“
My Dearest Allie. I couldn't sleep last night because I know that it's over between us. I'm not bitter anymore, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me. That's what I hope to give to you forever. I love you. I'll be seeing you. Noah
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
We waste so much energy trying to cover up who we are when beneath every attitude is the want to be loved, and beneath every anger is a wound to be healed and beneath every sadness is the fear that there will not be enough time.
When we hesitate in being direct, we unknowingly slip something on, some added layer of protection that keeps us from feeling the world, and often that thin covering is the beginning of a loneliness which, if not put down, diminishes our chances of joy.
It’s like wearing gloves every time we touch something, and then, forgetting we chose to put them on, we complain that nothing feels quite real. Our challenge each day is not to get dressed to face the world but to unglove ourselves so that the doorknob feels cold and the car handle feels wet and the kiss goodbye feels like the lips of another being, soft and unrepeatable.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
how can it be that the modern human mind is capable of precise logical analysis, and yet simultaneously permits us to accept religious beliefs that should crumble beneath even the slightest rational scrutiny?
”
”
Dan Brown (Origin (Robert Langdon, #5))
“
I guess that sometimes it just takes a long walk through the darkness, a long walk through the darkest shadows and corners of your soul to realize that those are a part of you as well, that you've created through your experiences and thoughts those parts within yourself and as much as you can choose to fear them and repress them, they will require your attention one day, they will need your care and acceptance before you can clean them away and turn the lights on. For you refuse to shine the light on something that is imperfect, because you fear judgement and rejection, but you can always choose to look towards the light as the only source of true beauty and love that can help you in the cleaning process. Healing, after a long time of struggle and mess is a complex process, but a necessary one nevertheless. We are so overwhelmed by the amount of work it requires that we so often choose to run away from the light, hide in our dark corner and hope that we will never be found, hope that we will never be seen, or desperately look outwards for that love and compassion that we can no longer find within ourselves, for our soul's light no longer shines as it used to. And sometimes we just find those people that can see the light beneath all that dust and darkness that's been pilled up, those kind of light workers that understand our broken souls and manage to pick us up and see the beauty within us, when we find it so hard to see it ourselves. Sometimes I get so tired of separation, of division, of groups and different religions and belief systems. Even if you do find the truth, once you've put it into words, books and rules it already becomes distorted by the mind into something that is no longer truth. So I no longer hope for understanding, no longer hope for the opinion of a judgemental mind, but I hope to find the words that touch the soul before the mind, I hope to find the touch that warms the heart from deep inside, and hope to find that far away abandoned part of me which I've left behind.
”
”
Virgil Kalyana Mittata Iordache
“
Though many of my arguments will be coolly analytical — that an acknowledgment of human nature does not, logically speaking, imply the negative outcomes so many people fear — I will not try to hide my belief that they have a positive thrust as well. "Man will become better when you show him what he is like," wrote Chekhov, and so the new sciences of human nature can help lead the way to a realistic, biologically informed humanism. They expose the psychological unity of our species beneath the superficial differences of physical appearance and parochial culture. They make us appreciate the wondrous complexity of the human mind, which we are apt to take for granted precisely because it works so well. They identify the moral intuitions that we can put to work in improving our lot. They promise a naturalness in human relationships, encouraging us to treat people in terms of how they do feel rather than how some theory says they ought to feel. They offer a touchstone by which we can identify suffering and oppression wherever they occur, unmasking the rationalizations of the powerful. They give us a way to see through the designs of self-appointed social reformers who would liberate us from our pleasures. They renew our appreciation for the achievements of democracy and of the rule of law. And they enhance the insights of artists and philosophers who have reflected on the human condition for millennia.
”
”
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
“
The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls upon solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.
”
”
Charles Dickens (Oliver Twist)
“
The fact that these highly abstract notions coalesce in such refined harmony is absolutely mind-boggling. It points to something rich and mysterious lurking beneath the surface, as if the curtain had been lifted and we caught glimpses of the reality that had been carefully hidden from us. These are the wonders of modern math, and of the modern world.
”
”
Edward Frenkel (Love and Math: The Heart of Hidden Reality)
“
Beauty magnetizes curiosity and wonder, beckoning us to discover—in the literal sense, to uncover and unconceal—what lies beneath the surface of the human label. What we recognize as beauty may be a language for encoding truth, a memetic mechanism for transmitting it, as native to the universe as mathematics—the one perceived by the optical eye, the other by the mind's eye.
”
”
Maria Popova (Figuring)
“
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning.
I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours.
All this to try to come back to the surface of our book...
Phone me quickly, Promethea, get me out of this parenthesis fast!)
”
”
Hélène Cixous (The Book of Promethea)
“
If we find as many surprises as on visiting a house of plain exterior which inside is full of hidden treasures, torture-chambers, skeletons, when we discover the true lives of other people, the real beneath the apparent universe, we are no less surprised if, in place of the image that we have made of ourself with the help of all the things that people have said to us, we learn from the terms in which they speak of us in our absence what an entirely different image they have been carrying in their own minds of us and of our life
”
”
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
“
There's a parable here somewhere, about the difference between journalism and history. What might appear to be "the story" in the present moment may actually be a distraction from it, a shiny object preventing us from seeing the truth of what is really going on beneath the surface of our attention, what will most deeply affect people's lives in time.
”
”
Michael Pollan (This Is Your Mind on Plants)
“
Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.
”
”
Robin Wasserman (Girls on Fire)
“
ON THE DEATH OF THE BELOVED Though we need to weep your loss, You dwell in that safe place in our hearts Where no storm or night or pain can reach you. Your love was like the dawn Brightening over our lives, Awakening beneath the dark A further adventure of color. The sound of your voice Found for us A new music That brightened everything. Whatever you enfolded in your gaze Quickened in the joy of its being; You placed smiles like flowers On the altar of the heart. Your mind always sparkled With wonder at things. Though your days here were brief, Your spirit was alive, awake, complete. We look toward each other no longer From the old distance of our names; Now you dwell inside the rhythm of breath, As close to us as we are to ourselves. Though we cannot see you with outward eyes, We know our soul’s gaze is upon your face, Smiling back at us from within everything To which we bring our best refinement. Let us not look for you only in memory, Where we would grow lonely without you. You would want us to find you in presence, Beside us when beauty brightens, When kindness glows And music echoes eternal tones. When orchids brighten the earth, Darkest winter has turned to spring; May this dark grief flower with hope In every heart that loves you. May you continue to inspire us: To enter each day with a generous heart. To serve the call of courage and love Until we see your beautiful face again In that land where there is no more separation, Where all tears will be wiped from our mind, And where we will never lose you again.
”
”
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
“
I should definitely sleep in another room.”
“No,” she stated firmly. Before she could change her mind, she crossed to the bed, slipped beneath the covers, then looked at him expectantly.
“Where is Jax?” he asked, unmoving.
“Downstairs. He liked to sit on the ottoman at night and watch out the back window for raccoons and opossums. Why?”
“He’s the only chaperone available to us.
”
”
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
“
Mind you, I cannot swear that my story is true. It may have been a dream; or worse, a symptom of some severe mental disorder. But I believe it is true. After all, how are we to know what things there are on earth? Strange monstrosities still exist, and foul, incredible perversions. Every war, each new geographical or scientific discovery, brings to light some new bit of ghastly evidence that the world is not altogether the same place we fondly imagine it to be. Sometimes peculiar incidents occur which hint of utter madness.
How can we be sure that our smug conceptions of reality actually exist? To one man in a million dreadful knowledge is revealed, and the rest of us remain mercifully ignorant. There have been travelers who never came back, and research workers who disappeared. Some of those who did return were deemed mad because of what they told, and others sensibly concealed the wisdom that had so horribly been revealed. Blind as we are, we know a little of what lurks beneath our normal life. There have been tales of sea serpents and creatures of the deep; legends of dwarfs and giants; records of queer medical horrors and unnatural births. Stunted nightmares of men's personalities have blossomed into being under the awful stimulus of war, or pestilence, or famine. There have been cannibals, necrophiles, and ghouls; loathsome rites of worship and sacrifice; maniacal murders, and blasphemous crimes. When I think, then, of what I saw and heard, and compare it with certain other grotesque and unbelievable authenticities, I begin to fear for my reason. ("The Mannikin")
”
”
Robert Bloch (Monster Mix)
“
My mother died at eighty-three, of cancer, in pain, her spleen enlarged so that her body was misshapen. Is that the person I see when I think of her? Sometimes. I wish it were not. It is a true image, yet it blurs, it clouds, a truer image. It is one memory among fifty years of memories of my mother. It is the last in time. Beneath it, behind it is a deeper, complex, ever-changing image, made from imagination, hearsay, photographs, memories. I see a little red-haired child in the mountains of Colorado, a sad-faced, delicate college girl, a kind, smiling young mother, a brilliantly intellectual woman, a peerless flirt, a serious artist, a splendid cook—I see her rocking, weeding, writing, laughing — I see the turquoise bracelets on her delicate, freckled arm — I see, for a moment, all that at once, I glimpse what no mirror can reflect, the spirit flashing out across the years, beautiful.
That must be what the great artists see and paint. That must be why the tired, aged faces in Rembrandt’s portraits give us such delight: they show us beauty not skin-deep but life-deep.
”
”
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
“
Even while we whispered about it, our vision disappeared; the ball dropped and dropped until the red tip went beneath the earth. The fields below us were dark, the sky was growing pale, and that forgotten plough had sunk back to its own littleness somewhere on the prairie.
”
”
Willa Cather (My Ántonia)
“
Two Dutch, two Americans, one German and one Australian. And yet, as the rocket began to quake beneath us, my mind focused on a man in Antarctica. I thought about Sam "Snowbow" Archambeau waiting for the September sunrise to reach the South Pole. I smiled recalling him getting a haircut in a lawn chair next to the frozen barbershop pole." -- Nikki in the upcoming novel, "Nikki White: Polar Extremes" (Nikki, #3)
”
”
Jack Chaucer (Nikki White: Polar Extremes (Nikki, #3))
“
Helga’s gray pupils glued to the ground, unable to look at her student for a long time. Slowly, her long white hair retracted into her skull, growing scratchy and short. The grooves of her face magically deepened and the skin hardened to a leathery tan beneath a growing white beard. Her cheeks hollowed, her nose fattened, her eyebrows bushied, her body burlying to a barrel shape . . . until at last Yuba the Gnome gazed up at his former students, in the same lavender dress and wobbly heels. “Do you mind if I change?” he asked quietly. Sophie gawped at her old Forest Group teacher, morphed from a girl into a boy. She twirled to Agatha, appalled. “That’s how you want us to get in the boys’ school? By turning us into . . . gnomes?” Agatha banged her head against the wall.
”
”
Soman Chainani (A World without Princes (The School for Good and Evil, #2))
“
The true blessing of the mountains is not that they provide a challenge or a contest, something to be overcome and dominated (although this is how many people have approached them). It is that they offer something gentler and infinitely more powerful: they make us ready to credit marvels - whether it is the dark swirl which water makes beneath a plate of ice, or the feel of the soft pelts of moss which form on the lee sides of boulders and trees. Being in the mountains reignites our astonishment at the simplest transactions of the physical world: a snowflake a millionth of an ounce in weight falling on to one's outstretched palm, water patiently carving a runnel in a face of granite, the apparently motiveless shift of a stone in a scree-filled gully. Tu put a hand down and feel the ridges and score in a rock where a glaciers has passed, to hear how a hillside comes alive with moving water after a rain shower, to see late summer light filling miles of landscape like an inexhaustible liquid - none of these is a trivial experience. Mountains returns to us priceless capacity for wonder which can so insensibly be leached away by modern existence, and they urge us to apply that wonder to our own everyday lives.
”
”
Robert Macfarlane (Mountains of the Mind: A History of a Fascination)
“
For us to bear the fruits of our trees, the roots need to go beneath.
”
”
Goitsemang Mvula
“
Shadow work is the way to illumination. When we become aware of all that is buried within us, that which is lurking beneath the surface no longer has power over us.
”
”
Aletheia Luna (Mindful Shadow Work: Exercises For Befriending Your Dark Side, Healing Trauma, and Finding Joy)
“
What went on between you and my mom? Did you seduce all the Liddell women? Did you tell them the same pretty words you told me?” I curl my legs beneath my dress, feeling small and vulnerable for even asking.
Morpheus scoots aside some glass with his boot and kneels. He takes my hand in his. “I’ve known but three generations of Liddell women. Counting the ones in London, there’s been twenty or so. Most were oblivious and unreachable—they didn’t hear the nether-call. The others weren’t strong enough to face their lineage without losing their minds. As for Alison, she and I were business partners. There has never been more than that between us. There’s only one Liddell I desire, only one who earns my undying devotion.” He works a fingertip into the lace at my elbow and drags off the glove. “The one who was my truest friend … who took my place and braved the attack that was meant for me.”
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
We are so fascinated by the complexity and beauty of the various forms in nature, that we have been led away from the formless dimension of Consciousness that lies at our very center. When you look at a person, you see many differences in their unique form, and often we compare, contrast, and judge one another because of the forms that we inhabit. But if you look beyond the various qualities and characteristics of form, and look another person in the eyes, you see a Being, and it is this Being that lies beneath the surface of form that connects us all. That is why the eyes are often referred to as the gateway to the soul, because they allow us to see and feel the presence of another Being, and realize our oneness.
”
”
Joseph P. Kauffman (The Answer Is YOU: A Guide to Mental, Emotional, and Spiritual Freedom)
“
We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned.
When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes?
I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.
”
”
Marvin Minsky (The Society of Mind)
“
Days in the past cover up little by little those that preceded them and are themselves buried beneath those that follow them. But each past day has remained deposited in us, as in a vast library where, even of the oldest books, there is a copy which doubtless nobody will ever ask to see. And yet should this day from the past, traversing the translucency of the intervening epochs, rise to the surface and spread itself inside us until it covers us entirely, then for a moment names resume their former meaning, people their former aspect, we ourselves our state of mind at the time, and we feel, with a vague suffering which however is endurable and will not last for long, the problems which have long ago become insoluble and which caused us such anguish at the time....Incessant upheavals raise to the surface ancient deposits.
”
”
Marcel Proust (In Search of Lost Time, Volume VI)
“
Behold now, let the Dead and Living meet! Across the gulf of Time they still are one. Time hath no power against Identity, though sleep the merciful hath blotted out the tablets of our mind, and with oblivion sealed the sorrows that else would hound us from life to life, stuffing the brain with gathered griefs till it burst in the madness of uttermost despair. Still are they one, for the wrappings of our sleep shall roll away as thunder-clouds before the wind; the frozen voice of the past shall melt in music like mountain snows beneath the sun; and the weeping and the laughter of the lost hours shall be heard once more most sweetly echoing up the cliffs of immeasurable time.
Ay, the sleep shall roll away, and the voices shall be heard, when down the completed chain, whereof our each existence is a link, the lightning of the Spirit hath passed to work out the purpose of our being; quickening and fusing those separated days of life, and shaping them to a staff whereon we may safely lean as we wend to our appointed fate.
- Ayesha
”
”
H. Rider Haggard (She (She, #1))
“
I am one of those persons who, when sexually immersed, require serious silence, the hush of impeccable concentration. Perhaps it is due to my pubescent training as a Hershey Bar whore, and because I have consistently willed myself to accommodate unscintillating partners - whatever the reason, for me to reach an edge and fall over, all the mechanics must be assisted by the deepest fantasizing, an intoxicating mental cinema that does not welcome lovemaking chatter.
The truth is, I am rarely with the person I am with, so to say; and dependence upon an inner scenery, imagined and remembered erotic fragments, shadows irrelevant to the body above or beneath us - those images our minds accept inside sexual seizure but exclude once the beast has been routed, for, regardless of how tolerant we are, these cameos are intolerable to the meanspirited watchmen within us.
”
”
Truman Capote (Answered Prayers)
“
The smile that curled his lips was as arrogant as it was beautiful.
“You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me.
“I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?”
Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—”
He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.”
“You said you would help me,” I whispered.
He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.”
I looked away.
“Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.”
His finger caught the stretched-out collar of my shirt and gave it a tug.
“Stop it.” I was proud of how steady my voice was.
As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine.
“I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…”
My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out.
“Ruby! Wait, I didn’t mean—!”
A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her.
“Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
There are things that upset us. That’s not quite what we’re talking about here, though. I’m thinking rather about those images or words or ideas that drop like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked. And what we learn about ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
Beneath the noisy surface of our minds, there are deep reserves of memory and association, of feelings and perceptions that process and record our life’s experiences beyond our conscious awareness. So at times, creativity is a conscious effort. At others, we need to let our ideas ferment for a while and trust the deeper unconscious ruminations of our minds, over which we have less control. Sometimes when we do, the insights we’ve been searching for will come to us in a rush,
”
”
Ken Robinson (The Element: How Finding Your Passion Changes Everything)
“
But this is something quite new!" said Mrs. Munt, who collected new ideas as a squirrel collects nuts, and was especially attracted by those that are portable.
"New for me; sensible people have acknowledged it for years. You and I and the Wilcoxes stand upon money as upon islands. It is so firm beneath our feet that we forget its very existence. It's only when we see someone near us tottering that we realize all that an independent income means. Last night, when we were talking up here round the fire, I began to think that the very soul of the world is economic, and that the lowest abyss is not the absence of love, but the absence of coin."
"I call that rather cynical."
"So do I. But Helen and I, we ought to remember, when we are tempted to criticize others, that we are standing on these islands, and that most of the others are down below the surface of the sea. The poor cannot always reach those whom they want to love, and they can hardly ever escape from those whom they love no longer. We rich can. Imagine the tragedy last June if Helen and Paul Wilcox had been poor people and could not invoke railways and motor-cars to part them."
"That's more like Socialism," said Mrs. Munt suspiciously.
"Call it what you like. I call it going through life with one's hand spread open on the table. I'm tired of these rich people who pretend to be poor, and think it shows a nice mind to ignore the piles of money that keep their feet above the waves. I stand each year upon six hundred pounds, and Helen upon the same, and Tibby will stand upon eight, and as fast as our pounds crumble away into the sea they are renewed—from the sea, yes, from the sea. And all our thoughts are the thoughts of six-hundred-pounders, and all our speeches; and because we don't want to steal umbrellas ourselves, we forget that below the sea people do want to steal them, and do steal them sometimes, and that what's a joke up here is down there reality—
”
”
E.M. Forster (Howards End)
“
When human life lay foul for all to see
Upon the earth, crushed by the burden of religion,
Religion which from heaven’s firmament
Displayed its face, its ghastly countenance,
Lowering above mankind, the first who dared
Raise mortal eyes against it, first to take
His stand against it, was a man of Greece.
He was not cowed by fables of the gods
Or thunderbolts or heaven’s threatening roar,
But they the more spurred on his ardent soul
Yearning to be the first to break apart
The bolts of nature’s gates and throw them open.
Therefore his lively intellect prevailed
And forth he marched, advancing onwards far
Beyond the flaming ramparts of the world,
And voyaged in mind throughout infinity,
Whence he victorious back in triumph brings
Report of what can be and what cannot
And in what manner each thing has a power
That’s limited, and deep-set boundary stone.
Wherefore religion in its turn is cast
Beneath the feet of men and trampled down,
And us his victory has made peers of heaven.
”
”
Lucretius
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake – for one has to be faithful to the self-portrait – a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life.
”
”
Frédéric Gros (A Philosophy of Walking)
“
I couldn't sleep last night because I know that it's over between us. I'm not bitter any more, because I know that what we had was real. And if in some distant place in the future we see each other in our new lives, I'll smile at you with joy and remember how we spent the summer beneath the trees, learning from each other and growing in love. The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds, and that's what you've given me
- Noah "The Notebook
”
”
Nicholas Sparks (The Notebook (The Notebook, #1))
“
I twisted, studying his face. There was nothing warm in his eyes, nothing of the friend I'd made. I opened my shield enough to let him in. What? His voice floated into my mind.
I reached down the bond between us, caressing the wall of ebony adamant. A small sliver cracked- just for me. And I said into it, You are good, Rhys. You are kind. This mask does not scare me. I see you beneath it.
His hands tightened on me, and his eyes held mine as he leaned forward to brush his mouth against my cheek. It was answer enough- and... an unleashing.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Evolutionary biologist John Hartung asks us to consider people who are stuck in a position that they might otherwise perceive as unfair or beneath their station (Hartung, 1987). Consider a man who holds a job that he knows does not take full advantage of his talents or a wife who knows that she is more intelligent than her husband. Acting as though your job or your spouse is beneath you could put your employment or your marriage in jeopardy. Your boss might fire you for insubordination. Your spouse might seek someone with whom he or she feels more comfortable and less threatened. The adaptive solution that Hartung proposes is called deceiving down. Deceiving down is not “playing dumb” or pretending to be less than you are. Instead, it involves an actual reduction in self-confidence to facilitate acting in a submissive, subordinate manner.
”
”
David M. Buss (Evolutionary Psychology: The New Science of the Mind)
“
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?”
“My skin—” I stop, swallow.
He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?”
“You know. You’ve seen it,” I rasp. “It changes. The color becomes—”
“Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.”
“You said that before. In the mountains.”
“I meant it. Still do.”
I laugh weakly. “I guess this means you’re not mad at me.”
“I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.”
“This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes.
For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.”
My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted.
He loves me?
Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life?
As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists.
I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all.
I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs.
I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
The Self is one, the same in every creature. This is not some peculiar tenet of the Hindu scriptures; it is the testimony of everyone who has undergone these experiments in the depths of consciousness and followed them through to the end. Here is Ruysbroeck, a great mystic of medieval Europe; every word is most carefully chosen: The image of God is found essentially and personally in all mankind. Each possesses it whole, entire and undivided, and all together not more than one alone. In this way we are all one, intimately united in our eternal image, which is the image of God and the source in us of all our life. Maya In the unitive experience, every trace of separateness disappears; life is a seamless whole. But the body cannot remain in this state for long. After a while, awareness of mind and body returns, and then the conventional world of multiplicity rushes in again with such vigor and vividness that the memory of unity, though stamped with reality, seems as distant as a dream. The unitive state has to be entered over and over until a person is established in it. But once established, even in the midst of ordinary life, one sees the One underlying the many, the Eternal beneath the ephemeral.
”
”
Krishna-Dwaipayana Vyasa (The Bhagavad Gita)
“
There’s a theory,” said Anna, handing him a cup of tea as she climbed back into bed, “that we are all Atlanteans.” “Who?” “Us. San Franciscans.” Edgar grinned indulgently, bracing himself for another yarn. Anna caught it. “Do you want to hear it … or are you getting stuffy on me?” “Go ahead. Tell me a story.” “Well … in one of our last incarnations, we were all citizens of Atlantis. All of us. You, me, Frannie, DeDe, Mary Ann…” “Are you sure she’s out of the building?” “She’s gone to her switchboard. Will you relax?” “O.K. I’m relaxed.” “All right, then. We all lived in this lovely, enlightened kingdom that sank beneath the sea a long time ago. Now we’ve come back to this special peninsula on the edge of the continent … because we know, in a secret corner of our minds, that we must return together to the sea.” “The earthquake.” Anna nodded. “Don’t you see? You said the earthquake, not an earthquake. You’re expecting it. We’re all expecting it.” “So what does that have to do with Atlantis?” “The Transamerica Pyramid, for one thing.” “Huh?” “Don’t you know what dominated the skyline of Atlantis, Edgar … the thing that loomed over everything?” He shook his head. “A pyramid! An enormous pyramid with a beacon burning at the top!
”
”
Armistead Maupin (Tales of the City (Tales of the City, #1))
“
We have been conditioned to fear the shadow side of life and the shadow side of ourselves. When we catch ourselves thinking a dark thought or acting out in a behavior that we feel is unacceptable, we run, just like a groundhog, back into our hole and hide, hoping, praying, it will disappear before we venture out again. Why do we do this? Because we are afraid that no matter how hard we try, we will never be able to escape from this part of ourselves. And although ignoring or repressing our dark side is the norm, the sobering truth is that running from the shadow only intensifies its power. Denying it only leads to more pain, suffering, regret, and resignation. If we fail to take responsibility and extract the wisdom that has been hidden beneath the surface of our conscious minds, the shadow will take charge, and instead of us being able to have control over it, the shadow winds up having control over us, triggering the shadow effect. Our dark side then starts making our decisions for us, stripping us of our right to make conscious choices whether it’s what food we will eat, how much money we will spend, or what addiction we will succumb to. Our shadow incites us to act out in ways we never imagined we could and to waste our vital energy on bad habits and repetitive behaviors.
”
”
Deepak Chopra (The Shadow Effect: Illuminating the Hidden Power of Your True Self Through Comprehensive and Practical Shadow Work)
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
You see that God deems it right to take from me any claim to merit for what you call my devotion to you. I have promised to remain forever with you, and now I could not break my promise if I would. The treasure will be no more mine than yours, and neither of us will quit this prison. But my real treasure is not that, my dear friend, which awaits me beneath the somber rocks of Monte Cristo, it is your presence, our living together five or six hours a day, in spite of our jailers; it is the rays of intelligence you have elicited from my brain, the languages you have implanted in my memory, and which have taken root there with all of their philological ramifications. These different sciences that you have made so easy to me by the depth of the knowledge you possess of them, and the clearness of the principles to which you have reduced them – this is my treasure, my beloved friend, and with this you have made me rich and happy. Believe me, and take comfort, this is better for me than tons of gold and cases of diamonds, even were they not as problematical as the clouds we see in the morning floating over the sea, which we take for terra firma, and which evaporate and vanish as we draw near to them. To have you as long as possible near me, to hear your eloquent speech, -- which embellishes my mind, strengthens my soul, and makes my whole frame capable of great and terrible things, if I should ever be free, -- so fills my whole existence, that the despair to which I was just on the point of yielding when I knew you, has no longer any hold over me; this – this is my fortune – not chimerical, but actual. I owe you my real good, my present happiness; and all the sovereigns of the earth, even Caesar Borgia himself, could not deprive me of this.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
How good one feels when one is full—how satisfied with ourselves and with the world! People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained. One feels so forgiving and generous after a substantial and well-digested meal—so noble-minded, so kindly-hearted. It is very strange, this domination of our intellect by our digestive organs. We cannot work, we cannot think, unless our stomach wills so. It dictates to us our emotions, our passions. After eggs and bacon, it says, “Work!” After beefsteak and porter, it says, “Sleep!” After a cup of tea (two spoonsful for each cup, and don’t let it stand more than three minutes), it says to the brain, “Now, rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!” After hot muffins, it says, “Be dull and soulless, like a beast of the field—a brainless animal, with listless eye, unlit by any ray of fancy, or of hope, or fear, or love, or life.” And after brandy, taken in sufficient quantity, it says, “Now, come, fool, grin and tumble, that your fellow-men may laugh—drivel in folly, and splutter in senseless sounds, and show what a helpless ninny is poor man whose wit and will are drowned, like kittens, side by side, in half an inch of alcohol.” We
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
I open the books on Right and on ethics; I listen to the professors and jurists; and, my mind full of their seductive doctrines, I admire the peace and justice established by the civil order; I bless the wisdom of our political institutions and, knowing myself a citizen, cease to lament I am a man. Thoroughly instructed as to my duties and my happiness, I close the book, step out of the lecture room, and look around me. I see wretched nations groaning beneath a yoke of iron. I see mankind ground down by a handful of oppressors, I see a famished mob, worn down by sufferings and famine, while the rich drink the blood and tears of their victims at their ease. I see on every side the strong armed with the terrible powers of the Law against the weak.
And all this is done quietly and without resistance. It is the peace of Ulysses and his comrades, imprisoned in the cave of the Cyclops and waiting their turn to be devoured. We must groan and be silent. Let us for ever draw a veil over sights so terrible. I lift my eyes and look to the horizon. I see fire and flame, the fields laid waste, the towns put to sack. Monsters! where are you dragging the hapless wretches? I hear a hideous noise. What a tumult and what cries! I draw near; before me lies a scene of murder, ten thousand slaughtered, the dead piled in heaps, the dying trampled under foot by horses, on every side the image of death and the throes of death. And that is the fruit of your peaceful institutions! Indignation and pity rise from the very bottom of my heart. Yes, heartless philosopher! come and read us your book on a field of battle!
”
”
Jean-Jacques Rousseau
“
When we think of an institution, we can usually see it as embodied in a building: the Vatican, the Pentagon, the Sorbonne, the Treasury, the Massachusetts Institute of Technology, the Kremlin, the Supreme Court. What we cannot see, until we become close students of the institution, are the ways in which power is maintained and transferred behind the walls and beneath the domes, the invisible understandings which guarantee that it shall reside in certain hands but not in others, that information shall be transmitted to this one but not to that one, the hidden collusions and connections with other institutions of which it is supposedly independent. When we think of the institution of motherhood, no symbolic architecture comes to mind, no visible embodiment of authority, power, or of potential or actual violence. Motherhood calls to mind the home, and we like to believe that the home is a private place. Perhaps we imagine row upon row of backyards, behind suburban or tenement houses, in each of which a woman hangs out the wash, or runs to pick up a tear-streaked two-year-old; or thousands of kitchens, in each of which children are being fed and sent off to school. Or we think of the house of our childhood, the woman who mothered us, or of ourselves. We do not think of the laws which determine how we got to these places, the penalties imposed on those of us who have tried to live our lives according to a different plan, the art which depicts us in an unnatural serenity or resignation, the medical establishment which has robbed so many women of the act of giving birth, the experts—almost all male—who have told us how, as mothers, we should behave and feel. We do not think of the Marxist intellectuals arguing as to whether we produce “surplus value” in a day of washing clothes, cooking food, and caring for children, or the psychoanalysts who are certain that the work of motherhood suits us by nature. We do not think of the power stolen from us and the power withheld from us, in the name of the institution of motherhood.
”
”
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
“
The Fatals: the Silencers, the Mind Readers, and the Controllers. Father banished them alongside the Ordinaries during the Purging because of how dangerous they were, even to other Elites, and he only keeps one of each in his court who are loyal to him. But there are still some out there, and we currently have one in the dungeons beneath us.” He nods at me with a small smile. “We have you to thank for that.” The Silencer.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
The mind is at every stage a theater of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, how so ever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply removing portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! Your world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttlefish, or crab!
”
”
William James (The Principles of Psychology)
“
Go, sit upon the lofty hill,
And turn your eyes around,
Where waving woods and waters wild
Do hymn an autumn sound.
The summer sun is faint on them --
The summer flowers depart --
Sit still -- as all transform'd to stone,
Except your musing heart.
How there you sat in summer-time,
May yet be in your mind;
And how you heard the green woods sing
Beneath the freshening wind.
Though the same wind now blows around,
You would its blast recall;
For every breath that stirs the trees,
Doth cause a leaf to fall.
Oh! like that wind, is all the mirth
That flesh and dust impart:
We cannot bear its visitings,
When change is on the heart.
Gay words and jests may make us smile,
When Sorrow is asleep;
But other things must make us smile,
When Sorrow bids us weep!
The dearest hands that clasp our hands, --
Their presence may be o'er;
The dearest voice that meets our ear,
That tone may come no more!
Youth fades; and then, the joys of youth,
Which once refresh'd our mind,
Shall come -- as, on those sighing woods,
The chilling autumn wind.
Hear not the wind -- view not the woods;
Look out o'er vale and hill-
In spring, the sky encircled them --
The sky is round them still.
Come autumn's scathe -- come winter's cold --
Come change -- and human fate!
Whatever prospect Heaven doth bound,
Can ne'er be desolate.
”
”
Elizabeth Barrett Browning
“
Illumination
Always there is something more to know
what lingers at the edge of thought
awaiting illumination as in
this second-hand book full
of annotations daring the margins in pencil
a light stroke as if
the writer of these small replies
meant not to leave them forever
meant to erase
evidence of this private interaction
Here a passage underlined there
a single star on the page
as in a night sky cloud-swept and hazy
where only the brightest appears
a tiny spark I follow
its coded message try to read in it
the direction of the solitary mind
that thought to pencil in
a jagged arrow It
is a bolt of lightning
where it strikes
I read the line over and over
as if I might discern
the little fires set
the flames of an idea licking the page
how knowledge burns Beyond
the exclamation point
its thin agreement angle of surprise
there are questions the word why
So much is left
untold Between
the printed words and the self-conscious scrawl
between what is said and not
white space framing the story
the way the past unwritten
eludes us So much
is implication the afterimage
of measured syntax always there
ghosting the margins that words
their black-lined authority
do not cross Even
as they rise up to meet us
the white page hovers beneath
silent incendiary waiting
”
”
Natasha Trethewey (Thrall)
“
Vanity is by far my favorite of all sins, and the camera lens is the ultimate vanity mirror. The camera captures all moods and nuances; immortalizes the soft and silky continuum that is humanity. Those still life moments seem so fluid, so representative of continuity. They are a single moment captured, yet an eternity expressed. All your youth; all your ages, captured and expressed in a single click.
Of all the indulgences, vanity is certainly my favorite which we should otherwise resist, but are inexplicably captivated by and addicted. What other animal would spend so much time pouting and preening for its reflection? Only humanity would participate in such self-adoration.
You would think we have the most colorful feathers or softest of manes. Rather, we are a naked biped that feels incomplete without some decorative element, accessory, or embellishment of the self. We are intoxicated by the image of the body, no different than we are seduced by fine wines, foods, or mind altering elements. We devour the skin, and peel away clothes as if they were the skin of some tropical fruit, covering a colorful and juicy interior. We hunt for bodily pleasures, and collect them as prizes; show them off in social situations as if our companions were some sort of extended adornment to ourselves.
We are revealed in our sensuality. To touch beneath the surface; to connect beyond facades, that unattainable discourse between individuals is put tentatively within reach in intimacy. To capture those moments is to capture the essence of what makes us human, and what ultimately sets us above and aside from the rest of nature.
Capturing humanity in its most extravagant expressions is intoxicating. Vanity is by far my favorite sin, and it is an endless tale as infinite as humanity. Every person is but a stitch in a giant tapestry.
”
”
A.E. Samaan
“
Maybe we’re feeling left out or defective, ashamed or insecure. The feelings get too big and … for many of us, the fix is to binge on treasure troves of sugar and fat: pizza, ice cream, cookies, cheese, chocolate. For a little while, the chemical relief numbs out the hurt. Hurt? Worry? It’s all shoved deep down beneath layers of chips or donuts. Hidden. Out of sight and out of mind. Until the chemical buzz begins to wear off … and it turns out that the feelings never went away. They’re still here. And worse, now there’s self-loathing and shame to add to the mix. So we punish ourselves … until the hurt gets too big, and the cycle starts again. For those of us who starve ourselves, the story isn’t much different. We’re still trying to escape overwhelming feelings—of being a fraud, not good enough, unworthy, a failure. Instead of indulging in cover-up chaos, undereaters (like I was) discover relief—even a sense of power—in artificial control.
”
”
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
“
AUTHOR’S NOTE
Dear reader:
This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard.
My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm.
My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight.
The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn.
Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering.
It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents.
Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own.
No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends.
This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared.
I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
”
”
Suzanne Redfearn (In an Instant)
“
During congregational silences, in meditation rooms or halls, in prison cells and meeting rooms, in silent confession at church, all these screwed-up people like us, with tangled lives and minds, find their hearts opening through quiet focus. In unfolding, we are enfolded, and there is a melding of spirits, a melding of times, eternal, yesterday morning, the now, the ancient, even as we meet beneath a digital clock on the wall, flipping its numbers, keeping ordinary time in all that timelessness.
”
”
Anne Lamott (Hallelujah Anyway: Rediscovering Mercy)
“
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
”
”
Robert James Waller (The Bridges Of Madison County)
“
When I shut my eyes, I can see her face, her lips parted, eyes hooded and locked on me. I can hear her moans. Her phantom touch is there on my back, caressing my shoulders. I grip my erection and imagine sinking into her tight pussy. Her desperate cries roll through my mind, swelling and falling in the same pace as I stroke my cock. Every detail is so clear. The feel of her flesh beneath my palms. The peak of her nipples. The blush in her skin. I can’t help myself. In my fantasy, I lean closer. Closer, and closer, and closer, until I slant my mouth over hers and dissolve into a kiss I’ve imagined more times than I can count. It’s this moment that throws me over the edge. This forbidden, broken rule that has my balls tightening and my cock pulsing and ropes of cum shooting across the tiles. It’s the kiss that has me unraveling, barely able to stand beneath the scalding water, one hand braced against the shower wall. I don’t just want part of her. I want all of her. I want to consume these boundaries between us until I finally feel whole.
”
”
Brynne Weaver (Scythe & Sparrow (The Ruinous Love Trilogy, #3))
“
We have just relieved. The wheels roll beneath us, we stand dully, and when the call "Mind—wire" comes, we bend our knees. It was summer when we came up, the trees were still green, now it is autumn and the night is grey and wet. The lorries stop, we climb out—a confused heap, a remnant of many names. On either side stand people, dark, calling out the numbers of the brigades, the battalions. And at each call a little group separates itself off, a small handful of dirty, pallid soldiers, a dreadfully small handful, and a dreadfully small remnant.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
Who can tell how scenes of peace and quietude sink into the minds of pain-worn dwellers in close and noisy places, and carry their own freshness, deep into their jaded hearts! Men who have lived in crowded, pent-up streets, through lives of toil, and who have never wished for change; men, to whom custom has indeed been second nature, and who have come almost to love each brick and stone that formed the narrow boundaries of their daily walks; even they, with the hand of death upon them, have been known to yearn at last for one short glimpse of Nature’s face; and, carried far from the scenes of their old pains and pleasures, have seemed to pass at once into a new state of being. Crawling forth, from day to day, to some green sunny spot, they have had such memories wakened up within them by the sight of sky, and hill and plain, and glistening water, that a foretaste of heaven itself has soothed their quick decline, and they have sunk into their tombs, as peacefully as the sun whose setting they watched from their lonely chamber window but a few hours before, faded from their dim and feeble sight! The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred; but beneath all this, there lingers, in the least reflective mind, a vague and half-formed consciousness of having held such feelings long before, in some remote and distant time, which calls up solemn thoughts of distant times to come, and bends down pride and worldliness beneath it.
”
”
Charles Dickens (Oliver Twist)
“
They’re still there,” Salon said. “Not in Agarttha, but in tunnels. Perhaps beneath us, right here. Milan, too, has a metro. Who decided on it? Who directed the excavations?” “Expert engineers, I’d say.” “Yes, cover your eyes with your hands. And meanwhile, in that firm of yours, you publish such books ... How many Jews are there among your authors?” “We don’t ask our authors to fill out racial forms,” I replied stiffly. “You mustn’t think me an anti-Semite. No, some of my best friends ... I have in mind a certain kind of Jew....” “What kind?” “I know what kind....
”
”
Umberto Eco (Foucault's Pendulum)
“
Days in the past cover up little by little those that preceded them and are themselves buried beneath those that follow them. But each past day has remained deposited in us, as in a vast library where, even of the oldest books, there is a copy which doubtless nobody will ever ask to see. And yet should this day from the past, traversing the translucency of the intervening epochs, rise to the surface and spread itself inside us until it covers us entirely, then for a moment names resume their former meaning, people their former aspect, we ourselves our state of mind at the time.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
Unfulfilled BENEATH OUR WORRYING lives, however, something else is going on. While our minds and hearts are filled with many things, and we wonder how we can live up to the expectations imposed upon us by ourselves and others, we have a deep sense of unfulfillment. While busy with and worried about many things, we seldom feel truly satisfied, at peace, or at home. A gnawing sense of being unfulfilled underlies our filled lives. Reflecting a little more on this experience of unfulfillment, I can discern different sentiments. The most significant are boredom, resentment, and depression.
”
”
Henri J.M. Nouwen (The Spiritual Life: Eight Essential Titles by Henri Nouwen)
“
The room quieted, the space between us sucking everything into it. His eyes dropped down to my mouth and the burning in my chest ran into the rest of my body. It found every dark, hidden place and lit it on fire.
I tried to breathe, but it wouldn’t come. I was underwater, trapped beneath the frozen lake. And as soon as he moved, it broke loose and the sound of my breath rang in my ears so loud that every thought ran like a retreating army. The heat of him hit me just before his lips touched mine and I froze, trying to feel it. That stinging, throbbing pulse beneath my skin.
I lifted my hands slowly, opening my eyes to look at him. My fingertips touched the lines on the sides of his face and he pulled his mouth from mine, looking back at me like he wasn’t sure I was still there.
His breath touched me.
Somewhere I didn’t know I could feel.
Somewhere I didn’t know existed.
“Fiske.” I said his name in a voice that wasn’t mine and it hung between us in the silence.
He pressed his lips together. “What?”
I stood at the threshold of the thought. The thought of Fiske that had been buried alive in the back of my mind. I looked over the edge of it, peering down into the darkness. It called to me. It screamed my name.
And I jumped.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
The Fatals: the Silencers, the Mind Readers, and the Controllers. Father banished them alongside the Ordinaries during the Purging because of how dangerous they were, even to other Elites, and he only keeps one of each in his court who are loyal to him. But there are still some out there, and we currently have one in the dungeons beneath us.” He nods at me with a small smile. “We have you to thank for that.” The Silencer. “Wait,” I say slowly, trying to puzzle everything out, “if the Fatals are truly working with the Resistance, then why wouldn’t they fight in the attack? They would have done a lot more damage if they had.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
(William) Hamilton recast the central ideas (of the evolutionary theory of aging) in mathematical form. Though this work tells us a good deal about why human lives take the course they do, Hamilton was a biologist whose great love was insects and their relatives, especially insects which make both our lives and an octopus’s life seem rather humdrum. Hamilton found mites in which the females hang suspended in the air with their swollen bodies packed with newly hatched young, and the males in the brood search out and copulate with their sisters there inside the mother. He found tiny beetles in which the males produce “and manhandle sperm cells longer than their whole bodies.
Hamilton died in 2000, after catching malaria on a trip to Africa to investigate the origins of HIV. About a decade before his death, he wrote about how he would like his own burial to go. He wanted his body carried to the forests of Brazil and laid out to be eaten from the inside by an enormous winged Coprophanaeus beetle using his body to nurture its young, who would emerge from him and fly off.
'No worm for me nor sordid fly, I will buzz in the dusk like a huge bumble bee. I will be many, buzz even as a swarm of motorbikes, be borne, body by flying body out into the Brazilian wilderness beneath the stars, lofted under those beautiful and un-fused elytra [wing covers] which we will all hold over our “backs. So finally I too will shine like a violet ground beetle under a stone.
”
”
Peter Godfrey-Smith (Other Minds)
“
How can this tainted world contain us, how can it contain our dreams? At night, in the freedom of my mind, the shackles of this mortal realm fall away as I soar above the fields and the farms, over forests and hills. I have always dreamed of flying – dreams like this are where the spirit comes alive, where we create our own rules, our own reality. Why should we let other people tell us how to live, or what is right and what is wrong? Flex your wings and soar with me, my little ones. Do you see our land below us? Is it not beautiful? The lake and the fields, the river and the trees, the horses running free beneath the sun. This is our world, our home, our sanctuary, and within it we are safe. Is that a dream? No, it is our reality.
”
”
Casey Hill (Hidden (CSI Reilly Steel, #3))
“
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.”
I came to my feet. “And ask the stars about them?”
Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday.
“Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.”
“No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.”
“Bugger you, waif.”
“And you.”
He walked past both of us without another glance or another word, opened the door, and disappeared into the night.
I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too.
“I don’t want to go,” I whispered.
I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.”
“Which part?”
“All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.”
I frowned up at him. “What do you mean?”
Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“
“That is not bloody going to happen.”
“When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?”
“My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.”
To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his.
Sweeter than raspberry jam, warmer than candle flame, softer than bread.
People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his.
Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle.
Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now.
Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure.
His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.”
Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression.
An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave.
As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold.
“Why did you do that?”
He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Your turn. A thought for a thought.
He pressed a kiss to my stomach, right over my navel. 'Have I told you about the first time you winnowed and tackled me into the snow?'
I smacked his shoulder, the muscle beneath hard as stone. 'That's your thought for a thought?'
He smiled against my stomach, his fingers still exploring, coaxing. 'You tackled me like an Illyrian. Perfect form, a direct hit. But then you lay on top of me, panting. All I wanted to do was get us both naked.'
'Why am I not surprised?' Yet I threaded my fingers through his hair.
The fabric of my dressing gown was barely more than cobwebs between us as he huffed a laugh onto my belly. I hadn't bothered putting on anything beneath. 'You drove me out of my mind. All those months. I still don't quite believe I get to have this. Have you.'
My throat tightened. That was the thought he wanted to trade, needed to share. 'I wanted you, even Under the Mountain,' I said softly. 'I chalked it up to those horrible circumstances, but after we killed her, when I couldn't tell anyone how I felt- about how truly bad things were, I still told you. I've always been able to talk to you. I think my heart knew you were mine long before I ever realised it.'
His eyes gleamed, and he buried his face between my breasts again, hands caressing my back. 'I love you,' he breathed. 'More than life, more than my territory, more than my crown.'
I knew. He'd given up that life to reforge the Cauldron, the fabric of the world itself, so I might survive. I hadn't had it in me to be furious with him about it afterward, or in the months since. He'd lived- it was a gift I would never stop being grateful for. And in the end, though, we'd saved each other. All of us had.
I kissed the top of his head. 'I love you,' I whispered onto his blue-black hair.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
The fat man sitting in the armchair, his eyes still tightly closed, continued: “We look about in puzzlement at our world, with a sense of unease and disquiet. We think of ourselves as scholars in arcane liturgies, single men trapped in worlds beyond our devising. The truth is far simpler: there are things in the darkness beneath us that wish us harm.” His head was lolled back on the armchair, and the tip of his tongue poked out of the corner of his mouth. “You read my mind?” The man in the armchair took a slow deep breath that rattled in the back of his throat. He really was immensely fat, with stubby fingers like discolored sausages. He wore a thick old coat, once black, now an indeterminate gray. The snow on his boots had not entirely melted. “Perhaps. The end of the world is a strange concept. The world is always ending, and the end is always being averted, by love or foolishness or just plain old dumb luck.
”
”
Neil Gaiman (Smoke and Mirrors)
“
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
”
”
P.C. Cast (Revealed (House of Night #11))
“
Ethan's gaze returned to the swell of her breast above the top of her gown. "Cord once mentioned a room here at Sheffield House on the second floor, rather out of the way,I understand, and rarely used.I don't think anyone would miss us if we disappeared for a while, do you?"
Her pulse quickened. She couldn't look away from the smoky heat in his eyes or the sensual curve of his lips. They were equally matched, she thought, and perfectly mated,her mind slipping ahead to what would happen in that room. "No,I don't believe they would miss us in the least."
His look burned hotter. He glanced at the crush of people surrounding them, spoke just loudly enough for them to hear. "Come,my love.It's a bit warm in here.Why don't we take a stroll in the garden?"
Grace bit back a smile. "That is a very good notion,my lord.I believe the night is clear enough for us to see the stars.The Great Bear and the Little Lion should be visible tonight and I am ever so eager to see them."
Ethan's smile held a trace of amusement that disappeared beneath a look of sensual heat.
”
”
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
“
There’s something in my voice that brings him back to me, overrides his buzz. ‘Gaby’—all traces of playfulness have gone—‘if anything ever happens to me, you’ll be fine. You’re strong enough to look after yourself. I hate to admit it, but you don’t need me. Never did.’ A smile. ‘But listen, nothing is going to happen today. It’s all good.’
‘Jude, we’re high enough up to get a nose bleed.’
‘So come with me.’
I blink. ‘Fuck off.’
‘I mean it. We can do this together.’ He raises his eyebrows at the girl who checked his harness. She nods.
I risk looking over the side. There’s a river far beneath us. So far down we can’t hear it. My entire body goes numb.
‘You’ve got about thirty seconds and then I’m going on my own.’
What a choice: watch my brother jump out of this car or put aside my own fear and go with him. Share the recklessness. Why didn’t we go to Paris? We’d be arguing over where to buy cheese right now.
Adrenaline begins to burn through me. ‘Screw it.’
Jude breaks into a wide smile. ‘Seriously?’
I glance at the yawning space beneath us. ‘Hurry up before I change my mind.
”
”
Paula Weston (Haze (The Rephaim, #2))
“
What’s the matter, Freckles?” he said, pressing a light kiss to the tip of my nose.
“What changed?” I blurted out.
He drew back. “Changed?”
“You seemed like you were trying to keep distance between us before, but after last night…”
“I should get a medal for managing to keep my hands off you that long.”
“It was only a few days,” I reminded him dryly.
“Felt like a lifetime.”
“So those first kisses… you liked them?”
His eyes widened. “You thought that I didn’t?”
“Well, after that you didn’t touch me.”
“Shit,” he swore beneath his breath and ran a hand over his head. “I liked it too much. The sparks between us are so hot, I was afraid I wouldn’t be able to stop. I was afraid I would scare you off. Thank God I did because you’re so innocent.”
Innocent? Ugh.
I folded my arms across my chest. “So what changed your mind?”
His smile was sexy and filled with innuendo. “I realized you could handle the heat.”
I still wasn’t so sure, but I didn’t tell him that. “Well, you are definitely hot.”
He grinned. He had such a big ego. “How hot?”
I shook my head. “So hot your touch leaves torch marks on my skin.”
He whistled between his teeth. “Damn. I’m good.
”
”
Cambria Hebert (Torch (Take It Off, #1))
“
I'm sorry.'
It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash.
Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted.
A lie. A lie, as Rhys had lied to me. Stay with the High Lord.
Stay.
For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer.
Stay. Stay, stay, stay.
I clung to those scraps and remnants, clawing at the voice that lurked beyond.
Stay.
I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.'
Blank faces.
I screamed at them, 'BRING HIM BACK.'
Nothing.
'You did it for me,' I said, breathing hard. 'Now do it for him.'
'You were human,' Helion said carefully. 'It is not the same-'
'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if-
Tarquin stepped forward. He slowly extended his hand toward me.
'For what he gave,' Tarquin said quietly. 'Today and for many years before.'
And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once.
Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin.
Then Kallias. And Thesan.
Until only Beron stood there.
Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said.
Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either.
I didn't know the spell, the power it came from. But I was High Lady.
I held out my palm. Willing the spark of life to appear. Nothing happened.
I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one.
Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until-
There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life.
I laid it gently on Rhys's blood-crusted throat.
And I realised, just as he appeared, what was missing.
Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty.
He studied Rhys, lifeless before me. Studied all of us- the palms still out.
There was no kindness on his face. No mercy.
'Please,' was all I said to him.
Then Tamlin glanced between us- me and my mate. His face did not change.
'Please,' I wept. 'I will- I will give you anything-'
Something shifted in his eyes at that. But not kindness. No emotion at all.
I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour.
'Anything,' I breathed to no one in particular. 'Anything.'
Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder.
The steps remained behind me for long enough that I looked.
Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place.
'Be happy, Feyre,' he said quietly.
And dropped that final kernel of light onto Rhysand.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I just want some time, Mikhail, to think things through. It’s frightening, the way I am about you. I think about you every minute. I want to touch you, just to know I can, to feel you beneath my fingers. It’s as if you crawled into my head and my heart, even my body, and I can’t get you out.” She made it a confession, her head bent, ashamed.
Mikhail took her hand, tugged at her to get her walking with him. “This is the way of my people, the way we feel about a mate. It is not always comfortable, is it? We are passionate by nature, highly sexual, and very possessive. The things that you are feeling, I feel too.”
Her fingers tightened around his, and she sent him a small, tentative smile. “Am I right in thinking you’re deliberately keeping me here?”
Mikhail shrugged his broad shoulders. “Yes and no. I do not want to force you against your will, but as to my wanting you to stay, I believe us to be lifemates, bound more irrevocably than by your marriage ceremony. I would be extremely uncomfortable without you here, both in body and mind. I do not know how I would react to your contact with another man, and quite frankly, I fear it.”
“We really are from two different worlds, aren’t we?” she asked sadly.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
A look passed between Genevieve, Kaya, and I, a silent knowledge relating back to the warning Anansi had given us that Paine was growing corn here, recalling a vision I had not long ago about acres and acres of the stuff stretching on for miles beneath a moonlit sky, about so many lessons gleaned in the Divine Rite Academy as children regarding the “Devil’s Grain” and how to spot it and its many forms by sight and smell, so that we would always avoid it if it should ever reappear on this earth. That yellow sweet temptress. Its siren song was near impossible to avoid, even though I’d never once tasted it. But somehow I knew exactly how it would taste, how its rough grit would crunch between my teeth like grains of sand, as if it had been imprinted into my genes from so many ancestors going back thousands of years who were gluttons for those kernels of gold. We could drive it to extinction or turn it into a monster that would drive us to extinction, but it would always be a part of us, waiting for resurrection. I could tell by the way the women gazed at the platter of golden medallions that they were having a similar fight in their minds. Just one bite. One little taste. It wouldn’t be so bad. And then we could move on.
”
”
Allison M. Dickson (The Last Supper)
“
Nothing ends. There is matter and there is energy, and some believe these two the only things in existence. But a third exists. It infuses both matter and energy, and yet also stands alone. Let us call it potential. Only in the realm of potential can we act, to effect changes upon all existence. Indeed, it is the realm in which we live, we living things, in our stubborn battle with success and failure.
Yet the truth remains. Of the two, success and failure, only one ends the game.
Now, poet, I see the shock writ deep upon your lined face, and yet it must be clear to you, even in this moment of despair, that love was at the heart of this tale, and now we must once more settle back and take breath, steadying ourselves for what is still to come.
The warriors wallow in what they will, in all that they make of the world, which is little more than destruction and suffering. Recall the child with the stone, on her knees in the grass, a boy’s crushed face beneath her? Such is the glory of the belligerent.
Revel in it, if you’re of the mind to.
What comes next, my friend, is entirely another kind of glory.
What is the secret of sorcery? It is potential. Now then, on the dawn of magic’s burgeoning, let us see what they make of it.
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
LITTLE TRIGGERS There are things that upset us. That’s not quite what we’re talking about here, though. I’m thinking rather about those images or words or ideas that drop like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked. And what we learn about ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way. The monsters in our cupboards and our minds are always there in the darkness, like mold beneath the floorboards and behind the wallpaper, and there is so much darkness, an inexhaustible supply of darkness. The universe is amply supplied with night. What do we need to be warned about? We each have our little triggers. I
”
”
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
“
The quarrel between the poet and the thinker could surely be composed if the thinker took the words of the poet not literally but symbolically, which is how the tongue of the poet desires to be understood. Can Schiller have misunderstood himself? It would almost seem so, otherwise he could not argue thus against himself. The poet speaks of a spring of unsullied beauty which flows beneath every age and generation, and is constantly welling up in every human heart. It is not the man of Greek antiquity whom the poet has in mind, but the old pagan in ourselves, that bit of eternally unspoiled nature and pristine beauty which lies unconscious but living within us, whose reflected splendour transfigures the shapes of the past, and for whose sake we fall into the error of thinking that those heroes actually possessed the beauty we seek. It is the archaic man in ourselves, who, rejected by our collectively oriented consciousness, appears to us as hideous and unacceptable, but who is nevertheless the bearer of that beauty we vainly seek elsewhere. This is the man the poet Schiller means, but the thinker mistakes him for his Greek prototype. What the thinker cannot deduce logically from his evidential material, what he labours for in vain, the poet in symbolic language reveals as the promised land.
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
“
To protect ourselves we use the most potent marker of distance we know, the line of demarcation that passes between ‘we’ and ‘they’. The Nazis have become our great ‘they’. In their demonic and monstrous evil ‘they’ exterminated the Jews and set the world aflame. Hitler, Goebels, Goering and Himmler, Mengele, Stangl and Eichmann. The German people who followed ‘them’ are in our minds also ‘they’, a faceless and frenzied mass, almost as monstrous as their leaders. The remoteness of ‘they’ is vast and dashes down these proximate historical events, which took place in the present of our grandparents, into a near-medieval abyss. At the same time we know, every one of us knows, even though we might not acknowledge it, that we ourselves, had we been a part of that time and place and not of this, would in all probability have marched beneath the banners of Nazism. In Germany in 1938 Nazism was the consensus. It was what was right, and who would dare to speak against what is right? The great majority of us believe the same as everyone else, do the same as everyone else, and this is to become the ‘we’ and the ‘all’ are what decide the norms, rules and morals of society. Now that Nazism has become ‘they’, it is easy to distance ourselves from it, but this was not the case what Nazism was ‘we’. If we are to understand what happened and how it was possible, we must understand this first.
”
”
Karl Ove Knausgård (Min kamp 6 (Min kamp, #6))
“
She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him…to pry each other open with words, share every thought and secret.
“My sincere thanks for your hospitality,” Christopher finally said at the conclusion of the meal. “It was much needed.”
“You must return soon,” Cam said, “especially to view the timber yard in operation. We have installed some innovations that you may want to use at Riverton someday.”
“Thank you. I would like to see them.” Christopher looked directly at Beatrix. “Before I depart, Miss Hathaway, I wonder if you would introduce me to this notorious mule of yours?” His manner was relaxed…but his eyes were those of a predator.
Beatrix’s mouth went dry. There would be no escaping him. That much was clear. He wanted answers. He would have them either now or later.
“Now?” she asked wanly. “Tonight?”
“If you don’t mind,” he said in a far too pleasant tone. “The barn is but a short walk from the house, is it not?”
“Yes,” Beatrix said, rising from her chair. The men at the table stood obligingly. “Excuse us, please. I won’t be long.”
“May I go with you?” Rye asked eagerly.
“No, darling,” Amelia said, “it’s time for your bath.”
“But why must I wash if I can’t see any dirt?”
“Those of us who have a difficult time with godliness,” Amelia replied with a grin, “must settle for cleanliness.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
On the other side of the mountain, Drizzt Do'Urden opened his eyes from his daytime slumber. Emerging from the cave into the growing gloom, he found Wulfgar in the customary spot, poised meditatively on a high stone, staring out over the plain. "You long for your home?" the drow asked rhetorically. Wulfgar shrugged his huge shoulders and answered absently, "Perhaps." The barbarian had come to ask many disturbing questions of himself about his people and their way of life since he had learned respect for Drizzt. The Drow was an enigma to him, a confusing combination of fighting brilliance and absolute control. Drizzt seemed able to weigh every move he ever made in the scales of high adventure and indisputable morals. Wulfgar turned a questioning gaze on the drow. "Why are you here?" he asked suddenly. Now it was Drizzt who stared reflectively into the openness before them. The first stars of the evening had appeared, their reflections sparkling distinctively in the dark pools of the elf's eyes. But Drizzt was not seeing them; his mind was viewing long past images of the lightless cities of the drow in their immense cavern complexes far beneath the ground. "I remember," Drizzt recalled vividly, as terrible memories are often vivid, "'the first time I ever viewed this surface world. I was a much younger elf then, a member of a large raiding party. We slipped out from a secret cave and descended upon a small elven village." The drow flinched at the images as they flashed again in his mind. "My companions slaughtered every member of the wood elf clan. Every female. Every child." Wulfgar listened with growing horror. The raid that Drizzt was describing might well have been one perpetrated by the ferocious Tribe of the Elk. "My people kill," Drizzt went on grimly. "They kill without mercy." He locked his stare onto Wulfgar to make sure that the barbarian heard him well. "They kill without passion." He paused for a moment to let the barbarian absorb the full weight of his words. The simple yet definitive description of the cold killers had confused Wulfgar. He had been raised and nurtured among passionate warriors, fighters whose entire purpose in life was the pursuit of battle-glory - fighting in praise of Tempos. The young barbarian simply could not understand such emotionless cruelty. A subtle difference, though, Wulfgar had to admit. Drow or barbarian, the results of the raids were much the same. "The demon goddess they serve leaves no room for the other races," Drizzt explained. "Particularly the other races of elves." "But you will never come to be accepted in this world," said Wulfgar. "Surely you must know that the humans will ever shun you." Drizzt nodded. "Most," he agreed. "I have few that I can call friends, yet I am content. You see, barbarian, I have my own respect, without guilt, without shame." He rose from his crouch and started away into the darkness. "Come," he instructed. "Let us fight well this night, for I am satisfied with the improvement of your skills, and this part of your lessons nears its end." Wulfgar sat a moment longer in contemplation. The drow lived a hard and materially empty existence, yet he was richer than any man Wulfgar had ever known. Drizzt had clung to his principles against overwhelming circumstances, leaving the familiar world of his own people by choice to remain in a world where he would never be accepted or appreciated. He looked at the departing elf, now a mere shadow in the gloom. "Perhaps we two are not so different," he mumbled under his breath.
”
”
R.A. Salvatore (The Crystal Shard (Forgotten Realms: The Icewind Dale, #1; Legend of Drizzt, #4))
“
a Chinese poem says: Entering the forest, he does not disturb a blade of grass; Entering the water, he does not cause a ripple. For the image represents a number of qualities which are, in fact, aspects of the same thing. It represents the sage’s freedom and detachment of mind, a skylike consciousness in which experience moves without leaving any stain. As another poem says: The bamboo shadows sweep the stairs, But stir no dust. Yet, paradoxically, this detachment from is also a harmony with, for the man who goes into the forest without disturbing a blade of grass is a man in no conflict with nature. Like the Native American scouts, he walks without a single twig cracking beneath his feet. Like the Japanese architects, he builds a house which seems to be a part of its natural surroundings. The image also represents the fact that the way of the sage cannot be traced and followed, since no authentic wisdom can be imitated. Each man must find it for himself, because there is really no way of putting it into words, of reaching it by any specific methods or directions. But there is actually the most intimate connection between these two apparently separate uses of the metaphor—the way of the sage, on the one hand, and the impermanence of life, on the other. And the connection reveals the one deepest and most central principle of those Asian philosophies which so puzzle the Western mind by identifying the highest wisdom with what, to us, seems the doctrine of abject despair. Indeed, the word despair in a particular sense is the proper translation of the Hindu–Buddhist term nirvana—to “de-spirate,” to breathe out, to give up the ghost. We cannot understand how the Asians manage to equate this despair with ultimate bliss—unless, as we are prone to suppose, they are after all a depraved and spineless people, long accustomed to fatalism and resignation.
”
”
Alan W. Watts (Become What You Are)
“
Sadly though, this side of heaven, we can only attempt to have a fore-shadow of the romance to come. Even the best marriages and the men and women who valiantly strive to follow the Bible’s model of marriage fall short. I am sure many of us have failed in obtaining the type of earthly relationship God planned and intended to display His love. Pre-marital sex, extra-marital sex, homosexuality, sex outside of a marriage covenant, and love-less, dysfunctional marriages are just the beginning. Many have been abused, sold, objectified, molested, even raped. All manner of perversion and depravity have marred the beauty God intended. We are broken, injured, hurt, marginalized, left feeling like so much less than what God requires. If you are one broken, please hear this: It should not have been. It was not God’s way or His will that you were treated like anything less than His highly valued, flawless beauty—His beloved. If you are one who lost your way and engaged in things beneath your royal standing, He died, arose and lives to forgive and restore. Yes, we know a good and solid Biblical marriage gives the closest representation of godly intimacy. But let’s get real for a minute. So few of us have ever experienced that for ourselves or grew up in homes where that was our example, we desperately need to trust God for our own healing and restoration in this area before we can ever hope to experience it in our relationships. I am convinced God’s priority for us is to learn about spiritual intimacy with Him. He can restore marriages, liberate from sexual addictions, save spouses, give us a godly man. But I think, for the most part, those things happen after we realize and accept our need for Christ. His priority will always be our spirit intimately one with His, because He puts the spirit above the flesh. We have to lay our souls bare and ask for His touch. God alone can reclaim our perception of intimacy for His holy and righteous glory. He can restore our hearts and minds to righteousness, clean and pure so we might experience holy intimacy through the Spirit until we see Him face to face in glory.
”
”
Angie Nichols (Something Abundant)
“
Now, we’ll begin,’ interrupted Mr. Torkingham, his mind returning to this world again on concluding his search for a hymn.
Thereupon the racket of chair-legs on the floor signified that they were settling into their seats,—a disturbance which Swithin took advantage of by going on tiptoe across the floor above, and putting sheets of paper over knot-holes in the boarding at points where carpet was lacking, that his lamp-light might not shine down. The absence of a ceiling beneath rendered his position virtually that of one suspended in the same apartment.
The parson announced the tune, and his voice burst forth with ‘Onward, Christian soldiers!’ in notes of rigid cheerfulness.
In this start, however, he was joined only by the girls and boys, the men furnishing but an accompaniment of ahas and hems. Mr. Torkingham stopped, and Sammy Blore spoke,—
‘Beg your pardon, sir,—if you’ll deal mild with us a moment. What with the wind and walking, my throat’s as rough as a grater; and not knowing you were going to hit up that minute, I hadn’t hawked, and I don’t think Hezzy and Nat had, either,—had ye, souls?’
‘I hadn’t got thorough ready, that’s true,’ said Hezekiah.
‘Quite right of you, then, to speak,’ said Mr. Torkingham. ‘Don’t mind explaining; we are here for practice. Now clear your throats, then, and at it again.’
There was a noise as of atmospheric hoes and scrapers, and the bass contingent at last got under way with a time of its own:
‘Honwerd, Christen sojers!’
‘Ah, that’s where we are so defective—the pronunciation,’ interrupted the parson. ‘Now repeat after me: “On-ward, Christ-ian, sol-diers.”’
The choir repeated like an exaggerative echo: ‘On-wed, Chris-ting, sol-jaws!’
‘Better!’ said the parson, in the strenuously sanguine tones of a man who got his living by discovering a bright side in things where it was not very perceptible to other people. ‘But it should not be given with quite so extreme an accent; or we may be called affected by other parishes. And, Nathaniel Chapman, there’s a jauntiness in your manner of singing which is not quite becoming. Why don’t you sing more earnestly?
”
”
Thomas Hardy (Two on a Tower)
“
Eventually, two Swedish climbers and a Sherpa called Babu Chiri found Mick. By chance--by God’s grace--Babu was carrying a spare canister of oxygen.
Neil and Pasang had also now descended, and met up with Mick and the others. Neil then located an emergency cache of oxygen half-buried in the snow nearby. He gave one to Alan and forced both him and Mick to their feet.
Slow and tired, his mind wandering in and out of consciousness, Mick remembers little about the next few hours. It was just a haze of delirium, fatigue, and cold.
Descending blue sheet ice can be lethal. Much more so than ascending it. Mick staggered on down, the debilitating effects of thin air threatening to overwhelm him.
Somewhere beneath the Balcony Mick suddenly felt the ground surge beneath him. There was a rush of acceleration as the loose topping of snow--covering the blue ice--slid away under him.
He began to hurtle down the sheer face on his back, and then made the all-too-easy error of trying to dig in his crampons to slow the fall. The force catapulted him into a somersault, hurtling him ever faster down the steep ice and snow face.
He resigned himself to the fact that he would die.
He bounced and twisted, over and over, and then slid to a halt on a small ledge. Then he heard voices. They were muffled and strange.
Mick tried to shout to them but nothing came out. The climbers who were now at the col then surrounded him, clipped him in, and held him. He was shaking uncontrollably.
When Mick and Neil reached us at camp two, forty-eight hours later, they were utterly shattered. Different men. Mick just sat and held his head in his hands.
That said it all.
That evening, as we prepared to sleep, he prodded me. I sat up and saw a smile spread across his face.
“Bear, next time, let me choose where we go on holiday--all right?”
I began to laugh and cry at the same time. I needed to. So much had been kept inside.
The next morning, Mick, Neil, and Geoffrey left for base camp. Their attempt was over. Mick just wanted to be off this forsaken mountain--to be safe.
I watched them head out into the glacier and hoped I had made the right decision to stay up at camp two without them all.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
In all your travels around Alagaësia, with Angela and without, you’ve never found anything that might explain this mystery? Or even just something that might be of use against Galbatorix.”
I found you, didn’t I?
“That’s not funny,” growled Eragon. “Blast it, you have to know something more.”
I do not.
“Think, then! If I can’t find some sort of help against Galbatorix, we’ll lose, Solembum. We’ll lose, and most of the Varden, including the werecats, will die.”
Solembum hissed again. What do you expect of me, Eragon? I cannot invent help where none exists. Read the book.
“We’ll be at Urû’baen before I can finish it. The book might as well not exist.”
Solembum’s ears flattened again. That is not my fault.
“I don’t care if it is. I just want a way to keep us from ending up dead or enslaved. Think! You have to know something else!”
Solembum uttered a low, warbling growl. I do not. And--
“You have to, or we’re doomed!”
Even as Eragon uttered the words, he saw a change come over the werecat. Solembum’s ears swiveled until they were upright, his whiskers relaxed, and his gaze softened, losing its hard-edged brilliance. At the same time, the werecat’s mind grew unusually empty, as if his consciousness had been stilled or removed.
Eragon froze, uncertain.
Then he felt Solembum say, with thoughts that were as flat and colorless as a pool of water beneath a wintry, cloud-ridden sky: Chapter forty-seven. Page three. Start with the second passage thereon.
Solembum’s gaze sharpened, and his ears returned to their previous position. What? he said with obvious irritation. Why are you gaping at me like that?
“What did you just say?”
I said that I do not know anything else. And that--
“No, no, the other thing, about the chapter and page.”
Do not toy with me. I said no such thing.
“You did.”
Solembum studied him for several seconds. Then, with thoughts that were overly calm, he said, Tell me exactly what you heard, Dragon Rider.
So, Eragon repeated the words as closely as he could. When he finished, the werecat was silent for a while. I have no memory of that, he said.
“What do you think it means?”
It means that we should look and see what’s on page three of chapter forty-seven.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
My blood froze as a creeping, leeching cold lurched by. I couldn't see anything, just a vague shimmering in the corner of my vision, but my horse stiffened beneath me. I willed my face in to blackness. Even the balmy spring woods seemed to recoil, to wither and freeze.
The cold thing whispered past, circling. I could see nothing, but I could feel it. And in the back of my mind, an ancient hollow voice whispered:
I will grind your bones between my claws; I will drink your marrow; I will feast on your flesh. I am what you fear; I am what you dread... Look at me. Look at me.
I tried to swallow, but my throat had closed up. I kept my eyes on the trees, on the canopy, on anything but the cold mass circling us again and again.
Look at me.
I wanted to look- I needed to see what it was.
Look at me.
I stared at the coarse trunk of a distant elm, thinking of pleasant things. Like hot bread and full bellies-
I will fill my belly with you. I will devour you. Look at me.
A starry, unclouded night sky, peaceful and glittering and endless Summer sunrise. A refreshing bath in a forest pool. Meetings with Issac, losing myself for an hour or two in his body, in our shared breaths.
It was all around us, so cold that my teeth chattered. Look at me.
I stared and stared at the ever-nearing tree trunk, not daring to blink. My eyes strained, filling with tears, and I let them fall, refusing to acknowledge the thing that lurked around us.
Look at me.
And just as I thought I would give in, when my eyes so much from not looking, the cold disappeared in to the brush, leaving a trail of still, recoiling plants behind. Only after Lucien exhaled and our horses shook their heads did I dare sag in my seat. Even the crocuses seemed to straighten.
'What was that?' I asked, brushing the tears from my face.
Lucien's face was still pale. 'You don't want to know.'
'Please. Was it that... Suriel you mentioned?'
Lucien's russet eye was dark as he answered hoarsely. 'No. It was a creature that should not be in these lands. We call it the Bogge. You can not hunt it, and you cannot kill it. Even with your beloved ash arrows.'
'Why can't I look at it?'
'Because when you look at it- when you acknowledge it- that's when it becomes real. That's when it can kill you.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
But we have, if not our understanding, our own experience, and it feels to me sealed, inviolable, ours. We have a last, deep week together, because Wally is not on morphine yet, because he has just enough awareness, just enough ability to communicate with me. I’m with him almost all day and night- little breaks, for swimming, for walking the dogs. Outside it snows and snows, deeper and deeper; we seem to live in a circle of lamplight. I rub his feet, make him hot cider. All week I feel like we’re taking one another in, looking and looking. I tell him I love him and he says I love you, babe, and then when it’s too hard for him to speak he smiles back at me with the little crooked smile he can manage now, and I know what it means. I play music for him, the most encompassing and quiet I can find: Couperin, Vivaldi, the British soprano Lesley Garret singing arias he loved, especially the duet from Lakme: music of freedom, diving, floating. How can this be written? Shouldn’t these sentences simply be smithereened apart, broken in a hurricane?
All that afternoon he looks out at us though a little space in his eyes, but I know he sees and registers: I know that he’s loving us, actively; if I know nothing else about this man, after nearly thirteen years, I know that. I bring all the animals, and then I sit there myself, all afternoon, the lamps on. The afternoon’s so quiet and deep it seems almost to ring, like chimes, a cold, struck bell. I sit into the evening, when he closes his eyes.
There is an inaudible roaring, a rush beneath the surface of things, beneath the surface of Wally, who has now almost no surface- as if I could see into him, into the great hurrying current, that energy, that forward motion which is life going on.
I was never this close to anyone in my life. His living’s so deep and absolute that it pulls me close to that interior current, so far inside his life. And my own. I know I am going to be more afraid than I have ever been, but right now I am not afraid. I am face to face with the deepest movement in the world, the point of my love’s deepest reality- where he is most himself, even if that self empties out into no one, swift river hurrying into the tumble of rivers, out of individuality, into the great rushing whirlwind of currents. All the love in the world goes with you.
”
”
Mark Doty (Heaven's Coast: A Memoir)
“
For, finally, what is the rank man occupies in Nature? A nonentity, as contrasted with infinity; a universe, contrasted with nonentity; a middle something between everything and nothing. He is infinitely remote from these two extremes; his existence is not less distant from the nonentity out of which he is taken, than from the infinity in which he is engulfed. His intellect holds the same rank in the order of intelligences, as his body does in the material universe, and all it can attain is, to catch some glimpses of objects that occupy the middle, in eternal despair of knowing either extreme—all things have sprung from nothing, and are borne forward to infinity. Who can follow out such an astonishing career? The Author of these wonders, and he alone, can comprehend them.
This condition, the middle, namely, between two extremes, is characteristic of all our faculties. Our senses perceive nothing in the extreme. A very loud sound deafens us; a very intense light blinds us; a very great or a very short distance disables our vision; excessive length or excessive brevity obscures discourse; too much pleasure cloys, and unvaried harmony offends us. Extreme heat, or extreme cold, destroys sensation. Any qualities in excess are hurtful to us, and pass beyond the ranges of our senses. We cannot be said to feel them, but to endure them. Extreme youth and extreme old age alike enfeeble the mind; too much or too little food, disturbs its operations; too much, or too little instruction, represses its vigor. Extremes are to us, as though they did not exist, and we are nothing in reference to them. They elude us, or we elude them.
Such is our real state; our acquirements are confined within limits which we cannot pass, alike incapable of attaining universal knowledge or of remaining in total ignorance. We are in the middle of a vast expanse, always unfixed, fluctuating between ignorance and knowledge; if we think of advancing further, our object shifts its position and eludes our grasp; it steals away and takes an eternal flight that nothing can arrest. This is our natural condition, altogether contrary, however, to our inclinations. We are inflamed with a desire of exploring everything, and of building a tower that shall rise into infinity, but our edifice is shattered to pieces, and the ground beneath it discloses a profound abyss.
”
”
Blaise Pascal
“
With the importance of resetting the entropy each time a steam engine goes through a cycle, you might wonder what would happen if the entropy reset were to fail. That’s tantamount to the steam engine not expelling adequate waste heat, and so with each cycle the engine would get hotter until it would overheat and break down. If a steam engine were to suffer such a fate it might prove inconvenient but, assuming there were no injuries, would likely not drive anyone into an existential crisis. Yet the very same physics is central to whether life and mind can persist indefinitely far into the future. The reason is that what holds for the steam engine holds for you.
It is likely that you don’t consider yourself to be a steam engine or perhaps even a physical contraption. I, too, only rarely use those terms to describe myself. But think about it: your life involves processes no less cyclical than those of the steam engine. Day after day, your body burns the food you eat and the air you breathe to provide energy for your internal workings and your external activities. Even the very act of thinking—molecular motion taking place in your brain—is powered by these energy-conversion processes. And so, much like the steam engine, you could not survive without resetting your entropy by purging excess waste heat to the environment. Indeed, that’s what you do. That’s what we all do. All the time. It’s why, for example, the military’s infrared goggles designed to “see” the heat we all continually expel do a good job of helping soldiers spot enemy combatants at night.
We can now appreciate more fully Russell’s mind-set when imagining the far future. We are all waging a relentless battle to resist the persistent accumulation of waste, the unstoppable rise of entropy. For us to survive, the environment must absorb and carry away all the waste, all the entropy, we generate. Which raises the question, Does the environment—by which we now mean the observable universe—provide a bottomless pit for absorbing such waste? Can life dance the entropic two-step indefinitely? Or might there come a time when the universe is, in effect, stuffed and so is unable to absorb the waste heat generated by the very activities that define us, bringing an end to life and mind? In the lachrymose phrasing of Russell, is it true that “all the labors of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius, are destined to extinction in the vast death of the solar system, and that the whole temple of Man’s achievement must inevitably be buried beneath the debris of a universe in ruins”?
”
”
Brian Greene (Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe)
“
He moved his lips to my cheek, to my ear, back to my mouth. I had never been kissed like this in my life. Each time I thought I should protest because there were so many unsettled matters between us, Hunter kissed me harder, forcing those concerns out of my mind. The cold air heated up around us.
He unsnapped the top of my jacket and slipped his hand inside. His warm palm cupped my breast beneath my shirt.
Then he straightened, blinking at me, and pulled his hand away.
“What is it?” I asked.
“Okay,” he panted. “I’m going to kick myself for this in the morning, but I don’t want to do this while I’m drunk. And I don’t want to do it behind the stable. I want everything to be perfect between you and me.” He stroked my hair away from my face. “Are you mad?”
“Mad?” I squeaked. “No. Horny? Yes. Frustrated?”
“Yes.” He set his forehead against mine.
“Yes,” I agreed. “Mad? No.”
He watched me with serious eyes. His gaze fell to my chest. He fastened the snaps he’d unfastened a few moments before, then put his hands on my shoulders. “I’m just so thankful we’re finally together.”
“Me, too,” I whispered. I felt uncomfortable saying this. I wished I had a cell phone so I could call Summer for verification that I was not making a terrible mistake. But she would yell at me and tell me to stop being stupid. I did not need her permission to fall in love.
He kissed me on the forehead, then stood, holding out his hand to me. “I’ll walk you home.”
I took his hand and swung it as we rounded the stable again, back the way we’d come. “I’ll walk you home,” I said.
With his other hand he gestured toward the top of my grandmother’s mansion, just visible over the rise. “I’m not leaving you wandering around in the night with all these drunk people and, my God, Whitfield Farrell and his fucking bowl.”
I giggled. It made me insanely happy that he was jealous of Whitfield Farrell. “You’re drunk, though. You might stumble into the road and get hit by a car.”
“They will be sorry,” he said. “I will dent their car. I am strong like an ox.”
I burst into laughter, and he laughed with me. He was so handsome in the gentle starlight, and he looked so happy. I couldn’t remember ever being this happy myself. I was still nearly broke and my grandmother hated me and I had a history paper due Monday that I hadn’t started writing, but I could handle all of this with Hunter laughing beside me. I squeezed his warm hand.
“I’ll cross back through the pasture if it makes you feel better.” Dropping my hand, he draped his arm around me and pulled me close for another kiss on the forehead. He walked me all the way down to his house, backed me against the front door, and thoroughly kissed me good night.
”
”
Jennifer Echols (Love Story)
“
I have a friend—she is the kind of friend that all of us have—who is a true believer in astrology and psychic phenomenon, a devotee of reiki, a collector of crystals, a woman who occasionally sends me emails with cryptic titles and a single line of text asking, for example, the time of day that I was born or whether I have any mental associations with moths. None that come immediately to mind, I write back. But then of course moths are suddenly everywhere: on watercolor prints in the windows of art shops, in Virginia Woolf’s diaries, on the pages of the illustrated children’s book I read to my nieces. This woman, whom I have known since I was very young, also experiences strange echoes and patterns, but for her they are not the result of confirmation bias or the brain’s inclination toward narrative. She believes that the patterns are part of the very fabric of reality, that they refer to universal archetypes that express themselves in our individual minds. Transcendent truths, she has told me many times, cannot be articulated intellectually because higher thought is limited by the confines of language. These larger messages from the universe speak through our intuitions, and we modern people have become so completely dominated by reason that we have lost this connection to instinct. She claims to receive many of these messages through images and dreams. In a few cases she has predicted major global events simply by heeding some inchoate sensation—an aching knee, the throbbing of an old wound, a general feeling of unease.
This woman is a poet, and I tend to grant her theories some measure of poetic license. It seems to me that beneath all the New Agey jargon, she is speaking of the power of the unconscious mind, a realm that is no doubt elusive enough to be considered a mystical force in its own right. I have felt its power most often in my writing, where I’ve learned that intuition can solve problems more efficiently than logical inference. This was especially true when I wrote fiction. I would often put an image in a story purely by instinct, not knowing why it was there, and then the image would turn out to be the perfect metaphor for some conflict that emerged between the characters—again, something that was not planned deliberately—as though my subconscious were making the connections a step or two ahead of my rational mind. But these experiences always took place within the context of language, and I couldn’t understand what it would mean to perceive knowledge outside that context. I’ve said to my friend many times that I believe in the connection between language and reason, that I don’t believe thought is possible without it. But like many faith systems, her beliefs are completely self-contained and defensible by their own logic. Once, when I made this point, she smiled and said, “Of course, you’re an Aquarius.
”
”
Meghan O'Gieblyn (God, Human, Animal, Machine: Technology, Metaphor, and the Search for Meaning)
“
A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed?
“You have a present.”
“What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.”
Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.”
After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud.
“‘To Mom and Zach. Have fun tonight. Bre.’”
Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.”
“My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.”
“Would you like me to? It’s addressed to both of us.”
“I’m even more afraid for you to open it.”
“Go ahead. It can’t be that bad.”
“You don’t know my daughter.”
Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped.
“Oh, my God. I can’t believe she did this!”
She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.”
“I am going to kill her, after I beat her.”
Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.”
Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.”
She huffed out a breath. “Can we close the box now?”
“Not yet. I like it when you blush.”
Zach grinned when Jade scowled at him. “This is completely spoiling the mood.”
“I won’t have any problem getting hard again.”
“Zach!”
Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.”
Jade covered her eyes with one hand. “I don’t believe this,” she muttered.
“Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.”
“Okay, that’s enough.”
Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.”
“I don’t care what they are.”
“You might care about one of them.” Zach held up a large box of condoms.
“Oh.”
He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.”
“One hundred?”
“All different types, sizes, and colors.”
Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?”
“Cherry-flavored lubricant. It looks like she thought of everything.”
“You must think my daughter is crazy.”
“I think your daughter loves you very much and wants you to be happy.”
“That’s true. But we won’t use all this…stuff.”
“Who says we won’t?
”
”
Lynn LaFleur (Rent-A-Stud (Coopers' Companions, #1))
“
Fuck, she was even hotter when she was furious. I seriously wouldn't have minded her taking that anger out on my body all night long. I'd be more than happy to angry fuck her until her body bent and bowed and finally gave in to the power play between us. I'd force her beneath me physically as well as with my power and maybe she'd find she liked it there just fine.
Or maybe she'd stab me to death and cut my cock off for good measure because the look she was aiming my way said that was a whole lot more likely than me getting to spend the night ruining her. But it was a damn nice fantasy to indulge in for a few moments.
...
She gave me a look of utter contempt and it made my cock throb as her nearness just compounded the desire I was already feeling for her and made me get all kinds of insane ideas about what I'd like to do with this little princess if I got her to myself for long enough.
She made no attempt to cover herself, no sign of shame in her frosty features as she stalked forward to claim her key, a sneer touching those edible lips of hers.
Her jaw was tight with rage which she was doing nothing to hide and as she reached out to snatch the key from my hand, I couldn't help but ache to bring her closer, draw her nearer, see just how far she'd go in this denial of my power over her.
Her fingers curled around the brass key, but I didn't release it, instead using my hold on it to tug her a step closer so that only a breath of space divided our bodies. I looked down at her from my imposing height, dominating her space with the bulk of my body and making sure she took in every last inch of height I had over her.
“Of course, if you’d rather just come on up to my room, I can give you a real welcome to the House of Fire,” I suggested my gaze dropping down to her body, the noticeable bulge in my pants making it clear enough how much I meant that offer. I probably shouldn't have been making it at all, but the beast in me couldn't help myself. Dragons saw something they wanted and they took it. And I hadn't seen something I wanted as much as this girl in as long as I could remember.
Our gazes collided and the heat there was almost strong enough to burn, the tension between us crackling so loudly I was surprised the whole room couldn't hear it. But then her gaze shuttered and her lips pursed, her eyes dropping down to take me in, my skin buzzing everywhere they landed as I could feel the want in her while she assessed me.
But as those deep green eyes met mine again and I gave her a knowing smirk, I couldn't tell what she was thinking. I didn't know if she was going to bow to this heat between us or just stoke the flames, and the fact that I didn't know had my heart thumping in anticipation deep in my chest.
She shifted an inch closer to me, tilting her mouth towards my ear and making my flesh spark with the need to take her, own her, destroy her in all the best ways. But just as my cock began to get overexcited at the prospect of all the ways I could make her scream for me given enough time, she spoke and it wasn't in the sultry purr I'd been expecting, her voice coming out loud enough for everyone to hear instead.
“I wouldn’t come near you even if someone held a knife to my heart and told me that the world would end if I didn’t,” she snarled, snatching the key out of my hand as my surprise at her words made me forget to keep my grip tight enough to keep it. “So why don’t you take a long, hard look while you can. Because I can promise you, you won’t be seeing this again.”(Darius POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before.
He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met.
I was entirely lost to the deepest and most carnal desire I'd ever felt.
His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed.
With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me.
Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer.
He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth.
We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that.
I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again.
He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.”
“We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal.
I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave.
“Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow.
“No.”
He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.”
I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.”
What happens at the bottom of the pool, stays at the bottom of the pool.
“Come on then, Blue.” He held out his hand.
I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.”
(DARCY)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.”
“You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?”
“Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure.
“I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.”
“I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.”
“I did.” Her breath was unsteady. “But only because…you tore us apart.”
He shifted her to sit astride him. “And now?”
Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?”
His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…”
He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts.
Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.”
She uttered a breathy laugh. “A wanton, more like.”
Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?”
His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt.
“I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.”
He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more…
“I want to be inside you.” He gripped her wrist. “Please, Jane…”
Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.”
“Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night.
Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.”
She stared at him. “I…I don’t know what you mean.”
He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.”
Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him.
By degrees. Very slow degrees.
He had trouble breathing. “Am I hurting you?”
Her smile broadened as she shimmied down another inch. “Not really.”
Stifling a curse, he clutched her arms. “You just…enjoy torturing me.”
“Absolutely,” she said and moved his hands to cover her breasts.
He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her.
His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…”
With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.”
“It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.”
“I could get to like this,” she said teasingly. “The begging.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))