Redemption Arc Quotes

We've searched our database for all the quotes and captions related to Redemption Arc. Here they are! All 16 of them:

I am not the heroine of this story. And I'm not trying to be cute. It's the truth. I'm diagnosed borderline and seriously fucked-up. I hold grudges. I bottle my hate until it ferments into poison, and then I get high off the fumes. I'm completely dysfunctional and that's the way I like it, so don't expect a character arc where I finally find Redemption, Growth, and Change, or learn How to Forgive Myself and Others.
Leah Raeder (Black Iris)
I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
I think it’s bullshit that the only meaningful stories are the ones that are deep and pondering and boring, saying all this nonsense without ever saying anything, and you’re supposed to, like, read meaning into the yellow wallpaper or something.” She rolls her eyes. “You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell. ‘Look to the stars. Aim. Ignite’—that means something to me, you know?
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
The most important gift you can give your children is the importance of standing up to injustice. Children will remember moments spent with you. However, it isn't togetherness that creates humane parents and righteous kids. It is the example of integrity that a parent sets and the on going lessons they teach about compassion toward others throughout their lives. A good father or mother teaches their children that cruelty is not something you cause or ignore, rather it is the moment you suit up for war.
Shannon L. Alder
but I’d made my promise a long time ago. Would I sacrifice myself for my sister if the moment came? Of course I would. I’d do it a thousand times over, if it meant saving her. I couldn’t ask to be the hero and change my mind if I didn’t like the consequences. That wasn’t how being a hero worked. And this was one hell of a redemption arc.
Bella Forrest (Harley Merlin and the Mortal Pact (Harley Merlin, #9))
You’ll find your own path. It may not bring you redemption, it might not even bring you peace, but it will keep you from despising yourself.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
You'll find your own path. It may not bring you redemption, it might not even bring you peace, but it will keep you from despising yourself.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
The second is that some things become true simply by being spoken. When she said to the little girl “I’m here for you”, the architecture of her mind, her definition of herself, shifted and reconfigured around that statement. She became committed, or maybe just acknowledged a commitment. It has nothing to do with guilt for earlier crimes (although she has a pretty fair understanding of what she deserves), or any hope of redemption. It’s just the outermost point on an arc. She’s risen as far as she can, and now she’s falling again, no longer in control (if she ever was to start with) of her own movements.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
You came.” My voice is hoarse, scratchy, and layered with disbelief. He pauses, turquoise eyes raking over my body, cataloguing the burns at my wrists, the black lines in my skin, and the torn fabric of my dress. Caed’s answer, when it comes, is a broken, resigned whisper. “You called.
Marie Mistry (Amidst the Insidious Courts (The Fifth Nicnevin, #3))
In one of the notebooks he carried with him, Nietzsche wrote, "We have art lest we perish from the truth." For those leading afterlives, the unadorned facts of what's happened to them can be brutish to bear on their own terms. Contextualizing that hardship through our intellects and imaginations is a critical salve, an act of transforming our perception that can guide and color how we experience our lives. We can knead our experiences into a larger arc, providing the cohesion that helps us form new narrative identities. Or we can look deeper into our afterlives until we ferret out a way of construing them that rouses our spirits or points them toward salvation. In her essay collection The White Album, Joan Didion delivered a pronouncement that was a natural descendants to Nietzsche's line, an admission of how desperately we rely on the subjective fictions we construct: "We tell ourselves stories in order to live." Those stories--whether they take the form of redemption narratives, personal parables, or the pearlescent beliefs we kneel before each day like shrines offering eternal grace--can elevate our lives and serve as the vessels of private deliverance.
Mike Mariani (What Doesn't Kill Us Makes Us: Who We Become After Tragedy and Trauma)
I think it’s bullshit that the only meaningful stories are the ones that are deep and pondering and boring, saying all this nonsense without ever saying anything, and you’re supposed to, like, read meaning into the yellow wallpaper or something.” She rolls her eyes. “You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
redemptive ending, glossing over the darkness and struggle that precedes it.1 We’ve got a cultural narrative that says bad things happen in order to help you grow, and no matter how bleak it seems, the end result is always worth the struggle. You’ll get there, if only you believe. That happy ending is going to be glorious. Grieving people are met with impatience precisely because they are failing the cultural storyline of overcoming adversity. If you don’t “transform,” if you don’t find something beautiful inside this, you’ve failed. And if you don’t do it quickly, following that narrative arc from incident to transformation within our collective attention span, you’re not living the right story. There’s a gag order on telling the truth, in real life and in our fictional accounts. As a culture, we don’t want to hear that there are things that can’t be fixed. As a culture, we don’t want to hear that there is some pain that never gets redeemed.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
America…you once hung and burned women as witches and people because of their skin color. How dare you cry ‘Bring us your poor and weary.’ You are not offering freedom…you are asking for redemption. Today we do not have any. We will bring the war to you at the Achilles Arc in the Puerto Rico Trench. ~Genesis High Commander Mustafa
James M. Robinson (Accelerant: Continental Drift)
Regularly this quote is whittled down to “the moral arc of the universe bends towards justice” by those who speak of a manmade redemption in which Jesus is just another “good teacher”; they promise to identify and end injustices on human terms.
Jonathan Walton (Twelve Lies That Hold America Captive: And the Truth That Sets Us Free)
You know what I think? I think sometimes the stories we need are the ones about taking the hobbits to Isengard and dog-human dudes with space heelies and trashy King Arthurs and gay ice-skating animes and Zuko redemption arcs and space princesses with found families and galaxies far, far away. We need those stories, too. Stories that tell us that we can be bold and brash and make mistakes and still come out better on the other side. Those are the kinds of stories I want to see, and read, and tell.
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
If anyone understood the futility of wishing for a redemption arc that would never come, it was Jules.
Ana Huang (Twisted Hate (Twisted, #3))