Missing Teddy Bear Quotes

You sleep okay, sweetie?” “Miss my teddy,” Billie replied. Personally, I thought Detective Mitch Lawson was far superior to a tiny pink teddy bear but I wasn’t six years old.

Leaving my father behind—with all of his baggage—was like giving up an old teddy bear. You know it’s just an object, incapable of comforting you with its tattered fur and missing button eye, but it’s something you cling to, even though you know it can’t give anything back.

God, I’ve just figured out what’s missing – you ditched the hallowed Albermarle Teddy Bear!’ I nodded.   ‘Banished to a dark cupboard for all eternity.’ ‘You cold-hearted bastard.’ ‘Give me a hot water bottle any day.   At least they have some appreciable function.   Not like that pathetic pile of overpriced fake fur and anthropomorphic bullshit I locked in the wardrobe.’ ‘You have serious teddy bear issues.

Go ahead. Would you like a preview of what’s gonna happen when you carry me outside the inn?” He tosses the empty bottle at the trash can, misses, then skips over to scoop up the teddy bear. He meets Sloan’s gaze, his bottom lip turning down in a pout. Tears well in his eyes. “I tried to s-stop her, officer, but she t-touched my private p-place.

Oh, Teddy Bear, dear Teddy, though you're gone these many years, I recall with deep affection how I nibbled on your ears, I can hardly keep from smiling, and my heart beats fast and glows, when I think about the morning that I twisted off your nose. Teddy Bear, you didn't whimper, Teddy Bear, you didn't pout, when I reached in with my fingers and I tore your tummy out, and you didn't even mumble or emit the faintest cries, when I pulled your little paws off, when I bit your button eyes. Yes, you sat beside me calmly, and you didn't once protest, when I ripped apart the stuffing that was packed inside your chest, and you didn't seem to notice when I yanked out all your hair— it's been ages since I've seen you, but I miss you, Teddy Bear.

So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.

My arm clutched one of my other pillows to my chest like a child with a teddy bear, a soul pressing its missing lover to her bosom.

When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life.

When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.

But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.

I’ve given him teddy bears, daisy chains, and heaps of adorable billikens, but I wonder if I’m missing the masculine angle.’ ‘It sounds as if you might be.

Tyler was handsome in a chiseled sort of way. Like a model in a black-and-white cologne commercial. But Josh. Oh God—Josh. He melted me. He was a teddy bear. A warm, gorgeous, delicious piece of everything. I wished I could let him in. Let him be my boyfriend if he wanted to. He’d said the morning after we’d first hooked up that we could be exclusive. He would. He wanted to. He would lock the house up before bed and kiss me good night. He’d throw his shirts on my chair and I wouldn’t even complain about it. Stuntman could sleep with us because he likes Josh. And when he went to work, I could text him and tell him I miss him, and he would say it back, and if I got mouthy, he’d just laugh at me and handle me like he always did. He just let my moods roll off him, like nothing about me scared him, and it made me feel like I could be myself around him. Like the only time I really was myself was when I was around him. Maybe I should marry Tyler. I mean, why should everyone be miserable, right? If I married Tyler, he would be happy, Mom would be happy. Josh would move on to fertile pastures and have a million babies. And I’d be with someone that I cared about who could maybe distract me from the broken heart I was going to carry for the rest of my life. Tyler and I got along. It wouldn’t be bad. It wouldn’t be me and Josh, but there wasn’t going to be a me and Josh, so didn’t I have to consider my alternatives? And Tyler knew I was in love with Josh. He knew what he was asking when he proposed. My best friend would never talk to me again, and my dog would probably run away. With Josh.

I’m not being emotional,” I said. “This, coming from a guy who still sleeps with a teddy bear,” Chip said. He got up off my bed, holding the stuffed animal that had been hidden under my pillow. “I gotta go. I’m supposed to meet Hauser in the gym. See you guys later.” He turned to me. “Unless Erica takes care of you for good before then.” “That’s not funny,” Zoe said. “I’m just saying, if I were Ben, I’d sleep with both eyes open. Erica’s not going to miss a second time.” Chip tossed the bear to me, then headed out the door.

I said, “Kevin, you’ve had it pretty good under my bed but now it’s time for you to go. I’m too old to have a monster under my bed.” Kevin shrugged again and said, “Fair enough. Just let me pack my stuff.” He pulled out a red back pack and in it he put two comic books, a teddy bear, and a toothbrush. “Well, goodbye, Reggie,” he said, and then he climbed out the window. I waved and said, “Good bye, Kevin.” When he was gone I punched the air and jumped up and down on my bed. I’d gotten rid of my monster! Woot! I crawled under the bed and got my ball. This was the best day ever. That night, I couldn’t sleep. I missed Kevin.