“
Suicide is a form of murder— premeditated murder. It isn’t something you do the first time you think of doing it. It takes some getting used to. And you need the means, the opportunity, the motive. A successful suicide demands good organization and a cool head, both of which are usually incompatible with the suicidal state of mind.
It’s important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there’s a window, you must imagine your body falling out the window. If there’s a knife, you must imagine the knife piercing your skin. If there’s a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance.
The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself.
In reality, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
”
”
Susanna Kaysen
“
People like you - you don't find very often. He'll be back." "And when he comes back, I will behead him." I announce. "You'll greet him," Kayla says sternly. "With a hug." "I will greet him with a hug. To his torso. Which will be missing a head.
”
”
Sara Wolf (Brutal Precious (Lovely Vicious, #3))
“
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I’ve been carrying the old anthem in my mouth for so long that there’s no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I’m bloated with language I can’t afford to forget.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
arcane, adj.
It was Joanna who noticed it first. We were over at her house for dinner, and she said something about being able to see the woman across the street doing yoga in the mornings, and how strange it looked when you were watching it from afar.
“So how is Miss Torso doing?” you asked.
And I said, “Perhaps we should ask the pianist.”
Joanna just looked at us and said, “It used to be that you each had your own strange, baffling references. And now you have them together.”
People often say that when couples are married for a long time, they start to look alike. I don’t believe that. But I do believe their sentences start to look alike.
”
”
David Levithan
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
I picture a heart lying down on the floor
of the torso, pulling up the blankets
over its head, thinking this pain will
go on forever (even though it won’t).
The heart is watching Lifetime movies
and wishing, and missing all the good
parts of her that she has forgotten.
The heart is so tired of beating
herself up, she wants to stop it still,
but also she wants the blood to return,
wants to bring in the thrill and wind of the ride,
the fast pull of life driving underneath her.
”
”
Ada Limon (Bright Dead Things)
“
I know that one day, I will look to my son—who was my baby five minutes ago, yes, he was—to carry me up the stairs, to drive me to doctor’s appointments, to help me when I spill something or can’t operate the sleeves of a sweater. He is already taller than me. He will be a man before I can blink. I feel this ahead of me on the timeline and I need to get in the time machine and go back. Please, I say to the universe. I can accept all this if you just let me go back sometimes. Let me nudge the edge of a sippy cup between his lips. Let me comb his matted little fluff of hair. Let me hold his wriggling torso between my knees and button his overalls at his shoulder before he bolts away. If I could just go back and forth. If it weren’t all or nothing.
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.
In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.
Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway
for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still
believe you’re there.
I still masturbate to you.
When we got really bad,
I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing
I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me
is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.
Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.
I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,
I would not have said no.
It would never mean yes.
”
”
Jon Sands
“
Before us stretched a corridor of meat, great torsos of meadow animals strung in glistening flayed exhibitions, heads with limp exhausted comic-book tongues dangling at too sharp an angle, heads with dull-eyed slaughter-greeting looks, heads smiling and winking, perhaps the subtlest camouflage this severed coyness, heads piled in pyramids like park cannonballs, some of them cruelly facing a sausage display of their missing extremities, a thick and thin suspended rain of sausages, a storm of jellied blood, and further down the corridor no recognizable animal shapes but chunks of their bodies, shaped not by hide or muscle but by cleaver, knife and appetite.
”
”
Leonard Cohen
“
I cannot have men stationed outside the first-class promenade. How will that look to well-paying passengers? This is not a workhouse and I will not treat my passengers like prisoners. They’re not being terrorized with a theatrical murder tonight and I intend to keep it that way. I will not make them suffer.”
I physically had to check to see if my head had exploded from such a ridiculous statement. Gentle prodding of my hair proved my skull was still intact, miracle of all miracles.
“You cannot be serious.” Thomas tossed his hands in the air. “It would seem an awful lot better to have crew members posted along the decks than to see dismembered body parts floating about while first-class patrons made their way to breakfast and tea. ‘Oh, look, Miss Eldridge, there’s a mauled torso. Won’t you pass the cream and sugar?’”
“Don’t be absurd,” the captain said, aghast.
“Apologies,” Thomas said, not sounding at all sorry, “I’m only following your lead.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
“
Mr. Wonderful was probably taking his sweet time, right?”
“No, it was actually my fault this morning. I was busy with…paperwork.”
“Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?”
He smiled. “Nothing important.”
Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact.
Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor.
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together.
As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!”
Mr. Kadam asked, “What was that, Miss Kelsey?”
“Nothing.”
Ren raised an eyebrow and smirked.
He probably heard me. Stupid tiger hearing.
The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence.
When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!
”
”
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
“
Waqar Younis arrived as a child, but a fully grown man. For five years, the only thing that slowed down his deliveries were stumps and toes. His superpower seemed to be that his torso could detach from his waist, turn all the way back and then hurl the ball from a wind-up that mortal spines could not maintain. You knew where he was going to bowl it, how it was going to get there, how fast it would come, and what would happen if you missed it. Still, you were out. From 1990 to 1994 Waqar took a wicket every 32 balls in Test cricket. No one has ever done better for that long. Ever.
”
”
Jarrod Kimber (Test Cricket: The Unauthorised Biography)
“
"Oh, but I love them so. There." Margo stepped back, then nodded in satisfaction. "I didn't have much to work with, but…" "Keep it up, Miss D Cup," Kate grumbled, then looked down and goggled. "Jesus, where did they come from?" "Amazing, isn't it? In the right harness, those puppies just rise." "I have breasts." Stunned, Kate patted the swell rising above black satin and lace. "And cleavage." "It's all a matter of proper positioning and making the most of what we have. Even when it's next to nothing." "Shut up." Grinning, Kate slicked her hands down her torso. "Look, Ma. I'm a girl."
....Her friend was sitting in an elegant Queen Anne chair wearing a black bustier with matching lacy garter belt and sheer black stockings. "Why, Kate, you look so… different." "I have tits," she stated and rose. "Margo gave them to me."
”
”
Nora Roberts (Holding the Dream (Dream Trilogy, #2))
“
Six horses died in a tractor-trailer fire.
There. That's the hard part. I wanted
to tell you straight away so we could
grieve together. So many sad things,
that's just one on a long recent list
that loops and elongates in the chest,
in the diaphragm, in the alveoli. What
is it they say, heartsick or downhearted?
I picture a heart lying down on the floor
of the torso, pulling up the blankets
over its head, thinking the pain will
go on forever (even though it won't).
The heart is watching Lifetime movies
and wishing, and missing all the good
parts of her that she has forgotten.
The heart is so tired of beating
herself up, she wants to stop it still,
but also she wants the blood to return,
wants to bring in the thrill and wind of the ride,
the fast pull of life driving underneath her.
What the heart wants? The heart wants
her horses back.
”
”
Ada Limon
“
Mag Rogan and I stood on the edge of a cliff. Below us, the ground plunged so far down that it was as if the planet itself had ended at our feet. The wind tugged at my hair. He was wearing those dark pants again and nothing else. The hard muscle corded his torso, fueled by an overpowering, almost savage strength. Not the mindless brutality of a common thug or the cruel power of an animal, but an intelligent, stubborn, human strength. It was everywhere: in the set of his broad shoulders, in the turn of his head on a muscular neck, in the tilt of his square jaw. He turned to me and his whole body tightened, the muscles flexing and hardening, his hands ready to grip and crush, his eyes alert, missing nothing, and blazing with the brilliant electric blue of magic. I could picture him getting his sword and walking alone onto the drawbridge to defend his castle against a horde of invaders with that exact look on his face.
He was terrifying, and I wanted to run my hands down that chest and feel the hard ridges of his abs. I was some special kind of idiot.
Magic roiled about him, ferocious and alive, a pet monster with vicious teeth. He moved toward me, bringing it with him. “Tell me about Adam Pierce.”
I reached over and put my hand on his chest. His skin was burning hot. The muscle tensed under my fingers. An eager electric shiver ran through me. I wanted to lean against that chest and kiss the underside of that jaw, tasting his sweat on my tongue. I wanted him to like it.
“What happened to the boy?” I asked. “The one who destroyed a city in Mexico? Is he still inside?”
“Nevada!” My mother’s voice cut through my dreams like a knife.
I sat straight up in my bed.
Okay. I was either way more messed up inside, or Mad Rogan was a strong projector and could shoot images straight into my mind. Either way was bad. What happened to the boy . . . I needed to have my head examined.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
I press my face into his cold skin, immersing myself in the smell of the man who has so fundamentally changed me. He twists his head left again, watching me.
“If these chains were to disappear, I would tan that beautiful backside for you for that comment.”
His tone is low, sending a shiver through me. I feel my breath quicken at his words, imagining me sprawled over his strong lap, my skirts tossed over my torso as he administers my spanking. I clench the moistening muscles between my legs, acknowledging how good the idea sounds. His eyes sparkle as they assess my responses.
“You would like that too, wouldn’t you, my captive?” he probes.
I swallow hard, knowing that even in this gloom, Anders will notice my colour rising from my neck to my cheeks.
“Yes,” I murmur, transfixed by him even in this new role reversal.
“Have you missed me?” he asks, moving his arms in the metal chains above us. “Have you missed my discipline?”
“You know I have,” I reply, not daring to take my eyes from his blue orbs.
”
”
Felicity Brandon (The Viking's Conquest)
“
I took a step back and appraised the sight of the naked torso in front of me. He’d always had an amazing body, but Christ. Trip had gotten freaking ripped.
I put my hands to my hips and asked, “Are you kidding me? What the hell is this?”
My anger probably missed its mark, considering I was standing there totally nude. It’s hard to be taken seriously when you’re not wearing any clothes.
He knew exactly what I was talking about and was trying to contain a smile as he asked, “What?”
I rolled my eyes. “When did this happen? Jesus. Look at you! Give a girl a heads up about such a thing, huh?”
That made the smile crack his features. “What? So I’ve been hitting it a little harder lately. I just came off a gladiator film and I’m starting a hockey flick in a few weeks. Occupational hazard, I guess.”
“Yeah. A hazard to me, maybe! Here I am with my saggy ass and you’re standing there looking like Michelangelo’s David, you jagweed!”
He stepped closer, grabbing my butt and pulling me into direct contact with what was assuredly going to be revealed as his perfect dick. He probably lifted weights with that thing, too. His cock probably possessed its own set of washboard abs.
”
”
T. Torrest (Remember When 3: The Finale (Remember Trilogy, #3))
“
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.”
He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room.
“Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle.
He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.”
***
He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too.
When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs.
“Muriah?”
Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?”
“Did you hear my question?”
He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed.
Probably both.
She cleared her throat. “I must’ve missed it.”
A spark lit his eyes that told her he might have more than a clue to his sex appeal.
He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.”
“I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him.
“I probably should’ve grabbed some dry underwear, too.”
“They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.”
The corner of his mouth curved up. “They will be honored to take my money.”
She groaned and rolled her eyes. “Do you ever not get your way?”
He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
”
”
Lisa Kessler (Night Child (Night, #3))
“
Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.
”
”
Jill Lepore (The Secret History of Wonder Woman)
“
The captain?
Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man?
One thing was clear. Whoever he was, he had her trunks.
And he was walking away.
Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow.
Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?”
“I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.”
The owner. Well, that was some relief. The tavern-keeper must have been confused.
The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?”
Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard.
The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms.
“Steady there,” he murmured through a small smile. “I have you.”
A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed.
The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly.
And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays.
She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss.
What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.”
Just for that, she would not tell him. Farewell, hat.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso.
In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
”
”
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
“
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him.
And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed.
The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer.
The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples.
It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core.
Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout.
His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
”
”
S.R. Crawford (Bloodstained Betrayal)
“
I pushed Romeo’s horny ass towards Marco and he sat up, startling us both by his speed and grabbed Romeo’s hand, bringing him down on the pillow. He rolled him on his stomach and mounted him like a fucking bull. Before I knew it, he was ramming his cock deep inside Romeo’s ass with fast and brutal strokes. Romeo yelled from the pain that I knew all too well. He tried to crawl away, but Marco gripped his shoulder with one hand and wrapped his arm around his torso with the other, locking in him place as he never missed a beat fucking the hell out of him.
”
”
Nicholas Bella (House of Theoden: Season Two Complete Boxset (The New Haven Series))
“
She retreated into the table, before remembering that she didn’t want him to know he made her nervous. Still, she gulped before she spoke. It was just that he was so tall, and he watched her with such attention. And that wet shirt stuck so lovingly to every line of his impressive torso. When she read her father’s letter, she’d pictured Lord Lyle as a weedy creampuff. The sort of milksop who let other people arrange his life. The man standing near enough for her to catch the delicious scents of rain and male was more roast beef dinner than fussy French patisserie. “Miss
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
The intruder shifted his weight and pulled the knife back, aiming at Gabriel’s chest. The moonlight glinted off the sharp blade and Gabriel found himself backed up against a wall.
There was no escape. Gabriel was going to have to bear the pain of a knife through his chest. He could do it. He would wait until the knife entered his flesh and then he’d snap the Ashman’s neck in half.
Yeah. That was a good plan.
Just as the knife came toward Gabriel, the Ashman grunted and pulled back, taking a few wobbly steps before falling to the floor.
Nate stood to the side, his hands on a large sword jutting from the Ashman’s back. He yanked out the sword, leaving the stranger’s body limp.
Nate stepped toward the Ashman’s body, looking him over timidly.
Without warning, the intruder rolled over and pulled himself up off the floor. Nate jumped back, lifted the sword in defense, and made a loud noise that sounded something like, “Arrrhh!”
Still clutching the bloody knife, the Ashman looked back and forth between Nate and Gabriel. Seeing he was outnumbered, he turned and ran back through the destruction of the living room.Jumping out of the gaping hole from the missing living room window, the Ashman disappeared into the storm
A moment passed as Gabriel and Nate stared after their attacker, both of them out of breath.
Still badly bleeding, Gabriel turned to Nate and looked at the weapon he held. The sword was oversized, extra shiny and had a very ornate handle. “I don’t remember ever seeing that sword in our arsenal before.”
Hunched over and trying to catch his breath, Nate said, “That’s because it’s from my arsenal.”
“So, you just had that,” Gabriel nodded at the weapon, “laying around?”
Nate righted himself and shrugged. “I’m a Zelda fan.”
“Ah.” Gabriel nodded. “And the noise you just made?”
“That was my battle cry.”
“Really?” Gabriel winced as he took a step forward. “It sounded more like the cry of a wounded animal. A cat, maybe. Or a small monkey.”
“Shut up.” Nate looked at Gabriel’s bleeding torso. “Are you okay?
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
He says the bite marks on the torso aren’t consistent with sobek teeth. This person was already dead when they were dumped into the Istros. The sobek must have seen an easy meal and hauled it down to its lair to eat later.” She swallowed the dryness in her mouth and again looked at the body. A dryad female. Her chest cavity had been ripped open, heart and internal organs removed, and bite marks peppered— “These wounds look like the ones you got from the kristallos. And the mer’s lab figured this body was probably five days old, judging by the level of decay.” “The night we were attacked.” Bryce studied the analysis. “There was clear venom in the wounds. Tharion says he could feel it inside the corpse even before the mer did tests on it.” Most of those in the House of Many Waters could sense what flowed in someone’s body—illnesses and weaknesses and, apparently, venom. “But when they tested it …” She blew out a breath. “It negated magic.” It had to be the kristallos. Bryce cringed, reading on, “He looked into records of all unidentified bodies the mer found in the past couple years. They found two with identical wounds and this clear venom right around the time of …” She swallowed. “Around when Danika and the pack died. A dryad and a fox shifter male. Both reported missing. This month, they’ve found five with these marks and the venom. All reported missing, but a few weeks after the fact.” “So they’re people who might not have had many close friends or family,” Hunt said. “Maybe.” Bryce again studied the photograph. Made herself look at the wounds. Silence fell, interrupted only by the distant sounds of Lehabah’s show downstairs. She said quietly, “That’s not the creature that killed Danika.” Hunt ran a hand through his hair. “There might have been multiple kristallos—” “No,” she insisted, setting down the papers. “The kristallos isn’t what killed Danika.” Hunt’s brow furrowed. “You were on the scene, though. You saw it.” “I saw it in the hall, not in the apartment. Danika, the pack, and the other three recent victims were in piles.” She could barely stand to say it, to think about it again.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
Still, I really was on the spot, and I had to try. So I took a deep breath and tried to put away all my brand-new emotions. I laid down my kit and knelt beside the ravaged body of Deke Slater, looking carefully at the wounds on the face and arms, almost certainly caused by human teeth and showing some dried blood—which meant the wounds had been made while his heart was still pumping. Eaten alive. There were traces of blood starting where the stake punctured the chest and running all over the exposed torso, indicating that he had also been alive briefly after they had pounded it in. Probably the blood had soaked his shirt, which was why they removed it. Or maybe they just liked his abs. That would explain why several mouthfuls of them were missing. Around
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
Come here. Straddle me,” I demanded. With bashful eyes, Josh threw a leg over me, sitting on my hips. What a view! His lean, muscular chest rose up above me. Josh had only a little hair trailing down the center of his abs, thickening as it approached his beautiful dick. I put my palms on his torso, rubbing him sweetly. “What are you thinking about right now?” “Kissing you,” he said immediately. “Get to it, then.” He put his hands down onto the mattress and gave me his mouth. Lord, I’d missed this. His wet lips skimmed me first, and then his tongue came out to play with mine. We lost ourselves in those kisses. After only a few minutes, we were both moaning and fucking our hips against one another. It was awesome. But I didn’t want to come like this, though I was already close. “Sit up, baby,” I begged. Josh obeyed me immediately. I grabbed his dick in my hand and gave it a squeeze. “I want this in my mouth.” His breath stuttered. And then he tried to slide off me. But I caught his hip in my free hand. “No. Stay here. Slide forward on me. All the way up.” His eyes went wide, but he began to scoot up my body. I was hard as nails, too, with Josh spread wide for me, and right in my face. The musky scent of him made me desperate. And the bead of cum on the tip of his dick made me lick my lips. I craned my neck and licked it off. Josh gasped.
”
”
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
“
In the ensuing pause, he heard the sound of Albert barking outside. With despairing impatience, Christopher wondered if the blasted dog was ever going to be quiet.
“He wants to protect you,” Beatrix said. “He’s wondering where I’ve taken you.”
Christopher let out a taut sigh. “Perhaps I shouldn’t stay. He’ll bark for hours.”
“Nonsense. Albert must learn to adapt to your plans. I’ll bring him inside.”
Her authoritative manner rankled Christopher, no matter that she was right. “He might damage something,” he said, rising to his feet.
“He can’t do any worse than the goat,” Beatrix replied, standing to face him.
Politely Rohan stood as well, watching the two of them.
“Miss Hathaway--” Christopher continued to object, but he fell silent, blinking, as she reached out and touched his chest. Her fingertips rested over his heart for the space of one heartbeat.
“Let me try,” she said gently.
Christopher fell back a step, his breath catching. His body responded to her touch with disconcerting swiftness. A lady never put her hand to any area of a man’s torso unless the circumstances were so extreme that…well, he couldn’t even imagine what would justify it. Perhaps if his waistcoat was on fire, and she was trying to put it out. Other than that, he couldn’t think of any defensible reason.
And yet if he were to point out the breach of etiquette, the act of correcting a lady was just as graceless. Troubled and aroused, Christopher gave her a single nod.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Miss Hathaway--” Christopher continued to object, but he fell silent, blinking, as she reached out and touched his chest. Her fingertips rested over his heart for the space of one heartbeat.
“Let me try,” she said gently.
Christopher fell back a step, his breath catching. His body responded to her touch with disconcerting swiftness. A lady never put her hand to any area of a man’s torso unless the circumstances were so extreme that…well, he couldn’t even imagine what would justify it. Perhaps if his waistcoat was on fire, and she was trying to put it out. Other than that, he couldn’t think of any defensible reason.
And yet if he were to point out the breach of etiquette, the act of correcting a lady was just as graceless. Troubled and aroused, Christopher gave her a single nod.
The men resumed their seats after Beatrix had left the room.
“Forgive us, Captain Phelan,” Amelia murmured. “I can see that my sister startled you. Really, we’ve tried to learn better manners, but we’re Philistines, all of us. And while Beatrix is out of hearing, I would like to assure you that she doesn’t usually dress so outlandishly. However, every now and then she goes on an undertaking that makes long skirts inadvisable. Replacing a bird in a nest, for example, or training a horse, and so forth.”
“A more conventional solution,” Christopher said carefully, “would be to forbid the activity that necessitated the wearing of men’s garments.”
Rohan grinned. “One of my private rules for dealing with Hathaways,” he said, “is never to forbid them anything. Because that guarantees they’ll keep doing it.”
“Heavens, we’re not as bad as all that,” Amelia protested.
Rohan gave his wife a speaking glance, his smile lingering. “Hathaways require freedom,” he told Christopher, “Beatrix in particular. An ordinary life--being contained in parlors and drawing rooms--would be a prison for her. She relates to the world in a far more vital and natural way than any gadji I’ve ever known.” Seeing Christopher’s incomprehension, he added, “That’s the word the Rom uses for females of your kind.”
“And because of Beatrix,” Amelia said, “we possess a menagerie of creatures no one else wants: a goat with an undershot jaw, a three-legged cat, a portly hedgehog, a mule with an unbalanced build, and so forth.”
“A mule?” Christopher stared at her intently, but before he could ask about it, Beatrix returned with Albert on the leash.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
One sleepless night shortly after the boy’s arrival, I was going through a tough time, missing you. Bernard heard my sobs and crept into my bed. We held each other close. I could not help but relish his intimacy and his warm body next to mine. Wrapping my arms around the boy, we were aroused by the passionate auras surrounding the both of us. As an experienced ‘big brother’ I took charge. I kissed his tender lips before planting soft kisses on his closed lids, and soon I was nibbling at his delicate earlobes. He groaned with pleasure, desiring to do the same to me. Before I knew it, we were taking turns caressing each other’s nipples. Our seductive foreplay lasted for a long time until we could stave off our sexual urges no longer. He engulfed my manhood, licking, suckling and engorging mouthfuls of my rod. I could hold back no longer. Pressing his head against my crotch, I released my abundance into his orifice with forceful intensity. Yet he continued to nourish himself on my length; unwilling to relinquish his feed, he greedily guzzled the last drop of my seed down his yearning throat. His sensuality propelled me to share my lingering sustenance from his delectable tongue. We French kissed until we were drunk with the elixir of love. His youthful beauty did not fail to arouse me to another bout of sexual vitality. As I flipped him on his stomach, he lifted his derriere to receive my pulsing organ. He hungered for my entry and I – I was deliriously ready to feed this angelic sprite with my protruding protraction. Gently and lovingly I submerged myself into his person, gyrating slowly to the rhythmic flow of our entangled bewilderment. He opened willingly to my warmth as I plunged inside him, at times fast and furious and at others slow and gentle. In the process I ground his manhood onto the bed, coercing him into ecstatic moans before giving in to cries of whimpering ecstasies. My hand reached around his slender torso, working his hardness to the point of no return. He could not hold off any further. Jets of oozing cum shot onto my stroking palm. His sexiness sent my ejaculation spewing deep inside his opening as he swallowed my dripping seed between his pining fissures. He devoured his own seed from my fingers as I planted caresses on his amorous mouth, sharing every creamy bead of his milkiness between us. He wanted me in him, like I did you, long after our tantalizing desires had subsided. Our friendship took on an intimate significance that night, which we shared over and over again during our time together before Bernard left for Scotland and I to my new dig. Keep your news coming, Andy. Like you, I look forward to receiving your uplifting messages. Love and kisses, Young, Xoxoxo
”
”
Young (Unbridled (A Harem Boy's Saga, #2))
“
The room we entered housed a large TV, a pool table, and a few other games for the inmates to enjoy, including a collapsible table tennis set that had been folded in half with someone still inside it, crushing the man to death. Three massive couches had been upturned and thrown to the sides, exposing a large, empty section of floor. A lone arm, torn off from the shoulder, sat in the very center in a pool of blood. At the far end of the room, the TV had been torn from the wall and tossed aside. In its place was a body. Or at least the remains of one. Two pool cue ends protruded out of his chest, and blood had sprayed from his torso where his arms should have been, drenching the wall in red on either side of him. Identification would be difficult since the victim’s head was missing. “What the fuck happened here?” I asked, not sure if I wanted to know. Olivia turned away from talking to one of her agents. “The best Doctor Grayson can determine is that Neil was nailed to the wall by those pool cues after having his arms and his head ripped off and thrown into the nearest bin.” “That’s Neil Hatchell?” Olivia nodded.
”
”
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
“
A grey-suited figure with badly-scuffed shoes was squatted over a woman’s body, obscuring her face and upper torso. A loose, white dress; torn, now mostly red. A pattern of rose petals, drenched in blood. One of her sandals was missing, scarlet streaks and spatters on her jade-green polished toenails and pale, slender ankles.
Another step took him around the hunched and twitching figure. It ignored him, intent on its work. Then its victim came fully into view … and he saw her ruined face.
”
”
Scott Kaelen (The Lingering Remains)
“
Dolls of all sizes, in various states of decay, hung from trees like grisly Christmas ornaments. Most have lost limbs, eyes, or entire torsos to the passage of time. With their still-plump cherub cheeks, they would have been pretty once upon a time, looking at home in a little girl’s bedroom – a little girl like Taylor. Now, their grimy, cracked complexions and missing eyes made them look more like mutant Chucky dolls.
”
”
J.C. Martin (The Doll)
“
She felt his presence behind her even before she heard the crunch of his boots in the hay. Before she could turn, his hands slid around her waist. “My beautiful wife,” he whispered against her ear. His breath bathed her neck in warmth. His strong arms pulled her back against his torso, and his lips found the skin beneath her ear. She gasped and tilted her head, giving him access to her neck, to her very soul. “How is my littlest princess?” She smiled at his question and placed her hands over his as he made a leisurely tour over her well-rounded abdomen. “And what if it’s a prince?” “Then after he’s born, I shall have to set to work immediately procuring another princess.” Heat bloomed in her middle and fanned into her cheeks. “I missed you.” His lips descended again to her neck and made a warm trail to her collarbone. “I couldn’t live another day without you.” “Then it’s a very good thing you came home.” She loved the gentleness of his hands on her belly. “I certainly wouldn’t want you to perish on account of me.
”
”
Jody Hedlund (A Noble Groom (Michigan Brides, #2))
“
He didn’t miss the dip of her stare. Or the long, upward drag of her eyes along his torso. He could almost feel it, lingering on every muscle and scar. A soft groan came out of him as she continued to look her fill. Asking for things that he sure as hell was in no shape to give her. And that she might not yet be ready to give him, declarations aside.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Patsy laughs. “Two of them were. The third he got when he fell on a dance floor, trying to do the Cotton Eye Joe.” Mollie blinks. “You dance?” “Used to, until the concussion.” I lean my backside against the counter and cross my arms. I don’t miss the way Mollie’s eyes flick over my torso, stopping to linger on my forearms. “Made a rookie mistake and wore new boots to The Rattler. Hadn’t scuffed up the soles enough to get traction.
”
”
Jessica Peterson (Cash (Lucky River Ranch, #1))
“
She could not have been described as Sex Incarnate, or “The Bust” or “The Torso.” She had been long and slim and willowy. The bones of her face and head had had some of the beauty associated with those of Garbo. She had brought personality to her pictures rather than mere sex. The sudden turn of her head, the opening of the deep lovely eyes, the faint quiver of her mouth, all these were what brought to one suddenly that feeling of breathtaking loveliness that comes not from regularity of feature but from sudden magic of the flesh that catches the onlooker unawares. She still had this quality though it was not now so easily apparent. Like many film and stage actresses she had what seemed to be a habit of turning off personality at will. She could retire into herself, be quiet, gentle, aloof, disappointing to an eager fan. And then suddenly the turn of the head, the movement of the hands, the sudden smile and the magic was there.
”
”
Agatha Christie (The Mirror Crack'd from Side to Side (Miss Marple, #8))
“
In “Archaic Torso of Apollo,” Rilke describes standing before the statue of a Greek god and finding himself utterly in its thrall. The statue—although it is missing a head and eyes—seems to look back at him with dazzling intensity. The poem climactically concludes with the terrifying charge, “You must change your life.
”
”
Ilana Kurshan (If All the Seas Were Ink: A Memoir)
“
The left hand touches the target at the moment when the weight of the body has been transferred to the left leg, preventing further movement of the body forward. This position of the body in the final phase of the blow, while at the same time resting on the front of the foot, makes it possible to simultaneously maintain the balance in the event of a miss. When dealing with single, fast, attacking blows from a distance, it is possible for accidents when the fist reaches the target earlier than the leg reaching will find a point of support. The right leg, after pushing away, at the very moment of the blow, pulls slightly to the left, at a distance indispensable for maintaining balance. Thanks to this, a stable balance is achieved, both at the time of striking and after the blow. The right hand, at the moment of dealing a blow, protects the chin with the open hand and the elbow of the torso down. Regardless, you should cover the chin with the left shoulder. Assurance (defense) from counter-blows should in some way be organic to be combined with an attacker's attack and ensure the safety of the blow to the assailant.
”
”
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
“
The tilt of the torso with the right-hand turn to the left and the forward fist move simultaneously. At the moment of the blow, the left leg is half-bent in the knee joint and rests on the front floor; part of the foot. It is indispensable not to lose balance in the case of a miss when the opponent leaves the back. In contrast to the straight left punch in the torso, usually used as a punctured punch, the right straight line is the strongest. After the right blow in the torso (as in the case of a blow to the head), it is possible to develop the attack with a left blow, with a reflection of the left leg. The counter-light curtain should be especially careful, because the left torso of the torso reveals parts of the body, nothing is secured from the opponent's right-hand strike. The left hand should cover the left side of the head with the palm of the hand and the torso with the lowered elbow. To protect himself from a counterattack, the boxer who missed should first of all take a defensive position, facing the opponent.
”
”
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
“
The torso bends just enough for the opponent to miss. Strengthen the chin cover by covering it with the left shoulder, in combination with a slight torso of the torso to the right. The deviation to the right, from a technical point of view, is conveniently combined with a direct or straight "counter" counter, left, directed into the head or in the opponent's torso. The right hand can be used to deflect right and for the purpose of applying simple and sick counter-measures to the head and torso. The left deviation is carried out with the simultaneous transfer of the body weight to the left leg. From this position you can ask a counter-blow "from defense" or a blow from the left bottom to the head or torso. without a complementary defense of the right hand, the chin is very risky, because the opponent can give the boxer a second blow with his right hand.
”
”
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
“
into his face, inches from my own. “What did you have in mind?” His lips curved, and the bell rang over the front door as someone entered. “What do you think you’re doing? Who is that?” The voice from across the room was all too familiar. I almost dropped the paint roller, but Shawn kept his hand tightly wrapped around mine even as he straightened, shifting his torso a few inches away from mine. I didn’t have to look at the intruder. I’d know Bronson’s voice anywhere. What was he doing in Silver Springs? It’s not like it was only an afternoon drive from Chicago. I turned to face him. As usual, he was decked out in his suit and carrying his laptop bag. As mad and hurt as I was over what happened, I still sucked in a little breath when I saw how terrific he looked. Then I clenched my jaw—I was not going there again. Shawn released my hand, but not my waist, nor did he move away. “Bronson, what are you doing here?” I stared at him. He approached, his actions indicating he thought he had a right to intrude. “I came to talk some sense into you. What is he doing here?” He gestured to Shawn. “He came to help me paint. There’s a lot to do before I can open this place for business.” The warmth of Shawn’s hand on my waist grew scalding, but I didn’t shake him off. It felt good having someone behind me, supporting me as I faced down Bronson. And I was amazed he hadn’t stepped forward to interfere. No way would Bronson have let me handle a confrontation without thinking he had to be the big tough man in charge. “Who’s the suit?” Shawn asked. “I’m her fiancé, Bronson DeMille the third.” As always, his introduction was self-important. Usually his attitude just made me roll my eyes, even if only on the inside, but right now I found it more than a minor irritation. Shawn let go and moved away from me, as if I were suddenly contagious. “You’re engaged?” “No, he’s my ex-fiancé, who became my ex when I caught him cheating on me.” I missed having Shawn’s hand on my hip, but decided it was as well. I turned my attention back to the jerk I once thought I would marry. “What do you want, Bronson?” Shawn’s defection seemed to give Bronson courage and he walked over, taking my free hand. “Sweetheart, that was all a misunderstanding. You know how much I love you.” Okay, this was an approach I hadn’t anticipated. But I hadn’t expected to see him at all, so I supposed I shouldn’t have expectations about how he would act. “Really? So I find you sucking face with Karen—made all the worse by the fact that I hate her—and I’m supposed to know that it’s not important, that you still love me? After all, it’s just one of those things that sometimes happens before a guy gets married.” I let the sarcasm ooze and drip. He took the paint roller and set it in the tray, then moved to take my other hand. I snatched both hands out of his reach and stepped back, closer to Shawn. Bronson looked hurt. “Tess, it was a mistake—a major one—but I promise it won’t happen again. You belong in Chicago, not in this backwater town making cupcakes and brownies for school children.” There was more than a little sneer in his voice. “Gourmet cupcakes and brownies, and it won’t only be for children. I’m going to enjoy what I do here, having my own space, doing things my way.” Even if I am terrified of the paperwork and taxes and balancing the books. “I already have a few clients and am working out an agreement to do wedding cakes for the new hotel in town.
”
”
Heather Justesen (Brownies & Betrayal (Sweet Bites Mysteries, #1))