Monkey Wrench Quotes

When the situation is hopeless, there's nothing to worry about.

Somewhere in the depths of solitude, beyond wilderness and freedom, lay the trap of madness.

My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery.

A picnic. Picture a forest, a country road, a meadow. Cars drive off the country road into the meadow, a group of young people get out carrying bottles, baskets of food, transistor radios, and cameras. They light fires, pitch tents, turn on the music. In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Old spark plugs and old filters strewn around... Rags, burnt-out bulbs, and a monkey wrench left behind... And of course, the usual mess—apple cores, candy wrappers, charred remains of the campfire, cans, bottles, somebody’s handkerchief, somebody’s penknife, torn newspapers, coins, faded flowers picked in another meadow.

There are some places so beautiful they can make a grown man break down and weep.

One man alone can be pretty dumb sometimes, but for real bona fide stupidity, there ain't nothing can beat teamwork.

In times of widespread chaos and confusion, it has been the duty of more advanced human beings--artists, scientists, clowns and philosophers--to create order. In times such as ours, however, when there is too much order, too much management, too much programming and control, it becomes the duty of superior men and women to fling their favorite monkey wrenches into the machinery. To relive the repression of the human spirit, they must sow doubt and disruption.

Poor Hayduke: won all his arguments but lost his immortal soul.

I am against all forms of government, including good government.

Oh my God, calm down, Darwin. Don't get all crazy just 'cause I threw a vampire monkey wrench in your faulty Jesus-zombie logic.

What's more American than violence?" Hayduke wanted to know. "Violence, it's as American as pizza pie.

In times such as ours, however, when there is too much order, too much management, too much programming and control, it becomes the duty of superior men and women to fling their favorite monkey wrenches into the machinery.

My job is to save the fucking wilderness. I don’t know anything else worth saving.

And the wind blows, the dust clouds darken the desert blue, pale sand and red dust drift across the asphalt trails and tumbleweeds fill the arroyos. Good-bye, come again. (p. 34)

if you're dealing with monkeys, you got to expect some wrenches.....

Lake Powell: storage pond, silt trap, evaporation tank and garbage dispose-all, a 180-mile-long incipient sewage lagoon.

What do we know? What do we really know? He licks his dried cracked lips. We know this apodictic rock beneath our feet. That dogmatic sun above our heads. The world of dreams, the agony of love and the foreknowledge of death. That is all we know. And all we need to know? Challenge that statement. I challenge that statement. With what? I don't know.

To the question: Wilderness, who needs it? Doc would say: Because we like the taste of freedom, comrades. Because we like the smell of danger. But, thought Hayduke, what about the smell of fear, Dad?

I’m sure as hell not going to fight over her. I got more interesting things to do than that. There’s nothing more interesting than a woman, George. Not in this world.

I do love you. I’d be one miserable and lonesome man without you around.

Hayduke thought. Finally the idea arrived. He said, 'My job is to save the fucking wilderness. I don't know anything else worth saving. That's simple, right?

The wilderness once offered men a plausible way of life," the doctor said. "Now it functions as a psychiatric refuge. Soon there will be no wilderness." He sipped at his bourbon and ice. "Soon there will be no place to go. Then the madness becomes universal." Another thought. "And the universe goes mad.

THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell

Nexus I wrote stubbornly into the evening. At the window, a giant praying mantis rubbed his monkey wrench head against the glass, begging vacantly with pale eyes; and the commas leapt at me like worms or miniature scythes blackened with age. the praying mantis screeched louder, his ragged jaws opening into formlessness. I walked outside; the grass hissed at my heels. Up ahead in the lapping darkness he wobbled, magnified and absurdly green, a brontosaurus, a poet.

It is horrible how people will use anything as a political monkey wrench and to hell with the country. (Julia Child to Avis DeVoto)

No one know precisely how sentient is a pinyon pine, for example, or to what degree such woody organisms can feel pain or fear, and in any case the road builders had more important things to worry about, but this much is clearly established as scientific face: a living tree, once uprooted, takes many days to wholly die.

I thought I was wrong once,” Seldom said, “but I found out later I was mistaken.

I think the evil is in the food, in the noise, in the crowding, in the stress, in the water, in the air.

I suppose this is a trivial matter but I do want to object to the maddening fuss-fidget punctuation which one of your editors is attempting to impose on my story. I said it before but I'll say it again, that unless necessary for clarity of meaning I would prefer a minimum of goddamn commas, hyphens, apostrophes, quotation marks and fucking (most obscene of all punctuation marks) semi-colons. I've had to waste hours erasing that storm of flyshit on the typescript. [Regarding "The Monkey Wrench Gang"]

In clear-cutting, he said, you clear away the natural forest, or what the industrial forester calls "weed trees," and plant all one species of tree in neat straight functional rows like corn, sorghum, sugar beets or any other practical farm crop. You then dump on chemical fertilizers to replace the washed-away humus, inject the seedlings with growth-forcing hormones, surround your plot with deer repellants and raise a uniform crop of trees, all identical. When the trees reach a certain prespecified height (not maturity; that takes too long) you send in a fleet of tree-harvesting machines and cut the fuckers down. All of them. Then burn the slash, and harrow, seed, fertilize all over again, round and round and round again, faster and faster, tighter and tighter until, like the fabled Malaysian Concentric Bird which flies in ever-smaller circles, you disappear up your own asshole.

the wilderness should be preserved for political reasons. We may need it someday not only as a refuge from excessive industrialism but also as a refuge from authoritarian government, from political oppression. Grand Canyon, Big Bend, Yellowstone, and the High Sierras may be required to function as bases for guerrilla warfare against tyranny...The value of wilderness, on the other hand, as a base for resistance to centralized domination is demonstrated by recent history. In Budapest and Santo Domingo, for example, popular revolts were easily and quickly crushed because an urbanized environment gives the advantage to the power with technological equipment. But in Cuba, Algeria, and Vietnam the revolutionaries, operating in mountain, desert, and jungle hinterlands with the active or tacit support of a thinly dispersed population, have been able to overcome or at least fight to a draw official establishment forces equipped with all of the terrible weapons of twentieth century militarism.

You can never go wrong cuttin' fence,' repeated Smith, warming to his task. (Pling!) "Always cut fence. That's the law west of the 100th meridian. East of that don't matter none. Back there it's all lost anyhow. But west, we cut fence,' (Plang!)

A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burnt-out bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.

We are caught,” continued the good doctor, “in the iron treads of a technological juggernaut. A mindless machine. With a breeder reactor for a heart.

The night. The stars. The river.

Just a fly in the ointment, Hans. The monkey in the wrench. The pain in the ass.

What’s more American than violence?” Hayduke wanted to know. “Violence, it’s as American as pizza pie.

Well, that’ll put a monkey wrench in their day!

Like so many American men, Hayduke loved guns, the touch of oil, the acrid smell of burnt powder, the taste of brass, bright copper alloys, good cutlery, all things well made and deadly.

She fasted on the mesa rim, waiting for a vision, and fasted some more, and after a time God appeared incarnate on a platter as a roasted squab with white paper booties on His little drumsticks.

Hayduke smelled something foul in all this. A smoldering bitterness warmed his heart and nerves; the slow fires of anger kept his cockles warm, his hackles rising. Hayduke burned. And he was not a patient man.

The sensation of freedom was exhilarating, though tinged with a shade of loneliness, a touch of sorrow. The old dream of total independence, beholden to no man and no woman, floated above his days like smoke from a pipe dream, like a silver cloud with a dark lining. For even Hayduke sensed, when he faced the thing directly, that the total loner would go insane. Was insane. Somewhere in the depths of solitude, beyond wildness and freedom, lay the trap of madness.

When the cities are gone, he thought, and all the ruckus has died away, when sunflowers push up through the concrete and asphalt of the forgotten interstate freeways, when the Kremlin and the Pentagon are turned into nursing homes for generals, presidents and other such shitheads, when the glass-aluminum skyscraper tombs of Phoenix Arizona barely show above the sand dunes, why then, why then, why then by God maybe free men and wild women on horses, free women and wild men, can roam the sagebrush canyonlands in freedom—goddammit!—herding the feral cattle into box canyons, and gorge on bloody meat and bleeding fucking internal organs, and dance all night to the music of fiddles! banjos! steel guitars! by the light of a reborn moon!—by God, yes! Until, he reflected soberly, and bitterly, and sadly, until the next age of ice and iron comes down, and the engineers and the farmers

Se si escludono istanti prodigiosi e singoli che il destino ci può donare, l’amare il proprio lavoro (che purtroppo è privilegio di pochi) costituisce la miglior approssimazione concreta alla felicità sulla terra: ma questa è una verità che non molti conoscono.

(Time is relative, said Heraclitus a long time ago, and distance a function of velocity. Since the ultimate goal of transport technology is the annihilation of space, the compression of all Being into one pure point, it follows that six-packs help. Speed is the ultimate drug and rockets run on alcohol.

If God meant this here bulldozer to live He wouldn't of filled its tank with diesel fuel.

I thought I was wrong once, but I found out later that I was mistaken. (Seldom Seen Smith)

I piss on you from a considerable height.

With an intelligence too fine to be violated by ideas, she had learned that she was searching not for self-transformation (she liked herself) but for something good to do.

Something about a river trip always seems to promote the consumption of potable drugs.

We know this apodictic rock beneath our feet. That dogmatic sun above our heads. The world of dreams, the agony of love and the foreknowledge of death. That is all we know.

Meanwhile the doctor was saying, “The reason there are so many people on the river these days is because there are too many people everywhere else.” Bonnie shivered, slipping into the crook of his left arm. “Why don’t we build a fire?” she said. “The wilderness once offered men a plausible way of life,” the doctor said. “Now it functions as a psychiatric refuge. Soon there will be no wilderness.” He sipped at his bourbon and ice. “Soon there will be no place to go. Then the madness becomes universal.” Another thought. “And the universe goes mad.” “We

Dr. Sarvis with his bald mottled dome and savage visage, grim and noble as Sibelius, was out night-riding on a routine neighborhood beautification project, burning billboards along the highway—U.S. 66,

The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.

Eyes blurred, she drove away. Alone, buzzing down the asphalt trail to Kayenta, heart beating, her pistons leaping madly up and down, Bonnie Abbzug relapsed into the sweet luxury of tears. Hard to see the road. She turned on the windshield wipers but that didn't help much.

It is possible - given absolute control over the media and the police - to rewrite the memories of hundreds of millions of people, if you have a generation to accomplish it in. Almost always, this is done to improve the hold that the powerful have on power, or to serve the narcissism or megalomania or paranoia of national leaders. It throws a monkey wrench into the error-correcting machinery. It works to erase public memory of profound political mistakes, and thus to guarantee their eventual repetition. In our time, with total fabrication of realistic stills, motion pictures, and videotapes technologically within reach, with television in every home, and with critical thinking in decline, restructuring societal memories even without much attention from the secret police seems possible. What I’m imagining here is not that each of us has a budget of memories implanted in special therapeutic sessions by state-appointed psychiatrists, but rather that small numbers of people will have so much control over news stories, history books, and deeply affecting images as to work major changes in collective attitudes.

The river, the canyon, the desert world was always changing, from moment to moment, from miracle to miracle, within the firm reality of mother earth. River, rock, sun, blood, hunger, wings, joy—this is the real, Smith would have said, if he’d wanted to. If he felt like it. All the rest is androgynous theosophy.

All men at heart, she thought—at bottom should I say?—are really queer. The way ballplayers pat one another on the fannies, running onto the field or coming out of the huddle. The Greek quarterback and the nervous center. Queer as clams. Though of course none would have the decency or honesty or nerve to admit it.

All this fantastic effort—giant machines, road networks, strip mines, conveyor belt, pipelines, slurry lines, loading towers, railway and electric train, hundred-million-dollar coal-burning power plant; ten thousand miles of high-tension towers and high-voltage power lines; the devastation of the landscape, the destruction of Indian homes and Indian grazing lands, Indian shrines and Indian burial grounds; the poisoning of the last big clean-air reservoir in the forty-eight contiguous United States, the exhaustion of precious water supplies—all that ball-breaking labor and all that backbreaking expense and all that heartbreaking insult to land and sky and human heart, for what? All that for what? Why, to light the lamps of Phoenix suburbs not yet built, to run the air conditioners of San Diego and Los Angeles, to illuminate shopping-center parking lots at two in the morning, to power aluminum plants, magnesium plants, vinyl-chloride factories and copper smelters, to charge the neon tubing that makes the meaning (all the meaning there is) of Las Vegas, Albuquerque, Tucson, Salt Lake City, the amalgamated metropoli of southern California, to keep alive that phosphorescent putrefying glory (all the glory there is left) called Down Town, Night Time, Wonderville, U.S.A. They

It’s been said that inside every life is a fascinating book, or at least a chapter. Wrong. Some people don’t have a freakin’ semicolon, like that woman in Delray who blogs everything her cat does, and her cat even has a blog and every word is meow. But you have to play the hand you’re dealt, and I can’t exactly stand on street corners with a megaphone sharing Big Answers on Everything. That was my first choice, but a monkey wrench hit the works: a few itsy-bitsy little incidents.

Alcohol is a metabolism monkey wrench. It can also impair muscle growth for up to five days after consumption.

And that is the real elephant in the room. The monkey in my wrench. The worm in my candy bar...

ladders, grindstones, pitch forks, monkey wrenches, scythes, lawn mowers, snow shovels, ax handles, milk pails, water buckets, empty grain sacks, and rusty rat traps.

I’ve already informed a number of my men. They’re as mad as I am. They’re waiting in the terminal. A monkey wrench or a laser torch makes a pretty fair weapon. We can take over by force.

Koyaanisqatsi!

Sometimes life throws you one hell of a monkey wrench and all you can do is deal. Put one foot in front of the other.

What if it is somehow our misunderstood, unacknowledged, looping relationship to our future that makes us ill—or at least, that contributes to our suffering—and not our failure to connect appropriately to our past? Could some neuroses be time loops misrecognized and denied, the way we haunt ourselves from our futures and struggle to reframe it as being about our past history? The next two chapters will examine this question through the lives of two famously precognitive and neurotic writers. Both show strikingly how creativity may travel together with trauma and suffering along the resonating string that connects us to the Not Yet. 12 Fate, Free Will, and Futility — Morgan Robertson’s Tiresias Complex Who can tell us of the power which events possess … Are their workings in the past or in the future; and are the more powerful of them those that are no longer, or those that are not yet? Is it to-day or to-morrow that moulds us? Do we not all spend the greater part of our lives under the shadow of an event that has not yet come to pass? — Maurice Maeterlinck, “The Pre-Destined” (1914) The monkey wrench precognition appears to throw into the problem of free will is an important part of the force field inhibiting serious consideration of it by many people in our culture. It may have been a fear of the inevitability of things prophesied that made the whole subject so anathema to Freud, for example. In a society that places priority on success and the individual’s responsibility for its attainment, it is both taken for granted and a point of fierce conviction that we choose and that our choices are not completely made for us by the inexorable clockwork of matter—the Newtonian inertia that brought the Titanic and the Iceberg, mere inert objects, together. Scientists may pay lip service to determinism—Freud himself did—but the inevitability of material processes due to causes “pushing” from the past somehow feels less restrictive than a block universe in which our fate is already set. The radical predestination implied by time loops may rob “great men” of their ability to claim credit for their successes.

. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, Indiana, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench.

And the boiler, the heart of this beast, wouldn’t so much beat as flutter in a trip-hop rhythm, its occasional bursts of enthusiasm producing explosions of heat in unlikely places; its irregular palpitations a result of pockets of air straining for escape. From doors away you can hear its knocking, this antiquated heating system, and it sounds like a monkey-wrench tapping on an iron railing; like a coded message transmitted from one locked cell to another.

The fabric, she said, of our social structure is being unraveled by too many desperately interdependent people.

acedia

schmierkunst

A picnic. Picture a forest, a country road, a meadow. A car drives off the country road into the meadow, a group of young people get out of the car carrying bottles, baskets of food, transistor radios, and cameras. They light fires, pitch tents, turn on the music. In the morning they leave. The animals, birds, and insects that watched in horror through the long night creep out from their hiding places. And what do they see? Gas and oil spilled on the grass. Old spark plugs and old filters strewn around. Rags, burnt-out bulbs, and a monkey wrench left behind. Oil slicks on the pond. And of course, the usual mess -- apple cores, candy wrappers, charred remains of the campfire, cans, bottles, somebody’s handkerchief, somebody’s penknife, torn newspapers, coins, faded flowers picked in another meadow." "I see. A roadside picnic.

A picnic. Imagine: a forest, a country road, a meadow. A car pulls off the road into the meadow and unloads young men, bottles, picnic baskets, girls, transistor radios, cameras … A fire is lit, tents are pitched, music is played. And in the morning they leave. The animals, birds, and insects that were watching the whole night in horror crawl out of their shelters. And what do they see? An oil spill, a gasoline puddle, old spark plugs and oil filters strewn about … Scattered rags, burntout bulbs, someone has dropped a monkey wrench. The wheels have tracked mud from some godforsaken swamp … and, of course, there are the remains of the campfire, apple cores, candy wrappers, tins, bottles, someone’s handkerchief, someone’s penknife, old ragged newspapers, coins, wilted flowers from another meadow …” “I get it,” said Noonan. “A roadside picnic.” “Exactly. A picnic by the side of some space road. And you ask me whether they’ll come back …

As a designer, I was an individual cog in a much larger machine, but I still had the opportunity to choose which direction to turn or to decide not to turn at all. Granted, I couldn’t throw a monkey wrench into the gears anytime I wanted and still keep my job. Instead, I used every decision-making opportunity to offer alternative solutions to things I thought were socially or environmentally harmful. Not all my ideas saw light, but I was always given the chance to air my concerns, because it was in an area in which I was considered the expert.

[T]hey don’t care about realpolitik or the big picture. They only care about monkey-wrenching and whistle blowing.

There’s nothing wrong with focusing on your dreams instead—both Alli and I did that before we met Jamie and Nick. But the truth is, the main reason was because we’d been hurt and wanted to make sure it didn’t happen again.” She parked the teddy bear in Meg’s lap. “And fear is never the right motivation, Megs, so, yes, focus on your dreams. But you’re a beautiful girl on the threshold of womanhood, so don’t be surprised if God throws a monkey wrench in your plans.” “As long as the ‘wrench’ has nothing to do with a ‘monkey’ named Devin Caldwell,” Alli said with a scrunch of her nose. Meg grinned. “No, Al, monkeys are cute,” she said with a tilt of her head, employing a trace of French spunk along with the sass. She gave her sister a wink. “Our Mr. Caldwell is more of a baboon.

away. The

We talked for a while about the difficulty he and others had had trying to make a movie of The Monkey Wrench Gang. Part of the difficulty was that while Hollywood is fine with violence toward people and cars and buildings, they don’t want to make a movie where the principal and intended victims are private or industrial property. Peacock cursed the various producers and directors. He had written several drafts of scripts for the movie and even had one in his room at that moment. The movie had almost been made a dozen times, with actors from Jack Nicholson to Matthew McConaughey cast as Hayduke.

Spread the word. Spread the technology. Spread awareness of how it works. Put your grandfather up on a secure network service of your choice. Set up your aunt’s router with a good, open source OS and Torify its connection. Stick some solid SOCKS proxy addys in your buddy’s browser settings. Spread the love, compa! The more we encrypt (and IP decouple) comms traffic online, the more we throw a nice, chunky, proud monkey wrench into the sick dreams of spymasters worldwide. Sabotage the system... so we can have a future that’s free, open, diverse, and, above all else, healthy for our planet.

The trick is to be internally at peace even as externally we, with our secret monkey wrenches and our subversive jujitsu, rage against the machine,

We’ll work it out as we go along. Let our practice form our doctrine, thus assuring precise theoretical coherence.

Wearing a headband doesn’t make you an Indian. Looking like a weed doesn’t make you organic.

the

meanest

Well, sometimes class can come in handy. But you don’t need class if you have a monkey-toe.” “Let’s

There was this tendency to drift. And yet  when she thought about it, what did she really want to do? Or be? She had given up dancing-the dance-because it was too demanding, because it required an almost total devotion which she was unwilling to give. The cruelest art. 

Lifting her lovely and longing face towards the inaudible chant of the sun, she drifted through her time, through space, through the concatenate cells of her unfolding self. Where to now, Abbzug? You're twenty-eight and a half years old, Abbzug. 

The entertainment palled. Fatigue like gravitation pulled at limbs and eyelids. As they had come so they departed, first Abbzug, then the two women from San Diego. The ladies first. Not because they were the weaker sex—they were not—but simply because they had more sense. Men on an outing feel obliged to stay up drinking to the vile and bilious end, jabbering, mumbling and maundering through the blear, to end up finally on hands and knees, puking on innocent sand, befouling God’s sweet earth. The manly tradition. The

Somewhere under the heavy burden of water going nowhere, under the silence, the old rocks of the river channel waited for the promised resurrection. Promised by whom? Promised by Capt. Joseph “Seldom Seen” Smith; by Sgt. George Washington Hayduke; by Dr. Sarvis and Ms. Bonnie Abbzug, that’s whom. But

The hubbub subsided somewhat. Everyone wanted to know what Charlie Swim thought. “The problem here is that Washington politicians haven’t had the guts to impeach Soetoro. And I’ll tell you why. He’s black. They’re afraid of being called racists. If Soetoro had been white, he’d have been thrown out of office years ago. Rewriting the immigration laws; refusing to enforce the drug laws; siccing the IRS on conservatives; having his spokespeople lie to the press, lie to Congress, lie to the UN; rewriting the healthcare law all by himself; thumbing his nose at the courts; having the EPA dump on industry regardless of the costs; admitting hordes of Middle Eastern Muslims without a clue who they were. . . . Race in America—it’s a toxic poison that prevents any real discussion of the issues. It’s the monkey wrench Soetoro and his disciples have thrown into the gears that make the republic’s wheel turn. And now this! Already the liberals are screaming that if you are against martial law, you’re a racist; if anyone calls me a racist, he’s going to be spitting teeth.

You cannot attempt to suggest much less try to explain this to normal people inside the box and is why I always throw in the monkey wrench option of doing it the social way

They rested for a while. “How about a river trip?” he said. “You’ve been promising that for months.” “This time I mean it.” “When?” “Very soon.” “What made you think of that?” “I hear the call of the river.” “That’s the toilet,” she said. “The valve is stuck again.” ***

We’ll work it out as we go along. Let our practice form our doctrine, thus assuring precise theoretical

The ideal citizen of a tyrannical state is the man or woman who bows in silent obedience in exchange for the status of a well-cared-for herd animal. Thinking people become the tyrant's greatest enemies.

The road clung to the spine of the ridge, sidewinding in sinuous loops toward the blue smokes of Smoky Mountain where deposits of coal, ignited by lightning some long-gone summer afternoon a thousand—ten thousand?—years before, smoldered beneath the surface of the mountain’s shoulders. There seemed to be no pursuit. But why should there be? They hadn’t done anything wrong. So far they had done everything right. Down on the alkali flats where only saltbush, cholla and snakeweed grew, they met a small herd of baldface cows ambling up to the higher country. Beef on the hoof, looking for trouble. What Smith liked to call “slow elk,” regarding them with satisfaction as a reliable outdoor meat supply in hard times. How did they survive, these wasteland cattle? It was these cattle which had created the wasteland. Hayduke and Smith dallied several times to get out the old pliers and cut fence. “You can’t never go wrong cuttin’ fence,” Smith would say. “Especially sheep fence.” (Clunk!) “But cow fence too. Any fence.” “Who invented barbed wire anyhow?” Hayduke asked. (Plunk!) “It was a man named J. F. Glidden done it; took out his patent back in 1874.” An immediate success, that barbwire. Now the antelope die by the thousands, the bighorn sheep perish by the hundreds every winter from Alberta down to Arizona, because fencing cuts off their escape from blizzard and drought. And coyotes too, and golden eagles, and peasant soldiers on the coils of concertina wire, victims of the same fat evil the wide world over, hang dead on the barbed and tetanous steel. “You can’t never go wrong cuttin’ fence,” repeated Smith, warming to his task. (Pling!) “Always cut fence. That’s the law west of the hundredth meridian. East of that don’t matter none. Back there it’s all lost anyhow. But west, cut fence.” (Plang!)

There comes a time in a man's life when he has to pull up stakes. Has to light out. Has to stop straddling, and start cutting, fence.