Mod Fashion Quotes

Our choices in great music and great clothing don’t define us as Mods. The fact that we choose great music and great clothing does.

As I’ve said before, “the Mod generation”, contrary to popular belief, was not born in even 1958, but in the 1920s after a steady gestation from about 1917 or so. Now, Mod certainly came of age, fully sure of itself by 1958, completely misunderstood by 1963, and in a perpetual cycle of reinvention and rediscovery of itself by 1967 and 1975, respectively, but it was born in the 1920s, and I will maintain this. I don’t care who disagrees with me, and there are dozens of reasons that I do so —from the Art Deco aesthetic, to flapper fashions (complete with bobbed hair), to androgyny and subtle effeminacy, to jazz.

When DC Comics was trying to figure out how to retool Wonder Woman’s image to make her cooler, they looked at another Diana—Diana Rigg. Rigg had caused a stir as Mrs. Emma Peel when the British TV series The Avengers was imported to the US in 1966. Mrs. Peel defined the heroine of the mod ’60s—brilliant as she was beautiful, witty, champion fencer, martial arts ex-pert, modern artist, crack shot with a pistol, and fearless secret agent. Attired in sleek black leather catsuits or mod body stockings, Emma Peel was a true force to be reckoned with, combining beauty, brains, and power.

She was part of a social network that included artists and activists who were always hatching what they called “disruptive strategies” aimed at undermining all forms of authority: cultural, economic, scientific. Mostly their disruptions involved artistic fashion shows full of uselessly beautiful GMOs and tissue mods that said something about global recolonization.

that powered a wide array of working-class music and fashion movements, the common chemical thread that linked mod to skinhead to punk to rave. I’d

that powered a wide array of working-class music and fashion movements, the common chemical thread that linked mod to skinhead to punk to rave.