Metal Family Quotes

I don't want a knight in shining armor. I don't want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark and savage. I want my knight to be a survivor. Someone who's been tested and got through his trails. Not some pussy in gleaming metal.

I don’t want a knight in shining armor. I want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark, and savage. I want my knight to be a survivor. Someone who’s been tested and got through his trials. Not some pussy in gleaming metal. I don’t want gleaming metal. I don’t need a fucking knight. I need a fearless warrior. I need Twitch.

A couple in love is like a pair of scissors. Two useless pieces of metal, until they are inextricably connected at the core so that they can move together as one and accomplish great things.

It is love that is sacred," she said." Listen, child, to an old woman who has seen three generations, and who has had a long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order. When we marry, we must bring together suitable conditions; we must combine fortunes, unite similiar races and aim at the common interest, which is riches and children. We marry only once, my child, because the world requires us to do so, but we love twenty times in one lifetime because nature has made us like this. Marriage, you see, is law and love is an instinct which impels us, sometimes along a straight, and sometimes along a devious path. The world has made laws to combat our instincts- it was necessary to make them; but our instincts are always stronger, and we ought not to resist them too much, because they come from God; while laws come from men. If we did not perfume life with love, as much love as possible,darling, as we put sugar into drugs for children, nobody would care to take it just as it is.

Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.

You’re a lot braver than most of the people outside,” said Enrique. “None of them could build a bomb with their eyes closed and wander into a metal monster and still want to name it ‘David.’ Trust in yourself, Phoenix.

You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .

If Nicholas Benedict truly had been able to see the future, his own would have startled him to sleep at once, for he would have seen that he was destined to do things far greater than he ever could have imagined – that wonderful and amazing people would one day be drawn to him like metal to a magnet; that together with Nicholas they would form a most unusual kind of family; and that together, during one of the world’s darkest, most dangerous hours, they would change the course of history… For now he was simply a little boy on a cot, trying to fight off sleep as he had done countless times before…

My mother must have bathed me hundreds of times. But it's my father rinsing me off with the purple metal cup that I remember most clearly. The suffusion of warmth as the hot water sluiced over me... ...the sudden, unbearable cold of its absence.

After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.

When sodium, an unstable metal that can suddenly burst into flame, reacts with a deadly poisonous gas known as chlorine, it becomes the staple food sodium chloride, NaCl, from the only family of rocks eaten by humans.

Pat and Ian have since been to Kalgoorlie with metal detectors, scouring the red dirt in the hope of locating Lisa’s remains. If her clothes had something metal attached then the metal detector just might pick that up. Ian would locate something of interest with the detector then Pat would get down on her hands and knees and dig at the dirt, searching for her buried child.

Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.

I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.

In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.

But nothing could ever beat the resurrection walk — when the manacles come off and the last metal doors slide open like the gates of heaven, and a man or woman declared innocent walks into the waiting arms of family, resurrected in life and the law.

After the Japanese attacked Pearl Harbor, the United States entered into World War II to protect our way of life and to help liberate those who had fallen under the Axis occupation. The country rallied to produce one of the largest war efforts in history. Young men volunteered to join the Armed Forces, while others were drafted. Women went to work in factories and took military jobs. Everyone collected their used cooking grease and metals to be used for munitions. They rationed gas and groceries. Factories now were producing airplanes, weapons, and military vehicles. They all wanted to do their part. And they did, turning America into a war machine. The nation was in full support to help our boys win the war and come home quickly. Grandpa wanted to do his part too.

I know that my grandmother certainly did nothing to warrant my mother stealing all of her jewelry that my grandfather had given her as gifts over the years, just so she could peddle it for heroin on the street. Those were precious metals and gems that could never be replaced, and each one had a story behind it. A love story between my grandparents, that my mother flushed down a proverbial toilet so that she could shoot up, throw up and pass out.

I'm as vulnerable as anybody to the toxicity of the American nuclear family. But I wouldn't call it disease or moral failure as much as I would point the finger at a system that grinds people down like a metal file. Who doesn't need a drink? Who isn't going to crack and lash out at the people they love?

I just believe,' he said, 'that the whole thing is going to be reduced to the human body, once and for all. I want to be ready.... I think the machines are going to fail, the political systems are going to fail, and a few men are going to take to the hills and start over.... I had an air-raid shelter built,' he said. 'I'll take you down there sometime. We've got double doors and stocks of bouillon and bully beef for a couple of years at least. We've got games for the kids, and a record player and a whole set of records on how to play the recorder and get up a family recorder group. But I went down there one day and sat for a while. I decided that survival was not in the rivets and the metal, and not in the double-sealed doors and not in the marbles of Chinese checkers. It was in me. It came down to the man, and what he could do. The body is the one thing you can't fake; it's just got to be there.... At times I get the feeling I can't wait. Life is so fucked-up now, and so complicated, that I wouldn't mind if it came down, right quick, to the bare survival of who was ready to survive. You might say I've got the survival craze, the real bug. And to tell you the truth I don't think most other people have. They might cry and tear their hair and be ready for some short hysterical violence or other, but I think most of them wouldn't be too happy to give down and get it over with.... If everything wasn't dead, you could make a kind of life that wasn't out of touch with everything, with other forms of life. Where the seasons would mean something, would mean everything. Where you could hunt as you needed to, and maybe do a little light farming, and get along. You'd die early, and you'd suffer, and your children would suffer, but you'd be in touch.

Her family had shown her that love is a lie. It isn't stone-solid; instead it bends and crumbles away, weak as rusty metal.

Lillian comes out of the kitchen carrying an artefact, the blue metal tin marked Danish Butter Cookies that if I didn't know better I would swear had been in the family for generations - when the Jews left Egypt, they took with them the tins of Danish Butter Cookies. And tins, which as best as I could tell never included Danish Butter Cookies, traveled from house to house, but always, always found their way back to Lillian.

But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble—hard, but smooth and supple at the same time. He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist. Given the angle, I couldn’t tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better.

Tears comes to my eyes when I think about some of God's people I have had the privilege to meet in the past few years. These are people with families, with dreams, people who are made in God's image as much as you and I are. And these people are suffering. Many of them are sick, some even dying, as they live out their lives in dwellings that we would not consider good enough for our household pets. I am not exaggerating. Much of their daily hardship and suffering could be relieved with access to food, clean water, clothing, adequate shelter, or basic medical attention. I believe that God wants His people, His church, to meet these needs. The Scriptures are filled with commands and references about caring for the poor and for those who cannot help themselves. The crazy part about God's heart is that He doesn't just ask us to give; He desires that we love those in need as much as we love ourselves. That is the core of the second greatest command, to 'love your neighbor as yourself' (Matthew 22:39). He is asking that you love as you would want to be loved if it were your child who was blind from drinking contaminated water; to love the way you would want to be loved if you were the homeless woman sitting outside the cafe; to love as though it were your family living in the shack slapped together from cardboard and scrap metal...

Book, when I close you life itself opens. I hear broken screams in the harbor. The copper slugs cross the sandy areas, descending to Tocopilla. It is night. Between the islands our ocean palpitates with fish. It touches the feet, the thighs, the chalky ribs of my homeland. Night touches the shoreline and rises while singing at daybreak like a guitar awakening. I feel the irresistible force of the ocean's call. I am called by the wind, and called by Rodriguez, José Antonio, I received a telegram from the "Mina" worker's union and the one I love (I won't tell you her name) waits for me in Bucalemu. Book, you haven't been able to enwrap me, you haven't covered me with typography, with celestial impressions, you haven't been able to trap my eyes between covers, I leave you so I can populate groves with the hoarse family of my song, to work burning metals or to eat grilled meat at the fireside in the mountains. I love books that are explorers, books with forest and snow, depth and sky, but I despise the book of spiders that employs thought to weave its venomous wires to trap the young and unsuspecting fly. Book, free me. I don't want to be entombed like a volume, I don't come from a tome, my poems don't eat poems, they devour passionate events, they're nurtured by the open air and fed by the earth and by men. Book, let me wander the road with dust in my low shoes and without mythology: go back to the library while I go into the streets. I've learned to take life from life, to love after a single kiss, and I didn't teach anything to anyone except what I myself lived, what I shared with other men, what I fought along with them: what I expressed from all of us in my song.

The archaeologists who will come and blow away the ashes from our house will unearth only the metal parts of the sophisticated furnishings, and it will take them some time to reconstruct their original beauty; they will find very few objects and almost no embellishments, not even in Emanuele's room, which from year to year is being emptied of toys and colors, because everything that's important to him is now found in the circuits of a tablet. I wonder what would suggest to them that a couple and then a family had lived in those rooms and that they were happy together, at least for long stretches of time.

Luxury Diamond, an encapsulation metal engraving style, with its long triangular serifs, wide stance, and decorative details like the notched “R” and curvaceous figures. There is also a Text family with a full lowercase character set. Good for: Raising a product’s perceived value. Filling horizontal space.

Savich stood over the metal parcel cage he’d been told was called an OTR, looked at the boxes scattered around it on the floor, streaked and smudged with blood like abstract paintings. Only the packages beneath the body had kept the blood from dripping out of the OTR. He looked down to see the body of an older man with a circle of gray hair around his head. He was torqued into a tight fetal position—difficult because he was heavy—his arms pulled between his legs. No deputy’s uniform. He wore a long-sleeved flannel shirt, old jeans, and ancient brown boots. Impossible to tell what sort of man he’d been—if he’d enjoyed jokes, if he’d loved his family, if he’d been honorable—that was all wiped away, gone in an instant, when the Athame was stuck into his heart. There had to be people out there already worrying about Kane Lewis, wondering where he was. They’d find out soon enough. Savich imagined he’d been a pleasant-looking man, but not in death. No, not in death.

If you take that away from me, and every other opportunity to not quite toe the line,” Willing said, “then however many amusing things I’m at liberty to do, I don’t feel free. If I don’t feel free, I’m not free.” I don’t feel free, Willing did not add, and I have not felt free since you and yours jammed this fleck of metal into my neck.

Henry Ford’s antisemitism was rank, and it was unchecked. He spewed it freely in private tirades among friends, family, close business cohorts, newspaper reporters, or pretty much anybody within earshot. He lectured his sometimes-weary auditors in the Ford Motor Company offices, in private chats, in interviews, at dinners, even on camping trips. Ford “attributes all evil to Jews or to the Jewish capitalists,” a close friend wrote in his diary after witnessing a late-night, round-the-campfire diatribe. Ford whined about “New York Jews” and railed about “Wall Street Kikes.” He even ordered his engineers to forgo the use of any brass in his Model T automobile, calling it “Jew metal.

Something was in her mouth. Sami's tongue slid along the edges of something plastic. Flat, low ridges, holes-an adjustable strap. A baseball cap? Another taste. Hair spray. Gross. Someone had stuffed her baseball cap in her mouth, and from the feel of it they had taped it in place. Her arms were tied behind her and she lay face down on the floor-of what? Her car. The carpeting scraped her cheek every time they hit a bump. Panic flooded Sami's senses. She came instantly awake. Inhaling deeply through her nose, she willed herself to calm down. Her working motto flashed through her brain, panic never accomplished anything. Of course she had never been kidnapped and tied up before. In the dim light of passing cars, she glimpsed things-paper gum wrappers, an old straw, one whopper wrapper, a CD cover. That's where Sting went. Been looking for that for days. Man did she need to vacuum this car out. A metallic scent hit her nose. She'd recognize that smell until the day she died. Blood. And by the odor, someone had lost a great deal of it.

I don’t want a knight in shining armor. I want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark, and savage. I want my knight to be a survivor. Someone who’s been tested and got through his trials. Not some pussy in gleaming metal. I don’t want gleaming metal. I don’t need a fucking knight. I need a fearless warrior.

Back in grade school, my shrinks tried to channel my viciousness into a constructive outlet, so I cut things with scissors. Heavy, cheap fabrics Diane bought by the bolt. I sliced through them with old metal shears going up and down: hateyouhateyouhateyou. The soft growl of the fabrics as I sliced it apart, and that perfect last moment, when your thumb is getting sore and your shoulders hurt from hunching and cut, cut, cut... free, the fabric now swaying in two pieces in your hands, a curtain parted. And then what? That's how I felt now, like I'd been sawing away at something and come to the end and here I was by myself again, in my small house with no job, no family, and I was holding two ends of fabric and didn't know what to do next.

We pair off on the metal bridge in the hydra. Victra taking the right, me the left. My Praetorian is shorter than I. Her helmet off, hair in a tight bun, ready to proclaim the grand laurels of her family. “My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia,” Victra spits, turning to the last Praetorian.

Moscow appeared to her as an Asiatic sprawl of twisting streets, wooden shanties, and horse cabs. But already another Moscow was rising up through the chaos of the first. Streets built to accommodate donkey tracks have been torn open and replaced with boulevards broader than two or three Park Avenues. On the sidewalks, pedestrians were being detoured onto planks around enormous construction pits. A smell of sawdust and metal filings hung in the air

It is love that is sacred,” she said. “Listen, child, to an old woman who has seen three generations, and who has had a long, long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order.

Whatever increases the fertility of land in producing food ... contributes likewise to increase that of many other lands, by creating a new demand for their produce. That abundance of food, of which, in consequence of the improvement of land, many people have the disposal beyond what they themselves can consume, is the great cause of the demand both for the precious metals and the precious stones, as well as for every other conveniency and ornament of dress, lodging, household furniture, and equipage ... The poor inhabitants of Cuba and St. Domingo, when they were first discovered by the Spaniards, used to wear little bits of gold as ornaments in their hair and other parts of their dress. They seemed to value them as we would do any little pebbles of somewhat more than ordinary beauty, and to consider them just worth the picking up, but not worth the refusing to anybody who asked them ... They were astonished to observe the rage of the Spaniards to obtain them, and had no notion that there could anywhere be a country in which many people had the disposal of so great a superfluity of food, so scanty always among themselves, that for a very small quantity of those glittering baubles they would willingly give as much as might maintain a family for many years. Could they have been made to understand this, the passion of the Spaniards would not have surprised them.

They’re close. Voices loud and fierce, Slapping faces with words. A scream … A cry … They’re getting closer. Did I lock the door? It’s too late to check. They’re coming. I barely move, barely breathe. Perhaps they’ll go away. But they’re getting closer. The door slams against the wall. My eyes squeeze shut. This curtain is not a shield. They’re here. They’ve come for me. I freeze. Metal rings clank together. My barrier is cast aside. Wearily, I look. Reddened eyes glower at one another … But not at me. I wonder. A moment of silence … Water streams down my face. Steam rolls around my flesh. I glare at the intruders And slide the curtain between us. I wait. He shrieks, “She took my glow stick!” She howls, “No, I didn’t!” I scowl. “Go tell your father about it.” They leave. I inhale the lavender mist. Slather bubbles over my skin. Five more minutes … And, next time, I shall lock the door.

when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane’s fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic’s careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There’s nothing to do about it. You

No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.

It had been a shitty night, so it was fitting that it should end with rain. He closed his eyes and lay where he was, ready for it to stop. The rain, the cold, the pain, the aches, the blood choking the back of his throat, the metallic taste on his tongue. He wanted an off switch to his life; to get it over with. There wasn't much point fighting; he didn't have anything to fight for. He had his family and Levi, but something in his heart said that wasn't enough anymore. He didn't want to be alone.

Comedy doesn’t just reflect the world, it shapes it. Not in the way that church ladies think heavy metal hypnotizes nerds into doing school shootings, but in the way it’s accepted fact that The Cosby Show changed America’s perception of black families. We don’t question the notion that The Daily Show had a profound effect on American politics, or that Ellen opened Middle America’s hearts to dancing lesbians, or that propaganda works and satire is potent and Shakespeare’s fools spoke truth to power.

It’s not up to them,” Trevor said. “What’s not?” “The damn buffaloes.” He flicked the metal buckle on his belt. “It ain’t up to them where they go. It’s Mother Nature. She tells them to jump and they go on and do it. They don’t got no choice about it. It’s just the law of nature.” “The law,” I repeated under my breath. “Like they’re just following their loved ones, like their family’s just going forward and they go with them?” “Yeah, something like that,” he said with sleepiness. “Like a family. A fucked family.

There was not only one charm in this ring but spell after spell: magic for protection and deflection, magic to guide his arrows and blades, all the power at Magnus’s command poured into the metal. There was everything Magnus had been able to think of, to act as Alec’s armor and ensure Alec would return home safe to him. Most important, there was the look on Magnus’s face when he returned the ring, now symbolizing Alec’s family in two ways, to Alec. That was when Magnus had assured him that he believed they would be married one day.

Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.

The far-flung love of Jesus is a direct challenge to the reigning Western supremacist philosophies and governance of the Roman Empire. The Romans were deeply influenced by the Greek philosophers, including Plato, who invented the concept of race. Plato imagined race as the various metals that people groups were made of. Race ordered society, determining how different people groups contribute to the republic.18 Plato’s student Aristotle introduced explicit human hierarchy, arguing in his Politics that some races are created to rule while other races are created to be slaves.

Casiopea did feel the train, though. It lumbered onward, away from the humid heat of the coast. She had never been on such a contraption. She felt as if she rested on the belly of a metal beast, like Jonah who was swallowed by the whale. This image in her family's Bible had often disconcerted her, the man sitting inside a fish, his face surprised. Now she sympathized with him. She could not see where they were headed, nor the place where they'd come from, and thus felt as though time and the world around her transmogrified, became unknowable; it was as if she were traveling in a dream.

Reservations should not have been a permeant home. Like trailers, like campgrounds, like prisons or hospitals, they felt temporary, like some place you go between places. I realized I wasn't sure what permanence looked like, because we weren't meant to survive. My family, my tribe, my ancestors, we were something temporary to the settlers. Something that would eventually go away. Whether by disease or alcohol or poverty, our genocide was inevitable to them. I looked at the smoke pluming from the metal chimneys of the small reservation houses along the highway. But here we were, existing in our impermanent homes.

Money depends on the scarcity of what props it up for its value, but isn’t that also an illusion? Rare and precious metals like diamonds are controlled by blood merchants who modulate their flow to keep the value at an acceptable level. And if gold is so rare, how are there enough gold bars to build a home for a family of two in Fort Knox alone? It doesn’t help that all things are constantly devalued. Before Gutenberg made type movable, only the wealthiest could afford books, and a Bible with tooled leather cover, gold-edged pages, and jewel-encrusted bindings was a symbol of not just piety but status, wealth, and taste. Within a few generations, the rabble were able to follow along in the hymnals from the cheap seats, forcing the wealthy to find another symbol to lord over the hoi polloi. ’Twas ever thus. The battle between the rich man and the poor man is fought on many battlefields, not all of them immediately obvious. Today the wealthy dress in sweatsuits and the homeless have iPhones. People with no discernible income buy flawless knockoff watches with one-letter misspellings to thwart copyright. And then wealthy people buy the same “Rulex” so their six-figure real watches won’t get stolen when they are out at dinner.

It’s been twenty-five years of it, man, and like I said at the beginning of the interview, I’m really happy, I really am. I often have to pinch myself, that I even have relevance of any sort. I get to do all sorts of cool shit, I get tons of free toys and it’s great. My family’s healthy and I’m healthy. It’s great. So looking at it from that point of view, yeah, it’s awesome. But to me, I don’t think I’ve been relevant to the metal scene for years. It’s funny because sometimes folks go out of their way to try and defend me, and I’m like, 'No, don’t, dude.' I’m making puppets and fart jokes, and it’s not because I’m trying to be provocative or I’m lazy or whatever. It’s just less about music for me now than it is about making Tetris pieces work melodically.

I was raised to believe in many things,' he said in perfect Cuttish, 'but the most frightening of all was the belief that beyond a pile of stones and metal lived a kingdom of demons and death. It is what I believed until one night, a little girl wandered across my brother's path. What I have come to learn in the last few years is that there is no difference between the people of the Outlands and the people of Cutta. We have all been attacked. We have all lost family. We have all been hated for senseless reasons. I do not want a war, but I want a future. A world where we can all live good, whole lives. Where there is no fear, no starvation, no war. And perhaps the best way for this to begin is to work together to ensure that in the process of stopping them, we so not become them.

But when, by the improvement and cultivation of land, the labour of one family can provide food for two, the labour of half the society becomes sufficient to provide food for the whole. The other half, therefore, or at least the greater part of them, can be employed in providing other things, or in satisfying the other wants and fancies of mankind. Clothing and lodging, household furniture, and what is called equipage, are the principal objects of the greater part of those wants and fancies. The rich man consumes no more food than his poor neighbour. In quality it may be very different, and to select and prepare it may require more labour and art; but in quantity it is very nearly the same. But compare the spacious palace and great wardrobe of the one, with the hovel and the few rags of the other, and you will be sensible that the difference between their clothing, lodging, and household furniture, is almost as great in quantity as it is in quality. The desire of food is limited in every man by the narrow capacity of the human stomach; but the desire of the conveniencies and ornaments of building, dress, equipage, and household furniture, seems to have no limit or certain boundary. Those, therefore, who have the command of more food than they themselves can consume, are always willing to exchange the surplus, or, what is the same thing, the price of it, for gratifications of this other kind. What is over and above satisfying the limited desire, is given for the amusement of those desires which cannot be satisfied, but seem to be altogether endless. The poor, in order to obtain food, exert themselves to gratify those fancies of the rich; and to obtain it more certainly, they vie with one another in the cheapness and perfection of their work. The number of workmen increases with the increasing quantity of food, or with the growing improvement and cultivation of the lands; and as the nature of their business admits of the utmost subdivisions of labour, the quantity of materials which they can work up, increases in a much greater proportion than their numbers. Hence arises a demand for every sort of material which human invention can employ, either usefully or ornamentally, in building, dress, equipage, or household furniture; for the fossils and minerals contained in the bowels of the earth, the precious metals, and the precious stones.

My family had been in a refugee camp for a year and I was thirty-one years old when the government of Israel arranged through secret channels to fly all the Jews of Yemen to Israel. It was unofficially called Operation Magic Carpet, and officially called Operation On Wings of Eagles. When our people refused to enter the airplanes out of fear—for especially our brethren from the North had no experience with modernity—our rabbis reminded them of divine passages. “This is the fulfillment of ancient prophecy,” they said. “The eagles that fly us to the Promised Land may be made of metal, but their wings are buoyed aloft by the breath of God.” Between June 1949 and September 1950 almost fifty thousand Yemenite Jews boarded transport planes and made some 380 flights from Aden to Israel in this secret operation.

Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it. It made us feel special. We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line. The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot. I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end. One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it. I would then scuttle back to my mark, grinning from ear to ear. “Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days. So my training was pretty well rounded. Climbing. Hanging. Escaping. I loved them all. Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin. I took it as a great compliment.

He pulled out a thick iron ring with dozens of keys. He turned it, staring as the keys slid and rang. Arin shut them up inside his fist. “My house,” he said thickly. He looked at Kestrel. “Keys can be copied.” His eyes pleaded with her. “I have no idea how many sets Irex’s family had. Cheat could have had this one, somehow, even before Firstwinter.” She saw how what he said might be true. She didn’t think anyone could fake the horror on Arin’s face when he first saw Kestrel on the floor. Or the way he looked now: as if what had happened to her was happening to him. “Believe me, Kestrel.” She did…and she didn’t. Arin undid the ring, slipped off two keys, and set them in Kestrel’s hand. “These are for your suite. Keep them.” She gazed at the dull metal on her palm. She recognized one key. The other…“Is this one for the garden door?” “Yes, but”--Arin looked away--“you wouldn’t want to use it.” Kestrel had guessed that Arin lived in the west wing suite, and that it had been his father’s as hers had been his mother’s. But it wasn’t until then that she understood what the two gardens were for: a way for husband and wife to visit each other without the entire household knowing. Kestrel stood, because Arin was standing and she had had enough of crouching on the floor. “Krestrel…” Arin’s question was something he clearly hated to ask. “How badly are you hurt?” “As you see.” Her eye was swelling shut, and the carpet had skinned her cheek raw. “My face. Nothing more.” “I could kill him a thousand times and still want to do it again.” She looked at Cheat’s slumped body as it soaked the carpet with blood. “Somebody had better clean that up. It won’t be me. I’m not your slave.” Quietly, he said, “You’re really not.” “I might believe you if you gave me the whole set of keys.” The corner of his mouth twitched. “Ah, but would you have any respect for my intelligence?

Hearth to hearth, the Flame of War went. Over snow-blasted mountains and amongst the trees of tangled forests, hiding from the enemies that prowled the skies. Through long, bitterly cold nights where the wind howled as it tried to wipe out any trace of that flame. But the wind did not succeed, not against the flame of the queen. So hearth to hearth, it went. To remote villages where people screamed and scattered as a young-faced woman descended from the skies on a broom, waving her torch high. Not to signal them, but the few women who did not run. Who walked toward the flame, the rider, as she called out, “Your queen summons you to war. Will you fly?” Trunks hidden in attics were thrown open. Folded swaths of red cloth pulled from within. Brooms left in closets, beside doorways, tucked under beds, were brought out, bound in gold or silver or twine. And swords—ancient and beautiful—were drawn from beneath floorboards, or hauled down from haylofts, their metal shining as bright and fresh as the day they had been forged in a city now lying in ruin. Witches, the townsfolk whispered, husbands wide-eyed and disbelieving as the women took to the skies, red cloaks billowing. Witches amongst us all this time. Village to village, where hearths that had never once gone fully dark blazed in answer. Always one rider going out, to find the next hearth, the next bastion of their people. Witches, here amongst us. Witches, now going to war. A rising tide of witches, who took to the skies in their red cloaks, swords strapped to their backs, brooms shedding years of dust with each mile northward. Witches who bade their families farewell, offering no explanation before they kissed their sleeping babes and vanished into the starry night. Mile after mile, across the darkening world, the call went out, ceaseless and unending as the eternal flame that passed from hearth to hearth. “Fly, fly, fly!” they shouted. “To the queen! To war!” Far and wide, through snow and storm and peril, the Crochans flew.

Some incidents of facial profiling have been more inconvenient than others. I’ll never forget walking through airport security when I was flying to give a speech to a Christian men’s group in Montana. The Department of Homeland Security screeners obviously didn’t recognize me as “Jase the Duckman” from Duck Dynasty, and I felt like I was one wrong answer away from being led to an interrogation room in a pair of handcuffs! Hunting season had recently ended, so my hair and beard were in full bloom! The security screeners saw a Bible in my bag, and I guess they figured I was a Christian nut because of my long hair and bushy beard. Somehow, I made it through the metal detector and an additional pat-down, and I guess they couldn’t find a justifiable reason to detain me. But as I was getting my belongings back together, I accidentally bumped into a woman. She screamed! It must have been an involuntary reflex. It was a natural response, because she thought I was going to attack her. Once she finally settled down, I made my way to the gate and sat down to compose myself. After a few minutes, a young boy walked up and asked me for my autograph. Finally, I thought to myself. Somebody recognizes me from Duck Dynasty. Not everyone here believes I’m the Unabomber! Man, I could have used the kid about twenty minutes earlier, when I was trying to get through security! I looked over at the boy’s mother, and she was smiling from ear to ear. I realized they were very big fans. I signed my name on a piece of paper and handed it to the kid. “Can I ask you a question?” he said. “Sure, buddy,” I said. “Ask me anything you want.” “How much does Geico pay y’all?” he asked. My jaw dropped as I looked at the kid. “Wait a minute, man,” I said. “I’m not a caveman!” “What do you mean?” the boy asked. “I’m Jase the Duckman,” I said. “You know--from Duck Dynasty? Quack, quack?” It didn’t take me long to realize the boy had no idea what I was talking about. In a matter of minutes, I went from being a potential terrorist to being a caveman selling insurance.

Alliance (Sonata)" Of dusty gazes fallen down to the soil or leaves without sound and entombing. Of metals without light, with the void, with the absence of the dead day of coup. At the top of the hands the dazzle of butterflies, the start of butterflies whose light has no end. You were keeping the trail of light, of broken beings that the sun abandoned, getting dark, throws to the churches. Stained with glances, with the aim of bees, your material of unexpected flame fleeing coming before and after the day and to your family of gold. The days stalked they cross the secrecy but fall inside of your voice of light. Oh proprietress of love, on your rest I founded my dream, my silent attitude. With your body of shy number, extended suddenly until quantities that define the earth, behind the fight of the white days of space and chills of slow deaths and withered stimuli, I feel burn your lap and move your kisses making fresh swallows in my dream. Sometimes the fate of your tears amounts as the age up to my forehead, there they are striking the waves, being destroyed of death: its’ movement is damp, depressed, final.

Alliance (Sonata) " Of dusty glances fallen to the ground or of soundless leaves burying themselves. Of metals without light, with the emptiness, with the absence of the suddenly dead day. At the tip of the hands the dazzlement of butterflies, the upflight of butterflies whose light has no end. You kept the trail of light, of broken beings that the abandoned sun, sinking, casts at the churches. Stained with glances, dealing with bees, your substance fleeing from unexpected flame precedes and follows the day and its family of gold. The spying days cross in secret but they fall within your voice of light. Oh mistress of love, in your rest I established my dream, my silent attitude. With your body of timid number, suddenly extended to the quantities that define the earth, behind the struggle of the days white with space and cold with slow deaths and withered stimuli, I feel your lap burn and your kisses travel shaping fresh swallows in my sleep. At times the destiny of your tears ascends like age to my forehead, there the waves are crashing, smashing themselves to death: their movement is moist, drifting, ultimate.

Early in the twenty-first century a device had been introduced which allowed printed text from any book to be downloaded to a small hand-held device. A world already holding a phone to its ear or staring at it to write trivial messages rather than look at the world around them now had one more such human interaction killer. No longer did people have to walk into a book store and interact with another human being to purchase a book. No longer were they forced to say hello to the delivery man as he dropped off books they had ordered by computer. No longer would they be able to lend a book to a workmate or family member. They could hold a piece of metal or plastic in their hands and read the text coldly flowing across the small screen devoid of the warmth and feeling beyond the words which had been the author’s intent. Within half a century, real books had become extinct. No longer was a book a friend who would take you by the hand and lead you on a great adventure. Gone was the beckoning cover creating an image in the reader’s mind which they could glance at even while reading. Absent was that wonderful smell of a new book when it is first cracked open. Even used books had a scent which spoke of distant places and other worlds. As the book went, so had society gone.

Almost unconsciously, his gaze shifted across the immense ballroom to fasten on the girl, inexorably pulled to her like metal filings to a magnet. He could barely make her out since she was surrounded by her usual jostling court of ardent admirers, most of them titled, wealthy, and considerably handsomer than Nigel. If he was honest with himself, he’d have to admit that obsession would be the most accurate description of his feelings, and he hadn’t the slightest notion as to when or how that obsession had developed. However it had happened, over the last several months a ridiculous amount of space in his skull had been taken up by thoughts of lovely Amelia Easton. Fortunately, until now, none of his acquaintances had suspected that he—the most sensible man in the ton—had succumbed to such a maudlin, hopeless passion. A hopeless passion, since Amelia Easton would no sooner marry a man like Nigel than she would a butcher from Smithfield. After all, she was widely acknowledged as one of the great prizes on the matrimonial mart—beautiful, kind, good-natured, and disgustingly rich, or at least her father was. It was a most potent combination, and meant that the girl couldn’t step foot outside her family’s Mayfair townhouse without a pack of slavering bachelors in pursuit. “How

They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.

FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.

The wars break out and die down, but then there’s a flareup elsewhere. Houses cracked open like eggs, their contents torched or stolen or stomped vindictively underfoot; refugees strafed from airplanes. In a million cellars the bewildered royal family faces the firing squad; the gems sewn into their corsets will not save them. Herod’s troops patrol a thousand streets; just next door, Napoleon makes off with the silverware. In the wake of the invasion, any invasion, the ditches fill up with raped women. To be fair, raped men as well. Raped children, raped dogs and cats. Things can get out of control. But not here; not in this gentle, tedious backwater; not in Port Ticonderoga, despite a druggie or two in the parks, despite the occasional break-in, despite the occasional body found floating around in the eddies. We hunker down here, drinking our bedtime drinks, nibbling our bedtime snacks, peering at the world as if through a secret window, and when we’ve had enough of it we turn it off. So much for the twentieth century, we say, as we make our way upstairs. But there’s a far-off roaring, like a tidal wave racing inshore. Here comes the twentyfirst century, sweeping overhead like a spaceship filled with ruthless lizard-eyed aliens or a metal pterodactyl. Sooner or later it will sniff us out, it will tear the roofs off our flimsy little burrows with its iron claws, and then we will be just as naked and shivering and starving and diseased and hopeless as the rest. Excuse this digression. At my age you indulge in these apocalyptic visions. You say, The end of the world is at hand. You lie to yourself – I’m glad I won’t be around to see it – when in fact you’d like nothing better, as long as you can watch it through the little secret window, as long as you won’t be involved. But why bother about the end of the world? It’s the end of the world every day, for someone. Time rises and rises, and when it reaches the level of your eyes you drown. What happened next? For a moment I’ve lost the thread, it’s hard for me to remember, but then I do. It was the war, of course. We weren’t prepared for it, but at the same time we knew we’d been there before. It was the same chill, the chill that rolled in like a fog, the chill into which I was born.

Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.

SUPPLEMENT DAILY DOSAGE Vitamin A 10,000 IU or 6 mg beta-carotene (choose mixed carotenes if available)     B-complex vitamins B1, B2, B3, B5: 50 mg B6: 50 mg, or 100 mg if nauseated (can be higher: if necessary up to 250 mg to prevent nausea) B12: 400 mcg Choline, Inositol, PABA: 25 mg Biotin: 200 mcg Folic acid: 500 mcg (increase this to 1000 mcg if you have suffered a previous miscarriage, if there is a history of neural tube defects in your family, or if you are over 40 years of age)     Vitamin C 1–2 g (take the higher dose if you are exposed to toxicity or in contact with, or suffering from, infection)     Bioflavonoids 500–1000 mg (helpful for preventing miscarriage and breakthrough bleeding)     Vitamin D 200 IU     Vitamin E 500 IU (increasing to 800 IU during last trimester)     Calcium 800 mg (increasing to 1200 mg during middle trimester when your baby’s bones are forming, or if symptoms such as leg cramps indicate an increased need)     Magnesium 400 mg (half the dose of calcium)     Potassium 15 mg or as cell salt (potassium chloride, 3 tablets)     Iron Supplement only if need is proven; dosage depends on serum ferritin levels (stored iron) If levels < 30 mcg per litre, take 30 mg If levels < 45 mcg per litre, take 20 mg If levels < 60 mcg per litre, take 10 mg This test for ferritin levels should be repeated at the end of each trimester, and we give further details in Chapter 11.     Manganese 10 mg     Zinc 20–60 mg, taken last thing at night on an empty stomach (dose level to depend on results of zinc taste test, which ideally should be performed at two monthly intervals during your pregnancy; see page 172–174 for details)     Chromium 100–200 mcg (upper limit applies to those with sugar cravings or with proven need)     Selenium 100–200 mcg (upper limit for those exposed to high levels of heavy metal or chemical pollution). Selenium is best taken away from vitamin C, but can be taken with zinc.     Iodine 75 mcg (or take 150 mg of kelp instead)     Acidophilus/Bifidus Half to one teaspoonful, one to three times daily (upper limits for those who suffer from thrush)     Evening primrose oil 500–1000 mg two to three times daily     MaxEPA (or deep sea fish oils) 500–1000 mg two to three times daily     Garlic 2000–5000 mg (higher levels for those exposed to toxins)     Silica 20 mg     Copper 1–2 mg (but only if zinc levels are adequate)     Hydrochloric acid and digestive enzymes For those with digestive problems. There are numerous proprietary preparations which contain an appropriate combination of active ingredients. Ask your health practitioner, pharmacist or health food shop for guidance, and take as directed on the label.     Co-enzyme Q10 10 mg daily

Marcie looked at the ugly thing and took a minute to rearrange her mental picture of the family gathered around the wood-burning stove, replacing the quaint, charming piece in her imagination with this big, brown metal beast, which would heat their home but not burn little fingers. It would be like a large, beloved dog of some hideous mixed breed, that fit right into their family and served its purpose so well that no one noticed or cared what it looked like.

Chappell had brought a Mrs. Frazer to the island. She used an unorthodox divining method, much like water-witching, to detect metals under the surface. She found indications that copper, gold, and silver lay everywhere underground. Dad’s goodwill evaporated when she insisted that she needed to work at the Money Pit. It is clear, from a description of Mrs. Frazer in Dad’s letter to Fred Sparham, dated May 20, that Dad did not believe in the woman’s methods: Chappell brought a woman over who had a secret sort of metal finder. She has been back twice since. Mildred calls her Witch Hazel, and it’s more fun that a barrel of Monkeys. She runs around dangling a piece of plastic hose (clear) with a piece of metal in it that looks like a steel and brass plum bob. She has the whole lot hanging from a chain. She also has a gadget she takes out of a bag that looks like a pair of horns. Then she puts these horns against her forehead and goes around like a Moose. You just can’t believe it at all.

Here, supposing that neither Harry Perkins nor the servants nor some outsider called ‘X’ had killed Stephen Anthony, was a murderer. He or she was drinking with the rest, talking with the rest casually, remembering little family jokes with the rest and saying with them, ‘Remember when we all—’ and laughing when they laughed. And perhaps the murderer, sitting there with the others, almost forgot at times he was a murderer, because even a murderer cannot always remember, as the grief-stricken cannot always remember grief. But it must come back again and again, that sense of being a murderer. Sometimes it must come in the middle of speech, confusing a thought already formulated—it must go round and round in the head, the knowledge of murder and of pursuit. The thought that shrewd men and clumsy men, intelligent men and dogged men, men in blue uniforms and men in slouch hats, were everywhere after you must make a coldness in your mind. Here a man was talking to somebody, and perhaps a word would give you away. Here a man was peering through a comparison microscope at tiny scratches on a piece of metal, and perhaps some scratch would give you away. Here a man was sifting through papers, steadily, unwearingly, looking for some written word that would give you away. And when he was tired, another man would look. And somewhere men in white uniforms were probing with knives into the body of the man you had killed, looking for something which would give you away. All over the city, you would think, men would be searching for you—in words and in metal, in scraps of paper, in the things you did yesterday and the things your victims had planned to do tomorrow—and there would be no stopping them. Because, whatever they tolerated, the police did not tolerate murder, or ever give up looking for a murderer.

Before we left the chapel, I caught up with my grandfather to make one final plea. “Grandpa,” I said, “we can’t bury Dad’s ashes.” “That’s not your decision to make.” He started to walk away, but I grabbed his sleeve, knowing it would be my last chance. “Wasn’t it his?” I asked. “He wanted to be cremated because he didn’t want to be buried. Please, let us take his ashes out to Montauk.” As soon as the words came out of my mouth, I realized that I’d made a critical mistake. My grandfather realized it, too. He associated Montauk with my father’s frivolous hobbies, such as boating and fishing, activities that had distracted him from the serious business of real estate. “Montauk,” he repeated, almost smiling. “That’s not going to happen. Get in the car.” Sunlight glinted off the marble and granite grave markers as our grandfather, his light blue eyes squinting beneath his enormous eyebrows at the brightness of the day, explained that the tombstone, which was already inscribed with his mother’s and father’s names, would be removed temporarily so my father’s name and dates could be added. As he spoke, he spread his hands wide, like a used-car salesman, bouncing on the balls of his feet, almost jaunty, knowing he was in the presence of a rube. My grandfather followed the letter of the law and then did what he wanted. After my father was cremated, they put his ashes into a metal box and buried them in the ground.

STEP ONE: DECIDE & GET THE INFORMATION YOU NEED 1. Decide what you truly want for your life physically. What is the result that you’re truly after? Do you want more energy? More vitality? More strength? More flexibility? Do you want to start to rejuvenate your body? Revitalize it? Bring more youth to it? 2. Get the information that you need. Get yourself tested, so you can maximize your energy by: Knowing whether there are toxic metals in your system that are getting in the way of your well-being. Knowing if your hormones are in balance, which can make a giant difference in how you feel day to day. And then ideally, do the things that will give you peace of mind for yourself and for your family. Get the GRAIL test plus a full-body MRI so that you can know that there’s nothing to be concerned about with cancer. GRAIL can even be done even in your home, with a simple blood test. If it’s appropriate, I would consider scheduling a CCTA Test so that you know exactly where your cardiovascular health is and what needs to be done to stay strong and healthy for years to come. Consider getting the Alzheimer’s Test so that you know if you’re genetically predisposed, and also come up with a lifestyle plan that will reduce your risk. If you do this far enough in advance, there are a variety of tools in this book that can make a difference. Who’s in your family or friendship base whom you would like to also make sure gets tested to look out for their well-being and help them to maximize the quality of their life. Last, if you want to have some fun, you can discover what your true age is. As I mentioned earlier, I was thrilled to discover that my chronological age of 62 is only 51 years biologically. I think you’ll be surprised. If it’s not where you want it to be, there are so many things within these pages that you can do to change it.

Once every few weeks, beginning in the summer of 2018, a trio of large Boeing freighter aircraft, most often converted and windowless 747s of the Dutch airline KLM, takes off from Schiphol airport outside Amsterdam, with a precious cargo bound eventually for the city of Chandler, a western desert exurb of Phoe­nix, Arizona. The cargo is always the same, consisting of nine white boxes in each aircraft, each box taller than a man. To get these pro­foundly heavy containers from the airport in Phoenix to their des­tination, twenty miles away, requires a convoy of rather more than a dozen eighteen-wheeler trucks. On arrival and family uncrated, the contents of all the boxes are bolted together to form one enormous 160-ton machine -- a machine tool, in fact, a direct descendant of the machine tools invented and used by men such as Joseph Bramah and Henry Maudslay and Henry Royce and Henry Ford a century and more before. "Just like its cast-iron predecessors, this Dutch-made behemoth of a tool (fifteen of which compose the total order due to be sent to Chandler, each delivered as it is made) is a machine that makes machines. Yet, rather than making mechanical devices by the pre­cise cutting of metal from metal, this gigantic device is designed for the manufacture of the tiniest of machines imaginable, all of which perform their work electronically, without any visible mov­ing parts. "For here we come to the culmination of precision's quarter­millennium evolutionary journey. Up until this moment, almost all the devices and creations that required a degree of precision in their making had been made of metal, and performed their vari­ous functions through physical movements of one kind or another. Pistons rose and fell; locks opened and closed; rifles fired; sewing machines secured pieces of fabric and created hems and selvedges; bicycles wobbled along lanes; cars ran along highways; ball bearings spun and whirled; trains snorted out of tunnels; aircraft flew through the skies; telescopes deployed; clocks ticked or hummed, and their hands moved ever forward, never back, one precise sec­ond at a time."Then came the computer, then the personal computer, then the smartphone, then the previously unimaginable tools of today -- and with this helter-skelter technological evolution came a time of translation, a time when the leading edge of precision passed itself out into the beyond, moving as if through an invisible gateway, from the purely mechanical and physical world and into an immobile and silent universe, one where electrons and protons and neutrons have replaced iron and oil and bearings and lubricants and trunnions and the paradigm-altering idea of interchangeable parts, and where, though the components might well glow with fierce lights send out intense waves of heat, nothing moved one piece against another in mechanical fashion, no machine required that mea­sured exactness be an essential attribute of every component piece.

What a waste of all that metal, that pain, and that work. With that gift came the commitment to honor and maintain it, and perhaps because I was the first in my family to have such a gift, I didn’t know that things never stop shifting, that getting the chance at something better doesn’t automatically guarantee it.

Trauma is a toxin that hooks into our hair and organs and blood and becomes part of us, the way heavy metals do, our bodies nothing more than a layering of flesh around everything ingested and experienced. These things sit inside us like the misshapen pearls we sometimes prise from oysters. Fear calcifies in our veins and the chambers of our hearts. Pain is a currency like the talismans we sewed for the sick women, a give and take, a way to strengthen and prepare the body. "You think you know pain," Mother used to say. "You don't know anything, you have no idea." And then the love of family, a balm that keeps our airways soft and wet, a thing to keep us drawing breath.

From Contrell the links go to all sorts of men with unorthodox tastes. Austrian industrialists. Sheikhs. Three brothers in Detroit with a padlocked metal shed. Online they can peruse the merchandise discreetly and, if need be, ask for more product information—different photographic angles, specific poses. They make their selections. Given immigration confusion, gang influence, and splintered family trees, disappearances aren’t rare when you’re dealing with broke ethnic girls. They’re a renewable resource. Hector Contrell comes in the black of night, and another girl vanishes off the streets and wakes up in a stupor in Islamabad or Birmingham or São Paulo. Some of the girls are kept. Some are designated for onetime use.

It is seventeen years since she sailed slowly up the Mekong, in a slow boat with canvas awning, to Savannakhet, a large clearing in the virgin forest-land, surrounded by grey rice fields. At night, clusters of mosquitoes on mosquito nets. He cannot, by any stretch of the imagination, picture her at twenty-two, sailing up the Mekong. He cannot picture that face as a young face. He cannot imagine the eyes of an innocent girl seeing what she can see now. He is walking more slowly now. It is already too hot. Gardens everywhere on this side of the town. The funeral scent of oleanders. The land of oleanders. He never wants to see those flowers again. Never. Not anywhere. He had too much to drink last night. He drinks too much. There is a dull ache in the back of his neck. His stomach is queasy. The pink oleanders melt into the pink sky at dawn. The piled-up heaps of lepers scatter and spread. He thinks of her. He tries to think of her, nothing but her: a girlish figure seated on a couch, overlooking a river. She is gazing in front of her, no, he cannot see her, she is lost in the shadows. He can only see her surroundings: the forest, the Mekong river. A crowd of about twenty people has gathered in the metalled road. She is ill. At night she weeps, and it is thought that the best thing would be to send her back to France. Her family are alarmed. They never stop talking. They talk too much, too loudly. Wrought-iron gates in the distance, sentries in khaki uniform. Already they are guarding her, as she will be guarded for the rest of her life. It would be a relief to everyone if she would give vent to her boredom in an angry outburst. It would not surprise them if she were to collapse before their eyes, but no, she is still sitting silently on her couch when Monsieur Stretter arrives, and carries her away in his official launch. He told her: 'I shall leave you in peace. You are free to return to France whenever you wish. You have nothing to fear.' And all this, when he, he, Charles Rossett–he stops in his tracks–oh! he, at this period of Anne-Marie Stretter's life, was no more than a child.

A god of war is also the god of those who are caught in the wheel of eternal struggle, who fight on despite knowledge of certain defeat, who stand with their companions against spear and catapult and gleaming metal, armed with only their pride, who strive and assay and press and toil, all the while knowing that they cannot win.’ ‘You are not only the god of the strong, but also the god of the weak. Courage is better displayed when it seems all is lost, when despair appears the only rational course.’ ‘True courage is to insist on seeing when all around you is darkness.’ And Fithowéo stood up and ululated. As his voice filled the cave walls and bounced back to his ears, he seemed to see the stalactites hanging overhead like bejeweled curtains, the stalagmites growing out of the ground like bamboo shoots, the bats careening through the air like battle kites, the night-blooming orchids and cave roses blooming like living treasure—the cave was filled with light. The god of war laughed and bowed down to the orchid and kissed her. ‘Thank you for showing me how to see.’ ‘I am but the lowest of the Hundred Flowers,’ said the orchid. ‘But the tapestry of Dara is woven not only from the proud chrysanthemum or the arrogant winter plum, the bamboo who holds up great houses or the coconut who provides sweet nectar and pleasing music. Chicory, dandelion, butter-and-eggs, ten thousand species of orchids, and countless other flowers—we have no claim to the crests of the great noble families, and we are not cultivated in gardens and not gently caressed by the fingers of great ladies and eager courtiers. But we also fight our war against hail and storm, against drought and deprivation, against the sharp blade of the weeding hoe and the poisonous emanations of the herbicide-sprayer. We also have a claim on time, and we deserve a god who understands that every day in the life of the common flower is a day of battle.’ And Fithowéo continued to ululate, letting his throat and ears be his eyes, until he strode out of the cave, emerged into the sunlight, and picked up two pieces of darkest obsidian and placed them in his eye sockets so that he had eyes again. Though they were blind to light, they sowed fear into all who gazed into them.

As he listened about the paint in the tube, Dr. Sheffield wondered if toothpaste could be put in such a tube. At that time, a family had a jar of toothpaste, and, when ready to brush their teeth, each person would moisten the brush bristles, dip the brush into the jar, and remove a small glob of toothpaste. Dr. Sheffield believed this was unsanitary. Dr. Sheffield had his own brand of toothpaste, Créme Dentifrice, so he decided to market it in tubes. People liked the idea, and soon Colgate, a leading national toothpaste brand, was using the packaging technique as well. The first tubes were metal, but, when there was a metal shortage in the 1940s because of World War II, the tubes began to be made with plastic as well, and, in recent days, they are made completely of plastic. Also, caps used to unscrew, but many are now flip-top so that the cap does not roll away. Dentists recommend you use this product three times a day, so you have likely seen this accidental discovery . . . the toothpaste tube.

A row of young boys sat along an old metal pipe, excitedly singing Arabic songs. The girls whizzed each other around in wheelbarrows and played with their dolls on patches of earth that had hardened from mud to crusty dirt. “It is still like a playpen to them, like a big party,” one frail father said absently, as if he was staring right through me. “Soon they will know.” Crevices of stress had been delicately carved into his tanned face. His party was one of torment as he paced in circles, as if slowly going mad. I did not know what had happened to him and his family, but it did not feel right to ask.

It’s lighter than I expected, smaller somehow too. The cover is a deep-green leather, and both right-hand corners are decorated with metal embellishments. I run my fingers along the edges. There is no title. No author name. This is not a book. I open to the first page, confirming my suspicions. Across the delicate, yellowing front page in a scratchy, handwritten font, I scan the words with a ball of fear swelling in my chest. This diary belongs to Celine Mason, age 16. DO NOT READ!

but especially on the Mediterranean, where all the powers now faced a catastrophe. No one knows what caused it, but it is probable that a synchronicity of climate, natural disaster, pandemics, greed and systemic implosion sparked movements on some faraway steppe that unleashed a stampede migration in which maritime marauders shattered the rich cities of the Mediterranean and western Asia. The raiders sound like Greeks, the Egyptians called them ‘Sea Peoples’ but they came by land too, sporting new iron breastplates and leg greaves, wielding stabbing swords and shields, all made by the smelting of iron ore and meteoric iron to make a stronger metal. Iron had been known for a long time and it is likely that the smelting process developed slowly in many places, starting in India and spreading via the sophisticated blacksmiths of Hatti to Europe and Africa.

I’m over five and half feet tall and weigh about ten stone. My eyes are brown, hair black, and I forget the blood group. I used to be older than twenty but now I’m older than thirty. I’ve been called a crustacean, and too serious, but recently I was described by a dependable man as shrewd, obstinate and adequately intelligent. I was a writer once and now I’m a doctor, but I was advised to become these, I never wanted it. I’ve never wanted anything long. Except freedom.” There was a metallic rattle of laughter. Lanark said, “Yes, it’s a comic word. We’re all forced to define it in ways that make no sense to other people. But for me freedom is …” He thought for a while. “… life in a city near the sea or near the mountains where the sun shines for an average of half the day. My house would have a living room, big kitchen, bathroom and one bedroom for each of the family, and my work would be so engrossing that while I did it I would neither notice nor care if I was happy or sad. Perhaps I would be an official who kept useful services working properly. Or a designer of houses and roads for the city where I lived. When I grew old I would buy a cottage on an island or among the mountains—” “Dirty! Dirty! Dirty! Dirty!” said the voice on a low throb of rage. “Dirty bastards giving me a killer for a doctor!

Look at me!” I thrust Il’Sahaj’s blade in his face and used it to turn his cheek. The flesh of his face withered into decay where the metal touched it. I relished his squeal of pain. His fear pulsed through me like a hideous, intoxicating drug. “Don’t kill me,” he wept. Bastard. Bastard. There was no recognition in his eyes — nothing but that cowardly panic. He took everything from me. Killed my family members in their beds. Sold a child to a terrible fate. Me, and so many others. And he didn’t remember. {It is not enough,} Reshaye hissed. “Remember me,” I snarled. A command, not a question, as I opened my palms to release streams and streams of butterflies — crimson, putrid wings spewing into the air as violently as the spurt of blood and the smoke of funeral pyres. They kept coming, surrounding me even as I closed my hand around my sword’s hilt again, as if they were peeling from my skin. I heard my name, faintly, far away. I ignored it.

It had nothing to do with trust and everything to do with protecting you. I told you that already. I wasn’t going to drag you into that world.” “But you knew—you knew my father was involved and that I was already neck-deep in the mafia, but you pushed me away anyway. Is that right?” Her eyes blazed, and I could feel solid metal doors closing between us. “I knew your father was connected, yes.” “So instead of trusting me with the truth, you walked away.” With those words, the locks slid shut. Nothing I could say would penetrate. “I did what I thought was best when backed into a terrible situation at the age of sixteen. If that’s something you can’t forgive, then there’s nothing else to say.

His pupils seem permanently dilated. His skull has been wrapped with a bandage but blood and grey matter are already seeping through. “Is he alive?” Crozier asks softly. Peddie comes over, wiping his bloody hands with a rag. “He is, strangely enough.” “But we could see his brains on deck. I can see them now.” Peddie nods tiredly. “That happens. In other circumstances, he might even recover. He would be an idiot, of course, but I could screw in a metal covering where his skull is missing and his family, if he has any, could take care of him. Keep him as a sort of pet. But here …” Peddie shrugs. “Pneumonia or scurvy or starvation will carry him away.

To fund the war effort against France, Princess Marianne appealed in 1813 to all wealthy and aristocratic women there to swap their gold ornaments for base metal, to fund the war effort. In return they were given iron replicas of the gold items of jewellery they had donated, stamped with the words ‘Gold gab ich für Eisen’, ‘I gave gold for iron’. At social events thereafter, wearing and displaying the iron replica jewellery and ornaments became a far better indication of status than wearing gold itself. Gold jewellery merely proved that your family was rich, while iron jewellery proved that your family was not only rich but also generous and patriotic.

Three years earlier her father had been buried (irritable and impatient as he always had been) in the Fladstrand Church cemetery that bordered the lovely park, Plantagen, which shared with the cemetery its trees, shared its beech and ash and maple, in the same plot where her mother, wide eyed and confused, had lain down almost willingly two years before, where her brother had lain for thirty-five years, dazed and unwillingly after too short a life. A dove was looking down from atop the family gravestone. It was made from metal so it could not fly away, but sometimes it went missing all the same and only a spike would remain. Someone had taken that dove, someone out there maybe had an entire collection of doves and angels and other small, Christian bronze sculptures in a cupboard at home and on long evenings would close the curtains and take them out and run his fingers gently over the smooth, cold bodies.

I’ll never forget when my brothers took me out frogging for the very first time. (Frog meat is like a mix between chicken and fish but super tender.) When we would go frogging, we’d leave the house at ten or eleven at night and didn’t come in until daylight. It was late for a little kid. We never caught them by giggin’, which is spearing frogs with a long-handled metal fork. Giggin’ wasn’t dangerous enough, I guess. Instead, a real man grabs the frog with his bare hands, or at least that’s what Jase always says. You go out in a boat and use a powerful spotlight to shine in the frog’s eyes. When the frog is blinded by the light, he freezes, paralyzed. If the spotlight man is good and steady, then you just run up quick in the boat, lean over, and grab the frog on the way by. I was in charge of the ice chest, where we stashed the frogs. When one of my brothers caught a frog, he’d hand him over to me still alive, and I’d stick it in the ice chest. After serving as ice-chest man until about two in the morning, I was worn out and fell asleep right on top of the ice chest.

Michel de Montaigne, a highly-educated French nobleman who retired from public duties and retreated to his family’s castle around 1570 to focus on his writing, is

As the children left, Antonio shifted his gaze towards his father and gently waved at his family, while they returned the gesture. With half a smile and a tight lip, Antonio’s green eyes spoke, “Adiós” (“Good-bye”). Then, he turned and walked towards the green metal door of the steam cargo vessel that swallowed him away.

Shoulder the Sky is another story about Mureth Farm and Drumburly and the people who live there; it continues the theme of Vittoria Cottage and Music in the Hills but it is a complete novel in itself. The three books are merely strung together by the story of James and Rhoda and their friends. Mureth and Drumburly are not real places in the geographical sense of the word. There is no metalled road that leads to Drumburly (the best road to take is an easy chair before the fire on a winter’s evening), but the picture represented is artistically true of the Scottish Border Country; of the rolling hills, the rivers and the burns, of the storms and the sunshine. So, in one sense, Drumburly is real and in another it is imaginary — and the same is true of the characters in the story; they are not real individuals and yet they are true to life. To me they are real and human for I have been living amongst them and sharing their joys and sorrows for months on end. Now the time has come for me to leave Drumburly and say good-bye. D. E. STEVENSON 

You might think that, by way of us all being people, we might see something of ourselves in the lives of our clients. Some family-based practice, for example, that called to mind our own. We did not. We saw precious little to remind us of humanity in the private lives of our clients. There are no such links in prostitution. The closest a prostitute will get to understanding anything of her client’s family life is by noticing a baby seat in the back of his car or feeling the cold metal of his wedding ring pressed against the inner walls of her vagina.

Leaving the Connecticut River March 8, 1704 Temperature 40 degrees By the time Mercy had sorted this out, her three brothers were gone. She panicked. “Sam!” she screamed. “John! Benny!” She ran from group to group, darting behind sledges, racing among the dogs, circling the fires. “Sam! John!” What was the matter with her? How could she have stayed separate from them? Why had she not kicked Tannhahorens in the shins, as Ruth would have, and marched with her brothers no matter what he said? Ruth was right, he was nothing but an Indian! O Father! she thought. O Mother! I let you down again. I didn’t protect Tommy. I didn’t save Marah or Stepmama or the baby. And now the boys are gone. On her second screaming circle of the camp, Tannhahorens caught her. “Boys go,” he said. “But are they all right? I didn’t say good-bye! You never let me talk to them at all! I don’t even know their masters’ names!” A new and even more horrifying thought struck Mercy. It tore the wind from her lungs and her voice broke. “Will my brothers and I go to the same place? Will I see them again?” Poor Father, come home to find his entire family ripped away in a night. Father would comfort himself that Mercy was taking care of the boys--and he would be wrong. Tannhahorens had fewer English words than Mercy had Mohawk. He could not understand this outpouring. He steered her back to his possessions. “Raquette,” he said. Mercy jumped in front of him, blocking his path. He was hung with weapons in preparation for departure: knives, tomahawk, hatchet, gun, two bows, quiver of arrows. But something new hanging from Tannhahorens’ chest gave her pause. A Catholic cross. Although in her whole life, Mercy had seen only one spoon and a belt buckle made of silver, she knew this cross to be silver. She wrenched her eyes from its beauty. It would be a sin to find a cross beautiful. Religion must be heart and soul, not scraps of metal. Tannhahorens pushed her along in front of him. “Raquette,” he said irritably. “Raquette?” she begged. “Is that your town? Is that Sam’s master’s name? Are the boys together? Is Same going to be able to watch out for John and Benny?” This time, ragged trousers and a torn stained coat blocked Tannhahorens’s way The Indian looked harshly at the Englishman in front of him, and Mercy wished she had learned words like please. But Tannhahorens walked on and left them together. “Oh, Uncle Nathaniel!” she said, and they wrapped their arms around each other. He held her tightly. He had to clear his throat several times to find his voice. “Your brothers are not together,” he said, “but they seemed all right. They were not afraid. Benny’s Indian has a sled and he will ride as he did yesterday. John’s with five other English, all adults. They will watch for him. And Sam is with the Kellogg girls. He’ll be busy taking care of Joanna and Rebecca.” Her three brothers, going in three directions in the hands of strangers. “They took my Will and my Mary in the last band,” said her uncle. “I have some hope. The Indians treat my children tenderly. When nobody else had a morsel to eat, their masters fed them.” Sam. John. Benny. Will. Little Mary. Gone.

Fuck,” Syn growled. He was still thinking of solutions when he heard something scrape against his doorknob. Something metal was tampering with the lock. If he were anywhere else in the apartment he wouldn’t have heard it, but he was right next to the door, so he could hear someone trying to get in. He instinctually moved to stand in front of Furi, pulling his Sig from its holster and unlocking the safety. He felt Furi tensing behind him. He could hear the tool manipulating the lock mechanism. Is this bastard really fuckin’ brave enough to break into my home in broad goddamn daylight? Syn was in awe at the size of this guy’s balls. The closet door was arm's length away. He yanked it open and grabbed the blanket off the top shelf, pulling his loaded twelve-gauge shotgun down just as the door eased open. All Syn could see was the tip of a black boot. Furi griped his shoulder. “Hey. Listen to this!” Syn yelled out. He put the stock of the gun firmly against his shoulder and pulled the pump back in two extremely swift moves. The sound was extremely loud and intimidating in the quiet room, by far the scariest sound an intruder could hear. “Don’t shoot, Dirty Harry.” The irritating chuckle that followed was unmistakable. “Son of a bitch,” Syn grumbled. “Day, have you lost your fuckin’ mind?” His Lieutenants came all the way through the door, Day laughing at the pissed look on Syn's face and Furi leaning on the wall behind him recovering from a panic attack. “Syn. What the hell is going on man? Are you really gonna put a buckshot in someone you think is breakin’ into your little-ass apartment? Because, you do know that that’s excessive force, right?” God asked, looking at him expectantly. “I was just scaring them off. No one comes in after hearing that sound, trust me.” Syn removed the shell and placed the gun back in the closet, covering it with the blanket. He turned to look at Furi. He looked a little pale but he was okay. Syn spun back around, “Day. Knock on my damn door like a normal visitor and wait for me to say come in!” Day pfftd, plopping down on the couch. “You don’t invite the wind. The wind just–” “Stop saying that stupid wind bullshit. Because if your door is shut and you weather guard that bitch then the wind stays the fuck out until ... You. Open. The. Door.” Syn’s dark eyes bored into Day’s hazel ones. God’s laugh was raspy, while Day looked bewildered. “But we’re family.” “Oh for fuck’s sake,” Syn grumbled, he had to get going; he had no time to explain to Day about how to behave in civilized society. He turned serious eyes back on Furi. “I gotta go, but I really think–” Furi pulled Syn to him before he could finish the sentence, kissed him hard on the mouth before turning, heading to the bedroom. “Just concentrate on your job and don’t take any officers away from their assignments to follow me. There could be someone out there who really needs their help.” Syn didn’t get to say anything else because Furi had closed the bedroom door. End of discussion.

The stamp thuds on the paper and I go on to the metal door that only has a handle on the inside. The door slams behind me like a mousetrap. I’m home again.

Baltimore's decades-long economic decline was well under way in the early 1980s when the children at issue in this volume set out on their journey through the city's public schools. Beginning in 1970, and continuing through the five years they were in elementary school (1982–1987), half the city's jobs in primary metals, shipbuilding repair, and transportation assembly disappeared (Levine 1987, 107). The historic core of Baltimore's industrial might had relocated offshore, to the region's rapidly expanding suburbs and low-wage parts of the country, or simply faded away in favor of the new postindustrial economy. This new economy provides lucrative

burned low. The next morning servants brought in bananas, milk, and sweet rice to their room. After breakfast, Madam Vesteria pursed her lips as she inspected them, and satisfied, led them down a white marble hallway, broad and lined with statues of gods, goddesses, and mythical heroes and creatures. They came to the grand foyer, a circular and open room with light streaming in from above, and with one direction leading to a massive carved mahogany door, and opposite, a spiral staircase wound up and around four stories high.  “You will wait here.” Master Vesteria pulled on a long, silken rope that sounded a deep, melodic bell. “Prepare yourselves to meet the young masters of the Five Calazars.” Talis heard the slow clicking of heels down the staircase. Two boys, twins about the same age as Rikar, sauntered down, followed by a girl who appeared a year younger than Mara. Talis laughed to himself, expecting more children from five families. The girl was petite and pale, shy to the point of almost being afraid to glance at them. The twins chuckled as they whispered, staring at Talis as if caught up in some private joke. Their eyes held proud, indifferent expressions. They also were dressed in white, but their clothes were made of woven silk, layered with gold and some black metal.  “Just arrived?” a twin said, his voice laced with sarcasm. “Let

Sull imagined wild brook trout, cold and firm in the fast, healthy current, buried in the water like ingots of precious metal. They hold fast to the bank, laurel-green with bellies of coal-fire. Wilder colors than you'd dare imagine on your own. Stock had destroyed the run--to be truthful, {his family} had--and silky mud rose off the bottom in slow veils where the Angus dropped their hooves. Do rivers have ghosts? Do trout swim in the air?

with the Sravastis. If they need to make a stop or two along the way for essentials, that’s fine, but only necessary ones. Once you’re at the house with them, stay there.” Another gift. Normally that’s Vic’s job. Speaking with families, monitoring who comes to visit and what they say. The Eddison from college, from the academy, would be laughing himself shitless, but the man he is now—the agent he is now—knows to be grateful for true friendship wherever it can be found. “Finney’s got guards outside the operating room and in the scrub room, just in case,” Vic continues before Eddison can decide whether or not a thank-you would be appropriate here. “I’ll wait here with him for more updates and coordinate with Ramirez and the team down in Rosemont.” The curtain hooks rattle on their metal slide as Deshani pushes the plastic back into place against the wall. Priya settles back onto the bed, clad in fleecy, cheerful yellow pajama pants and a long-sleeve FBI T-shirt. “It’s a very well-supplied gift shop,” she says dryly, wrapping her hands gingerly around her hot

There are large and stately studios, panelled and high, in strong stone houses filled with gleaming brass and polished oak. There are workaday studios – summer perching-places rather than settled homes – where a good north light and a litter of brushes and canvas form the whole of the artistic stock-in-trade. There are little homely studios, gay with blue and red and yellow curtains and odd scraps of pottery, tucked away down narrow closes and adorned with gardens, where old-fashioned flowers riot in the rich and friendly soil. There are studios that are simply and solely barns, made beautiful by ample proportions and high-pitched rafters, and habitable by the addition of a tortoise stove and a gas-ring. There are artists who have large families and keep domestics in cap and apron; artists who engage rooms, and are taken care of by landladies; artists who live in couples or alone, with a woman who comes in to clean; artists who live hermit-like and do their own charing. There are painters in oils, painters in water-colours, painters in pastel, etchers and illustrators, workers in metal; artists of every variety, having this one thing in common – that they take their work seriously and have no time for amateurs.