Miserable Woman Quotes

That's a movie quote, right? You know, if you do that with books, people think you're intelligent." Sophie lowered her chin. "If this is your pathetic attempt to seduce me again, you're falling miserably." "I don't seduce woman." Phin shoved back his chair and stood up. "They fall into my open arms." "Clumsy of them.

You look at a star for two reasons, because it is luminous, and because it is impenetrable. You have beside you a sweeter radiance and a greater mystery, woman.

Modern civilization has made woman a little wiser, but it has increased her suffering because of man's covetousness. The woman of yesterday was a happy wife, but the woman of today is a miserable mistress. In the past she walked blindly in the light, but now she walks open-eyed in the dark. She was beautiful in her ignorance, virtuous in her simplicity, and strong in her weakness. Today she has become ugly in her ingenuity, superficial and heartless in her knowledge. Will the day ever come when beauty and knowledge, ingenuity and virtue, and weakness of body and strength of spirit will be united in a woman?

There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.

Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!

I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.

So many people are so terrified to be alone that they settle for a loveless relationship or stay trapped in a miserable one for months and even years on end. But as it turns out, alone means unique, unequaled, and unexcelled. Or in other words: Unparalleled. Unrepeatable. Unable to be imitated or duplicated. Brave. FABULOUSLY ORIGINAL.

In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!

Optimism is the madness of insisting that all is well when we are miserable.

This miserable, awful woman still had no idea what it meant to be truly beautiful, or truly loved.

(...) I let go, crying and unable to stop because God was such a dirty crook, contemptible skunk, that's what he was for doing that thing to that woman. Come down out of the skies, you God, come on down and I'll hammer your face all over the city of Los Angeles, you miserable unpardonable prankster. If it wasn't for you, this woman would not have been so maimed, and neither would the world, (...)

This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.

A pleasurable woman could cause more harm than miserable one.

...and yet could swear it was just then that I fell in love. It wasn't, of course, simply the onions -- it was the sudden sense of an individual woman, of a frankness that was so often later to make me happy and miserable.

I meditated on love and reasoned it out. I realized what is wrong with us. Men fall in love for the first time. And what do they fall in love with? ...They fall in love with a woman. They start at the wrong end of love. They begin at the climax. Can you wonder it is so miserable? Do you know how men should love? A tree. A rock. A cloud.

Why is a woman to be treated differently? Woman suffrage will succeed, despite this miserable guerilla opposition.

Chloe Marie Richards, I never thought I would ever be one of those dumbasses who loves a woman so much they want to tie themself to her forever, but here I am, down on one knee trying to think of something sweet and romantic to say. As you can tell, I’m failing miserably, so will you please put me out of my misery and say yes if I ask you to marry me?

Vices are simply overworked virtues, anyway. Economy and frugality are to be commended but follow them on in an increasing ratio and what do we find at the other end? A miser! If we overdo the using of spare moments we may find an invalid at the end, while perhaps if we allowed ourselves more idle time we would conserve our nervous strength and health to more than the value the work we could accomplish by emulating at all times the little busy bee. I once knew a woman, not very strong, who to the wonder of her friends went through a time of extraordinary hard work without any ill effects. I asked her for her secret and she told me that she was able to keep her health, under the strain, because she took 20 minutes, of each day in which to absolutely relax both mind and body. She did not even “set and think.” She lay at full length, every muscle and nerve relaxed and her mind as quiet as her body. This always relieved the strain and renewed her strength.

She would be one of those who kneel to their own shadows till feet grow on their knees; then go down on their hands till their hands grow into feet; then lay their faces on the ground till they grow into snouts; when at last they are a hideous sort of lizards, each of which believes himself the best, wisest, and loveliest being in the world, yea, the very centre of the universe. And so they run about for ever looking for their own shadows that they may worship them, and miserable because they cannot find them, being themselves too near the ground to have any shadows; and what becomes of them at last, there is but one who knows.

Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality.

I'm at a bar with a woman! So there, you disgusting whore! And I'm going to take her back to our house and I'm going to have sex with her!" His voice grew louder and louder, cracking with an intensity. "That's right! On the couch, in our bed, on the kitchen floor, on the goddamn kitchen table! How do you like that, you cheating, miserable skank?" Then he flipped his phone shut, looked at me and smiled. "So where were we?" he asked pleasantly.

There is the vanity training, the obedience training, the self-effacement training, the deference training, the dependency training, the passivity training, the rivalry training, the stupidity training, the placation training. How am I to put this together with my human life, my intellectual life, my solitude, my transcendence, my brains, and my fearful, fearful ambition? I failed miserably and thought it was my own fault. You can't unite woman and human any more than you can unite matter and anti-matter; they are designed to not to be stable together and they make just as big an explosion inside the head of the unfortunate girl who believes in both.

What matters that I was born a woman, if I can cure your misfortunes? I pay my share of tolls and taxes, by giving men to the State. But you, you miserable greybeards, you contribute nothing to the public charges; on the contrary, you have wasted the treasure of our forefathers, as it was called, the treasure amassed in the days of the Persian Wars. You pay nothing at all in return; and into the bargain you endanger our lives and liberties by your mistakes. Have you one word to say for yourselves?... Ah! don't irritate me, you there, or I'll lay my slipper across your jaws; and it's pretty heavy.

There's something I want you to know,' said Cherryl, her voice taut and harsh, 'so that there won't be any pretending about it. I'm not going to put on the sweet relative act. I know what you've done to Jim and how you've made him miserable all his life. I'm going to protect him against you. I'll put you in your place. I'm Mrs. Taggart. I'm the woman in this family now.' 'That's quite all right,' said Dagny. 'I'm the man.

As anyone who's ever been to a doctor knows, doctors are not necessarily your friends, any more than mail deliverers are you friends, or butchers are you friends, or refrigerator repair-people are you friends. A doctor is a man or woman whose job it is to make you feel better, that's all, and if you've ever had a shot you know that the statement 'Doctors can't hurt you' is simply absurd.

Lorcan rose to his feet, swaying again. But Elide was there. And there was nothing of the young woman he’d come to know in her pale, taut face. Nothing of her in the raw voice as Elide said to Lorcan, “I hope you spend the rest of your miserable, immortal life suffering. I hope you spend it alone. I hope you live with regret and guilt in your heart and never find a way to endure it.” Then

In another Christmas story, Dale Pearson, evil developer, self-absorbed woman hater, and seemingly unredeemable curmudgeon, might be visited in the night by a series of ghosts who, by showing him bleak visions of Christmas future, past, and present, would bring about in him a change to generosity, kindness, and a general warmth toward his fellow man. But this is not that kind of Christmas story, so here, in not too many pages, someone is going to dispatch the miserable son of a bitch with a shovel. That's the spirit of Christmas yet to come in these parts. Ho, ho, ho.

These days I keep noticing how my feelings towards men - and the feelings of all the other women - are changing. We feel sorry for them; they seem so miserable and powerless. The weaker sex. Deep down we women are experiencing a kind of collective disappointment. The Nazi world - ruled by men, glorifying the strong man - is beginning to crumble, and with it the myth of "Man". In earlier wars men could claim that the privilege of killing and being killed for the fatherland was theirs and theirs alone. Today, we women, too, have a share. That has transformed us, emboldened us. Among the many defeats at the end of this war is the defeat of the male sex.

To a woman flattery is not flattery.It is a compliment, which unfortunately in these miserable days has become all to rare. A woman is not a piece of steel furniture; she is a flower - she does not ask for reality; she wants the warm, gay sun of flattery.It is better to say something pretty to her every day, than to slave grimly for her all your life.

Lily sank with a sigh into one of the shabby leather chairs. "How delicious to have a place like this all to one's self! What a miserable thing it is to be a woman." She leaned back in a luxury of discontent.

Lily, if you left this earth and left me behind, I’d be miserable. I probably wouldn't want to live. But you know what? If you left me with our baby girl, I’d spend my whole life raising her the best I could. Making sure I did right by her and by you. Making sure that everything I did would make you happy and proud of me. You’d leave this earth knowing that I would give our children everything. You would have no doubt about that. Not doing that, not taking care of the babies we made together, would mean that I didn’t love you, that you didn’t mean the world to me. Because if something means that much to you, then it means that much to me. If I were him, I’d grab hold of anything that reminded me of the woman I loved.

Two classes of people make up the world: those who have found God, and those who are looking for Him - thirsting, hungering, seeking! And the great sinners came closer to Him than the proud intellectuals! Pride swells and inflates the ego; gross sinners are depressed, deflated and empty. They, therefore, have room for God. God prefers a loving sinner to a loveless 'saint'. Love can be trained; pride cannot. The man who thinks that he knows will rarely find truth; the man who knows he is a miserable, unhappy sinner, like the woman at the well, is closer to peace, joy and salvation than he knows.

We men are the miserable slaves of prejudice. But when a woman decides to sleep with a man, there is no wall she will not scale, no fortress she will not destroy, no moral consideration she will not ignore at its very root: there is no God worth worrying about.

It was a tale well known to children all over Africa: Abu Kassem, a miserly Baghdad merchant, had held on to his battered, much repaired pair of slippers even though they were objects of derision. At last, even he couldn't stomach the sight of them. But his every attempt to get rid of his slippers ended in disaster: when he tossed them out of his window they landed on the head of a pregnant woman who miscarried, and Abu Kassem was thrown in jail; when he dropped them in the canal, the slippers choked off the main drain and caused flooding, and off Abu Kassem went to jail... 'One night when Tawfiq finished, another prisoner, a quiet dignified old man, said, 'Abu Kassem might as well build a special room for his slippers. Why try to lose them? He'll never escape.' The old man laughed, and he seemed happy when he said that. That night the old man died in his sleep. We all saw it the same way. the old man was right. The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny... In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves. Ghosh sighed. 'I hope one day you see this as clearly as I did in Kerchele. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.

This woman lawyer said the best men wanted to be pure for their wives, and even if they weren't pure, they wanted to be the ones to teach their wives about sex. Of course they would try to persuade a girl to have sex and say they would marry her later, but as soon as she gave in, they would lose all respect for her and start saying that if she did that with them she would do that with other men and they would end up by making her life miserable.

The woman's cause is man's. They rise or sink Together. Dwarf'd or godlike, bound or free; miserable, How shall men grow?--Let her be All that not harms distinctive womanhood.

You’re going to make one unlucky woman a miserable husband and impatient father someday.

I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it. "Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud. Now set free, like any inmate I had to figure out what to do with the rest of my life.

Let men tremble to win the hand of woman, unless they win along with it the utmost passion of her heart! Else it may be their miserable fortune, as it was Roger Chillingworth's, when some mightier touch than their own may have awakened all her sensibilities, to be reproached even for the calm content, the marble image of happiness, which they will have imposed upon her as the warm reality. But Hester ought long ago to have done with this injustice. What did it betoken? Had seven long years, under the torture of the scarlet letter, inflicted so much of misery, and wrought out no repentance?

My advice is to be kind to others, listen to others, and be upbeat. Don’t start talking about your miserable life. Show confidence, respect, interest in others, and smile; that will make you fascinating

I have sometimes said to a client: “If you are so in touch with your feelings from your abusive childhood, then you should know what abuse feels like. You should be able to remember how miserable it was to be cut down to nothing, to be put in fear, to be told that the abuse is your own fault. You should be less likely to abuse a woman, not more so, from having been through it.” Once I make this point, he generally stops mentioning his terrible childhood; he only wants to draw attention to it if it’s an excuse to stay the same, not if it’s a reason to change.

THE ARRANGEMENTS AT the green house had become slightly peculiar, for Roen had decided to take the house back from Brigan and give it to Fire. ‘I can understand you taking it from Brigan, if that’s your pleasure,’ Fire said, standing in the small green kitchen, having this argument with Roen for the third or fourth time. ‘You’re the queen, and it’s the queen’s house, and whatever Brigan may accomplish, he’s highly unlikely ever to be queen. But Nash will have a queen someday, Roen, and the house by rights should be hers.’ ‘We’ll build her something else,’ Roen said with a careless sweep of her arm. ‘This is the queen’s house,’ Fire repeated. ‘It’s my house,’ Roen said. ‘I built it, and I can give it to whomever I want, and I don’t know anyone who needs a peaceful retreat from the court more than you do, Fire—’ ‘I have a retreat. I have a house of my own in the north.’ ‘Three weeks away,’ Roen snorted, ‘and miserable half the year. Fire. If you’re to stay at court then I want you to have this house, for your own daily retreat. Take Brigandell and Hannadell in if you like, or send them out on their ears.’ ‘Whatever woman Nash marries is already going to resent me enough—’ Roen spoke over her. ‘You are queenly, Fire, whether you see it or not. And you’d be spending most of your time here anyway if I left the house to Brigan; and I’m through with arguing. Besides, it matches your eyes.

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

But if as you read this book you're saying to yourself: "I'd rather be miserably married than be alone." Well young lady, take out your clown shoes and buckle your seat belt - it's going to be a very bumpy one-woman circus.

Why make one woman miserable ,when you can make many happy

I have sometimes said to a client: “If you are so in touch with your feelings from your abusive childhood, then you should know what abuse feels like. You should be able to remember how miserable it was to be cut down to nothing, to be put in fear, to be told that the abuse is your own fault. You should be less likely to abuse a woman, not more so, from having been through it.” Once I make this point, he generally stops mentioning his terrible childhood; he only wants to draw attention to it if it’s an excuse to stay the same, not if it’s a reason to change.

It is much, much worse to receive bad news through the written word than by somebody simply telling you, and I’m sure you understand why. When somebody simply tells you bad news, you hear it once, and that’s the end of it. But when bad news is written down, whether in a letter or a newspaper or on your arm in felt tip pen, each time you read it, you feel as if you are receiving the news again and again. For instance, I once loved a woman, who for various reasons could not marry me. If she had simply told me in person, I would have been very sad, of course, but eventually it might have passed. However, she chose instead to write a two-hundred-page book, explaining every single detail of the bad news at great length, and instead my sadness has been of impossible depth. When the book was first brought to me, by a flock of carrier pigeons, I stayed up all night reading it, and I read it still, over and over, and it is as if my darling Beatrice is bringing me bad news every day and every night of my life. The Baudelaire orphans

That's what hiding away did, whether it was from the world or yourself, your past, or even your dreams. It took absolutely no effort to have a miserable life. But building a glorious one? A life worth living and sharing with others? That's what was hard." Joanna

They tried to stop her, but they failed miserably. They overlooked her, tried to discourage her, and sabotage her, but she persevered through it all with her head held high. They talked behind her back and plotted against her, but they didn’t realize that they were messing with an unstoppable, resilient Black Queen. She’s ambitious, intelligent, self-confident, and bold. She’s a Phenomenal Black Queen that didn’t have to compromise her integrity to get ahead. She’s genuinely happy, successful, and free to be herself. She can, she does, she wins!

All men are liars, inconstant, hollow, talkative, hypocrites, proud and cowards, contemptible and sensual; all woman are perfidious, artificial, vain, curious and depraved; the world is nothing but a bottomless sewer where the most shapeless seals crawl and wriggle on mountains of muck; but there one single thing in this world, saint and sublime, it’s the union of these two beings so imperfect and dreadful. We are often deceived in love, often wounded and often miserable; but we love, and when we are on of the verge of the grave, we look back, and we say: I often suffered, I erred sometimes: but I loved. It is me who lived and not a factitious being created by my pride and my boredom.

If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping. I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da

If you stay at home, get married right away, never get a job, never display any unwelcome emotions, and stay away from the public eye to such an extent that you actually never make any sort of impression whatsoever, you can’t become a trainwreck. You become a miserable, sheltered woman living in a prison of her own making, but hey: At least no one’s going to disapprove.

Is growin' up always miserable?" Sonny asked. "Nobody seems to enjoy it much." "Oh, it ain't necessarily misearble," Sam replied. "About eighty percent of the time, I guess." They were silent again, Sam the Lion thinking of the lovely, spritely girl he had once led into the water, right there, where they were sitting. "We ought to go to a real fishin' tank next year," Sam said finally. "It don't do to think about things like that too much. If she were here now I'd probably be crazy again in about five minutes. Ain't that ridiculous?" A half-hour later, when they had gathered up the gear and were on the way to town, he answered his own question. "It ain't really, " he said. "Being crazy about a woman like her's always the right thing to do. Being a decrepit old bag of bones is what's ridiculous.

Prince Humperdinck: First things first, to the death. Westley: No. To the pain. Prince Humperdinck: I don't think I'm quite familiar with that phrase. Westley: I'll explain and I'll use small words so that you'll be sure to understand, you warthog faced buffoon. Prince Humperdinck: That may be the first time in my life a man has dared insult me. Westley: It won't be the last. To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose. Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight. Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right. Prince Humperdinck: And then my ears, I understand let's get on with it. Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever. Prince Humperdinck: I think you're bluffing. Westley: It's possible, Pig, I might be bluffing. It's conceivable, you miserable, vomitous mass, that I'm only lying here because I lack the strength to stand. But, then again... perhaps I have the strength after all. [slowly rises and points sword directly at the prince] Westley: DROP... YOUR... SWORD!

Marriage. ’Tis an unholy union between two people, and for what purpose? To make them both miserable. (Stryder) I don’t believe is has to be that way. Imagine a marriage where the man and woman respect each other. Where they are partners and allies. (Rowena) You are sober and speak more foolishness than I do while drunk. (Stryder)

But struggling with these better feelings was pride,--the vice of the lowest and most debased creatures no less than of the high and self-assured. The miserable companion of thieves and ruffians, the fallen outcast of low haunts, the associate of the scourings of the jails and hulks, living within the shadow of the gallows itself,--even this degraded being felt too proud to betray a feeble gleam of the womanly feeling which she thought a weakness, but which alone conneced her with that humanity, of which her wasting life had obliterated so many, many traces when a very child.

He is blinded and nothing will open his eyes,nothing can,after having had truths so long before him in vain.--He will marry her and poor and miserable.God grant that her influence do not make him cease to be respectable!"---She looked over the letter again."So very fond of me!tis"nonsense all.She loves nobody but herself and her brother.Her friends leading her astray for years!She is quite as likely to have led them astray. They have all,perhaps, been corrupting one another;but if they are so much fonder of her than she is of them,she is the less likely to have been hurt except by their flattery.The only woman in the world,whom he could ever think of as a wife.....I firmly believe it.It is an attachment to govern his whole life. Accepted or refused,his heart is wedded to her for ever.The loss of Mary,I must consider as comprehending the loss of Crawford and Fanny.Edmund you do not know me.The families would never be connected,if you did not connected them. Oh!write,write.Finish it at once.Let there be an end of this suspense.Fix, commit,condemn yourself."-Fanny Price

I’d never once thought that I deserved a second chance, never wanted one. As far as I was concerned, I deserved to spend the rest of my life miserable for what I’d done. But here, deep inside the most beautiful woman I’d ever seen, the woman who just got me, I was bartering with God to let me keep her…just for a while…to keep feeling…this.

You must not fear or hold back, count or be a miser with your thoughts and your feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to receive, to nourish yourself, and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and writing. Permit yourself to flow and overflow. Allow for the rise in temperature and all the expansions and intensifications. Something is always born of excess. Great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.

I'd like to hope you end up a miserable, lonely woman. But actually, I hope you have children one day, Ellie Haworth. Then you'll know how it feels to be vulnerable. And to have to fight, to be constantly vigilant, just to make sure your children get to grow up with a father.

The owner was this very thin woman who looked sort of bitchy, which, think about it, most very thin women do-even when they smile, it's like grimacing. Fat people are often miserable too, but at least they LOOK jolly even though it's really mostly them apologizing, like, "Sorry, sorry, sorry I'm offending your idea of bodily aesthetics," "Sorry I'm clogging my arteries and giving the thumbs-up to diabetes.

I can't help wanting. I want you to burn as I burn. I want you to lie awake at night thinking of me. If you sleep, I want you to dream of me. I want you to tell me that you can't stand the sight of me dancing with another woman. I want to know this last week has been as miserable for you as it has been for me.

Nobody who has not been tried knows how difficult it is; but whoever has come out well of it - and those who do not overcome never do come out of it - always looks back with horror, not on what she has come through, but on the very idea of the possibility of having failed and being still the same miserable creature as before.

You were right the first time, Cathy. It was a stupid, silly story. Ridiculous! Only insane people would die for the sake of love. I'll bet you a hundred to one a woman wrote that junky romantic trash!" Just a minute ago I'd despised that author for bringing about such a miserable ending, then there I went, rushing to the defense. "T. M. Ellis could very well have been a man! Though I doubt any woman writer in the nineteenth century had much chance of being published, unless she used her initials, or a man's name. And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love? And it seems to me, that Raymond was far more mushy-minded than Lily!

All Mad" 'He is mad as a hare, poor fellow, And should be in chains,' you say, I haven't a doubt of your statement, But who isn't mad, I pray? Why, the world is a great asylum, And the people are all insane, Gone daft with pleasure or folly, Or crazed with passion and pain. The infant who shrieks at a shadow, The child with his Santa Claus faith, The woman who worships Dame Fashion, Each man with his notions of death, The miser who hoards up his earnings, The spendthrift who wastes them too soon, The scholar grown blind in his delving, The lover who stares at the moon. The poet who thinks life a paean, The cynic who thinks it a fraud, The youth who goes seeking for pleasure, The preacher who dares talk of God, All priests with their creeds and their croaking, All doubters who dare to deny, The gay who find aught to wake laughter, The sad who find aught worth a sigh, Whoever is downcast or solemn, Whoever is gleeful and gay, Are only the dupes of delusions— We are all of us—all of us mad.

I came to realize that a female employee is more afraid of losing her job than a prostitute is of losing her life. An employee is scared of losing her job and becoming a prostitute because she does not understand that the prostitute’s life is in fact better than hers. And so she pays the price of her illusory fears with her life, her health, her body, and her mind. She pays the highest price for things of the lowest value. I now knew that all of us were prostitutes who sold themselves at varying prices, and that an expensive prostitute was better than a cheap one. I also knew that if I lost my job, all I would lose with it was the miserable salary, the contempt I could read every day in the eyes of the higher level executives when they looked at the lesser female officials, the humiliating pressure of male bodies on mine when I rode in the bus, and the long morning queue in front of a perpetually overflowing toilet.

the only person you can ever change is yourself; after you have done that and you are the best you that you can be, let go. There is always another job, another woman, another best friend. Each day that you persist in a situation where you are miserable is a day wasted on the path that would lead you to happiness.’ He looks at me and says, ‘So you are saying I should take the easy way out?’ And I say, ‘No, I want you to know the difference between trying and holding on.’ Monday

if readers have a sincere desire to make life miserable for themselves, they might learn to compare themselves to other people. For those unfamiliar with this practice, he provides a few exercises. The first one displays full-length pictures of a man and a woman who embody ideal physical beauty by contemporary media standards. Readers are instructed to take their own body measurements, compare them to those superimposed on the pictures of the attractive specimens, and dwell on the differences.

She was an enigma. A puzzle. She was a woman who had everything in the world her fingertips and yet seemed so…miserable and lonely. She seemed so lost. I didn’t pity her. But I was intrigued. I ached to get closer and solve her riddle. I ached for her.

What Women's Lib might achieve if their 'consciousness raising' - or in plain English, brainwashing— campaign succeeds is a society whose members have identical roles but are perpetually at war with themselves; a society of males made neurotic by suppressed masculinity, of females made miserable by having masculine roles thrust upon them that contradict their feminine impulses.

It's the wrong choice,Gennie." "Serena," Justin said warningly, but she turned on him with her eyes flashing and her voice low with exasperation. "Damn it,Justin, she's miserable! There's nothing like a stubborn, pig-headed man to make a woman miserable, is there, Gennie?" With a half laugh,she dragged a hand through her hair. "No,I don't guess there is." "That works both ways," Justin reminded her. "And if the man's pig-headed enough," Serena went on precisely, "it's up to the woman to give him a push.

BUT ALTHOUGH he was paying for her whole life, McMahon still wasn’t sure whether he truly possessed her. To make certain that he did, he tried to make Rose miserable. This was the only real proof that a woman belonged to you. Anybody could make a girl happy. It was only when a girl was in love with a man that he could ruin her self-esteem. He knew he would have to get around to that. He only had her for now.

I thank you, Walton," he said, "for your kind intentions towards to miserable a wretch; but when you speak of new ties and fresh affections think you that any can replace those who are gone? Can any man be to me as Clerval was, or any woman another Elizabeth? Even where the affections are not strongly moved by any superior excellence, the companions of our childhood always possess a certain power over our minds which hardly any later friend can obtain. They know our infantine dispositions, which, however they may be afterwards modified, are never eradicated; and they can judge of our actions with more certain conclusions as to the integrity of our motives." -- Victor Frankenstein; Frankenstein

I happened to catch a glimpse of my reflection in the window glass. The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.

if the patient knows that the woman with the absurd hat is a fanatical bridge-player or the man with squeaky boots a miser and an extortioner—then your task is so much the easier. All you then have to do is to keep out of his mind the question ‘If I, being what I am, can consider that I am in some sense a Christian, why should the different vices of those people in the next pew prove that their religion is mere hypocrisy and convention?

I added, that whoever the woman was that had an estate, and would give it up to be the slave of a great man, that woman was a fool, and must be fit for nothing but a beggar; that it was my opinion a woman was as fit to govern and enjoy her own estate without a man as a man was without a woman; and that, if she had a mind to gratify herself as to sexes, she might entertain a man as a man does a mistress; that while she was thus single she was her own, and if she gave away that power she merited to be as miserable as it was possible that any creature could be. Roxana: The Fortunate Mistress (1724)

Two hours later he was ready to kill her. Even his outraged mind, however, recognized that murder was not a viable option, and so he contented himself with devising various plans to make her suffer. Torture was probably too trite, he decided, and he didn't have the stomach to use it on a female. Although ... He looked over at the person in the baggy breeches. She appeared to be smiling as she lugged the stones. She was no ordinary female. He shook his head. There were other ways to make her miserable. A snake in her bed perhaps? No, the blasted woman probably liked snakes. A spider? Didn't everyone hate spiders?

Putting everything on hold to achieve the one thing you think will make you happy will actually mean that you're miserable along the way to getting there, and when you get there, you might find that the thing wanted doesn't make you as happy as you thought it would. Or worse, you've completely forgotten how to be happy.

No woman is made for a certain man, and no man is made for a certain woman. By the right partner I mean that if you have understood a few relationships, if you have been in a few relationships, you will understand which things create miserable situations between you and which situations create a loving, peaceful, happy life.

The Joy of Sex!—Elaine brought home that dreary tract one day, those tidings of comfort and joy by some Californicated Englishman, and we studied the ghastly pictures, the two hundred different positions. What a joyless book. That poor fucker the instructor-model, performing his gymnastic routines over and over, with slight variations, for three hundred pages, each and every time upon the same woman. No wonder he has that look on his soft hairy degenerate face of a bored he-dog hooked up on the street with an exhausted bitch, longing to leave but unable to extricate himself from what breeders call a “tie.” The woman in the book looks only slightly happier; somebody out of mercy should have emptied a bucket of ice water on the miserable couple. Technique, technique, technical engineering, curse of the modern world, debasing what should be a wild, free, spontaneous act of violent delight into an industrial procedure. Comfort’s treatise is a training manual, a workbook which might better have been entitled The Job of Sex.

Here is an image. The young woman who lives in the Port Authority Bus Terminal has been a crack addict; she has lied, cheated, and stolen. She has learned to manipulate people. At twenty-six, she has wasted her education and lost several jobs. When she is asleep in her blanket on the floor, there is no way for a passerby to know whether or not she is trying to kick her habit and better herself. Yet, according to the article, she constantly finds that bus passengers put one dollar bill, two dollar bills, even a twenty-dollar bill into her blanket while she is asleep. Jesus stoops down to us in our miserable condition, bringing the gifts of new life. He does not ask us what we are doing to make ourselves better; he just gives the gift. He does not ask if we are working to turn ourselves around; he does not ask for a receipt; he puts redemption into our blanket.

They needed each other. Two lost souls, he thought, taking a moment to walk to the tall windows that looked out on part of the world he’d built for himself out of will, desire, sweat, and dubiously accumulated funds. Two lost souls whose miserable beginnings had forged them into what appeared to be polar opposites. Love had narrowed the distance, then had all but eradicated it. She’d saved him. The night his life had hung in her furious and unbreakable grip. She’d saved him, he mused, the first moment he’d locked eyes with her. As impossible as it should have been, she was his answer. He was hers. He had a need to give her things. The tangible things wealth could command. Though he knew the gifts most often puzzled and flustered her. Maybe because they did, he corrected with a grin. But underlying that overt giving was the fierce foundation to give her comfort, security, trust, love. All the things they’d both lived without most of their lives. He wondered that a woman who was so skilled in observation, in studying the human condition, couldn’t see that what he felt for her was often as baffling and as frightening to him as it was to her. Nothing had been the same for him since she’d walked into his life wearing an ugly suit and cool-eyed suspicion. He thanked God for it. Feeling sentimental, he realized. He supposed it was the Irish that popped out of him at unexpected moments.

A woman, she had provoked this horror; a woman, she shouldh ave known how to deal with it. It was immesley to her discredit, sexually, to stand there dumb. One said - what did one say? - Oh, Mr. Ramsay! Dear Mr. Ramsay! That was what that kind old lady who sketched, Mrs. Beckwith, would have said instantly, and rightly. But, no. They stood there, isolated from the rest of the world. His immesnse self-pity, his demand for sympathy poured and and spread itself in pools at her feet, and all she did, miserable sinner that she was, was to draw her skirts a little closer round her ankles, lest she should get wet.

ANTHONY: I feel you, Johanna, I feel you Do they think that walls can hide you? Even now I'm at your window I am in the dark beside you, Buried sweetly in your yellow hair, Johanna… SWEENEY TODD: And are you beautiful and pale, With yellow hair, like her I'd want you beautiful and pale, The way I've dreamed you were, Johanna... ANTHONY: Johanna... SWEENEY TODD: And if you're beautiful, what then, With yellow hair, like wheat? I think we shall not meet again — My little dove, my sweet Johanna… ANTHONY: I'll steal you, Johanna… SWEENEY TODD: Goodbye, Johanna. You're gone, and yet you're mine. I'm fine, Johanna, I'm fine! ANTHONY: Johanna… BEGGAR WOMAN: Smoke! Smoke! Sign of the devil! Sign of the devil! City on fire! Witch! Witch! Smell it, sir! An evil smell! Every night at the vespers bell — Smoke that comes from the mouth of hell — City on fire! City on fire! Mischief! Mischief! Mischief... SWEENEY TODD: And if I never hear your voice, My turtledove, my dear, I still have reason to rejoice: The way ahead is clear, Johanna... JOHANNA: I'll marry Anthony Sunday Anthony…Sunday… ANTHONY: I feel you… SWEENEY TODD: And in that darkness when I'm blind With what I can't forget — ANTHONY: Johanna… SWEENEY TODD: It's always morning in my mind, My little lamb, my pet, Johanna… JOHANNA: I knew you'd come for me one day… Come for me…one day… SWEENEY TODD/ANTHONY: You stay, Johanna — Johanna… SWEENEY TODD: The way I've dreamed you are Oh look, Johanna — a star! ANTHONY: Buried sweetly in your yellow hair… SWEENEY TODD: A shooting star! BEGGAR WOMAN: There! There! Somebody, somebody look up there! Didn't I tell you? Smell that air! City on fire! Quick, sir! Run and tell! Warn 'em all of the witch's spell! There it is, there it is, the unholy smell! Tell it to the Beadle and the police as well! Tell 'em! Tell 'em! Help! Fiend! City on fire! City on fire! Mischief! Mischief! Mischief...Fiend . . . Alms…alms...for a miserable woman… SWEENEY TODD: And though I'll think of you, I guess, until the day I die, I think I miss you less and less as every day goes by, Johanna... ANTHONY: Johanna... JOHANNA: With you beside me on Sunday, Married on…Sunday… SWEENEY TODD: And you'd be beautiful and pale, And look too much like her. If only angels could prevail, We'd be the way we were, Johanna... ANTHONY: I feel you...Johanna… JOHANNA'S VOICE: Married on Sunday…married on Sunday ... SWEENEY TODD: Wake up, Johanna! Another bright red day! We learn, Johanna, to say goodbye! ANTHONY: I’ll steal you!

Miserable is the man who loves a woman and takes her for a wife, pouring at her feet the sweat of his skin and the blood of his body and the life of his heart, and placing in her hands the fruit of his toil and the revenue of hi s diligence; for when he slowly wakes up, he finds that the heart, which he endeavoured to buy, is given freely and in sincerity to another man for the enjoyment of its hidden secrets and deepest love.

Are you working towards some big goal in life? In the big picture, do you know what you want?" " I thought I did. I thought I had it. But it didn't last. At that time, I thought what I wanted, what my big ambition in life was - wait for it - to be happy. It soon became apparent that happiness shouldn't be a destination in life. It should be part of the journey of your life. Putting everything on hold to achieve the one thing you think will make you happy will actually mean that you're miserable along the way to getting there, and when you get there, you might find that the thing you wanted doesn't make you as happy as you thought it would. Or worse, you've completely forgotten how to be happy.

You've got to cram it into your thick heads: the sickos that sent us to this place are so stuffed with hate they've got to spew it out on someone, it almost doesn't matter who. If it's not one race, face or religion it'd be another. Right now it's us they vomit on. Next war it'll be some other poor beggars, then some others, then -' 'I want to go home!' the poor woman gasped, in between shakes and sobs. 'And I want to murder every last beast in this hellhole with my bare hands,' Girder raged. She had hands as big as dinner plates. 'The best we can do instead is live. Are you listening? The only way to beat them is by not dying. So shut up and survive, you miserable cow. And let the rest of us sleep.

We should be able to time travel," he said. "Back to an age when society was kinder to the Rubenesque woman." "Hmph." I wasn't able to say much. "I'd love that. I love softness. Love curves. The more, the better." "D'you really?" "Why wouldn't I? Think of all the words associated with a bit of extra flesh. Generous. Ample. Voluptuous. Bountiful. Beautiful, sensual words. Contrast them with their opposites. Mean. Insufficient. Meager. Miserly." I snuffled into his velvet jerkin or doublet or whatever it was and looked up at him. "You should be a professional morale booster," I told him. "You're very kind to say all this but --" "Kind?" he burst out. "No, I'm not kind! I don't feel sorry for you. I want you.

Well, horses take a lot of work, they’re dirty animals, so every weekend he puts on his waders, goes out in the barn, and shovels the manure, and the dirty hay, and puts the new hay in, and feeds the horses, and cleans up their piss. It’s not a good job. It’s miserable, but someone has to shovel the shit so the family can enjoy what they have. That is how he framed it for me. ‘You shovel the shit so your family, so the United States, can have what we have and live the way we do.’ 

Hqve you never heard of priests proclaim that the meek will inherit the earth and wondered if kings of old didn't smile to hear it? Your reward comes after death. Nirvana. The wheel of life turns and we are elevated from animals to women, from women to men, from men to kings, from kings to gods, from gods to... perfection. And what is perfection now? Not crucifixion, not poverty endured patiently on the mountaintop. No--the perfect life is to have an annual salary of £120,000, an Aston Martin, a £1.6million-pound home, a wife, two children and at least two foreign holidays a year. Perfection is an idol built upon oppression. Perfection is the heaven that kept the masses suppressed; the promise of a future life that quells rebellion. Perfection is the self-hatred an overweight woman feels when she sees a slim model on TV; perfection is the resentment the well-paid man experiences when he beholds a miserable billionaire. Perfection kills. Perfection destroys the soul.

And who would not risk its terrors to gain its raptures? Ah, what raptures they were! The mere recollection thrills you. How delicious it was to tell her that you loved her, that you lived for her, that you would die for her! How you did rave, to be sure, what floods of extravagant nonsense you poured forth, and oh, how cruel it was of her to pretend not to believe you! '''In what awe you stood of her! How miserable you were when you had offended her! And yet, how pleasant to be bullied by her and to sue for pardon without having the slightest notion of what your fault was! How dark the world was when she snubbed you, as she often did, the little rogue, just to see you look wretched; how sunny when she smiled! How jealous you were of every one about her! How you hated every man she shook hands with, every woman she kissed—the maid that did her hair, the boy that cleaned her shoes, the dog she nursed—though you had to be respectful to the last-named! How you looked forward to seeing her, how stupid you were when you did see her, staring at her without saying a word! How impossible it was for you to go out at any time of the day or night without finding yourself eventually opposite her windows!

If I ever have kids, this is what I'm going to do with them: I am going to give birth to them on foreign soil—preferably the soil of someplace like Oostende or Antwerp—destinations that have the allure of being obscure, freezing, and impossibly cultured. These are places in which people are casually trilingual and everyone knows how to make good coffee and gourmet dinners at home without having to shop for specific ingredients. Everyone has hip European sneakers that effortlessly look like the exact pair you've been searching for your whole life. Everything is sweetened with honey and even the generic-brand Q-tips are aesthetically packaged. People die from old age or crimes of passion or because they fall off glaciers. All the woman are either thin, thin and happy, fat and happy, or thin and miserable in a glamorous way. Somehow none of their Italian heels get caught in the fifteenth-century cobblestone. Ever.

But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.

Sorcery, Karsa Orlong, that is the heart of the problem.’ ‘What problem now, woman?’ ‘Magic obviates the need for invention, beyond certain basic requirements, of course. And so we remain eternally stifled—’ ‘To the Faces with stifled, witch. There is nothing wrong with where we are, how we are. You spit on satisfaction, leaving you always unsettled and miserable. I am a Teblor – we live simply enough, and we see the cruelty of your so-called progress. Slaves, children in chains, a thousand lies to make one person better than the next, a thousand lies telling you this is how things should be, and there’s no stopping it. Madness called sanity, slavery called freedom. I am done talking now.’ ‘Well, I’m not. You’re no different, calling ignorance wisdom, savagery noble. Without striving to make things better, we’re doomed to repeat our litany of injustices—’ Karsa reached the summit and turned to face her, his expression twisting. ‘Better is never what you think it is, Samar Dev.’ ‘What does that mean?

Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper’d. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail’st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound’st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow’d to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier’s flask, Is set afire by thine own ignorance, And thou dismember’d with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew’st Tybalt; there are thou happy too: The law that threaten’d death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout’st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went’st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming.

The Ideal Man! Oh, the Ideal Man should talk to us as if we were goddesses, and treat us as if we were children. He should refuse all our serious requests, and gratify every one of our whims. He should encourage us to have caprices, and forbid us to have missions. He should always say much more than he means, and always mean much more than he says. He should never run down other pretty women. That would show he had no taste, or make one suspect that he had too much. No; he should be nice about them all, but say that somehow they don't attract him. If we ask him a question about anything, he should give us an answer all about ourselves. He should invariably praise us for whatever qualities he knows we haven't got. But he should be pitiless, quite pitiless, in reproaching us for the virtues that we have never dreamed of possessing. He should never believe that we know the use of useful things. That would be unforgiveable. But he should shower on us everything we don't want. He should persistently compromise us in public, and treat us with absolute respect when we are alone. And yet he should be always ready to have a perfectly terrible scene, whenever we want one, and to become miserable, absolutely miserable, at a moment's notice, and to overwhelm us with just reproaches in less than twenty minutes, and to be positively violent at the end of half an hour, and to leave us for ever at a quarter to eight, when we have to go and dress for dinner. And when, after that, one has seen him for really the last time, and he has refused to take back the little things he has given one, and promised never to communicate with one again, or to write one any foolish letters, he should be perfectly broken-hearted, and telegraph to one all day long, and send one little notes every half-hour by a private hansom, and dine quite alone at the club, so that every one should know how unhappy he was. And after a whole dreadful week, during which one has gone about everywhere with one's husband, just to show how absolutely lonely one was, he may be given a third last parting, in the evening, and then, if his conduct has been quite irreproachable, and one has behaved really badly to him, he should be allowed to admit that he has been entirely in the wrong, and when he has admitted that, it becomes a woman's duty to forgive, and one can do it all over again from the beginning, with variations. His reward? Oh, infinite expectation. That is quite enough for him.

It is truly wonderful," he said, "how easily Society can console itself for the worst of its shortcomings with a little bit of clap-trap. The machinery it has set up for the detection of crime is miserably ineffective—and yet only invent a moral epigram, saying that it works well, and you blind everybody to its blunders from that moment. Crimes cause their own detection, do they? And murder will out (another moral epigram), will it? Ask Coroners who sit at inquests in large towns if that is true, Lady Glyde. Ask secretaries of life-assurance companies if that is true, Miss Halcombe. Read your own public journals. In the few cases that get into the newspapers, are there not instances of slain bodies found, and no murderers ever discovered? Multiply the cases that are reported by the cases that are not reported, and the bodies that are found by the bodies that are not found, and what conclusion do you come to? This. That there are foolish criminals who are discovered, and wise criminals who escape. The hiding of a crime, or the detection of a crime, what is it? A trial of skill between the police on one side, and the individual on the other. When the criminal is a brutal, ignorant fool, the police in nine cases out of ten win. When the criminal is a resolute, educated, highly-intelligent man, the police in nine cases out of ten lose. If the police win, you generally hear all about it. If the police lose, you generally hear nothing. And on this tottering foundation you build up your comfortable moral maxim that Crime causes its own detection! Yes—all the crime you know of. And what of the rest?

So far as Louis XVI. was concerned, I said `no.' I did not think that I had the right to kill a man; but I felt it my duty to exterminate evil. I voted the end of the tyrant, that is to say, the end of prostitution for woman, the end of slavery for man, the end of night for the child. In voting for the Republic, I voted for that. I voted for fraternity, concord, the dawn. I have aided in the overthrow of prejudices and errors. The crumbling away of prejudices and errors causes light. We have caused the fall of the old world, and the old world, that vase of miseries, has become, through its upsetting upon the human race, an urn of joy." "Mixed joy," said the Bishop. "You may say troubled joy, and to-day, after that fatal return of the past, which is called 1814, joy which has disappeared! Alas! The work was incomplete, I admit: we demolished the ancient regime in deeds; we were not able to suppress it entirely in ideas. To destroy abuses is not sufficient; customs must be modified. The mill is there no longer; the wind is still there." "You have demolished. It may be of use to demolish, but I distrust a demolition complicated with wrath." "Right has its wrath, Bishop; and the wrath of right is an element of progress. In any case, and in spite of whatever may be said, the French Revolution is the most important step of the human race since the advent of Christ. Incomplete, it may be, but sublime. It set free all the unknown social quantities; it softened spirits, it calmed, appeased, enlightened; it caused the waves of civilization to flow over the earth. It was a good thing. The French Revolution is the consecration of humanity.

Ya'aburnee1. As in you bury me. A rough translation for the way I want to leave this world before you because I can’t imagine having to go through a single day without you in it. If this last week was a preview of that kind of life, then I can assure you it isn’t a life worth living. You’re my wife and my best friend. The future mother of my children and the one place that truly feels like home. You’re the woman I want to spend the rest of my life with, not because you signed a contract, but because you love me enough to stay without one. “I want to be the kind of man who is worthy of a woman like you—if it’s even possible. I promise to work every damn day to make sure you don’t regret marrying someone as miserable as me. Because when I’m with you, I’m not miserable at all. You make me happy in a way that makes me afraid to blink just in case it all disappears.” The vulnerability of his words tugs at every single one of my heartstrings. “I’ll give you anything you want—anything at all—so long as you give me a chance to make you as happy as you make me. A dog. A family. A home. I want it all. These are my terms and conditions, take it or leave it because I’m not open to negotiations.” “Only you could make a proposal sound like a business acquisition and get away with it.” “Marry me,” he orders with a smile that could make me agree to just about anything.

Gervex's painting had a lurid and well-known literary source: it was based on Alfred de Musset's poem "Rolla," published in 1833 and 1840. The poem, a paradigm of July Monarchy romanticism, chronicles the disgrace that befalls Jacques Rolla, a son of the bourgeoisie, in the big city. The narrative of his decline — he squandered his fortune and committed suicide — is interleaved with lamentations over the moral and spiritual decadence of contemporary life. Thenineteen-year-old Rolla becomes the "most debauched man" in Paris, "where vice is the cheapest, the oldest and the most fertile in the world." The poem tells a second story as well, that of Marie (or Maria or Marion), a pure young girl who becomes a degraded urban prostitute. Her story amplifies the poet's theme — a world in moral disarray - and provides the instrument of, and a sympathetic companion for, Rolla's climactic self-destruction. Musset is clear about his young prostitute's status: she was forced into a prostitution de la misère by economic circumstances ("what had debased her was, alas, poverty /And not love of gold"), and he frequently distinguishes her situation from that of the venal women of the courtesan rank ("Your loves are golden, lively and poetic; . . . you are not for sale at all"). He is also insistent about the tawdry circumstances in which the young woman had to practice her miserable profession ("the shameful curtains of that foul retreat," "in a hovel," "the walls of this gloomy and ramshackle room"). The segments of the poem from which Gervex drew his story — and which were published in press reviews of the painting — are these: With a melancholy eye Rolla gazed on The beautiful Marion asleep in her wide bed; In spite of himself, an unnameable and diabolical horror Made him tremble to the bone. Marion had cost dearly. — To pay for his night He had spent his last coins. His friends knew it. And he, on arriving, Had taken their hand and given his word that In the morning no one would see him alive. When Rolla saw the sun appear on the roofs, He went and leaned out the window. Rolla turned to look at Marie. She felt exhausted, and had fallen asleep. And thus both fled the cruelties of fate, The child in sleep, and the man in death! It was a moment of inaction, then, that Gervex chose to paint - that of weary repose for her and melancholic contemplation for Rolla, following the night of paid sex and just prior to his suicide.