Short Wedge Quotes

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It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
As proof of her faith, my mother used to carry a samll leatherette Bible when she went to the First Chinese Baptist Church every Sunday. But later, after my mother lost her faith in God, that leatherette Bible would up wedged under a too-short table leg, a way for her to correct the imbalances of life. It's been there for over twenty years. My mother pretends that Bible isn't there. Whenever anyone asks her what it's doing there, she says, a little too loudly, "Oh, this? I forgot." But I know she sees it. My mother is not the best housekeeper in the world, and after all these years that Bigle is still clean white... My mother, she stills pay attention to it. That Bible under the table, I know she sees it. I remember seeing her write in it before she wedged it under. I lift the table and slide the Bible out. I put the Bible on the table, flipping quickly through the pages, because I know it's there. On the page before the New Testament begins, there's a section called "Deaths," and that's where she wrote "Bing Hsu" lightly, in erasable pencil.
Amy Tan (The Joy Luck Club)
Play it again," I said. I tried to imagine myself in the same way the singer saw the woman: the dangle of her silver bracelet, tinged with green, the fall of her hair. But I only felt foolish, opening my eyes to the sight of Connie at the mirror, separating her eyelashes with a safety pin, shorts wedged into her ass. It wasn't the same to notice things about yourself. Only certain girls ever called forth that kind of attention. Like the girl I'd seen in the park. Or Pamela and the girls on the high school steps, waiting for the lazy agitation of their boyfriends' idling cars, the signal to leap to their feet. To brush off their seat and trip out into the full sun, waving goodbye to the ones left behind.
Emma Cline (The Girls)
Jane Austen’s world is a unique wedge of history, immortalized by her wonderful books. It is ironic that I am fascinated by the Regency world in all its details, when Jane Austen seldom mentions any of those facts. She never mentions the war raging in Europe, her characters are apparently unaware of the industrialization shortly to overtake them. The revolution of steam travel does not touch her people–they travel by coach, horse, and foot.” and “There is no doubt that Austen herself was aware of the world around her and its imminent change. But her characters live in the world of the family, the village and the heart–and are loved because of it. The trappings of the greater world do not impinge on Jane Austen’s books.
Lesley-Anne McLeod
I fell in love with my country because of the stories my grandfather told me and because of our travels together through the south. He taught me history and geography, showed me maps, made me read Chilean writers, corrected my grammar and handwriting. As a teacher, he was short on patience but long on severity; my errors made him red with anger, but if he was content with my work he would reward me with a wedge of Camembert cheese,
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
It was a long head. It was a wedge, a sliver, a grotesque slice in which it seemed the features had been forced to stake their claims, and it appeared that they had done so in a great hurry and with no attempt to form any kind of symmetrical pattern for their mutual advantage. The nose had evidently been first upon the scene and had spread itself down the entire length of the wedge, beginning among the grey stubble of the hair and ending among the grey stubble of the beard, and spreading on both sides with a ruthless disregard for the eyes and mouth which found precarious purchase. The mouth was forced by the lie of the terrain left to it, to slant at an angle which gave to its right-hand side an expression of grim amusement and to its left, which dipped downwards across the chin, a remorseless twist. It was forced by not only the unfriendly monopoly of the nose, but also by the tapering character of the head to be a short mouth; but it obvious by its very nature that, under normal conditions, it would have covered twice the area. The eyes in whose expression might be read the unending grudge they bore against the nose were as small as marbles and peered out between the grey grass of the hair. This head, set at a long incline upon a neck as wry as a turtle's cut across the narrow vertical black strip of the window. Steerpike watched it turn upon the neck slowly. It would not have surprised him if it had dropped off, so toylike was its angle. As he watched, fascinated, the mouth opened and a voice as strange and deep as the echo of a lugubrious ocean stole out into the morning. Never was a face so belied by its voice. The accent was of so weird a lilt that at first Steerpike could not recognize more than one sentence in three, but he had quickly attuned himself to the original cadence and as the words fell into place Steerpike realised he was staring at a poet.
Mervyn Peake (Titus Groan (Gormenghast, #1))
I held Carlito's hands in mine, my fingers wedged between the cuffs and his wrists because I hoped that at least for a moment he would feel me and not the cold metal against his skin. Those are things to which he'd become too accustomed. I saw it in his posture. The way the years of walking with his hands chained to his waist, his ankles shackled together by leg irons, had sloped his spine, causing him to walk with his head tilted down, in short steps, so different from the way he moved when he was free, with rhythm in his gait, a walk more like a glide
Patricia Engel (The Veins of the Ocean)
As proof of her faith, my mother used to carry a small leatherette Bible when she went to the First Chinese Baptist Church every Sunday. But later, after my mother lost her faith in God, that leatherette Bible wound up wedged under a too-short table leg, a way for her to correct the imbalances of life. It’s been there for over twenty years. My mother pretends that Bible isn’t there. Whenever anyone asks her what it’s doing there, she says, a little too loudly, “Oh this? I forgot.” But I know she sees it. My mother is not the best housekeeper in the world, and after all these years that Bible is still clean white.
Amy Tan (The Joy Luck Club)
Crossing my arms over my chest, I said, a little too heartily, “So this is the library.” There certainly couldn’t be any doubt on that score; never had a room so resembled popular preconception. The walls were paneled in rich, dark wood, although the finish had worn off the edges in spots, where books had scraped against the wood in passing one too many times. A whimsical iron staircase curved to the balcony, the steps narrowing into pie-shaped wedges that promised a broken neck to the unwary. I tilted my head back, dizzied by the sheer number of books, row upon row, more than the most devoted bibliophile could hope to consume in a lifetime of reading. In one corner, a pile of crumbling paperbacks—James Bond, I noticed, squinting sideways, in splashy seventies covers—struck a slightly incongruous note. I spotted a moldering pile of Country Life cheek by jowl with a complete set of Trevelyan’s History of England in the original Victorian bindings. The air was rich with the smell of decaying paper and old leather bindings. Downstairs, where I stood with Colin, the shelves made way for four tall windows, two to the east and two to the north, all hung with rich red draperies checked with blue, in the obverse of the red-flecked blue carpet. On the west wall, the bookshelves surrendered pride of place to a massive fireplace, topped with a carved hood to make Ivanhoe proud, and large enough to roast a serf. In short, the library was a Gothic fantasy.
Lauren Willig (The Masque of the Black Tulip (Pink Carnation, #2))
You. In a dress.'' That's what I wanted him to say. He didn't end up saying it, but I said it to myself many times as I greeted my reflection in the buildings going up Broadway. My high heels rocked me like roller skates, my hair that I had spent time blow-drying was whipped up, I was suddenly vulnerable to the weather, to uneven sidewalks. I nodded to the iron wedge of the Flatiron like a prestigious acquaintance. The dress was half a paycheck. A short, black silk tunic. I was still confused about the power of clothes - nobody had taught me how to dress myself. When I tried it on and looked in the mirror, I was meeting myself decades from now, when I had grown unconquerable. All in a dress. I nearly returned it twice. I saw myself in the dark-green glass of a closed bank. I turned to my reflection: You. In a dress.
Stephanie Danler (Sweetbitter)
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
You needn’t have come to Hampshire in such a hurry.” “The threat of lawyers and Chancery Court impressed me with the need for haste,” he said darkly. Perhaps her telegram had been a bit dramatic. “I wasn’t really going to bring layers into it. I only wanted to gain your attention.” His reply was soft. “You always have my attention.” Kathleen wasn’t certain how to take his meaning. Before she could ask, the latch of the bathroom door clicked. The wood panels trembled as someone began to push his way in. Kathleen’s eyes flew open. She wedged her hands against the door, her nerves stinging in horror. A violent splash erupted behind her as Devon leaped from the bathtub and flattened a hand on the door to keep it from opening farther. His other hand slid around her to cover her mouth. That was unnecessary--Kathleen couldn’t have made a sound to save her life. She quivered in every limb at the feel of the large, steaming male at her back. “Sir?” came the valet’s puzzled voice. “Confound it, have you forgotten how to knock?” Devon demanded. “Don’t burst into a room unless it’s to tell me that the house is on fire.” Distantly Kathleen wondered if she might swoon. She was fairly certain that Lady Berwick would have expected it of her in such circumstances. Unfortunately her mind remained intractably awake. She swayed, her balance uncertain, and his body automatically compensated, hard muscles flexing to support her. He was pressed all along her, hot water seeping through the back of her riding habit. With every breath, she dew in the scents of soap and heat. Her heart faltered between every beat, too weak, too fast. Dizzily she focused on the large hand braced against the door. His skin was faintly tawny, the kind that would brown easily in the sun. One of his knuckles was scraped and raw--from lifting the carriage wheel, she guessed. The nails were short and scrupulously clean, but ink stains lingered in faint shadows on the sides of two fingers. “I beg your pardon, my lord,” the valet said. With an overdone respect that hinted at sarcasm, he added, “I’ve never known you to be modest before.” “I’m an aristocrat now,” Devon said. “We prefer not to flaunt our assets.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
We need a variation of white space that’s short yet powerful, and I have just the thing. It’s a supremely elegant and adaptable form of white space called the Wedge. The Wedge is a small portion of white space inserted between two activities. It’s used specifically to pry apart actions or events that without it would have been connected. The Wedge buys you a moment to think, plan, or compose yourself. It’s as versatile as can be. It’s a nimble power move any of us can use on our own and, when applied as a team, it dramatically lowers stress and improves communication and cohesion.
Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
She had long, flowing Farrah Fawcett hair and wore a form-fitting white jumpsuit that accentuated her dark skin. The sleeves of the jumpsuit were cut short, showing off her long, slim arms, and wedge heels beneath her bell-bottomed legs made her look taller than she already was.  As she glanced quickly around the room, I didn’t manage to catch her eye. I was a bit distracted for the rest of that training session, and knew I needed to find out more about this beautiful young woman. I kept glancing across the room as the afternoon wore on, noticing little things about her. She wore a charm bracelet on her left wrist, and what looked like a family heirloom ring was nestled on the slender pinkie of her right hand.
Dave Warnock (Childish Things: A Memoir)
Do we want to spend the short time we have with our kids managing technology limits, monitoring screen time, battling over parental controls? Do we want to run the likely risk that our child will be exposed to something they can’t—and shouldn’t—yet handle? Do we want to place a wedge between our kids and ourselves, positioning ourselves as tech overlords who grant access to their phones like some sort of behavior-driven candy dispenser? I don’t think we do.
Erin Loechner (The Opt-Out Family: How to Give Your Kids What Technology Can't)
Haydn traced his fingers over crates of potatoes and apples. A splinter caught against his skin and his breath hissed between his teeth. He yanked it out, then stuck the finger in his mouth, his gaze roving outward. Tempered blades, hanging from the walls. Bulging casks of wine. And there, tucked into the deepest shadows… Haydn hurried over. He wedged the torch between two boxes and crouched down, rocking back on his heels as he examined the chest. The iron bands were cold to his touch. No dagger was going to spring this lock. With a soft chuckle, Haydn sank to his knees and pulled a skeleton key from inside his cloak. Bending close, he tilted his head and inserted the key into the lock. He gently worked it back and forth. A chink echoed in the silence, followed by a snap as the lid sprang up just a fraction of an inch. Locks or not, Mathias really made things too easy.
Hope Ann (Mercy of Fate: A Shadows of the Hersweald Short Story (Legends of Light #3.5))
Her somewhat overly round head was wedged deep within her shoulders on a short body; it sat right upon it, as though there had never been such a thing as a neck, what a superfluous contraption.
Elias Canetti (Die gerettete Zunge: Geschichte einer Jugend)
Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--” He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.” Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.” He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question. “Do you hunger for food?” he asked her softly. Loretta clamped a hand to her waist. “You know, actually I am hungry. Famished! Aren’t you? What sounds good?” She threw a frantic look at the cooking pots behind him. “I’ll bet stew would strike your fancy, wouldn’t it? After traveling so far and eating nothing but jerked meat. Yes, stew would be just the thing.” Hunter’s mouth quirked. “Blue Eyes, a stew will take a very long time.” All night, if she was lucky. “Oh, not that long. It’s no trouble, really!” She made a wide circle around him toward the pots. “I make a wonderful stew, really I do. I’m sure Maiden has some roots and onions I can borrow. Just you--” Loretta leaped at the touch of his hand on her shoulder. She turned to face him, a large pot wedged between them, her hand white-knuckled on the handle. “Blue Eyes, I do not want stew,” Hunter whispered, his voice laced with tenderness. “If you hunger, we will have nuts and fruit, eh?” Loretta swallowed a lump of air. Fruit and nuts were better than the alternative. Maybe, if she ate one nut at a time…“All right, fruit and nuts.” He spread a buffalo robe beside the fire while she put the pot away and dug up a parfleche of fruit and nuts from his store of preserved edibles. Kneeling beside him, Loretta munched industriously, staring into the leaping flames, aware with every bite she took that Hunter watched her. When she reached for her fourth handful, he clamped his long fingers around her wrist. “Enough,” he said evenly. “You will sicken your gut if you eat more.” Loretta’s gut was already in sorry shape. She swallowed, trying to avoid his gaze and failing miserably. When their eyes met, she felt as if the ground fell away. There was no mistaking that look in his eye. The moment of reckoning had come.
Catherine Anderson (Comanche Moon (Comanche, #1))
The action of a wedging rally or a bear flag occurs after a prior price breakdown, and the two formations are really just different versions of the same phenomenon. The difference is that a wedging rally following a prior price break or downtrend occurs as a stock bounces while a bear flag occurs when there is not a significant bounce and the stock just moves sideways. In both cases, the stock is consolidating the prior downside move.
Gil Morales (Short-Selling with the O'Neil Disciples: Turn to the Dark Side of Trading)
Wedging rallies up into the 50-day moving average, or any other moving average for the matter, rarely stop exactly at the moving average itself. It is very common for a stock to rally just past a key moving average, only encountering resistance once it has rallied 2–3 percent and sometimes as much as 5 percent or more beyond the moving average. The key is to watch how the stock acts as it moves above the moving average and be on the lookout for voodoo days or a high-volume outside reversals to the downside.
Gil Morales (Short-Selling with the O'Neil Disciples: Turn to the Dark Side of Trading)
The Wedge always has bookends and is typically short. It quickly separates two actions or experiences to uncompress them and allow the passage of oxygen.
Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
calories and no fat. 1 ounce dried wild mushrooms 1 teaspoon extra-virgin olive oil ½ cup minced onion 1 cup diced button mushrooms 1 teaspoon fresh thyme 1 cup short-grain white rice 2 cups low-sodium chicken or vegetable broth ⅛ teaspoon sea salt Freshly ground black pepper 2 tablespoons grated Parmesan cheese 2 tablespoons minced fresh parsley, for garnish ½ lemon, cut into wedges, for garnish 1. Soak the dried mushrooms in 1 cup of very hot water while you prepare the other ingredients. 2. While the mushrooms are soaking, grease the inside of the slow cooker with the olive oil. Add the onion, button mushrooms, thyme, rice, and broth. Season with the salt and pepper and stir everything to mix well. 3. Remove the soaked mushrooms from the hot water, roughly chop them, and add them to the slow cooker. 4. Cover and cook on low for 6 to 8 hours, until the rice is tender and all the liquid is absorbed. Just before serving, stir in the Parmesan cheese and garnish each serving with the fresh parsley and a lemon wedge.
Pamela Ellgen (Healthy Slow Cooker Cookbook for Two: 100 "Fix-and-Forget" Recipes for Ready-to-Eat Meals)
A novel is basically a series of short stories wedged together, sometimes with shaky bridges.
Rob Burton
wedge
Uncle Amon (Kiko the Kitty Cat: Short Stories, Games, Jokes, and More!)
As drought kicks in, the choughs experience several things simultaneously. The shortage of food increases their stress levels; the birds are forced to spend more time searching for food, and less time keeping an eye open for predators. If food is really short the birds use up all their body fat and start to use the protein reserves in their breast muscles. This in turn impairs their ability to fly, so that if a predator such as a wedge-tailed eagle does attack they have less chance of escaping. Stress is increased further as birds squabble over food. Whereas group members might once have shared food, as hunger bites individuals become extremely selfish and try to keep food for themselves. Larger or more dominant birds simply push the smaller individuals aside and steal their food; resistance is useless, for the stress of losing a fight may be more damaging still.
Tim Birkhead (Bird Sense: What It's Like to Be a Bird)
Lucy thought wistfully of the tiny cabin, shaped like a wedge cut from a short, fat cake, that had been her quarters aboard the Fate for seven of her twelve years.
Kate Milford (Bluecrowne (Greenglass House, #3))