Metal Family Quotes

We've searched our database for all the quotes and captions related to Metal Family. Here they are! All 100 of them:

I don't want a knight in shining armor. I don't want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark and savage. I want my knight to be a survivor. Someone who's been tested and got through his trails. Not some pussy in gleaming metal.
Belle Aurora (Raw (RAW Family, #1))
I don’t want a knight in shining armor. I want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark, and savage. I want my knight to be a survivor. Someone who’s been tested and got through his trials. Not some pussy in gleaming metal. I don’t want gleaming metal. I don’t need a fucking knight. I need a fearless warrior. I need Twitch.
Belle Aurora (Raw (RAW Family, #1))
A couple in love is like a pair of scissors. Two useless pieces of metal, until they are inextricably connected at the core so that they can move together as one and accomplish great things.
Jack Canfield (Chicken Soup for the Soul: Married Life!: 101 Inspirational Stories about Fun, Family, and Wedded Bliss)
It is love that is sacred," she said." Listen, child, to an old woman who has seen three generations, and who has had a long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order. When we marry, we must bring together suitable conditions; we must combine fortunes, unite similiar races and aim at the common interest, which is riches and children. We marry only once, my child, because the world requires us to do so, but we love twenty times in one lifetime because nature has made us like this. Marriage, you see, is law and love is an instinct which impels us, sometimes along a straight, and sometimes along a devious path. The world has made laws to combat our instincts- it was necessary to make them; but our instincts are always stronger, and we ought not to resist them too much, because they come from God; while laws come from men. If we did not perfume life with love, as much love as possible,darling, as we put sugar into drugs for children, nobody would care to take it just as it is.
Guy de Maupassant
Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
You’re a lot braver than most of the people outside,” said Enrique. “None of them could build a bomb with their eyes closed and wander into a metal monster and still want to name it ‘David.’ Trust in yourself, Phoenix.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
If Nicholas Benedict truly had been able to see the future, his own would have startled him to sleep at once, for he would have seen that he was destined to do things far greater than he ever could have imagined – that wonderful and amazing people would one day be drawn to him like metal to a magnet; that together with Nicholas they would form a most unusual kind of family; and that together, during one of the world’s darkest, most dangerous hours, they would change the course of history… For now he was simply a little boy on a cot, trying to fight off sleep as he had done countless times before…
Trenton Lee Stewart (The Extraordinary Education of Nicholas Benedict (The Mysterious Benedict Society, #0))
My mother must have bathed me hundreds of times. But it's my father rinsing me off with the purple metal cup that I remember most clearly. The suffusion of warmth as the hot water sluiced over me... ...the sudden, unbearable cold of its absence.
Alison Bechdel (Fun Home: A Family Tragicomic)
After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.
Sarah Ockler (Twenty Boy Summer)
When sodium, an unstable metal that can suddenly burst into flame, reacts with a deadly poisonous gas known as chlorine, it becomes the staple food sodium chloride, NaCl, from the only family of rocks eaten by humans.
Mark Kurlansky (Salt: A World History)
Pat and Ian have since been to Kalgoorlie with metal detectors, scouring the red dirt in the hope of locating Lisa’s remains. If her clothes had something metal attached then the metal detector just might pick that up. Ian would locate something of interest with the detector then Pat would get down on her hands and knees and dig at the dirt, searching for her buried child.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
In praise of mu husband's hair A woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance. Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
But nothing could ever beat the resurrection walk — when the manacles come off and the last metal doors slide open like the gates of heaven, and a man or woman declared innocent walks into the waiting arms of family, resurrected in life and the law.
Michael Connelly (Resurrection Walk (The Lincoln Lawyer, #7; Harry Bosch Universe, #38))
After the Japanese attacked Pearl Harbor, the United States entered into World War II to protect our way of life and to help liberate those who had fallen under the Axis occupation. The country rallied to produce one of the largest war efforts in history. Young men volunteered to join the Armed Forces, while others were drafted. Women went to work in factories and took military jobs. Everyone collected their used cooking grease and metals to be used for munitions. They rationed gas and groceries. Factories now were producing airplanes, weapons, and military vehicles. They all wanted to do their part. And they did, turning America into a war machine. The nation was in full support to help our boys win the war and come home quickly. Grandpa wanted to do his part too.
Kara Martinelli (My Very Dearest Anna)
I know that my grandmother certainly did nothing to warrant my mother stealing all of her jewelry that my grandfather had given her as gifts over the years, just so she could peddle it for heroin on the street. Those were precious metals and gems that could never be replaced, and each one had a story behind it. A love story between my grandparents, that my mother flushed down a proverbial toilet so that she could shoot up, throw up and pass out.
Ashly Lorenzana (Speed Needles)
I'm as vulnerable as anybody to the toxicity of the American nuclear family. But I wouldn't call it disease or moral failure as much as I would point the finger at a system that grinds people down like a metal file. Who doesn't need a drink? Who isn't going to crack and lash out at the people they love?
Susie Bright (Big Sex Little Death: A Memoir)
I just believe,' he said, 'that the whole thing is going to be reduced to the human body, once and for all. I want to be ready.... I think the machines are going to fail, the political systems are going to fail, and a few men are going to take to the hills and start over.... I had an air-raid shelter built,' he said. 'I'll take you down there sometime. We've got double doors and stocks of bouillon and bully beef for a couple of years at least. We've got games for the kids, and a record player and a whole set of records on how to play the recorder and get up a family recorder group. But I went down there one day and sat for a while. I decided that survival was not in the rivets and the metal, and not in the double-sealed doors and not in the marbles of Chinese checkers. It was in me. It came down to the man, and what he could do. The body is the one thing you can't fake; it's just got to be there.... At times I get the feeling I can't wait. Life is so fucked-up now, and so complicated, that I wouldn't mind if it came down, right quick, to the bare survival of who was ready to survive. You might say I've got the survival craze, the real bug. And to tell you the truth I don't think most other people have. They might cry and tear their hair and be ready for some short hysterical violence or other, but I think most of them wouldn't be too happy to give down and get it over with.... If everything wasn't dead, you could make a kind of life that wasn't out of touch with everything, with other forms of life. Where the seasons would mean something, would mean everything. Where you could hunt as you needed to, and maybe do a little light farming, and get along. You'd die early, and you'd suffer, and your children would suffer, but you'd be in touch.
James Dickey (Deliverance)
Her family had shown her that love is a lie. It isn't stone-solid; instead it bends and crumbles away, weak as rusty metal.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
Lillian comes out of the kitchen carrying an artefact, the blue metal tin marked Danish Butter Cookies that if I didn't know better I would swear had been in the family for generations - when the Jews left Egypt, they took with them the tins of Danish Butter Cookies. And tins, which as best as I could tell never included Danish Butter Cookies, traveled from house to house, but always, always found their way back to Lillian.
A.M. Homes (May We Be Forgiven)
But it was the second guy who caught my eye. Like the girl, he, too, paused by the door, seeming even more wary than she looked. The sunlight streaming in through the windows highlighted the rich honey in his dark chocolate brown hair, even as it cast his face in shadow. The tan skin of his arms resembled marble—hard, but smooth and supple at the same time. He must have passed through the mist spewed up by the fountain outside, because his black T-shirt was wet in places and the damp patches clung to his skin. The wetness allowed me to see just how muscled his chest was. Oh, yeah, I totally ogled that part of him, right up until I spotted the silver cuff on his right wrist. Given the angle, I couldn’t tell what crest was stamped into the metal, but I glanced at the others, who also wore cuffs. I sighed. So they belonged to some Family then. Wonderful. This day just kept getting better.
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
Tears comes to my eyes when I think about some of God's people I have had the privilege to meet in the past few years. These are people with families, with dreams, people who are made in God's image as much as you and I are. And these people are suffering. Many of them are sick, some even dying, as they live out their lives in dwellings that we would not consider good enough for our household pets. I am not exaggerating. Much of their daily hardship and suffering could be relieved with access to food, clean water, clothing, adequate shelter, or basic medical attention. I believe that God wants His people, His church, to meet these needs. The Scriptures are filled with commands and references about caring for the poor and for those who cannot help themselves. The crazy part about God's heart is that He doesn't just ask us to give; He desires that we love those in need as much as we love ourselves. That is the core of the second greatest command, to 'love your neighbor as yourself' (Matthew 22:39). He is asking that you love as you would want to be loved if it were your child who was blind from drinking contaminated water; to love the way you would want to be loved if you were the homeless woman sitting outside the cafe; to love as though it were your family living in the shack slapped together from cardboard and scrap metal...
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
Book, when I close you life itself opens. I hear broken screams in the harbor. The copper slugs cross the sandy areas, descending to Tocopilla. It is night. Between the islands our ocean palpitates with fish. It touches the feet, the thighs, the chalky ribs of my homeland. Night touches the shoreline and rises while singing at daybreak like a guitar awakening. I feel the irresistible force of the ocean's call. I am called by the wind, and called by Rodriguez, José Antonio, I received a telegram from the "Mina" worker's union and the one I love (I won't tell you her name) waits for me in Bucalemu. Book, you haven't been able to enwrap me, you haven't covered me with typography, with celestial impressions, you haven't been able to trap my eyes between covers, I leave you so I can populate groves with the hoarse family of my song, to work burning metals or to eat grilled meat at the fireside in the mountains. I love books that are explorers, books with forest and snow, depth and sky, but I despise the book of spiders that employs thought to weave its venomous wires to trap the young and unsuspecting fly. Book, free me. I don't want to be entombed like a volume, I don't come from a tome, my poems don't eat poems, they devour passionate events, they're nurtured by the open air and fed by the earth and by men. Book, let me wander the road with dust in my low shoes and without mythology: go back to the library while I go into the streets. I've learned to take life from life, to love after a single kiss, and I didn't teach anything to anyone except what I myself lived, what I shared with other men, what I fought along with them: what I expressed from all of us in my song.
Pablo Neruda (All the Odes)
Five pounds of crawfish in a metal bucket were soon placed down. The smell of lemongrass, Old Bay seasoning, and fish sauce hit the siblings all at once, and they breathed in the familiar, comforting scent. The coalescent beauty of a Viet-Cajun seafood boil was the magnum opus of the American South.
Carolyn Huynh (The Family Recipe)
The archaeologists who will come and blow away the ashes from our house will unearth only the metal parts of the sophisticated furnishings, and it will take them some time to reconstruct their original beauty; they will find very few objects and almost no embellishments, not even in Emanuele's room, which from year to year is being emptied of toys and colors, because everything that's important to him is now found in the circuits of a tablet. I wonder what would suggest to them that a couple and then a family had lived in those rooms and that they were happy together, at least for long stretches of time.
Paolo Giordano (Il nero e l'argento)
Luxury Diamond, an encapsulation metal engraving style, with its long triangular serifs, wide stance, and decorative details like the notched “R” and curvaceous figures. There is also a Text family with a full lowercase character set. Good for: Raising a product’s perceived value. Filling horizontal space.
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
Savich stood over the metal parcel cage he’d been told was called an OTR, looked at the boxes scattered around it on the floor, streaked and smudged with blood like abstract paintings. Only the packages beneath the body had kept the blood from dripping out of the OTR. He looked down to see the body of an older man with a circle of gray hair around his head. He was torqued into a tight fetal position—difficult because he was heavy—his arms pulled between his legs. No deputy’s uniform. He wore a long-sleeved flannel shirt, old jeans, and ancient brown boots. Impossible to tell what sort of man he’d been—if he’d enjoyed jokes, if he’d loved his family, if he’d been honorable—that was all wiped away, gone in an instant, when the Athame was stuck into his heart. There had to be people out there already worrying about Kane Lewis, wondering where he was. They’d find out soon enough. Savich imagined he’d been a pleasant-looking man, but not in death. No, not in death.
Catherine Coulter
If you take that away from me, and every other opportunity to not quite toe the line,” Willing said, “then however many amusing things I’m at liberty to do, I don’t feel free. If I don’t feel free, I’m not free.” I don’t feel free, Willing did not add, and I have not felt free since you and yours jammed this fleck of metal into my neck.
Lionel Shriver (The Mandibles: A Family, 2029-2047)
Henry Ford’s antisemitism was rank, and it was unchecked. He spewed it freely in private tirades among friends, family, close business cohorts, newspaper reporters, or pretty much anybody within earshot. He lectured his sometimes-weary auditors in the Ford Motor Company offices, in private chats, in interviews, at dinners, even on camping trips. Ford “attributes all evil to Jews or to the Jewish capitalists,” a close friend wrote in his diary after witnessing a late-night, round-the-campfire diatribe. Ford whined about “New York Jews” and railed about “Wall Street Kikes.” He even ordered his engineers to forgo the use of any brass in his Model T automobile, calling it “Jew metal.
Rachel Maddow (Prequel: An American Fight Against Fascism)
Something was in her mouth. Sami's tongue slid along the edges of something plastic. Flat, low ridges, holes-an adjustable strap. A baseball cap? Another taste. Hair spray. Gross. Someone had stuffed her baseball cap in her mouth, and from the feel of it they had taped it in place. Her arms were tied behind her and she lay face down on the floor-of what? Her car. The carpeting scraped her cheek every time they hit a bump. Panic flooded Sami's senses. She came instantly awake. Inhaling deeply through her nose, she willed herself to calm down. Her working motto flashed through her brain, panic never accomplished anything. Of course she had never been kidnapped and tied up before. In the dim light of passing cars, she glimpsed things-paper gum wrappers, an old straw, one whopper wrapper, a CD cover. That's where Sting went. Been looking for that for days. Man did she need to vacuum this car out. A metallic scent hit her nose. She'd recognize that smell until the day she died. Blood. And by the odor, someone had lost a great deal of it.
Suzanne Ferrell (Kidnapped (Edgers Family, #1))
I don’t want a knight in shining armor. I want a knight in scuffed armor. I want his helmet to have dents. I want my knight to be real, and dark, and savage. I want my knight to be a survivor. Someone who’s been tested and got through his trials. Not some pussy in gleaming metal. I don’t want gleaming metal. I don’t need a fucking knight. I need a fearless warrior.
Belle Aurora (Raw (RAW Family, #1))
Back in grade school, my shrinks tried to channel my viciousness into a constructive outlet, so I cut things with scissors. Heavy, cheap fabrics Diane bought by the bolt. I sliced through them with old metal shears going up and down: hateyouhateyouhateyou. The soft growl of the fabrics as I sliced it apart, and that perfect last moment, when your thumb is getting sore and your shoulders hurt from hunching and cut, cut, cut... free, the fabric now swaying in two pieces in your hands, a curtain parted. And then what? That's how I felt now, like I'd been sawing away at something and come to the end and here I was by myself again, in my small house with no job, no family, and I was holding two ends of fabric and didn't know what to do next.
Gillian Flynn (Dark Places)
No, when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane's fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic's careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There's nothing to do about it. You start to die the moment you are born. The whole of life is cutting through the pack with death. So take it easy. Light a cigarette and be grateful you are still alive as you suck the smoke deep into your lungs. Your stars have already let you come quite a long way since you left your mother's womb and whimpered at the cold air of the world. Perhaps they'll even let you go to Jamaica tonight. Can't you hear those cheerful voices in the control tower that have said quietly all day long, 'Come in BOAC. Come in Panam. Come in KLM'? Can't you hear them calling you down too: 'Come in Transcarib. Come in Transcarib'? Don't lose faith in your stars. Remember that hot stitch of time when you faced death from the Robber's gun last night. You're still alive, aren't you? There, we're out of it already. It was just to remind you that being quick with a gun doesn't mean you're really tough. Just don't forget it. This happy landing at Palisadoes Airport comes to you courtesy of your stars. Better thank them.
Ian Fleming (Live and Let Die (James Bond, #2))
We pair off on the metal bridge in the hydra. Victra taking the right, me the left. My Praetorian is shorter than I. Her helmet off, hair in a tight bun, ready to proclaim the grand laurels of her family. “My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia,” Victra spits, turning to the last Praetorian.
Pierce Brown (Morning Star (Red Rising, #3))
It is love that is sacred,” she said. “Listen, child, to an old woman who has seen three generations, and who has had a long, long experience of men and women. Marriage and love have nothing in common. We marry to found a family, and we form families in order to constitute society. Society cannot dispense with marriage. If society is a chain, each family is a link in that chain. In order to weld those links, we always seek metals of the same order.
Guy de Maupassant (The Complete Short Stories)
Moscow appeared to her as an Asiatic sprawl of twisting streets, wooden shanties, and horse cabs. But already another Moscow was rising up through the chaos of the first. Streets built to accommodate donkey tracks have been torn open and replaced with boulevards broader than two or three Park Avenues. On the sidewalks, pedestrians were being detoured onto planks around enormous construction pits. A smell of sawdust and metal filings hung in the air
Sana Krasikov
Whatever increases the fertility of land in producing food ... contributes likewise to increase that of many other lands, by creating a new demand for their produce. That abundance of food, of which, in consequence of the improvement of land, many people have the disposal beyond what they themselves can consume, is the great cause of the demand both for the precious metals and the precious stones, as well as for every other conveniency and ornament of dress, lodging, household furniture, and equipage ... The poor inhabitants of Cuba and St. Domingo, when they were first discovered by the Spaniards, used to wear little bits of gold as ornaments in their hair and other parts of their dress. They seemed to value them as we would do any little pebbles of somewhat more than ordinary beauty, and to consider them just worth the picking up, but not worth the refusing to anybody who asked them ... They were astonished to observe the rage of the Spaniards to obtain them, and had no notion that there could anywhere be a country in which many people had the disposal of so great a superfluity of food, so scanty always among themselves, that for a very small quantity of those glittering baubles they would willingly give as much as might maintain a family for many years. Could they have been made to understand this, the passion of the Spaniards would not have surprised them.
Adam Smith
They’re close. Voices loud and fierce, Slapping faces with words. A scream … A cry … They’re getting closer. Did I lock the door? It’s too late to check. They’re coming. I barely move, barely breathe. Perhaps they’ll go away. But they’re getting closer. The door slams against the wall. My eyes squeeze shut. This curtain is not a shield. They’re here. They’ve come for me. I freeze. Metal rings clank together. My barrier is cast aside. Wearily, I look. Reddened eyes glower at one another … But not at me. I wonder. A moment of silence … Water streams down my face. Steam rolls around my flesh. I glare at the intruders And slide the curtain between us. I wait. He shrieks, “She took my glow stick!” She howls, “No, I didn’t!” I scowl. “Go tell your father about it.” They leave. I inhale the lavender mist. Slather bubbles over my skin. Five more minutes … And, next time, I shall lock the door.
Barbara Brooke
when the stresses are too great for the tired metal, when the ground mechanic who checks the de-icing equipment is crossed in love and skimps his job, way back in London, Idlewild, Gander, Montreal; when those or many things happen, then the little warm room with propellers in front falls straight down out of the sky into the sea or on to the land, heavier than air, fallible, vain. And the forty little heavier-than-air people, fallible within the plane’s fallibility, vain within its larger vanity, fall down with it and make little holes in the land or little splashes in the sea. Which is anyway their destiny, so why worry? You are linked to the ground mechanic’s careless fingers in Nassau just as you are linked to the weak head of the little man in the family saloon who mistakes the red light for the green and meets you head-on, for the first and last time, as you are motoring quietly home from some private sin. There’s nothing to do about it. You
Ian Fleming (Live and Let Die (James Bond, #2))
It had been a shitty night, so it was fitting that it should end with rain. He closed his eyes and lay where he was, ready for it to stop. The rain, the cold, the pain, the aches, the blood choking the back of his throat, the metallic taste on his tongue. He wanted an off switch to his life; to get it over with. There wasn't much point fighting; he didn't have anything to fight for. He had his family and Levi, but something in his heart said that wasn't enough anymore. He didn't want to be alone.
Elaine White (Right Kind of Wrong (Decadent, #3))
Comedy doesn’t just reflect the world, it shapes it. Not in the way that church ladies think heavy metal hypnotizes nerds into doing school shootings, but in the way it’s accepted fact that The Cosby Show changed America’s perception of black families. We don’t question the notion that The Daily Show had a profound effect on American politics, or that Ellen opened Middle America’s hearts to dancing lesbians, or that propaganda works and satire is potent and Shakespeare’s fools spoke truth to power.
Lindy West (Shrill: Notes from a Loud Woman)
It’s not up to them,” Trevor said. “What’s not?” “The damn buffaloes.” He flicked the metal buckle on his belt. “It ain’t up to them where they go. It’s Mother Nature. She tells them to jump and they go on and do it. They don’t got no choice about it. It’s just the law of nature.” “The law,” I repeated under my breath. “Like they’re just following their loved ones, like their family’s just going forward and they go with them?” “Yeah, something like that,” he said with sleepiness. “Like a family. A fucked family.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Newspapers reported on the couple’s trip, and they’re believed to be the only private pilots to get from Africa to Australia in a single-engine plane.* When not up in the air, the Haldemans were out in the bush going on great, monthlong expeditions to find the Lost City of the Kalahari Desert, a supposed abandoned city in southern Africa. A family photo from one of these excursions shows the five children in the middle of the African bush. They have gathered around a large metal pot being warmed by the embers of a campfire.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
There was not only one charm in this ring but spell after spell: magic for protection and deflection, magic to guide his arrows and blades, all the power at Magnus’s command poured into the metal. There was everything Magnus had been able to think of, to act as Alec’s armor and ensure Alec would return home safe to him. Most important, there was the look on Magnus’s face when he returned the ring, now symbolizing Alec’s family in two ways, to Alec. That was when Magnus had assured him that he believed they would be married one day.
Cassandra Clare (Ghosts of the Shadow Market)
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
The far-flung love of Jesus is a direct challenge to the reigning Western supremacist philosophies and governance of the Roman Empire. The Romans were deeply influenced by the Greek philosophers, including Plato, who invented the concept of race. Plato imagined race as the various metals that people groups were made of. Race ordered society, determining how different people groups contribute to the republic.18 Plato’s student Aristotle introduced explicit human hierarchy, arguing in his Politics that some races are created to rule while other races are created to be slaves.
Lisa Sharon Harper (Fortune: How Race Broke My Family and the World--and How to Repair It All)
Casiopea did feel the train, though. It lumbered onward, away from the humid heat of the coast. She had never been on such a contraption. She felt as if she rested on the belly of a metal beast, like Jonah who was swallowed by the whale. This image in her family's Bible had often disconcerted her, the man sitting inside a fish, his face surprised. Now she sympathized with him. She could not see where they were headed, nor the place where they'd come from, and thus felt as though time and the world around her transmogrified, became unknowable; it was as if she were traveling in a dream.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
Reservations should not have been a permeant home. Like trailers, like campgrounds, like prisons or hospitals, they felt temporary, like some place you go between places. I realized I wasn't sure what permanence looked like, because we weren't meant to survive. My family, my tribe, my ancestors, we were something temporary to the settlers. Something that would eventually go away. Whether by disease or alcohol or poverty, our genocide was inevitable to them. I looked at the smoke pluming from the metal chimneys of the small reservation houses along the highway. But here we were, existing in our impermanent homes.
Sasha taqwšəblu LaPointe (Red Paint: The Ancestral Autobiography of a Coast Salish Punk)
Money depends on the scarcity of what props it up for its value, but isn’t that also an illusion? Rare and precious metals like diamonds are controlled by blood merchants who modulate their flow to keep the value at an acceptable level. And if gold is so rare, how are there enough gold bars to build a home for a family of two in Fort Knox alone? It doesn’t help that all things are constantly devalued. Before Gutenberg made type movable, only the wealthiest could afford books, and a Bible with tooled leather cover, gold-edged pages, and jewel-encrusted bindings was a symbol of not just piety but status, wealth, and taste. Within a few generations, the rabble were able to follow along in the hymnals from the cheap seats, forcing the wealthy to find another symbol to lord over the hoi polloi. ’Twas ever thus. The battle between the rich man and the poor man is fought on many battlefields, not all of them immediately obvious. Today the wealthy dress in sweatsuits and the homeless have iPhones. People with no discernible income buy flawless knockoff watches with one-letter misspellings to thwart copyright. And then wealthy people buy the same “Rulex” so their six-figure real watches won’t get stolen when they are out at dinner.
Bob Dylan (The Philosophy of Modern Song)
It’s been twenty-five years of it, man, and like I said at the beginning of the interview, I’m really happy, I really am. I often have to pinch myself, that I even have relevance of any sort. I get to do all sorts of cool shit, I get tons of free toys and it’s great. My family’s healthy and I’m healthy. It’s great. So looking at it from that point of view, yeah, it’s awesome. But to me, I don’t think I’ve been relevant to the metal scene for years. It’s funny because sometimes folks go out of their way to try and defend me, and I’m like, 'No, don’t, dude.' I’m making puppets and fart jokes, and it’s not because I’m trying to be provocative or I’m lazy or whatever. It’s just less about music for me now than it is about making Tetris pieces work melodically.
Devin Townsend
I was raised to believe in many things,' he said in perfect Cuttish, 'but the most frightening of all was the belief that beyond a pile of stones and metal lived a kingdom of demons and death. It is what I believed until one night, a little girl wandered across my brother's path. What I have come to learn in the last few years is that there is no difference between the people of the Outlands and the people of Cutta. We have all been attacked. We have all lost family. We have all been hated for senseless reasons. I do not want a war, but I want a future. A world where we can all live good, whole lives. Where there is no fear, no starvation, no war. And perhaps the best way for this to begin is to work together to ensure that in the process of stopping them, we so not become them.
Rebecca Crunden (A Time of Prophecy (The Outlands Pentalogy #5))
But when, by the improvement and cultivation of land, the labour of one family can provide food for two, the labour of half the society becomes sufficient to provide food for the whole. The other half, therefore, or at least the greater part of them, can be employed in providing other things, or in satisfying the other wants and fancies of mankind. Clothing and lodging, household furniture, and what is called equipage, are the principal objects of the greater part of those wants and fancies. The rich man consumes no more food than his poor neighbour. In quality it may be very different, and to select and prepare it may require more labour and art; but in quantity it is very nearly the same. But compare the spacious palace and great wardrobe of the one, with the hovel and the few rags of the other, and you will be sensible that the difference between their clothing, lodging, and household furniture, is almost as great in quantity as it is in quality. The desire of food is limited in every man by the narrow capacity of the human stomach; but the desire of the conveniencies and ornaments of building, dress, equipage, and household furniture, seems to have no limit or certain boundary. Those, therefore, who have the command of more food than they themselves can consume, are always willing to exchange the surplus, or, what is the same thing, the price of it, for gratifications of this other kind. What is over and above satisfying the limited desire, is given for the amusement of those desires which cannot be satisfied, but seem to be altogether endless. The poor, in order to obtain food, exert themselves to gratify those fancies of the rich; and to obtain it more certainly, they vie with one another in the cheapness and perfection of their work. The number of workmen increases with the increasing quantity of food, or with the growing improvement and cultivation of the lands; and as the nature of their business admits of the utmost subdivisions of labour, the quantity of materials which they can work up, increases in a much greater proportion than their numbers. Hence arises a demand for every sort of material which human invention can employ, either usefully or ornamentally, in building, dress, equipage, or household furniture; for the fossils and minerals contained in the bowels of the earth, the precious metals, and the precious stones.
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
My family had been in a refugee camp for a year and I was thirty-one years old when the government of Israel arranged through secret channels to fly all the Jews of Yemen to Israel. It was unofficially called Operation Magic Carpet, and officially called Operation On Wings of Eagles. When our people refused to enter the airplanes out of fear—for especially our brethren from the North had no experience with modernity—our rabbis reminded them of divine passages. “This is the fulfillment of ancient prophecy,” they said. “The eagles that fly us to the Promised Land may be made of metal, but their wings are buoyed aloft by the breath of God.” Between June 1949 and September 1950 almost fifty thousand Yemenite Jews boarded transport planes and made some 380 flights from Aden to Israel in this secret operation.
Nomi Eve (Henna House)
Mr. Sturgess ran the classes with iron, ex-military discipline. We each had spots on the floor, denoting where we should stand rigidly to attention, awaiting our next task. And he pushed us hard. It felt like Mr. Sturgess had forgotten that we were only age six--but as kids, we loved it. It made us feel special. We would line up in rows beneath a metal bar, some seven feet off the ground, then one by one we would say: “Up, please, Mr. Sturgess,” and he would lift us up and leave us hanging, as he continued down the line. The rules were simple: you were not allowed to ask permission to drop off until the whole row was up and hanging, like dead pheasants in a game larder. And even then you had to request: “Down, please, Mr. Sturgess.” If you buckled and dropped off prematurely, you were sent back in shame to your spot. I found I loved these sessions and took great pride in determining to be the last man hanging. Mum would say that she couldn’t bear to watch as my little skinny body hung there, my face purple and contorted in blind determination to stick it out until the bitter end. One by one the other boys would drop off the bar, and I would be left hanging there, battling to endure until the point where even Mr. Sturgess would decide it was time to call it. I would then scuttle back to my mark, grinning from ear to ear. “Down, please, Mr. Sturgess,” became a family phrase for us, as an example of hard physical exercise, strict discipline, and foolhardy determination. All of which would serve me well in later military days. So my training was pretty well rounded. Climbing. Hanging. Escaping. I loved them all. Mum, still to this day, says that growing up I seemed destined to be a mix of Robin Hood, Harry Houdini, John the Baptist, and an assassin. I took it as a great compliment.
Bear Grylls (Mud, Sweat and Tears)
He pulled out a thick iron ring with dozens of keys. He turned it, staring as the keys slid and rang. Arin shut them up inside his fist. “My house,” he said thickly. He looked at Kestrel. “Keys can be copied.” His eyes pleaded with her. “I have no idea how many sets Irex’s family had. Cheat could have had this one, somehow, even before Firstwinter.” She saw how what he said might be true. She didn’t think anyone could fake the horror on Arin’s face when he first saw Kestrel on the floor. Or the way he looked now: as if what had happened to her was happening to him. “Believe me, Kestrel.” She did…and she didn’t. Arin undid the ring, slipped off two keys, and set them in Kestrel’s hand. “These are for your suite. Keep them.” She gazed at the dull metal on her palm. She recognized one key. The other…“Is this one for the garden door?” “Yes, but”--Arin looked away--“you wouldn’t want to use it.” Kestrel had guessed that Arin lived in the west wing suite, and that it had been his father’s as hers had been his mother’s. But it wasn’t until then that she understood what the two gardens were for: a way for husband and wife to visit each other without the entire household knowing. Kestrel stood, because Arin was standing and she had had enough of crouching on the floor. “Krestrel…” Arin’s question was something he clearly hated to ask. “How badly are you hurt?” “As you see.” Her eye was swelling shut, and the carpet had skinned her cheek raw. “My face. Nothing more.” “I could kill him a thousand times and still want to do it again.” She looked at Cheat’s slumped body as it soaked the carpet with blood. “Somebody had better clean that up. It won’t be me. I’m not your slave.” Quietly, he said, “You’re really not.” “I might believe you if you gave me the whole set of keys.” The corner of his mouth twitched. “Ah, but would you have any respect for my intelligence?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
For example, Henry the Navigator, the brother of the head of the Portuguese royal family, sponsored some of the earliest voyages and established a trading empire in Africa and Asia. Spain followed suit, swiftly conquering and colonizing significant portions of the Western Hemisphere, including the precious-metal-rich Aztec and Incan empires. Though Portugal and Spain were rivals, the unexplored world was huge, and when they had disputes, they were successfully mediated. Spain’s integration into the Habsburg Empire and its control over highly profitable silver mines made it stronger than Portugal in the 1500s, and for a roughly 60-year period starting in the late 1500s the Habsburg king ruled Portugal as well. Both translated their wealth into golden ages of art and technology. The Spanish Empire grew so large it became known as “the empire on which the sun never sets”—an expression that would later be used to describe the British Empire.
Ray Dalio (Principles for Dealing with the Changing World Order: Why Nations Succeed and Fail)
Hearth to hearth, the Flame of War went. Over snow-blasted mountains and amongst the trees of tangled forests, hiding from the enemies that prowled the skies. Through long, bitterly cold nights where the wind howled as it tried to wipe out any trace of that flame. But the wind did not succeed, not against the flame of the queen. So hearth to hearth, it went. To remote villages where people screamed and scattered as a young-faced woman descended from the skies on a broom, waving her torch high. Not to signal them, but the few women who did not run. Who walked toward the flame, the rider, as she called out, “Your queen summons you to war. Will you fly?” Trunks hidden in attics were thrown open. Folded swaths of red cloth pulled from within. Brooms left in closets, beside doorways, tucked under beds, were brought out, bound in gold or silver or twine. And swords—ancient and beautiful—were drawn from beneath floorboards, or hauled down from haylofts, their metal shining as bright and fresh as the day they had been forged in a city now lying in ruin. Witches, the townsfolk whispered, husbands wide-eyed and disbelieving as the women took to the skies, red cloaks billowing. Witches amongst us all this time. Village to village, where hearths that had never once gone fully dark blazed in answer. Always one rider going out, to find the next hearth, the next bastion of their people. Witches, here amongst us. Witches, now going to war. A rising tide of witches, who took to the skies in their red cloaks, swords strapped to their backs, brooms shedding years of dust with each mile northward. Witches who bade their families farewell, offering no explanation before they kissed their sleeping babes and vanished into the starry night. Mile after mile, across the darkening world, the call went out, ceaseless and unending as the eternal flame that passed from hearth to hearth. “Fly, fly, fly!” they shouted. “To the queen! To war!” Far and wide, through snow and storm and peril, the Crochans flew.
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
Some incidents of facial profiling have been more inconvenient than others. I’ll never forget walking through airport security when I was flying to give a speech to a Christian men’s group in Montana. The Department of Homeland Security screeners obviously didn’t recognize me as “Jase the Duckman” from Duck Dynasty, and I felt like I was one wrong answer away from being led to an interrogation room in a pair of handcuffs! Hunting season had recently ended, so my hair and beard were in full bloom! The security screeners saw a Bible in my bag, and I guess they figured I was a Christian nut because of my long hair and bushy beard. Somehow, I made it through the metal detector and an additional pat-down, and I guess they couldn’t find a justifiable reason to detain me. But as I was getting my belongings back together, I accidentally bumped into a woman. She screamed! It must have been an involuntary reflex. It was a natural response, because she thought I was going to attack her. Once she finally settled down, I made my way to the gate and sat down to compose myself. After a few minutes, a young boy walked up and asked me for my autograph. Finally, I thought to myself. Somebody recognizes me from Duck Dynasty. Not everyone here believes I’m the Unabomber! Man, I could have used the kid about twenty minutes earlier, when I was trying to get through security! I looked over at the boy’s mother, and she was smiling from ear to ear. I realized they were very big fans. I signed my name on a piece of paper and handed it to the kid. “Can I ask you a question?” he said. “Sure, buddy,” I said. “Ask me anything you want.” “How much does Geico pay y’all?” he asked. My jaw dropped as I looked at the kid. “Wait a minute, man,” I said. “I’m not a caveman!” “What do you mean?” the boy asked. “I’m Jase the Duckman,” I said. “You know--from Duck Dynasty? Quack, quack?” It didn’t take me long to realize the boy had no idea what I was talking about. In a matter of minutes, I went from being a potential terrorist to being a caveman selling insurance.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Alliance (Sonata)" Of dusty gazes fallen down to the soil or leaves without sound and entombing. Of metals without light, with the void, with the absence of the dead day of coup. At the top of the hands the dazzle of butterflies, the start of butterflies whose light has no end. You were keeping the trail of light, of broken beings that the sun abandoned, getting dark, throws to the churches. Stained with glances, with the aim of bees, your material of unexpected flame fleeing coming before and after the day and to your family of gold. The days stalked they cross the secrecy but fall inside of your voice of light. Oh proprietress of love, on your rest I founded my dream, my silent attitude. With your body of shy number, extended suddenly until quantities that define the earth, behind the fight of the white days of space and chills of slow deaths and withered stimuli, I feel burn your lap and move your kisses making fresh swallows in my dream. Sometimes the fate of your tears amounts as the age up to my forehead, there they are striking the waves, being destroyed of death: its’ movement is damp, depressed, final.
Pablo Neruda (Residence on Earth)
Alliance (Sonata) " Of dusty glances fallen to the ground or of soundless leaves burying themselves. Of metals without light, with the emptiness, with the absence of the suddenly dead day. At the tip of the hands the dazzlement of butterflies, the upflight of butterflies whose light has no end. You kept the trail of light, of broken beings that the abandoned sun, sinking, casts at the churches. Stained with glances, dealing with bees, your substance fleeing from unexpected flame precedes and follows the day and its family of gold. The spying days cross in secret but they fall within your voice of light. Oh mistress of love, in your rest I established my dream, my silent attitude. With your body of timid number, suddenly extended to the quantities that define the earth, behind the struggle of the days white with space and cold with slow deaths and withered stimuli, I feel your lap burn and your kisses travel shaping fresh swallows in my sleep. At times the destiny of your tears ascends like age to my forehead, there the waves are crashing, smashing themselves to death: their movement is moist, drifting, ultimate.
Pablo Neruda (The Poetry of Pablo Neruda)
Early in the twenty-first century a device had been introduced which allowed printed text from any book to be downloaded to a small hand-held device. A world already holding a phone to its ear or staring at it to write trivial messages rather than look at the world around them now had one more such human interaction killer. No longer did people have to walk into a book store and interact with another human being to purchase a book. No longer were they forced to say hello to the delivery man as he dropped off books they had ordered by computer. No longer would they be able to lend a book to a workmate or family member. They could hold a piece of metal or plastic in their hands and read the text coldly flowing across the small screen devoid of the warmth and feeling beyond the words which had been the author’s intent. Within half a century, real books had become extinct. No longer was a book a friend who would take you by the hand and lead you on a great adventure. Gone was the beckoning cover creating an image in the reader’s mind which they could glance at even while reading. Absent was that wonderful smell of a new book when it is first cracked open. Even used books had a scent which spoke of distant places and other worlds. As the book went, so had society gone.
Bobby Underwood (The Beautiful Island (Matt Ransom #6))
Almost unconsciously, his gaze shifted across the immense ballroom to fasten on the girl, inexorably pulled to her like metal filings to a magnet. He could barely make her out since she was surrounded by her usual jostling court of ardent admirers, most of them titled, wealthy, and considerably handsomer than Nigel. If he was honest with himself, he’d have to admit that obsession would be the most accurate description of his feelings, and he hadn’t the slightest notion as to when or how that obsession had developed. However it had happened, over the last several months a ridiculous amount of space in his skull had been taken up by thoughts of lovely Amelia Easton. Fortunately, until now, none of his acquaintances had suspected that he—the most sensible man in the ton—had succumbed to such a maudlin, hopeless passion. A hopeless passion, since Amelia Easton would no sooner marry a man like Nigel than she would a butcher from Smithfield. After all, she was widely acknowledged as one of the great prizes on the matrimonial mart—beautiful, kind, good-natured, and disgustingly rich, or at least her father was. It was a most potent combination, and meant that the girl couldn’t step foot outside her family’s Mayfair townhouse without a pack of slavering bachelors in pursuit. “How
Anna Campbell (A Grosvenor Square Christmas)
Chrissy, m’boy. I would like to tell you that oars are pilchard stew.” “Pilchard stew?” He shook his head, his eyes never quite settling on me for a moment. “No, no, boy. I wanted to tell you that I saw a picture of you… in the newspaper. You looked most apple light and runcible.” He had a metal tankard in his hand – his own personal one which he took to the pub each day – and he waved it about in the air so that drops of beer splashed about the place. “Apple light and runcible?” I asked to check that it wasn’t my hearing that was the problem. “What do you mean, boy?” He examined me as if I were quite mad. “I said you looked upright and respectable. I haven’t used the word runcible in my life. I don’t even know what it means.” He stopped then and gazed about the room as though unsure what he was doing there. “Anyway, as I was saying, there was a phonograph…” I understood this slurred word without asking for clarification. “… of you with your grasshopper.” It went on like this for quite some time. I particularly enjoyed a story he told from when he was a child on his family’s grand estate. He was playing with his two best friends – a unicorn and a hacksaw – and they discovered a purple blancmange. By this point, I had given up asking what he really meant and tried to enjoy the bizarre story for what it was.
Benedict Brown (The Christmas Candle Murders (Lord Edgington Investigates, #15))
They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
It is seventeen years since she sailed slowly up the Mekong, in a slow boat with canvas awning, to Savannakhet, a large clearing in the virgin forest-land, surrounded by grey rice fields. At night, clusters of mosquitoes on mosquito nets. He cannot, by any stretch of the imagination, picture her at twenty-two, sailing up the Mekong. He cannot picture that face as a young face. He cannot imagine the eyes of an innocent girl seeing what she can see now. He is walking more slowly now. It is already too hot. Gardens everywhere on this side of the town. The funeral scent of oleanders. The land of oleanders. He never wants to see those flowers again. Never. Not anywhere. He had too much to drink last night. He drinks too much. There is a dull ache in the back of his neck. His stomach is queasy. The pink oleanders melt into the pink sky at dawn. The piled-up heaps of lepers scatter and spread. He thinks of her. He tries to think of her, nothing but her: a girlish figure seated on a couch, overlooking a river. She is gazing in front of her, no, he cannot see her, she is lost in the shadows. He can only see her surroundings: the forest, the Mekong river. A crowd of about twenty people has gathered in the metalled road. She is ill. At night she weeps, and it is thought that the best thing would be to send her back to France. Her family are alarmed. They never stop talking. They talk too much, too loudly. Wrought-iron gates in the distance, sentries in khaki uniform. Already they are guarding her, as she will be guarded for the rest of her life. It would be a relief to everyone if she would give vent to her boredom in an angry outburst. It would not surprise them if she were to collapse before their eyes, but no, she is still sitting silently on her couch when Monsieur Stretter arrives, and carries her away in his official launch. He told her: 'I shall leave you in peace. You are free to return to France whenever you wish. You have nothing to fear.' And all this, when he, he, Charles Rossett–he stops in his tracks–oh! he, at this period of Anne-Marie Stretter's life, was no more than a child.
Marguerite Duras (The Vice-Consul)
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
The wars break out and die down, but then there’s a flareup elsewhere. Houses cracked open like eggs, their contents torched or stolen or stomped vindictively underfoot; refugees strafed from airplanes. In a million cellars the bewildered royal family faces the firing squad; the gems sewn into their corsets will not save them. Herod’s troops patrol a thousand streets; just next door, Napoleon makes off with the silverware. In the wake of the invasion, any invasion, the ditches fill up with raped women. To be fair, raped men as well. Raped children, raped dogs and cats. Things can get out of control. But not here; not in this gentle, tedious backwater; not in Port Ticonderoga, despite a druggie or two in the parks, despite the occasional break-in, despite the occasional body found floating around in the eddies. We hunker down here, drinking our bedtime drinks, nibbling our bedtime snacks, peering at the world as if through a secret window, and when we’ve had enough of it we turn it off. So much for the twentieth century, we say, as we make our way upstairs. But there’s a far-off roaring, like a tidal wave racing inshore. Here comes the twentyfirst century, sweeping overhead like a spaceship filled with ruthless lizard-eyed aliens or a metal pterodactyl. Sooner or later it will sniff us out, it will tear the roofs off our flimsy little burrows with its iron claws, and then we will be just as naked and shivering and starving and diseased and hopeless as the rest. Excuse this digression. At my age you indulge in these apocalyptic visions. You say, The end of the world is at hand. You lie to yourself – I’m glad I won’t be around to see it – when in fact you’d like nothing better, as long as you can watch it through the little secret window, as long as you won’t be involved. But why bother about the end of the world? It’s the end of the world every day, for someone. Time rises and rises, and when it reaches the level of your eyes you drown. What happened next? For a moment I’ve lost the thread, it’s hard for me to remember, but then I do. It was the war, of course. We weren’t prepared for it, but at the same time we knew we’d been there before. It was the same chill, the chill that rolled in like a fog, the chill into which I was born.
Margaret Atwood (The Blind Assassin)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
SUPPLEMENT DAILY DOSAGE Vitamin A 10,000 IU or 6 mg beta-carotene (choose mixed carotenes if available)     B-complex vitamins B1, B2, B3, B5: 50 mg B6: 50 mg, or 100 mg if nauseated (can be higher: if necessary up to 250 mg to prevent nausea) B12: 400 mcg Choline, Inositol, PABA: 25 mg Biotin: 200 mcg Folic acid: 500 mcg (increase this to 1000 mcg if you have suffered a previous miscarriage, if there is a history of neural tube defects in your family, or if you are over 40 years of age)     Vitamin C 1–2 g (take the higher dose if you are exposed to toxicity or in contact with, or suffering from, infection)     Bioflavonoids 500–1000 mg (helpful for preventing miscarriage and breakthrough bleeding)     Vitamin D 200 IU     Vitamin E 500 IU (increasing to 800 IU during last trimester)     Calcium 800 mg (increasing to 1200 mg during middle trimester when your baby’s bones are forming, or if symptoms such as leg cramps indicate an increased need)     Magnesium 400 mg (half the dose of calcium)     Potassium 15 mg or as cell salt (potassium chloride, 3 tablets)     Iron Supplement only if need is proven; dosage depends on serum ferritin levels (stored iron) If levels < 30 mcg per litre, take 30 mg If levels < 45 mcg per litre, take 20 mg If levels < 60 mcg per litre, take 10 mg This test for ferritin levels should be repeated at the end of each trimester, and we give further details in Chapter 11.     Manganese 10 mg     Zinc 20–60 mg, taken last thing at night on an empty stomach (dose level to depend on results of zinc taste test, which ideally should be performed at two monthly intervals during your pregnancy; see page 172–174 for details)     Chromium 100–200 mcg (upper limit applies to those with sugar cravings or with proven need)     Selenium 100–200 mcg (upper limit for those exposed to high levels of heavy metal or chemical pollution). Selenium is best taken away from vitamin C, but can be taken with zinc.     Iodine 75 mcg (or take 150 mg of kelp instead)     Acidophilus/Bifidus Half to one teaspoonful, one to three times daily (upper limits for those who suffer from thrush)     Evening primrose oil 500–1000 mg two to three times daily     MaxEPA (or deep sea fish oils) 500–1000 mg two to three times daily     Garlic 2000–5000 mg (higher levels for those exposed to toxins)     Silica 20 mg     Copper 1–2 mg (but only if zinc levels are adequate)     Hydrochloric acid and digestive enzymes For those with digestive problems. There are numerous proprietary preparations which contain an appropriate combination of active ingredients. Ask your health practitioner, pharmacist or health food shop for guidance, and take as directed on the label.     Co-enzyme Q10 10 mg daily
Francesca Naish (The Natural Way To A Better Pregnancy (Better babies))
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The elf stared back without speaking, and as he looked between Cayla and me, his gaze fell on her ass every time like a bad tick. I sighed, and Dragir must have looked over, because he suddenly said something in Elvish to the man that made his eyes go wide with fear, and he remained staring diligently at the pile of rockets he was responsible for instead. “He doesn’t speak English,” Dragir explained. I furrowed my brow. “What did you tell him?” “I told him you would skin him alive and feed his innards to his own family if he kept it up,” Dragir replied. “This is accurate, yes?” I grinned. “It’s a little elven, but yeah, basically.
Eric Vall (Metal Mage 7 (Metal Mage, #7))
I looked around to make sure I wasn't leaving anything behind, closed the door behind me, and collapsed sobbing, on the little cement landing, gripping, the cold metal railing to keep from falling over completely. Thinking back on it now, it reminds me of labor. There was a point during my son's birth when my contractions changed very suddenly from gripping to pushing. I was not in control; my body and the wisdom it held from thousands of years of evolution took over. My body did the same with my grief. It seized my bones and muscles and pushed it out. There in the rain outside my dad's home, I bawled and shook wildly for a few moments.
Mia Birdsong (How We Show Up: Reclaiming Family, Friendship, and Community)
Old people were visible everywhere, in beds, in wheelchairs, on gurneys, huddled on hard wooden benches in the wide corridor; idle, insulated from their surroundings by senses that had shut down over the years. They seemed as motionless as plants, resigned to infrequent watering. Anyone would wither under such a regimen: no exercise, no air, no sunlight. They had outlived not only friends and family, but most illnesses, so that at eighty and ninety, they seemed untouchable, singled out to endure, without relief, a life that stretched into yawning eternity. We passed a crafts room where six women sat around a table, making potholders out of nylon loops woven on red metal frames. Their efforts were as misshapen as mine had been when I was five. I never liked doing that shit the first time around and I didn’t look forward to having to do it again at the end of my days. Maybe I’d get lucky and be struck down by a beer truck before I was forced into such ignominy.
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
From Contrell the links go to all sorts of men with unorthodox tastes. Austrian industrialists. Sheikhs. Three brothers in Detroit with a padlocked metal shed. Online they can peruse the merchandise discreetly and, if need be, ask for more product information—different photographic angles, specific poses. They make their selections. Given immigration confusion, gang influence, and splintered family trees, disappearances aren’t rare when you’re dealing with broke ethnic girls. They’re a renewable resource. Hector Contrell comes in the black of night, and another girl vanishes off the streets and wakes up in a stupor in Islamabad or Birmingham or São Paulo. Some of the girls are kept. Some are designated for onetime use.
Gregg Hurwitz (The Nowhere Man (Orphan X, #2))
When the time came for Snake to leave, Sunny stood at the edge of the cargo bay, waved goodbye, and called out, “S-see you, Snake!” Snake returned a smile. He would be gone for at least several days—several days without having to endure her fried eggs. I looked at Sunny, watching Snake reach the edge of the tarmac, and I thought, We’re something like a family, aren’t we.
Project Itoh (Metal Gear Solid: Guns of the Patriots)
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The list was astounding. There were ten heads in all: one full head in the refrigerator, four skulls in a small floor freezer, three painted skulls in metallic colors, and two that were bone-dry white. Those that were still relatively identifiable were matched with either police or family photos. The large blue hermetically sealed industrial drum from the bedroom contained severed human flesh and four completely dismembered bodies covered in a solution of muriatic acid. There were sets of hands, a human scalp, and two well-preserved penises found in plastic pails hidden in the closet. A four-drawer metal filing cabinet from the living room contained the entire skeletal structure of a victim. The bones inside had been treated with the various solvents and were immaculately clean. There was a variety of knives. One had a large contoured black plastic handle with a six-inch serrated blade and the word Bushwacker molded into it. There was a small drill with several bits, numerous handsaws, forks, plates, and a stovetop broiler adapter, all encrusted with human bone and flesh and trace blood evidence.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
First up were these dainty heirloom vegetables, speared like lollipops on a "fence" of fine metal pricks. "I'm not a minimalist by nature," the chef explains of this simple yet exquisite dish, "but sometimes the stuff we get from the farm is so perfect, I feel like I shouldn't do much with it: just vegetables, naked, with salt and a little lemon vinaigrette." Andrew and I plucked the carrots, fennel, radishes, and greens one by one, relishing the powerful flavor contained within each, along with the snap, crunch, and wholesomeness. So simple and pure. But it wasn't all so austere. We moved on to luscious potato gnocchi, fresh tilefish from Montauk, and my favorite, duck. Blue Hill gets its ducks from a local farm called Garden of Spices, where they're raised on grass, something that is rarely done in this country. "We cold smoke the legs for several hours- tenderizing the muscles from all that activity- and roast the breasts on the bone.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
It’s lighter than I expected, smaller somehow too. The cover is a deep-green leather, and both right-hand corners are decorated with metal embellishments. I run my fingers along the edges. There is no title. No author name. This is not a book. I open to the first page, confirming my suspicions. Across the delicate, yellowing front page in a scratchy, handwritten font, I scan the words with a ball of fear swelling in my chest. This diary belongs to Celine Mason, age 16. DO NOT READ!
Kiersten Modglin (The Family Secret)
but especially on the Mediterranean, where all the powers now faced a catastrophe. No one knows what caused it, but it is probable that a synchronicity of climate, natural disaster, pandemics, greed and systemic implosion sparked movements on some faraway steppe that unleashed a stampede migration in which maritime marauders shattered the rich cities of the Mediterranean and western Asia. The raiders sound like Greeks, the Egyptians called them ‘Sea Peoples’ but they came by land too, sporting new iron breastplates and leg greaves, wielding stabbing swords and shields, all made by the smelting of iron ore and meteoric iron to make a stronger metal. Iron had been known for a long time and it is likely that the smelting process developed slowly in many places, starting in India and spreading via the sophisticated blacksmiths of Hatti to Europe and Africa.
Simon Sebag Montefiore (The World: A Family History of Humanity)
I’m over five and half feet tall and weigh about ten stone. My eyes are brown, hair black, and I forget the blood group. I used to be older than twenty but now I’m older than thirty. I’ve been called a crustacean, and too serious, but recently I was described by a dependable man as shrewd, obstinate and adequately intelligent. I was a writer once and now I’m a doctor, but I was advised to become these, I never wanted it. I’ve never wanted anything long. Except freedom.” There was a metallic rattle of laughter. Lanark said, “Yes, it’s a comic word. We’re all forced to define it in ways that make no sense to other people. But for me freedom is …” He thought for a while. “… life in a city near the sea or near the mountains where the sun shines for an average of half the day. My house would have a living room, big kitchen, bathroom and one bedroom for each of the family, and my work would be so engrossing that while I did it I would neither notice nor care if I was happy or sad. Perhaps I would be an official who kept useful services working properly. Or a designer of houses and roads for the city where I lived. When I grew old I would buy a cottage on an island or among the mountains—” “Dirty! Dirty! Dirty! Dirty!” said the voice on a low throb of rage. “Dirty bastards giving me a killer for a doctor!
Alasdair Gray (Lanark: A Life in Four Books)
wish I had a dad like that,” I thought. “No, I want to become a dad like that!” I had lost my own father by then, and my family unit had shrunk to three.
Hideo Kojima (The Creative Gene: How books, movies, and music inspired the creator of Death Stranding and Metal Gear Solid)
I haven’t yet become the kind of father that would make me feel satisfied with myself. I may have reached the level of the workaholic Hiroshi, but Charles remains beyond my reach. When will I be able to stop turning to these portraits of a family and make my own worthy one in reality? I want my children to not worship idols as I have, but to be able to look to our own real-life family and be inspired to dream for their futures.
Hideo Kojima (The Creative Gene: How books, movies, and music inspired the creator of Death Stranding and Metal Gear Solid)
I’m not even a person anymore. Not flesh and blood. None of the soft curves the men would want. I’m clockwork, made of metal and wood. Unfeeling. Unflinching in the face of familial betrayal.
Skye Warren (The King (Masterpiece Duet, #1))
wistfulness. “Perhaps soon her jailers—pardon, her family—will allow us to visit.” “I have an idea,” Daisy commented. “When father comes from New York next month, we’ll have to go with him for another visit to Stony Cross. Naturally, Annabelle and Mr. Hunt will be invited, because of their friendship with Lord Westcliff. Perhaps we can ask that Evie and her aunt be included, too. Then we can have an official wallflower meeting—not to mention another Rounders game.” Annabelle groaned theatrically, downing her wine in a large gulp. “God help me.” Placing her glass on a nearby table, she fished in her pocket for a tiny paper packet with an object folded inside. “That reminds me—Daisy, will you do a favor for me?” “Of course,” the girl replied promptly and opened the paper. Her face wrinkled in curiosity as she saw a needlelike piece of metal. “What in heaven’s name is this?” “I pulled that from Lord Westcliff’s shoulder on the day of the foundry fire.” She grinned at their appalled expressions as they saw the long iron shard. “If you wouldn’t mind, take it with you to Stony Cross and toss it into the wishing well.” “What should I wish for?” Annabelle laughed softly. “Make the same wish for poor old Westcliff that you
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
We visited Gwangjang Market in one of Seoul's oldest neighborhoods, squeezing past crowds of people threading through its covered alleys, a natural maze spontaneously joined and splintered over a century of accretion. We passed busy ajummas in aprons and rubber kitchen gloves tossing knife-cut noodles in colossal, bubbling pots for kalguksu, grabbing fistfuls of colorful namul from overbrimming bowls for bibimbap, standing over gurgling pools of hot oil, armed with metal spatulas in either hand, flipping the crispy sides of stone-milled soybean pancakes. Metal containers full of jeotgal, salt-fermented seafood banchan, affectionally known as rice thieves, because their intense, salty flavor cries out for starchy, neutral balance; raw, pregnant crabs, floating belly up in soy sauce to show off the unctuous roe protruding out from beneath their shells; millions of minuscule peach-colored krill used for making kimchi or finishing hot soup with rice; and my family's favorite, crimson sacks of pollack roe smothered in gochugaru, myeongnanjeot.
Michelle Zauner (Crying in H Mart)
Texcoco and Azcapotzalco, where peoples lived on maize and beans, cooking tamales and tortillas, drinking alcoholic pulque made from the agave cactus (much weaker than tequila and fermented rather than distilled). Women spun cotton textiles; men farmed and fought – they deployed neither metal nor the wheel but their children’s toys had wheels; they used rubber mixed with the sap of morning glory (a process not discovered in the west until the nineteenth century) to make balls for their games. In the absence of metal, they crafted obsidian volcanic glass for their weapons.
Simon Sebag Montefiore (The World: A Family History of Humanity)
It’s mayhem, it’s chaos, and then the hose is unleashed. An icy torrent of water knocks me to the ground and separates me from Seth. Water fills my nose, and I choke on it, coughing hard and desperately trying to shield my eyes from the worst of it so I can see. The spray moves away from me long enough that I can stand on shaky legs. It’s a fight to regain my bearings, my vision still blurred, and stray limbs and bodies tangle across the ground, tripping me with every step. The gate is at my back, and everywhere I look is a mess of water, people, and mud. It’s so loud; even when I blink away the last of the water, I still feel too disoriented, like I’m disconnected from my body. I slip. My shoulder slams into concrete, and I breathe through the pain as I force myself to my feet again. Someone shouts my name, but then there’s a guard in front of me, his helmet visor pulled up so I can see the wicked gleam in his eyes when he pulls out a small black object from his belt. I spot the metal prongs and realize what’s about to happen. Terror lances up my spine, thick and suffocating in my throat. I can’t move. Behind me, Ajei screams. A large hand wrenches me back by the arm, and I lose my balance. Electricity crackles from the end of the taser, missing my drenched side by a centimeter as I crash to the ground hard. “We saw you!” Someone screams. “We have a video! Murderer! You tried to kill him!” Without warning, hands are everywhere, grabbing me and pulling me back to safety. “No, wait!” I shout, struggling to free myself from their grasp. I can’t leave now, not like this. I need to be up at the front, strong in the face of danger, just like our ancestors. I need to make my family proud; need to protect them and the land we were blessed with the way I promised I would. There’s a cry of pain, and I catch a glimpse of Seth yanking my attacker’s arm behind his back until he’s forced to drop the taser, which Seth kicks away. His eyes are ablaze, and he’s utterly ruthless, but despite everything, I can only think of how beautiful he looks. Then, he swings out a leg and takes out another guard who is going after a fleeing Ajei, her phone in her hand from where she had been recording everything. He spies me on the ground amidst the throngs of protestors, something like fear on his face, and roars, “Get him out of here!
Joy Danvers (Guardian's Guard (Alden Security #3))
I am sorry, my king. I follow your lead and do what is best for our people, but I must think of my family. If you fall, if the world falls, I may be able to transcribe a weapon strong enough to help the survivors, but I cannot if I am dead.” Azrael was the one who had helped me forge the rings that The Hand wore, helping me shape metal and minerals. He was my friend, even though his loyalties lay with the God Xeohr.
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
Yes, you can kiss me. But let’s make them small kisses so you don’t struggle breathing.” Her fingers dance along my ear, then move up to my broken horns, two ugly stumps capped off with metal. “You can strip me naked. You can lick me all over. Think of me as a blank canvas and you’re the artist.” That’s far more poetic than how I feel. “More like I’m just the lucky bit of scrap that you’ve decided to craft into something new.” She grabs me by the ears, her expression fierce as she forces me to look her in the eye. “You’re not scrap. You’re just as worthwhile as anyone I’ve ever met. Better, even. You saw me hurting and did something about it instead of walking away like so many others. That shows your true character. I probably cost all of your credits, was a bother and an annoyance because I remember crying like a madwoman, and then you even found me a new place to live where I’d be safe. You didn’t just sell me to another person and hope for the best. You made sure that I was taken care of, even if it was a problem. You’re amazing. Your heart is amazing. I don’t care that you don’t have a good family name or that your father’s father was a splice. I don’t care that you have a criminal record. All the things that you think make you unworthy don’t bother me, because I know how you really are when the chips are down.” “What are chips⁠—” “Hush,” Melody says, exasperated. “I’m trying to build you up here.
Ruby Dixon (When She's Handy (Risdaverse))
I took a black and white photograph, which I also posted on Instagram. Her New Balance shoes and her feet crossed, hanging as she sat atop the pile of aluminum chairs, against the backdrop of the many legs of the chairs shining in the street lights in contrast to her dark shoes and leggings, were so captivating. There was a lightness in the way she sat there with her crossed legs dangling, as if she was perched on a cloud and it was the most natural thing as she was my angel. I was still unsure if she really existed or if I had only made her up with Pinto cat one night. It was all like a lucid dream. I was so glad for us and for us becoming rich soon too. I was so glad I could provide her with a future in Europe. I was so glad we would be rich and happy and we would be able to make all our dreams come true and travel the world freely together. I can show her Italy and Hungary and Europe. We can pick where do we want to live or make family. I knew all my life, all my work had led to this girl, this moment, and this future. Ours. She started to rap in Spanish in the Rioplatense dialect as I started to record her. „Loco, loco…” - she was so cute, it sounded like she had learned it on the streets of Buenos Aires, skipping school. She was amazing - so young, so true, so natural and pure and cute. I couldn't get enough of her. I wanted to make kids with her. With only her. Nobody else. By the wall of the church and the bar tables, there were a bunch of metal mobile railings with the Ajuntamiento de Barcelona logo in the middle of each of them. I told Martina to squat down to the level of the Ajuntamiento sign, and before I could finish my sentence, she was already doing it. She posed with the mobile railings, making a funny, cool and happy face while squeezing the Ajuntamiento logo between two of her fingers and pointing at it with her other hand, as if we were mocking the authorities of the Ajuntamiento. She was reading my mind. Like she knew magic. She was such a good girl. She was so pretty, smart and sexy. She was smiling, biting her lower lip, excited, turned on, and in love, I thought, looking like a bunny, or like Whitney Houston on the Brazilian live concert video, so I began to call her “Bunny”. I showed her how Whitney was smiling the same way. I was so blind to see the connection. (“The Cocaine Queen”) I was so much in love with her, so under her spell, I just really wanted her to be the One, I guess. I explained to her that the Camorra was one of my costumers and they had a club close by too and they were taking away other people's coffeeshops, menacing their lives and their families'. I explained to her that we were going to do all demolition and remodeling without any permit, without telling a word to anyone. I told her that we would lie to the residents of the building above us about what we were going to do there for months and months. I told her that she must keep it as our secret. She was nodding happily and she seemed happy that I trusted her. I explained everything to her, I told her about Rachel and Tom and I signing the founding document at Amina's office at the beginning of the same year, 2013. She seemed to understand the weight of all I told her and the reasons why I told her about it all, so she would know, so she wouldn't make a mistake saying the wrong thing in the wrong place at the wrong time. I asked her to pay attention to her surroundings in Barcelona from then on, as there were a lot of criminals, and she was a very pretty girl - not only my girlfriend. She seemed to take it as a privilege to be my girlfriend, and she seemed eternally happy, as was I. I told her that she was the only person I fully trusted. I wanted to send the video of Martina rapping on WhatsApp to Adam, but Martina told me I shouldn't because it was late and, at the end, Adam was my boss. “Yeah but he is not really my boss, in Spain, I am the boss.
Tomas Adam Nyapi
put on his commissary because you know the food is awful and he needs things. Things you can’t bring him. Then you wait with all the other loved ones on long, metal benches that have seen better days, for the buzz of a steel door and an officer to let you inside a dark room lined with stools and plexiglass booths. Old phones hang on the wall for you to talk to your child. There’s no touching. No hugging. There you wait, once more, for your kid to enter the box in his gray sweats. You’re grateful for those sweats because you know where the men wearing the orange jumpsuits are headed. In sympathy, you flash those families closed-mouth smiles. They return the gesture in kind, their eyes hollow from loss.
Bink Cummings (23 Hours (Sacred Sinners MC- Mother Chapter Book 1))
If life is only biology and blind fate, he wondered, why did Wheeler give his life for him. He saw now that it was the other man’s body that had shielded him from the flying metal. It was Wheeler’s life vest that had kept him afloat. It was Wheeler’s friendship that had drawn him in the first place out of the deadly belly of the ship. The thought of Wheeler left a great interrogation mark in his mind, a question that could not be cast off. Nor answered. He did not mention the man to his family.
Michael D. O'Brien (Strangers and Sojourners)
Look at me!” I thrust Il’Sahaj’s blade in his face and used it to turn his cheek. The flesh of his face withered into decay where the metal touched it. I relished his squeal of pain. His fear pulsed through me like a hideous, intoxicating drug. “Don’t kill me,” he wept. Bastard. Bastard. There was no recognition in his eyes — nothing but that cowardly panic. He took everything from me. Killed my family members in their beds. Sold a child to a terrible fate. Me, and so many others. And he didn’t remember. {It is not enough,} Reshaye hissed. “Remember me,” I snarled. A command, not a question, as I opened my palms to release streams and streams of butterflies — crimson, putrid wings spewing into the air as violently as the spurt of blood and the smoke of funeral pyres. They kept coming, surrounding me even as I closed my hand around my sword’s hilt again, as if they were peeling from my skin. I heard my name, faintly, far away. I ignored it.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
It had nothing to do with trust and everything to do with protecting you. I told you that already. I wasn’t going to drag you into that world.” “But you knew—you knew my father was involved and that I was already neck-deep in the mafia, but you pushed me away anyway. Is that right?” Her eyes blazed, and I could feel solid metal doors closing between us. “I knew your father was connected, yes.” “So instead of trusting me with the truth, you walked away.” With those words, the locks slid shut. Nothing I could say would penetrate. “I did what I thought was best when backed into a terrible situation at the age of sixteen. If that’s something you can’t forgive, then there’s nothing else to say.
Jill Ramsower (Never Truth (The Five Families, #2))
Valentina’s cool metallic stare had pushed me beyond sanity. With just one defiant look from her, I did crazy things. Insane, reckless, dangerous things. She was the kryptonite I never knew I had.
Jill Ramsower (Perfect Enemies (The Five Families, #6))
To fund the war effort against France, Princess Marianne appealed in 1813 to all wealthy and aristocratic women there to swap their gold ornaments for base metal, to fund the war effort. In return they were given iron replicas of the gold items of jewellery they had donated, stamped with the words ‘Gold gab ich für Eisen’, ‘I gave gold for iron’. At social events thereafter, wearing and displaying the iron replica jewellery and ornaments became a far better indication of status than wearing gold itself. Gold jewellery merely proved that your family was rich, while iron jewellery proved that your family was not only rich but also generous and patriotic.
Rory Sutherland (Alchemy: The Surprising Power of Ideas That Don't Make Sense)
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