Method To Madness Quotes

Though this be madness, yet there is method in't.

He may be mad, but there's method in his madness. There nearly always is method in madness. It's what drives men mad, being methodical.

Sometimes I feel sure he is as mad as a hatter and then, just as he is at his maddest, I find there is a method in his madness.

There nearly always is a method in madness.

Madness in method, that's genius

There is a method in his madness, and the rudimentary idea in my mind is growing. It will be a whole idea soon, and then, oh, unconscious cerebration.

Never compare one student's test score to another's. Always measure a child's progress against her past performance. There will always be a better reader, mathematician, or baseball player. Our goal is to help each student become as special as she can be as an individual--not to be more special than the kid sitting next to her.

We have become ninety-nine percent money mad. The method of living at home modestly and within our income, laying a little by systematically for the proverbial rainy day which is due to come, can almost be listed among the lost arts.

...there's something in science like the shine of the Patronus Charm, driving back all sorts of darkness and madness...

There is method in my madness.

He methodically basted the dark skin of the Alsatian, which he had stuffed with garlic and herbs. "One rule in life", he murmured to himself. "If you can smell garlic, everything is all right".

That's the beauty of art--we strive for perfection but never achieve it. The journey is everything.

Everything he does is for a reason. There's always method to his madness, meaning behind every word, a point to his actions. And it's usually never good.

It would be well to realize that the talk of ‘humane methods of warfare’, of the ‘rules of civilized warfare’, and all such homage to the finer sentiments of the race are hypocritical and unreal, and only intended for the consumption of stay-at-homes. There are no humane methods of warfare, there is no such thing as civilized warfare; all warfare is inhuman, all warfare is barbaric; the first blast of the bugles of war ever sounds for the time being the funeral knell of human progress… What lover of humanity can view with anything but horror the prospect of this ruthless destruction of human life. Yet this is war: war for which all the jingoes are howling, war to which all the hopes of the world are being sacrificed, war to which a mad ruling class would plunge a mad world.

We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-" She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean. She felt him inhale. "Tess," he said. "Tess, look at me." She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one. This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his. "Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down. "No," he said. "Let me touch you first. I have wanted...

BECOMING AN ARTIST IS A RECKLESS ACT OF INSANITY. BUT, IF I MAY QUOTE A PLAY THAT I THINK MIGHT BE A FAVORITE OF YOURS, “THOUGH THIS BE MADNESS, / YET THERE IS METHOD IN’T.

There are so many charlatans in the world of education. They teach for a couple of years, come up with a few clever slogans, build their websites, and hit the lecture circuit. In this fast-food-society, simple solutions to complex problems are embraced far too often. We can do better. I hope that people who read this book realize that true excellence takes sacrifice, mistakes, and enormous amounts of effort. After all, there are no shortcuts.

Hold childhood in reverence, and do not be in any hurry to judge it for good or ill. Leave exceptional cases to show themselves, let their qualities be tested and confirmed, before special methods are adopted. Give nature time to work before you take over her business, lest you interfere with her dealings. You assert that you know the value of time and are afraid to waste it. You fail to perceive that it is a greater waste of time to use it ill than to do nothing, and that a child ill taught is further from virtue than a child who has learnt nothing at all. You are afraid to see him spending his early years doing nothing. What! is it nothing to be happy, nothing to run and jump all day? He will never be so busy again all his life long. Plato, in his Republic, which is considered so stern, teaches the children only through festivals, games, songs, and amusements. It seems as if he had accomplished his purpose when he had taught them to be happy; and Seneca, speaking of the Roman lads in olden days, says, "They were always on their feet, they were never taught anything which kept them sitting." Were they any the worse for it in manhood? Do not be afraid, therefore, of this so-called idleness. What would you think of a man who refused to sleep lest he should waste part of his life? You would say, "He is mad; he is not enjoying his life, he is robbing himself of part of it; to avoid sleep he is hastening his death." Remember that these two cases are alike, and that childhood is the sleep of reason. The apparent ease with which children learn is their ruin. You fail to see that this very facility proves that they are not learning. Their shining, polished brain reflects, as in a mirror, the things you show them, but nothing sinks in. The child remembers the words and the ideas are reflected back; his hearers understand them, but to him they are meaningless. Although memory and reason are wholly different faculties, the one does not really develop apart from the other. Before the age of reason the child receives images, not ideas; and there is this difference between them: images are merely the pictures of external objects, while ideas are notions about those objects determined by their relations.

Today, just two generations on, the Monte Carlo method (in various forms) so dominates some fields that many young scientists don’t realize how thoroughly they’ve departed from traditional theoretical or experimental science.

Whoever challenges freaks should notice that in the method he does not mature into a beast.

Cursed the crown that brought such grief to me

Be all the dork that I can be?” he tried. Her turn. “Hamlet: To dork, or not to dork, that is the question.” She smiled proudly, thinking of another. “The apparel ‘oft proclaims the man!” He chuckled. “Hamlet again, but this time with an English accent: Though this be madness, yet there is method in it.

Sure, okay, I'll pick up some cat litter. Anything else?" "Watch your back, G." Then she hung up. Hero paused in her sobbing to look at me quizzically. "Why does your mom want cat litter? You guys don't even have a cat." "She uses it for..." I searched my brain madly, but all I could come up with was "teaching." "She uses cat litter to teach English?" I nodded. "She's kind of unconventional in her methods." Hero frowned. "But how does she use it?" The girl was relentless when she fixated on something. "Um, when their papers are really bad, she gives them a little bag of cat litter. It's her way of telling them their writing is crap." I laughed. "She's kooky.

Onerous moral strictures weed out the uncommitted and guarantee a minimum level of solidarity and trust within the group.

It seems also that the preferred method of attack on the other is based on the same principle as the attack felt to be implicit in the other's relationship to oneself. Thus, the man who is frightened of his own subjectivity being swamped, impinged upon, or congealed by the other is frequently to be found attempting to swamp, to impinge upon, or to kill the other person's subjectivity.

To regret the methods, you have to win." He couldn't stay on his feet any longer, and he grunted as he took one lurching step and the padded socket squeezed at his stump. "Once you've won ... who cares about the methods?

It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession; with totally differing aims the method is the same on both sides. But the understood incentive on the woman's part was wanting here. Besides, Bathsheba's position as absolute mistress of a farm and house was a novel one, and the novelty had not yet begun to wear off.

In the worst attacks of trouble there appears to be always a superficial film of consciousness which is left disengaged and open to the notice of trifles, and Bathsheba was faintly amused at the boy's method, till he too passed on.

I think Mr. Holmes had not quite got over his illness yet. He’s been behaving very queerly, and he is very much excited.” “I don’t think you need alarm yourself,” said I. “I have usually found that there was method in his madness.” “Some folks might say there was madness in his method,” muttered the Inspector.

Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!" People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH.. If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something.. No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again. Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore.. It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!

It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession; with totally differing aims the method is the same on both sides.

There nearly always is method in madness. It's what drives men mad, being methodical. And he never goes on sitting there after sunset, with the whole place getting dark.

There is always some madness in love. But there is always, also, some method in madness.

There is method to her madness!

I don't think you need alarm yourself,” said I. “I have usually found that there was method in his madness.” “Some folks might say there was madness in his method,” muttered the Inspector.

It is true: we love life, not because we are used to living but because we are used to loving. There is always a certain madness in love. But also there is always a certain method in madness.

My father picked me up from school one day, and we played hooky and went to the beach. It was too cold to go in the water, so we sat on a blanket and ate pizza. When I got home, my sneakers were full of sand, and I dumped it on my bedroom floor. I didn't know the difference. I was six. My mother screamed at me for the mess, but he wasn't mad. He said that billions of years ago, the world shifting and the oceans moving brought that sand to that spot on the beach, and then I took it away. "Every day," he said, "we change the world," which is a nice thought until I think about how many days and lifetimes I would need to bring a shoe full of sand home until there is no beach, until it made a difference to anyone. Every day, we change the world, but to change the world in a way that means anything, that takes more time than most people have. It never happens all at once. It's slow. It's methodical. It's exhausting. We don't all have the stomach for it.

It is true we love life; not because we are wont to live, but because we are wont to love. There is always some madness in love. But there is always, also, some method in madness. And to me also, who appreciate life, the butterflies, and soap-bubbles, and whatever is like them amongst us, seem most to enjoy happiness

Few would disagree that Herbert Mullin, who thought he was saving California from the great earthquake by killing people, and Ed Gein, who was making chairs out of human skin, were entirely insane when they committed their acts. The question becomes more difficult with somebody like law student Ted Bundy, who killed twenty women while at the same time working as a suicide prevention counselor, or John Wayne Gacy, who escorted the first lady and then went home to sleep of thirty-three trussed-up corpses under his house. On one hand their crimes seem "insane," yet on the other hand, Bundy and Gacy knew exactly what they were doing. How insane were they?

Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.

But what could be the purpose of the unseasonable toil, which was again resumed, as the watchman knew by the lines of lamp-light through the crevices of Owen Warland's shutters? The townspeople had one comprehensive explanation of all these singularities. Owen Warland had gone mad! How universally efficacious--how satisfactory, too, and soothing to the injured sensibility of narrowness and dullness--is this easy method of accounting for whatever lies beyond the world's most ordinary scope! - "The Artist of the Beautiful

The consequences of this amassing of fortunes were first felt in the catastrophe experienced by small farmers in Europe and England. The peasants became impoverished, dependent workers crowded into city slums. For the first time in human history, the majority of Europeans depended for their livelihood on a small wealthy minority, a phenomenon that capitalist-based colonialism would spread worldwide. The symbol of this new development, indeed its currency, was gold. Gold fever drove colonizing ventures, organized at first in pursuit of the metal in its raw form. Later the pursuit of gold became more sophisticated, with planters and merchants establishing whatever conditions were necessary to hoard as much gold as possible. Thus was born an ideology: the belief in the inherent value of gold despite its relative uselessness in reality. Investors, monarchies, and parliamentarians devised methods to control the processes of wealth accumulation and the power that came with it, but the ideology behind gold fever mobilized settlers to cross the Atlantic to an unknown fate. Subjugating entire societies and civilizations, enslaving whole countries, and slaughtering people village by village did not seem too high a price to pay, nor did it appear inhumane. The systems of colonization were modern and rational, but its ideological basis was madness.

The masks of her life would become the mythical body of her art.

Reflect in terror the scorching sun: dive at your mirror and drown within.

if you become angry over little things, the big issues are never even addressed. As

Onerous moral strictures weed out the uncommitted and guarantee a minimum level of

our days are no different from the past, except in the number of tyrants, their systematic methods and the cold logic with which they lead the world to madness

There is a method in his madness, and the rudimentary idea in my mind is growing. It will be a whole idea soon, and then, oh, unconscious celebration! —Dr. Seward

A careful examination of the study’s methods, results and conclusions leads me to a diagnosis of ‘logic in remission.

They’ve gone in order. One. Two. Three. I first saw them in the order they’d fall in love with me? Is that the method to the madness?

They were all concerned that Trump did not understand what he was up against. That there was simply not enough method to his madness.

market transactions do not necessarily provide people with what they want; they provide people with what they think they want.

There is a method in his madness

A logical method is madness to one who isn't taught to understand it. - The Malwatch

In trying to practice religion, eighty percent of people turn cheats and about fifteen percent go mad; only the remaining five percent attain the immediate knowledge of the infinite Truth.

It’s human nature to notice patterns. That’s all this is, a pattern. A series of coincidences; nothing worth ascribing meaning to. I don’t understand why people feel the need to do that, assign fake significance to happenstance. Guess it’s more comforting to believe the universe sends signs and omens, that there’s a method to its madness, instead of accepting the true chaos of our reality.

All I’m trying to say is, be kind to yourself. This one life is all we’ve got, and we all make mistakes along the way. Do things we oughtn’t, fail to do those we should. See those moments for what they were. Learn from them what you can. And then stand up a little taller and keep marching forward. In the end it’s how we keep going that matters. The world won’t remember our falls unless we never pick ourselves up.

He had been known to observe casually that in dealing with womankind the only alternative to flattery was cursing and swearing. There was no third method. "Treat them fairly, and you are a lost man." he would say.

Vivekananda once remarked: In trying to practice religion, eighty percent of people turn cheats and about fifteen percent go mad; only the remaining five percent attain the immediate knowledge of the infinite Truth.

I thought to myself that if I could care so much about teaching that I didn’t even realize my hair was burning, I was moving in the right direction. From that moment, I resolved to always teach like my hair was on fire.

I mutter and mutter and no one to listen. I speak my words in Japanese and my daughter will not hear them. The words that come from our ears, our mouths, they collide in the space between us. "Obachan, please! I wish you would stop that. Is it too much to ask for some peace and quiet? You do this on purpose, don’t you? Don’t you! I just want some peace. Just stop! Please, just stop." "Gomennasai. Waruine, Obachan wa. Solly. Solly." Ha! Keiko, there is method in my madness. I could stand on my head and quote Shakespeare until I had a nosebleed, but to no avail, no one hears my language. So I sit and say the words and will, until the wind or I shall die. Someone, something must stand against this wind and I will. I am.

we want to remove our make-up and take off what is false and be real. But somewhere a piece of disguise that we forgot sticks to us … And so we walk around, a mockery and a mere half: neither having achieved being nor actors. RAINER MARIA RILKE

The towns-people had one comprehensive explanation of all these singularities. Owen Warland had gone mad! How universally efficacious--how satisfactory, too, and soothing to the injured sensibility of narrowness and dulness--is this easy method of accounting for whatever lies beyond the world's most ordinary scope! From St. Paul's days down to our poor little Artist of the Beautiful, the same talisman had been applied to the elucidation of all mysteries in the words or deeds of men who spoke or acted too wisely or too well.

Last call for second thoughts,' murmured June. 'Or second call for last ones.' Rain drummed on the roof of the town car as it pulled up outside the old Old Courthouse. 'Don't be somber,' said Marcella. 'It's a party.' 'It's madness,' countered June. Marcella's lips twitched. 'Good thing there's method in it.' It was a gamble, of coarse. A risk. An ambitious play. But she used to tell Marcus, the world wasn't made for the faint of heart. Nothing ventured, nothing gained. And if Marcella's plan went up in flames, well, she'd take the whole damn city with her.

experimental method was the only method by which one could arrive at any scientific analysis of the passions; and certainly Dorian Gray was a subject made to his hand, and seemed to promise rich and fruitful results. His sudden mad love for Sibyl Vane was a psychological phenomenon

Intimidation (Journeyman I). You have learned that the most efficient method of dealing with people is saying exactly what you want. Honesty is key, and people have learned to respect that! This skill allows you to make new friends, gain better prices at shops, and speed up conversation. Sometimes people will even give you money for no particular reason! +2% chance to make a new friend, gain money, and get better prices per skill rank. Caution, sometimes people are afraid of the truth and will get mad about how friendly you are. They may even call guards to attack you!

Bush could never understand Hornblower's disciplinary methods. He had been positively horrified when he had heard his captain's public admission that he too had baths under the washdeck pump — it seemed madness for a captain to allow his men to guess that they were of the same flesh as his.

Confederate surgeons usually performed “circular” amputations. They made a 360-degree cut through the skin, then scrunched it up like a shirt cuff. After sawing through the muscle and bone, they inched the skin back down to wrap the stump. This method led to less scarring and infection. Union surgeons preferred “flap” amputations: doctors left two flaps of flesh hanging beside the wound to fold over after they’d sawed through. This method was quicker and provided a more comfortable stump for prosthetics. Altogether, surgeons lopped off 60,000 fingers, toes, hands, feet, and limbs during the war.

Maybe Hayli was a Moth, but for me she was the candle. I didn’t know why. I could never make sense of the way the world tipped sideways when she came into the room, or the way her smile put the sun to shame. She was just Hayli—lost but confident, unsure but dazzling. A wild-eyed girl with the joy of the stars in her veins.

Given to exaggeration in its feelings, a crowd is only impressed by excessive sentiments. An orator wishing to move a crowd must make an abusive use of violent affirmations. To exaggerate, to affirm, to resort to repetitions, and never to attempt to prove anything by reasoning are methods of argument well known to speakers at public meetings.

The only logically valid deduction in such situations is that if you follow any system or pattern in your choices, it will be exploited by the other player to his advantage and to your disadvantage; therefore you should not follow any such system or pattern. If you are known to be a left-side kicker, goalies will cover that side better and save your kicks more often. You have to keep them guessing by being unsystematic, or random, on any single occasion. Deliberately choosing your actions at random may seem irrational in something that purports to be rational strategic thinking, but there is method in this apparent madness. The value of randomization can be quantified, not merely understood in a vague general sense. In this chapter we will explicate this method.

I teach my students that while rules are necessary, many of our greatest heroes became heroes by not following the rules. [...] Extraordinary people throughout history have done this, and if we want our children to reach such heights, they need to know the rules but see past a chart on the wall. There will be times when the chart is not there. More important, there will be times when the chart is wrong.

Without children, you will never be fulfilled as a woman, but bringing up kids in decent conditions is almost impossible: It is essential that women feel like failures--that they be made to feel as if they've mad the wrong choice. We are held responsible for failures that are collective and cross-gender. The weapons used against our gender are specific, but the method can be applied to men too. A good consumer is an insecure consumer.

make use of some such alarm signals as mad-doctors adopt in dealing with their distracted patients; as by beating several times on a glass with the blade of a knife, fixing them at the same time with a sharp word and a compelling glance, violent methods which the said doctors are apt to bring with them into their everyday life among the sane, either from force of professional habit or because they think the whole world a trifle mad. Their

In Women and Madness, Phyllis Chesler writes of what she calls “psychiatric imperialism,” whereby normal responses to trauma are methodically pathologized in science and medicine. At the time of the book’s publication in 1972, few women were coming forward about gender biases in the study and practice of psychology. Chesler felt compelled to bring forward a conversation around gender, race, class, and medical ethics because “modern female psychology reflects a relatively powerless and deprived condition.” Of sensitivity she writes: “Many intrinsically valuable female traits, such as intuitiveness or compassion, have probably been developed through default or patriarchal-imposed necessity, rather than through either biological predisposition or free choice. Female emotional ‘talents’ must be viewed in terms of the overall price exacted by sexism.” Regardless of causation, of note here is that women’s internal lives were barely acknowledged or considered.

It is very likely an anxiety dream, brought on by your move out of your childhood home and the comfort of the reach of your family’s love and protection.” Gideon reached to stroke her hair soothingly. “I am only surprised it has not happened sooner.” “Are you sure?” Her nervousness was clear, but she was truly relaxing already. “Yes. And so are you. You know everything there is to know about psychology, you tell me what you think.” “But you thought it was this . . . new level of ability.” “And for the first time in a millennium my diagnosis is wrong. I do despise it when such bothersome things occur. Now I shall have to start the ‘No Mistakes’ clock all over again.” Legna giggled at him, which was of course his intention. She swung her arms around his neck, hugging him warmly. “You smell so good,” he murmured against her ear a long minute later. “I smell like sex,” she argued. He nodded, making a loud noise of appreciation as he sniffed and nibbled her neck. “You smell like very good sex,” he amended with a voracious growl and an eager mouth moving over her bare skin with bold appetite. “Gideon!” She squealed as he went straight for her waist, knowing she was ticklish there. The playful flicker of his tongue and the scrape of his teeth drove her mad, and she twisted as she screamed for him to stop. When he tickled her she absolutely could not use her classic escape method. She could barely catch her breath, never mind her concentration.

The best place to play’ means you love the guys you’re playing with. It means you develop deep relationships that go well beyond soccer. It means you have awesome team chemistry where what the team needs is more important than what you need—and you fully buy-in to that. It means you fight for game time but you don’t hold that against your teammate—that you’re not mad when you’re subbed out, but instead, you’re excited for the guy who came in for you. And it means we have each other’s back.

I think we believe in the specter of organized evil to make sense of aberrant behaviors we don’t understand, and to protect us from a far more unsettling notion: that this malevolence we fear does exist, and it lives deep inside each and every one of us, waiting to emerge. In the end, is it not more terrifying to accept that there is no grand conspiracy—no structure, no organization, no method to the madness that haunts us all? That there is only rudderless chaos? To me, that is the ultimate evil.

subjects nicknamed him Epumanes – the Madman. But there was method in his madness for he hoped to bind his empire together around the worship of one king, one religion. He fully expected his subjects to worship their local gods and merge them into the Greek pantheon and his own cult. But it was different for the Jews, who had a love–hate relationship with Greek culture. They craved its civilization but resented its dominance. Josephus says they regarded Greeks as feckless, promiscuous, modernizing

On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.

As he left the room, Lord Henry's heavy eyelids drooped, and he began to think. Certainly few people had ever interested him so much as Dorian Gray, and yet the lad's mad adoration of some one else caused him not the slightest pang of annoyance or jealousy. He was pleased by it. It made him a more interesting study. He had been always enthralled by the methods of natural science, but the ordinary subject-matter of that science had seemed to him trivial and of no import. And so he had begun by vivisecting himself, as he had ended by vivisecting others. Human life—that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams. There were poisons so subtle that to know their properties one had to sicken of them. There were maladies so strange that one had to pass through them if one sought to understand their nature. And, yet, what a great reward one received! How wonderful the whole world became to one! To note the curious hard logic of passion, and the emotional coloured life of the intellect—to observe where they met, and where they separated, at what point they were in unison, and at what point they were at discord—there was a delight in that! What matter what the cost was? One could never pay too high a price for any sensation.

When people’s judgments deviate from a normative model, as they so often do, we have a puzzle to solve. Sometimes the disparity reveals a genuine irrationality: the human brain cannot cope with the complexity of a problem, or it is saddled with a bug that cussedly drives it to the wrong answer time and again. But in many cases there is a method to people’s madness. A problem may have been presented to them in a deceptive format, and when it is translated into a mind-friendlier guise, they solve it. Or the normative model may itself be correct only in a particular environment, and people accurately sense that they are not in that one, so the model doesn’t apply. Or the model may be designed to bring about a certain goal, and, for better or worse, people are after a different one. In the chapters to come, we will see examples of all these extenuating circumstances. The penultimate chapter will lay out how some of today’s florid outbursts of irrationality may be understood as the rational pursuit of goals other than an objective understanding of the world.

empirical evidence is precisely that which is sacred in so-called scientific thought, and by these means—there’s no point in denying it—we can go far, but at the same time, by following this method, we greatly distance ourselves from the problem, because it’s so, but so manifest that empirical proof itself is something that no one has ever heretofore truly dealt with, namely, no one has ever wished genuinely to confront the deeply problematic nature of empirical verification as such, because whoever did this went mad, or appeared to be a pure dilettante,

The larger problem here is that many teachers are so desperate to keep their classrooms in order that they will do anything to maintain it. This is understandable—an “End justifies the means” mentality is at the heart of many explanations of how children are handled these days. Given some of the practically impossible situations confronting teachers today, it seems reasonable. But let’s be honest. It might be explicable. It might be effective. But it is not good teaching. We can do better. I know this because I’ve been there. I’ve fallen into the same trap. The simple truth is that most classrooms today are managed by one thing and one thing only: fear.

Saint John, in a moment of confusion, tells us not to love the world because "all that is in the world, the lust of the flesh, and the lust of the eyes, and the pride of life,is not of the Father, but is of the world." This injunction is at best a paradox. Our humble and astonishing inheritance is the world and only the world, whose existence we constantly test (and prove) by telling ourselves stories about it. The suspicion that we and the world are made in the image of something wonderfully and chaotically coherent far beyond our grasp, of which we are also part; the hope that our exploded cosmos and we, its stardust, have an ineffable meaning and method; the delight in retelling the old metaphor of the world as a book we read and in which we too are read; the conceit that what we can know of reality is an imagination made of language — all this finds its material manifestation in that self-portrait we call a library. And our love for it, and our lust to see more of it, and our pride in its accomplishments as we wander through shelves full of books that promise more and more delights, are among our happiest, most moving proofs of possessing, in spite of all the miseries and sorrows of this life, a more intimate, consolatory, perhaps redeeming faith in a method behind the madness than any jealous deity could wish upon us.

The evaluation of the merits of medical treatments for madness has always been a calculation made by doctors and, to a certain extent, by society as a whole. Does the treatment provide a method for managing disturbed people? That is the usual bottom line. The patient’s subjective response to the treatment—does it help the patient feel better or think more clearly?—simply doesn’t count in that evaluation. The “mad,” in fact, are dismissed as unreliable witnesses. How can a person crazy in mind possibly appreciate whether a treatment—be it Rush’s gyrator, a wet pack, gastrointestinal surgery, metrazol convulsive therapy, electroshock, or a neuroleptic—has helped? Yet to the person so treated, the subjective experience is everything.

You might get up at noon and work at home in your dressing gown, in a pigsty of a living room. You might check into a different hotel room every day and work on the bed. Your creative process and working habits might look like total chaos to an outsider, but if they work for you, that’s all that matters. And there will be some method in the madness – patterns in your daily activities that are vital to your creativity. These are the things you need to do to keep your imagination alive – whether it’s sitting at a desk by 6am, using the same pen, notebook or make of computer, hitch-hiking across America, putting rotten apples in your desk so that the scent wafts into your nostrils as you work, or sitting in your favourite café with a glass of absinthe.

A couple of years earlier, Steinbeck had explained his writing technique to his sister Mary. It began with the faint idea for a story. This was followed by a long period of contemplation, during which he invented one character after another and began to study them. He said it was important to set aside time every day for this—it could be a couple of hours in the morning, though he admitted he usually spent more time than that. The main thing was to think about the characters until he could see them. Eventually he learned everything about them. Where they were from, how they dressed, what their voices sounded like, the shape and texture of their hands—the total picture. Once they were clearly visible to him, he started building their back stories, adding details and events to their lives from before he knew them. He wouldn’t use all of this information, but it was important to have it in order to better gauge the characters, to the point where they stood free of his conscious involvement and began to think and act independently. Gradually, he said, they would begin to talk to him on their own, so that he not only heard them speaking but started to have an idea about why they said the things they did. As the characters came to life, they inhabited his thoughts day and night, especially just before he went to sleep. Then he could “let things happen to them” and study their reactions. Eventually, he reached a point where he started fitting them into the story he had begun. Once the characters were his full partners, that’s when he started to write. He thought this method could work for anyone, and said the real secret was to stay under control and resist the temptation to push too hard. Some writers worked for a fixed period of time every day. Others counted their words—as he did. Sticking to one method or the other was important, he said, otherwise your eagerness to be done takes over. He said writing a long novel goes on for months or years. When it’s done you feel “terrible.” That was how it was for him.

Demanding yet denying the human condition makes for an explosive contradiction. And explode it does, as you and I know. And we live in an age of conflagration: it only needs the rising birth rate to worsen the food shortage, it only needs the newly born to fear living a little more than dying, and for the torrent of violence to sweep away all the barriers. In Algeria and Angola, Europeans are massacred on sight. This is the age of the boomerang, the third stage of violence: it flies right back at us, it strikes us and, once again, we have no idea what hit us. The "liberals" remain stunned: they admit we had not been polite enough to the "natives," that it would have been wiser and fairer to grant them certain rights, wherever possible; they would have been only too happy to admit them in batches without a sponsor to that exclusive club -- the human species; and now this barbaric explosion of madness is putting them in the same boat as the wretched colonists. The metropolitan Left is in a quandary: it is well aware of the true fate of the "natives," the pitiless oppression they are subjected to, and does not condemn their revolt, knowing that we did everything to provoke it. But even so, it thinks, there are limits: these guerrillas should make every effort to show some chivalry; this would be the best way of proving they are men. Sometimes the Left berates them: "You're going too far; we cannot support you any longer." They don't care a shit for its support; it can shove it up its ass for what it's worth. As soon as the war began, they realized the harsh truth: we are all equally as good as each other. We have all taken advantage of them, they have nothing to prove, they won't give anyone preferential treatment. A single duty, a single objective: drive out colonialism by every means. And the most liberal among us would be prepared to accept this, at a pinch, but they cannot help seeing in this trial of strength a perfectly inhuman method used by subhumans to claim for themselves a charter for humanity: let them acquire it as quickly as possible, but in order to merit it, let them use nonviolent methods. Our noble souls are racist.

This about it for a moment. It is truly very odd. We apparently believe that we own our own bodies as possessions and should be allowed to do with them more or less anything we choose, from euthanasia to a boob job, but we do not want to be on our own with these precise possessions. We live in a society which sees high self-esteem as a proof of well-being, but we do not want to be intimate with this admirable and desirable person. We see moral and social conventions as inhibitions on our personal freedoms, and yet we are frightened of anyone who goes away from the crowd and develops 'eccentric' habits. We believe that everyone has a singular personal 'voice' and is, moreover, unquestionably creative, but we treat with dark suspicion (at best) anyone who uses one of the most clearly established methods of developing that creativity - solitude. We think we are unique, special and deserving of happiness, but we are terrified of being alone. We declare that personal freedom and autonomy is both a right and good, but we think anyone who exercises that freedom autonomously is 'sad, mad or bad'. Or all three at once.

The very fact of interrogating the concept of reason using reason presupposes the validity of reason. (40) As the saying goes, the more we disagree, the more chance there is that at least one of us is right. . . . Another reassurance that reason is valid is that it works. (41) And that is the power of reason: it can reason about itself. When something appears mad, we can look for a method to the madness. (71) Quoting Hume “Of Miracles” No testimony is sufficient to establish a miracle, unless the testimony be of such a ind, that its falsehood would be more miraculous, than the fact, which it endeavors to establish. And quoting Sagan, “Extraordinary claims require extraordinary evidence.” Quoting Dr. Seuss: “Today you are you, that is truer than true. There is no one alive who is youer than you.” Reality is that which, when you apply motivated or myside or mythological reasoning to it, does not go away. . . . A corrosion of standards of truth undermines democracy and clears the ground for tyranny. Each of us has a motive to prefer our truth, but together we’re better off with the truth. 315 all from Rationality, by Steven Pinker

In the passion of love, for instance, a cause unknown to the sufferer, but which is doubtless the spring-flood of hereditary instincts accidentally let loose, suddenly checks the young man's gayety, dispels his random curiosity, arrests perhaps his very breath; and when he looks for a cause to explain his suspended faculties, he can find it only in the presence or image of another being, of whose character, possibly, he knows nothing and whose beauty may not be remarkable; yet that image pursues him everywhere, and he is dominated by an unaccustomed tragic earnestness and a new capacity for suffering and joy. If the passion be strong there is no previous interest or duty that will be remembered before it; if it be lasting the whole life may be reorganized by it, it may impose new habits, other manners, and another religion. Yet what is the root of all this idealism? An irrational instinct, normally intermittent, such as all dumb creatures share, which has here managed to dominate a human soul and to enlist all the mental powers in its more or less permanent service, upsetting their usual equilibrium. This madness, however, inspires method; and for the first time, perhaps, in his life, the man has something to live for.

The question,” Rupert stated, “is, do I rend you limb from limb, physically?  Or do I rend you cell by cell, magically?”  Rupert certainly couldn’t do the latter, and he really didn’t want to do the former; however, the demon had really made him mad.  He deserved to suffer a little fear.  If Rupert had been a human, he’d be dead by now, he was sure. “Limb by limb, if you please.”  The demon begged. “I’ll be forever regenerating with the cell-by-cell thing.  Please...”  The demon almost seemed to whine.  “Please lord, if I have to regenerate cell by cell, my master will really be angry with me.  He doesn’t like his people slacking off, taking up his time to regenerate from their own stupidity, as he’d say.  Just rend me limb from limb, I promise I won’t bother you anymore.  Please?”  Rupert just continued to glare.  He was taken by surprise. The little fellow acted as if it were standard procedure in this circumstance.  He was actually begging for one method over the other.  “Please? Limb by limb?”  the demon begged. Rupert shrugged.  He’d never rent anyone limb from limb before.  He wasn’t sure how it was supposed to be done, but he could use his imagination.  Rupert waded in.  It was all rather messy, he’d decided afterward.

Doremus, reading the authors he had concealed in the horsehair sofa—the gallant Communist, Karl Billinger, the gallant anti-Communist, Tchernavin, and the gallant neutral, Lorant—began to see something like a biology of dictatorships, all dictatorships. The universal apprehension, the timorous denials of faith, the same methods of arrest—sudden pounding on the door late at night, the squad of police pushing in, the blows, the search, the obscene oaths at the frightened women, the third degree by young snipe of officials, the accompanying blows and then the formal beatings, when the prisoner is forced to count the strokes until he faints, the leprous beds and the sour stew, guards jokingly shooting round and round a prisoner who believes he is being executed, the waiting in solitude to know what will happen, till men go mad and hang themselves—Thus had things gone in Germany, exactly thus in Soviet Russia, in Italy and Hungary and Poland, Spain and Cuba and Japan and China. Not very different had it been under the blessings of liberty and fraternity in the French Revolution. All dictators followed the same routine of torture, as if they had all read the same manual of sadistic etiquette. And now, in the humorous, friendly, happy-go-lucky land of Mark Twain, Doremus saw the homicidal maniacs having just as good a time as they had had in central Europe.

One—that each coven must have its leader and only he might order the working of the Dark Trick upon a mortal, seeing that the methods and the rituals were properly observed. Two—that the Dark Gifts must never be given to the crippled, the maimed, or to children, or to those who cannot, even with the Dark Powers, survive on their own. Be it further understood that all mortals who would receive the Dark Gifts should be beautiful in person so that the insult to God might be greater when the Dark Trick is done. Three—that never should an old vampire work this magic lest the blood of the fledgling be too strong. For all our gifts increase naturally with age, and the old ones have too much strength to pass on. Injury, burning—these catastrophes, if they do not destroy the Child of Satan will only increase his powers when he is healed. Yet Satan guards the flock from the power of old ones, for almost all, without exception, go mad. In this particular, let Armand observe that there was no vampire then living who was more than three hundred years old. No one alive then could remember the first Roman coven. The devil frequently calls his vampires home. But let Armand understand here also that the effect of the Dark Trick is unpredictable, even when passed on by the very young vampire and with all due care. For reasons no one knows, some mortals when Born to Darkness become as powerful as Titans, others may be no more than corpses that move. That is why mortals must be chosen with skill. Those with great passion and indomitable will should be avoided as well as those who have none. Four—that no vampire may ever destroy another vampire, except that the coven master has the power of life and death over all of his flock. And it is, further, his obligation to lead the old ones and the mad ones into the fire when they can longer serve Satan as they should. It is his obligation to destroy all vampires who are not properly made. It is his obligation to destroy those who are so badly wounded that they cannot survive on their own. And it is his obligation finally to seek the destruction of all outcasts and all who have broken these laws. Five—that no vampire shall ever reveal his true nature to a mortal and allow that mortal to live. No vampire must ever reveal the history of the vampires to a mortal and let the mortal live. No vampire must commit to writing the history of the vampires or any true knowledge of vampires lest such a history be found by mortals and believed. And a vampire’s name must never be known to mortals, save from his tombstone, and never must any vampire reveal to mortals the location of his or any other vampire’s lair. These then were the great commandments, which all vampires must obey. And this was the condition of existence among all the Undead.

Then, at last, with the spark of life came the creation of humanity. Such was the explosive force of this creation that the light and its shadow were split apart and, once separated for long enough to forget it was ever whole, one half became the personification of good and the other half of evil. When this happened, the forces of good and evil fought a battle to see who’d win influence over humanity. But since both sides were always perfectly matched, no victor ever emerged. Eventually, the powers that be invented the game of chess to decide the fate of humankind, since this method would be both less bloody and over far quicker. However, it didn’t help, since every game still ended in a stalemate. Eventually it was decided, by an extremely lengthy and infinitely tedious board meeting, that the influence over humanity would be shared: the forces of good would influence their hearts; the forces of evil would influence their minds. Angels and demons were scattered throughout Earth and Everwhere to exert their influence by these means. So humanity was left with a choice: to follow their hearts or their heads. But, once the agreement was made, it soon became clear that humans found it far easier to listen to their heads than their hearts, thus ensuring the demonic influence was far stronger than the angelic. It was widely believed, at least among the angels, that the demons had cheated. However, since they could never prove how, and since the terms of the deal, being sealed by both spirit and soul, were irreversible, there was nothing to be done. Thus, the whole of humanity was subjected to a terrible fate, fighting to feel the influence of good, to know fulfilment, contentment, and joy, while all too often being drawn into fear, sorrow, and despair. Being cursed with perpetual free will, humans struggled on, often being thrown back and forth between one and the other a dozen times a day. Many descended into madness.

I see over and beyond all these national wars, new "empires," and whatever else lies in the foreground. What I am concerned with — for I see it preparing itself slowly and hesitatingly — is the United Europe. It was the only real work, the one impulse in the souls, of all the broad-minded and deep-thinking men of this century — this reparation of a new synthesis, and the tentative effort to anticipate the future of "the European." Only in their weaker moments, or when they grew old, did they fall back again into the national narrowness of the "Fatherlanders" — then they were once more "patriots." I am thinking of men like Napoleon, Heinrich Heine, Goethe, Beethoven, Stendhal, Schopenhauer. Perhaps Richard Wagner likewise belongs to their number, concerning whom, as a successful type of German obscurity, nothing can be said without some such "perhaps." But to the help of such minds as feel the need of a new unity there comes a great explanatory economic fact: the small States of Europe — I refer to all our present kingdoms and "empires" — will in a short time become economically untenable, owing to the mad, uncontrolled struggle for the possession of local and international trade. Money is even now compelling European nations to amalgamate into one Power. In order, however, that Europe may enter into the battle for the mastery of the world with good prospects of victory (it is easy to perceive against whom this battle will be waged), she must probably "come to an understanding" with England. The English colonies are needed for this struggle, just as much as modern Germany, to play her new role of broker and middleman, requires the colonial possessions of Holland. For no one any longer believes that England alone is strong enough to continue to act her old part for fifty years more; the impossibility of shutting out homines novi from the government will ruin her, and her continual change of political parties is a fatal obstacle to the carrying out of any tasks which require to be spread out over a long period of time. A man must to-day be a soldier first and foremost that he may not afterwards lose his credit as a merchant. Enough; here, as in other matters, the coming century will be found following in the footsteps of Napoleon — the first man, and the man of greatest initiative and advanced views, of modern times. For the tasks of the next century, the methods of popular representation and parliaments are the most inappropriate imaginable.

In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.

I see the method in your madness, but there’s too much madness in your method.

though this be madness, yet there’s method in’t.