Mime Quotes

Words dazzle and deceive because they are mimed by the face. But black words on a white page are the soul laid bare.

I’ll make Goyle do lines, it’ll kill him, he hates writing,” said Ron happily. He lowered his voice to Goyle’s low grunt and, screwing up his face in a look of pained concentration, mimed writing in midair. “I... must... not... look... like... a... baboon’s... backside.

Words are everything. Words give wings even to those who have been stamped upon, broken beyond all hope of repair.

Love speaks to the heart like a mime to a mute.

Madness is a matter of perspective, little dreamer.

Gracious, that's a lot of bosom you're showing," Magnus went on blithely, gesturing toward Tessa with the burning tip of his cigar. "Tout le monde sur le balcon, as they say in French," he added, miming a vast terrace jutting out from his chest. "Especially apt, as we are now, in fact, on a balcony.

Now, I had been frightened on several different occasions in my life. The most frightening of these involved an elevator and a mime.

I have known heaven, and now I am in hell, and there are mimes.

Hope is the lifeblood of revolution. Without it, we are nothing but ash, waiting for the wind to take us.

If a tree falls in the forest and it hits a mime, would he make a noise?

The two of them shared a look over my head. Gabriel made several threatening faces. Dick responded with rude gestures. Eventually, they looked like two inebriated mimes having a dance off.

If a tree falls in the woods, and nobody is around to hear it, and it hits a mime, does anyone care?

The odd thing in this world is that an eager-beaver type, with no original ideas, who mimes those in authority above him right to the last twist of necktie and scrape of chin, always gets noticed. Gets selected. Rises.

Change a word or two, even a single letter, and you change the entire story.

It is not that I do not want you. Only that I might want you too much. And for too long

I flip him off. He mimes catching and pocketing it. “Thanks. I needed a fuck you for later.

Can I kick him?" my brother asks. "I'm going to kick him." "He saved your life Darin." "A small kick," he argues. "It wouldn't even hurt him. Look at him, skies. It would probably break MY foot." "NO." "Fine." Once past Elias, my brother turns around and mimes a kick, grinning.

...Everyone knows there's only one thing less welcome on a stage than a mime, and that's a clown, because everyone knows that clowns eat people.

Oh, man," says Dum. "That would have been so awesome. Can you imagine? Boom!" He mimes a mushroom cloud. "Moo!" Dee gives him a long-suffering look. "You´re such a child. You can´t just waste a nuke like that. You gotta figure out a way to control the trajectory so that when the bomb goes off, it shoots the radioactive cows into your enemies.

Some revolutions change the world in a day. Others take decades or centuries or more, and others still never come to fruition. Mine began with a moment and a choice.

The statue stood quiet and still, like the silhouette of a tired mime.

With the right reasons, at the right moment, even the most beaten and broken of people could rise up and reclaim themselves.

Don't move," said Sprockett."Mimes don't generally attack unless they are threatened.

Nothing?Micheal!You're 'playing'!.IN PUBLIC? 'That's new?' Claire whisperd to shhane 'He hasn't played anywhere but our living room since-Teeth-in-neck mime 'You know Oliver' 'Oh.' micheal's face was turning pink.'just put it back,OK?It's no big deal! Eve kissed him.

Before Luce could reply, a skinny, dark haired girl appeared in from of her, wagging her long fingers in Luce's face. "Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu." "Get out of here, Arriane, before I have you lobotimized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for that crazy girl. It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended.

Truth looks different in every lens.

If you were going to shoot a mime, would you use a silencer?

Answer my question, Dresden,' Nicodemus growled. 'What is that?' 'A precaution against getting stuck in deep snow,' I said. 'He's training to be a Saint Bernard.' 'Excuse me?' Nicodemus said. I mimed covering one of Mouse's ears with my hand and stage-whispered, 'Don't tell him that they don't actually carry kegs of booze on their collars. Break his little heart.

I'm going to be sick. I'm going to vomit that weird eggplant tapenade I had for dinner, and everyone will hear, and no one will invite me to watch the mimes escape from their invisible boxes, or whatever it is people do here in their spare time.

Only a morally corrupt city would accept her, and once she made it to Paris, she would surely be robbed by a mime and left for dead.

Yes. We will live the rest of our lives in hell. It's not so bad: as long as you're prepared for it, you can live anywhere.

Isn’t it wonderful, how words and paper can embroil us so? We are witnessing a miracle, dear heart.

It was said that [Vetinari] would tolerate absolutely anything apart from anything that threatened the city*... [Footnote] And mime artists. It was a strange aversion, but there you are. Anyone in baggy trousers and a white face who tried to ply their art anywhere within Ankh's crumbling walls would very quickly find themselves in a a scorpion pit, on one wall of which was painted the advice: Learn The Words.

His dreamscape sent a tongue of fire across my flowers.

Hi, my name is Ryan Foxheart. Oh no! There’s danger afoot! Let me pull out my sword and pose.” I mimed pulling a sword from my side and cocked an eyebrow. “Notice how dashing I am. And immaculate. And today, my hair is parted on the right. Wink.

Writing didn't carry the same risks as speaking. You couldn't be shouted down or stared at. The page was both a proxy and a shield.

You can never want too much. That’s how they silence us,” I said. “They told us we were lucky to be in the penal colony instead of the æther. Lucky to be murdered with NiteKind, not the noose. Lucky to be alive, even if we weren’t free. They told us to stop wanting more than what they gave us, because what they gave us was more than we deserved.” I picked up my jacket. “You’re not a prisoner any more, Arcturus.” Warden looked at me in silence. I left him in that ruined hall with the music echoing above him.

You told me once that freedom was my right.” I held his gaze. “Maybe you should do something with it.

Here is everything I know about France: Madeline and Amelie and Moulin Rouge. The Eiffel Tower and the Arc de Triomphe, although I have no idea what the function of either actually is. Napoleon, Marie Antoinette, and a lot of kings named Louis. I'm not sure what they did either, but I think it has something to do with the French Revolution, which has something to do with Bastille Day. The art museum is called the Louvre and it's shaped like a pyramid and the Mona Lisa lives there along with that statue of the women missing her arms. And there are cafes and bistros or whatever they call them on every street corner. And mimes. The food is supposed to be good, and the people drink a lot of wine and smoke a lot of cigarettes. I've heard they don't like Americans, and they don't like white sneakers.

What is his deal? He always looks furious." Danny shakes his head at my notepad and we do a bit more business-miming. "That's his face." "You guys have a weird dynamic going on." "There's no dynamic. No dynamic." I begin swigging at my coffee. It's too hot and a terrible idea. "But you know he's in love with you, right?" I inhale my huge mouthful and being to drown on dry land.

All things pass...Perhaps the passage of time is a kind of healing, or a kind of salvation granted equally to all people.

Physical pain always mimes death and the infliction of physical pain is always a mock execution.

At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath, I move on in search of a less dorky target. Though if he’d been a mime, odds are he’d already be dead.

That's delusional, isn't it?” “Definitely. But if you're both delusional together, you'll be fine.

But Warden cared if I laughed. He cared if I lived or died. He had seen me as I was, not as the world saw me. And that meant something. It had to. Didn’t it?

The expression 'quiet as mice' is a puzzling one, because mice can often be very noisy, so people who are being quite as mice may in fact be squeaking and scrambling around. The expression 'quiet as mimes' is more appropriate, because mimes are people who perform theatrical routines without making a sound. Mimes are annoying and embarrassing, but they are much quieter than mice, so 'quiet as mimes' is a more proper way to describe how Violet and Sunny got up from their bunk, tiptoed across the dormitory, and walked out into the night.

Don't anyone move. . . I think we've driven into a mimefield.

Mimes! You can't tell me the devil doesn't have anything to do with mimes!-Paula, Holy Smokes

Andrew said nothing for a while, then, "You're more a raccoon than a fox." Neil stared. "What?" "A raccoon," Andrew said, and mimed holding a ball in front of his face. "Exy is the shiny object of your sad little world. You know you're being hunted and you know the hounds are closing in, but you won't let go to save yourself. You once told me you don't understand why a person would actively try to die, but here you are. I guess that was another lie.

London - beautiful, immortal London - has never been a 'city' in the simplest sense of the word. It was, and is, a living, breathing thing, a stone leviathan that harbours secrets underneath its scales. It guards them covetously, hiding them deep within its body; only the mad or the worthy can find them.

His fingers bent forward at the topmost joint pushing down against the tips of my nails, and his thumb rested lightly against the mole on my index finger. i thought of mosques and churches and prayer mats. Hands clasped together; one hand resting atop the other; fingers interlocked to mime a steeple. What sacred power is invested in hands? This is not to say I was having pious thoughts.

You seem to attract injuries in the manner that a flower attracts bees.

Dance and fall. Like a puppet. All those years of dancing.

I spent most of my life trying to specialize myself. I went to theater school, film school, music school, mime school ... Finally, I was able to gather enough knowledge to build the confidence to create my own work, that goes utterly against the sense of specialization.

Never get a mime talking. He won't stop.

But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!- it writhes!- with mortal pangs The mimes become its food, And seraphs sob at vermin fangs In human gore imbued. Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.

(From the story The Last Days of a Famous Mime) He said nothing. He was mildly annoyed at her presumption: that he had not thought this many, many times before. With perfect misunderstanding she interpreted his passivity as disdain. Wishing to hurt him, she slapped his face. Wishing to hurt her, he smiled brilliantly.

No. Look, the mutual tug paid extra.” Dante mimed jerking and squirting without looking embarrassed, which only made Griff more embarrassed. “And the stuff you did at the end bumped our fee even—” “I know, man. Sorry about—” “—more. Bullshit, sorry! Blowing your jazz on me got us a three hundred dollar bonus. Didja know that?” Dante rolled his eyes and waved away the worry. “Dude, if I could get a fee every time you squirted on me, I’d camp under your bed and have you doing it three times a day.” Help me, Jesus. Griff’s eyes honest-to-God bugged at that.

I opened my mouth, but I just couldn't find the words to express the mishmash of frustration and plain old mad I had spinning through my head. I moved my lips. I narrowed my eyes. I made angry hand gestures. But no words came out. I started to pace, gnawing my fingernails to the quick. Fortunately, they grew back almost instantly, which meant I had an endless supply. Andrea stopped me in my tracks by grabbing my shoulders. “OK, sweetheart, I’m all for nonverbal forms of communication, but you’re starting to look like an extremely pissed-off mime. Use your words.

If a police officer arrests a mime, does he need to tell him he has the right to remain silent.

New Rule: The sad mime at every protest has to give it a rest. One sign you're a major annoyance: when you haven't said anything and I still want to tell you to shut the fuck up.

He looks away from me, covering his mouth. “What are you laughing at.” He looks down, but waves his hand at me. “You—your—” I refuse to look down at myself. “My what, Snow?” “Your hair.” I refuse to touch my hair. “You look like that guy, with the wig—” He mimes playing the piano. “Duh, duh, duh, duhhh.” “Beethoven?” “I don’t know his name. With the big wig. There was a film about him.” “Mozart. You’re saying I look like Mozart.” “You’ve got to look, Baz, it’s a scream.

Money. The dark obsession of the human race.

Almost two hundred years ago, Harriet Tubman led slaves to freedom. And when they told her they didn’t think they could, when they said they were too afraid, she pointed a gun at them and said”—Marjorie mimed a weapon in her grasp—“Go forward or die.

The mime must first of all be aware of this boundless contact with things. There is no insulating layer of air between the man and the outside world. Any man who moves causes ripples in the ambient word in the same way a fish does when it moves in the water.

Because we can keep on. Others, they try keeping on, they just...” she mimed an explosion. “It’s too much for them. They come to pieces. Not us. Hunters, they are different. We can’t stop. Not for bad sleep or parachute dreams or people who say we should want peace and babies instead. It’s a world full of mad wolves, and we hunt them til we die.” 61%

I don’t know why I’m second-guessing Crevan’s sanity—I’m sitting here talking to a hedgehog mime.

Mimes in the form of God on high mutter and mumble low and hither and tither fly, mere puppets they who come and go.

Se não deixas que ela te cuide ou te mime, tem de continuar com a sua vida. As pessoas não podem ficar sentadas à espera que as outras gostem delas: têm de continuar a viver, mesmo que no fundo do seu coração sintam a tua falta todos os dias

And while Trish stared - stared, as it now seemed, into her own eyes - Guy held her hand and watched the crowd: how it bled colour from the enormous room and drew all energy towards itself, forming one triumphal being; how it trembled, then burst or came or died, releasing individuality; and how the champion was borne along on its subsidence, his back slapped, his hair tousled, mimed by female hands and laughing, like the god of mobs.

...there are a lot of things in this world you don't understand. Discovering those things is one of life's joys.

After neurosurgery, I have learned that my brain is a boardinghouse where my waking consciousness rents one room with a hot plate and a black-and-white TV while the rest of the rooms are occupied by a random assortment of banshees, ghosts, mimes wearing eagle feathers, and approximately twelve thousand strangers who look exactly like me.

Most of us are lucky to see Paris once in a lifetime. Make the most of it by doing as little as possible. Walk a little, get lost a bit, eat, catch a breakfast buzz, have a nap, try and have sex if you can, just not with a mime. Eat again. Lounge around drinking coffee. Maybe read a book. Drink some wine, walk around a bit more, eat, repeat. See? It’s easy.

Yuppies in embryo, miming their parents' manners. In twenty years, they’d have country houses and children with pretentious literary names and tennis lessons and ugly cars and liaisons with hot young interns. Hurricanes of entitlement, all swirl and noise and destruction, nothing at their centers.

I have studied many books on human history, and if there is one thing I have learned from them, it is that it is not always possible to find reason in tradition. It is the same for Rephaim.

The song is gone; the dance is secret with the dancers in the earth, the ritual useless, and the tribal story lost in an alien tale. Only the grass stands up to mark the dancing-ring; the apple-gums posture and mime a past corroboree, murmur a broken chant. The hunter is gone; the spear is splintered underground; the painted bodies a dream the world breathed sleeping and forgot. The nomad feet are still. Only the rider's heart halts at a sightless shadow, an unsaid word that fastens in the blood of the ancient curse, the fear as old as Cain.

How can I look so real everyday, when really I'm just a cardboard cut-out image of myself-lamenated in coats of artifical happiness with shiny plastic all around- so quite I should be a mime- I wrap my arms around myself when I go out in the wind because I don't know how to make sure that I won't blow away- and I'm standing with my eyes closed so I won't have to see the ground when I fall...

I made a mental note to familiarize Fabian with modern artillery so he'd be able to give better descriptions. "Machine guns?" I asked, miming holding one and making a series of rapid staccato noises. Bones's mouth twitched, but he dipped his head so I wouldn't see his clear amusement over my "GI Jane does Pictionary" imitation.

That's our cue to depart." "They know something " I pointed out. "I know something too. I know we're going to attract a lot of unwanted attention if they keep screaming. And then we have to make up some ridiculous explanation about how we heard screaming through the vents in our rooms and we followed the sound back to the basement and we found these girls lying on the ground and pretending to be tied up by invisible rope because they're practicing for the regional mime championships." I blinked at her. "Is that explanation more or less believable than we woke up because two girls who are actually evil magicians tripped a magical alarm wired to a door in the basement we aren't supposed to know about " Scout paused for a minute then nodded. "Point made.

I understood her hrythm. That feeling of everything inside twisting to the point that if you didn't find a release you'd explode. I craved to grant her peace. I placed my hand over hers. My own heart rested when i rubbed my thumb over her smooth skin. She dropped the pen and grasped hes sleeve in her palm, her constant defense mechanism. No. If she grasped anything, it would me. My thumb worked its way between her fingers and her sleeve and released her death grip on the material. I wrapped my fingers around her fragile hand. Touching Echo felt like home. Her ring figer slid against mime, causing electricity to move through my bloodstream. She moved it again. Only this time the movement was slow, deliberate and the most seductive touch in the world. Everything inside of me ached to touch her more. Beth had been both wrong and right. Echo couldn’t hurt anyone, especially when she seemed so breakable herself. But the need I felt to be the one to keep the world from shattering her only confirmed Beth’s theory. I was falling for her and I was fucked.

He hesitated a moment, shifted the load to his left arm and mimed a sword stroke in the air. Crowley looked over his shoulder at the serving boy with some concern. “Planning on beheading me, are you?” he asked. Rafe smiled at him. “No sir, Ranger. Just getting the right side, like. Just shift yourself over while I put these down, before I forget which side is which, now.” Crowley

It’s rare that a story begins at the beginning. In the grand scheme of things, I really turned up at the beginning of the end of this one. After all, the story of the Rephaim and Scion started almost two hundred years before I was born - and human lives, to Rephaim, are as fleeting as a single heartbeat. Some revolutions change the world in a day. Others take decades or centuries or more, and others still never come to fruition. Mine began with a moment and a choice. Mine began with the blooming of a flower in a secret city on the border between worlds. You’ll have to wait and see how it ends. Welcome back to Scion.

f you're gonna have a pro-drug argument, start the argument where it starts: I have the right to do what ever the hell I want to my own body, if it kills me slowly, happy for me, fuck you, "clack clack" (miming a pump-action shotgun) stop me!

Craig can't bear it. He opens his eyes, looks over to Tariq, who has tears in his own eyes. He mimes writing. Tariq scrambles for a marker and some paper. He runs over to Craig. All the things Craig has to say boil down to the essential... I'M GAY, MOM. I'M GAY. Craig rotates his and Harry's bodies so he's facing his mother. Then he holds up his shaky sign. He sees her eyes as she understands it.

He loves me. Roarke, I mean. He loves me.” “Oh, so very much.” “Nobody did before. Before Mavis, she just wouldn’t give up and leave me alone. And Feeney. But he’d feel weird saying the whole love thing, so . . .” She mimed zipping fingers over her lips. “But Roarke doesn’t feel weird about it. He’s full of it, the love, I mean. And when he loves me, things that never worked in me did—do. It was easier when they didn’t work, but it’s better when they do. You know?” “I do. You should rest now.” “Want to finish, give my report. Is my face messed up? I hate when that happens. Not like I’m pretty or anything, but—” “You’re the most beautiful woman ever born,” Roarke said from the doorway, and Eve sent him a woozy, drugged smile. “See, told ya he’s full of it.

I couldn't save Kataoka. "If I loved him, I had to grant him his last wish. "So I told him what he wanted to hear. "I said, 'No, you're no longer human.'" I hadn't been able to say anything. I couldn't speak, I couldn't move, I couldn't understand a word of what Miu was telling me. "Kataoka smiled kindly. "Like he was thanking me. "Then he jumped off the roof. "Osamu Dazai and I killed him.

.....breathing secondhand smoke, being subject to unfair dairy pricing, and not being able to mime (or lap dance), though they are all tragic, tragic injustices, are not quite as bad as the systematic segregation of public transportation based on skin color. And while fighting for your right to lap dance and mime and breathe just regular pollution is a very fine, very American idea, it is not quite as brave as being middle-aged black woman in Alabama in 1955 telling a white man she's not giving him her seat despite the fact that the law requires her to do so.

Here are some things I didn't have space for: putting on Alone by Heart and miming the lyrics in Leah's face until she started laughing, Leah's long hands and her yellow hair and the werewolf quality of her eyebrows. The way she walked around the flat in shorts and a sports bra and told me off for staring. The way she kissed me and then apologized for biting. The time Leah told me that making me laugh was an achievement because my face was so typically set against it. The way I was often bored and Leah never was. Talking with Leah on early dates about the panic of doing what everyone else was doing and then feeling like a dick about it. The way Leah was kind by nature whereas I always seemed to struggle. The way she tipped my face towards hers and told me otherwise. "You're the kindest person I know and I know six or seven people.

I'm not a detective from Baker Street or an old lady who solves crimes while she's knitting in an easy chair. I'm just a book girl. So I can't make a deduction, only take a flight of fancy--er, forget I said that. I meant, I can only take a guess.

So then do you think it's true that he killed someone? And what about the part where he wishes he could die?" "If it IS true that he killed someone, that's bad." In any case, "it seems like something is bothering Shuji" was now a contender for the Understatement of the Century.

How crazy it would be if the moon did spin and the earth stood still and the sun went dim! How absolutely ludicrous if snakes could walk and kids could fly and mimes did talk! How silly it would be if the nights were tan and the mornings green and the sun cyan! How totally ridiculous if horses chirped and spiders sang and ladies burped! How shocking it would be if the dragons ruled and the knights were daft but the fish were schooled! How utterly preposterous if rain were dry and snowflakes warm and real men cried! I love to just imagine all the lows as heights, and the salty, sweet, and our lefts as rights. Perhaps it is incredible and off the hook, but it all makes sense in a storybook! 

The Conqueror Worm Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.

Take space. It has to be either finite or infinite, yet neither possibility sits well with our intuitions. When I try to imagine a finite universe, I get Marcel Marceau miming on an invisible wall with his hands. Or, after reading about manifolds in books on physics, I see ants creeping over a sphere, or people trapped in a huge inner tube unaware of all the exposure around them. But in all these cases the volume is stubbornly suspended in a larger space, which shouldn't be there at all, but which my minds eye can't help but peek at.

On the flat expanse of pancake ice, War stood by the Pale Rider’s side. Though their forms did not touch, their shadows intertwined, black on black, in a smoky caress. “Knew you’d come,” Death said cheerfully. She smiled, and that slow motion of her lips hinted at many things. “The White Rider divided, and the world on the brink of destruction. How could I stay away?” “I could set my watch by you.” “You don’t have a watch.” Her smile broadened into a grin. “An hourglass, maybe . . .” “Please, not another joke about a scythe . . .” She mimed zipping her mouth shut. A pause, as they listened to the sounds of the boy healing and the man summoning doom. “I like him,” War said. Even though she hadn’t specified whether she meant the boy or the man, Death smiled and nodded. “Me too.” “You like everyone.” “Well, yes.” The two shared a quiet laugh, their voices mingling in perfect harmony. A longer pause, and then War asked, “What of Famine?” “What of her? She’s not mine. Not yet, anyway. She will be soon enough.” The Red Rider slid him a look. “That’s cold, even for you.” “Eh, just practical.” A shrug. “Everyone comes to me eventually. It’s the journey that makes it interesting.” “Such a people person!” He flashed her a grin. “My best quality.” “Oh,” said War, sliding her gloved hand into his pale one, “I can think of others that are better.

You and I, my dear reader, may drop into this condition one day: for have not many of our friends attained it? Our luck may fail: our powers forsake us: our place on the boards be taken by better and younger mimes—the chance of life roll away and leave us shattered and stranded. Then men will walk across the road when they meet you—or, worse still, hold you out a couple of fingers and patronize you in a pitying way—then you will know, as soon as your back is turned, that your friend begins with a "Poor devil, what imprudences he has committed, what chances that chap has thrown away!" Well, well—a carriage and three thousand a year is not the summit of the reward nor the end of God's judgment of men. If quacks prosper as often as they go to the wall—if zanies succeed and knaves arrive at fortune, and, vice versa, sharing ill luck and prosperity for all the world like the ablest and most honest amongst us—I say, brother, the gifts and pleasures of Vanity Fair cannot be held of any great account, and that it is probable . . . but we are wandering out of the domain of the story.

The Manger of Incidentals " We are surrounded by the absurd excess of the universe. By meaningless bulk, vastness without size, power without consequence. The stubborn iteration that is present without being felt. Nothing the spirit can marry. Merely phenomenon and its physics. An endless, endless of going on. No habitat where the brain can recognize itself. No pertinence for the heart. Helpless duplication. The horror of none of it being alive. No red squirrels, no flowers, not even weed. Nothing that knows what season it is. The stars uninflected by awareness. Miming without implication. We alone see the iris in front of the cabin reach its perfection and quickly perish. The lamb is born into happiness and is eaten for Easter. We are blessed with powerful love and it goes away. We can mourn. We live the strangeness of being momentary, and still we are exalted by being temporary. The grand Italy of meanwhile. It is the fact of being brief, being small and slight that is the source of our beauty. We are a singularity that makes music out of noise because we must hurry. We make a harvest of loneliness and desiring in the blank wasteland of the cosmos.

Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.

March 1898 What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul. They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike! They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels. I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring... I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive. Their vitreous eyes were looking at me... I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting. Am I to be haunted by masks now?

It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx. It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall. But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism. This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.

Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.