Monks Piece Quotes

You'll be devastated and grief-stricken, but there's a place in you that is inviolate-it's the surest part of you, a piece of Sophia herself. You'll find your way there, when you need to. And you'll know then what I speak of.

He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.

It's one thing to be told about the world that was. It's another to see a piece of it.

That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains.

Soul. The word rebounded to me, and I wondered, as I often had, what it was exactly. People talked about it all the time, but did anybody actually know? Sometimes I'd pictured it like a pilot light burning inside a person--a drop of fire from the invisible inferno people called God. Or a squashy substance, like a piece of clay or dental mold, which collected the sum of a person's experiences--a million indentations of happiness, desperation, fear, all the small piercings of beauty we've ever known.

That's what scares me. My life is . . . it. There's nothing else, on either end of it. I don't have remnants in the same way that you do, or a plate inside my chest. I don't know what my pieces were before they were me, and I don't know what they'll become after. All I have is right now, and at some point, I'll just end, and I can't predict when that will be, and - and if I don't use this time for something, if I don't make the absolute most of it, then I'll have wasted something precious.

The last void stone I’d worn was a beautiful black stone caught in vines of copper and silver. It looked like a necklace, a piece of art, really. This thing was spud-ugly.

I see the Christian world like this: we've inherited a divided map of the truth, and each of us has a piece. Our traditions teach us that no one else has a valid map and that our own church's piece shows us all the terrain and roads that exist. In fact, there is much more terrain, more roads, and more truth for us to see if we can accept and read one another's maps, fitting them together to give us a clearer picture of the larger Christian tradition.

I sat at her desk and turned one page after another, staring at what looked like bits and pieces of black lace laid cross the paper.

Where snakes and tigers breed, I bend my way To brave the feverish thirst no art appeases, The yellow plague, and madding blaze of day: But not to feel slow pangs consume my liver, To die by piece-meal in the bloom of age, My boiling blood drank by insatiate fever, And brain delirious with the day-star’s rage,

The poet Robert Browning caused considerable consternation by including the word twat in one of his poems, thinking it an innocent term. The work was Pippa Passes, written in 1841 and now remembered for the line "God's in His heaven, all's right with the world." But it also contains this disconcerting passage: Then owls and bats Cowls and twats Monks and nuns in a cloister's moods, Adjourn to the oak-stump pantry! Browning had apparently somewhere come across the word twat--which meant precisely the same then as it does now--but pronounced it with a flat a and somehow took it to mean a piece of headgear for nuns. The verse became a source of twittering amusement for generations of schoolboys and a perennial embarrassment to their elders, but the word was never altered and Browning was allowed to live out his life in wholesome ignorance because no one could think of a suitably delicate way of explaining his mistake to him.

All shall be well, child.” I reared up then. “Will it? You cannot know that! How can you know that?” “Oh, Ana, Ana. When I tell you all shall be well, I don’t mean that life won’t bring you tragedy. Life will be life. I only mean you will be well in spite of it. All shall be well, no matter what.” “If Antipas kills my husband as he did John, I cannot imagine I will be well.” “If Antipas kills him, you’ll be devastated and grief-stricken, but there’s a place in you that is inviolate—it’s the surest part of you, a piece of Sophia herself. You’ll find your way there, when you need to. And you’ll know then what I speak of.

To say that Siena and Florence have always been competitive is an understatement. In medieval times, a statue of Venus stood on Il Campo. After the plague hit Siena, the monks blamed the pagan statue. The people cut it to pieces and buried it along the walls of Florence.

A small brazier glowed near the monk's left hand. On a lecturn before him lay pots of paints, brushes, a quill, a pen, a knife, a sizeable handbell, the tooth of some animal--and a piece of parchment. It was the parchment that commanded the room. Until he saw it Len didn't realize how starved he had been of colour. Villagers dressed in various shades of brown and beige, like their furniture and fields and now, here, was an irruption of the rainbow, as if a charm of goldfinches had landed on the manuscript and been transfixed.

By writing out your desires and goals on a piece of paper, you send a red flag to your subconscious mind that these thoughts are far more important

Nothing exists by itself alone. We all belong to each other; we cannot cut reality into pieces.

The life you're living can be torn apart like Osiris's and a new one pieced together. Some of you might die and a new self will rise up to take it's place.

There's a place inside you that's inviolate- it's the surest part of you, a piece of Sophia herself. You'll find your way there, when you need to.

Two monks sit facing, playing chess on the mountain, The bamboo shadow on the board is dark and clear. Not a person sees the bamboo's shadow, One sometimes hears the pieces being moved

It was nine-thirty on Christmas Eve. As I crossed the long entrance hall of Monk’s Piece on my way from the dining room, where we had just enjoyed the first of the happy, festive meals, toward the drawing room and the fire around which my family were now assembled, I paused and then, as I often do in the course of an evening, went to the front door, opened it and stepped outside.

The words opened a raw, furious place in me. She wanted me to write? My daughter was dead. My writing was dead, too. One day had never come. I was the shattered pieces on the floor. Life had taken a mallet to me.

Every time it happened, it was like coming upon an empty room I didn’t know was there, and stepping in, I would be pierced by it, by the ghost of the one who’d once filled it up. I didn’t stumble into this place much anymore, but when I did, it hollowed out little pieces of my chest.

Years ago, your father and I adopted this piece of chain as a symbol for our marriage. The two outer links represent each of our lives and the center link, our marriage. It reminds us that we have independent lives, dreams, and journeys, but at the same time, we are joined in a center space where our lives are one. We

It was so cold. In the monastery. Sometimes the wind came from the sea with ice in it... It could freeze the skin off your face. Once the snow was so deep we couldn't get out of the doors to the woodshed. A monk jumped from a window. He sank into a drift and took a long time to get up. That night, they made me sleep next to the stove. I was small, thin, like a piece of birch bark. But then the Stove went out. Father Bernard took me into his cell... It was he who first gave me chalk and paper. He was so old his eyes his eyes looked as if he was crying. But he was never sad. In winter he had fewer blankets than the others. He said he didn't need them because God warmed him. (...) But even Father Bernard was cold that night. He laid me down on the bed next to him, wrapped me in an animal skin, then in his own arms. He told me stories about Jesus. How His love could wake the dead and how with Him in one's heart one could heat the world... When I woke it was light. The snow had stopped. I was warm. But he was cold. I gave him the skin but his body was stiff. I didn't know what to do. I got out a piece of paper from his chest under the bed and drew him, lying there. His face had a smile on it. I knew that God had been there when he died. That now He was in me, and because of Father Bernard I would be warm forever.

I wanted it to suggest how important it is to take the broken, painful, and discarded fragments of our lives and piece them into something whole. There can be healing, and power, too, in giving expression to what’s inside of us, in having our voices heard and our pain witnessed. As writer Isak Dinesen put it, “All sorrows can be borne if we put them in a story or tell a story about them.

My life is...it. There's nothing else, on either end of it. I don't have remnants in the same way that you do, or a plate inside my chest. I don't know what my pieces were before they were me, and I don't know what they'll become after. All I have is right now, and at some point, I'll just end, and I can't predict when that will be, and - and if I don't use this time for something, if I don't make the absolute most of it, then I'll have wasted something precious.

Some religions say that the universe was started with a word, a song, a dance, a piece of music. The Listening Monks of the Ramtops have trained their hearing until they can tell the value of a playing card by listening to it, and have made it their task to listen intently to the subtle sounds of the universe to piece together, from the fossil echoes, the very first noises. There was certainly, they say, a very strange noise at the beginning of everything. But the keenest ears (the ones who win most at poker), who listen to the frozen echoes in ammonites and amber, swear they can detect some tiny sounds before that. It sounded, they say, like someone counting: One, Two, Three, Four. The very best one, who listened to basalt, said he thought he could make out, very faintly, some numbers that came even earlier. When they asked him what it was, he said: “It sounds like One, Two.” No one ever asked what, if there was a sound that called the universe into being, what happened to it afterward. It’s mythology. You’re not supposed to ask that kind of question.

Never send off any piece of writing the moment it is finished. Put it aside. Take on something else. Go back to it a month later and re-read it. Examine each sentence and ask “Does this say precisely what I mean? Is it capable of misunderstanding? Have I used a cliché where I could have invented a new and therefore asserting and memorable form? Have I repeated myself and wobbled round the point when I could have fixed the whole thing in six rightly chosen words? Am I using words in their basic meaning or in a loose plebeian way?” …

From the small of her back, up to her shoulder blades, a delicate yet extravagant piece created, no doubt, by one of the monks at one of the temples. These images were supposed to warn away evil spirits, and he thought for a moment, that perhaps she considered him potentially evil. Tigers danced, dragons spun, spirits half human, half demon climbed across her reaching up to the palace where a wizard with four arms and long cascades of hair stood before a castle atop a mountain, smoke rose from crematoriums inside the castle. An imagined lost city, an astonishing universe...

Father Norris Clarke, S.J., my philosophy professor at Fordham, went to Tibet once, on his own, just to converse with the Buddhist monks there. After a day of delightful conversation with the Buddhist abbot about their religions, the abbot said, “Obviously, our two religions are very different. But I think they are also very similar in their root in the depths of the human heart. I would like to test this idea, with your permission. Here are four of my priests who speak good English. I will ask you and them the same question and compare your answers. I have never asked them this question before. The question is this: What is the first requirement for any religion at all?” Father Clarke thought that was an excellent experiment, so he agreed. He and the four monks wrote their answers on five pieces of paper. When the papers were unfolded and read, the very same single word was found on all five of them. The word was gratitude.

Did this really happen?” Tabitha asked. “No, dear,” Yaltha said. “It’s not meant to be a factual story, but it’s still true.” “I don’t see how,” Tabitha said. I wasn’t sure I did either. “I mean that the story can happen inside us,” Yaltha said. “Think of it—the life you’re living can be torn apart like Osiris’s and a new one pieced together. Some part of you might die and a new self will rise up to take its place.” Tabitha scrunched her face. Yaltha said, “Right now you are a girl in your father’s house, but soon that life will die and a new one will be born—that of a wife.” She turned her gaze on me. “Do not leave it to fate. You must be the one who does the resurrecting. You must be Isis re-creating Osiris.” My aunt nodded at me, and I understood. If my life must be torn apart by this betrothal, then I must try to reassemble it according to my own design. That night I lay on my bed determined to become free of my betrothal by a divorce before the marriage ritual ever occurred. It would be difficult, nearly impossible. A

I had no idea what they sang. I guessed it was all in Latin, but some words could have been French. I didn't need to understand the words to have them touch me. I don't know whether it was the acoustics, the song, the beauty of the singing or the conviction behind it, but there was grandeur and hope in every note. The frescos flickered in candlelight and stained-glass men looked down upon me benevolently as the monks' singing brought pieces of me apart. Maybe this was why I had come, why I was meant to be here. I saw tears running down Fabiana's cheeks. Brother Rocher asked in French and English for those wishing to be blessed to come forward. I sat and watched the three Brazilians and half a dozen others move forward in turn. There was a final chant and everyone filed out. Except me. Centuries of singing, service to others and dedication to something bigger than twenty-first-century materialism had created a peace that permeated the walls. Whatever issues I had with religion were not relevant here. The stillness and austerity gave me a strange sense of comfort, and I seemed to be moving toward some sort of clarity.

Pots hung from the ceiling beams, between the festoons of braided garlic, the hams, the salsicce, bunches of mountain herbs for medicine, strings of dried porcini, necklaces of dried apple rings in winter, chains of dried figs. The smell of onions, of hot lard and smoldering oak wood, of cinnamon and pepper, always seemed to hang in the air. The larder was full of meat at all times, needless to say: not small pieces, but huge joints and sides of beef and lamb, which Mamma and Carenza could never hope to use just for our household, and which were quietly passed on to the monks of Santa Croce so that they could feed the poor. Carenza made salami with fennel seeds and garlic, prosciutto, pancetta. Sometimes the air in the larder was so salty that it stung your nostrils, and sometimes it reeked of spoiled blood from the garlands of hares, rabbits, quail, thrushes and countless other creatures that would arrive, bloody and limp, from Papa's personal game dealer. Next to the larder, a door led out to our courtyard, which Mamma had kept filled with herbs. An ancient rosemary bush took up most of one side, and the air in summer was always full of bees. Sage, thyme, various kinds of mint, oregano, rocket, hyssop, lovage and basil grew in Mamma's collection of old terra-cotta pots. A fig tree was slowly pulling down the wall, and a tenacious, knotted olive tree had been struggling for years in the sunniest corner.

Since we’re on the topic, I’d also like to set some ground rules.” “What kind of ground rules?” he asks, leaning back. I press my lips together and take a breath. “Well…I don’t want you trying to kiss me again.” Peter curls his lip at me. “Trust me, I don’t want to do it either. My forehead still hurts from this morning. I think I have a bruise.” He pushes his hair off his forehead. “Do you see a bruise?” “No, but I see a receding hairline.” “What?” Ha. I knew that would get him. Peter’s so vain. “Calm down, I’m only kidding. Do you have a piece of paper and a pen?” “You’re gonna write this down?” Primly I say, “It’ll help us remember.” Rolling his eyes, Peter reaches into his backpack, pulls out a notebook, and hands it to me. I turn to a clean page and write at the top, Contract. Then I write No kissing. “Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me.

What are the path of love and the path of meditation? There are basically two different paths to enlightenment. These two paths are The path of love and The path of meditation. The path of love is the female path to enlightenment and The path of meditation is the male path to enlightenment. The path of love is the path of love, joy, relationships, devotion and surrender. The path of meditation is the path of meditation, silence, aloneness and freedom. These two paths has different ways, but they have the same goal. Through love and surrender the person that walks The path of love discovers the inner silence. Through meditation and aloneness the person that walks The path of meditation discovers the inner source of love. These two paths are like climbing the mountain of enlightenment through different routes, but the two paths are meeting on the summit of the mountain - and discover an inner integration between love and meditation, between relating and aloneness. Before I accept to work with a student now, I make an intuitive and clairvoyant evaluation about which spiritual paths that the student has walked before in previous lives. This intuitive assessment gives information about the spiritual level that the student has attained, and it also makes it easier to guide the person spiritually if he has followed a certain path in the past. A female student of mine laughed recently when I told her that she had followed The path of love in several past lives. She commented: "You have told me three times now that I have walked the path of love and silence, but with my head I still do not understand it." But this overall assessment of her spiritual growth uptil now, and of the spiritual paths that she had walked, made all the pieces of her life puzzle fit together - and brought a new, creative light to all her life choices in her current life. A male student of mine, who was a Tibetan monk in a previous life, walks The path of meditation, and I notice how I change my language and the methods that I recommend when I guide him along the path of meditation. I now work with students who walk both The path of love and The path of meditation, which also allows me to discover a deeper integration of love and meditation on my path to enlightenment.

One morning, a farmer knocked loudly on the door of a monastery. When Brother Porter opened the door, the farmer held out to him a magnificent bunch of grapes. “Dear Brother Porter, these are the finest grapes from my vineyard. Please accept them as a gift from me.” “Why, thank you! I’ll take them straight to the Abbot, who will be thrilled with such a gift.” “No, no. I brought them for you.” “For me? But I don’t deserve such a beautiful gift from nature.” “Whenever I knocked on the door, you opened it. When the harvest had been ruined by drought, you gave me a piece of bread and a glass of wine every day. I want this bunch of grapes to bring you a little of the sun’s love, the rain’s beauty and God’s miraculous power.” Brother Porter put the grapes down where he could see them and spent the whole morning admiring them: they really were lovely. Because of this, he decided to give the present to the Abbot, whose words of wisdom had always been such a boon to him. The Abbot was very pleased with the grapes, but then he remembered that one of the other monks was ill and thought: “I’ll give him the grapes. Who knows, they might bring a little joy into his life.” But the grapes did not remain for very long in the room of the ailing monk, for he in turn thought: “Brother Cook has taken such good care of me, giving me only the very best food to eat. I’m sure these grapes will bring him great happiness.” And when Brother Cook brought him his lunch, the monk gave him the grapes. “These are for you. You are in close touch with the gifts Nature gives us and will know what to do with this, God’s produce.” Brother Cook was amazed at the beauty of the grapes and drew his assistant’s attention to their perfection. They were so perfect that no one could possibly appreciate them more than Brother Sacristan, who had charge of the Holy Sacrament, and whom many in the monastery considered to be a truly saintly man. Brother Sacristan, in turn, gave the grapes to the youngest of the novices in order to help him understand that God’s work is to be found in the smallest details of the Creation. When the novice received them, his heart was filled with the Glory of God, because he had never before seen such a beautiful bunch of grapes. At the same time, he remembered the day he had arrived at the monastery and the person who had opened the door to him; that gesture of opening the door had allowed him to be there now in that community of people who knew the value of miracles. Shortly before dark, he took the bunch of grapes to Brother Porter. “Eat and enjoy. You spend most of your time here all alone, and these grapes will do you good.” Brother Porter understood then that the gift really was intended for him; he savoured every grape and went to sleep a happy man. In this way, the circle was closed; the circle of happiness and joy which always wraps around those who are in contact with the energy of love.

Warring nations often have a pet enemy - in the First World War, Count von Luckner, in the second, General Rommel. To the crusaders, Saladin was such a gallant foe. When he attacked the castle of Kerak during the wedding feast of the heir to Transjordania, the groom’s mother sent out to him some dainties from the feast, with the reminder that he had carried her, as a child, in his arms. Saladin inquired in which tower the happy couple would lodge, and this he graciously spared while attacking the rest of the castle. He was fond of a joke. He planted a piece of the True Cross at the threshold of his tent, where everyone who came to see him must tread on it. He got some pilgrim monks drunk and put them to bed with wanton Muslim women, thus robbing them of all spiritual reward for their lifetime toils and trials. In a battle with Richard the Lion-Hearted, Saladin saw Richard’s horse fall, generously sent him a groom with two fresh horses - and lost the battle. And when Richard came down with fever, Saladin sent him peaches, pears, and snow from Mt. Hermon. Richard, not to be outdone in courtesy, proposed that his sister should marry Saladin’s brother, and that the pair should receive the city of Jerusalem as a wedding present. It would have been a happy solution.

In 1746 a French scientist, Jean-Antoine Nollet, was interested in how fast electricity could be transmitted. Nollet, a monk, persuaded nearly two hundred other monks to form a circle nearly a kilometer in circumference. The monks were connected by pieces of iron. This metal-and-human chain was connected to a primitive battery (consisting of Leyden jars). When the battery was discharged, every monk was shocked at almost the same time. Clearly electricity traveled very fast. This experiment helped pave the way for others to explore ways electric currents might be useful for communication.

Earlier I taught you that we each think about 60,000 thoughts on an average day. By writing out your desires and goals on a piece of paper, you send a red flag to your subconscious mind that these thoughts are far more important than the remaining 59,999 other ones. Your mind will then start to seek out all opportunities to realize your destiny like a guided missile. It is really a very scientific process. Most of us are simply not aware of it.

Domesday was a good word for it. Twenty years after the Battle of Hastings, William sent out his officers to take stock of his kingdom. The monks of Peterborough were still recording the events of history in the Anglo-Saxon Chronicle and they noted, disapprovingly, that not one piece of land escaped the survey, ‘not even an ox or a cow or a pig’. William claimed all.

Fra Mauro, it was called. It had been created in 1450 a.d. by a Camaldolese monk of the same name, who had designed it in his small cartography studio in the Monastery of St. Michael, in that glittering, floating city of Venice. Fra Mauro had researched his map by interviewing merchants traveling through the area from afar, which allowed him to depict the known world of the time with far greater accuracy than those cartographers who had come before him. Even to this day, the Fra Mauro map was considered one of the finest pieces of medieval cartography in existence.

He can’t imagine himself reading to his household; he’s not, like Thomas More, some sort of failed priest, a frustrated preacher. He never sees More—a star in another firmament, who acknowledges him with a grim nod—without wanting to ask him, what’s wrong with you? Or what’s wrong with me? Why does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, “Purgatory.” Show me where it says “relics, monks, nuns.” Show me where it says “Pope.

If we’re only excited when people say nice things about our work, it’s a sign that we’re not passionate about the work itself. And if we indulge our interests and skills, but nobody responds to them, then our passion is without purpose. If either piece is missing, we’re not living our dharma.

From their earliest years Cambodian children learned that ambition and personal aspiration should not, could not, be a part of their character. Be satisfied with the life you have, the monks told them, no matter how poor or menial. Education “simply took children from the rice fields and then gave them back to the rice fields.” Girls were instructed to expect even less. They were not permitted to attend even the temple classes. Instead, their mothers taught them subservience and docility. Nothing embodied that idea more than the Chbab Srey, a piece of traditional literature that described a woman’s place in the home, written in the form of a mother talking to her daughter. One passage said: “Dear, no matter what your husband did wrong, I tell you to be patient, don’t say anything ... don’t curse, don’t be the enemy. No matter how poor or stupid, you don’t look down on him. ... No matter what the husband says, angry and cursing, using strong words without end, complaining and cursing because he is not pleased, you should be patient with him and calm down your anger.” The Chbab Srey was required reading in the schools until 2007,

I suppose, when your parents fail you, you either go to pieces or you become the grown-up you require. Or maybe Monk is just that kind of extraordinary boy who would’ve thrived wherever you planted him.

There’s a story about a monastery in Thailand where the resident monks covered a golden statue of the Buddha in clay to hide its value from an invading army. Those monks were killed during the invasion. Over the course of many years, a new group of monks moved in, and the golden Buddha remained hidden under a layer of clay. One day, the new monks decided it was time to relocate the old clay statue of the Buddha, and in the process of moving it, a piece of clay broke off to reveal the brilliant golden Buddha underneath.

If we're only excited when people say nice things about our work, it's a sign that we're not passionate about the work itself. And if we indulge our interests and skills, but nobody responds to them, then our passion is without purpose If either piece is missing, we're not living our dharma.

One haiku hints at both the joys and sadness of a solitary monk on a pilgrimage in the winter: Even in my empty begging bowl A piece of hail.

You stupid brahmin! You have left the Vedas, but now you are worshipping Buddha’s sayings, the Dhammapada. So what is the point? You have changed your books, you have changed your philosophy, but you remain all the time the same stupid man.” Saraha was shocked. Nobody had talked to him that way; only an uncultured woman can talk that way. And the way she laughed was so uncivilized, so primitive – but still, something was very much alive. He was feeling pulled; she was a great magnet and he was nothing but a piece of iron. Then she said, “You think you are a Buddhist?” He must have been in the robe of the Buddhist monk, the yellow robe. She laughed again and she said, “Buddha’s meaning can only be known through actions, not through words and not through books. Is not enough, enough for you? Are you not yet fed up with all this? Do not waste any more time in that futile search. Come and follow me!” And something happened, something like a communion. He had never felt like that before. In that moment the spiritual significance of what she was doing dawned upon Saraha. Neither looking to the left, nor looking to the right had he seen her – just looking in the middle. For the first time he understood what Buddha means by being in the middle: avoid the excess.

We perform all kinds of contortions of the mind to make a reason why it isn’t really the way it looks, but we only fool the people who want to be fooled.” “Maybe I knew, and forgot,” he said, thinking back to his struggle to learn about himself, to piece together the evidence of what kind of a man he was, the good and the bad.

Carpe diem, Horace had said. Eat, drink and be merry, for tomorrow you will be dead for eternity. The monks offered an alternative to this view: die today and you might live for eternity. This was a life lived in terror of its end. ‘Always keep your death in mind,’ was a common piece of advice: do not forget the eternal judgement. When one brother started to laugh during a meal, he was immediately reproached by a fellow monk: ‘What does this brother have in his heart, that he should laugh, when he ought to weep?’ How should one live well in this new and austere world? By constantly accusing yourself, said another monk, by ‘constantly reproaching myself to myself.’ Sit in your cell all day, advised another, weeping for your sins.

There were thank-you notes from villagers who had felt moved enough to take time out of their days to share a piece of themselves with Sibling Dex.

Just after he’d won the Nobel Prize, Albert Einstein was staying at a hotel in Japan. When the bellboy brought up his luggage he realized he didn’t have any money. So he found a piece of scrap paper and wrote his theory of how to have a happy life. He handed it to the bellboy as a tip. The note read: “A calm and modest life brings more happiness than the pursuit of success combined with constant restlessness.