“
I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about -- the tiny hole through the roof or the bottom of the box. There's no doubt it's the most versatile of the five elements. It can wash away earth; it can put out fire; it can wear a piece of metal down and sweep it away. Even wood, which is its natural complement, can't survive without being nurtured by water. And yet, you haven't drawn on those strengths in living your life, have you?
”
”
Arthur Golden (Memoirs of a Geisha)
“
A dwarf who can't get the hang of metal? That must be pretty unique."
"Pretty rare, sir. But I was quite good at alchemy.."
"Guild member?"
"Not any more, sir."
"Oh? How did you leave the guild?"
"Through the roof, sir. But I'm pretty certain I know what I did wrong.
”
”
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
“
Water never waits. It changes shape and floes around things, and finds the secret paths no one else thought about __ the tiny hole through the roof or the bottom of a box. There's no doubt it's the most versatile of the five elements. It can wash away earth, it can put out fire; it can wear a piece of metal down and can sweep it away. Even wood, which is its natural complement, can'survive without being nurtured by water.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Chilled-looking people walking along the riverside, the snow beginning, faintly, to pile up on the roofs of cars, the bare trees shaking their heads left and right, dry leaves tossing in the wind. The silver of the metal window sash sparkling coldly.
Soon after, I heard sensei call, "Mikage! Are you awake? It's snowing, look! It's snowing!"
"I'm coming!" I called out, standing up. I got dressed to begin another day. Over and over, we begin again.
”
”
Banana Yoshimoto (Kitchen)
“
Coffin,why no lid? Too antiseptic for Hell, and could the roof of heaven really be made of gray metal?
”
”
Andrew Davidson (The Gargoyle)
“
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
All money is imaginary," answered the Calcatrix simply. "Money is magic everyone agrees to pretend is not magic. Observe! You treat it like magic, wield it like magic, fear it like magic! Why should a body with more small circles of copper or silver or gold than anyone else have an easy life full of treats every day and sleeping in and other people bowing down? The little circles can't get up and fight a battle or make a supper so splendid you get full just by looking at it or build a house of a thousand gables. They can do those things because everyone agrees to give them power. If everyone agreed to stop giving power to pretty metals and started giving it to thumbnails or mushroom caps or roof shingles or first kisses or tears or hours or puffin feathers, those little circles would just lay there tarnishing in the rain and not making anyone bow their noses down to the ground or stick them up in the air.
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums.
But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.
”
”
Nicholas Sparks (The Best of Me)
“
The world was young, the mountains green,
No stain yet on the Moon was seen,
No words were laid on stream or stone
When Durin woke and walked alone.
He named the nameless hills and dells;
He drank from yet untasted wells;
He stooped and looked in Mirrormere,
And saw a crown of stars appear,
As gems upon a silver thread,
Above the shadow of his head.
The world was fair, the mountains tall,
In Elder Days before the fall
Of mighty kings in Nargothrond
And Gondolin, who now beyond
The Western Seas have passed away:
The world was fair in Durin's Day.
A king he was on carven throne
In many-pillared halls of stone
With golden roof and silver floor,
And runes of power upon the door.
The light of sun and star and moon
In shining lamps of crystal hewn
Undimmed by cloud or shade of night
There shone for ever fair and bright.
There hammer on the anvil smote,
There chisel clove, and graver wrote;
There forged was blade, and bound was hilt;
The delver mined, the mason built.
There beryl, pearl, and opal pale,
And metal wrought like fishes' mail,
Buckler and corslet, axe and sword,
And shining spears were laid in hoard.
Unwearied then were Durin's folk;
Beneath the mountains music woke:
The harpers harped, the minstrels sang,
And at the gates the trumpets rang.
The world is grey, the mountains old,
The forge's fire is ashen-cold;
No harp is wrung, no hammer falls:
The darkness dwells in Durin's halls;
The shadow lies upon his tomb
In Moria, in Khazad-dûm.
But still the sunken stars appear
In dark and windless Mirrormere;
There lies his crown in water deep,
Till Durin wakes again from sleep.
-The Song of Durin
”
”
J.R.R. Tolkien
“
People drive by in their colorful convertibles with the roof down, looking all relaxed and friendly, as if you might stroll up to them while they’re pausing at the light and start a conversation. It’s the opposite of Britain, where everyone’s in their own self-contained metal box, swearing at the rain.
”
”
Sophie Kinsella (Shopaholic to the Stars (Shopaholic, #7))
“
A Ford motorcar is a magical thing in the night with the spraying lamps against the pitch road and the smell of metal and perfume under the clothy roof.
”
”
Sebastian Barry (The Whereabouts of Eneas McNulty (McNulty Family))
“
rain knocks at the metal roof, and she imagines it licking away at the limestone under her house, the way her children lick away at Everlasting Gobstoppers,
”
”
Lauren Groff (Florida)
“
loved the sound of the rain on the metal roof
”
”
Jeffery Deaver (Praying for Sleep)
“
We spent a century closed up within four walls
and a roof.
We are claustrophobic.
We prefer the sun and the wind and the sea
though it bites some of us
who are made of metal, and tears papery hearts.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
The final stretch of the drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure , with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat near the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blossoming geraniums. The Best of Me
”
”
Nicholas Sparks
“
Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about -- the tiny hole through the roof or the bottom of the box. There's no doubt it's the most versatile of the five elements. It can wash away earth; it can put out fire; it can wear a piece of metal down and sweep it away. Even wood, which is its natural complement, can't survive without being nurtured by water.
”
”
Arthur Golden
“
We topped the ridge a few moments later, and the town of Senzuru came into view below us. The day was drab, everything in shades of gray. It was my first look at the world outside Yoroido, and I didn't think I'd missed much. I could see the thatched roofs of the town around an inlet, amid dull hills, and beyond them the metal-colored sea, broken with shards of white. Inland, the landscape might have been attractive but for the train tracks running across it like a scar.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Waiting patiently doesn't suit you. I can see you have a great deal of water in your personality. Water never waits. It changes shape and flows around things, and finds the secret paths no one else has thought about-the tiny hole through the roof or the bottom of a box. There's no doubt it's the most versatile of the five elements. It can wash away earth; it can put out fire; it can wear a piece of metal down and sweep it away. Even wood, which is its natural complement, can't survive without being nurtured by water.
”
”
Arthur Golden (Memoirs of a Geisha)
“
The din of clanking metal rose above the racket of roof-denting rocks. Or maybe he only thought so because he was so heartened by the bat tenèb. Maybe he wouldn’t die today after all. Maybe none of them would die, because their neighbors were making their presence known, demanding peace from the gangs as well as from the authorities, from all sides.
”
”
Edwidge Danticat (Brother, I'm Dying)
“
for as long as I have known it, the plant has been empty and silent, a vast labyrinth of corridors and abandoned rooms, some open to the sky, others with glass or metal roofing and, above each kiln—we call them kilns, but there's no real evidence to say what they were used for—a giant chimney rises up into the clouds, a wide brick chimney that, in the wet months, fills with great cascading falls of rain, just as the glass roofs and the sheets of corrugated metal on the storerooms will break into a music that sounds repetitious when you first hear it, but soon begins to reveal itself as an infinitely complex fabric of faint overtones and distant harmonics that is never quite the same from one moment to the next.
”
”
John Burnside (The Glister)
“
the ladder, the metal freezing, biting my fingers. When I get up to the roof I press myself perfectly flat, belly-down on a coating of bird shit and rust. Even
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
On the roof of the taxi, Jimmy pressed Mitchell’s face against the metal. His programming roared inside him, forcing the human part back. Suddenly, Mitchell’s body
”
”
Joe Craig (Target (Jimmy Coates, #2))
“
What is God doing in my life? In the mornings, I wake to find that he has traced the world in silver. Every blade of grass. Each pumpkin on the porch. In the afternoons, I find him washing these fields with the mellow sunlight of autumn. He has gilded every rail in the fence and the sheet metal roof of the old red barn. He has transformed familiar trees into something otherworldly.
”
”
Christie Purifoy (Roots and Sky: A Journey Home in Four Seasons)
“
I am that man, the sum of him, the all of him, the hairless biped who struggled upward from the slime and created love and law out of the anarchy of fecund life that screamed and squalled in the jungle. I am all that that man was and did become. I see myself, through the painful generations, snaring and killing the game and the fish, clearing the first fields from the forest, making rude tools of stone and bone, building houses of wood, thatching the roofs with leaves and straw, domesticating the wild grasses and meadow roots, fathering them to become the progenitors of rice and millet and wheat and barley and all manner of succulent edibles, learning to scratch the soil, to sow, to reap, to store, beating out the fibers of plants to spin into thread and to weave into cloth, devising systems of irrigation, working in metals, making markets and trade routes, building boats, and founding navigation—ay, and organizing village life, welding villages to villages till they became tribes, welding tribes together till they became nations, ever seeking the laws of things, ever making the laws of humans so that humans might live together in amity and by united effort beat down and destroy all manner of creeping, crawling, squalling things that might else destroy them.
”
”
Jack London (The Star Rover (Modern Library Classics))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
And looking down on them, the other Londoners, those monsters who live in the air, the city’s uncounted population of stone men and women and beasts, and things that are neither human nor beasts, fanged rabbits and flying hares, four-legged birds and pinioned snakes, imps with bulging eyes and ducks’ bills, men who are wreathed in leaves or have the heads of goats or rams; creatures with knotted coils and leather wings, with hairy ears and cloven feet, horned and roaring, feathered and scaled, some laughing, some singing, some pulling back their lips to show their teeth; lions and friars, donkeys and geese, devils with children crammed into their maws, all chewed up except for their helpless paddling feet; limestone or leaden, metaled or marbled, shrieking and sniggering above the populace, hooting and gurning and dry-heaving from buttresses, walls and roofs. That night, the king permitting,
”
”
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
“
It isn’t Lesje she resents. Let him screw whatever he likes, why should she care? It’s his freedom she can’t take. Free as a goddamned bird, while she’s locked in this house, locked into this house while the roof leaks and the foundation crumbles and the earth revolves and leaves fall from the calendars like snow. In the centers of her bones dark metal smolders.
”
”
Margaret Atwood (Life Before Man)
“
Sergeant Pepper was dead. G.I. Joe lived on. George Bush was president, movies stars were dying from AIDS, kids were smoking crack in the ghettos and the suburbs, Muslims were blowing airliners from the skies, rap music ruled, and nobody cared much about the Movement anymore. It was a dry and dusty thing, like the air in the graves of Hendrix, Joplin, and God. She was letting her thoughts take her into treacherous territory, and the thoughts threatened her smiley face. She stopped thinking about the dead heroes, the burning breed who made the bombs full of roofing nails and planted them in corporate boardrooms and National Guard Armories. She stopped thinking before the awful sadness crushed her.
The sixties were dead. The survivors limped on, growing suits and neckties and potbellies, going bald and telling their children not to listen to that satanic heavy metal. The clock of the Age of Aquarius had turned, hippies and yippies had become preppies and yuppies. The Chicago Seven were old men. The Black Panthers had turned gray. The Grateful Dead were on MTV, and the Airplane had become a Top-40 Starship.
Mary Terror closed her eyes, and thought she heard the noise of wind whistling through the ruins.
”
”
Robert McCammon (Mine)
“
Korra slid from Naga’s back and let her gaze drift over the once-magnificent arena. Several of its tall spires were charred. The gilded glass dome that had been the arena’s crowning glory was shattered. The jagged iron girders that had formed the dome’s skeleton stuck out from the roof at odd angles, the metal gnarled and twisted. Korra shivered as she took in the damage, and a cold feeling of foreboding crept over her.
”
”
Erica David (Endgame (The Legend of Korra))
“
And then something hit the BMW with such force that Alex cried out, his whole body caught in a massive shock wave that tore him away from the steering-wheel and threw him helplessly into the back. At the same time, the roof buckled and three huge metal fingers tore through the skin of the car like a fork through an eggshell, trailing dust and sunlight. One of the fingers grazed the side of his head – any closer and it would have cracked his skull. Alex yelled as blood trickled over his eye. He tried to move, then was jerked back a second time as the car was yanked off the ground and tilted high up in the air. He couldn’t see. He couldn’t move. But his stomach lurched as the car swung in an arc, the metal grinding and the light spinning. It had been picked up by the crane. It was going to be put inside the crusher. With him inside. He tried to raise himself up, to
”
”
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
“
The warehouse had rusted iron ribs holding up the roof, and what little light there was inside came from hundreds of tiny bright speckles of sun showing through lacy holes in the siding. It was a big place, close to three hundred feet long, but largely empty, except for unexplained piles of abandoned equipment and scrap metal. The floor was concrete, worn smooth in some places, stained with oil in others, and covered with rusty fragments and pigeon feathers everywhere. The crunch of the tires and the engine noise and the beat of the exhaust came back loud through Chang’s open window.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
March 1898
What a strange dream I had last night! I wandered in the warm streets of a port, in the low quarter of some Barcelona or Marseille. The streets were noisome, with their freshly-heaped piles of ordure outside the doors, in the blue shadows of their high roofs. They all led down towards the sea. The gold-spangled sea, seeming as if it had been polished by the sun, could be seen at the end of each thoroughfare, bristling with yard-arms and luminous masts. The implacable blue of the sky shone brilliantly overhead as I wandered through the long, cool and sombre corridors in the emptiness of a deserted district: a quarter which might almost have been dead, abruptly abandoned by seamen and foreigners. I was alone, subjected to the stares of prostitutes seated at their windows or in the doorways, whose eyes seemed to ransack my very soul.
They did not speak to me. Leaning on the sides of tall bay-windows or huddled in doorways, they were silent. Their breasts and arms were bare, bizarrely made up in pink, their eyebrows were darkened, they wore their hair in corkscrew-curls, decorated with paper flowers and metal birds. And they were all exactly alike!
They might have been huge marionettes, or tall mannequin dolls left behind in panic - for I divined that some plague, some frightful epidemic brought from the Orient by sailors, had swept through the town and emptied it of its inhabitants. I was alone with these simulacra of love, abandoned by the men on the doorsteps of the brothels.
I had already been wandering for hours without being able to find a way out of that miserable quarter, obsessed by the fixed and varnished eyes of all those automata, when I was seized by the sudden thought that all these girls were dead, plague-stricken and putrefied by cholera where they stood, in the solitude, beneath their carmine plaster masks... and my entrails were liquefied by cold. In spite of that harrowing chill, I was drawn closer to a motionless girl. I saw that she was indeed wearing a mask... and the girl in the next doorway was also masked... and all of them were horribly alike under their identical crude colouring...
I was alone with the masks, with the masked corpses, worse than the masks... when, all of a sudden, I perceived that beneath the false faces of plaster and cardboard, the eyes of these dead women were alive.
Their vitreous eyes were looking at me...
I woke up with a cry, for in that moment I had recognised all the women. They all had the eyes of Kranile and Willie, of Willie the mime and Kranile the dancer. Every one of the dead women had Kranile's left eye and Willie's right eye... so that every one of them appeared to be squinting.
Am I to be haunted by masks now?
”
”
Jean Lorrain (Monsieur de Phocas)
“
I met an angel on the rubbish dump. The light from the flames flickered on the bamboo walls and the straw roof, like the wings of other angels from the hut there emerged a tremulous stream of white, vegetal smoke.
Silence took possession of the house, but it was not the silken silence of sweet peaceful nights, whose nocturnal carbon-paper makes copies of happy dreams, lighter than the thoughts of flowers, less metallic than water.
April nights in the tropics are like the widows of the warm days of March - dark, cold, dishevelled and sad.
The meaning of happiness or despair can only be understood by those who have spelt it out in their minds beforehand, bitten a tear-soaked handkerchief, torn it to shreds with their teeth.
”
”
Miguel Ángel Asturias (The President)
“
from the upcoming novel, Agent White:
A figure dressed all in black ran across the rooftops in the rain. A black cloak fluttered behind him as he ran two and sometimes three stories above the sidewalk where Ezra Beckitt stood. Long silver hair tied back in a ponytail flew out behind him, exposing ears that came to sharp points. His left ear was pierced with a silver ring, high up in the cartilage. Like the old man, this black figure wore a sword; but this weapon was long and thin, slightly curved. The blade stuck out behind him for three and a half feet, almost seeming to glow against the grey backdrop of the rain-soaked cityscape.
Suddenly, the figure in black looked down into the street and saw Ezra there. More, he saw Ezra seeing him. Startled, he lost his sure footing and slid down the steep incline of an older building’s metal roof, the busy street below waiting to catch him in an asphalt embrace. The figure in black got his feet under himself and pushed, flying out into space above the street. For an eternity Ezra watched him, suspended in the air and the rain with his cloak spread in midnight ripples around him, and then the figure in black flipped neatly and landed on the sidewalk half a block away. The pavement cracked, pushing up in twisted humps around the figure in black’s tall leather boots. Before the sound of this impact even reached Ezra the figure was up and gone, dashing through the morning throngs waiting for buses or headed to the ‘tram station. Ezra saw a girl’s hair blow back in the wind created by his passing, but she never noticed him. A young techie blinked his 20-20’s (Ezra’s own enhanced senses picked up the augmented eyes because of a strange, silvery glow in the pupils) and turned halfway around, almost seeing him. And then the figure in black darted into an alley, gone.
Ezra drew his service weapon and ran after, pushing his way through the sidewalk traffic. Turning into the alley he skidded to a stop, stunned; the figure in black was still there. The alley was just wide enough to accommodate Ezra’s shoulders- he couldn’t have held his arms out at his sides. Dumpsters spilled their trash out onto the wet pavement. The alley ended in a fire door, the back exit of a store on the next street over. Even if it was locked, Ezra didn’t think it would pose a real problem for the figure in black. No, he was waiting for him.
Ezra advanced with his gun out in front of him, and his eyes locked with the figure in black’s. His were completely black- no pupils, no corneas, only solid black that held no light. The figure in black smiled, exposing teeth that looked very sharp, and laid his hand on the hilt of his sword. He wore leather gloves with the fingers cut off. His fingers were very long and very white.
“Don’t even think about it,” Ezra said, clicking the safety off his weapon. “I am a Hatis City Guard, an if you move I will put you down.”
This only seemed to amuse the figure in black, whose smiled widened as he drew his sword. Ezra opened fire.
”
”
Michael Kanuckel
“
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
a good story, I’ll give you that. So, how many times have you done this sort of thing? Send the inbred trash out ahead on the road to spook up unsuspecting travelers and you all hang back, jerking each other off, waiting to ambush anyone that makes it past them?” The wounded man looked away, ignoring Shane’s comments. “Don’t worry kid, I won’t kill ya today. But if I catch you in a lie, or if I find more of your inbred cousins at this camp, I will make the last moments of your life very painful,” Shane said in a calm voice. “Why are you doing this?” Shane feigned laughter and ignored the question. “What’s your name kid?” “Kyle,” he answered. “Kyle, everything I do, I do for her.” “You kill for her?” “No, I protect her and I destroy anything that tries to harm her—” “It’s right up here, follow the white fence,” Kyle interrupted using his neck to point out a quickly approaching high fence skinned in white sheet metal. The fence was tall and set back off the road. Mounds of stacked cars and other junk could be seen piled high at points. Shane slowed the car and carefully eased over to the shoulder of the road. He put the car in park and killed the engine. Shane sat silently for a minute, hushing Kyle when he tried to speak. He opened the door and slowly walked to the front of the car while listening for sounds. He climbed onto the hood and moved to the roof of the sedan. He could just barely see inside the compound. As it appeared from the outside, it was definitely a scrap yard. Piles of sorted metal were scattered around a central building while rows of smashed and stacked cars made up the far sides of the lot. From
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”
W.J. Lundy (Something To Fight For (Whiskey Tango Foxtrot, #5))
“
I tried not to think of what had happened to me. Most of the day, I could succeed in that mission. Then, a shock of ice-cold air on the wrong side of my face. The rattle of plastic meal trays against the hard metal counter during breakfast and lunch. Feeling too sad, or feeling surrounded, and I would be back on the roof of the shed, looking down at myself, pathetic and mumbling nonsense. I hated that place. I hated everything in my view, including the ball of rotten nothing called my body curled into itself on the floor. Why didn’t she get up? Why didn’t she go away? She never should have been there at all. Staring down at myself, I admonished her, blamed her, and only spoke enough to say, “Stop bothering me. Stop bringing me back here. We don’t belong to each other anymore. You made the choice to go in there. Now you can stay there.
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”
Ashley C. Ford (Somebody's Daughter)
“
On the first day, he’d completed the stucco walls for a small structure the size of his stallion’s box stall, and the other Sorias had been pleased. On the second day, he’d torn free a section of abandoned railroad and melted it into a beautifully intricate metal gate, and the other Sorias had been pleased. On the third day, he’d fired one thousand ceramic tiles with the heat of his own belief and installed a roof made of them, and the other Sorias had been pleased. On the fourth day, the Virgin had appeared again, this time surrounded by owls; he’d carved a statue of her in this state to place inside the Shrine, and the other Sorias had been pleased. On the fifth day, he’d made a rich pigment from some sky that had gotten too close to him and used it to paint the Shrine’s exterior turquoise, and the other Sorias had been pleased. On the sixth day, he’d held up a passenger train, robbed the passengers, killed the sheriff on board, and used the sheriff’s femurs to fashion a cross for the top of the shrine. The Sorias had not been pleased.
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Maggie Stiefvater (All the Crooked Saints)
“
There is a window over my tub and when I was younger, I'd lie down in the tub instead of my bed. My mother would wake me and make me move back to my bed but finally she gave up and let me sleep there. I liked it in the tub because from the window I could see stars and the ocean and sometimes, if it was calm, I could see the stars in the ocean. I liked the tub because if I slept with my ear against the drainpipe I could hear my parents' conversations all night long, metallic talking that made its way up through the plumbing.
Through the pipe, one night just before my father disappeared, I heard him tell my mother, 'I remember how the moon shines into the ocean and the pattern it makes on the sea floor.' She didn't say anything. 'I want to go back there,' he said, and the reason I remember that conversation is because my mother started crying when he said that and I had never heard her cry before.
He meant we were from the ocean. 'You're a mermaid,' he told me at the breakfast table. 'Don't forget it.' A corner of toast scraped the roof of my mouth when he said it. The cut it made helped me to remember. So I don't think he's dead. I think he is in the sea swimming and that is kinder than imagining his boots filling up with water, and then his lungs.
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”
Samantha Hunt (The Seas)
“
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place.
WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won.
He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee.
I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
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Kyung-ran Jo (Tongue)
“
Then now let us consider what will be their way of life, if they are to realize our idea of them. In the first place, none of them should have any property of his own beyond what is absolutely necessary; neither should they have a private house or store closed against any one who has a mind to enter; their provisions should be only such as are required by trained warriors, who are men of temperance and courage; they should agree to receive from the citizens a fixed rate of pay, enough to meet the expenses of the year and no more; and they will go to mess and live together like soldiers in a camp. Gold and silver we will tell them that they have from God; the diviner metal is within them, and they have therefore no need of the dross which is current among men, and ought not to pollute the divine by any such earthly admixture; for that commoner metal has been the source of many unholy deeds, but their own is undefiled. And they alone of all the citizens may not touch or handle silver or gold, or be under the same roof with them, or wear them, or drink from them. And this will be their salvation, and they will be the saviours of the State. But should they ever acquire homes or lands or moneys of their own, they will become housekeepers and husbandmen instead of guardians, enemies and tyrants instead of allies of the other citizens; hating and being hated, plotting and being plotted against, they will pass their whole life in much greater terror of internal than of external enemies, and the hour of ruin, both to themselves and to the rest of the State, will be at hand.
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Plato (The Republic)
“
But as the train pulls away, a woman comes to the back door of one of the houses—just the figure of a woman, for you cannot make out the face—and she has a pan in her hands and she flings the water out of the pan to make a sudden tattered flash of silver in the light. She goes back into the house. To what is in the house. The floor of the house is thin against the bare ground and the walls and the roof are thin against all of everything which is outside, but you cannot see through the walls to the secret to which the woman has gone in.
The train pulls away, faster now, and the woman is back there in the house, where she is going to stay. She’ll stay there. And all at once, you think that you are the one who is running away, and who had better run fast to wherever you are going because it will be dark soon. The train is going pretty fast now, but its effort seems to be through a stubborn cloying density of air as though an eel tried to swim in syrup, or the effort seems to be against an increasing and implacable magnetism of earth. You think that if the earth should twitch once, as the hide of a sleeping dog twitches, the train would be jerked over and piled up and the engine would spew and gasp while somewhere a canted-up wheel would revolve once with a massive and dreamlike deliberation.
But nothing happens, and you remember that the woman had not even looked up at the train. You forget her, and the train goes fast, and is going fast when it crosses a little trestle. You catch the sober, metallic, pure, late-light, unriffled glint of the water between the little banks, under the sky, and see the cow standing in the water upstream near the single leaning willow. And all at once you feel like crying. But the train is going fast, and almost immediately whatever you felt is taken away from you, too.
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Robert Penn Warren (All the King's Men)
“
At that moment, remarkably, there was a man in the expansive reactor hall of Unit 4 who witnessed all this.121 Night Shift Chief of the Reactor Shop Valeriy Perevozchenko saw the top of the reactor - a 15-meter-wide disk comprised of 2000 individual metal covers which cap safety valves - begin to jump up and down. He ran. The reactor’s uranium fuel was increasing power exponentially, reaching some 3,000°C, while pressure rose at a rate of 15 atmospheres per second. At precisely 01:23:58, a mere 18 seconds after Akimov pressed the SCRAM button, steam pressure overwhelmed Chernobyl’s incapacitated fourth reactor. A steam explosion blew the 450-ton, 3-meter-thick upper biological shield clear off the reactor before it crashed back down, coming to rest at a steep angle in the raging maw it left behind. The core was exposed.122 A split second later, steam and inrushing air reacted with the fuel’s ruined zirconium cladding to create a volatile mixture of hydrogen and oxygen, which triggered a second, far more powerful explosion.123 Fifty tons of vaporised nuclear fuel were thrown into the atmosphere, destined to be carried away in a poisonous cloud that would spread across most of Europe. The mighty explosion ejected a further 700 tons of radioactive material - mostly graphite - from the periphery of the core, scattering it across an area of a few square kilometers. This included the roofs of the turbine hall, Unit 3, and the ventilation stack it shared with Unit 4, all of which erupted into flames. The reactor fuel’s extreme temperature, combined with air rushing into the gaping hole, ignited the core’s remaining graphite and generated an inferno that burned for weeks. Most lights, windows and electrical systems throughout the severely damaged Unit 4 were blown out, leaving only a smattering of emergency lighting to provide illumination.124
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Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
“
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
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Stella Gibbons (Cold Comfort Farm)
“
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree.
As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts.
And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain.
Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.”
Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones.
These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
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Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
“
The wars break out and die down, but then there’s a flareup elsewhere. Houses cracked open like eggs, their contents torched or stolen or stomped vindictively underfoot; refugees strafed from airplanes. In a million cellars the bewildered royal family faces the firing squad; the gems sewn into their corsets will not save them. Herod’s troops patrol a thousand streets; just next door, Napoleon makes off with the silverware. In the wake of the invasion, any invasion, the ditches fill up with raped women. To be fair, raped men as well. Raped children, raped dogs and cats. Things can get out of control. But not here; not in this gentle, tedious backwater; not in Port Ticonderoga, despite a druggie or two in the parks, despite the occasional break-in, despite the occasional body found floating around in the eddies. We hunker down here, drinking our bedtime drinks, nibbling our bedtime snacks, peering at the world as if through a secret window, and when we’ve had enough of it we turn it off. So much for the twentieth century, we say, as we make our way upstairs. But there’s a far-off roaring, like a tidal wave racing inshore. Here comes the twentyfirst century, sweeping overhead like a spaceship filled with ruthless lizard-eyed aliens or a metal pterodactyl. Sooner or later it will sniff us out, it will tear the roofs off our flimsy little burrows with its iron claws, and then we will be just as naked and shivering and starving and diseased and hopeless as the rest. Excuse this digression. At my age you indulge in these apocalyptic visions. You say, The end of the world is at hand. You lie to yourself – I’m glad I won’t be around to see it – when in fact you’d like nothing better, as long as you can watch it through the little secret window, as long as you won’t be involved. But why bother about the end of the world? It’s the end of the world every day, for someone. Time rises and rises, and when it reaches the level of your eyes you drown. What happened next? For a moment I’ve lost the thread, it’s hard for me to remember, but then I do. It was the war, of course. We weren’t prepared for it, but at the same time we knew we’d been there before. It was the same chill, the chill that rolled in like a fog, the chill into which I was born.
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Margaret Atwood (The Blind Assassin)
“
The cold bowl felt good. She'd been huddled up and crying for so long she was almost feverish. Paige took a spoonful, turned it into her mouth with the metal spoon against its roof so her tongue could capture every single drop of rich chocolate as it melted away. Good flavors and good feelings followed. She closed her eyes. Ah, comfort food. It really did its job. Paige spooned up another bite, slow and deliberate, making it last.
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Lynette Endicott (More Than a Job (Starting Over, Book #1))
“
Solaris Sweat trickled down my back, sending an icy chill up my spine. Winter was definitely coming. I ignored the cold and focused on the smack of my vintage Converse on the tarmac. I was almost there. The airplane hangar was like a beacon in the darkness, the shiny white metal brilliant against the backdrop of night. The red and white flag on its domed roof flapped furiously in the wind, an ominous reminder of where I was. Tires squealed just behind me, and I dove behind a stack of wooden crates. My breath came hard and fast. Now that my footfalls weren’t drowning out the sound, my panting
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G.K. DeRosa (Dark Fates (The Vampire Prophecy #1))
“
Great Roofing Tips You Should Check Out
To make sure that you get the right roof for your needs, learn more about it before you hire someone to install one. This article is going to teach you a few things
that can help you to have a roofing project that goes well. You just might learn a thing or two about roofing that can save you some time or money.
Don't mess around with your roof if the weather is inclement. Not only does it make it more dangerous for you to go up there, but it can also ruin the work you're
attempting to do. Wait for nice weather, both temperature and storm-wise, and then take advantage of the beautiful day.
Always be safe when you're up on your roof. If you don't know what you're doing, don't go up there! Wear the right safety gear and don't do anything that puts your
body at risk. Remember to bring along the right tools for the job as well to ensure you do the work right.
Safety should always be your primary concern when repairing a roof. A quick way to seriously injure yourself is to try to work on your roof in wet conditions. Put a
bucket beneath any leaks until the weather improves, then go inspect the roof and see if it's possible for you to repair it.
Gutter
To protect the integrity of your roof, clean the gutters regularly. Many roof problems, such as leaking, are caused by back-ups in the gutter system. Having a clogged
gutter means that rain and snow cannot adequately drain and that puts an extra burden on your roofing materials. Buy tools to make cleaning the gutters faster and
easier on you.
If you have a hard time getting debris out of your gutter, you may want to bring in some new tools. Try fastening a metal angle on the end of a long board, then move
the material towards you with a raking motion. Afterwards, clear out extra debris with a wire brush.
While you should give your gutter periodic deep cleanings, there are certain things you should get away from your gutter the moment you see them. Litter, twigs, and
pine needles are all big clogging culprits, and knocking them out of the way will help you prevent problems with your own gutter.
These short tips have given you the knowledge you needed. These tips will maximize your knowledge of roofing. It can be a nightmare to repair or replace your roof if
you are not educated on the matter.
”
”
GutterRepair
“
A smell caught Kitty's attention, yanking her thoughts back to the present. The scent of someone she knew, but up on the roof?
Curiosity had never hurt Kitty. She crept along, her feet silent on the roof tiles, following the peachy, creamy smell. By Humpty Dumpty's shell, it was Darling Charming! Locked up in a metal box on the roof! Honestly, and people said that Wonderlandians were weird.
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Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
“
A few dogs barked as I passed by their territories, their chains clanking as they rose to attention then snapping with a metallic clang when they reached the limit of their freedom. I empathized with their pathetic existence, neglected yet tethered in place by the very people who ignored them . I was tempted to unhook their chains and set them free, but would they be any better off, left to fend for themselves ? Most of them had a roof over their heads of some kind, food and water if not always enough, and most were not abused, just forgotten — their novelty worn off, their owners distracted by the pursuit of other pleasures.
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Kellie McAllen (Flightless Bird (The Caged, #1))
“
He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I
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J.R.R. Tolkien (The Lord of the Rings)
“
On March 12, 2015, the AIM Development Company, that deals in scrap metal, met to discuss demolishing the now defunct Verso Paper Mill in Bucksport, located at the head of Penobscot Bay. The paper mill was first built by the Maine Seaboard Paper Company in 1930. Demolition of the mill is expected to be completed in 2016. However, company representatives and town officials did not discuss what AIM might do with the 250-acre waterfront site once the demolition work is complete. Originally it was believed that a recycling facility, using the deep-water port access to export salvaged metals, would be the most likely thing to be built on this site; however this plan has now been scrapped. In 1980 this mill employed more than 1,350 workers and was the largest employer in Bucksport, a town of about 5,000 residents.
The demolition and removal took much longer than anyone expected and as salvage crews continued working, a fire broke out on March 19, 2017. Apparently the fire erupted at about 8:30 a,m. as workers using cutting torches, cut into the metal exterior wall of the mill. Spreading to the roof of the building, it was debated as to the feasibility of allowing the fire to destroy the remaining structure. Considering the safety involved firefighters from Bucksport and surrounding towns extinguished the fire. It is expected that the remaining remnants will be demolished by the middle of 2017 in fact the company has open rail cars in position, waiting to remove whatever is left of the mill.
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Hank Bracker
“
A smell caught Kitty's attention, yanking her thoughts back to the present. The scent of someone she knew, but up on the roof?
Curiosity had never hurt Kitty. She crept along, her feet silent on the roof tiles, following the peace, creamy smell. By Humpty Dumpty's shell, it was Darling Charming! Locked up in a metal box on the roof! Honestly, and people said that Wonderlandians were weird.
”
”
Shannon Hale (Once Upon a Time: A Story Collection (Ever After High))
“
I keep my solar power systems on the metal roofs of storage sheds and the ground, due to the fire risks.
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Steven Magee
“
AT A.T Pioneer Roofing we are the premier metal roofing specialists in Corpus Christi. We provide both residential and commercial roofing services. We install all types of metal roofs such as aluminum roof, copper roofs and stand seam metal roofs. We are both licensed and insured in the state of Texas. We not only serve Corpus Christi but also surrounding areas as well.
”
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A T Pioneer Roofing
“
McGee made a gagging sound deep in his throat and scrubbed the bloody hand against his wet raincoat. His eyes were muddy, his bony angular face tight and shiny from the rain and the tension of taut nerves and muscles. Rain drummed steadily on the car’s metal roof and the windshield wipers squeaked monotonously, louder and more nerve-wracking than the endless sucking whine of the tires on the wet pavement. But louder than all these sounds was the mournful, sobbing wail of squad cars ripping through the night, converging on the neighborhood McGee was desperately fleeing.
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Joseph J. Millard (The Noir Mystery MEGAPACK ™: 25 Modern and Classic Mysteries)
“
Titan Roofing Company of Nashville is Nashville's premier storm damage roofing company! Titan Roofing is committed to 100% customer satisfaction and exceptional craftsmanship. As a full-service residential and commercial roofing company, customers can depend on Titan Roofing for both small repairs to full roof replacements. From asphalt shingles, metal, tile, slate, cedar shake, to commercial flat roofing, there is no job too big or small!
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Titan Roofing Company of Nashville
“
Rosenow Customs, based in Neenah, WI, are the local specialists for roofing, window, and siding services. Our dedication to quality and integrity differentiates us. With expertise in stone-coated metal roofing, asphalt roofing, windows, siding, and gutter installations, we enhance the durability and aesthetics of your home. We value genuine customer service, recommending repairs over replacements when suitable. We're not just contractors, but committed partners for your home's safety and comfort. Choose us for all your housing needs because you deserve the best.
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Rosenow Customs
“
Avalanche As if they weren’t suffering enough, on the morning of 29 October an avalanche suddenly cascaded down the steep rocky slopes above them and engulfed the fuselage as the survivors slept. They remained entombed in the tiny space for three days until they managed to poke a hole in the roof of the fuselage with a metal pole. By the time they got out, eight more people had died under the snow. Three more were to die in the following weeks. Hiking out After they had heard the radio news about the search being called off, many passengers knew that they would have to get themselves out of the mountains if they were to survive. The avalanche expressed that fact even more plainly. During the flight they had heard the co-pilot announce that they had passed Curicó. That meant that the Chilean countryside ought to be just a few kilometres away to the west. Probably just over the high peak they were on. Several survivors made brief scouting missions, but their weakened state and the altitude combined to make it gruelling work. There was no way that all of them would be able to walk over and out of the mountains.
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Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
“
Waiting patiently doesn't suit you. I can see you have a great deal
of water in your personality. Water never waits. It changes shape and
flows around things, and finds the secret paths no one else has thought
about-the tiny hole through the roof or the bottom of a box. There's
no doubt it's the most versatile of the five elements. It can wash away
earth; it can put out fire; it can wear a piece of metal down and sweep
it away. Even wood, which is its natural complement, can't survive
without being nurtured by water. And yet, you haven't drawn on those
strengths in living your life, have you?
”
”
Arthur Golden
“
Cole Younger led eight men into Russellville, Kentucky, on May 20, 1868, and rode out with exactly $9,035.92. As the gang made its escape, shooting into the air to discourage gawkers, one member shot at the metal fish weather vane atop the courthouse, sending it spinning. Almost a century later, that historic weather vane, with a bullet hole through it, could still be seen on the roof of the new courthouse, where it had been placed to honor the town’s history. One man was eventually convicted for that robbery, for which he served three years in prison.
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Bill O'Reilly (Bill O'Reilly's Legends and Lies: The Real West)
“
Hercules came through the roof like a cannonball, his lion-skin trench coat wrapped around him. When I say cannonball, I mean both the metal ball and the type people do off a diving board. It was especially impressive when you realize we were in a five story building. Hermes
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Patrick Thomas (Nightcaps: - a Murphy's Lore After Hours collection)
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He headed down to the stairwell and followed it up the extra flight to the roof. There was a metal fire door with a crash bar on it. Posted on the wall next to the door was a list of rules for using the sun deck which seemed to amount to don’t be a dick about it. A note was stuck to the metal door with a blue X, one of the magnetic letters kids used on the fridge.
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Peter Clines (14 (Threshold, #1))
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Like when everything flipped upside down and the scream of metal on metal exploded the silence and the world churned around me, ground over sky over ground over sky, and then, with a thunderous crack and a crunching of glass and steel, a twisted roof crushing me into a gutted floor, ground, I wasn’t surprised.
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Robin Wasserman (Skinned (Cold Awakening, #1))
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‘Zona Rosa,” ’ said the Etruscan, “was the persona of Mercedes Purissima Vargas-Gutierrez. She is twenty-six years old and the victim of an environmental syndrome occurring most frequently in the Federal District of Mexico.” His voice was like rain on a thin metal roof now. “Her father is an extremely successful criminal lawyer.” “Then I can find her,” Chia said. “But she would not wish this,” the idoru said. “Mercedes Purissima is severely deformed by the syndrome, and has lived for the past five years in almost complete denial of her physical self.
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William Gibson (Idoru (Bridge, #2))
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1969 Pontiac Trans Am. It was painted flat black with green metal flake flames up the hood, over the roof, and down the trunk, factory Pontiac rally wheels cut and made 8” deep in the front and 10 ½ inches on the back.
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Tate Jackson (The Undead Heart)
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The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
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Anonymous
“
Being on the top floor of a building with a metal roof is like being on the inside of a steel drum in the Caribbean, but without the rum and bikinis.
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James Crawford (Blood Soaked and Contagious (Blood Soaked #1))
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When he demanded gold, the Indians brought him copper, and when he demanded silver, they brought him silvery mica, which they mined in the North Carolina mountains, in sheets up to three feet wide and three feet long. De Soto found little precious metal, but an abundance of pearls, especially in the mortuary temples. In one town alone his expedition found 25,000 pounds of pearls. The mortuary temples of the people of Cutifachiqui astounded the Spaniards, who had already seen the cathedrals of Spain, the mosques and fountains of the Arabs, the palace of Montezuma in Mexico, and the gold ransom of Atahualpa in Peru. Outside the massive doors into the temple that housed the pearls, twelve wooden giants stood guard. The huge figures held over their heads massive clubs covered with strips of copper and studded with what appeared to the Spaniards to be diamonds, but may have been mica chips. The Indians had decorated the roof of one temple with pearls and feathers so that it looked to the Spaniards like a building from a fairy tale. Along the sides of the roof, pearls had been suspended from threads so thin that the pearls seemed to be floating in the air around the temple. Inside the temples the Spaniards saw rows of chests, each filled with pearls of uniform size. The Spaniards could not carry all the pearls, but they selected out the best ones for themselves. Ironically, even though De Soto’s expedition was the first into the area, his men also found in the temple some European trade goods—glass, cheap beads, and a rosary—indicating
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Jack Weatherford (Native Roots: How the Indians Enriched America)
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A dwarf who can’t get the hang of metal? That must be unique.” “Pretty rare, sir. But I was quite good at alchemy.” “Guild member?” “Not any more, sir.” “Oh? How did you leave the guild?” “Through the roof, sir. But I’m pretty certain I know what I did wrong.
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Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
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Each tower sports a circular walk at the apex, but there are no guards manning them. The castle is enormous, a fair chunk of the White Mansion, but the bulk of it is concealed behind forty-foot-high walls of silvery, metal-laced ice. With the exception of the slopes of snow-drifted roofs, flying buttresses, and the currently empty promenade that crowns the main hall, I can see none of the enormous courtyard I’ve read about in my files which is capable of comfortably accommodating tens of thousands of Fae. Last time I was here, the walls had collapsed and the castle was a dripping, icicle-drenched ruin, abandoned for millennia; all of it little more than a misshapen sloe of ice.
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Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
“
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Luke Mickey
“
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Gravity Metal Roofing Austin
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Saltwater Roofing
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We are here. The Guarnizo farm. We’re in front of the main house, which is painted light yellow and has a corrugated metal roof.
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A.J. Jacobs (Thanks a Thousand: A Gratitude Journey (TED Books))
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BRCM - Best Roofing Company Miami
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She wondered how her girlhood home had fared. Did the walls (a combination of mud and plywood) still smell like life? Did vivid leaves still shimmer through the windows (little more than pane-less holes) like hope? Did rain still tap-dance on the roof (a rusty sheet of corrugated metal) like joy?
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Marc Arginteanu
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We were disappointed that we had not been able to find any survivors on the sunken ships, but after six days of sounding, we were sure no one was alive within them. While our diving crews were occupied sounding the ships and freeing the USS Tennessee, the shipyard constructed two diving barges, each one twenty feet wide and thirty feet long. Buoyancy was provided by three cylindrical pontoons. Wooden planks formed the deck, while corrugated sheet metal on the roof provided protection from the elements. A long pipe spanned the upright stanchions along the side of one barge, which provided an area to hang the divers’ rubberized canvas dresses. Along the opposite side were hangers for the four sets of lifelines and air hoses. A large workbench was situated in the middle of the barge. Installed at one end was a wooden diving ladder that led down to the water four feet below. Next to the ladder was a table that held the diving telephone equipment. Four dressing stools were neatly stacked near the table.
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Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)
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Ben Franklin was renowned in his time for snatching “lightning from the sky and the scepter from tyrants.”49 Until he invented the lightning rod, ringing church bells specially baptized with water from the Jordan River were used to ward off lightning.50 This practice, which required humans to grasp a connection to a hunk of metal atop the highest structure in a town, killed more than 120 bell-ringers from 1750 to 1784, but was still believed to be effective.51 Many Christians did not believe humans had a right to defend themselves from divine attacks. Abbe Nollett, a man of the church, deemed it “as impious to ward off Heavens’ lightnings as for a child to ward off the chastening rod of its father.”52 Franklin retorted that “the Thunder of Heaven is no more supernatural than the Rain, Hail, or Sunshine of Heaven, against the Inconvenience of which we guard by Roofs & Shades without Scruple.”53 When organized Christianity failed to stop the spread of the useful invention, it blamed other natural phenomena, such as the 1755 Boston earthquake, on Franklin’s rods.54 John Adams condemned the religious opposition to Franklin’s rods, writing that they “met with all that opposition from the superstition, affectation of Piety, and Jealousy of new Inventions, that Inoculation to prevent the Danger of the Small Pox, and all other useful Discoveries, have met with in all ages of the World.”55 Franklin’s unholy invention was a blessing to humanity from the mind of a man, and religion fought it at every step.
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Andrew L. Seidel (The Founding Myth: Why Christian Nationalism Is Un-American)
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The cement-paved market is a straight shot from end to end, lined on either side by butchers, cheesemongers, and grocers selling everything from chicken feet to lettuce. The steep, hipped roof rises nearly fifty feet, traversed by white metal scaffolding, and what little sunlight there is today pours through the skylights and windows lining the walls. The air carries a funky mustiness, the combination of aged cheese mixed with fresh fish and bread hot from the oven. A crowd is gathered at the far end of the market in front of the Market Lunch, which serves some of the best blueberry pancakes and crab cakes in town.
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Dana Bate (A Second Bite at the Apple)
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Hesitantly, I follow her up the steps to a metal door. When she opens it, I let out a gasp. A large dome glitters in the sun. Garrance opens up another door, this one glass, and I'm rendered speechless as a plethora of scents and humid air hit me, wrapping me up in Mother Nature's embrace. I'm in the islands. I'm in heaven. And I'm on a roof in Paris. I need a crane to pick up my jaw.
"This is my climate-controlled greenhouse, my pride and joy."
This slice of Parisian paradise is filled from floor to ceiling with tropical plants like orchids and flowering trees, moths, butterflies, and bees floating from flower to flower---not to mention the exotic birds---cockatoos, parakeets, and a couple of parrots, their plumage in reds, greens, blues, oranges, and whites.
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Samantha Verant (The Spice Master at Bistro Exotique)
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The significance of shared arousal was demonstrated in an ingenious experiment designed by researcher Joshua Conrad Jackson and published in the journal Scientific Reports in 2018. Jackson and his colleagues set out “to simulate conditions found in actual marching rituals”—which, they noted, “required the use of a larger venue than a traditional psychology laboratory.” They chose as the setting for their study a professional sports stadium, with a high-definition camera mounted twenty-five meters above the action. After gathering 172 participants in the stadium and dividing them into groups, the experimenters manipulated their experience of both synchrony and arousal: one group was directed to walk with their fellow members in rank formation, while a second group walked in a loose and uncoordinated fashion; a third group speed-walked around the stadium, boosting their physiological arousal, while a fourth group strolled at a leisurely pace. Jackson and his collaborators then had each group engage in the same set of activities, asking them to gather themselves into cliques, to disperse themselves as they wished across the stadium’s playing field, and finally to cooperate in a joint task (collecting five hundred metal washers scattered across the field). The result: when participants had synchronized with one another, and when they had experienced arousal together, they then behaved in a distinctive way—forming more inclusive groups, standing closer to one another, and working together more efficiently (observations made possible by analyzing footage recorded by the roof-mounted camera). The findings suggest that “behavioral synchrony and shared physiological arousal in small groups independently increase social cohesion and cooperation,” the researchers write; they help us understand “why synchrony and arousal often co-occur in rituals around the world.
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Annie Murphy Paul (The Extended Mind: The Power of Thinking Outside the Brain)
“
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Melbourne Roof Restoration
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It was harder and harder to take the elves seriously, so I just sat back and let myself laugh while we headed for the main house. The lanterns in the courtyard were gold, the pillars that lined the entire palace were made of gold, and damn it if the roof wasn’t made of gold as well. Aurora leaned toward me. “How badly do you want to mess up every inch of this place right now?” “Don’t tempt me,” I warned the half-elf. “There’s nothing that says they deserve it more than the fucking golden staircase.” Aurora gaped. “No … ” Then she stuck her head out the window and burst out laughing. “Just walkin’ on gold,” I mused. “No big deal.
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Eric Vall (Metal Mage 6 (Metal Mage, #6))
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Speaking of fundraisers, another special educator had a suggestion. She wore a black leather belt with metal studs that was at odds with her slender frame and long brown hair. She was the chair of the special education department at Peachtree Alternative School. “At my son's school in Tucker,” the chair said, “the principal stood on the roof and did hula dances in a grass skirt. She also let students throw pie pans of shaving cream at her." The idea did not appeal to Ms. Henderson. “You've got to remember our population,” she said. “If our students threw pans of shaving cream at me, it would hurt. I've had to suspend eight kids, today, and did it alone because I don't have an assistant principal. I'm not very popular.
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Mary Hollowell (The Forgotten Room: Inside a Public Alternative School for At-Risk Youth)
“
When your roof is leaking, or in need of a full roof replacement, call ATS Exteriors: Denver Roofing & Siding Company! As a full-service roofing company, ATS Exteriors has developed the reputation as Denver's premier roofers. From repairs to roof replacements, we can help with asphalt shingle, metal, slate, tile, shake, or even commercial flat roofing! Denver homeowners trust ATS Exteriors because of our 5-star reputation, premium craftsmanship and competitive pricing! Call for your free roofing estimate!
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ATS Exteriors
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There was one month I’ll never forget, the worst month of my life. We were so broke that for weeks we ate nothing but bowls of marogo, a kind of wild spinach, cooked with caterpillars. Mopane worms, they’re called. Mopane worms are literally the cheapest thing that only the poorest of poor people eat. I grew up poor, but there’s poor and then there’s “Wait, I’m eating worms.” Mopane worms are the sort of thing where even people in Soweto would be like, “Eh … no.” They’re these spiny, brightly colored caterpillars the size of your finger. They’re nothing like escargot, where someone took a snail and gave it a fancy name. They’re fucking worms. They have black spines that prick the roof of your mouth as you’re eating them. When you bite into a mopane worm, it’s not uncommon for its yellow-green excrement to squirt into your mouth. For a while I sort of enjoyed the caterpillars. It was like a food adventure, but then over the course of weeks, eating them every day, day after day, I couldn’t take it anymore. I’ll never forget the day I bit a mopane worm in half and that yellow-green ooze came out and I thought, “I’m eating caterpillar shit.” Instantly I wanted to throw up. I snapped and ran to my mom crying. “I don’t want to eat caterpillars anymore!” That night she scraped some money together and bought us chicken. As poor as we’d been in the past, we’d never been without food. That was the period of my life I hated the most—work all night, sleep in some car, wake up, wash up in a janitor’s sink, brush my teeth in a little metal basin, brush my hair in the rearview mirror of a Toyota, then try to get dressed without getting oil and grease all over my school clothes so the kids at school won’t know I live in a garage. Oh, I hated it so much. I hated cars. I hated sleeping in cars. I hated working on cars. I hated getting my hands dirty. I hated eating worms. I hated it all.
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Trevor Noah (Born A Crime: Stories from a South African Childhood)
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Titans Commercial Roofing
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1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.
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Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
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Instinctively, Cody glanced over but all he could see was the gaping silver-rimmed muzzle of a snub-nosed large caliber revolver an inch from his eye. The cylinder revolved, filled with dull lead bullets, as the trooper pulled the trigger. There was a tremendous explosion of light and thunder. He could no longer see out of his right eye, but it was more than that. There was no pain, only tremendous silence. Then he was floating, light as air, as if his lungs had filled with helium. He passed through the sheet metal roof of his pickup into the night, which was no longer cold. As he rose his eyesight was restored but he no longer had feeling in his limbs and his arms hung loose at his sides. He looked down. He could see the top of his pickup from above, the bed of his truck which was empty except for a crumpled fast-food wrapper in the corner, then the rusted metal roof of the First National Bar. The windows of his pickup strobed three more times but there was no sound and he felt nothing. Cody’s life didn’t pass before his eyes, but he clearly saw the photo of Justin in his football uniform and a vision of Jenny sleeping in bed from years before they separated the first time and he rose until he could see the river and the ribbon of highway through the valley and Jimmy and the truck driver emerge from the bar and stand on the porch and he knew what happened to those poor girls and he felt both cheated and angry at the same time and he wished he could do it all over again, everything. Especially the last five minutes. Then nothing. No sound, smell, or sight. Peace.
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C.J. Box (The Highway (Highway Quartet #2))
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This was when the aging smokestacks atop the monumental factories began to shut off one by one. There were still plenty left running to keep the air over Detroit filled with that choking industrial aptitude, but you were never far from a hollowed-out factory, massive steel tubes on the roofs pointing up toward the sky with nothing left inside but dust and cobwebs. These giant pillars of concrete and metal now jutted high like extended index fingers from broken and casted hands, pointing toward something they would never touch.
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Michael A. Ferro (TITLE 13: A Novel)
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Sweat trickled down my back, sending an icy chill up my spine. Winter was definitely coming. I ignored the cold and focused on the smack of my vintage Converse on the tarmac. I was almost there. The airplane hangar was like a beacon in the darkness, the shiny white metal brilliant against the backdrop of night. The red and white flag on its domed roof flapped furiously in the wind, an ominous
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G.K. DeRosa (Dark Fates (The Vampire Prophecy #1))
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[Hurricane] Andrew tore trees apart; drove their shrieking limbs past our walls. All around us, it shoved huge deciduous behemoths flat to the earth, or tore them out by the roots.
"I have never been able to say “No” to wonder. Wherever God stood naked, I wanted to crawl into the middle and gawk. Plus, I’d already lost everything I had built or wanted to live for when we’d left San Diego, and my marriage had become a long, aching death. I had nothing left. I had to touch God again at all costs....
"... I ripped open the door, then had to shove my full weight into closing it behind me. Slamming and bucking against harsh unseen walls, waging war for every step, I crushed both hands into the railing, fought my way downstairs, past a pool already choked with roofing and with life torn apart. I bucked and strained my way out onto the street, deeper into the dark, vile heart of a hurricane. Gnashing hard into the storm, I leaned into winds that pummeled and slammed me about like a machete.
"Inching and lunging across the intersection, where all but one streetlight had crashed to the pavement, I crushed my way through as that last light sparked and whipped overhead. Winds like that can drive a grain of rice through a concrete wall, so I wrenched a stop sign out of a tree and held it before me as a shield, slamming my way backward through an intersection of shattered glass and metal, out onto a golf course, where I screeched Hallelujahs no one could hear.
"In that open field, that raging, shrieking fury slammed and wrenched the sign into my chest. For the first time in a long time, "I thanked God and prayed for survival.
"I fought my way back home. The sign heaved at my face, sliced my hands open, and blasted away into the night.
"There was no one left there but me, God, and His mighty, undeniable power."
- From "Entertaining Naked People
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Edward Fahey (Entertaining Naked People)
“
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Best New Jersey Roofing
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whispering just beyond human hearing. She worked her tongue against the roof of her mouth. It felt dry and tasted metallic. Her fortieth birthday was fast approaching. Perhaps her premonition had
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David Bishop (The Woman (Linda Darby, #1))
“
for shade sail That is true, however when you read the fine print of a warranty they are all virtually the same. I understand op is talking about a metal roof, but in conditions of asphalt the products are the same regarding quality irrespective of supplier with a warranty generally simply cobering up to 20 years. Warranty as well only cover elements, certainly not install. The cert simply gaurantees the merchandise is normally intalled to company specs. Whats even more important may be the roofers do the job warranty. If the roof structure isn't installed correctly regardless of certification it will fail and warranty will be voided. A certification is purchased, no training is done. Thus if the roofer just buys a cert to improve business it will not matter if he follows the cert. Yes they could loose the, but most obtain the cert to improve business, certainly not for just about any added warranty for the home owner. So with regard to warranty a roofers warranty on their work is considerably more important. Just about all roofs mounted incorrectly or with shotty workmanship will are unsuccessful in a calendar year.
Edit: added paet about warranty only covering materials.
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ww.shadepundit.com
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And I saw the roof of the shack in Hanoi where my mother lived. Sheet metal patched together with tar paper. On rainy days, the roof leaked. In the heat of summer, the acrid smell of tar was overpowering, nauseating. All around, the gutters, gurgling under slabs of cement, flowed from one house to the next. Children played in this filthy black water, sailing their little white paper boats. The few mangy patches of grass were at the foot of the wall where men drunk on too much beer came to relieve themselves. The place reeked of urine. This was my street. I had grown up here.
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Dương Thu Hương (Paradise of the Blind)
“
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AB Commercial Roofing