uncontrollably angry. Someone easily identifiable as a “bad guy.” I may even have operated under the idea that my own gut instincts would alert me to such a man. And what strikes me immediately—in fact, deeply unsettles me in a way—is how incredibly normal they all seem. Like a bunch of guys I’d go have a beer with. They are charming. They are funny, gregarious, shy, high-strung. Good-looking or not, well-dressed or not. They are Everyman. One of the hallmarks of domestic violence, Adams told me, is this false idea that abusers are somehow angry generally; rather, their anger is targeted—at a partner or at the partner’s immediate family. As a result, friends and acquaintances of abusers are often surprised to hear that they committed an assault.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
Why would I what?” Will asked, wanting another bite of his burger. “Why would you risk your job teaching some stupid fantasy book?” “Because alternative universe literature promotes critical thinking, imagination, empathy, and creative problem solving. Children who are fluent in fiction are more able to interpret nonfiction and are better at understanding things like basic cause and effect, sociology, politics, and the impact of historical events on current events. Many of our technological advances were imagined by science fiction writers before the tech became available to create them, and many of today’s inventors were inspired by science fiction and fantasy to make a world more like the world in the story. Many of today’s political conundrums were anticipated by science fiction writers like Orwell, Huxley, and Heinlein, and sci-fi and fantasy tackle ethical problems in a way that allows people to analyze the problem with some emotional remove, which is important because the high emotions are often what lead to violence. Works like Harry Potter tackle the idea of abuse of power and—” Will stopped himself and swallowed. Everybody at the table, including Kenny, was staring at him in openmouthed surprise. “Anyway,” he said before taking a monster bite of his cooling hamburger on a sudden attack of nerves, “iss goomfer umf.” “It’s good for us,” Kenny translated, sounding a little stunned
Amy Lane (Shiny!)
It was becoming more and more evident that Salem was a town that celebrated individuality, a real live-and-let-live kind of place. Melody felt a gut punch of regret. Her old nose would have fit in here. "Look!" She pointed at the multicolored car whizzing by. Its black door were from a Mercedes coupe, the white hood from a BMW; the silver trunk was Jaguar, the red convertible top was Lexus, the whitewall tires were Bentley, the sound system was Bose, and the music was classical. A hood ornament from each model dangled from the rear view mirror. Its license plate appropriately read MUTT. "That car looks like a moving Benton ad." "Or a pileup on Rodeo drive." Candace snapped a picture with her iPhone and e-mailed to her friends back home. They responded instantly with a shot of what they were doing. It must have involved the mall because Candace picked up her pace and began asking anyone under the age of fifty where the cool people hung out.
Lisi Harrison (Monster High (Monster High, #1))
Yet, if the American Negro has arrived at his identity by virtue of the absoluteness of his estrangement from his past, American white men still nourish the illusion that there is some means of recovering the European innocence, of returning to a state in which black men do not exist. This is one of the greatest errors Americans can make. The identity they fought so hard to protect has, by virtue of that battle, undergone a change: Americans are as unlike any other white people in the world as it is possible to be. I do not think, for example, that it is too much to suggest that the American vision of the world-which allows so little reality, generally speaking, for any of the darker forces in human life, which tends until today to paint moral issues in glaring black and white owes a great deal to the battle waged by Americans to maintain between themselves and black men a human separation which could not be bridged. It is only now beginning to be borne in on us, very faintly, it must be admitted, very slowly, and very much against our will--that this vision of the world is dangerously inaccurate, and perfectly useless. For it protects our moral high-mindedness at the terrible expense of weakening our grasp of reality. People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state of innocence long after that innocence is dead turns himself into a monster.
James Baldwin (Notes of a Native Son)
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.
Rachel Hawkins (Spell Bound (Hex Hall, #3))