Mistress Of Lies Quotes

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There are things we want, and things we may have.... Sanity lies in knowing the difference.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
The lies kinky people tell vanilla people.
Tiffany Reisz (The Mistress (The Original Sinners, #4))
Because I’m a cat. A big one, the Panther of Rough Storms, in fact. But still a cat. If there’s a saucer of milk to spill, I’d rather spill it than let it lie. If my mistress grows absent-minded and leaves a ball of yarn about, I’ll bat it between my paws, and unravel it. Because it’s fun. Because it’s what cats do best.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
O Mistress mine, where are you roaming? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know. What is love? 'Tis not hereafter; Present mirth hath present laughter; What's to come is still unsure: In delay there lies not plenty; Then, come kiss me, sweet and twenty, Youth's a stuff will not endure.
William Shakespeare
But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity.
Andrew Marvell (To His Coy Mistress)
She honestly didn’t know what was worse: living her life in the dream world, or living in a world where everyone lied to her.
Serena Valentino (Mistress of All Evil: A Tale of the Dark Fairy (Villains #4))
A wife who discomforts you with truth is better than a mistress who massages you with lies.
Matshona Dhliwayo
To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell (The Complete Poems)
doubt is a good servant but a bad master; a perfect mistress, but a nagging wife.
Aleister Crowley (The Book of Lies)
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend — but it is too much for my strength — I sink under the weight of the splendour of these visions!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Ah, now I have learned how deep in the human heart vanity lies, vanity which is the other face of the fear of being unloved.
Chitra Banerjee Divakaruni (The Mistress of Spices)
I don’t know. I think I’m sick. And I don’t know if my ailment has a name - it’s just me sitting and staring at the internet or the television for long periods of time interspersed by trying to not do that and then lying about what I’ve been doing. Then I’ll get so excited about something that the excitement overwhelms me and I can’t sleep or do anything - and then I just am in love with everything but can’t figure out how to make myself work in the world
Greta Gerwig (Mistress America)
My good lady,’ interrupted Clent, ‘are you telling me that he is not the Luck? That you have in some way obfuscated the chronology of his nativity?’ Seconds passed. A beetle flew into Mistress Leap’s hair while she stared at Clent, then it struggled free and flew off again. ‘Did you lie about when he was born?’ translated Mosca.
Frances Hardinge (Fly Trap)
(about sailors) Their minds are of the stay-at-home order, and their home is always with them - the ship; and so is their country - the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut.
Joseph Conrad (Heart of Darkness)
Sometimes, they wait. Sometimes, you see the dead come in to the harbor, and their old dogs are all along the docks, wagging their tails, for they have waited for their masters and mistresses for many years. You see mothers who have missed their sons. Fathers who had never spoken of love to their children, ready to embrace them as they voyage from the end of life. It shows the lies of this world, you see. We are wrong about so many things here. Mankind has done terrible things, yet we are forgiven.
Douglas Clegg (Isis (Harrow House, #0.25))
You won't be able to do it wrong, Durnik--any more than you'd be able to lie or cheat or steal. It's built into you to do it right, so don't worry about it." "That's all very well for you to say, Mistress, Pol," he replied, "but if you don't mind, I will worry about it just a bit--privately of course.
David Eddings (Enchanters' End Game (The Belgariad #5))
I am turmeric who rose out of the ocean of milk when the devas and asuras churned for the treasures of the universe. I am turmeric who came after the nectar and before the poison and thus lie in between.
Chitra Banerjee Divakaruni (The Mistress of Spices)
I thought I should be allowed to go to my father's house the next morning, but I was ordered to go for flowers, that my mistress's house might be decorated for an evening party. I spent the day gathering flowers and weaving them into festoons, while the dead body of my father was lying within a mile of me. What cared my owners for that? he was merely a piece of property.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Ah, are you digging on my grave, My loved one? -- planting rue?" -- "No: yesterday he went to wed One of the brightest wealth has bred. 'It cannot hurt her now,' he said, 'That I should not be true.'" "Then who is digging on my grave, My nearest dearest kin?" -- "Ah, no: they sit and think, 'What use! What good will planting flowers produce? No tendance of her mound can loose Her spirit from Death's gin.'" "But someone digs upon my grave? My enemy? -- prodding sly?" -- "Nay: when she heard you had passed the Gate That shuts on all flesh soon or late, She thought you no more worth her hate, And cares not where you lie. "Then, who is digging on my grave? Say -- since I have not guessed!" -- "O it is I, my mistress dear, Your little dog, who still lives near, And much I hope my movements here Have not disturbed your rest?" "Ah yes! You dig upon my grave... Why flashed it not to me That one true heart was left behind! What feeling do we ever find To equal among human kind A dog's fidelity!" "Mistress, I dug upon your grave To bury a bone, in case I should be hungry near this spot When passing on my daily trot. I am sorry, but I quite forgot It was your resting place.
Thomas Hardy
The small family living unit lacks space, Earth, other animals, seasons, natural temperatures, and so on. The pet is either sterilized or sexually isolated, extremely limited in his exercise, deprived of almost all other animal contact, and fed with artificial foods. This is the material process which lies behind the truism the pets come to resemble their masters or mistresses. They are creatures of their owners way of life.
John Berger (About Looking)
It wasn’t a perfume that she smelled, either. No, it was the odor of something larger: the scent of secrecy, of newness, and of rediscovered youth.
Rebecca Rowland (White Trash and Recycled Nightmares)
The Baron had become her slave: whatever she demanded of him he carried out with pleasure. When her humour so decreed, he would lie at her feet like a slave..., like a dog!
Leopold von Sacher-Masoch (The Master Masochist: Tales of a Sadistic Mistress)
who listens to the truth when lies are more interesting?
Kate Quinn (Mistress of Rome (The Empress of Rome, #1))
Sir John, To Master Brook you yet shall hold your word; For he to-night shall lie with Mistress Ford.
William Shakespeare (The Merry Wives of Windsor)
But truth travels slowly and gets weaker as it goes. Suitable lies are stronger and run faster.
Ariana Franklin (Mistress of the Art of Death (Mistress of the Art of Death, #1))
I don't want her to know the truth about us." "I'm merely going to explain to explain that I'm not Nathaniel's mistress." "You can't talk about mistresses to a well-bred Englishwoman. It violates every propriety." "To speak in a forthright manner violates propriety?" She rose to stare at him with thinly veiled amusements. "No wonder you English lost the colonies. What with all the lying and the 'propriety' and the evasions, how do you ever get anything done?" As she crossed the box to sit down beside Evelina, he stared after her in fascinated amazement. Americans were mad—that’s all there was to it.
Sabrina Jeffries (Married to the Viscount (Swanlea Spinsters, #5))
Some of my greatest difficulties lie in things that would appear to you comparatively trivial. I find it so hard to repel the rude familiarity of children. I find it so difficult to ask either servants or mistress for anything I want, however much I want it. It is less pain for me to endure the greatest inconvenience than to go into the kitchen to request its removal. I am a fool. Heaven knows I cannot help it!
Elizabeth Gaskell (The Life of Charlotte Brontë)
You are thinking, what does it look like, such a knife. Most ordinary, for that is the nature of deepest magic. Deepest magic which lies at the heart of our everyday lives, flickering fire, if only we had eyes to see.
Chitra Banerjee Divakaruni (The Mistress of Spices)
She wondered which would be worse -- to belong to the group assigned to lifelong drudgery, or to be on the other side, thinking you deserved everything the universe by sheer good luck had tossed in your lap, never realizing your whole life was based on lies.
Jo Victor (Romance by the Book)
The little Love-god lying once asleep Laid by his side his heart-inflaming brand, Whilst many nymphs that vowed chaste life to keep Came tripping by; but in her maiden hand The fairest votary took up that fire Which many legions of true hearts had warmed; And so the General of hot desire Was, sleeping, by a virgin hand disarmed. This brand she quenched in a cool well by, Which from Love's fire took heat perpetual, Growing a bath and healthful remedy For men diseased; but I, my mistress' thrall, Came there for cure and this by that I prove, Love's fire heats water, water cools not love.
William Shakespeare
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
Mistress mine, your unique and special quality is this: When I'm around you, I'm happy." "Richard!" "Quit blubbering. Can't stand a female who has to lick tears off her upper lip." "Brute. I'll cry if I goddam well feel like it... and I need this one. Richard, I love you." "I'm fond of you, too, monkey face. What I was saying was that, if your present pack of lies is wearing thin, don't bother to build up another structure filled with solemn assurances that this is at last the truth, the whole truth, and nothing but the truth. Forget it. The old structure may be threadbare -- but I don't care. I'm not looking for holes or inconsistencies because I don't care. I just want to live with you and hold your hand and hear you snore.
Robert A. Heinlein
Benedict, it is true I cannot accept any future you have offered me. We both know why.” Except he didn’t, but he said nothing and she continued. “But I would be lying if I told you that I didn’t still…think of you. Of us.” He stared. Was this happening? Was she truly saying these things after three years of polite distance and pretending to be friends? “You do,” he said, flat and emotionless for he feared revealing too much. She nodded. “It seems there is unfinished business between us. On both sides. And since everything is about to change, I wonder if we should resolve that business, if only so it won’t haunt us.” “What are you saying?” he asked softly. She swallowed and her voice trembled as she whispered, “Be with me again.
Jess Michaels (Her Perfect Match (Mistress Matchmaker, #3))
When parents, in the belief that they are doing the right thing, trample underfoot some ideal that lies latent in the heart of their child they cause, more often than not, to germinate in its place disillusionment, hatred, vice; it is fortunate indeed if the existence thus turned awry does not degrade into a life of crime, instead of one of calm content and universal respect.
Leopold von Sacher-Masoch (The Master Masochist: Tales of a Sadistic Mistress)
For the first time I admit I am giving myself to love. Not the worship I offered the Old One, not the awe I felt for the spices. But human love, all tangled up, at once giving and demanding and pouting and ardent. It frightens me, the risk of it. And I see that the risk lies not in what I always feared, the anger of the spices, their desertion. The true risk is that I will somehow lose this love.
Chitra Banerjee Divakaruni (The Mistress of Spices)
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.” I bit my lip. “Have you come to take my soul, then?” “I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.” “Because I took your qi?” He inclined his head. “I should have stopped you sooner.” I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it. “It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.” “That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?” “Long enough,” he said. Then more gently, “You may have a happy marriage, though.” “I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form. “Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet. “Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.” “Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart. “I’ve never lied to you.” “Can’t I go with you now?” He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.” I glared at him. “What if I’d rather not wait?” He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?” I dropped my gaze. “If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.” I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?” His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.” I tightened my arms around him. “Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.” “But what would you do for fifty years?” He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
Yangsze Choo (The Ghost Bride)
Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy; now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now, eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now, exhibiting an obtrusive interest in the baby; now, going round and round upon the hearth, and lying down as if he had established himself for the night; now, getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it.
Charles Dickens (The Cricket on the Hearth)
The sea may be your lover, but she is not your friend. You cannot safely turn your back to her. Her loyalty is that of an ex- wife, her characteristics more of a new mistress; she will bring you to your highest peaks, but beware for on the other side of the high ground lie valleys of unspeakable misery. Her mind games are second to none. She will lead you down darker alleys of your mind than you ever knew existed within. She will make you question all that you are.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
Grass! Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses – some high, some low, some feathered, some straight – making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.
Sheri S. Tepper (Grass (Arbai, #1))
And this also,” said Marlow suddenly, “has been one of the dark places of the earth.” He was the only man of us who still “followed the sea.” The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them—the ship; and so is their country—the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.
Joseph Conrad (Heart of Darkness)
Would you like to know what it’s like to have your wings again? Imagine falling, except instead of hitting the ground, you soar. Imagine beginning to believe that love is never a lie, even if there are liars. Imagine recalling that cracked bone grows back stronger. That scars are beautiful. You might not be quite who you were when you lost the power of flight. But it is only in having your wings resting heavy on your back again that you realize you always and forever belonged to the sky. You were always strong and fierce and full of magic. Even when you were stranded on the ground.
Holly Black (Heart of the Moors: An Original Maleficent: Mistress of Evil Novel)
Scarlet jumped on top of her, straddling her and sending her skull cracking into the ground. Her aunt clawed blindly, and actually managed to rake a hand down Scarlet’s stitches, ripping every single one open. “My former mistress is such a…girl,” Cronus said, disappointed. “Where are the pounding fists?” “Well, my man ain’t got no skills,” Gideon replied proudly. He wanted to stand up and point to himself and shout that Scarlet was his. That she belonged to him. “Don’t you just wait and see.” A moment passed in silence, then Cronus shook his head and said, “How do the others stand you?” Gideon
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
LOVE'S DIET To what a cumbersome unwieldiness And burdenous corpulence my love had grown, But that I did, to make it less, And keep it in proportion, Give it a diet, made it feed upon That which love worst endures, discretion. Above one sigh a day I allowed him not, Of which my fortune, and my faults had part; And if sometimes by stealth he got A she sigh from my mistress' heart, And thought to feast upon that, I let him see 'Twas neither very sound, nor meant to me. If he wrung from me a tear, I brined it so With scorn and shame, that him it nourished not; If he sucked hers, I let him know 'Twas not a tear which he had got; His drink was counterfeit, as was his meat; For eyes, which roll towards all, weep not, but sweat. Whatever he would dictate I writ that, But burnt her letters when she writ to me; And if that favour made him fat, I said, "If any title be Conveyed by this, ah! what doth it avail, To be the fortieth name in an entail?" Thus I reclaimed my buzzard love, to fly At what, and when, and how, and where I choose. Now negligent of sports I lie, And now, as other falconers use, I spring a mistress, swear, write, sigh, and weep; And the game killed, or lost, go talk or sleep.
John Donne (The Love Poems)
Marketa really desired, with both her body and her senses, the women she considered Karel's mistresses. And she also desired them with her head: fulfilling the prophecy of her old math teacher, she wanted - at least to the limits of the disastrous contract - to show herself enterprising and playful, and to astonish Karel. But as soon as she found herself naked with them on the wide daybed, the sensual wanderings immediately vanished from her mind, and seeing her husband was enough to return her to her role, the role of the better one, the one who is wronged, Even when she was with Eva, whom she loved very much and of whom she was not jealous, the presence of the man she loved too well weighed heavily on her, stifling the pleasure of the senses. The moment she removed his head from the body, she felt the strange and intoxicating touch of freedom. That anonymity of the body was a suddenly discovered paradise. With an odd delight, she expelled her wounded and too vigilant soul and was transformed into a simple body without past or memory, but all the more eager and receptive. She tenderly caressed Eva's face, while the headless body moved vigorously on top of her. But here the headless body interrupted his movements and, in a voice that reminded her unpleasantly of Karel's, uttered unbelievably idiotic words: "I'm Bobby Fischer! I'm Bobby Fischer!" It was like being awakened from a dream. And just then, as she lay snuggled against Eva (as the awakening sleeper snuggles against his pillow to hide from the dim first light of day), Eva had asked her, "All right?" and she had consented with a sign, pressing her lips against Eva's. She had always loved her, but today for the first time sh loved her with all her senses, for herself, for her body, and for her skin, becoming intoxicated with this fleshly love as with a sudden revelation. Afterward, while they lay side by side on their stomachs, with their buttocks slightly raised, Marketa could feel on her skin that the infinitely efficient body was again fixing its eyes on hers and at any moment was going to start again making love to them. She tried to ignore the voice talking about seeing beautiful Mrs. Nora, tried simply to be a body hearing nothing while lying pressed between a very soft-skinned girlfriend and some headless man.
Milan Kundera (The Book of Laughter and Forgetting)
wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose Waltz in Vienna has taught me to use every tall room a fiction leatherbound treasure books up to the ceiling gold spine upon spine the guile and the treason the faith and allegiance wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose the author grew fat to imagine his lead pen careening gave voice to the scheming an Aryan cabale to dethrone the guile and the treason the faith and allegiance to the empire unknown the baron and his mistress dine in a fine banquet hall as rebel insurgents plot in the attic space crawl the guile and the treason the faith and allegiance now lie in my hand
Natalie Merchant
Next to my own skin, her pearls. My mistress bids me wear them, warm them, until evening when I'll brush her hair. At six, I place them round her cool, white throat. All day I think of her, resting in the Yellow Room, contemplating silk or taffeta, which gown tonight? She fans herself whilst I work willingly, my slow heat entering each pearl. Slack on my neck, her rope. She's beautiful. I dream about her in my attic bed; picture her dancing with tall men, puzzled by my faint, persistent scent beneath her French perfume, her milky stones. I dust her shoulders with a rabbit's foot, watch the soft blush seep through her skin like an indolent sigh. In her looking-glass my red lips part as though I want to speak. Full moon. Her carriage brings her home. I see her every movement in my head.... Undressing, taking off her jewels, her slim hand reaching for the case, slipping naked into bed, the way she always does.... And I lie here awake, knowing the pearls are cooling even now in the room where my mistress sleeps. All night I feel their absence and I burn.
Carol Ann Duffy
The small family living unit lacks space, earth, other animals, seasons, natural temperatures, and so on. The pet is either sterilised or sexually isolated, extremely limited in its exercise, deprived of almost all other animal contact, and fed with artificial foods. This is the material process which lies behind the truism that pets come to resemble their masters or mistresses. They are creatures of their owner’s way of life. Equally important is the way the average owner regards his pet. (Children are, briefly, somewhat different.) The pet completes him, offering responses to aspects of his character which would otherwise remain unconfirmed. He can be to his pet what he is not to anybody or anything else. Furthermore, the pet can be conditioned to react as though it, too, recognises this. The pet offers its owner a mirror to a part that is otherwise never reflected. But, since in this relationship the autonomy of both parties has been lost (the owner has become the-special-man-he-is-only-to-his-pet, and the animal has become dependent on its owner for every physical need), the parallelism of their separate lives has been destroyed.
John Berger (About Looking)
Unfortunately, on Christmas morning 1492 the Santa María ran aground on the northern coast of what is now Haiti. Not having any way to refloat her, the crew off-loaded the provisions and equipment from the ship before she broke up. For protection they then built a flimsy fortification on the beach, calling it “La Navidad.” With the consent of the local Indian Chief, Columbus left behind 39 men with orders to establish a settlement, and appointed Diego de Arana, a cousin of his mistress Beatriz, as the Governor. On January 16, 1493, Columbus left Navidad and sailed for Portugal and Spain on the Niña. Everything went well until the two remaining ships, the Niña and the Pinta, became separated from each other. Columbus was convinced that the captain of the faster Pinta would get back to Spain first, thereby garnering all the glory by telling lies about him and his discoveries. On March 4th, a violent storm off the Azores forced him to take refuge in Lisbon. Both ships, amazingly enough, arrived there safely. A week later, Columbus continued on to Palos, Spain, on the Gulf of Cádiz, from whence he had started. Finally, on March 15th, he arrived in Barcelona. It seems that all’s well that ends well, because he was hailed a hero and news of his discovery of new lands spread throughout Europe like wildfire.
Hank Bracker
Tempestuous plains tell the tale, Windswept wastes do bewail, Haunting Spirit of the land, Seeks the living, seeks the damned. Horizoned edge sheared with grass, Dark Storm Rising in the pass, Ageless Spirit seeks the path, To torment souls to the last. Brooding Spirit upon the plain, Thunderhead gathers for the rain. Light grows dim then bolts with pain, On dry Earth her sin is stained. (Frightened creatures do stampede, Into night, they do recede). Ungodded hand on seasoned blade, Reaps the harvest of the Age. Released from her eternal din, Spirit of the Age rises again. Seeking to plunder and consume, Those who were proud, those who presumed. Spirits rage while storm draws nigh, Upon burning plain and emblazoned sky. It is said giants grapple in the Earth so deep, To contend for souls that they might keep. The Storm spirit now searches the high and the low, To seek her manchild victim in the fields below. Leaves bad wasteland to claim but a fallen man, Denying it Heaven, crowning it, ‘Son of the Damned.’ Treacherous Spirit of the far lost night, Tramples souls down denying them light. Storm seethes with furious hiss, Leads men on to bottomless pit. This most ancient of foes has come from her den, To seek the living, to make ready those dead. A living sacrifice is her soul desire, To snatch the soul for black funeral pyre. A double-damned devil, that is she, This one who lies, who claims to make free. A lying spirit, that is her domain, A storm-wracked Fury of self-proclaim. Onward she seeks, this bleak Northern wind, Searching for naught but for a soul akin. Amidst the howling and the rage, To murder again, that is her trade. As this spirit of graves left the plain, She left a wake of dead in shrouded train. Now down from the plain Storm did come, Unto those cities wherein was no sun. There with whirlwind she did rip and scour, For those souls of whom she could tear and devour. She comes to seek the living and the dead, Those who were frightened, those with no dread. Thus upon those she did acclaim, “I am the Mistress of the living and the slain.” O’ haunting Spirit of this land, Taker of life, maker of the damned. --On Villainess Storm, Ch. One Valley of the Damned
douglas m laurent
Life is strewn with these miracles, for which people who are in love can always hope. It is possible that this one had been artificially brought about by my mother who, seeing that for some time past I had lost all interest in life, may have suggested to Gilberte to write to me, just as, when I was little and went first to the sea-side, so as to give me some pleasure in bathing, which I detested because it took away my breath, she used secretly to hand to the man who was to ‘dip’ me marvellous boxes made of shells, and branches of coral, which I believed that I myself had discovered lying at the bottom of the sea. However, with every occurrence which, in our life and among its contrasted situations, bears any relation to love, it is best to make no attempt to understand it, since in so far as these are inexorable, as they are unlooked-for, they appear to be governed by magic rather than by rational laws. When a multi-millionaire—who for all his millions is quite a charming person—sent packing by a poor and unattractive woman with whom he has been living, calls to his aid, in his desperation, all the resources of wealth, and brings every worldly influence to bear without succeeding in making her take him back, it is wiser for him, in the face of the implacable obstinacy of his mistress, to suppose that Fate intends to crush him, and to make him die of an affection of the heart, than to seek any logical explanation. These obstacles, against which lovers have to contend, and which their imagination, over-excited by suffering, seeks in vain to analyse, are contained, as often as not, in some peculiar characteristic of the woman whom they cannot bring back to themselves, in her stupidity, in the influence acquired over her, the fears suggested to her by people whom the lover does not know, in the kind of pleasures which, at the moment, she is demanding of life, pleasures which neither her lover nor her lover’s wealth can procure for her. In any event, the lover is scarcely in a position to discover the nature of these obstacles, which her woman’y cunning hides from him and his own judgment, falsified by love, prevents him from estimating exactly. They may be compared with those tumours which the doctor succeeds in reducing, but without having traced them to their source. Like them these obstacles remain mysterious but are temporary. Only they last, as a rule, longer than love itself. And as that is not a disinterested passion, the lover who is no longer in love does not seek to know why the woman, neither rich nor virtuous, with whom he was in love refused obstinately for years to let him continue to keep her. Now the same mystery which often veils from our eyes the reason for a catastrophe, when love is in question, envelops just as frequently the suddenness of certain happy solutions, such as had come to me with Gilberte’s letter. Happy, or at least seemingly happy, for there are few solutions that can really be happy when we are dealing with a sentiment of such a kind that every satisfaction which we can bring to it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion that we are healed.
Marcel Proust (In the Shadow of Young Girls in Flower)
Claire… It is not what you think. Won’t you please allow me to explain? Please. Allow me to speak with you.” It was more tempting than she liked. “There is nothing to say. We both know what I saw.” She paused. “Now go away.” Her tone was as aloof as she could manage between tears that would not stop. She saw the handle turn. “Don’t you dare!” She took a pre-emptive step back. But he did dare. The door opened slowly. “Are you…dressed?” “Of course, I am dressed!” she said furiously. “I am packing. Kindly have a carriage ordered.” It was a lie but he would not know that. Her case was still open on the window seat. He pushed the door open wider. He did not look like a man who had come from the arms of another woman. His face was not flushed with desire. It looked rather drawn in fact. But what did she know of such things? Perhaps that woman had merely exhausted him. “I did not invite her here, Claire. I did not even know she was coming.” He pushed locks of dark hair from his eyes. Claire bit her lip, thinking of how she had looked forward to touching those waves, brushing it possessively off his face herself. “Serafina does what she pleases. As you can see, she has no sense of propriety or discretion. She believes she owns Isabel and I even still. Even though, after her unforgiveable actions, she quite thoroughly relinquished rights to us both some time ago. I do not believe Isabel has pardoned her yet. I certainly will not.” He looked at her, eyes wide and beseeching. Not a hint of pride or arrogance. “She does not want me to be happy without her, Claire,” he said softly. “She must have found out I was to be married and she came with all haste. This is exactly what she was hoping for—or nearly so. When you walked in…” “Oh? Nearly so?” Fury twisted inside her. “I apologize for intruding so unexpectedly, for interrupting your passionate liaison. I suppose if Isabel and I had not walked in, you would still be there even now. On the floor together perhaps.” Thomas looked taken aback, then angry. “Of course not! Do you really think me so…? Is that what you believe, Claire? You did exactly what Serafina hoped you would do. Reacted with anger and jealousy, blamed me, and stormed out.” “Jealousy!” Claire exclaimed, drawing herself up. “I assure you—I am not jealous in the least. If she wants you, she is welcome to have you. I did not want you in the first place, as you will recall.” He flinched. If she did not know better, she might almost have believed him to be hurt. She swallowed hard. “What have I to be jealous of? The fact that you prefer your mistress to…” Oh, no. Her voice was catching in her throat. “…to… me…” She hiccupped embarrassingly, tears flowing over. All of a sudden Thomas’s arms were around her, holding her firmly to his chest. “Claire… No, no…” he whispered. Her cheek was pressed up rather roughly against his tailcoat. He smelled so good. She closed her eyes, her body relaxing against him. There was another smell there. An overpoweringly sweet scent of lilacs. She pushed herself away, hands against his chest. “You smell of her.” He looked horrified. Horrified that he did? Or horrified that she had noticed? Did he smell of her from head to toe? Claire felt nauseous.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Coll swung a glare on Kruppe. ‘What outrageous lies have you uttered now?’ The round man looked offended. ‘Kruppe and the truth are lifelong partners, friend Coll! Indeed, wedded bliss – we only yesterday celebrated our fortieth anniversary, the mistress of veracity and I.
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
Harold may or may not have been hit in the eye: the story first appears one hundred years later, and the arrow shaft on the famous Bayeux Tapestry may have been only added in the eighteenth century by bored nuns. It’s possible also that the eye story was Norman propaganda, since blinding was the biblical punishment for oath-breakers; but either way he was dead. One story has William leading this death squad but it is extremely unlikely he’d have done something so risky; likewise with a later tale that Gyrth unhorsed William before the duke killed him, which is most likely borrowed from The Iliad. By the end of the day the Normans had lost 2,500 men, the English 4,000, including most of the country’s nobility. After the battle William didn’t bother to bury the defeated, and it was left to Harold’s mistress, Edith Swan-Neck, to identify him by a part ‘known only to her’, as his face had been so badly mutilated. However the indignity continued; William wouldn’t give up the body, even after Harold’s mother offered him her son’s weight in gold if she’d return him, and to this day no one knows where England’s last English king lies.
Ed West (1066 and Before All That: The Battle of Hastings, Anglo-Saxon and Norman England)
All of which went to confirm Lad in the natural belief that anything found on the road and brought to the Mistress would be looked on with joy and would earn him much gratitude. So,—as might a human in like circumstances,—he ceased to content himself with picking up trifles that chanced to be lying in his path, in the highway, and fell to searching for such flotsam and jetsam.
Albert Payson Terhune (Further Adventures of Lad)
Hollow (2020) Written in response to the toppling of the Edward Colston statue in Bristol on Sunday 7th June 2020. You came down easy in the end the righteous wrench of two ropes in a grand plie briefly, you flew corkscrewed, then met the ground with the clang of toy guns, loose change chains a rain of cheers. Standing ovation on the platform of your neck punk ballet. Act 1. there is more to come. And who carved you? They took such care with that stately pose and propped chin. Wise and virtuous the plaque assured us. Victors wish history odourless and static but history is a sneaky mistress moves like smoke, Colston, like saliva in a hungry mouth. This is your rightful home here, in the pit of chaos with the rest of us. Take your twisted glory and feed it to the tadpoles. Kids will write raps to that syncopated splash. I think of you lying in that harbour with the horrors you hosted. There is no poem more succinct than that. But still you are permanent. You who perfected the ratio. Blood to sugar to money to bricks. Each bougie building we flaunt haunted by bones. Children learn and titans sing under the stubborn rust of your name. But the air is gently throbbing with newness. Can you feel it? Colston, I can’t get the sound of you from my head. Countless times I passed that plinth its heavy threat of metal and marble. But as you landed a piece of you fell off broke away and inside nothing but air. This whole time You were hollow.
Vanessa Kisuule
But a Tennessee slave, named Jule, who claimed not to fear the Union soldiers, had some different ideas. As the Yankees neared the plantation, the mistress commanded the slaves to remain loyal. “If they find that trunk o’ money or silver plate,” she asked Jule, “you’ll say it’s your’n, won’t you?” The slave stood there, obviously unmoved by her mistress’s plea. “Mistress,” she replied, “I can’t lie over that; you bo’t that
Leon F. Litwack (Been in the Storm So Long: The Aftermath of Slavery)
It is said that when one among us dies, the memory of their blood lies in the Ring. The Ring always knows who its true master or mistress is.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
We can set up sun parasols over the chairs to shield us while we have our drinks.” “That sounds very nice.” Perveen would have preferred to speak to Cora away from the villa. She hadn’t felt safe when she’d met the nawab. “Shall we go up to the veranda and tell Oshadi?” “Just a sec.” Cora went back into the cabana through the open door and came out with the cowbell. Swiftly, she loped a hundred feet or so toward the house and rang the bell vigorously. After a moment, a young man in blue began running down the lawn toward them. Using her hands, Cora instructed him to drag the chairs close to where water lapped the sand and raise the umbrellas. The only words she spoke were about choices of drinks. To Perveen, she said, “I like my orange juice with a splash of champagne. How about you?” “I’m a dreadful bore,” Perveen apologized. “Because of this heat, I’m craving plain water.” “Any ice?” Cora asked. “A luxury indeed!” Perveen said with a nod, repeating the same to the young man. They settled in their chairs as the manservant went off. There was an awkward silence, so Perveen began. “Let me just say that I’m sorry about the last time we were together. I felt wretched after I spoke with you at my office.” “Have you changed your mind about representing me, then?” Perveen hesitated, because she couldn’t lie outright. “I would like to know more about the hospital committee from you. In the brief time I spoke with your husband, he mentioned that there wasn’t enough support from the women’s husbands. I want to know who is involved at this point.” And who might have attended the party where Sunanda was attacked. The begum bit her lip, smearing a bit of red onto the bottom of a front tooth. “You’ll have to ask them yourself, because they won’t answer my calls.” “Do you mean—the ladies on the committee?” “Of course!” Cora’s voice was impatient. “My title might be Princess, but the white ladies in this town have made it clear I’m from the wrong place.” “Australia is respected enough by Britain to have had dominion status since 1901!” Perveen didn’t add that she thought the privilege had been given to Australia, rather than India, because of racism. “I keep my mouth shut around them about my own family, just as I do about my dancing and singing career,” Cora said glumly. “So it must be that they are thinking about Australia being founded as a penal colony. Australia is where men are supposed to go for horses—but not wives.” “Look, there’s the bearer coming!” Perveen said. After the bearer had handed off their drinks, she told Cora, “I also felt like an outsider at the tea party. I heard
Sujata Massey (The Mistress of Bhatia House (Perveen Mistry, #4))
Don’t you know when to give up?” she snapped. Caleb came up behind her, turned her into his arms, and held her close. “When was the last time you gave up on something you wanted, Lily?” “I never give up. It’s cowardly.” He smiled, his hands resting lightly on the sides of her waist. “Persistence is an admirable quality. Perhaps you’ve noticed that I have it, too.” Lily was desperate for a barrier to throw between them; she was beginning to have thoughts of lying on Mrs. Tibbet’s tablecloth in total surrender. “I couldn’t love a man who keeps a mistress,” she threw out. He withdrew slightly. “What?” “Sandra told me. She said the woman lives in Tylerville.” Caleb looked taken aback, but only for a moment. “She does,” he answered. “But when we parted company, she was talking about going back to San Francisco. She has a prospective husband there.” Lily’s eyes widened. “You parted company?” “Of course,” Caleb replied. “Did you think I was going to go on visiting Bianca while I was seeing you?” “You weren’t faithful to Sandra,” Lily pointed out. “I also wasn’t sleeping with her.” Lily lowered her eyes. “I don’t understand.” Caleb lifted her chin. “Sandra is my little sister’s best friend,” he said gently. “She’s family to the Tibbets. I married her because she was in trouble. Is it getting any clearer?” “You’re really a very honorable man,” Lily allowed with a sigh. Caleb arched an eyebrow. “That’s bad?” “It makes it much harder to resist you.” “Resisting me will prove impossible, Lily.” “You are the most presumptuous—” He turned his head to glance back at the table. “You’d just fit between the biscuits and the butter dish,” he commented idly. Lily resisted an urge to smash his instep with her foot. He’d gotten his way. She was going to agree to let him drive her back to Tylerville. And the reason was simple: If they stayed here, she might end up doing something scandalous. If they were in a moving buggy, there would be less chance of that.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
You can’t mean to marry her!” Roslyn’s shrill voice rose. “Do you forget how she stole from you? That she tried to ruin your company? If you need any reminders, just look at the new hotels going up in Paris and Rome. Your hotels, Chrysander. Only they’re going up under your competitor’s name.” A haze blew through Marley’s mind. Red hot. Like a swarm of angry bees, tidbits of information began buzzing in her head. And suddenly it was as if a dam broke. The locked door in her mind that she’d tried so hard to budge simply opened, and the past came roaring through with vicious velocity. She swayed and gripped the door frame tighter. Nausea boiled in her stomach as each and every moment flashed like a movie in fast-forward. Chrysander’s angry accusation of thievery. His ordering her from their apartment, his life. Her abduction and the months she’d spent in hopeless fear, waiting for Chrysander to answer the ransom demands. Demands he’d ignored. Oh God, she was going to be sick. He’d left her. Discarded her like a piece of rubbish. The half million dollars, a paltry sum to a man of Chrysander’s means, was an amount he’d been unwilling to part with to ensure her return. Everything had been a lie. He’d lied to her nonstop since she’d awoken in the hospital. He didn’t love her or want her. He despised her. She hadn’t been worth half a million dollars to him. Pain splintered through her chest as she shattered. As everything she’d known as true suddenly turned black. Her heart withered and cracked, falling in pieces around her. He hadn’t tried to save her. The tortured cry that ripped from her mouth echoed through the room. She clamped a hand over her lips, but it was too late. Everyone looked her way. Theron flinched, and an odd discomfort settled over Piers’s face. She met Chrysander’s gaze, and she could see the truth in his eyes as he realized that she remembered.
Maya Banks (The Tycoon's Pregnant Mistress (Anetakis Tycoons, #1))
It seems the ban on virginal theatrics has been lifted.” Poppy replied with stilted dignity. “I don’t think it’s theatrical to pull away when I don’t want to be kissed.” “A diamond necklace for one kiss. Is that such a bad bargain?” Her cheeks went scarlet. “I appreciate your generosity. But you’re wrong to think that you can buy or bargain for my favors. I’m not a mistress, Harry.” “Obviously. Because in return for such a necklace, a mistress would go to that bed, lie there willingly and offer to do whatever I wanted.” “I’ve never denied you your marital rights,” she said. “If you wish, I’ll go to that bed willingly and do whatever you want, this very moment. But not because you gave me a necklace, as if it were part of some transaction.” Far from being appeased, Harry regarded her with gathering outrage. “The thought of you laid out like a martyr on the sacrificial altar is not what I had in mind.” “Why isn’t it enough that I’m willing to submit to you?” Poppy asked, her own temper flaring. “Why must I be eager to lie with you, when you’re not the husband I wanted?” The very second the words left her lips, Poppy regretted them. But it was too late. Harry’s eyes turned to ice. His lips parted, and she braced herself, knowing he was about to say something decimating. Instead, he turned and walked from the room.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Myrtle shook her head. "I told myself that I was lucky," she said. "Your father never struck me, never drank and if he had mistresses he had the good grace to be discreet. He provided for me and my children, and yet I tried, year after year, to make myself his companion. The doors never opened, Faith. In the end I lost hope. Ah, but I cannot complain!" Myrtle swatted away the past with one delicate little hand. "It has made me what I am. When every door is closed, one learns to climb through windows. Human nature, I suppose.
Frances Hardinge (The Lie Tree)
For the remainder of the meal, Ruairi sat and listened while the woman laughed at Fagan's jesting, cast smiles at Fagan, and asked him questions about Ruairi's home. Clearly Ruairi couldn't answer, so his only option was to sit mute. Perhaps this wasn't one of his most brilliant ideas. Mistress Denny must think him daft. He took another drink from his tankard and tried to think of all the ways to kill the captain of his guard. Her gentle laugh tinkled through the air. Her nearness was overpowering, but it had been quite a long time since he had shared his bed with a woman. When visions suddenly appeared of the sultry temptress lying beneath him, a cynical inner voice cut through his thoughts. He hated when his cock ruled his mind. Ruari brought his tankard to his lips and took another big gulp, quickly realizing he needed something much stronger than what was in his cup.
Victoria Roberts (My Highland Spy (Highland Spies, #1))
For the remainder of the meal, Ruairi sat and listened while the woman laughed at Fagan's jesting, cast smiles at Fagan, and asked him questions about Ruairi's home. Clearly Ruairi couldn't answer, so his only option was to sit mute. Perhaps this wasn't one of his most brilliant ideas. Mistress Denny must think him daft. He took another drink from his tankard and tried to think of all the ways to kill the captain of his guard. Her gentle laugh tinkled through the air. Her nearness was overpowering, but it had been quite a long time since he had shared his bed with a woman. When visions suddenly appeared of the sultry temptress lying beneath him, a cynical inner voice cut through his thoughts. He hated when his cock ruled his mind. Ruairi brought his tankard to his lips and took another big gulp, quickly realizing he needed something much stronger than what was in his cup.
Victoria Roberts (My Highland Spy (Highland Spies, #1))
As plain Jane, she had far more to risk than Lady Mystère did. Behind her mask she could be the mistress of his darkest desires, but without it there were consequences to her deception. It was the outcome of her deceit that frightened her. Tobias might despise her for having lied to him.
Monica Burns (His Mistress (Self-Made Men #2))
Lilith, the guardian mistress of Mother Earth, had enchanted all her followers with the story that she was the original wife of Adam, spurned by her abusive, controlling husband because of her independence, forced to flee his oppressive domination to protect her two hellions, Lili and Lilitu. That patriarchal dictator Adam then took a second wife, Eve, who was deluded into accepting her subordinate position as barefoot slave and breeder. Freed from her demons, Mary now knew it was all a malicious lie, and inversion of the truth. She had worshipped a self-serving idol, deluded by her own willing lust for power. She thought she had been pursuing equality with man, to be just like them. But she now realized she had merely been defying her Creator. She broke down into tears and fell to her knees in the dirt.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
Finally, the marketplace is a cruel mistress, but she never lies.
Clifford Spiro (R&D is War- and I've Got the Scars to Prove it)
I had no idea that you would come up with this mad scheme. How did you enlist your mother in your wickedness? What lies did you tell her?” “None. From the first, my mother has known exactly who you are.” His nonchalant reply knotted her stomach with shame and anger. How could he be so careless of her reputation? “Your mistress?” After a fraught pause, Lachlan’s voice emerged deep and steady. “The woman I want to marry.
Anna Campbell (A Grosvenor Square Christmas)
How long has it been, mistress? Just think: I offer what another cannot. I am what I am, and no apologies. I will not lie to you, promise to protect you, take my use of you, and leave. I cannot, and you will always have control of me.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
[In] A Song at Twilight... Coward views compassionately a famous writer who, towards the end of his life, is outed by an ex-mistress. [Coward] argues that, by living a lie, the hero has recklessly maimed his talent. It is an Ibsenite theme and a moving coda to Coward’s career.
Michael Billington
Vienna's reputation as a city of luxury, merrymaking and indulgence actually lies much further in the past, in the time of the Babenbergs at whose courts the Minnesinger were prestigious guests, similar to publicity-seeking pop stars of today. the half-censorious, half-envious comments of foreigners often reflect the ambivalence that so many have felt about a city that was both seductive and dangerous. Such was indeed how Grillparzer described the city he loved and hated in his "Farewell to Vienna"(1843) though he had more in mind than simply the temptations of the flesh. But if Vienna was insidiously threatening under its hedonistic surface for a Grillparzer, others have simply regarded it as cheerfully, even shamelessly, immoral. 'lhe humanist scholar Enea Silvio Piccolomini, private secretary to Friedrich III and subsequently elected Pope Pius II, expressed his astonishment at the sexual freedom of the Viennese in a letter to a fellow humanist in Basel written in 1450: "'lhe number of whores is very great, and wives seem disinclined to confine their affections to a single man; knights frequently visit the wives of burghers. 'lhe men put out some wine for them and leave the house. Many girls marry without the permission of their fathers and widows don't observe the year of mourning." 'the local equivalent of the Roman cicisbeo is an enduring feature of Viennese society, and the present author remembers a respectable middle-class intellectual (now dead) who habitually went on holiday with both wife and mistress in tow. Irregular liaisons are celebrated in a Viennese joke about two men who meet for the first time at a party. By way of conversation one says to the other: "You see those two attractive ladies chatting to each other over there? Well, the brunette is my wife and the blonde is my mistress." "that's funny," says his new friend; "I was just about to say the same thing, only the other way round." In Biedermeier Vienna (1815-48), menages d trois seem not to have been uncommon, since the gallant who became a friend of the family was officially known as the Hausfreund. 'the ambiguous status of such a Hausfreund features in a Wienerlied written in 1856 by the usually non-risque Johann Baptist Moser. It con-terns a certain Herr von Hecht, who is evidently a very good friend of the family of the narrator. 'lhe first six lines of the song innocently praise the latter's wife, who is so delightful and companionable that "his sky is always blue"; but the next six relate how she imported a "friend", Herr von Hecht, and did so "immediately after the wedding". This friend loves the children so much "they could be his own." And indeed, the younger one looks remarkably like Herr von Hecht, who has promised that the boy will inherit from him, "which can't be bad, eh?" the faux-naivete with which this apparently commonplace situation is described seems to have delighted Moser's public-the song was immensely popular then and is still sung today.
Nicholas T. Parsons (Vienna: A Cultural History (Cityscapes))
Analogues are all very well, and they have the unanswerable sanction of custom: none the less, when I proclaim that my adored mistress's hair reminds me of gold I am quite consciously lying. It looks like yellow hair, and nothing else: nor would I willingly venture within ten feet of any woman whose head sprouted with wires, of whatever metal. And to protest that her eyes are as gray and fathomless as the sea is very well also, and the sort of thing which seems expected of me: but imagine how horrific would be puddles of water slopping about in a lady's eye-sockets! If we poets could actually behold the monsters we rhyme of, we would scream and run.
James Branch Cabell (Jurgen: A Comedy of Justice)
Donald was stunned. They must be making a sensaysh out of it, to sacrifice so much time from even their ten-minute condensed-news cycle! His Mark II confidence evaporated. Euphoric from his recent eptification, he had thought he was a new person, immeasurably better equipped to affect the world. But the implications of that expensive plug stabbed deep into his mind. If State were willing to go to these lengths to maintain his cover identity, that meant he was only the visible tip of a scheme involving perhaps thousands of people. State just didn’t issue fiats to a powerful corporation like English Language Relay Satellite Service without good reason. Meaningless phrases drifted up, dissociated, and presented themselves to his awareness, all seeming to have relevance to his situation and yet not cohering. My name is Legion. I fear the Greeks, even bearing gifts. The sins of the fathers shall be visited on the children. Say can you look into the seeds of time? Was this the face that launch’d a thousand ships, And burnt the topless towers of Ilium? Struggling to make sense of these fragments, he finally arrived at what his subconscious might be trying to convey. The prize, these days, is not in finding a beautiful mistress. It’s in having presentable prodgies. Helen the unattainable is in the womb, and every mother dreams of bearing her. Now her whereabouts is known. She lives in Yatakang and I’ve been sent in search of her, ordered to bring her back or say her beauty is a lie—if necessary to make it a lie, with vitriol. Odysseus the cunning lurked inside the belly of the horse and the Trojans breached the wall and took it in while Laocoön and his sons were killed by snakes. A snake is cramped around my forehead and if it squeezes any tighter it will crack my skull. When the purser next passed, he said, “Get me something for a headache, will you?” He knew that was the right medicine to ask for, yet it also seemed he should have asked for a cure for bellyache, because everything was confused: the men in the belly of the wooden horse waiting to be born and wreak destruction, and the pain of parturition, and Athena was born of the head of Zeus, and Time ate his children, as though he were not only in the wooden horse of the express but was it about to deliver the city to its enemy and its enemy to the city, a spiralling wild-rose branch of pain with every thorn a spiky image pricking him into other times and other places. Ahead, the walls. Approaching them, the helpless stupid Odysseus of the twenty-first century, who must also be Odin blind in one eye so as not to let his right hand know what his left was doing. Odinzeus, wielder of thunderbolts, how could he aim correctly without parallax? “No individual has the whole picture, or even enough of it to make trustworthy judgments on his own initiative.” Shalmaneser, master of infinite knowledge, lead me through the valley of the shadow of death and I shall fear no evil … The purser brought a white capsule and he gulped it down. But the headache was only a symptom, and could be fixed.
John Brunner (Stand on Zanzibar)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
The mistress and some of the local parishioners have come together to sew banners for the altars and the baptistery,” the butler said. “She’s very pious.” Right, Cass thought, when she isn’t lying and sending innocent men to their deaths.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
saw you, Sally Hemings is the name of it. It’s in paperback for $3.25. She was Thomas Jefferson’s slave and mistress for twenty-plus years. A really good book with real
Pearl Cleage (Things I Should Have Told My Daughter: Lies, Lessons, & Love Affairs)
She turned to face him, refusal stamped on her expression. The evasion seemed to have stunned Harry. Sparks of wrath kindled in his eyes, as if she had been vastly unfair. "It seems the ban on virginal theatrics has been lifted." Poppy replied with stilted dignity. "I don't think it's theatrical to pull away when I don't want to be kissed." "A diamond necklace for one kiss. Is that such a bad bargain?" Her cheeks went scarlet. "I appreciate your generosity. But you're wrong to think that you can buy or bargain for my favors. I'm not a mistress, Harry." "Obviously. Because in return for such a necklace, a mistress would go to that bed, lie there willingly and offer to do whatever I wanted." "I've never denied you your marital rights," she said. "If you wish, I'll go to that bed willingly and do whatever you want, this very moment. But not because you gave me a necklace, as if it were part of some transaction." Far from being appeased, Harry regarded her with gathering outrage. "The thought of you laid out like a martyr on the sacrificial altar is not what I had in mind." "Why isn't it enough that I'm willing to submit to you?" Poppy asked, her own temper flaring. "Why must I be eager to lie with you, when you're not the husband I wanted?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Chapter Six: Mistress of Red From underneath from hellish bowels, She lives the torment she shrieks and howls. A damned flame of volcanic intent, Seeks a city where her hatred may vent. Underneath the bow of vaulted earth, This spirit breaks from infernoed perch. Circles the span of inward woe, From beneath the caverns does she go. She seeks the city she may destroy, To lie in ruins for her ploy. From lofty plume of sordid ash, She delights to see her cuts and gash. Vulcania Draconis, spirit of bitter ’ire, Rings the earth with her dredful fires. Horrendous demon from Vulcan’s forge, Lays waste to the earth, her inhabitants engorged. Mighty Pompeii knew her ways, Scoffed at her threats and would not pay. In vindiction’s rage hissed she their doom, Cast them alive within their tombs. And Krakatoa and Mycenae, They would not yield, she laid them waste. An extortioness, royal supreme, To conquer or destroy, her consummate dream. How this evil one sets her pace, Rings sweet earth in her death’s nec-lace. Far from below she blasts her smoke, To cover their eyes until they choke. At her command cities fall and swell, Earthquake, tidal wave, gives masses to hell. This spirit from the blackest pit, Broods deep on those she kiss. She comes to seek those to enslave, To fuel her bowels, her booty in trade. The pride and ruination of nations and men, Seeks souls and bodies to ambition her ends. Now this licking creature of red-hot glow, Sends her heat to make fumerals. Damns the many and damns the one, As empires burn when her rage is done. A vengeful spirit, Draconis is, Smiles so pleasant as victims drop in. Opens her shotted eyes in mirth, To hear the screams of their heated death lurch. This diabolic holds much potent sway, Seeks for victims as ground gives way. She holds the riddle to the land, And holds it she must for her time is at hand. Had learned she now that Kari had come, That timeless conflict again begun. “Never did I see one I could not coerce, But now a convolcation of power, a tour de force.” Suppressed regret ruminated throughout, Yet shreds of fear left no doubt. “I will finish what was started here in mmy land, Beyond records treatise once we did stand. Past all memories, hmm, even so, Before myth began and Rome’s trumpets blowed. I will shatter her like earthenware because I mmust, She tasks mme this creature, mmy hate it is just. Wounded mme she did, her preysence calls, If nothing else, ha I will hurt her if I faullt.” On Vulcania Draconis, Kari's Diabolical Enemy Cold Steel Eternity Vol. ii
Douglas M. Laurent
The mistress and her servant - you two are sharing the same man, aren't you? Don't lie to this old woman, some gigolo must have grabbed both of you like a pair of chopsticks.
Kien Nguyen (The Unwanted: A Memoir of Childhood)
To the novice, it doubtless seems a conundrum that lies can have their basis in fact. Consider, however, the individual’s need to have his or her desires met. This is fact. If lies are clever enough to fulfill this desire, they become a truth and, therefore, that much harder to dispel.
Eric Van Lustbader (Mistress of the Pearl (The Pearl Saga, #3))
He thought it would be nice to take a very long walk. He put on a little knapsack and he walked through Indiana and Kentucky and North Carolina and Georgia, clear to Florida. He walked among farmers and mountain people, among the swamp people and fishermen. And everywhere people asked him why he was walking through the country. Because he loved true things he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savour the country, and there was no other way to do it save on foot. And people didn’t like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or their pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him. And so he stopped trying to tell the truth. He said he was doing it on a bet — that he stood to win a hundred dollars. Everyone liked him then and believed him. They asked him in to dinner and gave him a bed and they put lunches up for him and wished him good luck and thought he was a hell of a fine fellow. Doc still loved true things, but he knew it was not a general love and it could be a very dangerous mistress.
John Steinbeck (Cannery Row)
But truth travels slowly and gets weaker as it goes. Suitable lies are strong and run faster.
Ariana Franklin (Mistress of the Art of Death (Mistress of the Art of Death, #1))
Isis climbed up with the biscuits, which she placed on a folding table. She had an oval face, pale white skin and extraordinarily dark brown eyes. According to her and Oxley she had once been the notorious Mrs. Freeman, aka Anna Maria de Burgh Coppinger, mistress and co-conspirator of the fraudulent Henry Ireland. As far as me and Postmartin could tell from the existing records, this was true. Which meant that she was supposed to have died in 1802. Which meant that it was possible that in some way she’d caught practical immortality from her husband. Something that Lady Ty didn’t think was possible. Doctors Vaughan and Walid wanted a tissue sample.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
Nine times out of ten, when a customer walks into the Punchbowl and Pineapple, I can guess what will tempt them. It is the confectioner's principal art, anticipating wants and needs--- and people betray their desires in countless small ways. For a young lady taut with nerves, dressed to make a house call, I suggest a pretty basket of French macaroons to impress her friends. For a young buck in the first flush of love, seeking a gift for his mistress, I propose a petits puits d'amour (the name and oval shape might make him smile, though I act oblivious to any indelicate connotations). For an older gentleman--- picture one crimson from hunting and port--- a rich plum cake spiced with cinnamon and mace. For a widow in mittens, a box of scented violet wafers--- or if she is bent with the rheumatism, bergamot chips. For a little boy with a cough, I prescribe a guimauve: a soft cake of honey whipped with the sap of the marsh mallow plant. And for his governess, a sweet syllabub, to be eaten at one of my tables, while she ponders how life's misfortunes brought her here.
Laura Shepherd-Robinson (The Art of a Lie)
No one can speak a monologue for long alone: another voice will always make itself heard: every monologue sooner or later becomes a discussion. So now he couldn't keep the other voice silent: it spoke from the cave of his body: it was as if the sacrament which had lodged there for his damnation gave tongue. You say you love me, and yet you'll do this to me - rob me of you for ever. I made you with love. I've wept your tears. I've saved you from more than you will ever know; I planted in you this longing for peace only so that one day I could satisfy your longing and watch your happiness. And now you push me away, you put me out of your reach. There are no capital letters to separate us when we talk together. I am not Thou but simply you, when you speak to me; I am humble as any other beggar. Can't you trust me as you'd trust a faithful dog? I have been faithful to you for two thousand years. All you have to do now is ring a bell, go into a box, confess... the repentance is already there, straining at your heart. It's not repentance you lack, just a few simple actions: to go up to the Nissen hut and say good-bye. Or if you must, continue rejecting me but without lies any more. Go to your house and say good-bye to your wife and live with your mistress. If you live you will come back to me sooner or later. One of them will suffer, but can't you trust me to see that the suffering isn't too great?
Graham Greene (The Heart of the Matter)
It is sufficient to say that this Venus is beautiful. I love her passionately with a morbid intensity; madly as one can only love a woman who never responds to our love with anything but an eternally uniform, eternally calm, stony smile. I literally adore her. I often lie reading under the leafy covering of a young birch when the sun broods over the forest. often I visit that cold, cruel mistress of mine by night and lie on my knees before her, with the face pressed against the cold pedestal on which her feet rest, and my prayers go up to her.
Leopold von Sacher-Masoch (Venus in Furs)